#like seeing people get into genuine fights when its just clearly opinion based

[jadeddays]

people arguing about preference and opinion will always be the strangest thing in the world to me, like even as an argumentative person i've never understood it. if someone says theres no greater dessert on this earth than tiramisu, thats how they feel- Im not arguing, I'm not trying to change their opinion. why would i.

[mephistopheleswasrobbed]

Finally I'm back to list all of the evidence that Peaceful Property On Sale is gay, actually!

This week again, our boys were fighting out their differences. But while last week they were fighting about class differences and the arrogance of the rich, this week their fight seems a little closer to home (pun intended) as we're talking about (chosen) family and home-cooked food as one of its signifiers. But more on that later. For now:

1

Pangpang's audience have seen Peach and Home interact like three times but they already ship it. Seeing as we, the show's audience, have seen even more of their interactions, and more intimate moments at that, we clearly have to ship even harder.

2

Home is still going with the pigtail-pulling strategy to deal with his crush.

He tries to make Peach say he's handsome:

And then he makes Peach dance for him:

All the while pretending he's doing all of this because he's some kind of old-school Bond villain and not because he likes him.

3

Aside from their more serious fights, Home and Peach keep bickering in a way that is supremely couple-coded.

Pangpang has also noticed.

Peach, at one point, is so busy complaining about Home that he even forgets to be scared of ghosts.

4

Speaking of people being uncharacteristically unscared: Home also experiences a moment of courage in the face of Peach trembling all over the place, when he steps up to deliver the coffee to Ride.

The fear only comes back when the ghost appears next to Peach, so. Make of that what you will.

5

Back at their base of operations, Home, very subtly, marks his territory by just plopping down on the siblings' new bed, while the bed owners in question sit on the sofa instead.

This is now the second time Home has actively chosen to lay on their bed. (It is also the second time he proceeds to stand on their bed once he goes back to fighting with Peach) One has to wonder why he feels so comfortable making himself at home (höhö) in Peach's bed. (It's because of gay, clearly.)

6

Relatedly, Home has given Peach and Pangpang a home in his place. He could have had them move into any of the many properties he owns, but he chose to let them stay in the one place that is "reserved for" him, that clearely means something to him.

We can see how much this place means to him, both from the flashback and from the fight he starts with Peach over the gas burner. Because it is important to him, he doesn't want it endangered by open fire. However he doesn't just say this, maybe because he doesn't want to appear weak or thinks that the others wouldn't understand or maybe because he's not fully aware of it himself. Instead, when his order is met with protest, he gets grumpy, starts a fight with Peach and leaves.

Because this bar is important to him and, (even though he might not fully admit it at this point), so is Peach's opinion, he gets visibly disappointed when Peach talks negatively about it after Home offers to let them stay somewhere else,

only to perk up again and reminice about his grandpa when Peach says that he wants to stay anyway.

Honestly this, coupled with the ep 1 grandpa flashback about the meaning of "home" is giving me CLW vibes of recently dead (grand-)father meddling from beyond the grave to get his (grand-)son a boyfriend.

7

Once Home has calmed down from his immediate anxiety over the safety of his bar, and has come back because he was lonely and scared by himself, he attempts to genuinely understand why cooking is so important to Peach and why his "solution" of "Just order takeout" was not met with agreement.

We can even see that he feels a little bad about Peach having to cook with a microwave,

leading to him compromising and getting them an electric stove at the end.

(Of course he's still disguising his kindness as a gotcha moment)

8

We learn that Home has been pretty lonely since his parents died, symbolised by his having to eat alone. While he's alone in the masion he doesn't even want to admit his lonelieness out lout to just himself. But when he's talking to Peach in the next scene, he talks about it easily and freely with little to no prompting from Peach. Because he feels safe with Peach.

This is also why, after Home gets lonley and scared in the mansion, he comes to Peach and Pangpang in the first place. Not to his uncle or Kan or Suradech (we see later in that scene, that he's clearly not too worried disturbing people outside their working hours when he calls Kan). Because being with them (especially Peach) makes him feel safer and less lonely.

9

In parallel to Thansai, who did this with Ride, the guy she liked, Home uses the excuse of having ordered too much food to spend more time with Peach (the guy he likes).

Credit to almayver for this point, not sure I would have caught that myself.

Adding to that, after the first time where Thansai lies, she does actually order extra food to share with Ride. Home, meanwhile, has ordered too much food from the beginning (sharing it with gramps the first time). He's always orderd extra food because he's always wanted to have someone to share it with. And now he's finally found them (him ^^).

10

After Home opens up to Peach, he lets Home in a little more, in turn, by inviting him to help him with his cooking.

And even though he words it more like an order than an invitation, Home clearly recognises the olive branch and gets to looking for the soap to wash some vegetables, without any complaint. (Oh Home you sheltered little rich boy) (Although I can't make fun of him too much for this. It sounds exactly like something I would do had I never cooked before)

This leads to the wonderful, very subtle moment of the two of them cooking together under the "Cok Long" sign. (And since there is such a clear shot of this, no one can convince me this wasn't done with full intent)

Peach continuing to warm up to Home, is further exemplified by his willingness to play along with his BS after the successful exorcism

and the fact that he unconciously prepares a fourth plate for Home at the end of the episode. For which he promptly gets called out by Pangpang.

11

Peach feels safe with Home. He has (maybe subconciously) taken note of the events of the previous episode, as he's now turning to Home when he gets scared by the ghost.

Interesting to note, even after he confirms that Ride has left, he doesn't fully let go of Home. Someone's looking very comfortable clutching Home's arm even though there's no ghost anymore.

12

I think the entire scene of Pangpang calling them the mother and father of their little family speaks for itself.

It's okay boys, Thailand passed gay marriage, you can both be the dad.

13

And then we get another moment of absolute boyfriend behaviour in the end credits when Home steals Peach's glasses to play with them.

Him putting the glasses on Kan at the end is also the only moment this episode that could maaaaybe be interpreted as slightly flirtatious towards Kan, but if you do interpret it that way, you also have to admit that he was flirting with Peach a lot more in that scene.

BONUS

Peach didn't punch anyone this episode, so instead I'm bringing you

Lesbians

It startet with them holding hands last week as they fled from Rak

and turned into bickering over whether or not Kan gets scared by ghosts. (A topic which I assume will give these two grounds for further bickering for at least the next couple of episodes.)

(Judging by the smirks on Peach and Home's faces whenever these two go at it, Pangpang might not be the only shipper in the group anymore)

When Home doesn't want to come to her party, she proclaims that she "has got Kan", so that's okay, and then batts her eyelashes at Kan.

Pangpang said "I see your 'emotionally constipated boys trying to pretend they don't like each other' and I raise you 'unashamed and uncompomising flirting sunshine x grumpy style'"

Looking forward to see how Kan will answer that going forward.

[shihalyfie]

With Digimon Ghost Game starting, I thought about how different it is from previous Digimon series, though it's still undoubtedly Digimon... and then I realized all Digimon series are like that. So I wonder, what do you think sets each Digimon series apart from the rest?

I think both Ghost Game but also the reboot have been a wake-up call for people in terms of realizing that likes, dislikes, and tastes are subjective, and I think it's especially important in terms of this fanbase that is so obsessed with this idea you can objectively rank things by quality -- especially when each series is often deliberately trying to have its own identity, so it's arguably apples and oranges -- and forcing this idea of what's Good and Not Good on everyone else (especially when there's a nasty double standard phenomenon where Adventure and often Tamers get to be so impervious to criticism that people conveniently forget they're perfectly capable of being scrutinized for a lot of things they're weaker in). Very frustrating to see everyone who likes less popular series treated as if they have to accept that they like a "badly written series" for some things and everything else is a guilty pleasure, which I find to be incredibly dumb.

The most important take-home here is that the fact each series has its own identity is always going to be the main factor in what makes it "good" or not to you, not some arbitrary bar of comparison that's based on some narrow-minded view of "good writing" (which is usually unreasonably based on Adventure). For instance, the reason why 02 is so important to me is because (see below), to me, it has the highest amount of meaningful, important life lessons and themes that it wanted its audience to remember, to the point that I frankly do not care about where the plot goes in comparison. That may not be the case for everyone else, and that's fine, but should my tastes be called unreasonable for that? I think we're also coming to realize that because of Adventure (and kind of 02)'s precedent, so many people have been judging series purely by how intimate their individual character development style is, but this is unfair because Adventure and 02's ridiculous level of character depth to psychological detail is extremely unusual and unrealistic to expect of others; Adventure and 02 only achieved this by practically considering the plot utterly subservient to its character arcs, and it's arguably why they have some of the weakest "plots" in this franchise. It's so bizarre that I can see character development in other Digimon series that outstrips even most kids' anime on the market, but it's not as much as Adventure's so apparently it's bad. And, moreover, as it turns out, some people have priorities other than characterization; just because Adventure had that as its strength doesn't mean that's the only thing anyone should care about. Is the plot fun? Is there a meaningful message besides characters (also important to me)? Do you vibe with the tone being dark, or being silly? How much do you care about resourceful usage of Digimon lore? That kind of thing. Everyone is different, so that's why everyone has their own priorities. If you’re someone who prefers darker content, you may not realize that writing good and well-timed comedy is actually a very, very difficult task, especially when said comedy simultaneously has meaning (in comparison, it’s surprisingly easy to write “dark” but shallow content).

I think it's fair to like every Digimon series for its own thing, depending on your personal tastes. I can't speak for everyone, but my impressions are that it has to do with the following:

Adventure: Significantly easier to understand than 02 due to its more straightforward plot, and focus on individual character development ("individualism" being a strong point here). In terms of characters, it goes a lot into some very real social problems (the divorce around the Ishida and Takaishi families and the pressures surrounding Jou, for instance) in a very realistic manner. Also, it has that sense of mystique and absurdism to the Digital World that's both whimsical but also mysterious, and while 02 has it too, Adventure's the isekai story that has it the most.

02: The first is its focus on the importance of human relationships and the compelling group dynamic unparalleled in this franchise, and the second is its important themes and life lessons that I think are some of the strongest in said franchise. I have a whole tag for the ridiculous amount of nuance packed into every detail and dialogue line for this series, and I think every time I've rewatched an episode I've learned something new about it because there are so many things that clearly wanted to be said in each line. The entire series is basically an unpacking of the feelings of insidious self-hatred and the crushing feeling of being subject to society's expectations, and ones that are so deep-seated that you often don’t even have a single answer to how to unpack it (for instance, Miyako hardly has a tragic single event in her backstory, but she says and does a lot of things that'll be painfully familiar to those who have experienced chronic anxiety). Almost every plot point can be said to connect to each character arc in some way, and the mantras for appreciating and treasuring your own life and living life the way you will make this, in my opinion, the strongest series in terms of speaking to those who struggle with this kind of existential crisis for reasons of depression or otherwise. (Oops, I think I went too passionate about this; my biases are obvious...)

Tamers: I think it forms an interesting study and unpacking of the kinds of things you take for granted in Digimon or the monster-collecting genre in general, and an examination of how they'd work in a real-world context (although 02 had a focus on daily life, it didn't quite merge the Digimon and the real world factors until very late in the series). Also, probably the second highest on "hard sci-fi" (the only one that outstrips it is probably Appmon, but Appmon has a very different, more simplified take on it).

Frontier: A series that lies somewhere between Adventure's scale of individualism and 02's scale of group dynamic, and one more discussing the feeling of having your heart hardened from being an outcast, and what it takes to accept the idea of opening yourself up to others again. Recommended for those who like transforming hero and magical girl stories, too. From the Digimon perspective, also the one with the most detailed and consistent Digital World mythos.

Savers: I think this is the series that most drives home "life is complicated" (i.e. there isn't a single mastermind behind everything) in the most tasteful manner, because while it drives home the point that you can't just simplify everything into a good side and a bad side, some bad things really are evil (hi, Kurata), and it doesn't change the fact that everyone's responsible for cleaning up the fallout. The portrayal of the evils of government bureaucracy is probably the most realistic out of any of these series.

Xros Wars: For those who like fun, most of all! For those who like seeing Digimon finally get more of the spotlight and individuality since so much of it had been geared and biased towards the humans prior to this. For those who really like worldbuilding, and, after all, this is called Xros Wars, so it's interesting to see shakeups on the usual formulas in the form of the different factions and their priorities. Hunters is very different in tone, but I do think they have some of these aspects in common; that said, it being closer to having single partnerships brings it a bit closer in line to conventional Digimon partnerships, and it also has more of a picture of daily life. Also, as much as Tagiru is probably your-mileage-may-vary since he's not exactly a very nice kid (I get it if you don't vibe with that), which may also rub those hoping for not nice kids to become nice the wrong way, I do have to say I find him to be one of the funniest characters in this entire franchise, and you'd be surprised how hard good comedy is to write.

Appmon: Probably one of the strongest theme narratives besides 02, since it has a very clear and obvious theme about the importance of kindness in a world where technology is dominating and we're almost encouraged to strip the feelings out of everything. (Bonus for more straightforward plot than Adventure or 02 while still retaining a lot of its elements in terms of how to characterize them.) Also the first series to be speculative about the near future instead of taking place around the time it airs, and it's very obvious it wants to provide important and necessary commentary about what we need to do in the incoming era, especially as a lot of what it has to say becomes increasingly relevant.

Reboot: For those who like Digimon mythos and null canon -- this is probably the only series to show it off in this level of detail -- and the kind of cool action fights that would usually be saved for the climax in prior series (and animated in much more intimate detail with battle choreography than prior series would have). There are a lot of people into this franchise who felt like it genuinely was not making enough use of its Digimon roster and its potential because it kept going back to the old standbys (especially Adventure-based ones), so it was a huge relief for that crowd to see attention finally being paid.

[lover-of-queens]

Farah Dowling is Alive

A thesis by me <3 Or as I like to call it, putting this degree to good use. 

What  follows is an episode by episode breakdown of important moments which I believe point to Farah as hopefully coming back in season 2 -- alive. Underneath the cut because I’m anticipating this may get fairly long. 

Part 2: here

Part 3: here

Episode 1: To the Waters and the Wild

This is a fairly light episode in terms of Farah content but that doesn’t mean that there are not things of note. Towards the end of the episode, we see the first true display of Farah’s powers as she faces off against a burned one, using an impressive show of telekinesis to fling it away. 

Later when she speaks with Saul in her office she states “I chained [the burned one] up in a barn”. Thus, Farah singlehandedly takes down a burned one and transports it -- without injury to herself. Farah is powerful and clearly knows what she’s doing. 

I think this scene also sets up a potential romantic plot for Farah, though I’ll admit I’m not entirely certain where it might go. There are several possible reasons why Ben isn’t in this scene, production based ones I can’t necessarily speak to (trying to limit number of people in a scene etc. etc.) In terms of story reasons, there’s a tonal shift here, a tenderness that creeps in with Saul asking Farah if she’s hurt, Farah expressing feelings and being vulnerable. Could they just be friends? Possibly. Is there something lurking here that could hold potential for development in the second season? I think so. 

Episode 2: No Strangers Here

Opens with Farah and Saul, read into this scene any potential romantic undertones if you wish. Once again, there’s a clear reference to how powerful Farah is: 

Saul: “I could never take one down entirely on my own, but apparently you still can.” 

Here, he confirms Farah singlehandedly takes down a burned one AND that she’s been doing it for years. Farah plays it off by saying the burned one didn’t “see” her coming. Watching the scene back, the burned one runs straight at Farah so in my own humble opinion I don’t think there’s any way that it could not have seen her. Therefore, Farah just is that powerful <3 

In fairness to any counterargument, I will dock Farah a point for being a mind fairy (still to be officially confirmed?) and yet having no idea the burned one was awake. That being said there’s a lot that we don’t know about magic works or how specifically Farah’s magic works so I don’t feel confident making a conclusive judgement on this part of the scene. 

You could also view the scene in the greenhouse where Saul is injured and Farah pulls him into her lap with romantic undertones. I think its very up to interpretation at this point but the fact that the ~vibes~ are there suggests a possible season 2 development. 

Episode 3: Heavy Mortal Hopes 

Okay so I saw a tweet that mentioned this first scene and I genuinely cannot remember who it’s from, so if anybody knows then please me let me know so I can credit them here.

The POTENTIAL of this scene. When Farah’s walking through the classroom and going to each of the winx girls, her conversation with Terra is especially interesting. Terra essentially describes a pear’s life cycle: rock hard ---> rotten mush, which I think can stand in as a metaphor for death. What’s interesting is what comes after …

Farah: “You can give life. But there is such a thing as giving too much.” 

WHOA. Let’s think about that statement for a minute. If any of the girls are bringing her back from the dead then I think this points to Terra. Plus, that idea of “too much” could prove narratively interesting -- you can’t bring somebody back from the dead without consequences I’m sure. 

This has absolutely nothing to do with the focus of this post but we just don’t talk about how adorable Farah booping Musa on the head is. Though it DOES speak to the bond that Farah has with her students and the importance of having a good headmistress. I think we all know that Rosalind (unlikely redemption arc pending) CANNOT remain headmistress of Alfea forever. To get narrative satisfaction, Farah is the only character as of now that I can see resuming that role. 

Next scene of interest, Saul and Farah holding hands, you know the one. When I first saw this scene my first reaction was that Saul had feelings for her which she doesn’t return -- hence Farah moving away soon after he grabs her hand. I’ve watched it many times and I still don’t have concrete thoughts. But again it does seem like they MIGHT want to develop a romance here which would be another reason to bring Farah back for season 2. Especially, considering the popularity of the Farah x Saul ship -- in certain fandom spaces at least, I can’t speak to all. 

Plus we get some good cute banter so <3 More trio in season 2 please! 

Farah kills a burned one, with help but still. Fate is clearly setting her up to be a powerful character. One that likely wouldn’t go down without a fight. 

Now to another really important line: 

Beatrix: “turns out Dowling’s a more cautious bitch than I thought.”

Right, excellent so they’re also establishing Farah as a very cautious character. She’s got her wits about her. Therefore, I simply cannot believe that she would just turn her back on Rosalind who has just threatened her harm without having some sort of plan. 

Okay so, if you’ve made it this far take a breather. We’re at the halfway mark with episodes and this post is already much longer than I thought it would be. Part 2 coming soon :) 

[suite43]

Can you please do Jazz and Ironfist for the character meme thingy?

i can do jazz! honest to god i dont know a single thing about ironfist except that he was maybe a wrecker? most of the last stand characters have been wiped from my brain, sorry.

ANYWAYS JAZZ TIME

favorite thing about them: ALWAYS his love for humanity/earth. a lot of autobots appreciate humanity in this detatched sort of way, like, how most people care about sea turtles where its like "oh this thing exists and we should probably not kill it", but jazz is always portrayed as so genuinely excited about meeting people from a different culture than his, and getting to share his culture with them in exchange! remember how excited he was in that one idw1 issue where he gets interviewed 🥺 makes me tear up every time. also his voice. particularly g1 but tfa also. hes so pretty.

least favorite thing about them: WHEN HE DIES >:( LEAVE MY MANS ALONE. 4 real tho it makes me kinda sad to see him fridged especially with the way optimus treats him in late idw1, which was just fucking infuriating. really did the trick of getting me to actually actively loathe prime while i was reading. the HIPOCRISY of it all. "bwehh jazz you killed a guy :( youre banned from my team 5ever. also meet brand-new members of team goodguy, its Megatron, Starscream, Thundercracker, and Soundwave! yknow, those famous mass murderers". double standards 4 real smh 😤 my dude deserved better. also when they fuck up his accent? mostly happens in fics but like. yall know you can indicate an accent withou’ writin’ em like issa 'nother diddly damn gosh darn language like. you dont need to write it as "yer" and "fer" to make his voice come across especially in fic, especially in SERIOUS fic where everyone else is written normally. plus i feel like some people will write him exactly like they write like. idk ironhide or some other southern character even when it's in continuities where he's very clearly based on aave & not just southern US.

favorite line: BWEHHHH WHEN HE'S LIKE "CHECK IT OUT IT'S LIKE A PLANET AND A CAR WASH" IN TFA. ALSO EVERYTHING HE SAYS IN TFA. ALSO HIS LAUGH. ALSO IN G1 WHEN THEY HAVE THAT SNOWBALL FIGHT AND HES LIKE HEY GUYS >:( THATS SNOW FAIR! hes so cute hes so perfect hes soooooooo wifeable. marry me king.

random headcanon: i like to imagine every once in a while during the war he'd break out his instruments, just as some stress relief for him and a way to kind of boost moral, and whoever was around would just sing these cybertronian folk songs, or just make them up if they didn't know any.

unpopular opinion: STOP MAKING ALL ATTRACTIVE CHARACTERS OUT TO BE SEX GODS JFC CANT HE JUST BE HOT WITHOUT HIS ONLY PERSONALITY TRAIT BEING "WANTS TO FUCK YOU" also jazzprowl is overrated

song i associate with them: unfortunately its circles because of that one fancam ive watched 400 times. every time i hear this song now i swoon a little.

favorite picture of them:

ISNT HE PERFECT?

(id: 5 idw comic panels of jazz. additional description in alt text)

[gaeilgeoirgay]

Posadh Eagraithe

This was one of the most popular oneshots of my Pride series so I hope you enjoy it :)

Ao3 Link

Summary- Din's Council want him to get married. Except Din is aromantic and he's not interested. Enter Boba Fett. 

Din sighs as he settles himself in the council chambers. The throne is surprisingly comfortable, which he appreciates when the meetings drag on. The meeting today is about an offer they’ve received from the New Republic- namely, whether or not Mandalore as a whole will join them. He knows that they joined the Old Republic when the dar’manda New Mandalorians were in charge, but he doesn’t personally think it would be a good idea for the new Mandalore they are building. He serves his people though, and it will be their decision.

The Clan and House alor’e file into the room and take their designated places. Din had learned the hard way that seating had to be assigned carefully after the alor’e of Clan Onyo and Rau had started a fist fight with each other. Twice. In ten minutes.

Din straightens and waits for everyone to take their seats. The Armourer is at his right and he bows his head slightly. He may be Mand’alor but she is an Armourer. More importantly, she is the leader of his tribe. “Su cuy. I have given you a week to speak with your aliit about the New Republics offer. Today, we will decide what to do based on their answers. Alor be Skirata. What have you decided?” Din says, wasting no time. “Clan Skirata votes to not join them.” Kal Skirata says. Din nods and moves on to the next clan.

It appears his people share Din’s opinions. They’re overwhelmingly in favour of staying out of the New Republic. “Alright, we’re not joining the New Republic. What do you propose we do about them?”Ketsu Onyo asks and Din sighs again. He likes Ketsu but she has a knack for asking questions he doesn’t have an answer for. “I’m not sure yet, but we definitely shouldn’t slam the door in their faces. I’m open to ideas.” He replies anyways. “Like you said, Mand’alor, we should keep our options open. How about an alliance? As narudar, until the Empire is completely rooted out. Or for things like hyperspace lanes or goods we don’t already have access too.” Sabine Wren suggests. Din definitely likes Sabine. She’s whipsmart and always has good ideas that are actually relevant to the conversation. Unlike some people.

“The Republic is worth nothing to us! We have allies already- the Tattooinian lanes are open to us, Sorgan, Nevarro and Stewjon supply us with food and we can take care of the Empire ourselves.” Bo-Katan snaps. There it is. “Yes, we do, However, the New Republic is currently the largest political alliance in the galaxy. We have our own political alliance but it’s easier if they aren’t our enemies. There’s no point in making them turn against us, when they don’t generally affect us.” Din says patiently. He doesn’t know how he hasn’t started his own fistfight with Bo-Katan Kryze. He admires his self-restraint sometimes.

A gleam enters Bo-Katan’s eyes and Din pales beneath his helmet. She’s stopped trying to challenge him physically for the throne but he knows its only because the rest of the Mando’ade have sworn to him. “Well, how will the Republic trust us? Our Council isn’t elected and we technically live under an oligarchy. The Republic practices democracy and as far as they’re concerned, you’re ruling alone without any other Mando’ade having the same social and political power that you do.” She says smugly. Oh no.

The only person with the same status as the Mand’alor is the Rid’alor. Din is aromantic. He has never planned on finding a riddur, maybe just finding someone who would raise ade with him, but without a romantic relationship. If Bo-Katan suggests herself as rid’alor, then dignified king or not, Din will throw himself out the window.

Fenn Rau picks up on the implications too and traditional bastard that he is, decides it’s a great idea. Sabine and Retsu seem sympathetic but they’re outvoted. “Alor’e, I understand that we must appear balanced to the Republic but I am sol’karta. I have no need for a riddur.” Din says, a final objection. That softens a few alor’e but Bo-Katan remains unremoved. “You’ve got a week to pick someone, Djarin. Then the Council will choose. They have to be Mando’ade- we’re trying to show them we’re united.” She says, voice hard. Din ignores the technical disrespect and finally just agrees. If he can pick, maybe he can ask another sol’karta Mandalorian.

Suddenly he gets an idea and grins. He has the perfect person in mind.

Boba yawns behind his helmet as court finishes up. Ruling Tattooine is exhausting. His comm buzzes and he discreetly checks it. It’s Din so he motions Fennec to take the throne for a few minutes and leaves to answer it. “Hey Din. How’s ruling Manda’yaim going?” He asks. Din also seems exhausted. “Meh. How’s Tattooine?” Din replies in turn. “Same old. What’s the comm for?” Din and him chat often but this wasn’t expected. “You’re aromantic, right? Same as me.” Din asks and Boba blinks, taken aback. First of all, he didn’t know Din was aromantic and second of all, why ask?

“Yeah, I am. Why do you ask?” Boba says, genuinely curious. The smile spreading across Din’s uncovered face is downright wicked. “The Council, more specifically Kryze, want me to marry another Mandalorian to show a united front to the Republic. Pretty sure that Kryze is gunning for Rid’Alor if she can’t get Mand’alor. I’ve got a week to pick someone or else the Council chooses.” Din says, the smile turning slightly maniacal. “And you thought of me?” Boba double checks.

“Yep. You don’t have to agree but I thought it over. They cant disagree on the basis you’re not Mandalorian, because you are and the Republic knows that. You’re also a fellow king/ruler so it strengthens our alliances. Your buir and ba’buir were both Mand’alor at some point so it shows that I have the support of my predecessors allit. You’re also aro so I don’t have to worry about my spouse wanting a romantic relationship. We’re already good friends so it won’t change much and my son loves you. We actually like each other so its not an unhappy arranged marriage.” Din hesitates in his list before he quickly adds his next pro.

“If we want to add sex into it, I think you’re hot and I wouldn’t mind. That part depends on your opinion though. And possibly the best part- Bo-Katan is going to have a heart attack and Han Solo will have to pretend he doesn’t hate you at diplomatic functions because the Republic doesn’t want to make Mandalore mad.” He finishes. Boba’s surprise has turned to genuine mirth. Din has clearly thought this out, and it makes sense. Boba isn’t exactly averse to sleeping with Din either- he can admit that the beroya is very attractive. "I'll set my course for Manda'yaim then. See you soon, cyare.”

Din is completely right. Kryze looks like she's just eaten several lemons at their riddurok and her face lands itself a spot in Boba's cherished memories. Din is also very experienced when it comes to the bedroom and Boba enjoys himself thoroughly. The best part to their marriage, however, is at the Republic's ball to celebrate their new alliance with Mandalore.

Han Solo does a doubletake when he sees Boba and he spits out his drink. Leia Organa comes over to talk to Din and Solo looks like he’s barely restraining himself from shooting Boba in front of half the galaxy’s politicians. Boba makes sure to be a perfect gentleman, the very picture of a Rid’Alor and Solo’s veins nearly explode.

All in all, he thinks he likes this friends-with-benefits things. The benefits just happen to include pissing off Han Solo, pissing off Bo-Katan Kryze and most importantly, his and Din’s respective Court’s will never nag them about spouses again. Manda, Din is a genius. Even if marrying him means Boba occasionally has to coax a toddler off the ceiling.

[imdreaminadream]

The results pt 2 ~ “What about it makes you cringe?” Category 1

( - prologue.   - part 1  - category 2  - category 3)

Okay so this is the results to the question in the quiz, What about it makes you cringe. In reference to the questionnaires core subject about smut fanfics.

 Also quick psa there will be a part for the results for the other question -  “In kpop fics, Korean words i.e. jagiya, seem to be a no no, would you like to elaborate why?”

Now note these particular results are going to be split into 3 posts because I decided to split the results into 3 categories. 1 - Writing Aspects. 2 -  Personal Preferences. 3 - Genuine Problems.   

>THIS POST IS CATERGORY 1<

DISCLAIMER BELOW. (please read that before continuing)

This is going to be a long post. The responses were very enlightening but please don’t take this as an attack. Consider this more as constructive cheat sheet to good smut writing or just ignore it if you don’t agree with it. Some of this did get a bit deep appropriate trigger warnings will be put on the appropriate posts but I’m not sorry it got deep fics can also affect real life as much as we wish it were something that didn’t mix in with real life, it does. I’m no official like sex guru or big-time writer, or what ever BUT I did add little advice underneath each answer, which are just a reflection of the people’s answers. Again if you don’t like the sounds of this don’t take it personal and click off. 

Writing aspects.

Poorly written/typos – Nearly all of the people said that, poorly written, bad grammar and lots of typos made them cringe. Answers said that sometimes works are so poorly written it comes across as though the person writing doesn’t know how sex works. Now by poorly written they talked about, the plot being non sensical, choppy or lacking decent grammar, too many typos, using words in the wrong context, repetitive language. They also specified they understand not everyone’s first language is English but the least that can be done is proofreading of the works by them or someone else. And many people cried over the use of first person, they felt it brings them out of imagining the fic. 

Language used – So they we’re talking about strange words for body parts especially genitals, and just weird terms and phrases in general. Regarding body parts, everyone mentioned that childish or full-on scientific names for genitals was the worst. Feedback suggests calling it a dick, cock – although some commented that cock sounded too vulgar, and pussy. Also referring to female’s arousal as juices was a common answer, to quote one of my fav answers “so none of that her juices coated my fingers’ Like bitch it aint orange juice.” Then for weird terms and phrases, no specific example was given but I’m certain they meant things that literally every man and their dog would not say, ever! Personal opinion here but, “you like what you see?” and “Your wish is my command.”, and “tongues fighting for dominance.” should die off. It’s overused and I’m sick of seeing it – pretty sure no one says that during sex in real life anyway.

So, to avoid it alls you need to do is use second or third person, proofread, and learn how sex works if you don’t know. Also, best way to proofread it to leave it a few days then come back and read it again – also there are apps like Grammarly that help with your writing too. (PSA I personally love proofreading work, because I’m weird like that, so if you ever want me to proofread drop me a message/anon.)

So, take a moment to consider what you are writing, again proofreading is very helpful, and just stick to the mature ways to say dick/pussy. Suggestion here if you can’t write it the mature way, stop writing smut fics because clearly you’re either not mature enough or uncomfortable (to be) writing smut. 

Dialogue – Too much dialogue and not enough action cropped up a number of times. Also that the dialogue written is cringy essentially, Then there was too much dirty talk, and dirty talk that shouldn’t even be considered dirty talk which commented a lot in regards to dialogue. And although I think I wrote about this answer previously but weird words, exaggeration, and choppiness in the dialogue. (someone commented over use of buzzword but idk what buzzwords are.) May I also personally add that written fake stutters irritate the living day lights out of me just stop.

---- I actually did another questionnaire about this, it didn’t garner same amount as this one but it gained a good few responses. The answers should be available to see, if you want you can take a look at that to see more about people thoughts when it comes to dirty talk in fics. ----

Advice is, keep in mind when writing dirty talk what sounds good, to plausible, to terrible. Just think about what sounds realistic as well, draw on your own experiences or what you want to be said to you. Also, if you don’t find it sexy don’t write it for everyone else’s sake or to fit in with the trend, stay true to yourself but try to vary it up for each fic you write.

No build up – They talked about how some fics go straight to the dicking down, to action, with no build up or a bit of sensical plot, and it doesn’t work. Or if the characters haven’t even talked and suddenly, they’re down to fuck. They expressed it doesn’t make sense and doesn’t feel like the characters are even that interested, as though they’re fucking for the sake of fucking. This also ties in with some comments that said sometimes people fail to remember smut isn’t just about being railed, it is also about connections with people and making love so going straight to the fucking, fails to make the reader want to continue reading.

The solution to this is to reference history/tension or build up the tension between characters, or just set the scene a little bit before getting straight into it. Also remember no one is having sex without some foreplay and if they are it isn’t very good, so don’t let it be like that in your writing. 

Lack of realism/inaccuracies – Okay so this was mainly in regard to sex, the way the body works and some scenarios. To elaborate, people said that there are just some sex positions and places to have sex that just don’t work. In example one person wrote how sex in a gaming/office chair doesn’t work well and they know through personal experience. So, for the readers it’s just super unrealistic that it happens, and it leaves the reader either fixated on figuring out how that is possible or cringing because they know it’s not possible rather than reading the rest of the fic. There’re also just some ways the body doesn’t work I’m not going to go through examples there are so many, but we all know what is meant. Also, I’ll mention that kinks also were apart of the lack of realism, I’ll talk more about that in the next post.

So, based on this the only thing I can say is keep it real and keep it accurate as possible. Like we know its fiction but consider how ridiculous some of the stuff you’re writing may be, how impossible it is. Just don’t be afraid to google things – you can actually freeze and delete your search history – to double check or educate yourself about. Or ask for advice, draw from experience, or maybe try it out yourself with or without your partner then reflect that in your writing.

----------------------------------

END OF CATERGORY 1

(Feel free to discuss in comments, in my messages or send anons or anything like that if you want.)

Tag list

@nctsworld, @lauraneuuh, @jooniyah, @ceoofxiaojun, @lovemayble @hyucksie​ @myelle-n

- if anyone else wants to be tagged for the next parts let me know via anon or dm -

[petri808]

1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33-Epilogue

Neither Lucy nor Natsu sat through the closing arguments, but according to Gajeel the defense stood firmly on their case for insanity. Touka’s attorney argued that his client suffered from a disorder that should put her in a hospital for treatment, not a jail cell, and not only that, but the so-called victims in the case drove her to do what she did. It was a very risky move to blame the victims. Of course, the prosecution countered that not only did Touka not suffer from any condition but that this was a simple case of jealousy gone wrong. Natsu and Lucy were innocent victims of a selfish woman who tried to kill them. Period, and for that she should go to prison for the maximum sentence allowed.

The prosecutor implored to the jurors heartstrings. “You saw the effects that Ms. Shiromajyo caused to her victims. The tears shed on the stand and the genuine fear in Ms. Heartfilia’s testimony as she recounted the events in question. Ladies and gentlemen, this young woman stared death in the face and watched her boyfriend almost get killed by the defendant. They had to fight to survive! Ms. Heartfilia and Mr. Dragneel have experienced something that no one should ever go through.” He gestured at the timeline board facing them. “Ms. Shiromajyo stalked multiple people over the course of several years to reach her goal, intimidating people that really had nothing to do with her. Ms. Shiromajyo paid a person to kill Ms. Strauss, threatening and intimidating her. And most of all, ultimately took this whole situation into her own hands when all of her efforts didn’t work out. She is a danger to society. I urge you, the jury to give her victims the peace of mind that she’ll be off the streets in a cell getting the treatment that she needs, and the punishment she deserves.”

It was a nerve wracking time for the victims as they waited outside of the court room for the jury to deliberate. Lucy and Natsu stayed in a side room with the prosecutor along with their closest friends and family there to support them. The prosecutor assured them that they’d done their best and the odds were in their favor. But of course, it only took one hold out to cause a mistrial, and Lucy didn’t know if she could go through this again. She was already unhappy that even if convicted, Japan’s sentencing structures were not as stringent as other countries.

The jury deliberated for four hours before reaching a verdict pronouncing Touka guilty of all charges. Upon hearing the guilty decision, Lucy and Natsu slipped back into the court room to hear the final disposition.

“Rise Ms. Shiromajyo.” The judge then read the decision to the standing defendant. “You have been found guilty by this court of two counts of attempted murder that caused injury. One count of kidnapping for profit. And three counts of intimidation. Do you have any last statement to make to the court before I render sentencing?”

Touka hung her head as if resigned to her fate. “Yes...” Surprisingly, to all those in the courtroom, she apologized for her actions. “I see now how much pain I caused to everyone because I couldn’t control myself and I hope one day they’ll forgive me for it.”

But her words of contrition were too little, too late. The judge sentenced Touka to the maximum of the highest offense, which was 15 years with work, but instead of the work condition, imposed a special circumstance that Touka be ordered to undergo mandatory psychological treatment while in custody and to adhere to any treatments and medications prescribed for her own good.

“Ms. Shiromajyo,” the judge spoke directly to the woman. “You’ve apologized at the end, but I hope you truly feel that way. Based on all of the evidence presented in court, your actions were clearly towards a one-sided love affair with a man who wanted nothing to do with you, and for that you tried to punish an innocent woman who got in your way. I do not believe, and the jury agreed, that you do not suffer from a legal defense of mental defect, however you should spend the time in prison to get your mind right again, so that when you re-enter society in the future, you’ll no longer suffer from whatever emotional problems brought you here in the first place. You are very lucky that I cannot under the law sentence you to concurrent sentences for every single charge. Bailiff, take custody of the prisoner. This case is adjourned.”

As the final gavel bang echoed in the court room, Natsu and Lucy who’d made it in time to hear it all, broke down in tears and elation as the court room erupted in cheers around them. A rarity for the poised population. This case was certainly anything but common for Japan, especially because the perpetrator was a woman and journalists had kept the public up to date with its progress. A lot of people were affected by this case personally, but the fear of what Touka had done rang cold for onlookers too. For the public, the idea that someone you may know could harbor ill will and do something this heinous was a scary proposition.

While the case was now over, Lucy knew her own struggles with anxiety were not, despite the tiny relief she’d felt in hearing the words guilty. She’d made it through the trial by sheer determination, but the experience had set her back in her progress. Reliving all the worst events and being grilled by the defense had re-traumatized her. Not all the way regressed, but the nightmares were back anew, starting immediately after her recall testimony.

It wasn’t just the old memories that haunted Lucy, but a new, troubling thought brought out during that testimony. When the defense attorney tried to make her think she was just as bad as Touka, there was a point when she thought... was it true? And the more she pondered, the worst the correlation became despite her loved ones conviction that she was nothing like the woman. Because... why not? If Touka’s deluded mind really believed she was protecting what was hers, well isn’t that the same logic Lucy used to defend herself and Natsu? Then there was the rage she’d felt. Was the attorney, right? If Natsu hadn’t stopped her from beating the woman, would she have killed Touka? Did that mean she had a killer instinct too?

All the publicity surrounding the trial didn’t help one bit. Just trying to get out of the court room after the verdict had been a complete circus of cameras flashing and microphones being shoved in the couples faces wanting their opinions of the verdict. Oh, how Lucy wanted to scream in their faces! How do they think they’d feel?! Yes, it felt great to be vindicated, but 15 years for almost killing them? Where were their assurances that when Touka was released, she wouldn’t pick right back up where she’d left off and hunt them down?

All these irrational thoughts fueling the new regression were different from before. Lucy didn’t feel as anxious. She was a little depressed, but now she was also— angry.

When she arrived at her therapy session without Natsu, Lucy sat on the couch facing the woman with her arms crossed. The therapist was quick to note the way in which she was holding her poise because it wasn’t a comforting arm cross, but a firm one. The muscles in her forearms were tense along with the tight lipped and brows furrowed expression gracing Lucy’s face.

“Well, this is certainly new,” the woman put her notebook down as she spoke. “Something has changed, shall we talk about it?”

Lucy’s hands clenched firmly as her eyes look away slightly. “I had a small argument with Natsu this morning.”

“I get the impression it wasn’t small.”

“Okay! It was a big fight! Happy?!” Lucy’s arms unfurled and gesticulated. “I don’t even know why it got out of hand, but it did.”

“Tell me what happened and let’s figure it out together.”

“Tch,” Lucy crossed her arms again and looked away. “I woke up from a nightmare. He started comforting me like he al—ways does, and I told him to stop. But he didn’t.”

“Why’d you tell him to stop?”

“I don’t know... I was just, irritated.”

“With him?”

“Yes... No— both, I don’t fucking know! Just pissed off, okay?! I was just angry and didn’t wanna be bothered!”

“I see... and how did Natsu react?”

“He, well, um,” Lucy’s shoulders dropped a bit. “He just said okay, I’ll give you space if you want it and left the bedroom. And we haven’t spoken since then.”

“It sounds like Natsu respected your wishes to back off. But why is that making you so angry?”

The therapists question brought instant tears pooling in Lucy’s eyes. She knew why, but she didn’t know why, and holding it in was tearing her apart. But she also didn’t know how to articulate all of the random thoughts plaguing her in a way that made sense. So, at that moment she just broke. Through fitful sobs the cacophony of broken, fragmented thoughts spewed out in no logical manner. Lucy just spoke every word and sentence that came to mind as the therapist sat quietly listening.

This was her first session since the trial had ended, so all of the wounds were painfully fresh. Shouldn’t she be happy it was over? They were free for now and it was time to move forward but all she could think about were the things the attorney had said. And that made her angry with herself. Lucy’s always thought she was so much stronger, yet this experience or rather the effects left her feeling lost and broken, and weak. Even more infuriating for her, she knew these thoughts were completely irrational! It’s one thing to not understand, it’s another to know how stupid it sounded and not be able to fight back against it. Weak. That’s what it made her feel. Stupid and weak for losing herself. They may have won against Touka, but Touka had taken something away and Lucy feared she’d lost it forever.

Who she was.

The therapist moved over to the couch and hugged tightly to a sobbing Lucy, stroking her hair and cradling her head. Comforting in silence allowed the blonde to just cry, as hard as she needed to and release everything that had been held inside where it shouldn’t stay. When the tears slowed, and Lucy’s breathing had the normalized, the therapist spoke softly.

“You’re not broken, Lucy, and you’re not dumb. You’re rightfully in pain after everything you’ve experienced, and that’s okay too.”

“How is that okay?” Lucy sniffled. “It shouldn’t be okay!”

“It’s not fair what you had to endure but being upset and feeling pain because of it means you’re human. Even the anger is a good feeling right now.”

Lucy snorts an annoyed laugh at such a ridiculous sounding statement. Anger being, okay?!

“There are positives we can take from this.”

Again, Lucy huffs. “Yeah, right. That makes a lot of sense.”

The therapist pulls back and settles into a more professional pose to continue. “Your anger means you care. Think about it, if you didn’t care, you wouldn’t get angry, right?”

“I guess...”

“In all these months, this is the first time I am seeing a deep passion coming from you. Lucy you aren’t really lost, and this anger are those feelings screaming ‘I’m still here!’ You can use that same energy to push forward.”

“But what about Natsu?” Lucy’s eyes cloud up. “I think I really made him mad a-and I don’t want to lose him.”

“Did he come with you today?”

“Yeah, he’s in the waiting room.” Lucy mumbled through a frown. “But I think he just came cause he felt obligated.”

The therapists eyes softened along with her tone. “I have a feeling that’s not the case. He might feel hurt and confused right now, but I’m sure he still loves you deeply. Maybe we should bring him in here and talk things over? That way I can help you through it.”

Lucy paused for a moment before nodding weakly. “I’d like that.”

The therapist brought Natsu into the room and as soon as he saw the puffy red eyes and Lucy’s disheveled appearance immediately stumbled over and hugged onto her with tears of his own flowing down, apologizing over and over for upsetting her that morning.

Although Lucy stiffened up at first when he’d hugged her in fear of what he might say, his words instead stunned her. All along she’d felt the fight was her fault, not his. She’d been the bitch to him and now his pain brought her tears back along with a loss of her anger. “It’s not your fault,” she hugged him back. “I was angry with myself and took it out on you. That wasn’t fair.”

“But I shouldn’t have walked away like I did.”

“No,” Lucy exhaled, “you did the right thing. I... I needed something to wake me up.”

Natsu pulled back in confusion. “What do you mean?”

Lucy smiled weakly. “Coming here mad, I couldn’t hide it so she made me talk about it. Now I see how that needed that to happen and I feel a lot better because of it. I was just worried you’d hate me for the way I acted.”

“I could never hate you,” Natsu smiled and cupped Lucy’s cheeks. “I told you, you’re stuck with me.”

By that point, the therapist had gone back to her own chair and with the session almost over for that day, addressed the couple together. “Lucy right now I think you are at a very good point in your progress. Your anxiety had gotten better, the depression is still there, but it’s not as debilitating as it was before, so now it’s time to take the next step in the healing process. You’d mentioned wanting going back to school and the next semester starts in a month. Perhaps it’s time to consider going back?”

“I-I don’t know if I could handle full time...”

“Maybe reach out to the school and see if they’ll work with you on a modified schedule?”

“I guess I could...”

“And I’ll help you,” Natsu added on as he squeezed Lucy’s hand. “They’ve been really supportive so far.”

Lucy let out a long exhale. “Okay. I’ll give it a shot.”

“I’ve got another suggestion too,” Natsu added. “If you get angry, you could take it out with a physical sport or something.”

“That’s actually a good outlet,” the therapist agreed. “Is there anything you’re interested in?”

“Um...” Lucy thought about for a couple minutes. “I thought about taking self-defense classes.”

“That would be cool! Maybe we can go together?”

“I’d really, really like that.” And first time in a long time, Lucy truly meant it.

[dystopiandilfs]

I am never been so close to anti-stan then I am right now. Dreams Twitter fanbase started the biggest hate train on him because they themselves:

1. Took his inital tweet with the drugs comment as a race issue, like it was obvious that was not the intent or even the focus.

2. Got mad at his completely rational reply to a toxic Stan that used both white and adhd as an isult - the toxic Stan was saying his fanbase will dogpile them, well if you didn’t phrase your concerns in a toxic way in a public place maybe you wouldn’t be concerned about it. Like he empasised he had no intent to relate it to rap - and they see him say rap and fucking ran with it.

3. Got mad at him for disagreeing with someone generalizing his 23 million fans as anti-black, like even his stance on stans is entirely anti-generalizing, he literally denounced any that are in the same comment.

4. Bullied him into unprivating his account because they can’t share screenshots apparently.

5. Got mad a him for tweeting a fucking heart.

Then they turn around and blame the entire thing on the antis, like no. You blew it out of proportion and reacted like shit to everything he did. You are the problem. All the responses to his last tweet are “educate yourself and reflect” and “come back with a better apology” like no. He apologized when he shouldn’t have and you cyber bullied him. They are bloody proud of theirselves for “holding him accountable“ for something they misconstrued.

He needs to delete that stan video because they aren’t worth it.

First thing i want to say is that this post is going to be joint answered as evangeline is white so this is going to be answered by her and me as im half african half american. Normally evanageline would be voicing her opinions and adding ours in if we had any but as its a racism issue she didnt feel comfortable to voice only her opinions. However shes the one writing the post apart from this bit to keep up the consistentcy of the blog page. -Trinity (Basically Trin gave her thoughts using a voice note and I slightly edited it so the sentences were a bit more coherent and added both mine and the other admins opinions as Trin doesn't really use twitter unless it's through my priv account - Evangeline)

I will say that a lot of the fan drama that you see are a smaller group that is known to attack and harass Dream and anyone who disagrees with anything. Eventhough they are a small group they mass reply to everything and make themselves look bigger than they are. Not only that but the only thing they end up doing is overshadowing the original issue at hand which is fans harassing and being racist to eachother. So a lot of what I'm about to say is mainly what this group is doing and isn't at all a reflection of a lot of fans but it is something that needs to be talked about especially since a bunch of this groups members are either white or white passing but get mad on black people's behalf and is basically setting them up.

I don't mean to be rude or dismissive but a lot of people used this as an opportunity to trauma dump. Like I know going into horrible details about what you have to deal with is the only way to get the point across sometimes however harassing Dream and spamming him with stuff like "I was harassed because I'm gay" "I was doxxed because I was Asian" is lowkey weird. Like why are you telling this random guy on the internet that you were doxxed? What is he going to be able to do about it? Also not to defend Dream but how are you going to sit there and break one of his few boundaries whilst trying to educate him.

On top of that the issue was originally how racist some of the fandom are to black people but then other minority groups started talking about how they were also being stereotyped and attacked but all this is doing is talking over other minorities. For example a large group of fans started off talking about how they were being attacked by other stans because of their skin colour but then immediately started to harass and threaten others. Like some were clearly not being serious but dming people and update accounts to retweet and spread awareness isn't the move you think it is. Obviously a lot of them were genuinely trying to spread awareness and were trying to get the respect and treatment they deserve but all of that was being overshadowed by the few that were attacking and harassing creators and fans. Then a lot of it turned into minorites fighting each other over who was more oppressed which just makes the whole thing seem like petty drama.

I will say a lot of them were lovely. I am pretty uneducated on race based issues and how certain things effect people and can be racist so I was asking a lot of questions and most of them were nice. However I also got a lot of snarky ones like "google it" to questions that weren't general like "Is it mocking to call white people crackers and token white boy if you are a white person" or "is ______ considered micro aggressions"

However as usual it went from trying to educate your creators to who is the most oppressed and who can bring up more past drama that has already been addressed multiple times. I'm not being funny but the fact that some well known Dream antis were defending Dream and shitting on stans should really tell you how non productive this is. It went from "Hey Dream this comment is a bit weird can you delete it please" to "Dream you should stop being friends with this person and you should follow this person otherwise your racist" Like that's not helping anyone. The only thing that it's doing is breaking Dreams boundaries, setting Dream up and making stans look bad.

Like people were @ing Sapnap and George telling them to "collect the racist friend" like how is that spreading awareness. The whole thing went from being a good chance to educate to a big fucking joke that just made a lot of people upset and anxious.

Honestly the whole thing was pretty fucking hypocritical like you can't talk about being harassed whilst harassing people into hearing you out. A lot of the issues seemed really gatekeepy to me as well. One that I saw constantly get brought up was that the only people allowed to say dy*e were black lesbians as they created the word. Like a big topic was a misuse of aave but not a single person actual explained what it was or gave examples all I saw was "mcyttwt needs to stop using aave language it's offensive" like you can't claim to be educating people if you don't explain. Not everyone can access websites and caards that get linked because of regions or web rescrictions so they're not helpful either.

HOWEVER I will agree that a lot of their points were completely valid like the whole thing of "Feral Feb" over shadowing BHM and whenever Dream listens to rap people complain and call it bad music are two really good examples. I listened to a few twitter spaces to learn a bit more and things that were said in there was all good info that would be genuinely helpful to know and it really did help edcuate me however not a single tweet said any of it and that's why people don't understand what they're doing is wrong because nobody explains it.

A lot of the issues that people had with Dream were so weird as well like a lot of them were self oppression and turning normal things into racism. A lot of the issues had the same energy as the 404twt fans who were genuinely mad at Dream for having a colour that George couldn't see and they were harassing him and claiming that he was purposely excluding diasbilities.

Usually we would add more but Trinity got a bit upset and stressed so she had to stop answering various asks and the other admins are all white or white passing and don't feel like it's our place to put our own opinions. We will try to answer other asks with similar thoughts later - Evangeline

[langernameohnebedeutung]

I’m probably parrotting to the wrong choir here, but at least part of the truth about liking villains vs. condemning villains is...I don’t consume villain content in order to find healthy coping strategies and genuine life advice. I don’t look for healthy coping strategies in sci-fi films and fantasy books or on ao3 in the first place, because 99% of all that input is not produced by people that a) intent or b) are qualified to give meaningful life advice.

 Sometimes things we read or watch can be detrimental to our mental health or can make us happier or mean a lot to us. And that is also why it is important to tag, warn, and summarise content: So that people can avoid things that are bad for them and find things that comfort them. But what popular fiction never is, is a clear, intentional, professional, and universal guide.

 We already talked about how even the most horrible people will read novels where they resemble the bad guys and identify with the good guys instead rather than reflecting their own behaviour. That is, because narratives need stakes. The hero needs to be David, not Goliath. And we too see ourselves as Goliath, in our lives. Because there are always things that are bigger than us. And because we know that David will win.

 But sometimes...sometimes it is quite nice to feel like the giant. Especially when we’re used to feeling small.

 Sure “I like this villain because villains get to do things we want to but can’t” might seem like a tiny brained answer, but if you expand a little, there is truth to it: Sometimes I want to see someone go bloody ape-shit in response to trauma, injustice, being underestimated or forgotten. Sometimes I want to see someone just care about themselves and burn the whole place down and look fabulous doing it, because I know, that in real-life, very often it is sympathy and empathy holding me back for even insisting on minor and very rational things, simply because I don’t want to be a burden on others and because I prioritise other people very highly. There is catharsis in that; in seeing someone getting it out of their system in the most violent way possible just like there is catharsis in going for a run or punching the hell out of a punching bag when you’re frustrated even though you would never chase down and beat up a person.

Because even when see characters standing up for themselves - think of the infamous internet rage over Captain Marvel stealing that bike from the dude that harassed her – their actions are usually centred around punishing the culprit, not the emotions of the party that was wronged. But people got angry. Not because she stole a car, or because she stole it from a men even – but because her acting in response to sexual harassment connected the scene with deep roots of social context and political opinions and expectations.

And, despite hundreds, maybe thousands of films in existence where a white male protagonist steals a car or bike or anything else to save the day, she is read as a villain here simply for doing the rational thing. Much less could she have killed him and burnt down his house, because she is a hero and it doesn’t serve the plot and that would not be the thing a hero does.

A villain burning the whole joint down because someone looked at them funny is acting selfishly, self-centred. But what are you going to do, call them a villain? Duh. Complain about how what they’re doing is wrong? Well, yes.

 The lane of their actions is not narrowed by the actions of the culprit on the one side (heroes have to react appropriately and proportionally) and the expectations of the good-guy on the other (they have to act in accordance with forwarding the plot). Which means putting up with an asshole sidekick or apologising if they undergo character development that makes them a ‘better’ person and requires them to forgive someone). You might have your odd Logan who will throw a punch when he’s pissed – but here we already venture into the territory of an anti-hero.

And personally, our anger, our disappointment, all that will always be much more contained than any fictional space - by our financial situation, the people we depend on, our job, our studies, or family, our social circle. We live in a web of social expectations that we depend on every moment of our life.

Fiction itself also exists in a web of social context: What influence does it have on the audience? Will it sell? What implications does it have? How does it present its characters? Who is the author and what do they stand for? - but the fictional space, aka the world constructed in a novel, is wholly separate:

If I write a novel where I state that every Canadian person likes the colour blue and wears funny hats, then this is true in the universe of that novel, no matter what any Canadian reader might feel about it. This means two things:

1.       As writers, producers, and even as producers of fan-content, we have to be critical about what we put into the world, because by creating a fictional space, we create characters who cannot stand up against the things we say about them or make them do. Just like the superheroine in the skimpy outfit who gets her powers through the sun shining down on her nipples cannot have an authentic discussion about her body. And when young girls read our comic and see that all the male heroes are clothed and the heroine isn’t, then we are the one that came up with the sunshine-nipples.

2.       Our very own, personal interpretation of the novel – even our own - and the way we relate to it is our own. The feelings we project on the characters are individual, personal, and shaped by us.

And yes, villains usually see their comeuppance. And the thing is, many people argue here: “Well, it’s okay if the villain does x, as long as they’re punished for it.” But...that’s a difficult subject. A piece of fiction can condemn the actions of the villain without seeing them lose – the challenge to the writer is to still form a satisfying narrative, because the villain winning is the ‘likely’-seeming thing that every narrative subverts when the hero levels up and returns with her new friends to kick the villain’s ass. But even if you sympathise with the villain, seeing them win would still be an unsatisfying narrative, most of the time.

Because the whole point of an actual evil villain - and sympathising with an actual villain - is that what they’re doing is unjust. Malicious. Selfish. And projecting your desire to strike back or stand up on a villain and seeking catharsis through seeing them go wild and tear down the city needs the pushback. For them burning down the house to be satisfying, you need to see the house burn. For them to blow up the house of parliament to be satisfying – you must see the explosion.

And watching them lose provides the ultimate, necessary gravitas. Watching Team Rocket fly off with Pikachu and live happily ever after on Team Rocket money would not be satisfying. Watching our super-villain burn the world to a crisp with their death-laser would not be satisfying if they just end up getting their rocket and flying off while drinking space-mojitos.

Whether they end up being redeemed or not: The initial moment that someone fights back and defeats them at the height of their immorality and prevents the suffering of innocents is the moment that their willingness and readiness to commit violence is put to the test.

 We know the hero goes through a journey of their own - one that requires sacrifice and steels their commitment until they are ready to take on the villain. And knowing that someone is willing to make sacrifices to be able to take the villain down is the ultimate acknowledgement of the transgressive act the villain committed. Without it, it would be empty. Like watching someone punch the air.

But the truth is also that when you recreate the fictional space in another, secondary space – fanfiction, fan content, fanart – you decide what to focus on. Like, we all enjoy hurt/comfort stories, but they have a different intention than something focussed on action or the growth of the hero – because that requires for us to see the villain go down. The focus is no longer the transgressive acts of the villain – but to lay bare the pain that caused them. It is no longer about beating them down for the sake of justice.

Like, when I make a post about Frankenstein’s monster living happily ever after and people tell me that hey, the monster killed a lot of people - then we have a different premise. Because me not adding a line about the evil things the monster did to my post was based on the premise that you knew that random tumblr user langernameohnebedeutung does not condone the crime of murder because she posts about a 200-year-old book. And the #fact that my point doesn’t construct an ending where the monster stands in front of a judge and is sentenced to a certain time in jail or punished by a more heroic person is because I have daddy issues and seeing a giant creature go on a rampage through Europe to get back at its asshole Dad in a way I never could makes me quite happy the novel focussing on its acts of violence already did this and my post clearly had a different intention.

[im-the-punk-who]

Hi, I dont know if you read or know anything about Macchiavelli's "Il principe", but I am studying it in school and I cant help but compare it's fundamentals to how Flint leads. I'm just curious about what you think

Eekekekekekekekekekekkek okay so first off Anon, you are absolutely, 100% right to be getting those vibes. If it’s not actually textual it is at the least meta-textual that Flint ascribes to a very Machiavellian type of leadership. His whole ‘never was there a Caesar who couldn't sing the tune’ speech is...licherally a direct reference to Machiavelli's philosophy that leaders cannot retain their leadership without sacrificing some level of ethical behavior in order to manipulate and deceive their subjects into following them.

And, Flint owns at least two books from thinkers who drew directly on Machiavellian thinking in their texts: De Jure Belli Ac Pacis by Hugo Grotus and The Leviathan by Thomas Hobbes are both visible in Flint’s cabin, and both drew heavily on the type of leadership principles established in books like Il Principe. 

(Also, my eternal quest for the book that sits *under* The Leviathan in that scene remains. Y’all I will literally pay someone for this knowledge. My best guess is Plato’s De Republica.)

In fact, the whole system that Flint’s world was operating under at this time was very machiavellian in influence. 

Henry VIII, who converted to Protestantism and who would eventually lead England in the conversion from Catholicism to Protestantism that would then in turn eventually lead the country into the War of Spanish Succession(the war being fought during the London 1705 flashbacks), was a student of Machiavellian thinking. He took the teachings of Il Principe to heart and used them to transform his country. Over the next hundred and fifty years, England would change from an entirely Catholic country to a Protestant one. Of note, Catholic scholars generally disagreed with Machiavelli’s principles on the grounds that it did not support the Divine Right of Kings.

As well, the Enlightenment thinkers that influenced Thomas Hamilton(and Flint himself) were starting to argue more for personal liberty and choice of the governed, both concepts presented in Machiavelli’s writings. (For those following along, this approach was also being used to justify slavery, as what was ‘good for the state is good for the man’ was used as justification for everything from impressment to colonization and slavery. Men were willing to set aside their morals for what they justified as good for the state. Shrug emoji.)

As James says of England when he and Thomas view the hanging in London:

“You think Whitehall wants piracy to flourish in the Bahamas?”

“No I don’t think they want it but I think they’re aware of the cost associated with trying to fight it. And I think that that sound travels.”

Here we see that Flint knows what Thomas doesn’t or does not want to accept: that England is willing to sacrifice some morality and some amount of lives(both of pirate-prisoners and the ships they take) in order to save themselves the financial burden of rooting out the causes of piracy. The justification for piracy was that it is too costly to fight, and that the nation ultimately benefits from a bit of strife as it drives prices up and allows England to place within the sights of its citizenry an identifiable enemy. (Note that Blackbeard also argues the same of Nassau, that prosperity ‘made it soft’.)

Even as he is changed by Thomas’ line of thinking, this lesson will stick with Flint and we’ll see it over and over again as he deals with the men’s hatred of himself by redirecting them towards other avenues(Vane, Hornigold, England, etc.)

And in actuality, this is what sets Thomas very much apart from his political brethren - he was *not* willing to sacrifice his morals in order to achieve a ‘more effective’ victory. Once he realizes that moral deficit shown by England, he creates the pardon plan to argue directly for a more moral and just way of governance. His whole premise for the pardons was to show England that an approach that considered the needs and wants of the governed was ultimately more effective, both in cost and in gaining the genuine good will of the people. And again, this is another likely reason why Thomas was then targeted by Peter Ashe and his father. Railing against the entire system of government was dangerous. Particularly if one was railing against the government in a way that could be seen as support of an opposing system of religion and political rule(remember how I said before that Catholics were generally against the Machiavellian systems?) Put plainly, Thomas’ rejection of Machiavelli’s leadership tactics would have been yet another argument for his treason against the crown.

Interestingly also, Marcus Aurelius - Thomas Hamilton’s homeboy - is said to be one of Machiavelli’s five “good” emperors, of whom Machiavelli wrote,

“[they] had no need of praetorian cohorts, or of countless legions to guard them, but were defended by their own good lives, the good-will of their subjects, and the attachment of the Senate.”

How we tryna be.

And so we see that Flint has - not so much fallen back into England’s line of thinking but perhaps that he never really fell out of it. And that this is actually a rift in his potential ability to conform to Thomas’ line of thinking, assuming we see that line as more morally correct. We do see Flint, gradually, throughout the course of the show, move more away from this Machiavellian line of thinking, especially once he meets Madi and the Maroons.  And to me at least it’s one of the most important character shifts we see - in contrast to the trajectory of John Silver becoming Long John Silver  - throughout the series. Just as Flint is finally starting to really value the lives of those around him, Silver has learned how effective those tactics can be in achieving his goals. As Hands says - ‘I wonder if he knows how much you learned from him.’

And in fact, Silver almost directly quotes Machiavelli at one point when he talks to Flint about their different leadership styles.

“I once thought that to lead men in this world, to be liked was just as good as being feared, and that may very well be true. But to be both liked and feared all at once, is an entirely different state of being in which, I believe, at this moment, I exist alone.” 

Whereas Machiavelli in his chapters addressing cruelty and mercy writes

"Here a question arises: whether it is better to be loved than feared, or the reverse. The answer is, of course, that it would be best to be both loved and feared. But since the two rarely come together, anyone compelled to choose will find greater security in being feared than in being loved." 

This is clearly the approach Flint has taken - he is the most feared captain on the seas. Certainly in the colonial world and on Nassau, too, his name brings a certain amount of fear with it. Because of this he has been safe from rebellion for quite a long time - however he is also not unaware that his power comes from the people. In the very first episode he talks of his plan with Gates to “position people in all the right places so the crew would never turn.” He has, for an unknown amount of time but I would suspect from the very beginning, been manipulating the crew’s opinion of him to keep them happy. Gates himself, and Silver later, are prime examples. 

Both of them; Gates for the first ten years or so and Silver in seasons 2+3 act as a go between - being the ‘liked’ to Flint’s ‘feared’. They convince the crew - the ‘people’ in this case - that Flint’s plans are in their best interest and not truly the act of a tyrant. It is only when Flint forgets - or neglects to respect - that the will of his crew is how he keeps his power, that he really starts to fail. And, later also, that now he has a rival - Silver. 

Now, I do want to point out that personally I don’t think Flint is a needlessly cruel ‘ruler’ in the sense the crew sometimes thinks he is, nor is he trying to be as a king is to english subjects. He has power, of course, and he does manipulate, lie, and kill if necessary to maintain his power in accordance with Machiavelli’s principles, but he does not do so ruthlessly or to a degree that is unnecessarily violent, nor with only his own advancement in mind. His goals genuinely are in service of the people he leads, even if the tactics he uses sometimes put them in danger for it. Moreso, I would argue that Flint is a prince who created his own princedom. He took an existing power structure(the pirate council in Blackbeard, Hornigold etc) and took most of the power for himself, either through luck, violence, or political maneuvering. And then he kept it through skill and tactical advantage.

Silver, in contrast to Flint’s new princedom, is truly a ‘prince of the people’. He comes to power through convincing the other pirates that he has their interests at heart - even when he doesn’t. But Silver soon learns that being a well-loved leader is difficult. It isn’t until Silver kills Dufresne and Billy uses that fear to build a legend that ‘Long John Silver’ the pirate king comes into being. Silver learns, just as Flint knew, that in a world or corruption, often leaders need to make sacrifices of things they would have once deemed important. 

(I think it’s also important to note for Silver that his main goal is actually one Machiavelli writes of as being ‘a will of the people’. Silver’s main wish is not to rule, not really. His biggest motivator is ‘to be free’. To not have to make choices based on the will or subjugations of others. And so, he attempts to make the leadership forced upon him into something that frees him - unfortunately for him, Madi is right when she says that the ‘Crown is always a burden’ and it would be truly impossible for him to find the kind of freedom he wishes for while wearing it. Which, honestly, is part of why he ultimately fails in that regard as leader of the revolution.)

In the later seasons we see Flint go through this change in philosophy after he meets Madi and the Maroons. He begins to actually value the lives of the people he leads. When put to the choice of going through with the raid on the Underhill estate despite the risk it poses to the slaves on other plantations, Flint resists the idea. As he tells Madi - it would have cost them far more to ignore the ‘will’ of those people he hoped to lead - the slaves - than it would gain them to go through with the plan. And later, even though he can’t be blind to Max’s sway with Eleanor and the others, unlike Billy (and oh how the mighty have fallen, Mr. Bones!) he doesn’t even seem to consider keeping her rather than trading her for the lives of his other men. He no longer wants to trade a potential political victory for the suffering of those he leads. So, too, when he attempts to trade the cache for the fort, he is doing so with the goal being to not have to put those under his power in danger if there is another option. It is, at least to me, an incredibly moving character arc and one that is so very understated. 

And honestly, I think it’s what *needed* to happen before he could move on from his rage-hate bender and begin to find the sort of peace that one might argue those ‘good’ rulers had. Machiavelli’s principles tend to get in the way of your ability to connect with other people: when you see them just as pawns in a game, friends and foes lose their intrinsic value of just being important on an emotional level. It is only through learning to truly value his partners that Flint can learn how to be a better and more just leader.

Also, this passage in chapter 15 absolutely KILLS me in regards to both Flint, and Thomas Hamilton:

“Men have imagined republics and principalities that never really existed at all. Yet the way men live is so far removed from the way they ought to live that anyone who abandons what is for what should be pursues his downfall rather than his preservation; for a man who strives after goodness in all his acts is sure to come to ruin, since there are so many men who are not good.”

Like bitch!! We get it!! Too much sanity!!! Shut up!!!!!

Anyway, all this to say that you’re absolutely right in seeing parallels between Flint’s style of leadership and a Machiavellian prince - he is absolutely written as a prince-like leader. As are Silver, Rogers, even the Maroon Queen(and Scott and Madi as extensions of her) can be compared to certain rulers in Machiavelli’s archetypes. Even Thomas, who models himself after one of those ‘good emperors’ engenders a type of political leader Machiavelli writes about.

(Also lastly, i want to very quickly point out this guy, Cesare Borgia:

Who was a prince of ‘fortune’ who lost his princedom to trusting the wrong person. What a beard, amirite? What a face. He’s even got the rings! I’m sure this means nothing.)

So basically yeah, Flint is absolutely a Machiavelli bitch. 

[catboyithaqua]

Ramuda and Doppo :0

OH MY BOYS LETS GO

Under a cut bc long

Ramuda Amemura

First impression

Baby boy baby. Very cute and sweet i love characters with ramudas aesthetic i tend to want to protect them, especially since its an aesthetic that i fall into myself and lo v e so kseidjsnfn YEAH this man is baby!!!

Impression now

Ohhh my god i love this man i love the way he is characterised he is so incredibly interesting as a character and tbh so realistic and honestly i adore him!!! I alarmingly see a lot of myself in him tbh, were incredibly similar and that isnt necessarily a good thing!! But still i love this man

Favorite moment

Oh man where tf do i BEGIN there are so many ngl, but mostly all of the moments where we see ramuda's humanity. There is still a sweetness left under the darkness, there is still a man who wants to cling onto everything he has - his emotion, his internal battles, his morality vs his desperate need to survive - oh fucking man so much.

Idea for a story

CAN WE FUCKING. HAVE RAMUDA TALK HIS SHIT OUT PLEASE can we just have others actively helping ramuda cAN THIS MAN PLEASE BE SHOWN THAT ITS NOT TOO LATE FOR HIM,,, PLEASE,, i just want ramuda to finally talk out everything and have people on his side. Please.

Unpopular opinion

This probs isnt unpopular by any means, but idk what else to put here so take this:

I dont really see it often discussed that yknow ramuda is an abuse victim. Like, its very clear that chuokhu uses and abuses him, and his life is constantly being hung over his head. No wonder the dude is doing anything he can in order to survive, he has no choice in that regard. Before i get told this in the notes yes i know this doesnt excuse the things hes done!!! But tbh i really think that like the trauma that ramuda is living with kinda needs to be addressed.

Favorite relationship

I am a huge multishipper and have found a way to ship ramuda w just about most people (that are adults and not in chuokhu lol) so this is pretty tough

Id say either fling poly or jkrm and these are my reasons lets go:

Fling poly: HAVE YOU S E E N THEM do i really need to say more here all three of them have such good chemistry together, theyre all clearly on the same wavelength and have such a wonderful dynamic,,, they found out about the clones and shit and they STILL chose to protect ramuda and to fight for him and with him and to stay by his side aND BLACK JOURNEY TOO I-- IM GONNA START SOBBING,,,

Jakuramu: this one is not based on canon too much i am sorry this is mostly hc but i am a huge sucker for enemies to lovers ok also, i feel like out of TDD these two would be the ones to reconcile. After all, jakurai is a rather empathetic man and he probably would def understand the situation that ramuda was in. After all this dude was an ex assassin, if ramuda was to tell him everything, im sure that he would be able to relate to yknow the time he took others' lives, people with families and friends that he killed because he was ordered to and most likely had no other choice. Of course, jakurai is well within his right to not forgive ramuda for what happened to yotsutsuji, but i feel like he would and would help him get out of the situation hes in,,, and also im soft for the TDD era ok like how jakurai WANTED TO KNOW THE REAL RAMUDA AND LIKE,,, even when ramuda snapped at him he was GLAD HE WANTSD TO KNOW HIM FUCK MAN,,, i just really like these two ok

Favorite headcanon

I have quite a lot of hcs! Here are a few and like some explanation as to why:

- hes trans - i personally believe this bc personally itd make sense. Ramuda has a very feminine appearance and build, those that are like typically common in asian countries. As well as that, he has his own autonomy unlike the other clones. It wouldnt surprise me if chuokhu orignally wanted to make a girl to keep the other divisions in check, but when he decided personally that he didnt want to be such a way, they said sure, more room for us to treat you as we want to. Hes got money, getting T wouldnt be that difficult for him either, so thats why his voice is. That way fiaudjsnfnd anyway i think it makes sense!! Idk--

- he has bpd - projection probably but the biggest inspiration for this headcanon is how he is emotionally. His swings are violent - he feels and expresses such a diverse range of emotions and its so easy for him to change his emotional disposition - whilst also mostly feeling totally empty. Relationship wise also, given how he was genuinely really close to jakurai and then completely splitting on him, h a t i n g him. Yeah that sounds like bpd to me chief i know i have it!!! Theres more ik there is but i cant pull up examples rn

- hes neurodivergent - again mostly projection honestly and like there isnt much of a canon basis in his behaviour, just little things, but i like to personally hc that aside from eating candy to stay alive duh, that he chooses lollipops bc they serve as a sort of stim?? Also ik that fashion is his job but hes also so so clearly passionate about it that its a special interest for him, and thats partially why he took it up as a job in the first place, so he could do something related to his special interest lol. Idk i know there isnt any basis for this but just let me have autistic ramuda iaiesjdnsnfn

Doppo Kanonzaka

First impression

Now THATS what i call a tired mf!!! This dude has yves saint laurent eyebags also he really reminds me of aggretsuko somehow??? Im really not sure what it is

Impression now

Yeah i was def right with the aggretsuko comparison siaishsnshfb BUT I LOVEEE HIM i love him very much and i think this man really needs a break and is also very relateable i love

Favorite moment

As much as i love fp i absolutely adore the badass koments that doppo has including when he absolutely fucking obliterated fling posse sksjxnxncn also!! All of his little moments with hifumi i genuinely enjoy their dynamic its so cute

Idea for a story

Honestly i wanna see him slowly recover from the teauma that he has experienced because this king absolutely deserves it, and also from a practical point of view itd make this mf s t r o n g e r i also just.... long to see doppo happy honestly he deserves to smile!!

Unpopular opinion

I dont really have an unpopular opinion but saving like leaving this blank: as much as i absolutely adore jakurai and hifumi and their music (jakurai is my fave out of every hypmic character and i WILL drive this home), to me doppo just has the best music. Like, i love tigridia and BLACK OR WHITE so fucking much its absolutely unreal and all of doppos verses in every song are juust so fucking good. As much as i listen to you are, therefore i am on repeat every day of my life doppos music is just the best ✨

Favorite relationship

Again i am a huge multishipping bitch and i habe a few ships with doppo but in ahll honesty my fave is very clear - i absolutely adore his dynamic with matenrou as a whole and especially hifumi - his relationship with hifumi is clearly so special and it really shows how strong their friendship is, and in a ship sense i find it to be realy cute bc theres such a clear need for each other and that even if they clearly come at odds sometimes, at the end of the days theyre still clearly so close and i just,,, god doppo reallt deserves someone like hifumi in his life and im so glad that he has it!!!!

Favorite headcanon

Honestly i dont really think i have too many for doppo but given his general demeanor and his attitude, i personally hc him as demi. Yeah i know that sexualities dont have like typical personalities and such but i feel like given his anxieties around new people and how he clearly only really sticks to those that hes very close with, it makes more sense for him to be demi than any other sexuality to be quite honest - and this is also just pushing my hifudo agenda aiqiauansnssn but yknow!!!!

[whoslaurapalmer]

utena manga AND adolescence manga!!!! the longest of any of my utena posts why did i have so much to say. 

-i do have to say that the box set is amazing. i’ve never owned hardcover manga before!! and the art is really beautiful and i love all the color illustrations....... -also came with a poster!! but i, don’t particularly want naked utena and anthy on my wall. 

-i always love utena, so much  -“it’s not shocking pink, it’s rose! it’s a nice color. i picked it out, after all.” babygirl  (-omg the explanation that there is a list of stylists that she could get uniforms from and at least she picked one on the list) -poor kaido.......he’s the true Pre-Series Friend Who Shows Up In The First Episode And Is Never Heard From Again Once The Plot Kicks In 

-i like that the manga has an explanation of how utena found ohtori academy because, you do wonder -- but i also like how she’s just There in the anime, with absolutely no explanation of how she got There, she’s just There and maybe she’s always been there!, re: time, it ultimately doesn’t matter, it’s where she wound up regardless  -the.......floaty dreaminess of it......... -uggg wait especially because even though it has been akio manipulating her around all this time she still doesn’t truly go to ohtori because of akio she goes because of anthy 

-i’m. look i don’t even want to say it cause this is a straight-up terrible nickname and i am in pain over it but i have to say something  -mr -mr l  -mr  -licky -lick  -i have to wonder how other people have translated that 

-me: hey that looks like he licked the tears off her face??? utena: i named him --  the narrator living inside my brain: and at that moment lulu vandelay considered launching a book across the room for the first time in her twenty-six years of life

-you know utena if your aunt got transfered to amsterdam, you still would’ve wound up at an ohtori academy  -what even happens at the ohtori in amsterdam??????????????  -what  -do they do an exchange program?? do they ever get anyone back??? is amsterdam also creating a world?????? or are they fine over there??? -is it alt universe ohtori???? 

-chu-chu is so fluffy!!!! so soft.......big squish........huggable............ -anthy making him a tie because she felt bad about him not wearing anything!!!! 

-THE MANGA MOVES VERY FAST HONESTLY -especially because i hit a point where i too was reading as fast as possible to get through it but there was still SO MUCH 

-no nanami????? no nanami at all??????? except for that one picture of her???????  -no???????  -look. i really love nanami and i didn’t realize how much i really liked her until she wasn’t there :( cause i liked her in the first place but i miss all her antics :( and i liked where her character arc went a lot :(  -she’s very loud about this but she’s really just that tumblr post that’s like ‘i put ‘i love salsa’ in the chat and no one said anything and i wondered if salsa had killed a parent or if salsa ever really existed’ and that’s relatable  -and the second-guessing embarrassment of every single thing in your life and yet the commitment to radical high-and-mighty confidence about the same exact things to compensate??? good for her!!!! 

-utena, with the power of dios: i can see every move! me: wow didn’t know dios had the sharingan 

-INTRIGUED actually by touga having. a secret room with a big fucking calendar with zodiac symbols and all the fights predetermined  -like there’s something super interesting about that  -like...... -on one hand a physical representation of The Plot Being Controlled. The Plot Has A Map Now. on the other hand, touga has to write it all down like a nerd bc he’s not akio and has no sway himself over the narrative and he needs a reference 

-i’m absolutely fascinated by how a group of people can come together and create The Same Story that is so different in the manga and the anime.....  -just. how  -in a good way and a bad way. in the good way, how do you collaborate with people like that????? in the bad way, how do you create two completely separate thematic takes on the same story  -with so many of the same base scenes!!!! they go completely different ways!!!!! i’m!!!!!!!!!!!! 

-oh i do love the character profiles. i like knowing birthdays!! 

-akio grabbing utena because he thought she was anthy

-it fucking goes from. ‘everyone in this manga wants to fuck touga’ to ‘everyone in this manga will support utena, EVEN TOUGA?????’ like wow  -he’s just.........living with them..................................... -like a creep  -AND HE JUST GIVES UP THE STUDENT COUNCIL PRESIDENCY THAT’S THE FUNNIEST FUCKING THING  -doesn’t take much to get them to break the system down here but they’re still not breaking the system down here  -oh my god it’s like the sad lemon man movie speedrunning the first 3 books and hitting the plot notes with none of the substantial theme  -it’s just, i don’t think the manga is completely terrible, like i think there are some interesting moments but i also know the common perception is The Manga Is Terrible? so i’m like. do i pick out the interesting things and try and give them meaning? or do i just. wholesale agree that this is, on a whole other thematic plane and terrible  (-my whole life is ‘i should be able to make my own opinion on something!’ vs ‘but i like to read other people’s opinions to make sure i don’t miss anything but that should not replace my own capacity for critical thought which i am clearly capable of and did a great deal of work on as a lit major!!’) (oh this is anxiety.) (it’s a lot of ‘i don’t want to misinterpret this in any way because that is a failure on my part so i’m digging around for explanations’ oh that’s still anxiety.) 

-i mean. the emphasis on ‘friendship’ more than anything with anthy is, disappointing, but i DO also like utena trying to get anthy to make friends and that anthy’s first instinct is to take after wakaba because that’s super cute 

-chu-chu narrating the curry story!!  -he’s just such a sweet bean. 

-utena: akio? the devil, lucifer? me, reigning my brain back in as it shoots into hyperdrive: okay lulu you’re right about the tarot symbolism but now is not the time, bring it back, girl  (......utena’s the fool nemuro hall is the tower the car at the end of the movie is the world anthy stabbing utena is the ten of swords (not in the sense of betrayal but in the end of the cycle/story portrayed in the swords suit)) (ANYWAY) 

-and then touga still somehow stays at the center of the story and utena relies on him....... -there’s a bigger reliance on men in the manga that is not, challenged at all, re: touga and dios -but at least akio’s still a full-on creep  -actually i think he unsettled me just a smidge more which was a big accomplishment, considering the time i almost fell over furniture 

-me: oh my god are utena and anthy gonna switch places???  me: NOOOOOOO -anthy’s coffin breaking because utena puts the ring back on....... -but, like........dios is completely incapable of action as well and utena doesn’t need him to rescue anthy  -dios is more some ethereal grand thing here instead of an idealized past self that akio has lost access to and can never regain and was never truly good in the first place  -although utena and anthy switching is, interesting. reinforces akio making utena a princess when again she’s neither and it’s.......a little “in the end, girls are all like rose brides” and women are manipulated around by men, but also, kind of loses what anthy holding the swords meant in the first place? 

-touga: you have to do it, utena me: touga stop trying to steal the scene. get out. get out now 

-THE CASTLE IS REAL????????????????????????? 

-okay the absolute roller coaster between ‘he’s gonna kill dios????’ ‘that’s the manga backstory?????’ ‘DIOS IS JUST DEAD NOW????’ ‘NO HE WAS STILL DIOS THE WHOLE TIME!!!!!!’  -oh but you know you could read it as a, killing your past self sort of thing -...........although that doesn’t really vibe here, does it 

-i think them being specifically ‘gods’ takes away from just the, cycle of humanity kind of thing........ -it’s so pleasantly vague in the anime because how dios came to be Dios and why anthy had to put a stop to it just doesn’t matter. it’s not what matters. it’s not what’s important. the fact that it happened at all is what matters.  -and somehow he still wasn’t dios the whole time!!!!!  -“she kept his sword in her bosom, one last token of her love!” that’s an.........interesting way to put it -i mean, yeah maybe?? but also, no?????????????????????????????? 

-anthy’s kind of, watered down a little in the manga too, in a way?  -STABBING UTENA WAS SO IMPORTANT TOO 

-noooooo where are my girls learning that it’s not about being a prince and that it’s just genuine love and being there for someone  -i mean i guess the love is here but. “i must be the prince myself” no!!!! noooooooooo  -you know what i don’t even want to THINK about akio and utena..........like that 

-AND THERE’S STILL TOUGA!!! IN THE MIDDLE OF IT ALL!!!!!!!!!! TOUGAAAAAAAAAAAAAAAAAAAAAA  -anthy: /wearing utena’s uniform me: /staring into the camera like i’m on the office 

-like...............well that just continues the cycle then, doesn’t it, in a way  -which, is its own kind of story.............. -and i guess you could also make a case for ‘well no one’s immediately recovered right after a story that takes time and it’s not always perfect and that could involve anthy emulating utena’ -BUT NO!!!! NO??????? NO!!!!!!!!!!!!!!!!!!!!!!!!!!!!  -i think that’s giving the manga too much credit considering how much it forced ‘the prince’ at the end!!!!!!!!  -i get it. i get the ‘the manga is terrible.’ i see you.  -it wasn’t, completely terrible, but, wow. i get it. 

-okay hold on i still have two side stories before adolescence

-OH ARE YOU KIDDING ME????? ONCE AGAIN I HAVE TO DEAL WITH RUKA  -WAS IT NOT ENOUGH THAT I HAVE ALREADY SUFFERED  -ruka i still hate you. that’s all i have to say on that 

-and black rose arc condensed to thirty pages????  -the way mikage acts towards mamiya is like. blatantly creepy in the anime but i didn’t think it was here???? rude.  -anthy and utena holding hands after it, though....... 

-OKAY, adolescence  -i feel like, i was unduly harsh on the movie...... -mostly because i was reading the youtube comments on the dub before i watched and people were talking about how terrible the dub was (i did not watch the dub)  -and i knew about the car and i was just really thrown by the car. the cars. just. unexpected  -but if the manga speedruns in a bad way the movie speedruns in a way that not only hit the plot elements but picked up a lot of the thematic elements as well!!  -i mean every arc was touched upon in some way! even the black rose arc! -which haunts me, regularly.  -also i am forever going to be thinking about the fwwm parallel like damn  -it really was a good time....... -oh! this in particular was why i was a little concerned about missing anything in thinking about the manga   -like...is this a bad character choice in good writing, or is this a bad character choice in bad writing? sometimes i’m not always great at that 

-anyway.  -the manga was really mostly the same except somehow touga was more uncomfortable, there were no cars, and utena and touga had sex uggg  -god i SWEAR when i was flipping through last week i saw a car though. i swear???? i thought i did?????  -guess i didn’t!! 

-touga: as long as you keep me there in your heart, i can continue to exist like this. i can stay at this school for all eternity.  me: The Grief™ vs ohtori academy doing its thing vs I HATE THIS AAAAAAAAA 

-anthy, to akio: be gone! you’re only in my mind! me: oh that’s a powerful statement though. re: like, how akio keeps anthy 

-what i DID really really love was the little scene at the end with anthy and utena out of ohtori and older in a planetarium theater after everything and being cute on a date (with chu-chu!) and that that’s how it ends (even if utena was still thinking about touga) with them holding hands walking out............... -the softness!!!! 💖💖 

[atlcsfcllen-a]

Alright, now that we know his semblance, heres my take on why Ironwood shot Oscar. Now that he has panicked for a bit, Ironwood is actively using his semblance to focjs on one thing, saving Atlas. Based on the convo he had with Oscar earlier in the volume about humanity, I beleive he may be using his semblance to shut out anything that might stop him from saving Atlas, incluiding his own empathy and compassion. Combine that with what he percieves as a betrayal from Oscar, and you get... that

Which is a super valid point to make!

Before I like-- get into this, I just want to express, very clearly, that just because I have salt with the series, does not mean that you can’t enjoy the show. I’m not going to come down your throat and rip you a new one, or slide into you DM’s / inbox and be like ACTUALLY. YOU’RE WRONG. Because genuinely, love what you want to love. Enjoy the show for what it is and indulge to your heart’s content. The biggest reasons I even have my salt tags are so people can continue to enjoy the show, even while I’m over here going harumph.

With that being said, I just want to make this clear to you, too, that anything said is based on my salt. Not against you. Not against the ask you sent. Your opinion is valid. It will always be valid and it will always earn & deserve a safe space here on this blog. I get heated, but I get heated about the subject material - not the person involved.

That being said...let’s dive in.

SO.

I imagine that with the timing of the reveal of James’s Semblance, this is what RoosterTeeth wants you to take away from that information. They want you to know his Semblance and recognize that because he has ‘Semblance-based-hyperfixation’ [ which is a complaint all on its own for me... ] he’s able to bypass everything within him that should tell him ‘no. this is wrong. don’t do this.’ His goal is set on saving Atlas and nothing is going to get in his way.

That’s dope.

The problem I have is that, if he’s forgoing his sense of humanity in an effort to do what he feels is right, why not shoot Team RWBY? Why not shoot Yang when she admits to giving Robyn the information about Amity Tower? Why not shoot Ruby when she attempts to evade arrest and hides behind his desk to send out her warning message? Because they’re Team RWBY? Because they’re exempt of any and all consequences in the story?

So then, what about the twelve-year-old farmer boy with zero Huntsman training? James, the 40+ year old general of Remnant’s most powerful army, can’t just tackle him to the ground? Subdue him if he doesn’t like the kid talking shit?

Oscar backs away from him. Is clearly intimidated and frightened by him. Puts his cane away. Insists that he doesn’t want to fight and based on previous interactions with other characters [i.e. Qrow at Beacon ] James also doesn’t want to fight. So like-- why even reach for his gun at all? If Oscar is clearly backing down, why doesn’t the dude with military training read that and put him on the ground? Knock him unconscious, even, and throw him in a cell?

James doesn’t sentence Roman to death.

James doesn’t drop Watts into the lava.

WHICH. To be totally honest? Could have easily swayed my decision on him shooting Oscar. I wouldn’t have liked it, but that’s the point. Imagine how much more weight and sincerity this would have had for his actions. If he dropped Watts into that lava pit, and then turned around and acted the way he did in the office, and then shot Oscar? OOF. I could’ve bought the whole ‘tinman losing his heart’ in a SECOND.

Then we have scenes like Nora screaming at him about Mantle and rightfully so! He is taking Mantle’s resources for a project that he believes is for the greater good. It doesn’t make it right, even if he, as a character, believes it to be - a morally grey conundrum that was perfect for his eventual fall. And I was freaking ready for it. I was ready for James to snap back at her. I was ready for us, as the audience, to go-- gasp! James! You’re really coming apart at the seams, aren’t you?? I was ready for him to be demanding and commanding in a way that raised immediate alarm bells. Instead, the dude says nothing.

Instead, he sits down. Has a bit of a moment, but tries to concede with Nora. With Ruby. Agrees, even, to meet with Robyn and negotiate a deal. To assist Mantle in this way. Even despite later on choosing to abandon it, in an effort to ‘save who they can’ - which, again, morally grey conundrum that could have been done so much better.

But it’s like-- James concedes. Time and time again, we watch him fold. With Jaune, we get the brief, momentary glare, but then he stops. Breathes. Recognizes that he knows Jaune is right and that he’s trying.

These are the biggest problems that I have with the end result being shoot Oscar. There is nothing in his character beforehand that eludes to him making this decision. To falling apart this violently literal seconds after apologizing to, who he presumes is Winter initially, for the presumed fate of Fria.

I want James to make bad decisions.

I want to be mad at him and not the story, because that’s what his character was built to be. From his first introduction, we know that James’s end result is stepping into the shoes of a morally grey character. One that will leave you screaming at him because he’s making all these horrible decisions, under the assumption that he’s doing the right thing, protecting his people, keeping everyone safe, but we, as the audience, recognize this isn’t the case, because the story has built around that.

What we get, in actuality, is a sudden and immediate thrust into villainy. Even the part at the end, when Winter texts him about the Winter Maiden’s powers, and he has that cliched villain scream that just eludes to what’s going to come next-- it’s all there, setting him on a path that he doesn’t belong in.

Personally? The only way that I could make peace with Oscar being shot [ I guess?? ] is if the conversation between the two didn’t just elude to James speaking at Ozpin. Show me that he’s speaking to Ozpin. Show me that he’s so lost, so upset, and so paranoid, that he hallucinates - momentarily - seeing Ozpin standing in front of him. That he’s slipping and falling and he has nowhere else to go anymore, and because of that, he’s absolutely losing it. Give me that angst. Let it be something like:

James: “I am done letting other people’s inability to see the big picture, get in the way of doing what’s right. Robyn. The Council. This kingdom. Even you, Ozpin.”

Oscar, tentatively: “...James?”

James: “...No. To you, it’s general.”

Feed me that level of angst. It would give his actions so much weight, and there would be so much to unpack there. Let the light leave his eyes as soon as he pulls that trigger; shattering what little of himself remained. Severing all ties with everyone he’s ever known and/or loved for the sake of completing his goal. For the sake of doing what he thinks is right.

Let me be mad at the character for his pisspoor actions. Don’t make me be mad at him. Don’t shove it down my throat like-- hey. hey. did you get it?? do you get that he’s the villain of this arc??? 

No. I don’t. Because there is a massive difference between villain and antagonist. So smooth into his antagonist arc. Show me that he’s going to be the force against the protags. Let James get mad. Let him make several bad decisions, such as [ if the story continued to care about these plot points ] leaving Mantle to freeze to death because Amity is more important. Declaring that Robyn is an enemy and should be treated as such; no negotiation. Sending Winter to retrieve the Maiden’s powers while simultaneously drawing back his forces from Mantle; Clover included - leaving a serial killer loose on the streets.

There was so much they could have really played up before reaching the dramatic climax for James’s character, and it just kinda really grinds my gears, given that James had everything required to get him there.

At the end of the day, however, it is RoosterTeeth’s story to tell and I do recognize that, but it doesn’t mean I can’t be salty about it.

[trikruheart]

Bellamy Is The Abusive One, Not Octavia: A Rant/Meta

There’s two main “reasons” that people give when they claim that Octavia is abusive. That she beats up Bellamy after Lincoln’s murder, and that she has him put in The Fighting Pits.

Let’s start with the old discourse; Bellamy did get Lincoln killed, not Octavia. Bellamy is the person who got Pike into power, the person who stood by him even after seeing + being told multiple times by people he supposedly cares about that Pike was instituting facism and going to get everyone killed. Bellamy knowingly decided to be a Nazi even though he had other options and was aware of them. And, no, Nazi is not an exaggeration, Bellamy was 100% willing to wipe out an entire race just for being that race including putting them in concentration camp-like conditions to die.

Octavia is not at fault just because she didn’t accept Bellamy’s last minute “help”, he had given her absolutely no reason to trust him so it’s not her fault she didn’t. If my brother was fhe right-hand man of a fascist leader then I wouldn’t have trusted him that after he belittled my concerns several times and stopped me from escaping, he’ll get my boyfriend out of the camp he put him in to begin with. Octavia had no obligation to trust Bellamy after he did everything in his power to destroy her trust.

So, yes, Octavia beats up Bellamy. If I had just saw and heard the love of my life be murdered at the hands of the man that my own brother knowingly put in power then I probably would beat him up to. Especially if my brother had already been abusing me my whole life.

Side note: Let me also just point out that Bellamy was never adequately redeemed for that whole being a Nazi thing, everyone just pretended it never happened. Octavia herself even calls him out “You didn’t turn on Pike because you thought what he was doing to the grounders was wrong.” and he AGREES. Bellamy 👏 never 👏 earned 👏 redemption, because men in this show don’t need to be held accountable for their actions while women (mainly Octavia and Clarke) have to supplicate themselves to men and be dragged through the dirt mercilessly for every wrong breath they take.

The Fighting Pit issue is an even weaker example because Octavia didn’t put Bellamy in there because she was angry or wanted to (although she had every right to be) she did it because Bellamy publicly broke several laws and she would have completely undermined her own authority (and given special treatment, making her a poor leader) if she let him get away with treason, child endangerment, murder, and attempted assassination. Bellamy getting put in the fighting pit was a consequence of his own actions, one that he was well aware of. Octavia wasn’t being abusive, she was being a fair leader.

Now that that BS is out of the way, here’s a list of why Bellamy is abusive to Octavia:

1.) Bellamy has had all of the power in their relationship from day one. Octavia was literally trapped in a room and only able to interact with two people for sixteen years, Bellamy came and went as he pleased. Octavia was essentially a captive, she couldn’t have possibly been more powerless during the entire time their relationship was developing. Then when they get on the ground, Bellamy is almost instantly put in a position of power which he uses to isolate and control Octavia. There’s also the age difference, I think a lot of people forget that Bellamy is way older than all the other Skaikru. Bellamy is 23 at the start of the show and everyone else is under 18 (except Raven is 18). So, we’re talking about a barely 17-year-old girl, one who grew up extremely isolated so is even more immature than most kids her age, and a 23-year-old man who lived most of his life relatively normally.

The power difference entirely favors Bellamy. Octavia has no power over him at all pre-Blodreina (which we’ll get to that) so the idea that she could possibly abuse Bellamy is pretty absurd. Abuse is a habitual pattern of controlling and belittling behavior by someone with more (actual or perceived) power over another, Octavia had no power over Bellamy at all; Bellamy had an insane amount of power over her that he constantly abuses to isolate and control her.

2.) Bellamy supposedly goes to the ground to “protect” Octavia but his means of doing so are abusive and controlling. In season 1 alone; Bellamy uses physical intimidation and manhandling against Octavia several times, he terrorizes a harmless teenager (remember how he’s a grown ass adult? Yikes...) to keep him away from Octavia who was enjoying his company, then he tortures a man in front of her while she begs him to stop because he doesn’t care about her opinions (more in 4) and he’s the leader of The 100 so he can.

3.) The whole “my sister, my responsibility” thing that everyone thinks is so cute? Yeah, that’s emotional abuse. A figure of authority repeating to a child that they are a burden for existing is disgusting and so, so harmful. That phrase is a reinforcement of the more vicious things Bellamy has said “Mom was floated for having you, she’s dead because you’re alive!” and “My life ended the day you were born!”

4.) Bellamy is constantly belittling, dismissing, and patronizing all of Octavia’s opinions and identity.

“You turned this place into a story from your childhood. I mean, the red queen? It’s a joke.”

I’m not saying that Blodreina was a positive identity for Octavia, but it was something she was forced (remember, she didn’t seek power like Bellamy and Clarke did) to become to survive. Octavia was a mentally ill teenage girl with very limited exposure to the world who has never had any power in her entire life, and suddenly she was responsible for saving the human race. How fucking dare Bellamy mock her for basing her leadership off of stories WHAT THE HELL ELSE WOULD SHE BASE IT OF OFF???

Bellamy had a job and a life on The Arc, Octavia never left her room and had no way of seeing the outside world except through stories. She has literally no reference for ruling, or anything else, except those stories and her brief time with the Grounders. Fuck you and your privilege, Bellamy.

On top of that, Octavia actually did save the human race. That “joke” kept humanity alive.

“It is time to stop playing Grounder before you get yourself hurt.”

Yes, how dare she identify with the only people who have ever accepted her and treated her like a human being. How about you stop “playing” Nazi before you get us everyone killed. Seriously, Octavia is not allowed to disagree with Bellamy without him grabbing her arm and talking down to her like she’s a toddler throwing a tantrum.

5.) As soon as Octavia is in a position of power, one she didn’t even ask for, Bellamy’s abuse gets progressively crueler because he’s trying to regain control. He starts actively using Octavia’s mental illness against her and literally suicide baits her several times.

There is NO excuse. None at all. To tell someone who is severely mentally ill, traumatized, and an active suicide risk that “I wish you were dead” and “you’re already dead”. Trying to push someone to suicide and using someone’s mental illness to hurt them, let alone your own sister, is one of the most evil things you can do. The fact that so much of the fandom ignores this genuinely makes me sick.

Bellamy chooses those words because he knows that is what will hurt Octavia the most and he wants to hurt her. Bellamy has heard Octavia say that she’s already dead when she’s at her lowest points, he knows that those are the words that haunt her and drive her to want to kill herself, and that’s why he uses them as a weapon. Notice that he says them multiple times and at very purposeful times, this is not something he yelled once when he was angry; we see him calmly make the choice to say these things to her several times when he is losing control and wants to break her back down to the helpless little girl who was always happy to see him because of her Stockholm Syndrome.

6.) I think trying to MURDER Octavia THREE FUCKING TIMES deserves its own point. Bellamy poisons Octavia, he suicide baits her and let’s her go through with it (someone else stops her, Bellamy makes no move to), and then he leaves her to die with a lovely extra “My sister is dead” for the road.

7.) Octavia spends most of season 6 groveling and trying to “earn” back Bellamy’s love and we see clearly that “earning” Bellamy’s love means being utterly powerless and subservient. Bellamy loved Octavia when she was a captive little girl but suddenly he can’t produce an ounce of human decency towards her? And don’t give me some “but she’s Blodreina” like Mr. Nazi has any room to judge Octavia for becoming a dictator out of desperation when she didn’t know what else to do and she was forced in a very, very difficult leadership position that she never wanted and all of humanity relied on.

My point is basically that Bellamy’s love is conditional, he holds it over Octavia’s head like a fucking dog treat. He wants “his sister” back but what does that mean? He wants back the scared little girl who couldn’t leave one room and was entirely dependent on him. It’s Octavia having autonomy that Bellamy hates, not her being “evil” because Bellamy is 500x as evil as Octavia and I will die on that hill. You’re telling me that Bellamy of all people is soooo upset that his sister was forced to kill some people in the context of war and keeping humanity alive? As if Bellamy isn’t a mass murderer who has killed way more people for way less. Give me a fucking break. “Octavia is dead” because Bellamy’s victim is dead and he can’t handle that.

But, please, do tell me again how two isolated incidents over six years apart from each other that are both the direct consequences of Bellamy’s autonomous choices make Octavia “eMoTiOnAllY AbUsIvE tO pOoR WitTlE BeLl”.

[gwydionae]

The One Behind the Curtain

Who is behind the TVA, and what is Renslayer's deal? These are two questions I have seen and heard a lot of people asking before the finale episode, and I, like everyone else, have got some thoughts on both.

Let's start with Renslayer. We know she is working with someone other than Mobius based on the various trophies he doesn't recognize (note: even a variant Mobius would count as "someone other than Mobius" in this case, just to be clear). On top of that, she obviously knows more than the average TVA worker as she knew about them all being variants and that pruned individuals don't actually die. She also didn't seem too surprised at the fact that the Time Keepers were androids and claims she wants to find out who is really behind the TVA. This seems to be genuine. She did state as much to Sylvie, but the fact that she then talked with Miss Minutes alone, asking for the files from the beginning of the TVA in order to protect the people responsible for creating it, is what really implies that this is true. If she did already know their identities, there would be no reason to keep up the act with only Miss Minutes around to hear.

So what is her goal? I don't think she wants to destroy the TVA like Sylvie otherwise she'd actually try and work with her. Instead she is keeping everything running as she's supposed to, claiming the TVA "needs stability" to Hunter B-15. But she wants the answer to who's behind it all for some reason, and my guess is that she's trying to find out the information for someone else, someone she's working for. Perhaps someone who brings her snow globes and pens. If I had to guess, she was sent on this mission by someone who knew of the TVA and wanted to rule in place of whoever is currently running it. Maybe they knew that variants were taken as workers, having her do something to get taken in. And even if she may have forgotten for a time (as Mobius and B-15 forgot their past lives), knowing that everyone is a variant would imply that she knows about her own past now, and she remembers what she's supposed to do. And with all this time having built herself up as a trusted worker, she is now making her move.

Maybe that's even why Sylvie was able to get away from her so easily as a child. Maybe she allowed her to, hoping that Sylvie could be the catalyst to her own plan someday. It could explain why Renslayer seemed so hesitant to send Mobius to Roxxcart to stop Sylvie and the real reason she was kept alive after being caught on Lamentis-1 to instead be executed in front of the Time Keepers, a fact both Sylvie and Loki find strange.

Speaking of Mobius, her conversations with him, especially in episode 4, feel off, and not just because he is starting to have doubts. Her reaction to having him pruned is that of genuine loss, so I believe that she was indeed trying to protect Mobius from finding out the truth, or at least from finding it out in a way that would turn him against her. She asks him about where he would go if he could go anywhere, and he states that he likes being there with her, doing the work. And then when she goes on her speech about how their friendship is uncommon, she focuses in on fighting to keep their relationship, only very quickly at the end adding a line about the importance of the Sacred Timeline. I think this shows that she does genuinely see the two of them as friends and wants him on her side, the Sacred Timeline more of an afterthought. I believe this is the reason that he gets invited to oversee Loki and Sylvie's pruning. I think she wants Sylvie to expose the false Time Keepers, and she wants Mobius to be there to witness it with her so that he can join her in her secret mission, sparing him from whatever fate may befall him otherwise. Mobius finding out the truth from Loki and siding with him, however, puts an end to all of that.

There is also one other character that Renslayer has some interactions with that I find strange - Miss Minutes. First, Miss Minutes is the one to offer up the lie about the void ship when Sylvie says that she has no more need for Renslayer. Renslayer doesn't instantly try to talk her way out of it, but Miss Minutes does, lying and buying them time until the Minutemen arrive. This makes me wonder if Miss Minutes suspects that Renslayer does know of a way to get past the void and didn't want her to be intimidated into giving up such information. After all, it would be strange if the only way to get past Alioth was by going to the void and enchanting him. My second point stems from this, and that's Miss Minutes' reaction to Renslayer asking for all the files on the founding of the TVA after talking with Hunter B-15. She doesn't immediately go to find the files, instead simply stating that it's a "mighty tall order". Renslayer is the top of the TVA workforce food chain - if Miss Minutes is hesitating to give her information, it seems likely that it's because she doesn't trust her. I'll talk about this a bit more later, but this seems to support the idea that Renslayer is hiding something from the TVA itself.

With all that said about Renslayer, let's look at the question of who is behind the TVA.  There are two theories that seem the most prevalent: 1.) another version of Loki and 2.) Kang. As Kang has connections to Renslayer in the comics, let's start there. I don't know anything about Kang personally, but I have heard a lot about him from the comic-reading fans watching this show. And, yeah, it does seem like there are a lot of Kang connections, not to mention the fact that he's confirmed the villain of the next Ant-Man movie. So why DON'T I think it's Kang?

Well, for one, all of these connections are things that people who haven't read the comics would never have caught on their own. Had I not heard all the theories about him, I would never be able to look back on the season and notice the solely comic-based breadcrumbs hinting at his inclusion. And that's not good storytelling. Introducing someone as important as him in episode 6 would just be jarring at this point.

But saying all that, I do think all of those tie-ins are there on purpose. I believe that Kang does have a role in the series, but it's less "main villain" and more "ominous shadow", and rather than Kang himself, we will deal with the one living in that shadow. To put it simply, I think that Kang is the one who sent Renslayer to find out who is behind the TVA.

For one, Kang and Renslayer have a relationship in the comics, so it makes sense for them to have a connection here, especially since he's a confirmed upcoming entity in the MCU. For two, he is someone who wants to rule time, so it makes sense that the TVA would be in his way of that. And for three, apparently the big cloud thing, Alioth, in episode 5 actually acts as a sort of obstacle or even rival for Kang in the comics, making its use here as the "guard dog" of the true creators of the TVA feel very symbolic and purposeful, if perhaps severely toned down. So, yeah, I think that Kang wants to overthrow whoever is behind the TVA so he can rule it and therefore bend all of time to his will. So I believe that he does have connections in this series, but I don't think he is currently running the TVA. I also don't think we'd see more than maybe a glimpse of him at the very end, in perhaps a teaser à la Thanos in the first Avengers movie if anything. Instead the focus will be on Renslayer - as it was with Loki in "The Avengers". This would set him up for Ant-Man without actually ruining anything for that movie or making "Loki" a 100% necessary watch beforehand, something I don't think Marvel would want to do with their new TV show format just yet.

The other often theorized secret head of the TVA is a version of Loki. I admittedly cannot wrap my head around how this could work, especially after episode 5. If you want to argue that one similar to President Loki, for example, would probably create the TVA simply because he wants to rule all, then my only response is that we've just seen that. Why have a character like that introduced - and made fun of - right before introducing another one in the finale? How would that be satisfying to see again? Just because he'd be less silly doesn't mean he'd be any more interesting or compelling after seeing President Loki get his hand bitten off by an alligator. So going the "evil" Loki route would seem like a retread.

But going for a more "noble" version doesn't work either. Whoever is behind the TVA clearly wants all Lokis to be alone, not allowing them to ever change to be a good person. You could make the argument that this is because it makes everyone around him better, and such things are needed for the greater good, but then you have Classic Loki's story. He got pruned long after he was supposed to because he dared to want to see Thor again, after he had already served his purpose in the Sacred Timeline. What would the harm be in letting him return after Thor had done what he needed to do? It feels like the person overseeing this timeline is genuinely against Lokis having connections. Why would a "noble" version of Loki do that to other versions of himself even after Thor and the rest of the Avengers have matured to the point of being able to defeat Thanos? It just winds up feeling cruel in that instance, and that doesn't sound "noble" at all. So having a Loki be at the end of all this just doesn't seem to fit, in my opinion.

Ok, so if not Loki or Kang, then who? As I mentioned with Kang, it would be weird to just introduce someone completely new in the very last episode that hasn't even been hinted at yet. So it would have to be someone we've either met or have heard about already. I have seen speculation about Mobius or even Sylvie thrown around, but neither of these would fit what we know of the characters without a huge out-of-left-field twist (or variants of said characters, which I suppose shouldn't be ruled out, but just seems unnecessarily convoluted, but it IS Marvel, so...).

So who's left? There doesn't seem to be a lot of options to fill this role out of the people we've already met. But there IS someone running a lot of things within the TVA that we have seen several times now and I've already noted has acted a little odd. Whether as a joke or not, I have seen others throw out Miss Minutes as a possibility, and I have to say that she is the character I am currently leaning most towards.

Does that mean that I think Miss Minutes created the TVA? No, I don't. But I do think she is currently running it. I believe that someone - possibly the original Time Keepers - created her in order to help them run everything, either in case something happened to them or just simply as an extra hand. From here I believe there are two possibilities. Either the original creators died, and Miss Minutes has dutifully been carrying on their work as she was created to do, or said creators, for one reason or another, decided that the "Sacred Timeline" was a concept they no longer believed in and Miss Minutes - who was programmed specifically to uphold said timeline - decided that the creators needed to be disposed of in order to keep fulfilling her duties. Either way, without them, Miss Minutes would need help to continue her work, and so she would start employing variants for that purpose, all the time keeping up the appearance of "Time Keepers" in a very "Wizard of Oz"/man-behind-the-curtain scenario. This would mean that the identity of the original creators wouldn't be important, because the one stealing the lives of variants and employing them against their will would be Miss Minutes herself. So no one new would have to be introduced at the last minute in order for the audience to feel satisfied with the overthrowing of the TVA, Miss Minutes and Renslayer both having antagonistic parts to play.

I could obviously be very wrong on all of this. Maybe Renslayer herself wants to take over the TVA and Miss Minutes is nothing more than a cute, animated helper. Maybe it is simply another Loki variant heading the TVA. Whatever the outcome, as long as it's pulled off well, I'll be satisfied. But it's fun to theorize and see what does ultimately fit the Sacred MCU Timeline and what winds up just a heartfelt, fanmade variant.