#like of all katara's canon love interest

[marching-weirdo]

yall haru deserved better

[sokkastyles]

I do think it's interesting that both Aang and Zuko ask Sokka how to get Katara to like them at one point. Aang doesn't tell Sokka that he's asking about his sister, and gets an equally insincere response from Sokka about acting aloof to get a girl's attention.

Zuko isn't asking in a romantic context, but his intentions are much more sincere and he and Sokka have a serious conversation which Zuko uses to help Katara find closure. It's not surprising at all that this is read in a romantic context.

There's also no expectation of romantic feelings. Zuko's goal isn't to get her to love him. You can interpret it as more self-centered in that he wants her not to hate him, but what he wants is to understand her first, and to help her heal from something that he recognizes is hurting her.

This is just one example of the creators accidentally writing a better romance than the canon one, using the same tropes which almost parallel each other, but removing the romantic expectation and sexist stereotypes makes the interaction feel much more sincere and focused on the female character's feelings.

[wilcze-kudly]

Katara and the fear of loss (aka why she waited)

I think one aspect of Katara's storyline I don't see explored nearly enough the fact that she is terrified of losing others, especially those whom she cares for. This makes sense, especially looking to her background, how the death of her mother affected her and the fact that war has been a very large part of her life since she was a small child. Not to mention, she is actively a huge part of said war, along with her brother and friends, at the tender age of 14.

Now, some of you may ask "quill what the hell does Aang have to do with Katara's mother?"

Yes, on the surface, there isn't that much connecting Katara's dead, grown ass mother to Katara's alive 12 year old goofball bf but the parallels between Kya and Aang are planted even at the beginning of the show, in the first few episodes.

When Zuko and the Fire Nation attack the Southern Watertribe, they are looking for Aang, the last airbender, not dissimilar to the Southern Raiders looking for the last Southern waterbender. Furthermore, both Kya and Aang willingly give themselves up to the Fire Nation in order to protect the village, particularly Katara.

Throughout the show, we see Katara's interest and endearment towards Aang grow, and we see them create a genuine friendship. But I'd argue that Aang being the Avatar is, to some degree, a problem to their relationship. Aang's duty as the Avatar, and the risks and decisions he is faced with due to it, often create a rift between him and Katara.

Be it due to Aang's responsibilities leading him to make decisions she doesn't agree with, like in the Avatar State, where Aang feels the pressure to force the Avatar State due to the suffering of the soldiers he feels responsible for.

Or, more poignantly, in the Awakening, where Aang is once again compared to one of the parents Katara lost due to the war, though Hakoda's 'loss' was not due to death, but a need to fight. I think this also shows how much Katara values Aang not just as the Avatar, but as a person.

Katara: Aang. He just took his glider and disappeared. He has this ridiculous notion that he has to save the world alone, that it's all his responsibility. Hakoda : Maybe that's his way of being brave. Katara: It's not brave; it's selfish and stupid! We could be helping him, and I know the world needs him, but doesn't he know how much we need him, too? How can he just leave us behind? Hakoda : You're talking about me too, aren't you?

This is twice Aang has been directly paralleled to one of Katara's parents, whose repsective losses have clearly affected her greatly. This is also extremely poignant, since we've been explicitly told that Aang's love for his own lost family, the Air Nomads, was reborn into Katara. For Aang and Katara, the ways they deal with their losses influences how they pursue each other romantically.

Of course, there's also the ✨️ immediate threat of death and physical injury✨️. Aang and the rest of the Gaang, but particularly Aang is constantly being chased and tracked and endangered by the Fire Nation and he is meant to face the Firelord and defeat him. There are a lot of possibilities for something to go horrifically wrong here.

From Aang being half dead when Katara found him, then almost immediately getting kidnapped by the prince of the goddamn Fire Nation, to almost every villain of the week shenanigan, Katara already has good reason to worry for Aang.

But then the reach Ba Sing Se and things get even worse. Jet, Katara's only other canonically confirmed love interest dies, and Katara is helpless to do anything about it. This is already enough to make someone reconsider future romantic endeavours, but surely it can't get any worse, right?

Oh yeah, Aang FUCKING DIES

He gets blasted in the back with lighting, right as he enters the avatar state, right before Katara's eyes. The saviour of the world, but more importantly, her dear friend, brutally cut down before her very eyes. And Katara, a child, is the only person with even a sliver of hope of bringing him back.

So is it really any surprise that Katara, having experienced loss before multiple times over, and almosf having lost Aang himself, would be hesitant to enter a romantic relationship with someone being actively hunted by the greatest military in the world, someone obligated to take on the leader of said military?

Katara is afraid. She's afraid of opening her heart up to loving Aang and then losing him after that. This is the main reason why she hesitates in initiating her and Aang's relationship. Whenever Aang tries to brooch the subject, she brings up the war and the Firelord, but due to being a child, she struggles in communicating her exact feelings, which leaves Aang confused and of kilter. Katara often gives Aang romantic attention, and clearly feels rather possessive of him, however, she is not ready to enter a romantic relationship due to the threat of the war looming above their heads. But due to being 14, she doesn't know how to explain these feelings, which is what leads to the minor conflict between her and Aang. Because, you know, they're both children in a situation that children aren't built to deal with.

Katara : Aang, I don't know. Aang: Why don't you know? Katara : Because, we're in the middle of a war, and, we have other things to worry about. This isn't the right time.

It's important to note that Aang isn't exactly a bad person for wanting this relationship to be made tangible. He does push boundaries, and kissing Katara without her consent in the Ember Island episode is obviously a horrendous misstep (which he acknowledged), but I think you can at least understand his motives. He may soon die, after all, and he wants to love Katara and wants to express that love before he possibly loses his entire goddamn life. I think this can also be traced back to how Aang deals with the genocide of the Air Nomads and vs how Katara deals with the death of her mother.

Aang certainly blames himself for the death of the Air Nomads, although this guilt is unfounded. Perhaps part of him believes that if he'd just stayed with them, spent a little more time with Gyatso, he could've helped them. It wouldn't be a leap to imagine that Aang wanting to spend more time with those he loves, including Katara is a coping mechanism surrpunding that loss.

Now juxtapose this to Katara, who's entire encounter with Yon Rha is permeated by helplessness and fear, an 8 year old Katara being unable to do anything but run away and try to get help, sadly not in time for Kya to survive. So Katara trying to assert some control over her relationships, maintaining a certain distance to Aang while the war that robbed her of her mother is still in full swing isn't an improbable concept. She's trying to not feel that helplessness again.

(Katara probably blames herself for her mother's death too, but it has less to do with Katara's actions and more to fo with what Katara was; a waterbender, something she hasno bearing on)

This is why she initiates the kiss with Aang at the end of the show. Not because she feels the need to give in to his advances due to him being the hero of the world. Not because she's caving to his insistence or because she's pressured. But because the possibility of Aang getting fucking murked by glorified pyromancers are significantly lower than they were during the war.

This is not a 'taking one for the team bcs I feel like I have to due to Aang saving the world' type of smooch. This is a 'finally I feel safe to express my feelings' type of smooch.

To be completely honest, I don't like how Kataang was handled post day of black sun, I think it was an unnecessary addition of a redundant "will they, won't they?" aspect to the relationship. Teasing Zutara in the last few episodes was also just unnecessary, because it was obviously never a viable endgame relationship and it only served to give kid zutara shippers false hope. This is especially fucked up looking at how the same zutara fans were later mocked by the creators, which, no matter what you think if the ship, is a horrible thing to do to a bunch of teenage girls and I think has contributed to those teenage girls growing into bitter, aggressive adult zutara shippers.

But, as much as I dislike this storyline, it does make sense for Katara's character and is an interesting and touching 'silent arc' for her to have. We often see characters fall in love in the midst of a conflict, but we aren't always shown how that conflict would affect the way they look at their relationship, so I appreciate this storyline for what it was.

[thatbookgirl1118]

I cannot for the life of me find the original post (tumblr is a hellsite) but this was sent in an atla gc:

@the-badger-mole

and tbh i always kinda felt like kataang was weird exactly because of that one-sidedness??? like there's one episode of katara maybe sort-of seeing aang as a love interest (when the fortune teller tells her she'll marry a powerful bender), but then the rest of the show is her being passive in the relationship or actively pushing aang away (like their second kiss). and then at the end she just randomly decided "okay i like you i guess."

whereas aang got a bunch of pining moments and you actually believed he was in love with katara.

and most of their relationship was about how she helped aang - he did contribute to her character development over the course of the series especially as a bender of course but it didn't feel as emotionally/spiritually deep as katara's literal one episode sidequest with zuko.

but then someone else wrote "I would argue the opposite? Kataang is where Katara choose the peaceful nomad which subverts the trope presented where zutara is where she chooses the strong protector/combatant. Aang as a character is a subversion of the typical hero while zutara is like,,, coloniser romance idk"

and honestly... i kinda get that. aang was problematic in a lot of ways, but he was definitely a subversive protagonist, and i can see the power of allowing the woman to choose the pacifist vegetarian over the extremely obviously hot jock badboy. this is an incredible oversimplification of their characters of course, but the point stands.

Basically, Kataang is the ship we all logically want - the sweet, friendship-based, seemingly subversive one. But Zutara is the one that actually makes sense in the story, with these characters, not their tropes. Aang is subversive, but he and Katara are also kind of terrible for each other - he isn't mature or selfless enough for Katara, who needs someone to force her to take care of herself because she's always the one taking care of everyone else (wonder what that's like). That's why she and Zuko are so perfect, because he not only takes care of her, he makes HER prioritize herself. Aang... does not. He's pretty selfish, which yes is partially due to his immaturity (I personally don't count Korra as canon because it treated ALL the og characters terribly so I'm speaking purely from his 12 yo self), but it's also just a basic incompatibility thing. And Katara is actually equally bad for Aang - she enables him waaay too much, and he needs someone who doesn't. Who forces him to stand up on his own two feet and take responsibility. She's too much of a mother, and her relationship with Aang is too mother/older sister-ish.

With Zuko, on the other hand? Katara started out HATING him, forcing him to prove himself to her instead of handing him everything she had like she tended to do with Aang and Sokka. He had to earn her care, and as a result he appreciates it way more and demands way less of it. He's a far less selfish character generally for the same reasons, and is much more mature/has a better understanding of life and gray areas. Southern Raiders is a great example of this - he's down for whatever Katara decides because he understands that there's no one right answer, unlike Aang who simply preaches forgiveness. I'm not necessarily attacking Aang about that either - I do believe that grudges eat away at a person, and taking a life does haunt you, so forgiveness isn't necessarily bad advice. But it's not what Katara needed. Aang is great as a friend, but I don't think he's what Katara needs from a romantic partner. Zuko just... is.

[theofficialpresidentofmars]

zuko and katara have genuinely SUCH an interesting dynamic and relationship to explore when you don’t have a bitch in your ear trying to tell you they should kiss.

like there’s nothing objectively wrong with shipping zut4ra but i CANNOT find any proper duo content of them that isn’t romantic or romantically implied and it annoys me. no i don’t think they would work. no i don’t think Katara would give up her man for that guy of all people. no I don’t think Zuko would be romantically interested in Katara. yes i do think that reducing all of their feelings towards each other into ‘romance’ oversimplifies and undermines the depth of the platonic relationship that they actually do have in established canon. yes whatever I’m sure there’s something sweet about a boy trying to get a girl to forgive him by helping her get revenge on the guy that killed her mom but don’t you think that it’s actually much more profound if there are no romantic ulterior motives whatsoever and it’s actually just a demonstration of the lengths Zuko will go to because he cares deeply about his friends and their feelings and what they think about him and he wants Katara to like him and he’s genuinely sorry that he broke her trust by warming up to her slightly before betraying them and to make sure she knows that he was being sincere and he actually was touched by what she said he tries to find a way for her to heal a wound that he knows tears her apart and it’s a wound he wishes he could heal in himself. and he does it because he’s trying to earn her forgiveness, not her love. he’s trying to earn himself the right to look her in the eye, not to hold her hand. he’s trying to amend for the mistakes of his people for nothing but the better of others.

and when Katara offers to heal him in the cave, it’s not because she’s fallen head over heels at all, or even in the slightest. she’s the first to see the light in him, and she sees a boy who’s been hurt by the fire nation in a similar way to her. she recognises that if she can convince him to come with her now, the gaang is up by a firebending teacher and a friend at best, and down an enemy at least at worst. for a moment she sees him for who he is and what he’s been through and it’s not because she likes him. the thought doesn’t even cross her mind, it’s just in her nature as a person to be caring and understanding and she has the help she can tell he needs, so she extends a hand.

and when they face Azula together? Katara was the first to reach out when it was almost the right time, and she’s the one who’ll be there to help him see it through. When he takes a bolt for her, isn’t it more profound that he jumps in front of the bolt not out of romantic love, but because Zuko is the kind of person who would put himself in mortal danger for anyone he cared about? Because his heart’s too big and because he’s seen those he love get hurt too many times to stand there and let them take it?

anyway I’ve spent too much of this post refuting romance but not actually expressing what it is i do like about their platonic dynamic but it’s late and i don’t have the words. so i’ll just say it’s such in that it would be really funny if Zuko instead dated Katara’s brother. and they yap together and she gives him a list of interests and he tells her embarrassing date stories. they also yap a lot about Aang because like. Zuko’s bff and Katara’s bf he’d probably come up a lot. also Maiko’s platonic shit-talking exes/close friends dynamic solos their romantic dynamic but that’s a discussion for another day ^-^

ship name censored because I don’t intend for any negativity to actually intrude upon certain shipping spaces lmao. i’m rarely opinionated but i don’t really care tbh i just wish there was more platonic stuff out there or i saw less romantic stuff el oh el

[cobraonthecob]

one of the reasons why i love zutara so much is that it forces me to think about how it will affect the world. we know katara cares for the entirety of the world, and i think that's such an interesting concept to play with, but there's also the heavy topics of having to undo all the imperialism, racism, and colonialism that comes with the fire nation

zuko would also be a wonderful partner and he would stay be her side, and that's also why it appeals to me so much. zuko is not going to leave her when times get tough, and i feel like the only reason why they might break up is if the fire nation is unable to let go of their bigotry (which is why i personally don't write katara and zuko getting together until years after the war, because zuko would already be bearing the brunt of undoing all the ideals his forefathers installed so that it doesn't all fall on katara)

and because many zk fans don't like the canon ships, that's often their first steps into examining atla as a whole. being able to criticize a show is a wonderful thing, and we should be allowed to criticize the show even through a zk lens

[ecoterrorist-katara]

Ka/taang: friends-to-lovers or the Friend Zone?

It’s almost axiomatic, in any ATLA shipping discussion, that Ka/taang is the friends-to-lovers ship while Zutara is the enemies-to-lovers ship, and that differences in shipping tastes can be boiled down to whether you prefer FTL or ETL.

My first ship was Percabeth. My biggest ship was Klaine. It took me until Mockingjay to let go of my Gale-and-Katniss-are-childhood-friends rose-tinted goggles and start liking Everlark. I started dabbling in ETL because of Zutara, but I’m incredibly picky about it (do not ask me how many Dramione fanfics made me irrationally, disproportionately mad).

All this to say: as a longtime friends-to-lovers enthusiast, I should theoretically love Ka/taang. But…

My difficulty with Ka/taang as a friends-to-lovers ship boils down to this: Aang and Katara’s friendship was always narratively framed as insufficient, because Aang liked her from the start and always wanted a romantic relationship. And imo that dynamic really colours their entire friendship.

I like to think Aang would’ve been a ride-or-die friend — the type to give up the Avatar State to rescue her, the type to commit ecoterrorism and help her get arrested, the type to make her a flower necklace to cheer her up — even if he didn’t have a crush on her, but I will never know that. We never got to see the pure friendship part of friends-to-lovers, because the spectre of the romantic relationship was always there. Before the last five minutes of the show, Katara’s feelings for Aang range from “plausibly interested” (The Headband, Cave of Two Lovers) to “doesn’t hate it” (Day of the Black Sun, The Fortuneteller) to “no” (Ember Island Players). Yet Katara’s eventual capitulation to reciprocation of Aang’s feelings was always depicted as inevitable, starting from s1 when the prisoners during Avatar Day reassured him that she’d “come around” because he’s a catch. It’s as if friendship, even one full of devotion and mutual love like the one they share, is not enough.

And that’s just totally antithetical to what I love about a friends-to-lovers dynamic. I love romances where characters value each other outside of attraction, when they see each other for who they are (this goes double for pretty characters like Katara, whose complexity and imperfections are just as important as her beauty and her care for others). I love the idiots in love sub-trope, where they’re obviously into each other, yet do a bunch of mental gymnastics to remain in comfortable denial (we got a little bit of this earlier in the series, but by s3 we were firmly in Aang-pines-and-Katara-deflects territory). In every friends-to-lovers story I’m simply obsessed with the confess-and-kiss scene, but the version we got in ATLA was ruined by the lack of reciprocation, twice.

Over time, because Aang was written as so insistent about his affections, Ka/taang went from a friends-to-lovers story to a Nice Guy Friend Zone “why doesn’t she like me” story. I mentioned Everlark earlier: I got the same ick for Gale in Mockingjay as I did for Aang in s3, where the woman is not interested yet he still badgers her about it. (And considering Gale is canonically hot, I don’t think the relative attractiveness of Aang is the issue here). But Gale’s insistence was presented as his problem, his lack of empathy, his self-righteousness; Aang’s insistence was just a part of his quest to get the girl.

A lot of people say Zutara is a female fantasy, whether they mean it in a positive or pejorative way. Nobody says the same about Ka/taang, even though women definitely have friends-to-lovers fantasies too. A good friends-to-lovers story reminds me of all the times when I was an idiot before getting together with a friend I was actually head-over-heels for. Ka/taang reminds me of all the times when I was not interested in a friend and they didn’t respect my preference. Friends-to-lovers is a delicate balance, maintained only by unerring mutual respect and unconditional care for each other, and it can veer into Nice Guyism if the writers aren’t thoughtful about why this dynamic is so appealing. Which is exactly what happened with Ka/taang.

[zvtara-was-never-canon]

I'm not one to police how "dark" people should make their fan content, or to act like there's something morally wrong with making a character go through hardship or with having a kink, but man, there sure is a noticeable pattern in how zutarians imagine Katara.

Every attempt to "empower" her always comes with some for of humiliation, violence, trauma or loss of identity.

No one is allowed to love her and treat her well. Not her dad, not her brother, not her friends, not her canon love interest. She needs to be just babysitter/cinderella to them. She needs to be made to feel lonely, isolated, disregarded and unloved until Zuko shows up to the rescue.

Gone is her strong connection to her tribe, that made her want to honor it even when she was traveling the world like she dreamed of. Instead she'll long to be part of the nation that almost erased her culture, commited genocide against her people and killed her mother. Gone is her right to be mad at them for it, even though she canonically always stops herself from letting that anger cross the line into blind hatred.

Instead SHE is the one who needs to learn a lesson on "not judging people just because they're different", and making them learn basic empathy towards someone they see as "other" is no longer on them, or on the guy that literally stepped up for that role of his own free will. Nope, that burden should be on Katara's shoulders instead. It's her job to convince the racists that she is, in fact, a human being and deserves to be treated like one.

And she should always be wearing red instead of the colors of her tribe, her children should grow up in the Fire Nation palace, preparing to inherit that throne (aka their father's legacy), and any waterbender she gives birth to will absolutely be taught bloodbending as that is supposedly Katara's legacy - even though she never wanted to learn it and refuses to use it 9 times out of 10 because she finds it immoral AND it is a source of trauma for her, as it was used by a predatory adult to violate her body.

She should not be "Just the Avatar's girl" and "Aang's reward" (even though she was always her own damn self before anything and their romance was a "reward" to both of them), but instead should be just the Fire Lady - after all, in their eyes, Zuko "deserves her more" and that's somehow Not The Same.

Gone is her right to remain a kind, compassionate soul. Instead she needs to let anger consume her and push her to do things she finds morally wrong, like murder or bloodbending, because she needs to hate pacifism so she can hate Aang by proxy.

In fact, Aang should be made to be the REAL source of oppression and violence in her life (combined with her tribe and family of course).

Compassion should no longer be something they both believe in, it should be an idea Aang tries to force into her head. The scars on her hands after he accidentally burns her should be permanent, not healed by Katara herself, to make her more of a victim (with "parallels" to Zuko) and Aang more of a bastard. Aang not wanting to let go of her should be a result of obsession and entitlement, not a combination of his own trauma, the natural desire to be with those he cares about, and the very explicit fact that Katara did not want to be let go of (see her reaction to him leaving in The Awakening).

And more importantly, Aang horribly failing to read the room and kissing her when she didn't want to be kissed, and immediately chastising himself for it because he meant no harm, should be turned into him full on forcing himself on her, preferably more than once. The more traumatizing the better, so Zuko looks like even more of a hero when he saves her.

But that is not say that he needs to be a perfect gentleman when rescuing her, oh no. It's totally fine if what "frees" Katara from the "burdens" that are her family, friends and culture is being taken to the Fire Nation against her will, especially if she's not just a regular prisoner, but instead made to forcibly marry Zuko - or be his sex slave. It's totally fine is this "rescue" involves her being beaten into submission and assaulted until she learns to like it. It's for her own good. It's "feminist" when Zuko does it to her. It's only abuse when Aang does it.

And obviously any anger she has ever felt towards Zuko, even when he sent an assassin after her group, is really just her being "mad at herself" because, secretly, she TOTALLY wants him to do exactly that.

Truly the perfect way to "empower" a character. Mutilate them until they fit in the box you designed for them - and then call people "fake fans" who just "don't understand or care about the character" when they say they liked the original version way more.

Zutarians really shot themselves in the foot with that "holier than thou" attitude. It's IMPOSSIBLE to take their version of "respecting Katara's character" seriously.

[five-flavor-soup]

i genuinely, really like aang, but keeping his writing in book 3 and his writing in the comics in mind, i don’t think it’s all that implausible for him to get the sort-of-antagonist role in fics depicting katara-ships other than KA.

reiterating, i like aang: he’s adorable, he’s funny, and he’s nice. but i believe there’s something to be said about how his ‘niceness’ is written and seen as being The Reason he ‘deserves’ a love interest. his thinking is self-centred, and though that’s a believable flaw for a kid who’s, like, twelve, we’re shown that it’s a consistent character trait which is never treated as an issue… even though it is. (and if he’s mature enough to start dating the girl he’s going to marry and have children with, he should also be mature enough to be criticised for his less-than-savoury parts of his personality, no?)

it’s not OOC to write him as being possessive of katara even when they’re not dating, because he canonically is. it’s not OOC to write him as not respecting and/or noticing katara’s boundaries, because he canonically blows past them. the ideas that he might not mature much later on, that he might be wilfully and forcefully oblivious to any discomfort in the KA relationship, that he might continue shoving katara(‘s culture) aside—none of that is necessarily OOC, because aang does not go through significant character development in book 3 + the comics.

in The Promise, there’s that weird moment wherein aang is briefly anti-miscegenation and doesn’t change his mind until katara reminds him supporting that would affect him (him!!! his relationship with katara alone!!) personally. in TLOK, there’s the suggestion that aang never actively pushed for bumi & kya to learn about air nomad culture and there’s the heavy implication that aang never told the air acolytes about bumi & kya’s existence. additionally, tenzin doesn’t even have a hint of water tribe heritage anywhere in his house to honour katara’s side: he’s all air nomad (though?? nuclear family dynamic), in spite of being mixed.

don’t get me wrong, i vastly prefer fic and hc’s in which aang is a katara supporter first and foremost, and that’s also how i prefer to move through a fandom space barring meta and analyses. but i also don’t think making him jealous and petty when she dates someone else is a misinterpretation of the text we’ve been given; canon!aang shows the signs to become that way, and it’s not wrong to read his future self that way nor is it incorrect fandom-ing to highlight these traits

[demaparbat-hp]

Hi Dema!! Your art is fantastic and even the lineart is awesome! Solid and confident in where it's thick and where thin. I really like how your style has characters look more realistic and they have specific consistent features. Your blog has a pleasant atmosphere, and you're skilled in weaving AUs! There's a lot of details and structure, and I'd like to ask if any of them have a full story arc? Could you do a list of all of the AUs? Is there a motif that you especially like that repeats in any of the AUs? And whenever you add comments to my stuff in the tags I literally smile, it makes me want to keep at my plan to create everything I have in mind. So I'd like to spread this joy! I hope you have a nice day! (from late-draft ^^)

Hello, Late-Draft! I wasn't expecting this ask at all but I'm so glad to have received it!

First of all—I'll try to hold myself back from giggling like a schoolgirl. I'm having a sempai noticed me moment over here and that's just embarrassing. So give me a second to compose myself, if that's alright?

Okay, I'm back.

Now, on to business.

Character design, especially when it comes to facial features and how they're unique to each person, has always been a passion of mine. I always try to have a solid design for each character. I choose which features feel like the character in question, which face feels natural to draw, and go along with it. I love drawing Katara as much as I love drawing Zuko. Meanwhile, I seem to be on a never-ending battle against Sokka's features. Woes of an artist, I suppose.

Character design is actually one of the reasons I love your work so much, in case you hadn't noticed. I'm currently experimenting a bit with a different style... Hopefully it won't be long before the artwork is done and I can share it over here. I'm so excited for everyone to see it!

Now it's time for the reason we're all here.

I have said it before and shall say it once more: AUs are my lifeblood.

I love them so much! Building them, daydreaming the scenes, thinking of the characters and how they differ from their canon versions. The arcs and the themes and the worldbuilding. Building AUs is my passion, and I have so many of them!

There are a lot of motifs and themes that tend to repeat themselves in several of my AUs, I believe.

You'll notice that most of my stories are Zuko-centric, with a heavy emphasis on grief and humanity. There's the question of what makes us human and how to move forward when the whole world seems to push you back. I put a lot of stock in metaphors and symbolism within the narrative itself. I'm especially interested in the nuance of war and how it affects people emotionally, physically, and psychologically

I also tend to reutilize some elements of the lore and/or worldbuilding! Such as the Painted Lady's backstory, or the existence of War Children within the ATLA universe.

Now, the list!

I think I'll start with my current project, if that's okay :)

For the Spirits (New Gods AU)

Zuko was a child when he met Agni. Then, the spirits started coming to him. Eyes hidden in the hallways, voices pleading for help, for recognition, for remembrance.

Zuko could see Agni. He could see the broken remains of a Great Spirit and the empty smiles of amnesiac ghosts.

And they could see him in return.

I've been working on this AU for a long time, but only now did I get the chance to start writing the fic (linked up there!). I'm extremely excited about FTS and where the story will lead us in the future, but I'll try not to spoil too much.

It's a Zuko-centric story, with a heavy emphasis on Spirits and humanity. I'd like to add a warning for depression/mental health issues.

To Hesitate (Lee & Kya AU)

As she watches Lee and Kya avoid each other's eyes from across the room, the phrase comes back to her, swift and silent:

"To hesitate is to lose."

.

As Song treats the victim of an unfortunate interaction with a rare poisonous flower, her day takes an unexpected turn when it becomes apparent that the old man's nephew and her assistant have history.

A vivid history.

The Lee & Kya AU is a vibe, a feeling. It's probably one of my oldest AUs out there as well as one of my dearest.

A classical Lee and Kya From The Tea Shop AU, full with wholesome fandom tropes such as: fake (but not really) dating, fake identities, Ba Sing Se shenanigans, vigilante stuff, White Lotus missions, Iroh is a great Uncle, Zuko is an awkward turtleduck, and, of course, the fluffiest fluff you'll ever see.

Other than that, Lee & Kya is probably one of the less plot-focused AUs I have. However, that doesn't mean that there aren't scenes I can't wait to write or a canon divergence or two where Zuko is concerned.

(I have another fic posted but I'll leave that one to the end. You asked for a full story arc and, oh boy, does Soundless deliver.)

Kintsugi AU

Closer to being canon-adjacent than canon-divergent, Kintsugi is yet another Zuko-centric AU (and are we not noticing a pattern over here?).

I'd love to explain it in depth, but I believe the caption of the artwork linked above does a better job at explaining than I ever will.

Kintsugi is the art of decorating your scars with pieces of Agni.

In the Fire Nation, the amount of golden marks are a sign of status. Only the Royal Family can afford to seal every single wound with Kintsugi. Such is the weight of this tradition that, among the ones with Agni's blood, it is the highest mark of dishonor to have a natural scar, for it proves you aren't worthy of the privilege.

After the Agni Kai, Ozai forbid Zuko's scar to be sealed with Kintsugi. The boy wasn't worth his title, his traditions or his pride. Zuko would be broken, but he wouldn't be beautiful. Not anymore.

(And sometimes it's easier to pretend he never was)

Kyoshi Warriors AU

One of my absolute favorites!

In this AU, Ursa took Zuko and Azula with her when she was banished, so they could start anew. With help from Iroh and the White Lotus, she managed to relocate her freshly burned eight-year-old child and her crying daughter to Kyoshi Island.

Years later, when Avatar Aang and his companions first arrive at Kyoshi Island, they're met by the Kyoshi Warriors and their leader, Noriko of pale skin and warm brown eyes.

The Gaang leave Kyoshi Island many weeks later with a new companion. And if Jian Li, with his war paint and his scar and his dual dao, gives the island that he has called home for so long one final, longing glance as they fly away on Appa, they pretend not to notice.

Hunters AU

We're starting to dwelve deep into dangerous waters!

This is a Katara Joins Zuko In His Quest To Find The Avatar AU, with a twist!

This AU was born as a writing experiment. What if we take Katara's character, and change one of her core characteristics? Katara, who looked up to the Avatar as a saviour figure, now blames him for leaving and allowing the Fire Nation to wage war on the world.

Then comes Zuko, a banished Prince with a crew full of traitors and his own agenda. Zuko wishes for nothing more than to dethrone his father and end the war. He is a White Lotus member, an honorable, driven young man, and he has a plan.

The catch? He needs to take the Avatar to his father if he wishes to regain his title and be able to rightfully take the throne. Oh, and he will deliver the Avatar to the Fire Lord—but nobody said it had to be in chains.

Halfblood AU

I watched Blue Eye Samurai a few months ago and it destroyed me. The idea of a half-blooded child dead set on getting revenge for their very existence stuck with me, and this AU was born.

Kanna made a life for herself in the Earth Kingdom after leaving the North. Katara was raised by her grandmother in a small village, being taught to hide her bending if she wanted to live peacefully in a place she was only half of. Her mother had died in childbirth. Her father, a nameless warrior from the Southern Water Tribe who had loved Kya and left her behind, didn't know of Katara's existence.

Katara took over Kanna's clinic after she passed away. Always taking care of others. Always suppressing her need to bend. Always wishing for more.

One day, he arrived. A half-child, just like her. But while she was of Water, he was a son of Agni. He was searching for the man who brought him to this world. The man who scarred him. The man whose face he couldn't recall, whose name he did not know. The man whose specter had chased his mother to her grave. The man who would die at his hand.

The answers were hidden in a small teashop deep within Ba Sing Se. Lee offered her a way out, and Katara took it.

Soundless (Uiscefhuaraithe)

Katara of the Southern Water Tribe has hands scarred by fire and great talent, though no teacher.

Zuko is a mute War Child, a herbalist and healer, and the Blue Spirit. He bears the mark of fire, and the scar of the blade that took away his voice.

The first time they met, the Blue Spirit had just saved her, tough not before her hands got burned. The second time they met, his name was Lee, and he was healing her.

They live in war and they will fight, if not for the world, then for themselves.

You asked for a full storyline, and I shall deliver!

Soundless is probably the only AU I have fully planned. Three-books, Azula redemption arc, role-reversals and all.

This AU has everything. From travelling through the Earth Kingdom together, to odd character team-ups that somehow manage to work, and a major goal/conflict to resolve.

Zuko and Katara must find their way to Omashu in an Earth Kingdom ravaged by war as they also grow to understand each other, themselves, and the world around them. They meet with new and old alliances, keep their ears open for rumors of the Avatar (They say he is an airbender, Lee. Do you truly belive that?), and do their best to always be two steps ahead of their pasts.

Meanwhile, both the Northern and Southern Water Tribes are searching for the runaway heiress, Aang must find his way alone on this new, hostile world, and Azula must face the revelation that, despite what her father has stated for the last two years (liar, he lied at her! Her! He lied he liedliedliedlied), her brother might just be alive.

I'm sorry for making this such a long answer! I just get very excited about these subjects and don't know when to stop. If you made it all the way down here: thank you again.

I hope you have a good day ❤️

[forevermore05]

Zuko and his protectiveness over Katara backfired on the show

I think we're all quite aware of the fact that Zuko is canonically very protective over Katara

Exhibit A

When he saves Katara from falling rubble in the Western air temple.

Exhibit B

When he protects Katara from flames in that same episode when she is about to blood bend that fire nation soldier.

Exhibit C

The famous Agni Kai where he take lightning for Katara

Now why are these so significant? I think these are big gestures are to show Zuko's efforts to make amends after what he did to Katara. It could be argued these are very extreme ways of making it up to her because these came at the cost of his life. But this also goes to show his character development, as he is willing to protect Katara from danger. For me, one of the reasons why I ship them is because of his protectiveness. It's refreshing to see a character that has always been there to help and to be a support system to others be protected by someone else. I think it can be very fulfilling as a viewer. This effort that was made to write their relationship was so genuine, and it felt so heartfelt as the viewer, that it just made their dynamic one of the strongest in the show. Whether that be romantically or just platonically, their dynamic is probably one of the best in my opinion.

Now, with all that his protectiveness towards Katara immediately evaporate after the last Agni Kai which was pretty shocking, as they didn't get time to be able to talk about what happened. I feel like it removes a piece of genuineness from the show that the characters care for each other. And of course I know a reason why this could have happened is because, well, Kataang and Maiko exist. I think what made their dynamics so strong is because of their protectiveness for one another. Especially, Zuko's protectiveness over Katara. When it was removed in the comics, it felt like a bond had been destroyed because a big part of their dynamic was protecting each other and being there for each other, and having that level of communication. They were protecting each other through their communication and through their support for one another.

How I feel like it backfired on the show is that it created a bit of an emptiness in both of the characters. Especially when they interacted, it felt more distant in the comics, and it felt as if they were strangers. Zuko's writing, which leads to him being protective over her, is so poignant in their relationship that once it is removed it creates a hole in a way it makes his character feel more hollow in his relationship with Katara. It feels like an effort to create a divide and an erasure of their past and how significant his taking lightning for her was. A show that is built of meaningful character relationships took a piece of its own heart out and of its own show and stabbed it in front of all of us when it came to the erasure of Zutara. So they could push the canon ships. They were willing to remove that important element of character relationships for 2 poorly written couples.

I think it creates a level of ingenuity in this show. That is not shocking as many of Katara's other love interests met the same fate of ingenuity, whether that be Jet or Haru. Where she's never able to show her feelings about these people. Which I find quite strange seeing how the show aims to create depth and talk about feelings that actually provoke feelings in you. They don't actually go in-depth with what the leading lady's thoughts are about other people. For all the sake of keeping the focus on Kataang it costs the good writing for Katara to be able to feel complex emotions about the other male interests in her life. And it leads to a rough ending for a strong dynamic like Zuko and Katara that shows their desperation for Kataang at the cost of good writing especially for Katara.

[maikingsenseofit]

There’s so much discourse from people who want to misconstrue Zuko and Mai’s relationship (to further their own personal shipping agendas) and how they understand Zuko’s decision to leave Mai in the fire nation.

No, he DIDNT want to leave her behind like he did the rest of the gala and glamor of the fire nation . No she did not make it easier for him to leave because he truly had no attachments to the home that spurned him.

In fact we see in CANON (not your fanfiction, sorry you have to come to this reckoning) that Mai is the one thing that ties Zuko to his old life. His one regret. His heroic sacrifice for the greater good.

The writers (The Ehasz couple mind you) literally go the extra length to include Mai when Sokka and Zuko deepen their friendship in The Boiling Rock. This was a pivotal development for Sokka and Zuko’s characters.

Sokka asks Zuko if he had anything or anyone he cared about left in the fire nation. Zuko says, “I did have a girlfriend Mai.” And when Sokka remembers her in a somewhat positive way, Zuko can’t help but smile the biggest most lovestruck smile he’s ever shown in the show. Clearly this man loved her.

Then Zuko volunteers this next piece of information without provocation, where he says “Everyone in the fire nation thinks I’m a traitor, I couldn’t drag her into it.” CLEARLY the dialogue shows that he had considered involving her but he couldn’t because he knew she would object and he wanted to protect her.

We literally see a poignant scene where he takes off all of his armor, portraying him in the rawest and most vulnerable state, when he writes her a letter (this is after he visits his mom shrine too). He takes his time writing it too. The authors deliberately used this scene to show that this wasn’t an easy decision, but it was the right decision Zuko had to make.

His dialogue “I’m sorry Mai” is a direct parallel to when Aang apologizes to Katara for his own sacrifice.

Compare that to Zuko leaving JIN or Zuko abandoning Katara in the catacombs. These supposed “love interests” are not even spared a second glance, a grimace of regret, or anything showing that Zuko truly cared about them (when they were not directly in front of him). Zuko completely forgot about why Katara was upset at him (you literally betrayed her trust) and doesn’t even remember Jin until he runs into her again in Going Home Again (thank you AE!)

Alas people will continue painting canon as they see fit and then deluding themselves into a circle jerk. But THATS where I come in.

[the-badger-mole]

@allnewalldifferentwildspider

I will say, I think it's interesting when people say that arguing that the finale and Kataang happening the way it was just giving Aang what he wanted is somehow us taking Katara's agency away. Katara was rightfully angry with Aang in her last two encounters with him. Giving her agency within that narrative would look like her actually having a conversation with Aang and telling him how she felt. I don't just mean romantically, I mean having an actual conversation where her conflict with him is laid out and resolved, like it would be in any healthy friendship, and much more a healthy romance. People can argue that they had a conversation off screen. That's fine. I will never tell anyone they can't headcanon whatever they please. It's none of my business unless they make it my business. Have so much fun. Don't even think about me or my opinions. They don't matter.

However, she never had that conversation. It's not in the show. It's not in the comics. It's not canon. The way her moment of "oh, I like him" was set up implied that she only considered him romantically because he ostensibly singlehandedly "saved the day" (he most certainly did not). There's never a moment where she gets to be vulnerable with him and have him help her carry her burden. No moment of why she might like him romantically (and also, may I add, we never see what, aside from her looks, Aang likes about Katara). Any "build up" of Kataang on her end is largely done through external circumstances and not the result of her coming to understand her feelings (this from the passionate girl who wears her heart on her sleeve for the entire series). They are also never again brought up by her- and the times it brought up by Aang in canon are disastrous (Lava Fissure Incident. EIP. Arguably DoBS). Katara never has a chance to confront Aang on his blatant disrespect of her culture, and it's never walked back- in fact, IIRC, in the comics, he supports the soft colonization of the SWT by the NWT.

I can understand why people have the headcanon that Katara and Aang had a deep conversation off-screen that resolved all their issues and gave Katara a chance to tell him she liked him and why. I think that if you ship them, you kind of have to headcanon something like that. But I do not think canon supports it. Their deep conversations center Aang and his feelings. Katara's feelings never seem to matter that much to Aang. He didn't even care that Katara and Sokka had lost their father to the Fire Nation after Hakoda sacrificed himself to save Aang's stupid behind. He wanted to go run off and play. Our hero, ladies and babies. There has to be a lot of head canoning to make Kataang work. I know because everything I hate about Aang and Kataang is canon. If I'm basing Kataang on the canon, it looks just like the glimpses we get in LoK, only with a lot less hero worship of Aang.

Don't get me wrong, all the overt romance in Zutara is pure headcanon. I recognize that and I love that for us. What's not head canon is that Zuko shows Katara a ton of support and respect in their short onscreen friendship. And at the risk of upsetting Aang's fans, I will argue Zuko showed her feelings more consideration than Aang ever did in the entire series.

[mswyrr]

Good ships, to me, are about characters who make for interesting dynamics. Canon doesn't have to go there for the dynamics to still be rich and worthwhile. In fact, most canons cannot possibly explore all potential interesting romantic dynamics. There's simply not enough space in most stories, unless they have sprawling multiverse narratives going on. The writers have to choose one direction and not others, which is where transformative works can come in.

In particular, with atla shipping, the characters are so young that there's a lot of room to explore going forward. They all have a good 50-70 years of adulthood in front of them - there's so many possibilities in all those eras of their lives! And I like all kinds of concepts.

For example, I genuinely ship widowed Katara and widower Zuko finding the joy of love again in the twilight of their lives - quietly understanding each other's losses as well as cherishing their joy together.

I like all kinds of love stories, including ones that touch on those themes of mortality and loving again in the face of loss. And I genuinely believe their characters and dynamic can take many powerful and interesting forms.

Even if we hew very closely to the canon of the two shows, the ship still has lovely angles to explore! Through transformative works all things are possible. Zutara ship vibes are impeccable to me. I've shipped it for two decades and I'm sure I'll still ship it when I am as old as Katara and Zuko above (if I'm lucky enough to reach my 80s!).

[quietmonologues]

So. I hate shipping discourse and I try to keep it off my blog nowadays. I also don't consider myself a part of the fandom. But, I find discussions about this series particularly engaging and interesting, and Elucien do have me in a bit of a chokehold these days so I feel the need to get this off my chest and put this out into the world.

A common question I see is "why do people ship Elucien? They don't even like each other". And to that, I say this:

What about it? This is why shipping discourse in this fandom (and in general) is so ridiculous, because why is there confusion as to why people ship Elain and Lucien together? SJM literally wrote them as a potential pairing, that's why she made them mates. Pairing = shipping. It's not rocket science.

Two characters not liking each other is never gonna be a deterrent for them becoming canon or for people liking them as a ship. That's why enemies to lovers is such a popular trope. However way you define enemies (on opposite sides of a war like Zuko and Katara, or thinking ill of one another based on misunderstandings and assumptions like Darcy and Elizabeth), when it's done well, the story of two characters changing their opinion about each other, getting to know each other on a deeper level, and growing to love each other after their initial discomfort/hatred/loathing/indifference is a compelling story. It's about the journey, the development, and overcoming all the hurdles and bumps that are in their way.

Another reason for why the "they dislike each other" argument is so weak is because you literally have two other canon couples in this same series who had very rough starts. No matter how you feel about these two pairings, it's blatantly clear that Rhys and Cassian did put Feyre and Nesta in uncomfortable situations and have hurt them (physically/emotionally). But clearly, that was not a deterrent for them getting together in the end. So why the heck are Lucien and Elain different? Why is "Elain is so uncomfortable around Lucien" a continuous argument? It's so hypocritical given the fact that Lucien is the only guy that isn't forcing himself upon his mate.

Also, I'm sorry but some people (me...I'm some people) are tired of the "dark, battle-born, winged-warrior brother" and "previously human, traumatized archeron sister" pairing. Elain and Lucien are both associated with nature, they're both social and like interacting with people, they both experienced a deep love previously, they both abhor violence, they are both overlooked by others yet have the ability to see what others can't. They are a compatible pairing to me because they share many characteristics that are harmonious and complementary. They are the anti-thesis of Night Court aesthetics and thought, and if they ever have a book together then I can only hope it's the best one in the series.

And yes, the "Elain needs sunshine" and "Lucien is the heir to the Day Court" connection is important, my goodness. That's what symbolism is!

Sometimes it's that simple.

Okay, that's enough shipping discourse from me.

[firelxdykatara]

I too ship Zutara and think they should have been canon. Although for me it's important to know how such a rewrite would go down. I tried to think, and I'm lost.

After Mai betrayed Azula for him, will he just go "sorry, not interested"? He isn't obligated to date her because of this, but her redemption hinges on Zuko and I don't see it being satisfying if he ends up rejecting her after this.

I thought the solution would be to rewrite her arc in boiling rock to make her have a moral realization, but then the problem with Maiko is practically solved. Their relationship wasn't salvaged by her redemption because last time they talked, Mai still didn't understand what's wrong with the Fire Nation and only changed because she loved Zuko. So how do you make it both satisfying & logical?

With Kataang the problem is the Chakras. The problem with the original (in my opinion) is that after he opened his chakra, letting go of his attachment to Katara, he's still attached (forcing a kiss on eip). Should TCoD get rewritten so that Azula shoots him before he opens it? Then why wouldn't he just open it later? Maybe the chakra would be locked so he feels as though he doesn't need to overcome his attachment just yet. In that situation, how would his chakra even unlock? The stone thing felt like nonsense, so how would I do it?

So yeah I have no idea how to approach this. How would you? (Thanks)

I've been rotating this ask in the back of my head like a rotisserie chicken for a few days--it's interesting because I don't generally stop to think like, how would I write them out of these relationships, I either ignore the relationships completely (which isn't hard, they were barely footnotes in the cartoon) or play a little bit with jealous exes or something. Thinking about like, In A Perfect World where Bryke wasn't in charge of ATLA post-canon (because if zutara had been canon, you can be sure they would've made us regret it) is interesting, and I do have thoughts on how I'd handle their relationships in a rewrite.

(this got long, so the rest is beneath the cut)

Assuming you mostly want to keep canon intact, I think maiko would be the easiest to work around, given how little relevance their relationship has in canon. The problem with maiko as an endgame ship is that it was not set up that way--if it had been, it would not have begun entirely off-screen and their whole relationship would not have been a study in misery and utter inability to connect emotionally. His relationship with Mai was there to showcase just how much he had changed and how little he fit into the life he had been so sure he wanted more than anything since his banishment. It worked very well to highlight Zuko's growth--how that contrasted to Mai's lack of it and why she could not understand him even at his most open and vulnerable--and did not work nearly so well when she was shoved back with him in the epilogue, after he'd quite literally forgotten her existence (he never mentions her again after Boiling Rock, not even to say a word of mourning, considering he'd have every reason to believe she was killed for defying his sister).

I don't think you can fix this by giving Mai some moral realization, because there simply is no room for it. As @araeph says in the essay I linked:

As a character, Mai is very useful to the story during Zuko’s return, because she represents everything that Zuko gains by sticking by his father. A girl who cares about him; the ability to indulge her; the authority he has over others at the palace; we see it all in his interactions with Mai. But this makes Mai a tether to a life he has long outgrown. Her function is not to advance Zuko’s character development, but to obstruct it, which also unfortunately means that Mai gaining a full understanding of Zuko’s trials would be disadvantageous to the story. If she knew everything about him and still wanted him to stay, it would give Zuko more cause than he should have to remain in the Fire Nation, but if she knew and encouraged him to leave and join the Avatar, it would rob Zuko of the triumph of making this decision on his own. In other words, there are good narrative reasons for keeping Mai in the dark; it just doesn’t make their relationship any stronger.

The seeds of a genuine redemption arc (one that includes some sort of moral realization and change to her moral framework) for Mai would have to have been planted far earlier than five episodes from the end of the series, but doing so would have of necessity detracted from Zuko's own character arc and the realizations that he makes despite his attachment to Mai (or more specifically to their relationship, which I feel like he was clinging to more out of a sense of abject loneliness he couldn't shake rather than genuine feelings and emotional connection).

So, in my mind, since we're tackling this with an eye towards getting rid of maiko with the fewest ripples to the overall story anyway, the easiest way to do this would be make one slight change to the end of the Boiling Rock two-parter--have Ty Lee (who had always been the least gung-ho of the trio about bowing to Azula's whims and had to be textually threatened into joining her in the first place) save Zuko's life, and then have Mai (who showed the most genuine affection for Ty Lee anyway) save Ty Lee. I love Zuko more than I fear you always fell flat for me as some epic declaration of love, anyway, since a) Zuko is not around to hear it, and b) unlike Ty Lee, she never showed much fear of Azula to begin with, so it wasn't a very high bar to clear. It was a cool line that was entirely unearned, and I don't think it would be missed, there would be some cute mailee crumbs this way, and a throwaway line of getting them released from the prison after the war ended could wrap up their presence in the story pretty nicely.

Now, kataang is a little trickier, if only because the last leg of Aang's character arc is almost completely derailed by his refusal to let go of his possessive attachment to Katara, to the point where he never naturally reopens his chakras, he has to have the Rock of Destiny hit him in just the right place, and the deus ex lionturtle there to give him a way out of having to make a hard moral choice. (I've maintained for years that if you work the final act of your main character's overall arc in such a way that it could have been solved by one good session with a chiropractor, something got fucked along the way.)

The thing about Aang's chakras is that, narratively, his whole thing with Guru Pathik and leaving his training early to save his friends was basically his version of Luke running away from his training with Yoda on Degobah because of his Force vision, only to find out that his friends were in the process of rescuing themselves and then losing his hand because he hadn't completed the most crucial part of his training. What's missing, therefore, from the last act of Aang's character arc, is the return.

See, in Star Wars, Luke pretty explicitly makes the wrong choice when he chooses to prioritize saving his friends over attaining enlightenment and fully mastering the Force. It was the only choice he could have made, but it was still the wrong one--because, like Aang, his friends did not actually need him to save them, he actually almost makes it harder for them to get away by requiring them to save him because, like Aang, he loses a battle in a very critical way. This was a lesson he desperately needed to learn, and it is clear he has learned it by the time he makes it back to Degobah and witnesses the end of Yoda's life, his own enlightenment having already been reached.

But Aang never goes back to the Guru.

And the text refuses to allow us to sit with the fact that he made the wrong choice in prioritizing his attachment to Katara over his ability to master the Avatar State. He is actually narratively vindicated about it, because the plot bends itself into a pretzel so that he doesn't have to spend any time during the last book trying to reopen his chakras and regain access to the Avatar State, handed both in the final battle with no excess effort on his part, and handed the girl into the bargain. (The girl who never even wanted him, so far as we can tell from all the lack of cues she gave him that she actually returned his feelings.)

And I think this could have been solved with a few scattered scenes. Let Katara actually have some agency in her own romantic relationship (or lack thereof), insofar as noticing Aang's advances and clueing the audience in to how she actually feels. Let Aang struggle with the fact that he can't reach the Avatar State, that his mastery of the elements is in limbo because he can't access his full power, rather than ignoring all of this until the end of the show. If we're trying to keep the shape of the last season roughly the same, let Katara confront Aang about the invasion kiss.

This would have been the perfect time to establish that Katara actually does feel some type of way about Aang prior to the epilogue, and it could have saved us from the exceedingly cringey EIP kiss that Aang never apologized for. How it comes across now, of course, is that Katara basically pretends it never even happened, to the point where she doesn't even know what Aang is talking about during EIP until he reminds her--the death knell for any shot their relationship had at looking requited, because I can tell you, as someone who's been a teenage girl, if someone I had conflicted but burgeoning romantic feelings for had kissed me, I would not have completely forgotten about it only a few weeks later--and we never get any indication as to what she actually felt about the kiss (which was not mutual, despite what Aang's dialogue in the EIP scene implies) except for the fact that she looked away and frowned afterwards. (A change mandated by Bryke, who wanted to leave her feelings completely ambiguous; the original storyboards had her smiling to herself.)

So, with an eye towards wrapping up Aang's puppy love crush and establishing Katara's distinct lack of romantic feelings for him, have her talk to him about the kiss. A good frame of reference for this would be Meng's conversation with Aang in "The Fortuneteller", where she finally realizes that he doesn't like her in the same way she likes him. Katara and Aang's conversation about the invasion kiss could be a callback to this, with Aang having some important realizations--that just because Katara doesn't share his feelings doesn't mean she loves him any less, and just because he can't have her the way he wanted doesn't mean he has to love her any less, that she doesn't belong to him but that's ok, because she's still his family and they'll always have each other's backs. Which could have functioned well in helping him take another step towards unblocking his chakras. Going back to the Guru directly may not have worked, since by this point in the story we're hurtling towards the final confrontation and Sozin's Comet, but let Aang reflect on what the Guru told him with new understanding granted him by his experiences throughout the first half of the season.

To keep the stakes high and up the suspense, obviously, he shouldn't have fully unlocked his chakras and the AS before the final fight, but the seeds could be planted--little moments like a talk with Katara about the invasion kiss, maybe a little more empathy and understanding from him about why Katara needs closure in TSR, etc--and then, during the final fight, rather than hand him all the answers on a silver platter, have him almost lose. He still can't go full Avatar, he's out of time, he still doesn't know exactly what to do about Ozai given his own pacifism and desire to preserve that part of his culture--he tries to fight but he's pretty quickly overpowered. Idk how I would've animated this, and maybe it wouldn't have looked as cool for the final fight, but the true climax of the finale was the Zuko and Azula agni kai anyway, so it hardly matters--I'm picturing him doing the rock-shield thing and going into a brief meditative state, where he finally achieves the enlightenment necessary to unlock the AS on his own, no rock of chiropracty necessary. And at this point, I'd give Ozai a Disney Death, since leaving him alive causes more problems than it solves and it's not necessary for Aang to kill him for him to die--they're fighting on a mountain ffs--but if you don't want to change that part then him figuring out energy bending as part of becoming a fully realized Avatar would at least feel more earned than the lionturtle just handing it to him. (And that could've been foreshadowed better by seeding the idea for it earlier in the season.)

After all of that, particularly if you up the emotions during the agni kai and have Zuko and Katara kiss there (or something less explicitly romantic but still tender, like a brief forehead touch), it'd feel pretty natural to have a just friends ending for Aang and Katara. Maybe a brief, slightly awkward but ultimately amiable conversation if Zuko and Katara had a ~thing at their final fight, and then the final shot of the series could be the gaang all together, maybe zutara holding hands or Katara resting her head on his shoulder or something, but since they already kissed there wouldn't feel like a need to end the whole show on romance, something which I've always felt missed the point of the series.

And then, y'know, after that, the world's your oyster! This is how I'd do it if I were trying to keep the bulk of the final season intact. Of course, breaking it all down to its component pieces and rebuilding from the ground up is also an option, but that'd probably be a longer post lol.