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#like they specifically want to make it a black woman thing
mynameisjag · 3 days
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For anonymous: Prompt: Nicepool crushing hard on Weapon X.
Author's Note: If given the chance, I will write Logan as the embodiment of a feral cat unless specifically told not to.
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The usual thing about the TVA force hiring Deadpool and Wolverine to help handle cross universe dilemmas happens. Which was usually solved with a good fight, quips, and hauling their blood covered bodies back home for a greasy dinner.
Handling the situation with words…was abit more…problematic…
No one wanted to get near Weapon X to demand the variant go home and Deadpool, well, he had his own issues with his variant.
“The forces of fanfiction are against me, why are you fucking here?!”
“Good to see you too buddy!”
“Fucking how!”
Nicepool just shrugged and did a little wave over at Logan, who waved lightly back, “The forces of the multiverse are a mystery, death and life is at it’s own whimsy command. Much like love.”, and the man was now dreamily sighing and staring lovingly at the pissed off Wolverine variant.
Who was currently distracted by Wade’s Logan.
Logan was steadily just watching the other black clad mutant circle around him, both bristling.
Wade ignored that whole situation, they could take care of themselves like the big girls they are.
“You can not “Pretty Woman” this situation, Miss Lola over there is a man eater in the way Hannibal Lector is.”
“Oh, their name is Lola? That’s so pretty…Lola…”
“Is this what everyone back home feels like dealing with me, shit, I’m going to have to some apology letters or flowers when we get back home.”
“I should get them some flowers, what do you think they’re favorite is?”
“Lily’s, like the ones they use at funerals because that’s what is going to happen.”
Both Wolverines were on all fours and doing great imitations of cats now, hissing and teeth baring included.
“Awe, they are making friends!”, Nicepool clasped his hands in front of himself, sighing deeply again.
“Just fucking stick your dick in a trash compactor, it would end the same!”
“I can give them a better life, I can save them from the streets, I can be their hero.”, there seemed to be actual anime sparkles around the man…Wade waved it all away like a bad fart.
“Lola” was now purring and rubbing up against Logan, both chittering away like the ferret cousins they were.
Deadpool was just staring at his variant, his face being covered did not deter the aura of his annoyance being projected full force at the other, too bad Nicepool paid absolutely no attention to the waves of hatred sent his way, “You know what “Mr. Salt is too spicy for me”, go on, go confess your love,” he dramatically pointed over to the Wolverines, “go on, go-wait, where’s the other one?”
Logan shrugged nonchalantly, “He left.”
“What?”
“Yeah, he went home.”, he pointed at one of the doorways usually made from the TVA for dimensional travel, “I think he wants me to follow him.”
“Nope, I kidnapped you fair and square, we have a dog and rent together now, so you are not going anywhere. I’ve gotten too used to stealing your body heat at night. I’ve got no body hair to keep me warm, Lo, you’ve got too much, it’s a perfect balance, we can’t mess with the balance.”
Nicepool took a deep loud breath, interrupting the other two as he placed his hand on Wade’s shoulder, who just shrugged it off, “I know what I should do now, wish me luck,” he then turned and went through the gateway like a soldier on a mission, the entryway closing behind him in a zip of light.
“Wow,” Deadpool clapped his hands together once, “he is going to be murdered. Violently. Lola is going to use his thighs and squeeze his head like a watermelon in absolute viscous glee…I’m sorta jealous that’s how that cheery fuck will go out this time,” he turned toward his partner, “will you-“
“-I’m not getting your rotted out brain shit all over my crotch.”
“Fucking damn it!”
-Lola comes from the lyrics, “Her name was Lola, she was a showgirl.”
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suckmyfatdee · 15 hours
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Clear Bias towards Team Black(A lot of possible spoilers)
If you are against what I wrote and don't like it, then scroll or block me, idc, don't waste your time commenting and ridiculing me because trust me, for these opinions I've heard the same thing over and over again and you're not gonna change my mind by writing an angry comment. The comment will just be deleted and you blocked because not everyone wants to argue with someone in their comments. And for those who saw something similar on reddit, that's because I posted the same thing on reddit.
I've seen people online talk about how the screenwriters are not actually biased towards Team Black because they've made Team Green less vicious than in the books and made them sympathetic...and they're wrong in my humble opinion. This rant is gonna be long probably and my english is not the best so...
Starting off with Ryan Condal constantly talking about how the books are propaganda against Rhaenyra...why specifically Rhaenyra? He says it's because Rhaenyra is a woman. How that isn't enough to make it clear that he favours Team Black(the oh so feminist team) is beyond me. The books have always been about having morally grey characters which makes sense given that the story is set in medieval times and it's literally a world where dragons exist. So naturally they don't have the same morals as we have in real life at this point in time, so to us they will always be morally grey, as intended.
Also let's talk about the fact that even if they made Team Green more sympathetic they've also destroyed them in the process.
INTRODUCTION OF TEAM GREEN:
● For older Rhaenyra and Alicent where they've already been divided into Team Green and Team Black, Rhaenyra is introduced giving birth, obviously very much in pain and exhausted. And before they introduce adult Alicent, they talk about her asking for Rhaenyra's babe and then they show Rhaenyra walking around the Red Keep, with blood trailing after her and in obvious pain having just given birth...that's how they introduced Alicent. Literally her asking a woman, who has just given birth, to bring her babe(even tho she didn't ask for Rhaenyra but whatever).
● "Older" Criston Cole is introduced in the background barely, if at all, reacting when Rhaenyra walks around the Red Keep with blood trailing after her...
● Then young Aegon(in his teen years) is introduced bullying his younger brother, which by the way never happened in the books, if anything it was the Strong boys and Viserys. And then right after that, sexually humiliated and shown jerking out the window.
● And as for older Aegon they first show his victim Dyana, who we know what he did to(even tho this also never happened in the books), violently crying and extremely traumatized. And right after that, Aegon waking up(also once again sexually humiliated) and not caring for what he did referring to it as just some "harmless" fun. That's something the audience can't get over, that's how he was introduced, and a rapist is hard to be fond of(naturally) especially with how little, if at all, he cared. But it wasn't even about the victim in this scene, we don't get any elaboration on how Dyana dealt with it or even how the other maids reacted only Alicent's dossapointment in Aegon and her disowning him. ONLY THEN they choose to make him sympathetic, letting him cry and talk about how he will never be good anough for his parents and Alicent rolling her eyes RIGHT after he is introduced as a rapist. Making a character of one faction a rapist is the easiest way to make the other faction look better and be more likeable, no matter how sympathetic they make said character(Aegon) thereafter.
● Older Helaena is introduced walking in on her brother husband crying and her asking about the very woman her brother-husband just raped. That's all we know of her in the first scene.
● Older Aemond is introduced fairly badass, I didn't have a problem with that.
MAKING TEAM GREEN INSULT RHAENYRA JUST TO DISTRACT FROM CERTAIN THINGS....:
● While Alicent and Criston are talking about Rhaenyra committing High Treason and her father not giving a flying shit, they make Criston call her a spoiled cunt.
● They made Vaemond call Rhaenyra a whore just before they made Daemon kill him so it was kind of a "Ha! He had it coming moment", which I don't remember Vaemon doing in the books but sure go on(Also, in the books it was Rhaenyra that ordered Daemon to kill Vaemond before she had Syrax eat him and then yk what else...)
● Season two it kicked off amazingly and Aegon was definitely the most entertaining character for many. I don't think I need to elaborate on what I think about the B & C scene, given Geroge has taken the words right out of my mouth. But let's talk about the small council meeting right after Aegon found out what happened to Jaehaerys. Not even in Aegon's grief do they exclude Rhaenyra, and I'm not talking about the fact that they blamed Rhaenyra but rather that they made Aegon insult Rhaenyra. And while I loved the scene and understood why a grieving father would insult his rival who is most likely responsible for the death of his son, of course a lot of people focused on him insulting Rhaenyra instead of him having just lost his son to murder.
● Criston's character they've also reduced to nothing but a heartbroken pathetic man who is bitter of a rejection even tho he played such a big part in the books(IMO). But almost every scene of Crirston they make him insult Rhaenyra as if he can't think of anyone but her.
SEXUAL HUMILIATION OF TEAM GREEN:
At this point it's pretty clear they'll sexually humiliate Team Green at any given moment.
● Ser Criston Cole is shown breaking his oath and being coerced(yes coerced, because if we watched the scene it is pretty clear as a day that that is what happened)into sex by Rhaenyra, that was something left unclear in the books but anyways. For Rhaenyra it was seen as her bravely being a girlboss and exploring her sexuality whereas Ser Criston is humiliated by the audience for it.
● As I said Aegon(in his teen years) is sexually humiliated and shown jerking out the window, with his rear on display and his own mother catching him in the act.
● Then after introducing Aegon as a violent rapist, they make Alicent pull the blanket of Aegon once again sexually humiliating him by showing his rear on full display to his mother once again...
● Then they have Helaena making a joke at dinner and we know how people perceived this as...I have no idea if the screenwriters intend to make it seem as Aegon is sexually abusing Helaena but it was seen as such by many.
● Did I forget to mention when they made Aemond and Criston look for Aegon and then they made up a scenario where Aegon forced 13 year old Aemond to have sex with the brothel Madame Silvy, which DID not happen in the books.(and yes I edited this in because I forgot to mention this). So not only is Aegon a rapist but also is the one that orchestrated the rape of his own brother.
● Then they make Larys Strong have a fetish to the very thing related to his cripple...feet. And they make him sexually abuse and coerce Alicent, the Queen, into showing her feet and show him starting to jerk off. Wow!
● In season 2 to make Alicent seem hypocritical they make her and Criston have a sexual relationship(npt even once specualted in the books) and to add insult to injury they make Helaena who freshly watched her son get murdered walk in on them having sex just to make it seem all the more horrible even tho in thw books Alicent was bound and gagged and also watched Jaehaerys get murdered.
● Then they sexually humiliate Aemond by making him lay in the lap of his RAPIST and seek comfort in her.
● A few episodes later they make Aegon, the very reason for Aemond's rape, sexually humilate his brother publicly. Great.
● Oh and of course Aegon for some reason having his cock burned when in the books he was excited to have an heir with that Cassandra Baratheon.
TEAM GREEN DOES NOT BELIEVE IN THEIR OWN CLAIM:
● In the show, they make Aegon's claim weak, if they even make it a claim. Even tho both Rhaenyra and Aegon have a claim. Rhaenyra by Viserys' word and Aegon by birth right and by Andal law.
● Young Alicent however calls Rhaenyra's claim a birthright, which it is not(and yes Book Aegon called it Rhaenyra's birthright once, I know) so she didn't believe in Aegon's claim at all since the start.
● And just to add that they made Rhaenyra see that animal to make it seem as the gods "chose" her.
● The reason Alicent usurped the throne in the show is not because she believes it's her son's birthright at all but rather because she understood Viserys to have said that Aegon was to sit the throne.
● In season two, Aemond, while talking to Ser Criston, also says they usurped Rhaenyra, so to Aemond it wasn't their birthright?
● Aegon and show!Aegon are similar in the books when it comes to the claim, so not much to elaborate on.
Lastly, TEAM GREEN HATES EACH OTHER:
Do I need to elaborate?
There is much more I could say but I don't want to make the post too long. Tried to keep it short and simple but failed(Oops.) Also I got a bit lazy towards the end as you can probably tell.
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sanyu-thewitch05 · 1 year
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Seeing the black women aren’t women because white supremacy doesn’t view us as women takes circulating on social media again. I’m just going to say this
White supremacy doesn’t view black people as human either. It views us as monkeys and animals. So should the black community include monkeys as well?
Why does white supremacy dictate black peoples identity to this extreme? Even other nations in Africa that were colonized by white people don’t view themselves this way.
Why do black men get to keep their manhood but black women’s womanhood is stripped? White supremacy emasculates black men too, so why are black men still viewed as men?
Picking and choosing white supremacy rhetoric to fit your viewpoints is not going to turn out well for you.
I feel like this needs to be said for some black women, but attraction≠womanhood. Just because a white person isn’t attracted to you, doesn’t mean you’re less of a woman.
Just because YOU don’t feel like a woman because of white people, doesn’t mean you need to make other black women as genderless or masculine as you.
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i dont think striker and alastor are characters who are "precious senpais who did nothing wrong" i just don't think they're as reprehensible as valentino or stella. their actions aren't excusable, no, but they aren't near that level of abhorrent.
#helluva boss#hazbin hotel#satu's unpopular opinions#alastor hazbin hotel#helluva boss striker#comparing an asexual character to a rapist is one bad take but comparing a minority character to a racist abusive rich woman?#I get all four of these characters have unbearable apologists but Jesus fucking christ some of you are actually INSANE with your takes#on striker and alastor specifically like do you not ever realize how YIKES it is to compare the few ace characters to the SEX TRAFFICKER#OR SOMEONE WHOS IMPLIED TO HAVE LOST EVERYTHING TO ROYALTY ... COMPARING HIM TO THE ABUSIVE RACIST ROYAL LADY#WHO HE DOESN’T EVEN LIKE WORKING FOR???#She’s abused her husband in front of her child and she mocks the fact he dissociated during sex yet that's comparable to someone who#at his very worst he has been a hit man with sadistic tendencies but even then it's never been on the levels of sadistic like crimson#IM NOT EXCUSING STRIKER OR ALASTORS ACTIONS BUT CHRIST!!! CHRIST ALMIGHTLY YOU GUYS ARE SOMETIMES UNBELIEVABLE#“Alastor is completely evil” is possibly the dumbest fucking thing bc if u know any basic lore you know he at least gives a shit#About Niffty. About Rosie and Mimzy. He loved his mother. His father was an abusive piece of shit#Not excusing mass murder nor the cannibalism but its likely to note he probably only became cannibal in death bc already being mixed race -#- AND A SERIAL KILLER IN THE 30S? IN LOUISIANA??? HE WOULDN'T HAVE EVEN LIVED TO 40 IF HE WAS ALSO A CANNIBAL FJFJFJ#again I'm not excusing how he treated Husk in episode 6 or how he kills people bc obviously there's no context for the latter#And the former is ... EUGH#but also I saw someone say he'd be raping Husk if he wasn't asexual and to that I say fuck you#I /will/ say that he isn't gonna redeem! I don't want him to redeem lol! him being nasty is what makes him interesting#mostly morally black yet there's some grey in there like he has layers... how did he get there...#I just don't think he's Valentino’s level of bad#Striker I'm gonna be lenient on this time because some of you are actually vile comparing him to Stella or even Valentino#Actually stop comparing any character to Valentino that isn't one of the Vees bc holy shit that's so disgusting to read as an SA survivor
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job applications: this is entry level! anyone can apply!
job applications: ...as long as you've done at least six months of highly specific work, or have this exact degree, or if you kissed a chicken during the last moon of 2012-
#im back in the trenches bois its Not Looking Great#gonna apply to this stupid thing anyway but#it looks like stockin grocery store shelves is the way im gonna go#unless i get Very lucky or manage to bullshit my way into this job#college isn't necessary but Man a lot of places want you to attend. no <3#but noooo instead i have to like. work. till i die. and never make enough money to live comfortably. sigh#sometimes i think to myself 'i should make video essays on youtube and see if that goes anywhere'#and sometimes i think 'i should scribble up things that people would buy and make a shop'#and sometimes i think 'what if i killed someone with a stick. would that be fucked up or what'#absolutely unprompted#AGHHHHHHHH THE BOXES WE AS HUMANITY HAVE LOCKED OURSELVES INTO IM GONNA LOSE IT#i was born to be a handsome decoration / weird little artist for eccentric wealthy people#i was meant to drape myself across a beautiful philanthropist woman's lap and doodle lil animals for her#while she rambles and feeds me grapes#yk. if i did make a shop i could have an extra section for small crochet things#coasters. small hand warmers. tiny shapes. simple cat toys. that sorta thing. quick and easy stuff#i could make them w/ specific colors so that they're subtle fandom themed#i literally have a coaster in damian's robin colors... a black/red SB square...#hm. thinking#oh shit i gotta work on that new commission sheet#OH NO. I FORGOR SOMETHING I SHOULD NOT HAVE FORGOR. I HAVE MADE A LITTLE FUCKY WUCKY#excuse me everyone i have something to finish
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stephantom · 1 year
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what didn't you like about it, out of curiousity?
Hmm I’m gonna have to think on it it some more and come back to you when I’ve managed to articulate something
#I will try to get back to you later anon#I didn’t hate it. there were scenes that made me laugh and smile#but I think the prevailing feeling it’s left me with is… confusion/frustration/dissatisfaction? about the message insofar as it had one?#hmm and I think also because it made me remember how much I disliked and felt alienated by barbies growing up#not bc of the body image issues which the film makes some effort to engage with#not beauty standards but FEMININITY standards#and the movie doesn’t acknowledge that aspect of barbie as a cultural influence/reflection at all#except for maybe Allen if you squint??#the assumption is that you want to be barbie at least to some extent. you want to be pretty.#but you’re too stressed to accomplish it or you’re too angsty to embrace your desire to be pretty#the angsty teen goes from wearing all black (and pants) to a purple skirt by the end. the girly makeover subtly signifies healing.#(I know that could just be me reading into it… but is it?)#it’s the way it holds up a specific kind of person as Woman and universalizes her struggles and calls them All Women’s Struggles#while conflating them and largely ignoring actual economic/legal/political issues faced by women as a class#and the whole ken storyline… ehh idk I need it to be more internally consistent or something. to have a coherent message and not just#‘it was like I was in a trance where I thought I cared about the Zack Snyder cut of the Justice League’ as a joke about… what?#male-dominant interests being somehow inherently toxic? cool women not being into nerdy boy stuff?#it’s the old men are from mars women are from venus thing#sigh. girl power. lol I don’t know!#sorry this rambling is all I have for you right now#I thought the critique in youtube by verilybitchie touched on a lot of good points tho so maybe that’s somewhere to start#on* youtube#but it’s ok if you liked or loved it. I saw it with my sister who was super psyched for it (which is why I wanted to like it too)#and she’s great so
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athicfmoving · 2 years
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every time I think about what K.evin S.mith did with Felicia in TETMD and how he retconned her entire backstory I feel my blood boil
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prickly-paprikash · 5 months
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Kendrick doesn't just hate Drake as a person. He hates the very idea of Drake.
Hip-Hop is rooted in revolution. In defiance. These are the songs of an oppressed group of people, and decades upon decades people have hated it. Accused of being meaningless and invalid. Media outlets took steps to belittle hip-hop and make sure it isn't recognized as an art form and as a means to fight back.
2Pac spoke of wealth disparity and inequality. Tupac was literally a member of a communist organization when he was younger and never stopped speaking against capitalism.
Lauryn Hill spoke of the struggles a woman faces. Not just women, but black women. Salt-N-Peppa. Queen Latifah. MISSY FUCKING ELLIOT.
N.W.A made sure people knew about police brutality and violence against the Black community.
And now, in this day and age, we're also experiencing an explosion of Queer Hip-Hop. Lil Nas X is at the forefront of this. Lil Uzi Vert came out as non-binary and uses they/them pronouns, even when they knew that a lot of their fans would never use it or even respect them for it. Auntie Diaries, a song about a young man who grew up in a transphobic environment and bought into those beliefs, but could never fully do it because his Uncle loved him so much and taught him a lot of life lessons, and that wisdom translated to him accepting his cousin as a woman as well.
Drake is none of that.
He's the perfect representation of what people think hip-hop is. Flexing. Posturing. Objectifying women. A fucker so insecure he bought 2Pac's ring just to feel like he's part of the black community. Rejected by Rihanna publicly. Tried to groom Millie Bobby Brown. Kissed and inappropriately touched an underage girl during his concert. His songs have inspired so many young boys to treat girls like shit. His belief that the amount of rings and chains and cars he has is the true meaning of success.
Additional Edit: This is my fault. If this post gains more views, then it would be remiss of me not to add to this. It was my fault to begin with, not stating this beforehand because while I did know, I got lost in celebrating Hip-Hop in a place that doesn't usually do so, and rightfully so.
2Pac did fight for wealth equality and better social living for the black community. He also has a long, long history of battery, domestic abuse, and sexual harassment against women. Specifically against women of color. He made a song to celebrate his own mother, but outright refused to give the same show of respect to other women in his life. His hypocritical nature was brushed off in later decades, just the way I did now.
N.W.A is the same. Sexual assault charges, violence—they spoke of Police reform, but refuses to give the same treatment back towards the women in their lives.
50 cent refuses to backtrack on any of his misogynistic lyrics.
Modern rappers of today, such as the dead XXXtentacion. 6ix9ine. Kodak Black.
I do love Hip-Hop. I love rap. And the music itself has always been anti-authoritarian at its core, because those are its roots. And I was happy that circles that did not normally know of it or enjoy it were getting into it, even for one thing like this rap feud.
Lil Nas X, Little Simz, Childish Gambino, Missy Elliot, Queen Latifah, Lauryn Hill—rappers who have at the very least consistently tried to put their money where their mouth is. Who have tried to act in accordance to what they rap and write and sing for.
@shehungthemoon @ohsugarsims finnthehumanmp3 were the ones who rightfully clarified in the comments. I know an apology won't correct my hypocrisy or my stupidity. I should have added all of this before making this post, but I wanted so badly to celebrate a genre of music but failed to do my due diligence in showing a better, holistic view of it. If anyone felt triggered, offended, troubled, frustrated or any other intense negative emotions surrounding this, please do block me. I'm sorry.
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homunculus-argument · 26 days
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I may be swinging a fruit bat in a room full of hornet's nests here, but do americans know that most of the world doesn't look the way the US does? Like, specifically concerning ethnic diversity.
Coming from Europe, the fist time I went to the US, I was shocked by it, not in a negative way but in the same "wow, that's a real thing?" sort of way as western people finding out that there actually are that kind of pillar mountains in China, or americans who had never seen Fjord Horses in anything but the movie Frozen finding out that those fantastical yellow ponies are actually real.
And it wasn't some "backcountry rural hick sees Different Colour Person for the first time and dies of shock" sort of a thing. I had travelled before, and at 19 I considered myself quite worldly enough to go to a different continent I had never been on to go meet up a man from the internet, all by myself. I had been all over Europe from Iceland to St. Petersburg and from Norway to France, I have travelled. It was a slow realisation that it's turtles all the way down, that actually got me.
Being in an airport, going from one airport to another, I wasn't surprised by the sheer range of different kinds of people I saw. Airports just look like that, all over the world. Taking one flight after another, I didn't pay much attention to that, because airports just look like that. The "wait, holy shit" didn't hit me until I was already in rural Kentucky, in a fucking Wal-Mart. And if you're an american and the thought of a late teens nordic kid stepping foot into a Wal-Mart for the frist time and thinking "wow, this is actually what America looks like, all the time" makes you want to get defensive, it was by no means a negative feeling.
It was like looking into a bag of M&Ms. That's the only way I could describe it. Every single fucking person, group or family that I saw was apparently different colour and creed than the last ones who passed by. I had never seen black women with styled hair before because in Finland almost every single black woman you see is muslim and their hair is covered. I was used to the concept of large cities being more diverse, in FInland larger cities are the places where you're most likely to see people who aren't white. And I was stunned by just how colourful the population was in goddamn Beaver Dam, Kentucky.
I'm not trying to make any kind of a political point here. I'm just talking from my own experience as a Chronically Online European who has actually been abroad: City streets that look the way they do in the US are completely foreign to most people who are not american. And every time you people start complaining about why a game that's set in Poland, made by polish creators who have never been outside of Poland, only has polish people in it, they genuinely do not know what the hell you're talking about.
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yieldtotemptation · 2 months
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REPUTATION ft. Minji
minji x male reader smut
9k words
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“So, you’re the one,” Minji says, an accusation to make you look up from your drink. “The one they warned us about.”
Firstly, you didn’t plan for this (you never do).
The night began, as always, with the best intentions. You promised your manager that you would follow his instructions to the letter: show face, smile for the cameras, and then slip out before the real party kicks in and you find yourself knee deep in scandal. Again.
And (if you were extra good) you would end the night by scrolling through the greatest hits on your contacts list, looking for a fellow insomniac needing to past the time, needing a bed to share.
A normal, everyday kind of night.
But yet, here you are now: cornered by the girl on everyone’s playlist, all fierce determination and pouty lips wrapped up in a tight black dress.
She doesn’t bother with an introduction—no, that would be silly—instead she just stands there, looking pretty, expecting your full attention.
You quirk an eyebrow. “I require a warning?”
There’s a smile there, just a hint, playing at the edges of Minji’s mouth, like she’s in on a secret that you’re not privy to. “Beware of male seniors. Specifically,” she adds, tilting her head to the side, raising her hand, peeling one finger off the drink she’s holding so she can point a single glossy nail at “you.”
“Hm,” is all you have to say, playing coy, like this is all news to you. Like you’re not aware of your own reputation, of the things you’ve been accused of, the things your company has scrambled to cover-up, the things you’ve actually done.
“So,” she says, so carefree, so easily charming. It’s all an act, of course, a meticulously curated ‘cool girl’ image, something well-rehearsed and played a thousand times before on a thousand lesser men, a tightrope walk between relatable and unattainable. “Should I be worried?”
You know what she’s really asking for: an assessment. Do you find me attractive? Do I tempt you? Am I the type of girl worth risking your career over?
And so, you take her invitation and do the one thing that always gets you in trouble. You look. Look at her legs, long and toned and smooth, begging to be wrapped around your waist. Look at her thighs, creamy-white and barely covered by the hem of her dress. Look at her chest, the soft swell rising and falling with every breath, her collarbone glittering with the sweat of excitement.
Look higher—at how effortlessly perfect she looks, as if she wakes up every day looking like the ideal type of every man and woman in Korea. Oh, there’s make-up, it’s subtle but it’s there, playing up her best features: the height of her cheekbones, the almond curve of her eyes, the fullness of her lips.
She’s so undeniably, obviously gorgeous: a bombshell wrapped in the guise of a girl-next-door.
It’s no wonder she’s so fucking popular.
You give her a non-answer, “Depends what they’ve been saying about me.”
Minji takes a sip of her drink, her eyes never leaving yours, her full pink lips curling around the straw as she sucks in the sugary liquid. It’s a deliberate move, so casually erotic—borderline pornographic, in fact—designed to make you want to grab her and kiss her and prove everything they’ve been saying about you right.
But she’s busy assessing you, you can tell, trying to reconcile the rumours with the reality—Can you really make a girl like her lose control? Make her beg? Make her forget about her image, her obligations, her entire life outside of your cock?
“Word gets around HYBE quick.” Minji’s eyes narrow just a smidge, she’s biting down into her bottom lip, and it has you imagining all sorts of things you’d rather she was doing with her mouth. “The girls at SM can’t stop talking about you. The guys at JYP hate your guts, so that says a lot.”  She smiles at that last point, before listing off, “fuckboy, heartbreaker, group-wrecker, industry villain.”
It’s funny, hearing your dirty laundry aired out like that, and you can only shrug, give a casual smile as if to say ‘who, me?’. It’s admittedly a practiced move, one you’ve used to get out of sticky situations before (you may have even used it as an ending pose once). “Is that what they told you?” You ask, nodding in the direction behind her.
Minji follows your gaze, glancing over her shoulder, the wall of noise and flashing lights of the club framing her face, painting her skin with a rainbow of neon shadows.
There’s her bandmates, doing a terrible job of spying, a trio of worry and concern and gossip: they’ve found their little bunny, and she’s been caught speaking to the big, bad wolf.
She muses, “we’ve all heard the same rumours…”
“And so you came to… what?”
Minji takes a step closer, close enough for you to get a whiff of her drink; one of those sugary mixes, deceptively sweet, but just as strong as the one in your own hand. “To find out for myself,” she answers, “to see if you’re really as bad as everyone says, to see if it's all hype, or if there’s actually some truth to the legend.”
“Legend,” you repeat, trying the word out on your own tongue (it sounds sweeter on hers). “That sounds a bit much, don't you think?” you ask, trying to ignore the way she’s leaning forward now, letting the top of her dress dip, revealing just enough cleavage to stimulate your imagination. A simple gesture, so perfectly choreographed that you'd think it was incidental if you didn't know better, if it didn't have you picturing what it would be like to rip that dress off her, to expose her bare tits, to grab, lick, kiss, and—
She’s giggling out loud now, like she can hear every single filthy thought racing through your mind. “I think I'd like to be the judge of that.”
There’s an alarm bell going off in your pocket, the vibration of your phone buzzing with messages—who else but your manager, demanding to know why you haven't gone home like a good little idol yet, begging you to please, please not make another mess.
But you ignore it and take another sip of your drink, savouring the burn of the cold liquor down your throat, giving you a moment to consider. You’ve got Minji figured out, you think. It's nothing you haven't seen before (nothing you haven't dealt with before). The dream girl, the ‘ideal type’ who’s growing tired of maintaining a perfect image, looking to see how far she can push, how much she can get away with (how much you’ll let her get away with).
Because she’s probably never been told no in her life. Because she's used to getting what she wants with a bat of those lashes or a pout of those lips.
In a way, coming to you is safe, because if the worst were to happen—if you were to get caught—no one for a second would believe that one of the nation's precious daughters was the instigator.
“I know what you’re thinking,” she says, cutting through the din of the club like a knife, making you believe that she just might be telepathic. “You're thinking: she’s just another innocent idol playing at being naughty for just the night, but the second things get too wild, she’ll be out of here faster than you can say ‘Dispatch’.”
“Because you’re not like other girls.”
“Please,” she scoffs, dismissing the idea entirely. “I always see things to the end.”
“Alright then,” you say. She’s thrown down the gauntlet, and you’re going to pick it up, if for nothing else than to see just how far she’ll go. "Shall we do this here? I'll rip off your clothes, nail you in the middle of the dancefloor in front of all our friends and peers?"
She’s grinning now, not backing down, in fact she’s moving closer, like yes, that’s exactly what I was hoping for. “From what I’ve heard that would be tame for you. Is it true, what you got up to at Inkigayo?”
“That was in a parking lot.”
“And at M Coundown.”
"Under the stage.”
“Music Bank?”
“The staircase, of course.”
“See,” Minji’s whispering now, close enough that you can hear her over the thumping bass of the music, her breath warm against your ear, “you are a man-whore.”
“I have a name,” you reply, dryly.
“That’s nice.” She’s touching you now, her hand sliding up your chest, fingers playing with the buttons of your shirt. “Wanna hear me scream it?”
Your phone is still buzzing, and you know that you should be walking away. It would be the right thing to do: it’s far too public, she’s far too popular, and getting caught leaving hand in hand with her would be nothing short of an announcement that will hit the top of every social media platform by sunrise.
But it’s too late—it was over the second you locked eyes with her from across the dancefloor, when she caught you staring, blatant and unabashed, lingering on the way her ass bounced, mesmerised by how her hips swayed to the beat. 
You just had to let her know she was wanted.
"Look," Minji says, her hands sliding higher now, fingers idly adjusting the collar of your shirt. "There's no angle here, no game. I'm not looking to get caught or land in a scandal, and I'm definitely not looking for love or a boyfriend or whatever fairy tale shit you sing about. I just want what all the other pretty idols are getting."
She's forward, no shame in saying exactly what she wants, daring you to dispute it, but all you can do is cock your head to the side, and flash a smirk of your own. "And what makes you think you're my type?"
Minji laughs, her teeth glinting in the neon lights—you both know it's a very, very idiotic question. "Please," she says, rolling her eyes, "I'm everyone's type."
Another glance over her shoulder, where her bandmates have been pretending not to hover, and now there’s a new face in the mix: Yunjin. Her eyes narrowed to slits, her arms folded, and her jaw is clenched so tight you can almost hear her teeth grinding from here. Unlike the other three, she’s not playing the concerned friend card; she’s the pissed off mother bear, ready to pull Minji away from the walking, talking red flag.
And so adds to your stellar reputation.
Minji notices your eyes flicker in that direction, and looking back at the group with amusement, she takes it as the cue she's been waiting for. "We better get out of here before they take your head off."
It's inevitable, really, this is how it always ends up: the sweet, innocent idol lured into the jaws of the industry monster. But you can’t help it, not when she’s looking at you like that, like she wants to be eaten alive.
You know the score, you’ve danced this dance before, and you’ve got a role to play. The only thing left to do is to take her hand and lead her out of the chaos—through the throngs of familiar faces, not giving them a chance to register what you're doing, or who you're with, or what's about to occur, again.
Not like anyone could stop it now, anyway.
"So, this is how it happens," you hear Minji murmur as you lead her out of the club, through a hidden metal door, and into the cold, night air.
-
Minji tastes like gin and lime cordial, her lips sticky and sweet against yours, her arms around your neck, her back pressed up against the back-alley wall. There’s something in the way she’s kissing you—giggling between breaths—like she can’t believe this is happening, like she’s getting away with the crime of the century.
Her hands are in your hair now, tugging gently, the cool metal of her rings pressing into your scalp, begging you to kiss her harder, to burn the memory of your lips onto hers. Your tongues meet in a dance that’s more battle than ballet, and she’s matching you move for move, her teeth nipping at your bottom lip, her nails scraping down your neck.
She’s eager, she’s pressing her chest against yours, making you feel just how hot she is. But yet, there’s still that annoying voice in your head, the last shreds of your conscience, telling you to give her that final out, to let her walk away with her dignity intact, go back to her members and tell them she just had to get some fresh air.
So, you pull back, tearing your mouth away from hers, giving her room to gasp for air, to let the world come back into focus, and you ask her, loud and clear, “Are you sure you want to do this?”
Minji’s panting, breaths coming in short gasps, little puffs of steam out into the winter air, and she smiles. It’s a wicked little grin, equal parts surprised and thrilled, like you’ve just passed some kind of test she didn’t think you knew existed. “Are you asking for my consent?”
You balk at that. Your reputation can't be that bad. “Is it so unbelievable that I'd ask?” Even though you already know, deep down, she’s not going anywhere, there’s a power in hearing her say it. Saying that she wants you, specifically, to ruin her.
“No, it’s just…” Minji starts, looking up with those big, dark eyes, and you can almost see the gears turning in her head, trying to figure out how to play this, before ultimately landing on the word, “nice.”
She pulls you back towards her, kissing you again, those soft, pillowy lips of hers meeting your mouth in a kiss that’s so inappropriately sweet, like she’s sealing a deal with sugar rather than ink.
“Yeah,” she whispers, her voice steady, sure. “I want to do this. More than anything.” Minji tilts her head back, exposing the column of her throat, inviting you to kiss it, to suck, to bite. “I want you."
You don’t need any more convincing than that. Your hands are on her body, running over the curves of her hips, the dip of her waist, the swell of her chest. And she’s leaning into your touch, needing to feel more of you, wanting you to explore her. And you do, greedily, feeling her breath hitch when you graze her nipples through the fabric, feel her hips jerk when you trace the line of her panties.
“Are we going to—gah—go back to your place?” Minji tries to ask, her question punctuated by a moan as your fingertips dance over the smooth skin of her inner thigh, the hem of her dress whispering against your skin.
You’ve already made your decision—you're not taking her home, you're not taking her anywhere with a bed, or even a chair. You're going to have her right here, right now. There’s no need to answer her, you just let her work it out for herself when you push her back against the wall, when your thumb finds the slick, wet heat between her legs.
“Here?” She gasps, turning to look down the darkened end of the alleyway, at the distant streetlights, at the crowds of people oblivious to what’s about to happen beneath the shadows.
“It’s not the dancefloor, but it’ll have to do,” you murmur, leaning into her, pressing your lips against her cheek, her jaw, her earlobe.
“B-but, what if—” Minji stammers, but you’re busy toying with the lace of her panties, nothing more than a mere formality at this point, only existing to get wetter, to be unavoidably ruined by you.
“What if someone finds us?” You finish her question, nibbling at her ear. “Then we’ll just have to make sure we leave them something to talk about, won’t we?”
She’s shivering at the thought of it—the headlines, the think pieces, the whispered scandals that will follow you both for weeks, maybe months, maybe forever. But you can feel her resolve hardening, her spine straightening, her body arching towards yours, and she replies, “Then don’t hold back.”
The challenge is clear: she’s embracing the thrill of the forbidden, the rush of potential disaster, the heady feeling of need overshadowing the fear of getting caught.
You don’t disappoint. Your fingers slip under the soaked lace, and she’s sensitive, so, so sensitive. She’s staining your fingers, needing only the smallest amount of pressure to garner a reaction. You tease her, drag your finger across her tender folds, dare to skim over her clit, torture her with anticipation.
Whatever concerns she has evaporates as you kiss down to her collarbone—you’re going to leave a mark—and she’s already asking for more, “Please.”
She’s whining, parting her legs, desperate for you to do more than just touch her, needing you to rip through her panties and take her.
“You're right—I don’t care,” she sighs into the wind, handing her fate over to you. “I need you. Now.”
That's all you need to hear, everything you've ever wanted to hear someone as seemingly untouchable as Minji say to you. You pull down her panties, needing an extra tug as her slickness sticks them to her thighs—she’s so fucking wet for you—and you draw a circle around her entrance with your finger.
“Right there,” she cries. She’s much more honest when she’s desperate—gone is the posturing, the taunting, the act—she’s just a girl who needs to feel something real. So, you give it to her—push your finger inside, gliding in smoothly, a perfect fit around your digit.
Only knuckle deep but she’s already got you like a vice, squeezing around your finger like she’s trying to keep it captive—so wet, so tight, so fucking good. Her nails dig into your shoulders as you push in another finger, stretching her just enough to make her gasp, just enough to make her fulfill her promise to cry out your name, “Fuck—!”
Her pulse is racing like a runaway train, hammering against your lips—you’re pushing both fingers all the way inside her now, sawing them in and out of her, making her groan, making her repeat your name over and over again.
You’re in her ear, “you’ve got to be quiet, Minji.”
But she’s not having it. “Make me,” she laughs, daring you, another challenge she’s putting down.
You kiss her hard, replacing the laughter in her mouth with your tongue, muffling her cries as you fuck her with your hand, you’re going to ruin her now. You curl your fingers up to hit that spot that makes her toes curl in her sky-high heels, making her gasp, her head thunking back against the wall.
She’s trying, she really is, to keep it in, but she still needs you to keep her standing, to hold her up as your fingers delve deeper; to keep her from melting into a puddle all over your hand.
Still, you’re relentless, feeling her out, learning her rhythm, her reactions, the spots that make her sigh and fall apart. You know you’ve found it when her breaths turn harsh and ragged, and she’s rolling her hips against your hand, and there’s that noise—the sweet, slick sound of her pussy swallowing your fingers whole—and she’s whining into your mouth, “This feels so—”
“Hot,” you finish for her, watching as her cheeks flush a delicious shade of pink, her pupils blown wide, those angelic features of hers contorting with every thrust of your fingers. “You’re so fucking hot, Minji.”
And she is, she’s hot, she’s so hot around you, against you, her hips bucking at the praise, and she whimpers, your name a staccato prayer on her lips. “More,” she demands, but she’s tripping over her words—“more—please—how does it feel so—”
“I’m going to make you cum now, Minji,” you state, your voice low and sure, your fingers continuing their persistent rhythm inside her. She nods, panting against your neck. “And after that, I’m going to fuck you and make you cum all over again. Until you can’t walk straight. Until you forget every other name but mine. Do you understand?”
Her eyes flutter closed, and she nods again, a whine escaping her throat, and she’s biting her lip so hard it’s going to bruise—another mark she won’t be able to explain tomorrow.
You lean in closer, whispering, “Good girl.”
You’re finger-fucking her in earnest now, her body moving in sync with your hand, the alleyway walls echoing with the slap of skin and the wet sounds of your digits plunging into her, your knuckles smacking against her clit. She’s trying to keep it together, trying not to scream out loud, her eyes squeezed shut tight as if that could hold back the orgasm that’s barrelling down on her.
Her breaths are coming out in little pants, and you know she’s close, so close, she’s nearly crying. “Just your fingers—fuck—it’s just your fingers,” she’s repeating it in disbelief, like it shouldn’t feel this good, not yet, like she needs the mantra to keep herself grounded as your hand lights up every nerve in her body.
She’s there, right on the edge, only needing that extra push, that pressure in just the right place, just waiting for your word to send her spiralling over. “Cum for me now, Minji.”
And that’s all it takes.
You hold her steady, fuck her hard with your fingers, rub at her clit, and she’s clenching down, all tiny shakes and choked gasps, her eyes snapping open and then squeezing shut as she reaches the precipice.
"God—fuck—I can't—"
It hits her hard and fast and all at once—her whole body seizing around your hand, her cunt tightening, her hips thrusting forward, needing more friction. Her mouth opens wide, but you trap her lips before she can make a sound, kissing her fiercely, tasting the sweetness of her release on her tongue, feeling the tremors of her orgasm travel from her core to the tips of your fingers.
Her hands are all over you, her nails digging into your shoulders, leaving little half-moons in your skin as she clutches you closer, her tongue dancing with yours as if her life depends on it. You keep going, not letting up until she’s fully ridden the wave, and it’s a sight to behold—Minji coming apart against a dirty alley wall, her legs trembling like they might give out at any second.
When she does finally go still, when her breathing starts to even out, you break the kiss, pulling away to look into her eyes, searching for the usual signs of regret or embarrassment that often follow these kinds of moments. But she’s looking at you with something else entirely: a mix of awe and excitement, like she’s just experienced something she never knew existed.
“You okay?” You murmur, the question more of a formality than anything, because she looks absolutely anything but okay. She looks fucking amazing, a breathless, boneless mess against the wall, her chest rising and falling rapidly with every inhale.
Her eyes are still glazed over, wide and dark, her mouth slack and swollen from your kisses. You can see her trying to process what just happened, the reality of it all, but she’s still too lost in the aftermath of her orgasm to form coherent thoughts.
“Yeah,” she breathes out finally, nodding shakily. “I’m—yeah, I’m good.”
You withdraw your hand, giving her pussy one last gentle squeeze before pulling away, and she whines, a high-pitched noise that makes you twitch.
She’s flushed, her hair a mess from your hands, her lipstick smudged, her dress hiked up around her waist, panties around her ankles. The way she’s looking at you now, it's worship, like you're a secret that she’s just discovered and is desperate to keep to herself. “I fucking knew it,” she says. “The rumours were true.”
You smirk, wiping your hand on the side of your pants, watching her struggle to stand straight. “Ready for round two?”
Her gaze flicks downwards, to the bulge in your pants, and she nods, swallows hard. “Yeah, I—fuck yes.”
There’s no hesitation now, no pretending she doesn’t know what she’s signed up for. She’s all in, and you want her, here, now, because that’s what you do—you take what you want.
You kiss her again, deep and greedy, one hand on the wall behind her head, the other gripping her tight, keeping her in place as you grind against her, letting her feel the hardness of your cock, everything she’s been waiting for.
“Please, don’t stop,” she pleads, and you don’t—you can’t.
Not now, when she’s letting you tug down on her dress, letting it pool around her ankles like a discarded secret. She’s a vision, standing in the cold, stark alley in just her heels and her underwear—and there’s her tits, perky and perfect, begging to be touched.
You don’t even bother with the bra, you just yank it down, the straps snapping and the fabric falling away to reveal her nipples—pink and stiff and so fucking tempting. You can’t help yourself, they’re practically calling for you to taste them, so you draw one into your mouth, feeling her gasp against your ear, her hand sliding into your hair, holding you against her chest.
Her skin is hot against your tongue, and you suck, and bite, and lick until she’s whimpering, until she’s pushing herself into your lips. Your hand is exploring the rest of her naked body—running down her stomach, tracing the lines of her abs, feeling her stomach muscles clench with every breath she takes. She’s so tight, so toned—it’s like you’re touching a sculpture, or a personal playground made just for you.
“Oh my God,” she whimpers, “so good, so, so good, how does it feel—?”
Her words cut off as your teeth graze her nipple—she’s so reactive to every touch, and it has you wondering—has she ever been touched like this before? Has her body every truly been explored like this, pushed to these heights?
“You want more?” You murmur into her chest, your fingers returning to her wet folds, your thumb reintroducing itself to her clit.
“Your cock,” she says, sucking a harsh breath through her teeth. “I want it, I need it—please—I’m ready for it.” It’s that word—please—how it rolls off her tongue, the desperation in it, how it makes her sound so needy and vulnerable.
“Then take it,” you command, breaking away from her chest, stepping backwards to give her room to do exactly what she's been begging for.
Minji doesn’t miss a beat, hands gentle but determined, her fingers at your belt, fumbling with the buckle, loosening the zipper. She’s hungry for it, for this moment of truth, to verify for herself—what’s been talked about in whispers and rumours, what’s been taunting her all evening.
Your pants hit the ground, and she’s staring at your cock with wide eyes, and for a second you can almost see the doubt creeping in. But she swallows it down, and with a soft grip, wraps her small hand around you, stroking you from base to tip.
“So this is it,” she says, taking the full measure of your length, her thumb smearing the pre-cum over your head. “This is the cock that ruins idols. They said it splits women in half.”
You chuckle, but she’s completely ignoring you, well, ignoring all parts of you that isn’t your cock. Her hand is tentative at first, working its way up and down, feeling you grow harder by the second in her palm. You can feel her wonder, her excitement, a hunger matched only by the ache in your cock.
It's the way she’s not saying anything, just touching, feeling. Not that you mind the quiet—it's intimate, just the two of you, the sound of her breaths, your heart beating in your ears, and the distant thump of the world you left behind.
She’s gaining confidence now, her strokes more deliberate, a smug smile gracing her lips as she watches how you react to her touch. You bite back a groan, not wanting to give away how much she’s getting to you, but fuck, she’s getting good at this. She’s clearly learning on the job, eyes keen to see just how you like it—how fast, how tight—how to make you fall apart in her hands.
It’s time to reign her in, you’re heading into deeper waters now. You grasp her wrist, stopping her, ignoring her pouts and whines. “Not yet,” you say, “I’m going to split you in half with my cock now.”
That makes her grin. She does this thing, this cute little twirl, spinning around on her heels to face the wall, and posting herself up against it. Her legs spread wide, giving you a perfect view of her splayed pussy, glistening under the dim neon light. She’s got her hands above her head—she’s putting herself on display for you, like your own private Mona Lisa.
A look back at you and she catches you gawking—eyes glued to her ass, her pussy—and she winks. “Are you just going to stare, or do I have to make you fuck me?” She says it so casually, like she’s back at the bar ordering another drink. “Hurry up, please. I need it. Inside me. Now."
No more waiting, no further invitations needed—there’s teasing, and then there’s both of you craving it, dying for this.
You’re behind her in an instant, pressing her into the wall, her cheek against the cold brick, her juicy ass up in the air. You guide your cock to her entrance, the head nudging against her—she’s soaked, pussy drooling on your tip—and she gasps, looking back at you with those doe eyes, all wide and innocent—like she hasn’t been begging for this since the moment she looked in your direction.
“Fuck Minji, you're so fucking wet for me,” you say, running your cock down her slit, coating it in her juices, “so needy for me, aren’t you?
“Yes,” she whispers, her voice strained, like every moment without your cock inside her is torture. “I want it all. Every fucking inch.”
The first push is a slide into heaven—she’s tight, so fucking tight, so, so wet, like she’s never had anyone else—like she’s been waiting just for you. She’s teary, gasping, and you feel her body tense, but she doesn’t pull away, doesn’t dare ask you to stop. Instead, she arches her back, pushing herself back onto you, urging you deeper.
“God,” she’s chanting now, feeling inch after inch sliding into her, “it’s so—it’s already making me so—”
It’s slow, deep, fucking, stretching seconds into an eternity, stretching her pussy out with your girth, stretching her to fit you, to keep you, to never let you leave. It’s careful, almost tender at first—let her set the pace, let her show you how much she can take.
She’s moaning, low and guttural, and you wrap one hand around her waist to hold her steady as you thrust into her, let her get comfortable with your size, make her tits bounce with every pump, make her legs shake beneath her. And then there’s that lip bite again—she’s trying to keep quiet, but little moans are escaping her, getting lost in the night.
You ease out, then push back in, setting a steady rhythm that’s got her rocking back onto you. Minji seems like a delicate little thing, but there's a strength to her, a suppleness—she’s meeting you thrust for thrust, her pussy like pure velvet around your cock, gripping you tight, trying to milk you.
Hand finds her chin, tilting her head back so you can kiss her again—long, deep, tongue-filled kisses that make her whine and buck against you. She’s slowly, but surely adjusting to you now, her body learning the rhythm of your cock, getting used to being so completely filled.
It's in the way she's moaning into your mouth, like she's never been fucked like this before, never had someone so big, never had a cock so demanding of her tight little cunt. But she's so eager for it, her pussy so warm and welcoming, swallowing you up with every thrust.
It’s not normally like this—you’re not normally like this—but something has you asking between kisses, “You okay?”
She laughs, pushing herself back against you, pushing her cunt down on you, taking you deeper, burying your cock to the hilt. “I’m not going to break, I promise,” she says, looking over her shoulder, needing this. “I need you to fuck me—no holding back—I can take it all—everything you’ve ever given anyone else, all those other girls. I can handle it.”
“Show me.”
It’s throwing gasoline on a fire—she's asking for it, burning for it. You fuck her like you mean it—pull out all the way, force it all the way back in, hard, deep, rough. A shriek and she's wailing now, true to her word she’s taking it, taking it all, utterly lost in each perfect push into her cunt. She’s so beautiful like this, so open and raw—gone is the perfect idol, she’s just another girl getting fucked in an alley by some guy she just met.
Both hands are gripping into her hips, holding her in place, holding her upright, feeling her walls clench and release around you. Marks are going to be left there too, your fingerprints on her skin, bruises that she’ll have to hide with makeup tomorrow.
“So good—so fucking good—just—“ Minji can barely make out full sentences, let alone words as you fuck her, as you own her. “Harder! Fuck! Rougher!"
It’s like a drug, this power, watching her come apart for you, knowing you’re the one making her feel this way, knowing she’ll let you do whatever you want, whatever you need as long as it makes her come apart. And you’re feeding off of it, her words pushing you closer to the edge, letting her need for you drive you, unlock that primal part of your brain. Fucking her like this, so filthy and wrong and everything you love about this life.
You pick up the pace, driving your hips forward—"harder—fuck—harder"—until she’s shaking, her legs giving out, and the only thing keeping her on her feet is your cock and your arms.
“Fuck—I know what they said but—fuck! Is this what they all felt?” She gasps out, “is this how it always feels?”
Your lips on her neck, her hair sticking to your face, the scent of her perfume, of her, intoxicating. “It doesn’t always feel like this,” you answer, you grunt. “But you do. You feel so fucking good, Minji. So fucking perfect for me.”
“You're so big,” she says, her voice trembling, “I feel so—fuck—full.”
It’s not just the way she’s clenching around you, how she’s now able to take every inch of you like she’s been fucking you her whole life—it’s how she says your name, like you’re the only one that could ever make you feel this way, like you’re the one who ever will.
You grab her tits, squeezing them, seizing them, pinching and twisting her nipples between your fingers. All it does is make her beg, “fuck—I love it—how rough you are—” needing more of everything you have, “your hands—your cock—please don’t stop, don’t ever stop—I can take it please—rougher please—fuck!”
Something cracks inside you, and your hand comes down on her ass, the sound bouncing off the walls like a gunshot. Minji jolts, yelps, but the noise is quickly swallowed by a moan, a squeezing of her cunt around you.
“Fuck that felt—”
You do it again, and again, each slap a little harder, a little more punishing, the sting making her flesh jiggle deliciously with every impact. She doesn’t retreat, she’s slamming her ass back down on you, slapping her cheeks against your waist, needing to feel more.
“Gah—fuck—harder!”
She can’t help herself, minutes ago she could barely handle your size, now she can’t hold back from crying out for more pain, more excruciating pleasure.
Each smack, each groan, each breath that’s ripped from her lungs is a declaration of your power, of her need. And you revel in it, your hand coming down on her ass, leaving a trail of red marks against her creamy-white skin.
“More, please, more,” she calls for it, calls for the sting, the heat, her pussy clamping down on you, walls pulsing with every hit, her body needing the release that’s building up, inevitable and intense.
Her ass is nothing but a canvas painted by the strokes of your hand and the relentless pounding of your cock, and you can’t help but admire your handiwork, you're struggling to suppress the urge to lean down and kiss each spot you’ve marked.
“You’re going to be so sore tomorrow,” you say, your teeth grazing the shell of her ear.
“I know,” she answers, her voice a whine, a plea, a moan. “But this is what I wanted—to feel—to remember this—this moment—getting fucked like you own me—because you do—so don’t hold back—don’t ever hold back.”
You’re both sweaty, panting—you can feel her orgasm building, like a storm in the distance, thunder rumbling closer and closer until it's right above you, ready to break. And there’s your own, too, that delicious pressure at the base of your spine, the promise of release, coming at you just as quick.
But you’re not going to let her get there—not yet—not when you’ve got her like this, pliant and open and so in need. You lean forward, your chest pressing against her back, and slide your hand down, reaching around to find her clit.
It’s slick and stiff and wanting, and Minji screams—a high, keening sound that you want to hear again and again. You’re playing with it, swiping it with your thumb in tight circles, feeling her clench around you with every pass.
“I’m almost—God that feels so good—I’m almost!”
But you stop, pull out of her, abruptly, making her cry out, making her turn around, a mess of emotions on her face—desire, confusion, awe.
“What are you—” Minji tries to ask, but you’re spinning her around and pressing her back against the wall. Her leg comes up, wrapping around your waist, but you take it and lift it higher, testing the extent of her flexibility, throwing it over your shoulder.
She’s right on that edge, you can see it—her pupils dilate, her mouth opens in a silent scream, her body tenses, her cunt melting around you. But you weren't going to let her cum like that, not without watching her face, not without seeing the moment she cracks and shatters.
Now you’re face to face, chest to chest, her eyes needing yours to anchor herself to, needing to know what you’re going to do to her. No time for breaks—in one, deep thrust you're all the way back inside her, making her scream with the suddenness of it, the shock, the bliss of being so perfectly filled.
She groans, weeps with each pump into her, and she’s smiling through it all. “So—” she asks, struggling to form intelligible sentences. “How do I—fuck—how do I—mmmph—compare to the others?”
You grunt, barely registering the question, your mind clouded by the spasms of her cunt around you. “What others?”
“The other girls—God—the other idols,” she says, strained. “The ones you’ve fucked before—the ones you’ve ruined—how do I—aah—compare?”
You kiss her again, a bruising, punishing kiss that steals the question from her lips. You don’t need to answer that. You’re showing her. You’re fucking showing her how she compares, how she’s the best, the tightest, the wettest, the most eager. You’re showing her how she’s going to be the one they whisper about in the halls of HYBE and beyond, she'll become the story that will be told as a warning, about the sweet, innocent idol ruined in a dirty alleyway.
Your world is spinning around you now—there’s your hand on her throat, a gentle squeeze, just enough to make her eyes water, to make her breath catch. But she’s not scared, not with the way she’s grinning, not with how she’s grinding her hips to meet yours.
“Fuck—make me scream—” It’s a plea, a demand, she’s so stunning, so tortured in her need for it, “do whatever you want to me, whatever you need—just—make me cum harder—God please—harder than any of them ever did.”
Any care you had for getting caught, about the consequences of what you're doing—where you're doing it—dissipates into the ether. Nothing exists outside of the race to her orgasm, outside of your hips recklessly pounding into her, reducing her to moans and shakes and trembles.
“Cum for me,” you growl, “right here, right now, Minji—cum for me again—show me that you’re mine.”
“I was made for you,” she says, and it’s not just the heat of the moment talking, it’s something else, something deeper. She’s not just saying it to get off, she’s saying it like it’s a revelation, like she’s been waiting for you, for this exact moment.
“Prove it.”
It hits her like a fucking truck, and Minji’s screaming, filth belted from her mouth and into the night, her pussy quaking around your cock, her whole body entering into seizure. You keep going, riding out her orgasm, feeling her cum on your cock, feeling her body go rigid, her muscles tense, it’s those abs, so tight, it’s those absurdly strong contractions that have you falling after her.
“God—fuck, I—can’t believe—can’t believe—”
You’re fucking her through it, not giving her a moment’s reprieve, not letting her come down from that high, because you’re not ready for this to end, not when she’s so helpless. You hold her tight through it, let her shake, rattle against you, let her nails dig into your arms, let her cum drench you.
“Fuuuuuuck!”
It’s too much for her to take, and once the storm has finally subsided, Minji is just a ragdoll in your arms. Her legs are limp, held up by your grip alone, still trembling from the aftershocks of her orgasm. Her makeup is ruined, a mix of sweat and your kisses, leaving dark streaks on her cheeks. Her hair, plastered to her forehead, her eyes half-closed, and there’s her body—marks of your teeth on her chest, her breasts, the bruises of your fingers around her hips, the mottled red of her ass, a map of your dominance painted on her perfect skin.
It’s not just the physical marks you’ve left on her; it’s the way she’s looking at you now, awe, desperation, realisation that it’s all true, every rumour, everything they’ve said about you—and she’s the latest filthy chapter in your story.
But you’re not done yet, you haven’t finished. You’re pulling out, and she’s whining, making your cock throb with her pleas. You guide her to the floor, to her knees, her dress puddled around her, the cold concrete biting into her skin.
You’re standing over her, looking down at her like she’s a prize, your prize. “Open your mouth,” you tell her, and she does, without hesitation, without question.
You grab your cock, still slick with her juices, and stroke yourself, watching her tongue dart out to lick her lips, watching the anticipation build in her eyes.
It’s the sweetest, most erotic sight you’ve ever seen—Minji, the girl that's everyone's type, the girl who could have anything she wants, anyone, on her knees for you—tongue out, mouth wide open, waiting eagerly for your cum.
And then you do it—you let go, shooting ropes of hot cum, painting her face, letting it dribble down onto her chin, onto her chest, onto her toned stomach, covering her until she’s a sticky mess of lust and desire. She doesn’t flinch, doesn’t pull away—she loves the feeling of it, shivering as your hot cum hits her skin.
She holds position through it all—knees on the ground, eyes closed, a serene smile as if she’s just been blessed. And when you're done, when your cock is finally spent, she looks up at you with a grin that's pure sin.
Minji takes a finger, dips it into the mess on her chin, and tastes you. It's a bold move, it’s messy, it’s wrong, it’s perfect. There’s the glimmer of triumph in her eyes, the knowledge that she's made you do something so raw, that she made you lose all control.
For a second there’s nothing but the sound of your ragged breathing, the come down from your euphoric high. Minji speaks, still shaky from the orgasm that ripped through her. “That was—” she pauses, searching for the right word. “—incredible. Fuck!”
There’s a rush of arrogance, a smug smile of satisfaction at her confession. “So, do I live up to the legend?”
Minji wipes her mouth with the back of her hand, smearing your cum across her cheek. There’s a glint in her eye, like she’s got a secret that she’s dying to share. “More than I could have ever imagined. You’re not just a man-whore, you’re a fucking artist.”
You laugh at that, as you tuck yourself back in, smoothing down your shirt, trying to compose yourself, pretending like her words don’t mean anything to you, like you don’t take pride in the validation of every girl you fuck.
“How do I rank?” she asks, the question coming out of nowhere, and you blink down at her, your brain trying to catch up. “I mean, out of all the idols you’ve fucked?”
“Rank?” you repeat. "I don't keep a list, that would be..." You trail off, realizing what you're about to say, and now it’s her turn to laugh.
“Crass?” she supplies. “I know, but I’m just curious.”
“You’re fucking fantastic, that’s for sure,” you reassure her, making her giggle, the laughter bubbling up from her chest like it’s the best compliment she’s ever heard. “Why—do you keep a list?”
Her smile falters for a moment, but then she’s grinning again, looking even more wicked with the cum pasted across her face, and it makes you want to bend her over and fuck her all over again. “Of course I do. And you’ll be happy to know that you’re number one.”
“That’s good to know.”
But then she says, “Of one.”
And you freeze. The air around you turns to ice, and she’s looking up at you with those big, dark eyes, and you realise what she’s saying, what she’s just admitted to you. You’ve taken her virginity, and she’s looking at you like it’s the best thing that’s ever happened to her.
“You were…” you start, but she cuts you off.
“Don’t,” she says, her voice firm. “Don’t make this something it’s not. I wanted this, and I wanted it to be with you. I told you: I can handle it all.”
But that doesn’t stop your mind from racing, trying to process what she’s saying. You had your suspicions—she was so tight, so new, so untouched—and now she’s yours, in a way that no one else can claim. You wiped away her innocence, and she’s not running, not crying, not regretful.
The weight of it settles in your stomach, a strange cocktail of pride and guilt. You’ve ruined her, in the best way possible. You’ve claimed something precious and pure, and she’s given it to you willingly, eagerly.
“Fuck, Minji,” you start, trying to find the words. “If you had told me, I would’ve—”
“You would’ve what? I lost my virginity by having filthy, mind-blowing sex in a dark alley with the best cock in all of Korea,” she says, pridefully, with her entire chest, fully believing every word she's saying. “Can you really tell me your story was any better? I bet whoever it was with didn’t scream like I did. Or cum so hard she couldn’t see straight.”
You cast your mind back to the past, and you have to concede the point. “I see what you mean. But still—” You feel like you should say something, but what? It’s not like you can apologize, not when she’s looking at you like that, like she’s just won the fucking lottery. “How does it feel?”
“A-ma-zing,” she draws out, rising to her feet. “Everything I’ve ever heard about, multiplied by a million. You might’ve ruined sex for me completely.”
You watch as she puts herself back together, sliding her panties back on, tugging her dress over her head and down her hips. She’s smoothing her hair back, trying to fix the mess you’ve made of her; wiping at the cum on her chin, her cheek, trying to erase the evidence of your encounter, trying to put the mask of the sweet, innocent idol back on.
But you know better. You know what’s hiding beneath that polished exterior.
“Come home with me,” you find yourself saying before you can think better of it.
Minji turns to you, her eyes sparkling with mischief, and there's that hint of challenge again. “Why?” she asks, tilting her head to the side. “You want to cuddle and fall asleep together? Wake up, have breakfast in bed?”
“Yeah,” you nod, honestly. “After I’ve fucked you senseless again, of course. But yeah, come home with me.”
“That would be nice,” Minji says, a soft smile on her face. It's surreal, this moment, so at odds with the grimy alleyway and the smell of sex sticking to her skin. She looks so pure now, in complete contrast to how roughly you were fucking her just moments ago. Her innocence wasn’t lost, it was just painted with a fresh coat of your sin.  “But—you know I can’t. They’re waiting.”
“Worth a shot,” you shrug, not bothering to hide your disappointment.
And then she produces your phone, holding it out to you. “You need to be more careful with your things.”
“When did you—”
“Now you’ve got my number,” she says. “You’re welcome to do whatever it is you want with it. But I’m hoping you use it.”
You take it out of her hands, swiping away the string of missed calls and messages, the digital proof of how much trouble you’re going to be in come morning. But for now, it’s irrelevant. For now, there’s only Minji, and the way she’s standing there, looking up at you, smiling like she’s just stepped off the stage.
“You’re going to go back to them?” you ask, gesturing towards the club entrance, to where the rest of her group are probably still gossiping, plotting your downfall.
“Of course,” Minji says. “They’re my friends. They care about me. They’ll want to make sure I’m okay.”
“And when they find out what we just did?”
“Oh, they’re going to want to kill you,” she answers, with a giggle. You’ve had enough of these types of conversations to know she’s not joking. “Except Dani, maybe. She’ll probably want a shot at you too. If I let her.”
"Noted," you say, trying to keep the image of Danielle, splayed against the wall like Minji before her, out of your head. "What exactly are you going to tell them?"
Minji pauses, thinking, before landing on a succinct summary. "I’ll just tell them that you fucked my brains out and then ditched me in an alley.”
You sigh, “sounds brutal.”
“Well, it is what it is,” Minji says, and she’s pressing a kiss to your cheek, her lips still sticky with the residue of your cum, the last traces of what's just happened.
You watch her go, watch as she turns away, walking back towards the club, a little stumble, a little trouble keeping steady. You should be feeling guilty, you should be regretting this, but all you can think is how good it felt, how right it felt. And you know you’ll do it again—you know it deep in your bones.
Minji turns back to you, catching your eye, catching you staring again, and she smiles. “You better go now. You do have a reputation to maintain, after all.”
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emeraldspiral · 5 months
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So another interesting thing about Jane Eyre is its take on relationship inequality.
Like, Jane is 18 at the beginning of the story and Rochester is said to be something like 35-38. And it's not casually brushed aside like that was normal back in the day. It wasn't. Concerns about the age gap are raised within the text. But the story emphasizes that Jane feels comfortable accepting Rochester's proposal, despite the age difference, the class difference, and him being her boss, because Jane feels that Rochester regards her as an equal. When they converse, Jane doesn't feel any tension, like she has to impress him or try to read his mind and say whatever he wants to hear. She feels that he respects her and values her thoughts and isn't compelled to use his power against her if she says something to displease him. Around the midpoint of the story, Jane believes that Rochester is going to marry another woman, and resolves to leave because she's heartbroken, believing that because she is poor and plain Rochester can't possibly be as hurt by their parting as she is, and he'll forget her and move on long before she does. But it turns out to be the opposite. After finding out about Bertha, Rochester begs Jane to stay and insists he'll be miserable forever without her, while Jane, still thinking she's too poor and plain to ever attract someone like him again, resists all temptation and leaves him. And she does this specifically because she feels that if she were to compromise her morals and self-respect to be Mr. Rochester's mistress, then he would lose respect for her and the relationship would fall apart. It was only by maintaining her integrity that the relationship could stay in-tact when the reconciled at the end.
St. John Rivers on the other hand, I don't think is given a definite age, but I think he's intended to be a much younger man, probably in his early 20s. He is poor and without relations aside from his sisters or any other connections, just as Jane. Jane finds out they're actually cousins at the same time she learns she's come into a vast fortune that was willed to her rather than the Rivers, but decides to share her fortune equally with them. So she arguably had more social capital, even though she made an effort to put St. John on equal footing with her, because the money was hers by right and she could've presumably cut him off at any time, just as easily as Rochester could've terminated Jane from her job.
And yet, Jane's relationship with St. John is vastly more unequal than her relationship with Rochester. Even though Jane practically worshiped Rochester but only cares for St. John as a brother and is acutely aware of his faults, she still finds herself desperately craving his approval in a way she never did with Rochester. And St. John is willing to exploit that intentionally. He asks her to do things she doesn't want to and make sacrifices for him just because he knows she'll do anything to please him, and that's why he thinks she's the perfect wife for him. Where Rochester tries to explain himself and persuade Jane not to leave him by addressing her concerns, St. John basically tries to command Jane to marry him and refuses to accept her "no" as final. He withholds affection from Jane as a tactic to get her to compromise in order to reconcile with him when he's the one who should be apologizing to her and considering her needs and not just his own. Jane knows that she can't ever be happy with him because he doesn't respect her and his lack of respect only makes her want to seek his approval, which he is all too happy to exploit for his own benefit.
But Jane ultimately stays firm and rejects St. John's proposal of a loveless marriage, just as she rejected Rochester's proposal of an unlawful marriage, because both situations were doomed to fail if she didn't put her own self-respect first.
So this novel from 1847 was really saying that power dynamics aren't pure black and white. Age and class and wealth and status can be a factor in making a relationship unequal, but you can also be equal on pretty much all social axis and still have inequality in a relationship. What's really important is that there's mutual respect.
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“Why’s she so rude?” (She’s Not)- Stereotypes, pt2
So I'm sure that you all thought I was going to give a blow-by-blow list of "visual stereotypes to avoid". I'm going to be honest here, I thought about it, and figured it would be redundant. My page already includes sensitivity on depicting Black people. So instead, I'm going to focus on stereotypical "character" concepts, so that you can 1) not write it in your stories and/or 2) recognize it in media (fiction and reality!) and in life!
Two major resources: the Jim Crow Museum website is an EXCELLENT resource to understand the imagery of antiblack racism in U.S. history and society. The other, White Tears, Brown Scars by Ruby Hamad. The book focuses on the many racist stereotypes projected onto women of color and how that purposeful, systemic negative perception of us bleeds into every aspect of our lives- specifically by white women/white feminists who believe that they are not contributing to said oppression.
I'll start with Black women, just because I’m passionate about it (obviously) and there are so many things I wish I had and hadn’t seen growing up. We deserve better by the year of our lord 2024.
TRIGGER WARNINGS: mention of sexual assault, assault
Misogynoir
What I want everyone to understand, before I get into this, is the concept of intersectionality, and more specifically, misogynoir. Misogynoir is the specific type of contempt and prejudice that Black women face at the intersection of race and gender. I say this because you might read these things and go “oh, as a woman, I experience these things!” I get it, but I want you to PAUSE, and remember, that right now, we are talking about Black women’s experiences. And those will often be different, due to that intersection of identities. And that understanding will have an effect on how you understand (and thus, write) those experiences.
The Jezebel
The link goes into much deeper detail, but the Jezebel is the idea that a Black woman or girl who is sexual is somehow “fast”, “salacious”, “a hoe”, “driven by desire/doesn’t understand purity”, and at its worst, unable to be r*ped/a victim because she is less valuable yet somehow inherently seductive to men.
This gets thrown around CONSTANTLY in media and life for Black women (my first experience of treated like I was ‘fast’ was when I was like… twelve?) One major, visible example is Megan Thee Stallion. Meg has a college degree, she likes anime, she’s a brilliant rapper, and has an entire personality and struggles she’s shared… But she also likes to dress scantily clad and have sex. By doing those things, she ‘lessened in value’. And because of this, when she was shot at and assaulted, even Black people questioned her character, rather than understanding that she could have been anyone, and she still wouldn’t have deserved to be assaulted. She's not allowed to be multi-faceted; she "brought it on herself".
Black girls and women who happen to take charge of their own sexuality, to the discomfort of society, are treated as Jezebels- as whores. Think about it- if one of Taylor Swift's recent boyfriends shot at her, would the media question her value or her word? Question her equivalently high ‘body count’?
Question how you write your Black woman- she can enjoy sex! She can be sexy! We love to see it! But if you're punishing her specifically, or judging her within the narrative, versus your other characters who are allowed to safely explore and act upon their sexuality… Check your judgment! Why do you feel the way you do about this character? Why do you think that your Black character is the one that should be judged for her actions. Would you feel this way if it were a nonblack character?
The Sapphire/Angry Black Woman
Ohohoho, I have infinite amounts of feelings about this one.
This is the "sassy Black friend", the "aggressive Black boss", “step on me angry mommy”, the one who does the z formation and makes everyone "uncomfortable". She’s not allowed to be confident, assertive, or self-assured- she’s arrogant, rude, and aggressive.
I discussed it in part one, but I'll reemphasize it: your Black woman doesn't have to be an ‘Angry Black Woman’ in order to be angry! Just like any other human being on the planet, we are allowed to be mad. (In my honest opinion, we have a lot to be mad about, but I digress 😅)
If the only character that ever gets angry is your Black character, I want you to consider why. What is she angry at? Was this something you wanted the reader to understand or empathize with? Are we supposed to disagree? How does everyone around her treat her anger? Is her anger righteous? Is she always shut down or dismissed for it? Is it only meant to defend her friends, but never herself? Does the narrative suggest that it’s only good in use of others and not herself? Would this be the same reaction if one of the nonblack characters was angry? Is this something you did on purpose?
Very often, we're called 'angry Black women/girls' to invalidate our emotions. My therapist once said anger is a protective emotion. We might be hurt, overstimulated, sad, depressed, frightened, anxious… But we are often not allowed the grace of others digging deeper to see that. Even if the other characters do not understand her anger, even if her motives are not meant to be understood at the moment… you as the writer should be aware. But if every time it’s time to show anger or upset, it’s your Black character… consider why this is the one you thought would best convey that message, and how your Black readers might feel seeing that this character (who may not even be the ‘bad guy’) is the one that is ‘only’ angry. No other development, no other emotions, just… there to be mad.
I take this one to heart, as someone who feels very passionately about things… this is one of those things where I wish, in life and in media, people would have more grace for Black women. We're human, too. We have feelings, too.
The Mammy
This one isn’t as visually blatant anymore in media as it was in the past (like every Mammy doesnt look like Aunt Jemima), but you may have seen this one as "the mommy figure". The "lesbian that parents the silly gay boys". The one that’s always encouraging the ship of the white boys, but never the one allowed to be in the ship (especially when her ship is canon!)
A good example of this was how people expected Jessica Drew from ATSV to be "more loving" to Gwen, rather than the mentor and boss she was (plus, as a Black woman with a Black mother… trust and believe, she was quite direct and gentle). And in comparison to her counterpart, white man Peter B. Parker, was decried far worse for similar detrimental actions.
The Mammy often serves in opposition to the Jezebel and Sapphire/Angry Black Woman. What makes the Mammy particularly annoying is that it implies that the only good Black woman character is a ‘nice’, demure, unthreatening, homely, motherly figure whose job it is to make sure to center the (usually) white ones. The Mammy is expected to coddle everyone, to her own detriment. She's a ‘good Black’ because she causes no issue, raises no fuss, never shows a negative feeling, knows that she has to ‘be strong’ but to always defer because the white characters know best. She’s ‘not a threat’, and that’s why she’s ‘allowed’ to be around. We shouldn’t have to be those things in order for our stories to be heard and understood, in order to be empathized with or treated like someone of value.
The Strong Black Woman
If I never hear this phrase again in my life, if we eradicate it from future generations for Black girls and women, I'll cry of joy lmao. I hate it, and it's not for the reasons most nonblack people would expect. Lord, this one. Anyway. The ‘strong Black woman’ is meant to protect everyone, no help needed! Whenever something is wrong and we all need a pickup, here she comes to ‘let me do it’ and everything is going to be okay! She did all the necessary suffering so that your characters don't have to! She can sweep in and save the day!
Now here's the dissonance kicks in. This one on its surface probably sounds like a good thing. She's a hero! She’s resilient! She's great! Who wouldn't want to be superwoman? Who wouldn't want to reject being a love interest, all women are always love interests! Let us be the badass that kicks ass and shows the men what for! Who wouldn’t want that, 24/7?!
The answer: US. 👍🏾🤣
This is a long, separate conversation on its own, but we have to understand that Black women (women of color, really) and White women do not always share the same end goals and understanding of "strong woman character" or even feminism. We certainly aren't always the love interest. Very usually not, in fact. We are always pushed to the side. We are already the hero in our lives, we're already the "strong woman".
Not everyone yearns to be the Singular Hero who will Fix It All as many of us are already expected to do. It's exhausting having to swallow your own needs for everyone else all the time, especially when it's suggested that you have no value otherwise if you don't. Heroism is Exhausting, and it's something worth looking into when you’re characterizing your Black girls and women. I’m not saying that we can’t be strong! We are, and it’s impressive! But I also want us to add some nuance to that strength, the way we would for any other character. What it means to have community, rather than to do it all alone. How even if she wants to be the hero (and that’s okay! That’s fine!) how it would still wear on her. Surrounding your Black girl character with unconditional support, to have a lover that actually wants to pull some weight- that's something many of us actually would like to see, because we're usually shafted to the side as 'someone who can do it all herself' (in order to hide that no one thinks we need or are deserving of the help).
It's okay to let your Black woman and girls show weakness, to rest, to be taken care of! It's not "less feminist" to accept that we're humans that need help and can't carry it all, too. That it’s okay to want to feel valued and protected. Because god knows, I wish I didn’t grow up strong and resilient, I wish I grew up knowing that the world cared that I was safe.
Standards of Beauty
These standards are not the same! I've mentioned it before in my lesson on skin tones, but very often when we think of "beauty", it’s easy to fall into the idea of whiteness. Pale skin, thin hair textures, etc. If those are our existing standards of beauty, then it doesn’t matter what any of us look like- we’re ugly! When I was in high school, I remember a classmate saying that Swedish people were the most beautiful people because of "white hair and pale skin". Without even meaning to, that guy basically said everyone darker than a stack of loose leaf printer paper was ugly by proxy of not being Nordic White (no matter how pretty they actually might be!!) 🤣
It’s also of note that whiteness/paleness tends to be connected with innocence and cleanliness in western culture, while blackness/darkness tends to be considered dirty, sinful, fearful. Now, while the origin of this idea may not be racist itself, when you spend hundreds of years implying that Blackness is bad- to the point that, in the U.S. they came up with an entire slur one step past “negro” (meaning ‘Black’) to deem you less than- it’s hard to say that the societal connotation didn’t apply.
Now we've already discussed working on describing our Black characters better! I continually remind you all that you should be describing them as wonderfully made as you do your white characters. Keep in mind that we live in a world where from day one when we enter the world, Blackness and Black features are not seen as beautiful nor emphasized. Whiteness is the standard of beauty that we, for a long time and still, are expected to adhere to. If you'd like to do better by your characters, remember that you don't have to give them "white features" or use "white" as an adjective to do that!
Black Women as Women
“There was literally nothing, not a thing, that a white woman could ever have that was worth more than her sexual virtue, and this obligated mandatory chasteness and sexual vulnerability… If the most important thing a woman has is virtue, and only white women can have virtue, then by definition, only white women can be women.” Ruby Hamad, ‘Only White Women Can Be Damsels’, White Tears, Brown Scars
Often, Black women by definition are not included under the societal banner of “women”, from our features, to our personalities, to our 'role' in life. "True Womanhood" is denied us, cis and trans, because of our Blackness. The things that make women ‘women’, we are not included under, because systemically, the only ‘women’ that were meant to mean anything were white.
I bring up Megan Thee Stallion again. Meg is probably one of the most beautiful, feminine women I've ever seen in my life. Men still call her a man, due to her height, due to her confidence, and due to their insecurities. Same with Serena Williams; Serena is damn near built like a god in my eyes. She was told she was manly from the beginning of her career, no matter how beyond skilled she was in women's tennis. Even when she damn near died giving birth- the most basic of 'tasks' women are seen as having in this society, it didn't matter. Black women are 'less womanly', 'less valuable', 'less in need' of that protection and identity that society swears Women™ need (and not in the honest way that we do need protection).
Consider that you're making sure that your Black women have the options of range of gender expression and emotions (and if they aren't allowed to, is that on purpose). If you're only ever creating us and we're in service of some dainty white woman and never the other way around... consider how that may reflect what you think our role is in your story, and in your mind.
Adultification
“Awkward moment when Rue is some black girl and not the innocent blond girl you imagine.” twitter: sw4q
It has been shown that Black girls the same age as their white girl counterparts are deemed older and less in need of protection, and supposed to 'be more mature'. Imagine that. Deemed inherently less innocent, due to your skin color. Having to parent our siblings, get jobs to contribute, do all the cleaning, and more. Yet, when we act with the maturity that we've been forced to grow into, we're "fast". A little 12-year-old girl, now to society, the Jezebel. All because she wanted to try pink lip gloss or wear a skirt; things that little tween girls might try to understand the big world around them and push boundaries. Now she's a woman, now she can never be a victim. Now she can be beat on and hurt and it's her fault.
I explain this for two reasons: One, for you to think about how your write your Black girls, and Two, for you to hold more grace for Black girls- real and fake. Do you hold her to a higher standard than your white characters of similar age? Does she inherently seem less innocent to you for reasons outside the plot? Is she as human to you as your other characters? Is she allowed to be a child? To act like one? To make mistakes? Are you as empathetic or understanding about that childishness as you are towards nonblack characters? Do you make these decisions on purpose?
It's not like Black girls can never be YA protags or anything- ofc we can. But keep in mind that she's not somehow automatically "stronger" by proxy of her Blackness, that she'd "be tougher". She's a kid. Let her be one.
Conclusion
There’s a LOT you have to consider when writing Black girls and women. I’m not going to sit here and say it’s easy, because being Black, and being a Black woman, is not easy. If you’re stressed reading it, imagine being stressed living it lmao. It’s a constant chain of quick-time events every day of your life to prevent nonblack nuclear meltdown in response to your every single action. I’m not going to apologize for it, either.
That being said, I don’t expect you to understand everything, especially not all at once. I just want you all to keep these things in mind, to question yourself when you’re writing your character- are you treating her differently on purpose? Or are you treating her differently because of a bias you might not even notice you have? It might help to go back, to read how you treat all of your characters. Or, if you’ve never written before, to maybe outline the traits of your characters and figure out where things balance out. As always, all you can do is practice at it. Because it's the thought that counts, but the action that delivers.
Whew, I'm actually emotionally strained after this one. My chest is beating fast. Let me go get some groceries now.
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chiara-hotel · 3 months
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When s/o is on their period
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Characters: Blade, Aventurine, Sunday & Boothill
Warnings: Periods, cramps, gn!reader with the exception of fem for boothill
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- Blade is somewhat like his usual self while you’re on your period
- In a way he just becomes more protective of you
- He knows that you’re strong enough to defend yourself, he knows that you’ll be okay but seeing you in such a weak state just sets in his mind that he needs to protect you
- He feels honored though that you’d show him such a vulnerable side of him (and finds you cute but doesn’t show it on the outside)
- Its adorable even, hes like a little black cat cuddling his owner to protect them
- Or even just standing behind you to protect you
- Because of this hes also extra jealous during this time
- No one else can see you like this or even talk to you or Blade will get mad
- A great helper too when it comes to cramps, Blade can help massage your stomach/back if needed
- When it comes to shopping for painkillers, pads, tampons, etc. he usually just asks Kafka to buy you stuff and then goes to your place to cuddle
- Not because he doesn’t want to, he just wants to stay with you because he knows you want to cuddle him (he wants to cuddle you) and also he thinks kafka knows way more about him and will get the right ones
- Don’t worry though! He makes sure to listen every product you like to the exact specifications (if Kafka is unavailable, he will buy them for you)
- And yes he buys you a bunch of snacks too
- Blade doesn’t actually understand why you enjoy having so many snacks but he just goes with it…
- On days you don’t have cramps he doesn’t treat you much differently, except for being more protective
- And again, more cuddles… beacuse “you” need it
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- Aventurine treats you with whatever you wish
- Pads? Sure he’ll fetch someone to buy you some, Snacks? Hes already got you covered
- Summons some random female IPC agent to get whatever your heart desires
- Aventurine also definitely keeps track of your period with an app
- He doesn’t use it for everything, Aventurine isn’t the type of person to record your mood, feelings and basically everything into the app
- Occasionally whenever he thinks its been a while since your last period he just checks the app too check when it’s happening
- Oh but he also has the app synced with his personal calander, every week before it starts he also gets you done boxes of pads/tampons
- Before you were dating your period started at his place and he had to run out to get a pads. So ever since then he keeps a few in his bathroom drawer
- Aventurine was so nice about it too, told you not to worry and showed you where they’d be for next time
- On your actual period he spoils you a lot
- Of course most of the day he’s kept up in his office, either he can work from home or he invites you to come to his office from him
- While there you lay down on his lap while he finishes work on the sofa, annoying calls, booking appointments, going over monthy stuff
- Sometimes he tries to massage your stomach but fails and just ends up rubbing it
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- Boothill is…just okay on your period
- He’s clueless at first, but trying
- Boothill is willing to buy you snacks or even period products, he does not care about walking straight to them
- Loves buying you snacks actually
- Willing to give you any cuddles or massage you for your cramps
- Feels bad for your pain actually
- Can he heat up his body somehow? If he can, he would do that and cuddle you so you’d get warm (like a heating pad but he wouldn’t complain if you need that too)
- Other than that he knows you’re a strong woman and he also loves seeing you continue to do your job throughout the pain
- He doesn’t try to protect you when he knows you can handle the job, even on your period
- Other than those hes not really much different
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- Sunday can be the best and worst on your period
- As a kid he always helped Robin while she was on hers so he knows what types of things you need
- Often times he also might ask her to buy you some supplies (which she usually gets her bodyguard to do since the fans would go crazy)
- He will get you any of your necessary requirements for this time
- But he also is very busy with his job as the head of the family and won’t have much time to cuddle with you/be with you
- When he gets home from his job then he will cuddle you, but his job often takes the entire day
- He will hug you during your sleep though
- Great massager for your cramps too
- His angel wings hovering over your stomach to give you some warmth to help with any cramps
- Also gives you time off work/stuff so you can rest & relax during this time of pain
- Especially if you don’t work for him, he forces them to let you have the time off
- If you work for him well, you still work and get paid but your job is just to be near him/rest on the couch
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shares-a-vest · 1 year
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Wayne shuffles to the door, desperate to answer the incessant knocking that sounds like whoever is on the other side is going to beat the exterior fly screen straight off its hinges. He is greeted by Claudia Henderson, clutching her handbag strap tight across her chest and looking very serious.
Although it might just be his sleep-deprived inability to gauge the emotions of chipper 9-to-5 receptionists who wear cosy sweaters. He checks his watch. He’s only been asleep for about an hour after getting home from night shift - what with waiting for Hurricane Eddie to finally head off for the garage.
“Hello, Wayne,” Claudia nods and purses her lips.
He scrubs a hand over his face but steps back nonetheless to let her in. Claudia is one step in the doorway anyhow.
“Coffee,” he not-so-much asks as he moves to the kitchen.
“No, thank you,” Claudia says politely, “I usually wait for my morning tea break.”
He looks over to find her pulling out his assigned chair at the breakfast table. She looks nervous, if a little pissed off as she gathers her handbag up on her lap. He blinks harshly and pinches his nose enough to press his forefinger and thumb into the inner corners of his eyes. He really needs to wake the hell up a little more, it appears.
“What did Eddie do?” he sighs, looking over the drying rack on the sink for one of the mugs he has in his rotation at the present time.
“Oh, Eddie hasn’t done a thing!” she insists, a smile evident in her voice, “I’m here about Steve.”
Cubs mug it is then...
He frowns again and turns back to Claudia, confused. And the woman looks like she was expecting such a reaction because she huffs and straightens up, looking like she is readying herself to give a sermon on the kid.
“I need you to help me convince that boy to move in with Dustin and me,” she explains, promptly holding up a defensive hand, “Now, I know he stays here, mostly This isn’t about anything to do with you… Or Eddie…”
She tacks that last mention of his nephew on with a tone and a knowing look.
Wayne clears his throat. It’s certainly far too early in the morning for the ins and outs of that conversation. He flicks the kettle on to drown out the awkward silence between them.
“Have you uh...” he hums and scratches the back of his neck as he searches for words, “Have you talked with him about this, at all?”
Claudia squeaks out a noise he assumes is a negative as he quickly spoons coffee into his mug. He’ll settle for black coffee for now - he really cannot be assed to stand up for much longer, even if he did have the sense to quickly step into his comfy slippers when Claudia came a-pounding on the door.
“And you want my help specifically?” he says, raising his voice above the steaming kettle that is whistling away in boiling readiness.
“Yes!”
He waves a hand in the air, “Well, what about Robin?”
“Oh, gosh, no! I can’t talk to that girl,” he barks a laugh that makes Claudia startle in her seat, forcing her to clarify, “I mean she is a steel trap about that boy!”
Wayne smirks and nods as he heads for the table with his piping hot - and hopefully, heavily caffeinated - beverage, “He’s not the biggest talker when it comes to himself.”
“I’m not one to speak ill of other mothers,” Claudia says in a hushed tone, “God knows, I am not perfect. But where are his parents?”
She rocks a little with each word like she has needed to ask that question for a good long while. Of course, Wayne thinks about Steve’s parents. A lot. Because the boy almost never mentions them.
He shrugs, “He says they stayed away on business.”
“After everything that has happened in this town?” she argues, voice growing shrill with worry, “Did he tell you what actually happened with the mall fire? It was more of that other dimension nonsense!”
He almost chokes on his coffee. He knows a little - there was no way around it with Eddie in the hospital surrounded by all those secret nurses and doctors. But he didn’t know Claudia Henderson knew about some of it too. Still, he decides to remain cautious and gestures for her to continue.
“And he’s been concussed more times than he can remember!”
She slumps back in her seat with a look of such horror, Wayne thinks the sweet woman sitting opposite him considers it her closing argument.
Wayne taps on the rim of his coffee cup. They would have to tread carefully, not ambush the kid.
“He does get a lot of migraines - ” is all he can think to say.
“ - And he has dizzy spells,” Claudia cuts in, leaning forward. He can see tears starting to well up, “I just want him to be looked after. I know he’s a young man with his own life and everything, but he still needs a parent to care for him, to support him.”
“Yeah,” Wayne nods firmly, “Yes, he does.”
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chrissv4mp · 2 months
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౨ৎ lacy black pair with the little bows
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— word count : 4.3k
★ sum: you listen to billie's new feature, and you can't help but notice that more than half of her lyrics are directed toward you.
☆ pair: fem!reader × billie eilish
★ cws: smut, language, spit, oral, fingering, overstimulation, multiple orgasms, crying, mommy kink, degradation, dirty talk, masturbation, strap-on sex, etc.
☆ a/n: well...... haven't written for like 4 years (days), but i'm back !! (maybe...)
★ a/n 2: i lied, you're getting this way earlier than u should've.... (my break from writing is long overdue i need to get back on here 💔)
— tags : @livialifesblog @mseilishmwah @mxqdii @sophloveswomen @devynscomet @her-favorite @br4ttyeilish @wiidfi0wer33
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your thumb quickly taps on a newly released music video, a video starring charli xcx, and your girlfriend. you heard the song already, millions of times, actually. it was one of your favorites on the album, and you were ecstatic when you found out that billie got to star in the music video and also put a little twist to the song.
you bit down on your lip in an effort to contain your excitement, a light pink hue flushing your cheeks and ears as your eyes darted around at every extra in the video. they all looked amazing, but the person you wanted to see right now was billie. you wanted to know what she was wearing in the video and what lyrics she wrote for it. her mind worked in such a beautiful way that you couldn't help but get excited.
a squeal left your throat as your girlfriend finally came on screen. she looked good. really good. you couldn't help but blush profusely as you stared into her eyes in awe, causing you to miss half of her lyrics. you quickly skipped back, though, chewing on your bottom lip out of excitement to hear the words. when your ears finally picked up on the words coming from her between her lips, letting out a quiet gasp as your face got impossibly hotter.
"don't have to guess the color of your underwear,
already know what you've got goin' down there."
a quiet hum fell from between your own lips, a big smile plastered on your face as your eyes continued to follow wherever your girlfriend went on screen. the next line of lyrics made your eyes widen subtly, catching on to who she wrote her lyrics about. did she write them about you? your thighs squeezed together at the thought, breath hitching.
"it's that lacy black pair with the little bows,
the ones i picked out for you in tokyo."
you remember that night very well. when she took you on her trip to tokyo for her tour promo. she insisted on exploring the city with you, explaining in great detail how she wanted to spend the rest of her life with you and how she wanted to experience new things with you specifically. and that eventually led to her dragging you into a mall and taking you into victoria's secret, then surprising you with a pair she wanted you to try on.
she really couldn't get her hands off you when she saw them on you, hugging your hips just right and making her appetite for you even bigger. she wanted to taste you, so that's exactly what she did. right in the dressing room, she ate you out like a starved woman. you couldn't say you didn't enjoy it. the adrenaline you got from the fact that anyone could interrupt you or even accidently walk in made it all the more pleasurable.
she bought them for you without hesitation, and you quickly found out those were her favorite pair. the way the light pink bows decorated the thin, lacy fabric, and the way they fit you just right made her absolutely insane. whenever you would walk around the house in just underwear, she would be right at your feet in seconds, tugging at the fabric in an effort to pull them down.
"i saw them when you sat down, they were peekin' out.
i'm gonna tell you right now they're all i'm thinkin' about."
her words affected you much more than you'd like to admit. the way her plump, pink lips moved to sound out the syllables of each word she spoke, it made you crazy. she was teasing you through the fucking screen, and you couldn't do anything about it right now.
"fuck." you mumble, the end sounding as a whine as your head lolled back onto the couch cushions. she wouldn't be home for another hour, and you knew she hated whenever you touched yourself without her clear permission.
how could you resist, though, when she spoke such filthy words? her tone of voice didn't help your situation, either. it was low and raspy and had just a hint of seductiveness settled in. the way she sang had your heart pounding and your pussy throbbing, eyelids threatening to flutter shut as you continued to watch.
"i wanna try it, bite it, lick it, spit it,
pull it to the side and get all up in it."
you couldn't take it anymore. sure, you could've shut off the video and tried to distract yourself, but you really didn't want to take your eyes off the gorgeous girl. instead, your free hand slid down your body, caressing your own soft skin gently before dipping beneath the waistband of the pair of panties that your girlfriend loved so much.
a choked sigh of relief fell from between your lips as your index finger ran through your wet folds. the hand on your phone only gripped the device tighter, eyes trained on billie as she moved around in the music video. she looked so sexy you couldn't help but moan out into the empty house, hips bucking against the pads of your fingers.
"billie—mhh.." you whimpered quietly, teasing yourself by only dipping the tips of your index and middle finger into your pussy. just like billie would do if she was here. she would call you a slut for getting so worked up just by watching her through a screen. she'd edge you the whole night if she saw you in this position, actually.
"kiss it, bite it, can i fit it?
charli likes boys, but she knows i'd hit it."
the way she moved her head side to side as she sang the lyrics reminded you of the countless times she's done that while in between your legs, eating you out like you were her last meal. she was always so eager to please you, taste you, hear you.
your fingers stopped when you heard the last line, though, pausing the video quickly as a pang of jealousy hit you. that only fueled the fire in your lower stomach. it fueled your urge to further disobey her and make yourself cum over and over again by yourself. you wanted her to walk through the front door and instantly be met with your throaty moans and the disheveled, fucked-out appearance of yourself while you continued to thrust your fingers in and out of your swollen pussy.
the thought alone made you wetter, and this time you fully plunged both fingers inside of your pussy. a moan sounded throughout the house as you tossed your phone to the side of the couch, head lolling back as you spread your legs further out. you imagined they were billies fingers pounding relentlessly into your tight hole, never stopping even whenever you tried to push her hands away.
quiet gasps soon turned into throaty, desperate moans of your girlfriends name. your hand gripped the pillow beside you, bottom lip swollen from all the biting you had been doing previously. the way her hands moved on the steering wheel of the tractor made butterflies swarm in your stomach, her ring-clad fingers making you crave her touch even more.
a thought popped into your mind, your fingers faltering in pace for just a moment before they picked up speed again. your grip on the pillow loosened, reaching around on the couch to find your phone. when you finally grabbed it, you unlocked it and opened up the camera app, pointing the phone down at your thighs. as you snapped the picture, you let out a breathy chuckle as your eyes scanned it. your hand was visible through the thin fabric of your panties, and the obvious wet spot just made your smile bigger.
you didn't think about the consequences before sending the photo to billie with a teasing text, "still thinking about them, or did i wear these for nothing?" then your phone was tossed to the side once again as you got lost in your pleasure, eyes rolling back as you curled your fingers just right and hit that one soft spot inside of you.
it didn't take long for your phone to start vibrating, the screen lighting up with a picture of you and billie and her contact name showing in bold at the top. you would've answered if you weren't so caught up in the need to cum, drowning out everything around you as you got lost in the fantasy of your girlfriend plunging her fingers deep inside of you while her lips wrapped around your swollen clit.
a low whine sounded in the room as you clenched around your digits, bucking your hips wildly against your palm as it continuously grazed your swollen bud. a hand came up to grope at your tit, rubbing your nipple through the thin, white baby-tee you wore. when your fingers curled again, you lost it, letting out a high-pitched moan as your back arched away from the couch cushions. your juices coated both of your digits as you pulled them away after a few moments, whining at the empty feeling.
grabbing your phone once again, you opened the camera app and spread both your index and middle fingers, snapping the photo when the web of your cum was visible. a cheeky, flustered smile formed on your face as you flipped the phone camera. this time, you recorded your filthy actions. you slowly brought your fingers up to your mouth, sticking your tongue out in a seductive manner before placing both of your wet digits on the muscle.
your lips wrapped around your own fingers, and your eyes fluttered closed as you let out an exaggerated moan, tongue swirling around them as you thrusted them in and out of your mouth. billie wasn't gonna be nice tonight. you knew that. but you didn't care about the consequences right now because she was just so fucking fun to tease. she always got so worked up and flustered, you couldn't help it.
you stopped the video after you dragged your fingers out from between your lips slowly, making sure to give billie a show. then, you sent it without a care in the world before placing your phone down on the coffee table. she wouldn't be back soon anyway, so she'd have time to calm down.
— a loud slam echoed through the house, and your lips quickly curved into a mischievous smile as you got off yours and billies shared bed. it didn't take long for her to call your name, the tone of her voice clearly showing off her anger, "y/n, where the fuck are you?"
her eyes darkened as she watched you walk down the stairs like nothing happened. they traveled down your body, catching sight of the panties you wore in the picture you had sent her earlier. she couldn't believe you actually had the nerve to touch yourself without her present. as you stood at the bottom of the staircase, an innocent grin on your face, she bit her lip out of... she didn't even know.
"c'mere, now." her voice was quiet, the tone of her voice laced with anger and lust and emotions you couldn't even catch. you obeyed her commands, skipping off the final step before making your way over to the girl that still stood at the front door. the way your hips swayed as you walked was addicting to billie, her own urges becoming hard to contain. when you were finally in arms reach of billie, you stared into her ocean blue eyes and just smiled, humming as you tilted your head to the side.
she mirrored you, tilting her own head to the side but keeping the same stern look on her face as she analyzed your own. before she spoke, her hand came up to grab your face, her fingers pressing harshly against your cheekbones and causing your lips to part slightly, "you think it's funny to tease me while i'm out workin', huh?"
you stayed silent, eyes darting around her face and admiring her many facial features. the freckles that were only noticeable if you paid real close attention to her. your mind didn't process her question until after she shook your head side to side for a few seconds. you gasped before stuttering out a quiet response, "'ts not my fault. you were the one who started it, bils."
a toothy smile formed on her face, a quiet chuckle coming from between her perfect lips before she spoke, "how did i start it, babygirl?" her voice alone made your knees weak, wobbling for a moment before you composed yourself and spoke up, "the video," you whispered, and billie just scoffed as she pressed harder on your cheekbones.
it made you whine, cheeks flushing a light pink hue as her lips parted to speak again, "oh? was it the video, or was it the lyrics, mamas.?" you only stared back at her with a knowing look swirling in your pupils, and billie chuckled again, "it was both."
you nodded in response, hands moving to paw at your girlfriends close in a weak effort to try to get her to touch you. that's all you wanted ever since you finished the video, "you were the one who wrote those lyrics. you told me to watch the video and you—" you grumbled, and billie quickly shut you up by giving you the look that always made you crumble.
"no, no, it's not my fault. i think it's your fault for being such a needy slut, actually. you only had to wait a few more minutes and i would've been home to relieve you," she whispered, that stupid, sexy smile on her face never leaving, "but you couldn't wait, could ya? such a fuckin' slut you can't even wait to cum. 'm'gonna teach ya tonight how to be patient soon,"
"not tonight, though. you wanted to cum so badly so i'm gonna make you cum," you knew what that meant. yeah, she'd make you cum but she wouldn't stop until she was satisfied. she wasn't gonna stop until you were crying and begging her to stop.
a low whine ripped through your throat as you pouted your lips, batting your eyelashes at billie in an attempt to get out of the punishment. she replied by shaking her head slowly, biting down on her lip as she let her eyes travel over your body, eventually landing on the lacy panties you wore.
"y'look so sexy, mama," she groaned, letting go of your face to grab your hips. she walked toward you, resulting in your own feet taking you backward until the backs of your knees hit the couch and you were forced into a sitting position. billie quickly dropped to her knees, spreading your legs with her veiny hands as she settled herself in between them.
her eyes couldn't decide where to stay, dragging over every inch of your body hungrily as she ran her thumbs along the exposed skin of your thighs. before you could complain, she dipped her head low and began to trail kisses along your inner thigh, so close to where you wanted needed her the most.
as she dragged her tongue up your thigh. you gasped, hands moving around for something to grab onto. she chuckled softly at your reaction, hooking both of her index fingers in the waistband of your panties and slowly, teasingly sliding them off your thighs, legs, and then your ankles. a look of confusion masked your face as she held them for a few moments before tucking them into the back pocket of her baggy jeans, eyes darkening even further as she kept eye contact.
then her hands were back on your skin, the cool temperature of them causing you to shiver as she caressed your thighs once more. she scooted closer this time, licking her lips as she finally caught sight of how soaked you were, "need you, bils. fuck—need you s' bad,"
billie hummed in response, not wasting another second to run the tip of her tongue through your folds, starting at your entrance and stopping at your clit. she repeated the motion a few more times, pleased at the breathy gasps you gave her in return. her tongue dipped into your hole when she licked back down, moaning at your taste as her eyes fluttered shut.
a breathy moan sounded throughout the room as her tongue began to thrust in and out of your pussy, your hands finally finding home tangled in billies hair. your hips instinctively bucked against her tongue, head lolling back onto the cushions just as it did a few hours prior. she was better with her tongue than you were with your fingers, fuck, you could've came on the spot.
"mmh, taste s' good, y/n.." she groans, the words muffled by your pussy. the vibrations of her voice make you whimper, eyes squeezing shut as you feel her tongue delve deeper into you. when your thighs begin to close around her head, she pulls away. your immediate reaction is to whine, hands pulling her close to your core again.
billie slaps your thigh softly, a silent warning not to piss her off as she would only add on to the punishment. when she got close again, though, she spat right onto your clit and then began to rub her index and middle fingers in slow, tight circles, "feels good, huh?"
you only nod, smiling stupidly as you sigh, "yes, yes, fuck yes..!" a moan rips through your throat as she finally dips both of her fingers into your entrance, her pace immediately picking up. the wet squelching sound of your pussy fills the room and billies ears, and she whimpers at the sound.
she fucking whimpers and you think it's by far the hottest thing she's ever done while in between your legs. her eyes are closed, so focused on sucking your clit harshly as her fingers pump in and out of you. the way she whispers soft praises against your pussy drive you crazy, the vibrations just making the whole situation so good.
"'m'gonna cum, mommy—mhh, fuuck.. please? please, need—lemme cum?" your words are jumbled up versions of every sentence you replayed in your head, trying to pick out the best one in hopes that she would actually let you cum on her fingers and tongue. what you didn't expect her to do was continue, but this time curling her fingers each time she reached a certain depth and rubbed against your weak spot, "yeah, mhmm—right.. right there! fuck, please don't stop,"
you didn't care if you sounded desperate right now. you wouldn't deny that you weren't desperate because you were, you were so close to your release, and you needed it. badly. the orgasm that you gave yourself would never come close to the way billie made you cum. she was so skilled with her fingers and her tongue and just everything.
she couldn't take her eyes off your face. the way your nose scrunched up in the slightest and the way your pretty lips were left parted to let out those beautiful moans of yours. your eyelids struggled to stay open, and billie smirked against your heat. she added a third finger, and you almost came on the spot, eyes rolling back as you tugged on her hair harshly.
her moans fell right into your pussy, the feeling of your hands tugging at her black locks both painful and pleasurable, "fits jus' perfectly, mama. wish you could see how well you take me," she mutters, thrusting her fingers in deeper if that was even possible. the stretch stung, but it also felt like the best thing in the world, "c'mon, cum around my fingers, know you wanna."
that was all you needed to let go. the knot in your stomach finally snapped as your thighs trembled, subconsciously closing them as billie continued to thrust her fingers into you, this time at a softer and slower pace. your breathing was erratic, mumbling half-finished sentences and, of course, billies name.
she didn't stop even after you calmed down, though, quickening her pace once she knew you were fully aware of everything going on around you. your eyes rolled back again as you felt butterflies swarming in your stomach once again. the overstimulation only made your thighs shake more, your pussy clenching around her fingers as you tried to protest.
"take it." is all she says, leaning her head against your thigh as she smiled up at you. her thumb took place of her mouth, rubbing tight circles on your clit as her other fingers worked on fucking you hard and fast, "you wanna act like a needy slut? i'll treat you like one, baby." her words only added to your overstimulating pleasure, and now you didn't know what you were begging for.
a choked moan rips through your throat, and now you're releasing all over her fingers once again. your chest rises and falls with each heavy breath you take, body falling limp against the couch as your thighs tremble around your girlfriends head. when you've come down, she finally pulls her fingers out and sits herself next to you. you gasp when she pulls you onto her lap, her eyes hooded and her lip caught between her teeth.
"open," she whispers, her voice laced with seduction. and, so you do, sticking your tongue out and taking her three fingers into your mouth. you wrap your lips around her digits, reaching out to grab her forearm so that she won't pull away. your tongue moves in between her fingers like you did with your own an hour prior, eyes fluttering shut as you moan quietly, "there's my girl. so obedient."
you whine when she pushes her hips up against your exposed core, the feeling of the strap beneath her pants making you grind down on her jeans, "can i fit it in that tight pussy of yours?" she asks condescendingly, raising an eyebrow as she tilts her head to the side. you nod eagerly as your hands begin to work on her belt.
billie just smiles at your eagerness, pulling her fingers out of your mouth before she throws her shirt over her head. her lacy bra barely covers her tits, and you pause for a moment to stare. when she pushes her hips up again, you take the hint to finish what you've started and help her slide her jeans off.
they pool around her ankles, and you bite down on your lip at the size of the indigo strap. it wasn't like you hadn't taken it before. it was the question she had just asked you. before she could even speak again, you lined the dildo up with your entrance, sinking all the way down in one go. your head fell back, a guttural moan echoing in the room as you began to roll your hips slowly.
billie whined quietly at the way your pace picked up quickly, her eyes scanning every inch of your body with a look of hunger swirling in her pupils. her hands moved to your hips, guiding your movements as you bounced up and down on her lap, her cock filling you up perfectly, "jus' like that, yeah. shit, you look even better with my cock fillin' you up, princess."
the new pet name makes you shudder, head falling forward as your hands find their way on billies shoulders to stabilize yourself. your noises are quiet, whimpers and whines leaving you. your legs never stopped trembling even as you sunk all the way down. you cried out in pleasure as billie pushed her hips up, the strap hitting places your fingers could never.
you nod stupidly as her grip on your hips tighten, pulling you down on her strap harshly as you pick up your pace. the quiet whimpers your girlfriend lets out don't go unnoticed by you, a pleased smile taking over you face as you hide your face in the crook of her neck. your lips find her skin, kissing and sucking softly to create very visible marks.
"s' big, mommy—fuck." you moan against her neck, the knot in your stomach already beginning to tighten. it gets tighter each time she bats her eyelashes at you, it gets you so much closer whenever she even speaks a word to you. her lips just look so kissable and fuckable and—
you capture her lips in a hungry kiss. it's uncoordinated and sloppy due to the combined neediness of you both. billie smiles into the messy make-out session, practically devouring your face as she tilts her head to deepen the kiss. you're the first one to slide your tongue over her lips, silently asking for entrance, which she gladly accepts. your tongue explores her mouth, sometimes clashing with her own tongue in a fight for dominance. you have no idea how, but you win.
when you finally pull away, you drag her bottom lip out with your teeth. your eyes are looking straight into hers and, oh my gosh, she could cum from just that alone. a few more bounces on her cock and you're hips ate finally stuttering, struggling to keep up the pace you set as your grip on her shoulders tighten.
"bouncin' on my cock like such a slut, huh. bet you'd do this to any girl in your sight, right?" you shake your head the best you could, babbling something that sounded like, "no, only you." billie just scoffed, thrusting her hips up harder and faster as she holds your own. the slapping sound of skin echoes in the room, followed by the moans coming from your dry throat.
"cum," your chest heaves up and down, eyes squeezing shut as your body falls against hers. your orgasm hits you hard, and you swore you saw stars behind your eyelids as you rode out your high. billie smiles as she feels you fall limp against her, her hands coming to your back to pull you closer to her body, "did so good, mama,"
you nod weakly, eyelids ready to flutter shut once again as you hide your flushed face in her neck. when she thrusts her hips up again, you cry out, "but we're not done yet."
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tybaltsjuliet · 2 years
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here's the thing about charles dickens. [discussion of his antisemitism, misogyny, and racism ahead.]
his last, unfinished novel, the mystery of edwin drood, features helena and neville landless, heroic and sympathetic south asian (sri lankan, specifically) characters, and the racism they endure in an english town is relevant to the plot to the point where neville ends up falsely accused of murder. in the wake of the indian rebellion of 1857, dickens applauded the english brutality against "that oriental race," and called for genocide.
fagin is called "the jew" 274 times in the first half of oliver twist. an article in the jewish chronicle asked why "jews alone should be excluded from the 'sympathizing heart' of this great author and powerful friend of the oppressed." at first, dickens dismissed this, and claimed he was just being accurate about london's criminal makeup. but he was moved enough by eliza davis's letters to him on the matter that he halted the printing of the latter half of oliver twist so he could change the text and remove the antisemitic language therein.
dickens was an abolitionist who despised chattel slavery in the united states, and called emancipation a "moral duty." dickens didn't think black americans were intelligent enough to vote, and he wrote an entire character in bleak house who is a joke to be disliked and mocked because she'd rather oversee charity missions to help children in africa than be a proper mother and tend to her own family at home in england.
speaking of one's own family at home in england, dickens smeared his wife, catherine hogarth, publicly so he could justify separating from her and taking up with a younger woman. catherine hogarth was likely mentally ill, likely living with postpartum depression. she was also an author in her own right and loved her family dearly. her reputation never recovered in her lifetime from the claims he made about her. in dickens's novels, time and time again, from nicholas nickleby to david copperfield to our mutual friend to the mystery of edwin drood, men who menace and take advantage of vulnerable women are portrayed as the worst kind of villains, deserving of whatever grisly ends come to them.
charles dickens was both privately and publicly a raging asshole in many ways and the world would be worse off without him, because he wrote for bourgeois, comfortable victorians, the very people who so often failed to "think of people below them as if they really were fellow-passengers to the grave, and not another race of creatures bound on other journeys." in the same breath that he calls agnes fleming, who opens oliver twist as an unwed mother dying in a workhouse, "weak and erring," he dares to add that "i do believe that the shade of that poor girl often hovers about that solemn nook-ay, though it is a church." he calculated jo's death to the page in bleak house for maximum effect. but when he wrote of the orphaned crossing-sweeper, "dead, your majesty. dead, my lords and gentlemen. dead, right reverends and wrong reverends of every order. dead, men and women, born with heavenly compassion in your hearts. and dying thus around us every day," people listened.
i dedicated years of my life to reading him and studying him and thinking about him and writing about him and his novels. now, i turn to condemn him; now, i turn to justify him. i wish i had a time machine so i could shake his hand. i wish i had a time machine so i could publicly debate him. i wish i had a time machine so i could break his nose.
charles dickens gives me courage and hope. charles dickens makes me want to tear my goddamn hair out. he is everything i despise and everything i love about the victorian age in one; the term "a man of his time" ought to have been invented for him. the leaps and bounds the victorians made for progress in the public good are only matched in greatness by the extremity of their atrocities against their "fellow-passengers" on this earth. the way we think about nearly every modern social ill can be traced back to the 19th century; the way we think about nearly every modern idea of social justice can be traced back to the 19th century. every last one is writ large and small in dickens's novels. he and his age are the greatest contradictions in human history and that's why i can't shut up about them, ever, even when i am exhausted by them, even when i am inspired by them, even when it was two centuries ago and it shouldn't matter anymore, but it does. it always will.
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