#like the betrayal of it really gets me

[heterophobicdyke]

one thing to know about me is that i have absolutely no empathy for women who know they’re genuinely attracted to men (including in their past) and yet call themselves a lesbian

[nellasbookplanet]

The tragic idea that the Betrayers loved their siblings so much that it ended up being what drove them apart. They didn't want to settle for anything that could hurt their family, and mortals were doing so, either directly (a mortal usurping one of them) or indirectly (emotionally hurting them during the Schism by just. dying so much). To the Betrayers, it wasn't worth it. They wanted their beloved family to leave and go somewhere that wouldn’t hurt them.

To them, it's the primes who are the betrayers. The primes were motivated by more than just love for their immediate family - they loved their creation, too, and more than that, felt a responsibility for it. They would rather fight their own siblings than leave it.

We saw all the gods love and protect each other during the opening of Downfall. The Betrayers were not uniquely evil from the start. They wanted to save themselves and their family from hardship and suffering, even if it meant leaving their creation, their game, and in response their siblings locked them away. Not only do they not love mortals, they view mortals as this corruptive force that somehow turned their family against them. Do they think that, if they succeed in exterminating them, the Primes will be freed from their influence? Maybe - perhaps some of them are waiting to forgive and embrace their siblings, but far from all, I suspect. Asmodeus certainly expressed during Calamity that he didn’t so much want to be reunited with his siblings as he wanted to punish them. He was betrayed by the ones he loved most for the sake of a game! Maybe togetherness and forgiveness was once an obtainable goal, but not anymore. Even if the Betrayers succeeded in ending Exandria, the Primes would never forgive them, and they would never forgive the primes. Their family can never be whole again because of, as they see it, the toxic influence of mortals. So they hate mortals for this influence, but more than that, they hate their siblings for being so weak as to fall for it.

[turtleblogatlast]

Don’t think I ever quite said what my LGBTQ+ headcanons are for the boys, so these are my current thoughts! Always changing of course but this is what I feel most strongly right now.

[leathfaic]

I've been sitting on a headcanon for over a year now because I know that once I put it out I will want to expand on it.

But fuck it what is one more writing project?

I want Ghost to be fucking paranoid about Laswell finding out about him and Johnny. Not even because she would necessarily tear them apart but because she would absolutely use it. To her advantage and thus potentially against them.

Send them out on a dangerous undercover op for months under the guise of having left so they could be together. Infiltrating some dubious PMC perhaps that doesn't quite care, they're getting the Ghost and his Sergeant after all, if they just look the other way. What a fucking deal and how dumb the government is to let those 2 become mercenaries just because they like to fuck each other. One wrong step one wrong word and they might both end up dead.

But far more than physical harm just the threat of keeping them apart if they don't comply. Days that easily spin into weeks and months that they just keep missing each other, mission beginning before the other gets back from his current one. Until Laswell pointedly asking if they are going to behave this time is "graciously" giving them another chance to work together.

Because really, there's nothing they can do, right? They could be dishonourably discharged for fraternisation and instead Laswell is "only" using it to twist their arms.

Price, even if he knows can't really help them either because again, any kind of ruckus about this and it could end so much worse.

Soap probably has a little more faith in Laswells morals, although I'm sure the more they work together the more that quickly fades and he understands Ghost's caution. That woman got to where she is in life for a reason.

So they are still close with each other when she's around. Would be weird if they stopped all of a sudden, bound to draw her attention too. But always minding a careful line. Keeping it to the "brothers in arms". Never giving away too much. And sometimes that stings even more. When Ghost sees Johnny's need for physical contact and can't do more than give him a manly pat on the shoulder. Torn apart by the need to hold him.

When Soap notices that Ghost isn't sleeping on an op, knowing he should be there and talk him through the night until the bad dreams fade and Ghost gets at least a few hours of shut-eye. Nothing he can offer but empty phrases and a dumb comment about Ghost clearly needing to get laid.

They both know of course. What they really mean. It's still grating.

Better than it could be if she knew though. Worth to keep what they have safe.

[queenerdloser]

i just finished dark heir

[yashley]

no but fearne and morrighan leaving the feywild as creatures of impulse who never once questioned how their primal instincts could be inherently violent but they step foot outside of their world and suddenly experience such a crisis of identity because… why am i like this? and why does it bother me so much now?

[jasontoddenthusiastt]

“Jason should get over being upset about his death” - he has, he wasn’t angry at Bruce or the world because they failed him and he ended up dying, which he made clear plain as day and that’s about the most reasonable a person who went through what he went through could be

anyway I don’t think these people realize how gory being bludgeoned to near death is, and maybe it's because of the limitations of the medium that scene was presented in

[aelswiths]

*screams into the void*

[nerdie-faerie]

TVDu was all 'family is really important to the Mikaelsons, they have a whole saying about it' only to turn around and be like oh yeah that only applies to three of the siblings though !?! what!!?! how dare you!!

[robocops-a-christ-allegory]

Oh, no

[winepresswrath]

I think I would need to reread the first book to really commit to this opinion but imo some of the horror of book!claudia is that she really is a terribly inhuman monster. she was a vampire child, so she never learned to be human. she was a vampire child so she'll never grow up and fulfill that potential. companionship is a necessity for her because she can't look after herself and that makes her bitter and disdainful of people who want love for its own sake, especially in the context of Louis and Lestat, who damned her to her current state to fulfill their own emotional needs. it's a stark contrast to show Claudia, who yes, is a vicious mass murdering vampire and has fun with it, but is otherwise a lonely woman who craves companionship and understanding because she's a person. Her beef with Louis is still about his failure to prioritize her and his assorted bad idea relationship choices but the undertones are so different and I really feel like the tragedy is that he didn't put her first and not that he could never have made her happy no matter what he chose.

[navree]

people doing this whole "look at how rhaenys acted with corlys's bastard son vs how catelyn acted with jon snow" to demonize one or the other is weird because, like, maybe it's just me, but i think that catelyn and rhaenys had different reactions because they're different people in different situations.

[fruitsyrups]

I think it's so interesting to think about the unique social implications of things on the islands. Like, the animal hats & how they originally existed for the practical purpose of protection & they kept wearing them even after that wasn't a factor anymore. & how the hats we see in the present day (when Finn & co visit the islands) don't really resemble animal hats, do they? & maybe that's just to make the significant human characters (who do still wear animal hats) seem more distinct but you best believe I'm going to make it into something bigger. Oh I'm so bad at putting my thoughts into words but it's something how the hats evolved into a new meaning. & when robo susan rips friedas hat off its like a very violating moment. Something something hats, the lack thereof, vulnerability. I don't know. Sorry. I was going somewhere with this but I don't know how to explain it. You get it though. Hats are interesting.

I like to think that (when everyone got sick and lots of them died and the rest moved to a new island) there was a bunch of small shifts & the animal -> abstract hats was one of them. And Frieda still wearing her dog hat shows her still holding onto the past in some way. There we go, that's something. This isn't a total nothing post after all

[findafight]

So many shippers want to take stobin away from each other by either undermining their big friendship moments, especially the bathroom scene by either making Steve talk about someone else when he's describing how amazing Robin is or (as I've unfortunately seen) have Robin lie about liking Tammy (to cover her crush on Nancy) which makes the entire scene ingenuine and the basis of their solid friendship a falsehood, or by giving their dynamic to other characters like making Robin and Eddie best friends before scoops (when they probably didn't even know each other beyond going to the same school). Just. Why. Why must you separate them? Why do you feel the need to remove their big emotional moments of love and trust and give it to different characters?

[kokitschi]

*i mean theories that go beyond the official in-game solutions and don't consider every "logic error" as just bad writing but as a purposeful part of the narrative

i also don't mean any specific theories but rather the act of making theories, of reading between the lines even when there's no "reward" to come.

[quadrantadvisor]

Sometimes I still think about The Owl House Gang all trying to watch ATLA together but then Zuko's backstory in The Storm retraumatizes Hunter so bad they have to stop