#like metaphors and descriptive writing and stuff

[morganbritton132]

No one wants Steve and Eddie to get together more than Eddie’s creative writing class who will collectively ripping their metaphorical hair out if they have to hear another long description of a king in need of rescuing.

Well, everybody but Steve.

Steve - who is only in this class because they wouldn’t let him take personal finance three years in a row - has not pick up on who the king is based on and will openly interrupt Eddie halfway through a story to be like, “This guy again? Ugh, he sucks.”

“He doesn’t suck!”

“Uh, yeah, he does? He’s mean for no reason and like, apathetic to his knights terrorizing people,” Steve adds. “Also he’s ugly. You keep describing him and he sounds ugly. He has a big nose. No offense, Jessica. The court jester should kill him.”

“Thats the point, Harrington,” Eddie scuffs. “He could be better if his court wasn’t full of idiots.”

“Then make him better,” Steve scuffs right back. “You’re the narrator.”

“I’d love to.”

The entire class thinks, so would we.

[the-eclectic-wonderer]

5, 18 & 19 for the fanfic ask!

Hello and thank you for the questions!!

5. first sentence of the fifth paragraph of an unpublished WIP

“I have to say, Blanche,” Rose says, settling back against Blanche’s side, “I know you explained it to me, but I still don’t get it.”

18. if you keep them, share a deleted sentence or paragraph from a published fic

I don't really keep deleted sentences/paragraphs, unless they're full concepts for a scene that I might want to use in another WIP, but I did find a couple of sentences from an early draft of i would have said impossible [...] that got heavily edited by the final cut. I'll bold the parts that got kept in the final work:

"She likes to think she hid it well. She tried to, at least; bit back the most acidic jokes, tried to keep a hold on her sarcasm. It's not her roommates' fault if she's had a bad day, is it? So she tries. She listens, and she's patient, and she's affectionate -- and they seem happy. That must count as a success.

And yet, when she's finally alone in her room and ready to call it a night -- then Rose comes, carrying tea and cookies on a tray.

It's strange. She told Ma earlier that she'd like to be alone tonight, and before the door opened she only wanted to get into bed and forget everything until tomorrow morning. Then Rose came in, and she'd be lying if she said a single hint of her perfume and a single glance at her reassuring smile aren't enough to calm her nerves."

The gist of the passage remained more or less the same, but I hope it counts anyway!

19. the most interesting topic you’ve researched for a fic

I'm not sure I can choose the most interesting one -- I love learning and I've had a lot of fun with every rabbit hole I've found myself in for a fic! The most charming one, though, was definitely the little ornithology detour I went on while I was writing sonata for trio, which was a classic case of 'I only needed to find the right simile to add in this sentence, how the hell did I end up on the Wikipedia page for the American Robin?'. I learned a lot, and birds are so cute -- especially robins!! I had a great time reading about them :)

(I'm not counting my research on karst and sinkholes as a valid answer for this questions, because I already knew the topic well enough, but I did spend a lot of time fact-checking what I wrote. I don't want to spread misinformation!)

[��️ more fic writer asks!]

[mortalityplays]

This is a dangerous sentiment for me to express, as an editor who spends most of my working life telling writers to knock it off with the 45-word sentences and the adverbs and tortured metaphors, but I do think we're living through a period of weird pragmatic puritanism in mainstream literary taste.

e.g. I keep seeing people talk about 'purple prose' when they actually mean 'the writer uses vivid and/or metaphorical descriptive language'. I've seen people who present themselves as educators offer some of the best genre writing in western canon as examples of 'purple prose' because it engages strategically in prose-poetry to evoke mood and I guess that's sheer decadence when you could instead say "it was dark and scary outside". But that's not what purple prose means. Purple means the construction of the prose itself gets in the way of conveying meaning. mid-00s horse RPers know what I'm talking about. Cerulean orbs flash'd fire as they turn'd 'pon rollforth land, yonder horizonways. <= if I had to read this when I was 12, you don't get to call Ray Bradbury's prose 'purple'.

I griped on here recently about the prepossession with fictional characters in fictional narratives behaving 'rationally' and 'realistically' as if the sole purpose of a made-up story is to convince you it could have happened. No wonder the epistolary form is having a tumblr renaissance. One million billion arguments and thought experiments about The Ones Who Walk Away From Omelas that almost all evade the point of the story: that you can't wriggle out of it. The narrator is telling you how it was, is and will be, and you must confront the dissonances it evokes and digest your discomfort. 'Realistic' begins on the author's terms, that's what gives them the power to reach into your brain and fiddle about until sparks happen. You kind of have to trust the process a little bit.

This ultra-orthodox attitude to writing shares a lot of common ground with the tight, tight commodification of art in online spaces. And I mean commodification in the truest sense - the reconstruction of the thing to maximise its capacity to interface with markets. Form and function are overwhelmingly privileged over cloudy ideas like meaning, intent and possibility, because you can apply a sliding value scale to the material aspects of a work. But you can't charge extra for 'more challenging conceptual response to the milieu' in a commission drive. So that shit becomes vestigial. It isn't valued, it isn't taught, so eventually it isn't sought out. At best it's mystified as part of a given writer/artist's 'talent', but either way it grows incumbent on the individual to care enough about that kind of skill to cultivate it.

And it's risky, because unmeasurables come with the possibility of rejection or failure. Drop in too many allegorical descriptions of the rose garden and someone will decide your prose is 'purple' and unserious. A lot of online audiences seem to be terrified of being considered pretentious in their tastes. That creates a real unwillingness to step out into discursive spaces where you 🫵 are expected to develop and explore a personal relationship with each element of a work. No guard rails, no right answers. Word of god is shit to us out here. But fear of getting that kind of analysis wrong makes people hove to work that slavishly explains itself on every page. And I'm left wondering, what's the point of art that leads every single participant to the same conclusion? See Spot run. Run, Spot, run. Down the rollforth land, yonder horizonways. I just want to read more weird stuff.

[vxsellie]

⋆ ˚｡⋆౨ৎ˚. GHOSTS OF SACRILEGE !

synopsis. fbi agent!ellie williams x nun!reader ; it's truly no shock that the entirety of west virginia is emerged by trepidation, considering hundreds of residents have gone missing within the past three months. as a form of consolation for those fearful, an esteemed fbi agent is sent to investigate. what she finds, however, is more than she could ever have expected.

notes. this piece is part of the mythologica challenge! i tried my absolute hardest to do the theme justice bc of how good it is. also pls note that every town mentioned is real & i did a decent amount of research on each one, but that doesn't at all mean that it's entirely accurate. i've been to some of the places, but not all also ! this is my first time ever writing detailed smut so i literally know none of the correct words to use or how to describe what's happening & it might turn out being literal dog shit,, if that's the case i apologize!

warnings. religious horror, an attempt at writing smut, angst, plot twists, horrible world building, major character death x2, possessive / obsessive romance, descriptive gore, blood, satanic rituals, human sacrifice, blood, oral (r! receiving), brief mentions of abuse & assault, murder as a metaphor, past animal death, long exposition i'm sorry, and - last but most important - the sweet release of desecrating salvation.

wc. 9.5k+

𝓝aught but unease filled the tiny town of bluefeild as yet another missing person is found to be reported in the newspaper. the sun begins to peer over the horizon, long shadows cast against the sidewalk that newsboys toss the papers from. they ride their bikes down the concrete with a fervor that should be rare. but it’s been rather common in bluefeild as of late. every since december. ever since the incidents first began.

nobody in town can be seen outside without a frantic expression and a fast pace. fear fuels their every step as they scurry outside to retrieve the news before burrowing back into the safety of their homes, hungry eyes skimming the article in search of who’s gone missing this time.

ellie hadn't expected much when traveling here. a small town of worrisome locals, a serial kidnapper hiding in plain sight. y'know, the usual for cases like these.

but something about this case stands out to her. there's a certain weight in her chest as each day passes without answers. in the beginning, she'd asked around town, hoping to find some common denominator among everyone's weariness. but there's nothing. the residents are closed off, thick boots and even thicker country drawls quick to kick the agent off their rotting porch at first glance. she's been here for a while now, not a single clue made evident. no loose ends, no muddy footprints, no witnesses. it's like these people just disappear into thin air.

ellie sits in her idled car, eyes scanning today's newspaper for slips of information. she can't help the way her interest piques, slowly going mad with lack of elucidation. she runs a hand through her hair, shoulders weighed with fatigue and dwindling hope.

see, over two-hundred people have gone missing in the past three months ⎯ which is a big deal in and of itself, but even more so considering bluefeild's population is well under five thousand.

her windows fog as rain patters gently against the steel of her vehicle, the whether cold and dreary in comparison to her car's heated temperature. she supposes it fits the mood, though, doesn't it?

after twenty minutes of analyzing each and every word given, ellie groans and stuffs the newspaper into her glove box, slamming it shut. evidently, the paper provided nothing of use to her. it has a picture of the man missing, his name inscribed under the image, and a few words of grief are quoted to have been said by the families. but that's it.

as of this morning, jason casey has been added to the long list of missing persons. and not a soul could say why nor how.

ellie pulls her phone from her coat pocket, clicking on her bosses contact before wedging it between her ear and shoulder. she listens to it ring as she puts her car into gear, pulling out of the parking space she'd been occupying. it's not like anyone here would dare to use their cars anyhow. most shops and businesses have been temporarily closed, owners fearing the possibility of suffering the same fate as those prior.

"ellie?" joel's voice comes through the tiny speakers, papers rustling in the background of the call as he speaks. "what're you callin' me for? i thought you were on the bluefeild case."

"there's nothin' to go off of." she tells him. one hand is rested on the wheel whilst the other holds her phone.

"you're our best investigator, williams, i'm sure you'll find somethin'." he says offhandedly, continuing to shuffle through whatever papers are of more interest to him than his alleged best employee.

she rolls her eyes at his dismissive tone. "hundreds are missing, joel. without a trace or a sign left behind. they're likely dead, if i were to guess. i don't— what the hell good does that do?"

"find the bodies." he says easily. "their corpses might point to their killer."

"no shit." ellie scoffs. "the issue isn't what to do next, it's how the fuck i'm supposed to do it. this has been goin' on for months and no bodies have turned up. where am i even supposed to look? like i said, there ain't a damn thing left behind."

she coasts down the streets of bluefeild, using this time to feel the layout of it and examine what she's working with. she's been here for a while now, but the town remains a mystery to her. and, from what she's seen, it's a bit of a mystery to everyone else as well.

she notices that many of the homes are old and shabby, paint flaking and wood rotting. in the yards, however, almost every resident has some form of a religious symbol. a cross, a statue of mary, a flag for something biblical. anything to show their faith.

to each their own, i guess. she thinks to herself with a shrug before turning her attention elsewhere.

the streets are empty, as expected. a few street lights are on, the yellow illumination flicking with worn age. even on the two-lane roads, there's not a car in sight. she narrows her eyes at this, a shiver tracing up her spine at the disturbing vastness.

"well," joel says, "search the papers some more."

"i've done that a thousand fuckin' times." ellie groans, eyes still scanning her surroundings with intent of committing it all to memory. just in case. "there's nothin' there. it's just all information on the missing people, half-assed sympathy for the victim's family, and a picture of 'em."

joel sighs, the sound of tapping resonating through the phone. ellie recognizes the sound, having worked for joel long enough to know that he always taps a pencil against his desk when he's thinking. it's a good sign, she thinks. it means he's at least giving her predicament some thought.

she's been in bluefeild for eight days now, spending her time interrogating random residents for informations; spending her nights rereading the stupid fucking newspapers. naught good has been of ramification.

the repetition of it all is driving her insane, especially considering none of her efforts have yet to pay off in any sort of way. she'd hoped that when the next person showed up missing, something would present itself. a clue would rear its ugly head at her and she'd grab it by the throat with fervor. but no. jason casey went missing and all heads remain hidden. so, after an hour of battling with her pride, she decided to make the call to joel and admit her being stuck.

"okay." he says, shuffling a bit as he finally gives ellie his full attention. "okay, pull over for a second, i'm gonna need you to do somethin' for me."

she instantly obliges, pulling off to the nearest backroad. gravel crunches under her tires as she drives along the thin path wedged between two decrepit buildings. the alley is small and a bit sketchy, but that's exactly what she needs. ellie puts her car in park, windows translucent in their heavily fogged blanket.

"how many newspapers do you have on you?" joel asks when he hears her car go into idle.

"um," she reaches over and opens her glove box, watching as yellowed papers fall from the newly opened door. they flutter to the floor and atop the passenger's seat. she hums, amused at the sight of her obsession making a tangible image in her head. "a lot."

"okay, good. perfect." joel mutters, the clacking of a keyboard sounding through the tiny speaker. "the first person who went missing was carl andrews. he was thirty-seven. his wife claims he was supposed to have been walking home from work but never showed up for dinner."

ellie scrambles through her messy stack of newspapers, searching for carl's report. she finally finds it, the paper dated to have been written near the beginning of december. she straightens out the wrinkles, examining his picture.

"looks like your average middle age man." ellie mutters, taking in his scruffy beard and wrinkled skin. "he was a carpenter. had two kids, both boys."

"yes, i have the paper pulled up on my computer." joel says. "but it doesn't show his address or nothin'. this shitty website only has half of the damn document."

ellie skims through the words, searching for the street or neighborhood he'd lived in. when she turns up empty-handed she groans, now well familiar with the feeling of disappointment regarding this case. "nope. no home address." she says with an evidently annoyed tone.

"what about his workplace?" joel asks. "if he'd been walkin' home, his work must be close enough for him to do so."

"oh shit," she mutters. she'd studied his article for hours — studied all of them — and she hadn't even thought to look there. her hands clutch the paper as she searches with a hungered gaze. her eyes widen at the address listed on the paper. "yes it's on fifth street."

more typing is heard through the phone, "says here that,, there's a neighborhood right by there. a few blocks down from the carpenters' building. must've been where he lived."

"perfect." ellie grins, adrenaline rushing through her.

oh, she feels on top of the world right now.

"okay, now i want you to look for addresses in all the other papers." joel says, flipping a switch in his tone — off to being ellie's friend and on to being her boss. a familiar change, but an unpleasant one nonetheless. "check 'n see if there's a link between where they'd been last spotted."

"okay."

ellie sets carl's paper aside and grabs another random one. she reads the heading briefly, recognizing it to be the article on bryan turner who'd gone missing in the middle of january. he'd allegedly been walking his dog and never returned to his apartment, according to his elderly female neighbor.

the address is actually listed this time. not his exact apartment number, but the building. ellie can't help the smile that tugs at her mouth again as she grabs a random notepad and scribbles both addresses onto the paper, reminding herself to compare their proximity when she gets back to her hotel later tonight.

"you're a goddan genius, joel." ellie mutters as she sets bryan's paper atop carl's and grabs another. sam cortez. late december.

"thanks, kid." joel chuckles into the phone. ellie has it set aside, call set to speaker as she flips through papers and continues to write down addresses into her notes. her movements are frantic and hurried, adrenaline refusing to wind down from its newly heightened state. joel speaks again, regaining her attention. "uh, sorry t' tell you this but i've gotta go. it's almost midnight and i've been at the building since ten o'clock this mornin'."

"yeah yeah, whatever." ellie replies off-handedly. "thanks for your help, old man. i think i can take it from here now, though. go get your beauty rest."

"promise to call me in the mornin'?" he asks. "i wanna hear what y' find."

"yes, i promise." she laughs. "i'll call you as soon as i wake up."

"okay good. don't overwork yourself either, you need to⎯"

"goodbye, joel!" she says, grabbing her phone and hanging up on him before she has to listen to him reprimand her for lack of rest. he's one to talk, too, seeing as he'd just admitted to having been at the building all damn day.

she sighs, deciding to put a pin in her address search and get back to her hotel to finish working in the comfort of a bed.

she sets her papers into two neat piles in the passenger's seat ⎯ one for those she'd already gone through and one for those she hasn't yet gotten to. then, she puts her key into the ignition and pulls out of the little road.

as she drives down the street, she examines her surroundings once again. still as impoverished as before.

she passes a small farm house, eyes drawn to the old lady sitting on the porch. she's rocking back and forth rather ominously, making direct eye contact with ellie through the windshield. slowly, the woman nods her head toward where a large cross is staked into the soil of her front yard. ellie looks away, a sudden uneasiness washing over her as she presses harder on the gas.

she reaches her hotel a few minutes later, stuffing her papers under each arm before entering the building and heading toward the elevator. by the time she reaches her room, she practically rips her heavy leather jacket off, the yellow 'fbi' label bright and bold against the black material as she tosses it onto her bed. she sits cross-legged in the center of her room, laying out all the newspapers in front of her.

she continues to sort through them all, eyebrows furrowing as she comes to realize that all the victims are men.

she hurriedly flips through the documents, certain she must he wrong. but she's not. they're all male. ellie writes this down on her notepad, handwriting rushed and nigh unintelligible. despite the sloppiness, she circles it, sure it'll prove to be of importance later on.

by the time ellie finishes going through what feels like hundreds of papers, she decides that's enough for her to be able to find a pattern if there is one. the digital clock atop the nightstand reads 2am, flashing bright red numbers at her. she ignores it, too high off the thrill of finally finding something in this priorly monotonous case.

she pulls her laptop from her bag and flips it open atop her crossed legs, quick to pull up a map and type in the coordinates of each address. they appear random at first, completely fucking unrelated to one another. a pang of dread hits ellie in the chest, worried this will have all been for naught.

but then she zooms out.

each dot for each address glows blue. when zoomed out, it forms something. ellie squints, tilting her head at the incoherent image she struggles to make out. seeing as many of the papers weren't analyzed, the picture is only half-complete.

but then it clicks. a pentacle. and at the very center of the shape, a church.

ellie's mind goes back to the old woman on the porch. the way she'd nodded to her cross. the way almost every family in bluefeild is outwardly religious. she can't believe she hadn't seen it sooner.

this isn't just some case where she can stare at newspapers and hope something pops up. it's an intricately weaved web of murders.

her chest heaves as her eyes dart across the screen, unable to believe it. she finds herself tapping her men against the floor, drumming it just as joel does. she curses herself, tossing the pen across the room as her mind reels. it lands in front of the door, ballpoint pointed toward the exit. ellie takes this as a sign from the universe. despite not having ever been a religious person, she can't help the pang of hope in her chest.

deciding to indulge the pen's sign, ellie writes the church's address into her notepad, shuts her laptop, pulls her jacket back on, then heads for the door. she steps over the pen on her way out.

𝓢he stares up at the church, checking to make sure she's absolutely certain she's in the right place. when she's proven to be correct, she stuffs her notepad into her pocket and walks toward the building.

ellie doubts anybody is inside due to the time, but she wants to search the place regardless.

the church is old, creaky wooden exterior painted in uneven shades of white. the roof is brown and dilapidated with wear. atop it, a large cross is seen standing tall, its tip pointed up at the starry sky. ellie wades through the overgrown grass, her breath coming out in white clouds. it's fucking freezing out here.

when she reaches the building, ellie cups her hands around her eyes before peeking through the windows. the glass is dusty and cracked in some places. she can't seem to see through it, transparency made opaque from lack of maintenance.

she leans back and wipes a hand across the dust, forming a wide arc to peer through. inside, the church looks brand new. wooden pews line the space, a long aisle between each formed column. the floor is white tile, cleaned to be spotless. she tilts her head, struggling to look toward the pulpit. it appears to be⎯

"what're you doing?"

ellie jumps, her head slamming against the top of the window frame. she ignores the ache and whips around to face the owner of the voice. a nun.

you stand behind her with a raised brow, your entire body covered by black and white robes. ellie blinks, something about you making her stomach lurch. she's instantly put on edge, shameless in the way she examines your features.

your brow is knit in distaste for the trespassing girl. your eyes are sharp and steady as you pin your gaze onto hers. your hands are clasped behind your back, formal and almost robotic. or at least, that's how ellie sees you.

ellie reaches under her jacket and pulls out her badge. "fbi."

"there's no fbi in bluefeild." you point out, voice steady and melodic. ellie's lips part at the sound but she shows no other form of sway. you eye her badge, ellie williams. noted to be a top agent in her line of work. your eyes narrow. "where exactly are you from?"

"richmond." she responds, eyes never leaving yours as she places her badge back into the interior pocket in her leather jacket.

you tilt your head, inquiring. "virginia?"

"yes." she confirms.

you hum, noting the four hour drive she's sure to have taken in order to get here. you looks out across the grass, seeing her car still running as it's parked on the side of the road, yellow headlights acting as a beacon against the dark night.

"it's late, miss williams." you tell her, turning back to her to find that ellie's eyes have yet to leave your face.

she analyzes each expression you make, contorting every detail to memory ⎯ from the way your eyes flick across her features to the way your shoulders shift slightly after having been standing in one position for so long. she memorizes you, allowing your very being to sink into her mind. for the case, of course. you're a suspect, after all. she needs to learn you and feel you out in order to get a proper read on whether you're innocent in all this. that's why she stares at you. that's why her pupils are blown and her lips are parted again. totally.

"do you want to come inside?" you offer, raising a brow at her strange, yet obvious sense of interest in you. "it's freezing out here and i happen to have just brewed some tea."

her eyes dart to the shabby church behind her. judging by the exterior of the building, imagining the place having ac and working electricity is shocking. but judging by what she'd seen of the inside, she's tempted to take you up on your offer. for the case.

"only if y' agree to answer some questions of mine." she says, deciding to set the terms and conditions early on.

your eyes narrow, "what type of questions?"

"the type i need in order to solve the case i'm workin' on." she replies, reminding herself of the large amount of missing men and boys who've disappeared in these past three months.

"mm," you hum.

you look her up and down, taking in the sight of her. it's rare to see any form of law enforcement out here. you'd lived in bluefeild all your life and never seen a cop or fbi agent outside of the television. her leather coat hangs heavy from her set shoulders. her chin is held high despite the way goosebumps trail across her skin due to the chill of the air. she's wearing baggy black pants and heavy combat boots. interesting.

"sure." you shrug. "i've nothing to hide."

"we'll see 'bout that."

her eyes rake over to where he car remains running. she leaves it, using it as a sign to you that she plans to make this quick. you understand the gesture and heed it with care, nodding as you shift around her and walk toward the entrance of the church. the large wooden doors are already unlocked as you push them open.

ellie draws her eyes across the foyer, noting the long hallway. to the left is a doorway leading to the sanctuary and chancel that she'd seen through the windows. to the right is a large door with a shiny golden handle, locked. the hall is lined with more doors, some locked whilst others are free to peer into.

you move about the space as though you'd lived here all your life. ellie supposes that might be true, actually.

you sweep down the hall before turning one of the corners down a branched passageway. ellie follows behind you, the hall illuminated by only a dim yellow light. on either side of the hall, more and more doors branch out to the side. ellie pays no mind to the building's layout anymore. instead, she finds herself more interesting in watching your habit billow behind you, your shoes clicking with each step against the tile.

eventually, you're both now in a kitchen area. ellie hasn't a clue when you'd gotten here, far too distracted by you to care much for the journey you'd taken her on.

the floor is tiled to mirror the sanctuary, counters made of marble. you flick a switch and the lights flutter on, a low hum sounding from the ceiling as the kitchen is illuminated by a yellow glow. on the counter, two cups of tea sit premade. you grab them, one in each hand.

with an amused expression, you pass one to ellie. she takes it, eyes the glass in her hand for a long moment. in the end, she decides against trusting it.

"uh," she clears her throat as she places the mug on the counter behind her, turning to you with an uneasy weariness. "you knew you'd have a guest?"

"hm?" you hum, tilting your head at her with an innocent curiosity.

"y' made two glasses." ellie points out. you continue to look at her, feigning confusion that urges her to continue her explanation. "it's just— well, i haven't seen anyone else here besides you."

"i hadn't priorly known of your arrival, if that's what you're suggesting." you inform her before taking a long sip from your mug, peering at her over the rim with an alluring twinkle to your eye. you lower it, keeping the glass poised between your hands as you lick your lips and continue. "i simply knew i wouldn't be drinking alone."

"what's that supposed to mean?" ellie inquires, those fbi instincts of hers lacing through her tone. her eyes glint with piqued interest, watching you with a steady sharpness. it weighs on your chest, heavy but enthralling.

"what i mean is," you place your mug on the counter with a light clink. "in this church, you're never alone. not really."

she raises a brow, back straightening. "someone else is here?"

"something." you correct, a smirk tugging at your lips. "a deity, spirit, ghost, demon. take your pick, miss williams. it hasn't a title just yet."

ellie has surely formed her doubts about whether or not you're mentally insane. she can't help but indulges you nonetheless. if she intends on puzzling out the mystery of the missing people, she can't outwardly state that you're crazy. so instead, she says, "are these,, things good? or are they evil?"

"mm," you shift, taking another long sip of tea. you ponder on her question while drinking, your mind deciding on exactly how much you wish to tell this governmental investigator. once your mind is made up, you place you mug back down and flash her an amused smile. "its morality varies. as i said, it doesn't much like the feel of being confined by the barbed wire of titles. plus, there's more than one. and none are a repeat of the other, each separated by individuality."

ellie bites back a scoff, trying her hardest not to just grab you by the shoulders and shake you senseless. she wants direct answers, not riddles. she hasn't the time to figure out what you're trying to get at.

"how many?" she asks. "like. are there lots of them or are they few and far between?"

your brow knits as you take a step closer. at your growing proximity, her breath hitches. you are more than just a nun, you're the embodiment of her obsession. all the care and time she'd poured into this case; you personify it.

you're a religious figure in and of yourself. something worthy of worship and praise. if you were to seen by the world as ellie sees you, historians would be studying you for eons to come. paintings and playwrights would be made in your honor, temples and statues forged in hopes that you'd bat the sculptor even a moment of your attention.

but, alas, that's not how the world works. instead, you're made to be a random nun who lives holed away in a ragged church in the middle of nowhere. perhaps the universe had been wise to hide you from the world, for fear of what your divinity would cause. a repeat of troy, no doubt. wars fought for your hand. lives lost for the pulpy beating heart caged behind your ribs.

"as many as i'd like." you tell her, face now mere inches away from her own.

your body is covered entirely by your habit, black fabrics hanging from your shoulders and arms as to keep your entire being shielded from sight. your hair is cast back and under your veil.

despite the coverage, ellie's enamor is unmoved. it's not your body or your hair that she's drawn to. it's the slope of your nose, the plush of your lips, the curve of your cheek, the arc of your brow, the color of your eyes. it's everything that makes you stand out like a brightly shining star in comparison to the dull darkness that is this church.

and stars like you ought to be admired.

"as many as—" she squeezes her eyes shut, knowing her only chance at regaining control of her head is to not face you. her mind is muddled by thoughts of you. she can't think straight. when she reopens her eyes, she could've sworn you've moved closer. "what're you sayin'? i don't—"

"don't understand?" you finish for her, tone pitched in regalement. your head tilts to the side, your noses brushing. "few people do."

"just tell me what y' mean." she utters, voice a whispered breath across your face in the form of a plea. "tell me without the riddles. tell me without trying to evade the truth. tell me with honesty. if you're straight forward with me, i'm sure i'll understand."

you sigh through your nose, leaning away from her. she follows you like a fish on a hook. you take a step back and she takes one forward. noticing, you hold a hand up to halt her movements and she instantly ceases, blinking at you with parted lips.

your head is downcast, palm against her chest. "you'd hate me."

"hate you?" she questions.

despite only just having met you, ellie is quite certain she'd never come to hate you. your very being is as much a wonder to her as life itself. you're a celestial beauty she cannot bear to tear her eyes from. hate is foreign when you're the context in which it's spoken.

"yes." you confirm, expression contorting into one of feigned guilt. and, had ellie not been in such blind awe of you, she'd have likely seen through your facade of deception. "i've made mistakes; plenty. i could never expect you to hear me speak of them and look past their malice."

"but i would." she whispers, taking a step nearer. she places a hand on your wrist, lowering your palm that had priorly been raised between the two of you. she looks down at where she touches you, albeit through the cloth of your gown. "i'd look past it. i'd see you as i do now regardless of what you'd done."

you shake your head, "you cannot mean that."

"i do." she brings your hand to her mouth, pressing her lips against the hills of your knuckles. she looks up at you through her lashes, her mouth remaining close to your skin as she whispers, "i do mean it."

you feel guilt settle deep within your chest, burrowing between your ribs and in the very tissue of your heart. an immoral darkness encompasses the organ ellie so desperately desires to obtain.

you'd lured people into your entrapment many times before. but something about ellie makes you feel bad for doing what you know you need to.

but it's too late now.

she's your last victim. the final sacrifice needed in order to finish what you'd started back in december. after taking her life, all will be well. all will be well. all will be well. well, well, well, well. you repeat this over and over in your mind as ellie kneels before you. she looks up at you as though you're an alter made for this. for worship.

your breath catches in your throat as you watch her sink to the tiled flooring, hands brought up to rest at your hips. her fingers fist the fabric of your habit as she speaks once more, "allow me to prove how much i mean it?"

your head is swimming, unsure on what to do. logically, you know you should stop this before it gets too far. you've already lured her in close enough to do what's needed. but, for some reason, there's a thick knot forming in your chest. as it grows, you come to realize it's not a knot at all. it's a fist. it's ellie's fist.

her eyes bore into your own, her hands remain gripping your hips. somehow, though, you feel as though they're managing to trace their way through you. they line your bones and caress your tendons before inevitably finding their way to your heart. she holds it in the palm of her figurative hands as her physical ones begin to hike up your habit, slowly pulling the cloak up from the floor.

still, despite the discernible desire in her eyes, she does nothing but wait for your response of consent.

it's inexorable, the way you give in. the slight nod of your head had been predestined from the moment you spotted her at that window; and it will continue to prove relevant until your respective faits are sealed.

to ellie, it felt as though you'd taken hours to reply despite it only having been a minute or less. but the moment you nod, she's moving eagerly. she's grabbing your hips and hoisting you up onto the counter whilst simultaneously struggling to pull up the skirts of your clothes. she's trying to do so many things at once that it's dizzying. for both parties.

you aid her, shifting atop the marble as you pull the habit up to reveal what lies beneath it.

ellie feels the world fall from beneath her knelt locale as she stares. a pair of black lace panties adorn you, the upper half of your body remaining covered by the bunched cloth of your habit. the time she takes to memorize you feels agonizing as you sit there, itching to feel her body on yours.

once she's confident that the image has been successfully engraved into her mind, she leans forward. your legs are already parted when her mouth makes contact with your clothed vulva. the wetness that soaks the material soon made into a mixture of your arousal and ellie's opened mouth.

her tongue traces light circles into your clit, a soft sigh escaping your lips as your grip on your habit begins to loosen. you toss your head back in pleasure, the sound of ellie's slurping and licking mixing with the mechanical hum of the lights.

"ohmygod," she says against you, the vibrations of her voice making your breath pick up its pace. "you're so fucking perfect."

one of your hands comes down to tangle in the auburn of her hair, tufts weaving between your shaky fingers. you tug on it, pulling a grunt form the back of ellie's throat as her scalp stings. despite her noise of pain, this only manages to make ellie more vehement in her actions.

she grabs the hem of your panties with her teeth, yanking them to the side. her eyes are shut as she licks a long strip through your wet muscle. you can’t help the way you stare down at her, watching as she puts her absolute all into making you feel good. and, as it turns out, she’s quite skilled at doing so.

ellie's mind is fogged over, mimicking the way her car's windows had been earlier. she supposes there’s no true difference there, however. the interior of her car had been warm in comparison to the cool outside air. swap the temperatures and there’s naught that varies. the warmth that you provide makes ellie feel cold in contrast, which ends in a fogged mind.

the taste of you is enough to make her lose whatever sanity remains intact. all that adrenaline that had flowed through her earlier is being poured into you.

after all, stars should be worshipped right? they should be admired from below, gawked up at. they should be mapped and studied by only the wisest of mankind. they should be doted on with a possessive sense of adoration, one only fit for something so celestial and untouchable as a star.

and that's what you are. to ellie, at least. you're a brightly shining nebula — a feathery cloud of vibrancy, visible only in the darkest of nights. only in the coldest of weathers. only in most decrepit of churches. only here, only now.

only when fate is carved in this exact way. had one thing been altered, none of this would have taken place. it was providence that brought you together. you weren't written in the stars or tethered your entire lives. in fact, the chance of your paths crossing was rather low. but, honestly, that only makes your acquaintance more deeply rooted in kismet. makes it more special.

"fuck," you pant, chest heaving as you squeeze your eyes shut. your head thuds against the cabinet as you tighten your grip on ellie's hair. she groans, fingers pressing deeply into the skin of your hips, hard enough to leave a bruise. your thighs tighten around her head, a coil of heat sitting heavily in the pit of your stomach. "ellie, i'm—"

she tilts her head up slightly, nose pressing into the bead of your clit. she watches through lidded eyes as you come undone onto her face.

she savors it, committing every little detail to memory. a habit this has become, watching you. your brows knit, your legs shake slightly, you breath hitches. and ellie retains all to it.

she made you see stars. made you look into a mirror and see yourself.

that feeling of blissful release is what she feels every time she's fortunate enough to gaze upon you. and now you've experienced it. and she cannot feel more accomplished than she does right now.

"this," you pant, tugging on her hair to bring her face up to your own. she does as you direct her, standing from the floor to press your foreheads together. "was a terrible idea."

"yeah?" she breathes out. "and why's that?"

you run your hands up and down her back, fingertips tracing the stitching of her leather jacket. you can feel the outlined letters of her 'fbi' label. that familiar twinge of guilt encircles you.

she's a good person — a woman who's to spend the rest of her life helping random people she doesn't know. and yet, here she is. made unfortunate enough to have succeeded in her endeavor.

she stares at you like you're a god, something heavenly. something seraphic. something worthy of her.

"i'm not a good person." you whisper, leaning away from her proximity. predictably, she follows, leaning closer with a desperation only fit for one in love.

the guilt of what you must do is eating you alive. it claws at your chest, snapping your ribs like twigs as it wedges between them to burrow deep within you. it's agonizing yet completely unavoidable.

and in a sickeningly poetic outturn, a random butcher knife is sat neatly atop the marble counter only a foot away from where you sit. just as ellie meets your eyes, the blade happens to catch the light and reflect yellow luminescence. a grotesque reminder of what you're unable to run from.

"nobody is innately good. and, as a nun, y' should know that better than anyone." ellie huffs out a laugh, eyes not daring to stray from you. "in other words, i don't care."

"but you should." you insist, voice teetering on the edge of plea.

"and yet, i don't." ellie counters, just as passionate in her solemnity. you suck in a breath, eyes glossing over. she looks at you with a fondness that feels foreign. she cups your cheeks between her palms, repeating, "i don't."

"i've done horrible things." you say.

"you're a nun." she points out with a light chuckle rumbling her chest. "how horrible could these things have been?"

part of you wants to open up to her, tell her everything that's been weighing on you for these past three months. but each time you get close to a confession, something inanimately symbolic taunts you. whether that be the butcher knife, the hum of electricity, the gun holster at her hip, the residual lust in your chest, or the bright yellow lettering on her jacket.

that gun is meant for you just as that butcher knife is meant for ellie. she'd been wise to bring a weapon, a clear sign that she'd intended on finding someone culpable enough to suspect. and you'd been wise to set the blade atop the counter on the off chance that you'd meet your final victim tonight.

you feel sick to your stomach.

"oh shit," ellie curses as she takes notice to the way you're visibly crumbling in front of her. "i— uh, i didn't mean to be, like, insensitive or anythin'. i'll still listen to you. and i promise to not hate you. promise to never hate you."

"ellie, stop." you sigh. "you can't promise something like that. you don't even know what i—"

"then tell me." she insists, your face still in her cupped hands. you look at her through blurred vision, naught but sincerity behind her pale green irises. "if y' tell me what it is that y' did, we can both carry the burden."

you're instantly shaking your head.

"you don't have to do this alone." ellie says. "plus, isn't a weight split a lighter load than one full?"

as you stare into her eyes, you can't stop yourself from what comes next. you're unable to keep your mouth shut when she's looking at you like that. you decide to tell her, opening your ribs and bearing your heart as though she hadn't already taken it from you. you truly feel more bare in this moment than you did when she'd literally been eating you out.

ellie put her entire trust into you when letting down her guard and abandoning the case she'd obsessed over for weeks. she dropped it like it were nothing, focusing entirely on you in its stead. the least you could do is be honest, right? plus, she's not leaving here anyway. you'd locked the door the moment you two entered the kitchen when she'd been too distracted by your beauty to notice. the trap is already set and she's sitting inside of it without a care. all you need to do now is pull the strings.

but first comes honesty.

for ellie, you'd peel off your clothes. you'd peel off your skin. you'd peel off your flesh. then, when you're naught but bones, you'd give yourself to her. you'd give your entire being to her. not because you think you're worthy of her possession, but because this is all you have. the only thing you're able to offer her as a symbol of your devotion, it's yourself.

though, while you're unable to strip yourself clean off your bones, you feel as though rendering yourself vulnerable and fragile is the next best thing you can offer. for her, you are willing to do the priorly unthinkable.

"you're here in search of the missing men, are you not?" you ask, beginning with baby steps. "in search of who's behind their absences?"

ellie straightens, "i am."

"well." you gesture down at yourself. at your crooked veil that shows stray hairs peeking from underneath; at your hiked up habit, just barely falling to cover your underwear; at your knees that rest on either side of ellie's waist; at your vulnerable state that you're offering up to her. at your bones. "you've found me."

ellie's heart stutters in her chest. not because of what you'd revealed to her, but because you trusted her enough to do so. she no longer cares an ounce for the missing people of bluefeild. all she wants is you. she may be a fool to be this way, but she's in far too deep to mind.

she gives you a weak smile, "i don't care."

"what?" you croak. you stare at her incredulously. there's no way she doesn't care. there's no fucking way. "yes you do."

"i don't."

you blink, looking her up and down. there must be something you're missing — her reaching for her gun, her taking a step backward, her eyes darting toward the knife. but she does none of that. she simply remains stood between your legs, keeps her hands on you, and stares directly into your eyes as you confess your gravest of sins.

"but—" you shake your head, stammering. "but i killed all those people. they're dead. all of them. over two hundred men are buried behind the church."

"i don't care." she repeats, noticing the way your voice raises with trepidation. she traces her hands down your arms, stopping only when they reach your own. she tangles your fingers together, feeling the way your body relaxes slightly to the feel of her touch.

"i killed them because i was paid to." you tell her, your mind reeling as you're unable to grasp her lack of care. you talk in a frantic quickness, rushing to get the truth out for fear that ellie will change her mind in the time it takes for you to speak. "their wives, neighbors, daughters. they— they'd come to me in the confession booths and tell me of the men's abuse o-or assault or misdeeds. and i'd kill them for them. i don't—"

ellie's face remains soft. "you did a good thing, then."

"you can't be serious." you huff, eyes watering with the sheer confusion building within you. "i don't understand how you can still look at me like that. i took their lives. these people, i— they had dreams, they had aspirations and goals and families and—"

"listen," ellie whispers, her hands squeezing yours. "they were horrible people that hurt women. they were abusers and rapists and i don't care what y' did to them or how. all i care about is whether or not y' feel better."

"what?" you ask, voice nigh a breath. "what do you mean feel better?"

"to have gotten that off your chest." she digresses.

you take a deep breath, grounding yourself. the adrenaline of the confession slowly dwindles and you're no longer spiraling. you stare at ellie, centering on her face as the world comes back into focus.

you count your senses one by one. the smell of tea, the sound of humming lights, the feel of a hard counter beneath you, the taste of a bitter truth, the sight of ellie's fond expression. your breathing levels out, slowly but surely. and ellie stares at you the entire time. memorizing you.

"yeah." you whisper. "yeah, i do."

"then that's all that matters."

a supernova; to watch a star combust and explode, a colossally significant occurrence that only the most fortunate are able to witness. ellie considers herself to be substantially fortunate. not only because of what she'd just seen, but because of who it was that did it.

to her, this is even better than a natural supernova. rather than watching a random gassy ball of light die, its you. someone she adores and treasures. and you didn't die. instead, you opens yourself willingly to her. you broke down your walls and bore yourself to her. for ellie, that is far more important than some star's death.

"but—" you say, bringing her attention back to your face. your brows are knitted, clearly struggling to get the words out. she watches you with an easy patience, pupils blown as she submits this to her memory alongside all other files in her brain saved under your name. "but there's more."

"let's hear it." she replies, raising a brow.

you suck in a deep breath, lowering your head as to not face ellie before speaking. "i didn't just start killing whatever men that these women were asking of me. it started smaller. i killed animals, put them in a circle of salt, drew and pentagram, the whole ordeal."

"you sacrificed them?" she asks, tone remaining laced with gentility.

"yes." you nod. "i felt my baptism wasn't enough. god never answered me anyway, he never aided me when i needed it most. he watched my suffering and did nothing. so, i resorted to a new deity of worship." you lift your gaze to meet ellie's. "satanism."

"i'm sorry, i don't—" she blinks a few times, confused. "i don't understand."

"as a child, i relied on god to do everything. my life was nothing without him in it to keep me going. but as i grew, i realized it was unrequited. he cared nothing for me, watching with regale as i sobbed and begged for his help." you explain. "so, as a teenager, i switched over to satanism — worship of someone who actually cared enough to save me."

ellie says nothing, staying silent as you confide in her. she continues to hold your hands, softly cradling them on either side of where you sit.

"but then he wished for payment." you continue. "sacrificial lives as a form of repent for all those years i'd spent as a baptist. i obliged, of course. i killed bunnies and deer, doing research to understand how exactly to offer the stolen lives to him. but as of late, he's wanted more."

"humans." ellie guesses.

"yeah." you confirm. "but i couldn't bring myself to kill random innocent people. so i became a nun and listened in on the confession booths. then, i'd ask the confessors if they wished for me to intervene. they'd concur, paying me to take the lives of their abusers." you recall the fear in the women's voices, the shakiness to their hands as they slipped money through the cracks of the door. "they never saw my face, only heard my voice. and, seeing as i live in the church, none of the recognized me. i soon became a symbol of hope for women and one of fear for men."

ellie's mind strays back to all the religious symbols staked in the yards. "that explains their heavy faith. they think you're some type of prophet."

"yeah, but there's more." you say. "i've researched many, many books to make sure i get this ritual right. and, as it turns out, my 250th victim has to be a martyr. someone who doesn't believe in anything. doing this seals the ritual, ending it."

"good luck finding someone here who meets that criteria." she chuckles.

"exactly." you say carefully. "everyone in bluefield is heavily religious. unless that someone has come from out of town."

"me."

"i wish it wasn't." you rush to explain. "i wish there was some other way i could do this. but it has to be today. i need to do it before another woman comes in asking for my help or the numbers will get thrown off. and if i decline her, i'll lose the faith of all the women in bluefeild."

"okay," ellie shrugs. "do it."

"...what?"

"i don't care." ellie says, the sentence becoming something of a catchphrase for her.

the world stops. again. it screeches to a halt and you almost slam forward at the speed of which it crashed down. you stare at ellie with wide eyes, made shocked by her for a second time. someone so hauntingly perfect cannot truly offer herself up to you like this. she can't seriously be holding out her hand, asking for death to take it.

but what you don't know is that ellie would deem it a gift to die by your hand. it'd be better than dying as a withered elder attached to a beeping machine, or as an agent amid a case who only got to see you in her dreams.

but, this way, she'd be with you always. her love for you would be immortalized; she would be tied down to the very threads that make up the the fabrications of your soul. oh a gift that would be.

"do it." she repeats.

"what?, i don't—" she silences you by leaning forward, pressing her lips against yours.

ellie had kissed you out of impulse, knowing no other way to silence that thundering uncertainty that rumbles your brain. but the moment she does it, she's positive she'll never be able to pull away.

your lips are a cathedral of which she cannot help but melt into, your body a temple she's knelt before and wouldn't hesitate to do again. she kisses you with devout piety, her body molding into yours with each touch that lingers on your skin. somehow, this measly kiss is far more intimate than all else before it.

a silent tear slips from your closed eye as you subtly reach your hand over to where you know the butcher knife lies in wait. ellie surely feels your movement, there's no way she doesn't. but she makes no move to stop kissing you, her lips moving with a vehement neediness.

you loathe the way your fingers find the hilt of the knife. even more so, you despise the way you wrap your hand around it and bring it toward ellie.

she knows. she knows what you're about to do.

and she allows it.

love isn't easy for ellie, never had been. but with you, everything falls into place as though it'd been predestined to do so her entire life. as she feels your body shift toward the knife, nothing runs through her mind aside from your name. on repeat, the singular word replays over and over. she wraps your name around her skull, weaving the letters between her thoughts and molding the syllables against her brain. she was born to love you. and so long as she was able to do so, she'd be okay.

just as the tip of the blade brushes her jacket, you pull away from the kiss and stare at her. the knife remains at her back, resting against leather but not daring to press any harder. ellie's pupils are blown, her lips wet from your own saliva.

"i can't." you utter. "i can't do this to you."

she sighs, "i already told you it's fine, angel. just— as long as i have you near me, i'm content with my decision."

"no." you shake your head. "no i know. it's—" knowing ellie wouldn't understand your explanation, you decide to show her what you mean. with your free hand, you place your palm against her gun holster. "whatever you go through, i want to be there with you."

her eyes widen at your words. she jolts away from you, appearing as though she'd been burned. she sets her jaw, turning her hip away from your reach. "no."

"ellie, please." you implore, tone beseeching. "i can't live on knowing i'd done this to you."

"it's unavoidable." she reminds you. "y' made a deal with the fuckin' devil, or, well— i'm honestly not too sure on the details, but— y' can't not follow through. i understand, okay? finish the damn ritual and live your life."

"i don't want to." you plead with her. "not without you."

she shakes her head, eyes glossing over. despite the evident distaste, her refusal is weak. she stands only a foot away from you, seeming as though she's physically incapable of moving any farther.

"ellie," you say, whispering her name like a prayer. she can't help but look up at you through watery eyes. "ellie, please."

"i don't want you to die." she says, voice nigh a whimper.

"we'll be together, ellie," you tell her, hopping down from the counter to approach her. the blade remains in your hand, long forgotten to the both of you as the sight of the other is far more appealing. "if we do this, we can be together for all of eternity. they'll find our fossils in a million years, bones entwined. they won't even know who's who."

she chokes out a laugh that sounds more like a sob. "god, how stupid would that be?"

you laugh with her, "so stupid."

you're both crying now, tears streaming down your faces as you stare at one another. slowly, ellie pulls the gun from her holster. she's unsure on how this will go down, but she's willing to try. for you.

to be loved is a horrific thing, you've found. it's to be swallowed whole by something so disgustingly beautiful that you're incapable of turning away.

ellie takes a step closer, the distance between the two of you closing. her left hand holds the gun, her right hand coming up to wrap an arm behind your neck. she pulls your toward her, pressing another kiss to your mouth.

your tears mingle, forming a salty sea on your touching cheeks. you sob against her, chest heaving as you pull her closer with one hand, the other holding the knife. she tastes of sacrilege, salvation, and sacrifice. the ghosts that will haunt this decrepit church until the end of time. together.

whatever string that pulled the two of you toward each other will be knotted, tying two lost souls in search of the other.

"ellie," you whisper between wet kisses, lifting the knife to rest at the nape of her neck, "it's time."

she lets out a sob, a convulsive gasp tearing from her throat. "okay,"

you count down, the two of you agreeing to do it at the same time. you'll drive the blade into her neck whilst she pulls the trigger. your bodies will fall in unison, clinging to one another.

when you reach one, you sink the blade into her with a sickening squelsh. she chokes, dropping the pistol to the floor. it lands with a loud clank moments before her body falls with a thud. your eyes widen, heart ceasing. blood pools onto the white tiles and only one thought runs through your mind: she didn't pull the trigger.

she didn't pull the trigger.

she

didn't

pull

the

trigger.

she didn't pull the trigger. she didn't pull the trigger. she didn't pull the trigger. she didn't pull the trigger. she didn't pull the trigger. she didn't pull the trigger. she didn't pull the trigger. she didn't pull the trigger. she didn't pull the trigger. she didn't pull the trigger. she didn't pull the trigger. she didn't pull the trigger. she didn't pull the trigger. she didn't—

you fall to your knees beside her, hands coming to cradle her bloodied face. you pull her head into your lap, rocking back and forth as crimson soaks into the black fabric of your habit. you clutch her tightly against you, pressing hard on her slit neck, willing the blood to go back inside.

death doesn't take her hand. instead, he grabs her by the shoulders and shakes her for the untimely demise she'd agreed to. the heart she'd taken from you rattles. the death rattle. you choke out a sob at the sound, everything aching.

you lean forward, pressing a kiss to her cold, dead lips. she doesn't kiss you back. you pull away, panting hard as your chest heaves and your eyes burn.

then, in the corner of your eye, you see the metal of ellie's pistol. you crawl across the kitchen toward the weapon, realizing she hadn't even cocked it. god, how had you been so stupid? you do it for her, loading the bullets into the chamber.

with the gun now in your possession, you crawl back over to ellie.

you position yourself atop her, entwining your legs and placing your head on her chest. it doesn't rise nor fall, no beating heard from beneath her ribs. you sob, placing the gun's barrel to the soft part of your chin.

then, without another thought, you pull the trigger. you pull it because ellie was unable. because ellie couldn't bear to do it for you. a part of you resents her for this, but another part can't feel anything for her aside from utmost love.

and there lie two bodies. lifeless.

ellie found what she'd been searching for all her life: something worthy of her devotion. something she can pour her all into. that had been why she became an fbi agent in the first place — in search something to worship whole heartedly. simultaneously, you'd found what you'd been searching for as well: peace.

in the end, however, it had all been for naught.

the ritual didn't work.

it needed someone faithless, someone who didn't care for religion, for god. but that wasn't ellie. not anymore, at least. because, after having met you, she'd finally found something worth her revere.

you were her religion.

⊹ ࣪ ˖𐙚 perm. taglist. @luvsturniolo @ilovewomenfr @zzombiegirl @elliessweetheart @kasqnxx @xlovla

⊹ ࣪ ˖𐙚 additional note. i want this to be said here because i know this piece is super fucking heavy. ellie and the reader's relationship is so fucking toxic. anyone who reads this, i hope you realize how absolutely horrific their love story truly is. there's a shit ton of symbolism weaved within this story that i didn't outwardly state (though most of it i blatantly explained). if u have any questions regarding this piece, i'd love to talk about it bc i put a lot of time into making it.

but, again, their relationship is TOXICCCCCCCCCC!!!!!! it's not meant to be idolized or romanticized in any way. if you didn't notice, i barely used the word 'love' and never made either of them say 'i love you'. that was for a reason!!!! because what they share isn't love. it's unhealthy obsession & i need that to be outwardly said before i post this

[lixies-favorite-cookie]

Don't cry over spilled milk ◦ l.f

-Accidents happen is an easy thing to say when your daughter didn't just dump a cup of milk on your husband's new black carpet and all of a sudden— you can't breathe

Paring◦ Dad!Lee Felix x Mom!Reader

Words◦ 1633

Genre ◦ Hurt and comfort, ngl this was like really angsty and I didn't mean for it to be 😭, definitely fluffy towards the end though

Warnings ◦ Kinda points towards the fact that the reader might have been abused, descriptions of the readers father being an asshole, talk about abuse, the term beating black and blue, crying, spilled milk, Felix being sickeningly sweet, overuse of love, descriptions of bad dreams, trauma, bleeding, bad thoughts, and wounds (all these are metaphors).

Taglist◦@thetoastghost222I hope you like it <33

A/N ◦this is just something simple and cute I cooked up real fast I didn't really put too much thought into it honestly I just let my brain go also don't judge me but I literally just looked up "cute Korean girl names that mean sunshine" in the search engine and picked the first thing so... also I'm going to be reuploading all my old stuff into my new blog in one fair swoop soooo I'm rereading this and there's something about my writing I have always noticed is off so if anybody can point it out/ give me advice I would literally appreciate it so much

~cookiecreates 🍪

You took "Don't cry over spilled milk" very seriously because it took every fiber of your being not to sob when Ha-Yun's glass of milk dropped on Felix's new carpet, throwing a vibrant white stain on the expensive black furnishing. You really don't know how many different adjectives your brain could come up with to describe the horror you felt pounding in your heart.

It was as though this moment was a portal into the deepest caverns of your mind—a key that unlocked a swarm of memories flickering in the back of your brain like fireflies. You squeeze your eyes shut, pushing back the flood of bad feelings that seem to wash over you quicker than you can wipe them away—You're transported back to those days when your head was high and your hands were small, spilling milk on your dad's new carpet. You were so little, so naive, you didn't know that the world wasn't all butterflies and unicorns; that milk stained and dads got mad. You vowed to be the parent who held their baby's hand as they picked it up, smiling when they threw the dirty towel in the trash. 

Accidents happen.

Accidents happen.

Accidents happen.

But you don't know if that's what Felix vowed to do, and with the carpet being 600 dollars, you wouldn't be surprised if he beat the poor girl black and blue.

Just like your dad did. 

Your fingers tremble as you grip the cup in your hands, the world seems to swirl around you, swimming in all your bad dreams. It only took a teaspoon to die and a bad thought to drown. How easy it is to be pulled under the waves when you're vulnerable. You thought you kept the sea at bay, but even the most experienced divers can get pulled into a riptide. 

The cup clatters in the sink, startling you out of your thoughts. Ha-Yun babbles in the corner, throwing cheerios to the ground. This was all your fault; you shouldn't have put her high chair in the living room. 

All your fault.

All your fault.

All your-

The lock clicks.

Your heart drops, plummeting into the grave in which you buried all your pain. You scramble to find something to cover the stain. In all your panic, you forget that shit doesn't magically go away, sticking to your skin like syrup dripping down your spine. Everything was spinning in your vision as your lungs contracted, you wondered if you could really drown in theoretical oceans, especially the ones that occupied your mind.

It all seemed so silly as Felix's frame came into view, like he was made entirely from watercolor pouring down the page. You threw the towel over the mess, attempting to conceal your sobs.

Maybe he'll walk away.

Maybe he's too tired to notice.

Maybe you can spare his wrath.

“Love,” Felix's deep voice floats into your ears like cotton candy disintegrating under the waves of words you drown in. Scars were never promises on the skin; the human body is a delicate chemistry, and with the right motivation, it can crumble.

You snap. Break apart. Succumb to the river of sentences that stuck to your skin, like honey and glass. Time heals all wounds, but what about the ones that never scar, never scab? What about the ones whose vile words poisoned the flesh, eating away at your soul? Time doesn't heal all wounds because sometimes wounds are just too deep. Strong arms wrap around your huddled frame, your face drawn to your knees. 

“I-I'm sorry. I'm so sorry." you sob mindlessly, it was as though your younger self control—caught in a weird form of fight or flight—dissociating from reality.

“Sorry? Sorry for what, love?” He whispers, dropping to the floor and pulling you onto his lap. He's so gentle, so calm, so completely opposite of any love you have ever felt or any father you have ever seen.

"Milk-" You choke; your words getting caught in your throat. You dig your face into his shoulder. "She spilled the milk on the carpet. I'm so sorry." The tears keep coming as though you're bleeding all the emotions you had kept under wraps for too long; it was like an infection, and Felix's loving arms cleansed your wounds.

"Oh, love," he coos, petting your hair, "didn't anybody ever tell you not to cry over spilled milk." You can't help but chuckle, a weird mix between a sniffle and a sob. 

You must look like such a wreck right now—face blotchy and red, snot dripping down your nose, tears pouring down your cheeks—you look like you just crawled out of the pits of hell, and he still looks at you like you're the most beautiful woman he's ever laid his eyes on.

In that moment, you feel so silly, so stupid, kinda wanting to crawl back into the pits of hell from which you came. You should have known he wasn't going to react the way your father had. Felix was nothing like the man; he was kind, he was gentle, he was all sunshine and smiles, he was safe.

"I'm sorry for being such a wreck." You cuddle deeper into his chest, sniffling into his shirt. 

"Never be sorry for being human, and especially, never be sorry for showing me." It took everything in you not to break down again, letting his strong arms hold you while you scrubbed all the syrup from your soul, but you have a baby and a mess on the carpet that will be ten times harder to clean if you leave it sitting.

"I'll go get another towel," you sniffle, wiping the tears from your cheeks.

"Don't," he pulls you back down on his lap, “Put your arms around me.” You lock your hands behind his neck, yelping when he picks you up bridal style.

“What- Felix, what are you doing?” You squeal as he walks you to the couch, laying you gently on the cushions.

“I'm showing you how to clean up spilled milk,” He smirks like you didn't just destroy his 600-dollar carpet; his attitude genuinely baffles you.

"How are you not mad?” You whispered, dazed, your mind turning into mush. He tilts your chin up, peering at you with a soft smile and kind eyes. Your breath hitches, little heart eyes popping in your pupils. 

"Accidents happen, love, you never grow out of’em." You melt, literally disintegrating into a pile of goo on the couch.

"D-Do you, um, D-Do you need help?" You stutter, blinking harshly to try and gather your thoughts. It was as if his gentle heart short-circuited your tangled wires—knotted from years of wear and lack of care. 

"You just sit there and look pretty, and I'll show you why you shouldn't cry over spilled milk." He kisses you softly, smiling on your skin, "Okay, baby," he breathes, passion crackling between your lips, "You just keep-" Ha-Yun screeches, slapping her high chair full of Cheerios. Felix groans, tipping his forehead to touch yours. 

"You know, one of these days we've got to get a babysitter. I don't know how long I can stand just being able to admire my beautiful wife from afar," your cheeks burn as you tilt your head down bashfully, "Well maybe we can do that when milk isn't marinating on the floor," he claps, jumping up from his arched position, "yep, your right, jeez baby, you really know how to pull me away from a task."

You cheese, pulling the collar of your shirt over your face. "Go on," you shoo him away, "You were going to teach me something."

He smirks, walking over to the kitchen, pulling the roll of paper towels off the counter and tossing them down next to the mess, unlocking Ha-Yun's highchair to lift her out of it.

"What are you-"

"Shh sit there and look pretty," The way his eyes sparkle and his lips tilt makes him appear almost mischievous. You sink back into the couch, folding your arms in front of your chest, assessing him intently. Ha-Yun beams when she sees Felix, waving her arms around, spitting gobbly gook.

"Oh is that right, well I couldn't have ever guessed," he nods attentively like she just stated the stages of evolution, "Well, as much as I love this conversation, baby, you are going to need to clean up your mess". He chastises her gently, and she frowns, glaring at him, he lifts his brows in retort.

"You know you've got a lot of sass for a 4-year-old," he grumbles "Probably got it from your momma," he sends you a look, lips curled up in a smirk. Your jaw drops in faux offense.

"You know what-" he puts his finger to his lips, cutting you off.

"Were you this bad in school? Cause the teacher," he gestures to himself, "is teaching."

"I'm gonna-"

"Looking pretty," He singsongs, a smile playing on his lips. You bite your cheek, holding back your glare. He snickers, placing her down next to the milk—putting a paper towel in her tiny hands.

"Can you help daddy clean it up please," he squats down to her level, stretching his fingers over hers. She blinks down at the splattered milk. You can almost see the gears turning in her head when he starts carefully moving her hand back and forth over the mess. 

"See!" he cheers, his eyes glowing with pride, "Accidents happen, you just gotta learn to clean them up."

Watching the scene unfold before you fills you with an obscene form of bliss, like you have achieved one of life's greatest victories—that maybe all dads weren't raging assholes that yelled when you spilled milk because, like Felix said, accidents happen—you never grow out of'em.

©CookieCreates (posted: June, 26th 2024) All rights reserved. Do not translate, copy, or claim my works as yours! I only post on this platform so if any of my works are elsewhere, report and notify me immediately.

[papamado]

A "theory" regarding Sampo's abilities

okay so this is an absolute mess and more of a ramble but I think it might be worth sharing so here I am Since I'm very normal about Sampo Koski, I've noticed some paralels to.. osme things... and i ended up with a concept that Sampo might be aware/know the future/what is supposed to happen, aka the same/similar thing to what Elio is using as a base to write his scripts, or is aware of the scripts that Elio creates. On Belobog we don't encounter stellaron hunters (for obvious reasons), but Sampo does end up being the one who affects the way the plot goes and actively puts it in motion, he's the one in control (to some extent) He also appears to be aware of stuff that has yet to happen and its possible outcomes (getting Natasha even before we started fighting Svarog, knowing that we will arrive on Luofu despite it being an unplanned stop, the possible future Belobog catastropy) There's 2 ways to approach this: 1. He works with how it's supposed to go, (following the trailblazer around, kinda like stellaron hunters happen to do) 2. He deliberately works against it (Jarilo VI is supposed to face destruction but he prevents it, could be for personal reasons) Theres also the whole thing about him breaking the 4th wall, which could be connected. Awarnesss of the fact that this is a game could result in him having a knowledge of what the plot of said game is.

I strongly HC Sampo to be an Elation emanator, so I thought about what being an elation emanator could mean, as in, how realistically the powers could manifest From the recent guide that was released along side the 2.2 stream, we have a small entry about Masked Fools which confirms that the path powers are DIRECTLY tied to their masks (this could mean both metaphorical or physical masks but from what i get from the context here it most likely refers to the physical ones?? the concept works with both possibilities tho so whatever <3 )

We know that sampo doesn't have his mask currently (which also works in a symbolic way, Masks represent the devotion to Elation, him not having it could represent how he wants to distance himself from what Elation is considered to be and pursue his own idea of it instead. The general description provided here for how masked fools are doesn't exactly fit him either whichmight further prove that idea, i should write a seperate post on that, anyways-) , so how the hell can he do shit that we assumed earlier was Elation-related powers? i have 2 possible explanations for this 1. Him being an emanator lets him use the path powers without a need for a mask, if thats the case - the mask would only provide a powerup 2. Elation emanator powers are something else altogether

when we look at his current power set/abilities it can all be tied to the fact that this is a game so, him bieng an emanator of elation would allow him to ignore the rules of this world/mainupulate said rules, simple as that it would also explain why he can break the 4th wall, why he is aware of the future events, what leads to them and/or how to stop them in the first place and how he can do stuff that contradicts what's been established lore vise (like how nobody should be able to cross the barrier between the Overworld and Underworld), those rules don't apply to him, he's beyond them. But there's more we DO have an in game example of people already messing with the reality in the same manner - Silver Wolf From what I gathered (with help of some friends of mine mwah mwah), the "reality editing" abilites of Punklorde people are directly tied to a technology present in said world - that combined with the world view of those living here results with them reating the world they live in as if it was a game

Adding onto that, during "punklorde mentality" mission we get to hear Leonard say this:

"Masked fools believe it really exists" so are the Masked Fools aware that someone could posses *actual* (not provided by technology) power to alter/manipulate reality and ignore the established rules of the world? We can kinda see such thing happening with Aha in stimulated universe, not only do they break the 4th wall, but according to Herta they also seem to be affecting the stimulated universe itself Aha's manipulation of reality is also mentioned in the "Glimpses into the Beyond"

So maybe to wrap it all up: 1. Sampo could be aware of the possible future events and use the reality manipulation abilities/the fact that the rules don't apply to him to achieve a desired outcome 2. Him and the Stellaron Hunters have some paralels in the narrative when it comes to the role that they play and what they do?? kinda??? 3. Punklorde people could be affiliated with Elation to some extent, even if not directly blessed by it I am probably VERY wrong about all of this but honestly I'm having fun with this theory so idc <3

[bitterrobin]

Things I hate/dislike about Fanon-Damian Wayne

AKA me just bitching about the various icks of Damian portrayals in fanon that range from weirdly racist things to a blatant misunderstanding of the core character.

Whitewashing - not only in art, but in descriptions; making Damian pale or white, an "exact copy of Bruce" and having blue eyes. He'll share features with Bruce of course, but it's rare I see anyone describe him with traits from Talia or Ras or Melisande. Y'know he's still half Arab/Chinese despite Bruce being white. He should have, at the very least, a shade of brown skin and non-blue eyes.

Describing Damian like an animal (hissing, biting, clawing), calling him feral or rabid - I already have a post about how its pretty racist to constantly describe a poc character like this, so I won't go any further here. Also, rabid, really? Anyone who calls Damian that will die by my hand because it's so genuinely ignorant that I just can't excuse it.

Overuse of terms like "Blood Son", gremlin, "Demon Spawn", "Satan" - these spawned completely in fandom and its gotten to the point that I will immediately click off something if its included. Just stop using these as shorthand to describe him or joke about him. Come up with something else, or maybe just don't include Damian in a fic if he's only there to get made fun of.

Connected to the "Blood Son" term, making Damian obsessed with his biological status as Bruce's child and making him demean his adopted siblings/other adopted characters - he's only had a couple instances of this in canon comics. Once, in his introduction in the fight with Tim written by Grant Morrison when his character was still being fleshed out. Again, in a fight with Tim in Red Robin when Damian is mostly being written as an antagonist and not a character of his own. It frustrates me to no end when this is brought up because Damian's status with being Bruce's son has nothing to do with biological connection or genetics. It has everything to do with just being a son of a father that doesn't put any effort to knowing you and seeing him have deep connections to other kids that you have been raised to see as competition, not family.

Constantly having him carry around a sword/katana - this does happen in some comics, but its really not the main weapon he uses as Robin. A good majority of his time as Robin he just used the standard stuff (batarangs, grapple etc). The really aggravating part is when fics insinuate that he'd carry one around in public or in school.

Making Bruce's half of the family his good white saviors, while also making the al Ghuls evil abusers - if you demonize Talia and then prop up Bruce as a good dad who's done nothing wrong to Damian then I'm going to assume that you don't read comics and you don't have a good understanding of Damian's relationship with his parents. If you make Dick or Jason the good protective big brothers while putting down Talia or Ras or Mara, again, I'm going to assume the worst. Dick did not like Damian when they first met. Tim spent most of their time together as Red Robin/Robin hating him. Jason shot Damian point blank in the chest the first meeting they had, and then continued to threaten his life. Damian has never had a great relationship with anyone in the batfamily when he first appeared. Yes, not even Stephanie or Cassandra or Duke. With everyone, it took time for him to be tolerated much less liked or understood. Making them the ones who understood him and babied him from the start ruins his character development and his relationships with them. Only if you're writing an au where Damian is raised by Bruce, then it's excusable but still not the least bit right when handling the al Ghuls.

Making Damian ignorant or plain stupid, especially when comes to white American concepts - Damian is insanely smart. He knows what riddles are. He knows what metaphors are. He knows that Gotham is a city in New Jersey in America, and that American concepts like school clubs and sports teams and cliques and dances exist. Sometimes it sounds you're making Damian intentionally an idiot when you imply he doesn't know what a video game or a tv show is. Just because he grew up sheltered does not mean he's fucking blind. He's a kid who grew up Middle Eastern, not in another planet.

nitpick but Damian calling Bruce "baba" at every turn or throwing in "habibi" when you write ship content - I am not Arabic, but i'd feel the same kind of annoyance if someone wrote Damian calling Bruce "papa" or "padre" all the time, or randomly listing off Spanish endearments in ship fics. In moderation, it can be cute and appreciative. But sometimes it reads like you just discovered a new funny word and you're throwing it around for no reason.

Insisting that Damian should have learned morality or been punished severely by any of the bats when he first showed up - I must stress that none of them did jack shit to teach Damian any kind of morality when he appeared. Bruce met him, yelled at him, fucked off for a mission, came back and then promptly left him behind with Talia before they were presumed dead by explosion. Then Bruce straight up died. Bruce had very little to do with Damian in the early era. Dick, also, didn't really do anything in terms of actually sitting Damian down and explaining the Bat code or just general "killing=bad". He taught Damian to be Robin, and by that process, gradually got through to him about being a hero and a good person. You cannot expect good behavior from a child from the get-go if you've done nothing to teach that child. On that matter then, implying that Damian should have been kicked out of the house or beaten up on behalf of Tim as a form of punishment or a "teaching moment" is genuinely insane. You're going to abuse the already abused ten year old because he hurt your favorite character? Really? You're truly the pinnacle of an adult figure that he should respect /s.

Being annoying about Damian's attitude towards other characters - he's sarcastic and rude on purpose. It's pretty clear from the start to Damian that no one likes him, so he chooses to not like them back. If you cry about him calling Tim names, then I honestly think you don't have a high opinion of Tim at all if you think a seventeen/eighteen year old teenager would be hurt or psychologically scarred by a ten year old calling him a mean name.

Exaggerating Damian's violence and making people terrified of him - calling his fights with Tim "attempted murder" both undermines what murder actually is and undermines Tim's skill levels. The cutting the line incident for example. Obviously the action of cutting it was dangerous, but if you genuinely believe that Tim would have died from it or that he would regard it with any PTSD-level importance is (imo) kind of stupid. We always hear about the actions Damian takes around other characters, but never the canon reaction. In the 2009-2011 era, Tim was angry and annoyed about Damian. Whenever Damian did anything to him, he fought back. He would shoot back remarks, land a blow. Tim wasn't scared of Damian. They didn't even live together long enough for Tim to feel "unsafe in his own home." The second Damian became Robin, Tim left. They never lived in the same house since then, until the reboot, and even then Tim has been pretty independent and Damian has been away from Gotham more often than in it. Same deal applies to Dick and Steph and Jason and Cass, they never took Damian's actions lying down. He's just a mild annoyance to them. In fact, Damian doesn't attack them in their sleep. He doesn't try to kill them every chance he gets. He doesn't plot their demise. Every instance of Damian fighting someone in the family has either been; protective impulse, a reaction to a fight they instigated, or a sparring-type situation where neither of them are taking things seriously.

[aroaceleovaldez]

random question but i came across a post of yours where you talked about how mark oshiro sort of erased an aspect of nico's ADHD by making a joke about how he only liked mythomagic cards because he's gay and there are hot guys on the cards, and then TSATS also seemed to really downplay the themes of neurodivergence in the series. and it made me wonder if you have any thoughts on how the show has portrayed the demigods' ADHD and dyslexia so far? i've seen some people say that the show also downplayed it a lot, and i'm inclined to agree... which feels really weird considering that rick's own son's neurodivergence was specifically a major inspiration for him writing the series. but if i recall correctly a lot of scenes showcasing that in the first book were taken out of the show.

Oh absolutely, a lot of scenes and general discussion about adhd/dyslexia were removed in the show (and some of the disability-coding in general - i appreciate the change they made with making Chiron disabled based on his mythos rather than just using a wheelchair as a disguise, but i wish they had kept Grover's crutches in a similar manner honestly) - I've made a couple of posts discussing it: here, here, and this reblog is relevant to my opinions about the matter. There's probably some other stuff in my pjo tv crit tag.

I think the main sentiment i have regarding it - which i've seen a couple of other people mention as well - is how much the show ignores or outright removes and downplays Percy's personal struggles with his disabilities to instead emphasize Sally's experiences instead, particularly in manners of her taking out her stress on Percy - which alongside being completely antithetical to Sally's role in the books, is pretty ableist and why I continually compare show!Sally to Autism Speaks Parents. Autism Speaks tends to make an emphasis on the struggles of the parents of autistic children rather than treating autistic individuals like a person experiencing their own struggles. One of the major points of Sally's character (and later Paul) in the books is that she's an incredibly accommodating parent and works hard to make sure Percy is supported when he's struggling with his disabilities, because he's not been able to find that accommodation elsewhere. That's part of why Sally is such a great mom in particular, and is intentionally supposed to directly contrast Annabeth's home life struggles with her parents having difficulty navigating how to provide that same level of accommodation to help support her (and how Annabeth finds that accommodation at CHB instead, because that's the metaphor that CHB is supposed to represent - an appropriately accommodating system they can rely on, and then exploring how that's still a flawed system and looking at how disabled kids/demigods fall through the cracks and how to change the system to better support them).

The show also almost completely ignores Percy's ADHD/dyslexia experiences in general after the first episode. I was honestly really happy with, in the first episode, how clearly Percy's poor experiences in the American education system, particularly relating to his neurodivergence, have informed his reaction to situations such as people trying to tell him he's a demigod in coded language. It was essentially the perfect update to something i've discussed in the past here, about how the original "all demigods have adhd/dyslexia because it's secretly SUPERPOWERS" thing was presented as the basis for the series and why that teaching/parenting style fell out of favor. We see Percy in e1 acknowledge how dismissive of his struggles it is to constantly just be told he's "special" - and we even get explicit acknowledgement of how that description is used aggressively and for ostracization (from Nancy), which is extremely true to the experiences of kids who grew up with that teaching/parenting structure. But then we get to episode 2 and... all the acknowledgement of ADHD/dyslexia/etc is gone. We get at most a one-off acknowledgement from Luke that demigods are all neurodivergent and that's it. Pretty much nothing else for the entire rest of the season, save for flashback scenes that only emphasize Sally's experiences, not acknowledge Percy's. No further acknowledgement of Percy's dyslexia, or Annabeth's, or anything about their ADHD, or even Percy's completely removed PTSD (which we know for sure because of both writer commentary [see: that second post i linked about the LA Times article] and Percy's total lack of reaction to Mr. D). Nothing.

It was extremely disheartening to say the least, having such a strong start and it evaporating completely, and I fully agree with you.

[junos-office-drama]

Love that fic, but having trouble expressing that love in a comment? Worried that you're leaving the same comments over and over?

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(Tumblr insists on re-starting the list at 1 after the cut and I have no idea how to fix it??? It really is 40, I promise.)

[saltiestgempearl]

I don't know how many trigger warnings re:dracula is going to give for tomorrow's entry, but it really is one of the most intense entries in the entire book, and not just because it is the longest. Just reading it last year made me viscerally uncomfortable (which I imagine was exactly what Stoker wanted), so I can only imagine what horrors await us when it is voiced by all these talented voice actors and further enhanced with sound effects.

So, I wanted to say a few words while still giving as few spoilers as possible.

Last year, during the time Lucy was getting all those blood transfusions, there was some talk of how perhaps it was a metaphor for rape. I think this is ridiculous, but the rationale among these fans was that the obvious metaphor for sex (e.g., having Arthur do it first, making comments on how wild it was that others did it) meant that it was essentially sex without informed consent given.

Tomorrow's entry destroys that take so completely and utterly, because it shows us exactly what a rape metaphor sounds like when Stoker writes it. And it is not. At all. Subtle. It leaves no room for doubt. If that kind of stuff triggers you, tread very carefully with the October 3 entry.

I think it's also safe to say that, given the ending of today's entry, Renfield is not doing good and there is going to be some graphic descriptions of that, as well as descriptions of deeply unpleasant (but medically-necessary) medical procedures done in response to those injuries.

[icey--stars]

Hey I saw in your bio that your requests are open? Pls ignore if they aren't 🙏🏼 but I had this idea for Azris, and as the queen of Azris angst, I knew I had to at least share it with you

So I've been watching the Shadowhunters show (idk if you've seen it) but basically there's this seen where Jace gets possessed by some spirit thing and starts attacking his best friend, Alec. And they have a whole fight scene and it ends with Jace stabbing Alec with an arrow. All the while the ghost thing is talking THROUGH Jace and saying stuff like "Your boy's in there, screaming, begging me not to do this." And Alec is all like "it's ok, it's not your fault.". (I would highly recommend searching that scene up, it's the best angst inspo and I'm horrible at explaining)

Anyways imagine that buttt...AZRIS!!! What if after they are officially mated and everything, running their court, a new threat emerges that basically possess Eris who then attacks Azriel, maybe he stabs him, maybe there's a bit of burning involved (pls I'm sorry I know it sounds fucked up, but I love a good angst)

And then when Eris gets rid of whatever is controlling, how would they heal from that, like move on and stuff cuz I can imagine Eris would be feeling hella guilty and Az would want to forgive him but still be shaken up himself too...

Anyways if you do decide to write you can change it up as you like, I know whatever you come up with will be AMAZINGGG

You Would Never Hurt Me

Azriel is at a weekly family dinner when suddenly his bond with Eris alerts him to danger. What will happen when he realizes his mate is being controlled by another? What lengths will he go to? - 5.3k words of emotional pain.

Author's Note: Queen of Azris Angst? we sure? y'know what... i'll take it XD. I took a few creative liberties, but actually not too many... but I hope you enjoy :D

ouch my soul hurts. genuinely hurt me to write this but it just hurt so good. Also, I did end up changing the part about Az hesitating to forgive him because he was shaken up purely because the situation was so much more angsty with Az desperately trying to convince Eris everything is okay.

TW: Depictions of violence, mentions of blood, SEVERE burns, Azriel’s canon backstory, mind control trope, descriptions of severe injuries

also this was not edited very much. apologies for any mistakes!

{ ao3 link }

↢ 『 ☾ 』 ↣

The newest threat to Prythian had been biding their time for a while. Azriel wasn’t going to lie that he was nervous. He and his spies in both courts he had close connections to had been unable to find anything of use. The only thing that they seemed to know was that this enemy was intelligent and not without power. They didn’t even know if it was a fae from the continent, Prythian or even Hybern. All reports had come up useless in the grander scheme of things.

“Az, if you keep that frown on your face, it might just become permanent,” Cassian teased. He’d gone to the weekly dinner at Velaris this week. This time, without Eris. Normally he’d come along, but Eris had decided he wanted to finish up some of the paperwork and work on training one of the newest ghost hound yearlings some more commands.

Azriel couldn’t help but feel tense over the matter since he knew he’d seen more signs of the enemy closer to the Autumn Court than anywhere else. It had his metaphorical hackles standing on end almost constantly.

Cassian nudged his shoulder with his knuckles. “Come on, Az,” his brother urged. “Relax a moment. I know you’d rather Eris be here, but he’s going to be just fine. He’s a damn High Lord of fire. I think he can manage a night without your shadows surrounding him.”

Azriel sighed, nodding in agreement. “Sorry, Cass,” He mused. “Something just feels off tonight.”

“How so?” Rhys questioned from across the table, still facing Nyx as he tried to bargain with the child over eating his greens.

Azriel shrugged. “The shadows are jittery. The darkness doesn’t bring comfort. Something is just off,” he replied.

Rhys hummed in acknowledgement. Feyre replied, “Is it about that threat?” She asked carefully. The bags under her eyes were evidence that the little Heir to the Night Court was still having trouble sleeping since his visit to the Illyrian camps.

“I’m not entirely sure. But I’ve seen more signs of them near the Autumn Court than anywhere else,” he admitted. “I wish we knew what they were capable of at the very least.”

“Whatever it is, Az, I’m sure we can handle it,” Rhys said, looking up toward him. “We’ve handled far worse than one crazed individual. But if you’re nervous and you’re not even going to eat what’s on your plate until you get back to your mate, none of us will fault you for leaving.”

Nesta nodded from where she sat beside Cassian, but she was also just playing with her foot with her fork. “That, or you can kidnap him and force him to attend dinner and book club,” Nesta mused, smirking as she glanced over at him.

Azriel scoffed in amusement. “I’m not so sure he’d appreciate that, Nes.”

Nesta chuckled. “No, but it’d make your sorry ass stop brooding for five minutes.”

Azriel rolled his eyes, turning away. He put his fork down. They weren’t wrong to say he couldn’t stomach food with this… itch of some sort bugging the hell out of him.

Suddenly, the bond twitched inside of him. Not a good twitch either.

Azriel sat up straight immediately, putting a hand to his chest when more emotions began flowing through. Worry. Confusion. Fear.

Azriel stood up as quickly as he could, shadows flaring out.

“Azriel,” Rhys mused from the table. “What’s wrong?”

“He’s in danger,” Azriel breathed.

Rhys immediately stood up. “In danger? Eris? The Lord of Fire?”

“Don’t make jokes, Rhys,” he begged, breathing a bit heavier. “Don’t follow me yet. The wards will stop you. Just… keep a tab on my mind. I have a feeling what this is. And it’s not a nightmare.”

Then he winnowed, feeling Rhys gently prod into his mind to stay as a presence just on the outside of his mind so he’d know what’s happening too.

Azriel followed the bond, sprinting as fast as possible through the Forest House until-

Eris was in his office.

But then something stopped. The bond stopped. Empty.

Azriel burst in, panting terribly as he spotted Eris standing at his desk.

“Eris?” He questioned hesitantly.

Eris turned around, but his eyes were distant. Azriel’s heart dropped like a stone when he heard emotionless words come out of his mate’s mouth. “Eris is not here, Illyrian mongrel.”

Azriel squared his shoulders, pressing his already glowing siphon to form his armor over his body. He crouched down imperceptibly. “Eris, this is not a funny joke.”

That was just his denial talking though. Eris had never called him an Illyrian mongrel.

“Oh, he doesn’t?” The male asked hauntingly. “Are you so sure? I know you can’t be… being a bastard and all.”

Something slammed into his mental walls and Azriel stumbled back just as Rhys seemed to reel back in his mind.

Azriel gritted his teeth, forcing his eyes open as he stared into Eris’s eyes, waiting for the familiar clarity to come back.

“You’re pathetic,” Eris snarked. “One measly hit and it almost took you down? Weak.”

Rhys seemed to be doing something akin to building a second wall from within his mind, battling off something. Azriel couldn’t spare any mental energy to figure out what it was.

“Eris… you need to come back,” He said, but it really came out more like pleading.

Flames sparked on Eris’s palms and Azriel couldn’t help his flinch. Though his mate had been helping him overcome his fear as of late, something… something felt wrong about this.

“Eris,” he warned, eyes drawn down to the fire unconsciously. “What are you doing?”

“My name is not Eris,” he hissed, stalking closer. A dagger summoned to Eris’s palm, the flame lighting up the dagger’s edges as if it was some glowing blade. If he hadn’t been so shocked over the loss of his bond and the fear for his mate, he would’ve thought it almost looked cool. But right now? It was downright terrifying.

The male leapt at him and Azriel raised up his arms in defense, dodging to the side with only a few centimeters to spare. He didn’t want to hurt Eris. That was on the forefront of his mind.

But what was he supposed to do when Eris was trying to hurt him?

“Eris,” he pleaded. “Come back to me.”

Eris chuckled, one of the ones reserved for the lords in the council when they were pissing him off. “You know, your mate is putting up quite the fight in here. He’s been trained against people like me, but clearly not like you and your little friend protecting you.”

Azriel spared the moment of suspension to ask Rhys: What’s happening? Who?

Daemati, was Rhys’s only response and it was said as if through gritted teeth.

Shit. Eris was being controlled by a daemati. And though he had faith in Rhys, he knew that the male didn’t have much practice in fighting his own kind.

Azriel’s shadows rose like asps preparing to strike above his shoulders, as if sensing that this was not their beloved mate. No. This was an enemy this time. But he couldn’t hurt what was his.

“Let him go,” Azriel snarled.

Eris put a finger to his chin, tilting his head as if considering the prospect before scoffing. “No.” Then Eris leapt at him again. Azriel hadn’t been prepared this time- too much in shock to truly focus. His shadows reached out to cover his mate’s wrists in a desperate attempt to try and return him back, but it didn’t stop the dagger from lodging itself deep in his shoulder and twisting.

Azriel couldn’t help the pained groan that escaped him. He flared his wings and pushed forward quickly, grabbing Eris’s shoulders and pushing the male back. Though they were of equal strength, Azriel was stronger physically if they really tested themselves.

But the daemati had control over Eris’s magic at that moment and Azriel couldn’t help his yelp when the flames suddenly engulfed his hands. He wanted to scream and run, to get into the sky and never return-

He couldn’t though. This was his mate.

Azriel felt tears dripping out of his eyes as he pushed Eris back against a wall. “Come back to me,” he begged brokenly while staring into Eris’s beautiful fire-colored eyes.

“Please,” he continued.

Keep him held there, Rhys demanded in his mind. And release your shields.

Azriel really didn’t have the mental capacity to question Rhys at this moment, so he simply obeyed. The other daemati swept in, but Rhys met it head-on. Another presence joined the battlefield too- a softer type of darkness. Feyre.

A headache was beginning to bloom behind his temples at all the action occurring in his mind. More than anything though, his hands burned. The daemati was more distracted so the flames were certainly not as hot as they could be, but it still hurt.

Talk to him, Feyre ordered sternly. Bring your mate out of the fire.

Azriel let out a choked sob, his wings flaring behind him as he pressed toward Eris and rested his forehead against his mate’s. “Eris,” he begged. “I know this isn’t you. Come back to me. I know you wouldn’t-”

He cut off with a groan as the flames burned hotter. His flesh might be melting off to be honest. But he couldn’t let him go. Not now. Not ever. Azriel let another sob tear out of his throat as he pressed desperately into Eris.

“Come back to me,” he pleaded brokenly. “This isn’t you, Eris. You’re my mate. You’re mine. And you would never hurt me.”

Let go now, Feyre yelled over whatever clashing was occurring on the battleground between their minds.

“I can’t,” Azriel sobbed. He couldn’t let Eris go. Not like this. Not now. He needed his mate to know he was there and he would forgive him.

Az, let him go before your hands melt off, Rhys snarled harshly.

Azriel sobbed and stumbled backward. Eris remained standing against the wall as Azriel curled his hands toward his chest, shadows curling around them quickly, providing a soothing cold touch to them.

He kept his eyes open, watching Eris and watching his eyes. There was a flicker of fire there. Just a flicker.

“Eris,” he said again. The eyes went distant again and he snarled at the daemati, hoping the bastard could hear him over all the clashing. “Let him go. Let my mate go. Let Eris go, you-”

He couldn’t come up with an insult that could encompass all the hate he felt toward the being at this moment.

The bond flickered and Azriel clutched his chest. That put an idea in his head and he immediately brought all the love he felt for the male in front of him and shoved it down the bond as forcefully as he could. As well as some determination he hoped Eris would interpret as ‘You’re better than it. Fight back. You’re mine.’

Eris suddenly collapsed against the wall, body slumping into the floor. Azriel rushed forward before his head could slam into it as well. He cradled the male in his lap, tears still pouring down his cheeks. Everything was too much and not enough. He needed Eris, and that was about the only thing he could interpret.

“Eris, Eris, Eris,” he began repeating, pushing the hair out of his mate’s face desperately even as his shadows reported the door slamming open and Rhys with Cassian came running in.

They tried to grab his arms and drag him away but he fought harshly. “No! Don’t make me leave him,” he begged them. He needed to know his mate would be alright.

“We’ll get him too, Az,” Cassian said, pulling even more. “Rhys will get him. Come on, before your hands-”

Azriel held onto Eris even more, not wanting to leave his mate alone and afraid. Even if he was unconscious now, he would wake up and feel regret over something that wasn’t even in his control. He knew he would. But Azriel needed to be there so he could comfort him.

“Azriel,” Rhysand commanded sharply. “Let him go. Go to Madja.”

He wanted to disobey the command so badly, but his strength gave out and Cassian scooped him up onto his feet. Rhys picked Eris up into his arms and then they were winnowing straight into Madja’s clinic. Someone must’ve warned her because she already had a bucket of cold water that Cassian forced his hands into.

“Stay still,” Cassian ordered when he tried to twist and see where Rhys was taking his mate. “You’ve got to cool your hands down,” He told him. “Eris is just fine. He’s going to get checked out by Madja. You are going to get healed before your hands scar even worse with more permanent damage. Do you realize your skin is melting off?”

“But Eris-” Azriel tried to protest.

“Do not make me order you again, Az!” Rhys called from the other room. He saw Feyre winnow in as well, running toward where Rhys was. And Azriel was stuck here, useless, with his hands in a goddamn bucket. He couldn’t even feel the pain in the wake of knowing his mate was hurt.

He sobbed through his teeth. This was worse than his brothers burning his hands. This was so much worse than even the worst injuries he’s sustained in war or his line of work.

Feyre suddenly came up to him and her gentle presence ghosted along the edges of his mind before soothing something he didn’t even realize was tearing him apart from the inside it seemed like. The headache eased slightly.

“Is he okay?” He asked, looking up at Feyre. She had the most caring expression on her face and he wanted it gone.

“Rhys is with him right now,” Feyre told him. “Madja is there too, but you’re the main concern right now. He’s only going to have mental wounds. But Rhys can fix it, don’t worry,” she added on quickly when his face dropped.

“How?” He asked. “That kind of-”

“We caught it early and Rhys saw what was damaged in the fight. It’s okay, Azriel. He’s going to be okay. Now we need to make sure your hands are going to be okay, alright? Breathe and keep that even head I know you have. Eris is okay.”

Azriel sighed and slumped against whatever was nearby in relief. It ended up being Cassian. He trusted Feyre. Eris was going to be okay. And that was the only thing that mattered.

“Come on, Az,” Cassian urged, holding him up gently while still keeping his hands dunked in the water. “Your panicking will not help him if he wakes up.”

Azriel breathed and his shadows came up to whisper assurances that Eris was in the other room on a bed with Rhys and Madja. Cared for. He forced his body to come back from whatever super-adrenaline state it had gotten itself into.

“That’s it,” Cassian encouraged. “That’s good, Az. Do you feel any pain yet?”

At the mention, yes. His hands burned and not in any sort of good way. He didn’t dare look into the water. He probably couldn’t anyway since it was bloody. That probably wasn’t a good sign. The stabbing in his shoulder hurt, but it was duller than his hands at the moment.

“Yes,” he gritted out, huffing out some breath to suck more in anew as the pain now took over his being.

“I’ll get Madja,” Feyre said.

“No-” He said. “Leave her with Eris. I’m okay.”

“Eris is unconscious and Rhys is fully capable of caring for him. I’ll go over there too to help. But you need healing.”

Azriel sighed, knowing this wasn’t something Feyre would allow so he gave up on the argument early. “Okay,” he breathed. “Make sure he’s alright. Please.”

Feyre left and Madja was walking in quickly. “Get your shadows to cover your own eyes,” She ordered. The shadows, not completely under his will at the moment, took initiative and covered his eyes while she pulled his hands out of the cold water. They were numb in some places and burning in others.

Madja let out a harsh breath. “Do not lift that blindfold,” she told him and then the burning returned tenfold and he knew she was pushing healing magic into his hands. Cassian kept him restrained even as he tried to keep screams from bubbling out of his throat.

Alas, he could only stop them for so long and they soon spilled out. He lost any and all breath in his lungs all too quickly. Probably a good thing. Cassian kept him in a firm hold which grounded him somewhat but it hurt.

When he was finally given a reprieve, he was halfway towards passing out. When the pain mostly receded to a harsh ache, he finally drew in breath and slumped back against Cassian with his eyes closed.

“Come on, Az,” Cassian encouraged. “Let’s get you over to Eris, alright? Madja will wrap your hands there.”

Azriel could barely spare a hum of acknowledgement before he was being manhandled to his feet and forced to walk on shaky knees with droopy eyelids. His shadows had dropped back down to his hands, covering them from sight. Maybe that was a good thing, he decided. As soon as he saw Eris, he tried reaching out for his mate, but Cassian slapped his arm down.

“You are not using your hands, Az. Sit your ass down,” Cassian ordered. His brother helped him get out of his armor and leathers so he was just in his undershirt and pants.

He was forced to sit on the stool nearby, but was allowed to scoot it as close as possible to Eris to lean down over the bed and rest his forehead against Eris’s skin, breathing his mate’s scent in. It calmed his nerves just enough for him to finally take a deep breath.

Madja came in and forced him to hold himself up for a few more minutes while she wrapped his hands in white bandages as well as his shoulder. Then he was allowed to rest. Rhys pulled away from Eris eventually and he perked up, looking at his brother.

“He’ll be alright,” Rhys assured him. “At most, he won’t remember the fight, which I’d say is a mercy.”

Azriel sighed in relief and rested his head back down into Eris’s now cold palm since he couldn’t hold it properly. There, he fell asleep.

–––––

Azriel didn’t know how much time passed when he awoke. His hands ached like none other and if he had to be honest: everything hurt. Apparently, almost having your mate be gone to mind control by a daemati gave you some really bad tension to deal with. Specifically in his shoulders which were always the hardest to get at. Impossible now because of the thick bandages on his hands. The stab felt as if it’d already healed over. Perks of Illyrian healing, he supposed.

He lifted his head from wherever he was laying and squinted when he looked to his left and saw an empty bed.

“Eris?” He said aloud, sitting up and glancing around more. Someone must’ve moved him to the bed. But where was his mate? Azriel needed to be with him.

Suddenly, a burst of calm exploded from his chest and Azriel gasped for breath, not even realizing he’d been holding it. The bond. Thank the fucking Cauldron it was back. It meant that Eris was awake and okay enough to not be… well, dying.

Azriel groaned as he stood up, flexing his wings out behind him as he stared down at his hands. For Madja to have wrapped them so much he couldn’t even move his wrists… he must’ve gotten burned quite badly, he deduced. But, priority number one was finding Eris.

He tugged on the bond once, slowly wandering out toward where Madja usually sat in her clinic.

Eris was beside her.

Azriel breathed deeply at last, relief coursing through his veins at the sight of his mate being awake and even having a conversation with Madja over something relating to some sort of bright orange plant that looked like fire. He stumbled his way over there as quickly as he could, wrapping his arms around Eris and pressing his nose into the junction of his neck and shoulder to breathe in his scent.

Eris, however, had frozen. And that sent ice barreling through Azriel. What had happened?

“Hi Az,” Eris said hesitantly.

Azriel pulled away immediately, coming around to see Eris from the front to try and discern what the problem was.

For some reason, he had a guilty look on his face. Not a joking one- no, it was similar to the one he had when he figured out he’d accidentally forgotten something in court which led to the death of some farmers. A broken sort of regret.

“Eris, what’s wrong?” Azriel asked, brows furrowed in concern. “What happened? Did someone do something before I woke up? I’ll kill them for you with or without my hands,” he said, rage already pooling in his heart at the thought of someone making his mate feel this sort of guilt.

“No, no, I’m fine,” Eris waved him off, averting his gaze to the ground. “Nobody did anything besides that damned daemati.”

“I’m already killing him,” Azriel said to try and assure his mate. “I’m going to find him, tear his head from his shoulders and put it on a pike. Give the body to the scavengers and the head can be a personal trophy until it decays.”

A small chuckle came out of his mate’s chest and Azriel warmed up considerably, glad he could at least get that out of Eris. A chuckle was a start.

“Come on, Eris,” Azriel said, bringing his bandaged hands up to cup Eris’s cheeks. “Tell me what’s wrong. I’m not blind.”

Eris sighed and then gently grabbed Azriel’s forearms to hold his hands up. “This is what’s wrong,” he pointed out as if it was obvious.

Azriel’s brows furrowed. Then he realized. “Eris, these are not your fault. These are that bastard’s fault.”

“It was my fire that burned you, Az,” Eris argued, releasing his hands and standing up.

Madja stood as well. “I’ll let you two talk this out. Let me know if someone starts dying,” she says as she walks out.

Azriel looked at Eris, checking him from top down for any injuries or other apparent signs of his emotions. Both males had tells even if they were masters at hiding away.

“It was your fire controlled by that bastard,” Azriel argued, pressing forward. He paused when Eris backed up, even more concerned. It’d been centuries since Eris had backed away from his comfort. 

“Eris,” he spoke softly. “I would’ve held you back even if my wings were burned off my shoulders. It is not your fault. Take away that guilt from your mind right fucking now. I could’ve let go the instant the daemati lit the flames, but guess what? I didn’t, did I?”

Eris looked sheepishly now and Azriel opened up his arms.

“It’s okay, Eris. You would never hurt me. I know that. You should already know that,” Azriel insisted. “My hands will heal in time. There’s a reason Madja is so esteemed as a healer. And I’m pretty sure she even got to the burns faster than the guards did when I was 8. The only reason I can speak about that night and not fear the flames is because of you.”

Eris now had tears running down his face and Azriel dared a step forward.

Eris didn’t move, but he didn’t come closer either. “I’m sorry,” Eris whispered, closing his eyes.

“You would never hurt me,” Azriel repeated.

“Your hands-”

“I don’t give a fucking shit about my hands,” Azriel cut him off. “I’d rather my entire arm be torn off than be in a world where you’re controlled by a daemati. Don’t you realize that? I would do anything to protect you. My hands being burned is the least of my worries.”

“Az, I still burned you. In the worst of places,” Eris argued.

“You did not burn me,” Azriel insisted. “You would never hurt me. Trust yourself on that, huh? Trust me on it at the very least.”

Eris choked on a sob and Azriel opened up his arms again. Finally, finally, his mate went stumbling into his comfort.

“I should have fought harder against his control,” Eris said, voice broken and muffled against Azriel’s shoulder. “I could have. But it was just so hard. It felt like everything in my mind had gone under ice, yet I could feel the heat escaping me. Burning you. I tried so hard and it didn’t work-“

“Shh…” Azriel hushed, holding Eris as tight as he could. “You did the best you could, Eris. The fact you even still remember the experience is a miracle in itself. Daemati can be very damaging. Can scratch memories. Rhys was able to repair them but I was so worried about you. You have no clue.”

Eris sobbed wetly into his shoulder and Azriel felt tears slipping down his own cheeks as well. He let his emotions flow freely over the bond. Eris’s were still a mix of guilt, but now it was more of a lost hopelessness than true guilt. More of a “I don’t know how to fix this” kind of look.

“There is nothing that you did wrong,” Azriel whispered. Eris hugged him tighter and he smiled, squeezing him back as well. His shadows were helping him give more force behind it since he was unable to use his hands and the damn plush of the bandages did not help.

“I don’t know what happened beyond the fact I burned you,” Eris admitted. “I was caught off guard since I was tired and waiting for you to come home. He just… snuck between my mental walls and latched on like a damn leech.”

“You need to rest more. Now that we know we’re dealing with a daemati, we need to keep mental shields sharp. But luckily we have some of the most powerful daemati on our side. It’s already two against one,” Azriel joked.

Eris chuckled and finally pulled away to meet Azriel’s eyes. “I’m going to help you heal your hands,” he declared. “I’ll help you with everything. Anything. Writing? Done. Massage or oil? Done.”

“If this is you trying to make up for a fake mistake, don’t,” Azriel said seriously.

“This is me helping my mate through an injury,” Eris replied, giving a small reassuring smile despite the obvious signs he’d been crying not even a few seconds ago.

“Good,” Azriel told him. “I’ll definitely take you up on the writing part. I’ve got to write down things about what happened. See if we can piece together clues. And maybe it’ll help you piece together your memory,” he added.

Eris nodded. “Anything,” he repeated.

“But first,” Azriel said, putting one bandaged hand up, “We’re going to bathe because we both stink.”

Eris couldn’t help the laugh that exploded from his chest and it made Azriel all the merrier. He loved making him laugh like this.

“Agreed,” his mate replied. “Maybe we should talk to Madja about the wrapping of your hands first?”

Azriel nodded in agreement. “Then a warm bath,” he added. “I may take you up on the massage you mentioned,” he joked. “My shoulders ache.”

“You were sleeping on a goddamn stool when I woke up,” Eris said, scoffing in amusement. “Of course your back is hurting, bat. You should have laid in the bed not even two feet away.”

“I needed to be close to you,” Azriel admitted. “I thought I wouldn’t sleep like the dead and be awake with you but…”

Eris chuckled. “You always sleep like the dead when your face is buried in my scent. Honestly, you shouldn’t have expected any differently.”

Azriel rolled his eyes. But the little banter also assured him that Eris was truly okay. At least for now, those thoughts of guilt had been warred against and lost.

Cassian came jogging in loudly suddenly and he sighed in relief when he spotted them. “Thank the fucking Cauldron you are both awake,” he panted. “Az? How are your hands?”

“Hurt, but they’re fine,” Azriel dismissed. “How bad were they?”

“You do not want to know,” Cassian replied.

“I would,” Eris spoke up. “After all, who knows how to heal burns better than the Fire Lord who deals them out?” He said. But luckily, his tone was lighthearted. No guilt to be seen. If there was, Azriel would’ve slapped the back of his head to reprimand those feelings.

Cassian hesitated, but then sighed. “Skin was practically melted off. Some parts were down to the bone. Bloody as hell,” he briefly described.

Azriel sucked in a breath, gazing down at his own hands. How had he not felt that? Apparently, his concern over Eris had been that powerful. Eris also seemed frozen in shock.

Cassian shrugged. “They looked better after Madja used all her healing magic on them. I think the only thing she was concerned about was the potential damage to your sense of touch, Az. Like, light touches.”

Azriel hummed in response. “It certainly wouldn’t be any different than the aftermath of my old injury,” he admitted. “Just takes a few years for it to return to normal.”

Cassian hummed. “Well, anyway, I was just coming here to check up on you,” he admitted, rubbing the back of his head.

“We’re fine,” Azriel assured his brother. After a moment of hesitation, he sighed and said, “Thank you, Cass. You kept a level head.”

Cassian scoffed. “Someone had to. You should’ve seen Rhys. He was practically catatonic with the mental battle. I’m surprised his or your head didn’t burst. Or Eris’s for that matter.”

Eris chuckled softly at that, but didn’t say anything. Azriel glanced at him before stretching his arms out best he could without the use of his hands. “Anyway, we’re off to get clean,” he declared.

“Tell Rhys the Autumn Court isn’t getting one of my brothers as ruler just yet,” Eris joked.

Cassian chuckled and nodded. “Don’t die,” he replied with a snicker before walking back where he came from. Wing beats told them that he’d actually left.

Madja was walking back in too. “While I’d rather keep your hands wrapped, Azriel, I do agree that you two need to bathe,” she explained. “I’ll unwrap them, but they’re going back on immediately after.”

The shadows floated towards her, some settling on the bandages of his hands as if in question to continue the order she gave them last time.

“I believe it will be alright if he sees his hands now, my friends,” Madja told them with a sweet smile. “Let’s get them unwrapped now.”

Barely fifteen minutes later, Azriel and Eris were sitting together in the bathtub, mostly just relaxing. Azriel pulled his hands up out of the lukewarm water (more strict instructions from Madja) to examine them. His old scars… were almost gone. As if burned or melted away. Instead, deep indents remained. His hands felt as if they had lost weight and he couldn’t move his fingers yet, but Madja had told him the muscles still needed time to realize they weren’t melted anymore.

Regardless, it looked odd. The skin was pulled tight. But something felt off about them.

Eris put a hand on his wrists to put his hands back in the water and draw his attention. “It’ll just take time,” Eris assured him.

“I don’t think I’ve heard of burns this bad,” Azriel admitted.

“I have,” Eris said. “Normally it took a few years, but they did eventually heal if they survived the initial burning.”

Azriel hummed. “Guess you’ll be doing the paperwork for a while,” he joked.

Eris scoffed, smiling. “Indeed I will,” he agreed.

↢ 『 ☾ 』 ↣

A/N: hope you enjoyed (and cried at least once because I SOBBED while writing this)

Tagged in all ACOTAR Stories: @bunnymallowo, @officiallyunofficialperson, @margssstuff, @rebloggiest-reblogger, @inpraizeof, @graciereads, @eos-princess, @bubybubsters, @fieldofdaisiies, @skyesayshi, @lilah-asteria,

Tagged in all Azriel Stories: @ladylokilaufeyson5, @marina468,

[sweetbbyshion]

Eros' song

-> Shinichiro Sano x Reader (no pronouns or descriptions)

characters: Shinichiro Sano

genre: fluff

summary: you write a poem as a way to confess to your best friend

warnings: childhood friends to lovers, i wrote the poem so please don't be too mean or i'll cry, also DON'T STEAL THE POEM FOR THE LOVE OF GOD it will be my last reason, the reader is into books, first quote is from Kafka's Letters to Milena and the second is Edgar Allan Poe's Annabel Lee

network: @eveningatthemoviesnetwork

Shinichiro has been your best friend since your first memory surfaced. From the moment you could process thoughts and emotions, the man has been close to you. Truly, it was a matter of time until one of you fell in love and you happened to be the (un)lucky one.

You were no older than thirteen when the infamous incident happened. Shinichiro (also thirteen and with a really, really ugly hairstyle) looked at you and gave you a big toothy smile, like he always does whenever a cool bike passes by you. Suddenly, flowers exploded behind him, angels sang, the sun shone brighter than it had all day and you found yourself almost squinting and on the verge of throwing up because of the butterflies in your stomach. Metaphorically, obviously.

It was a shame, really. You nearly yelled at the universe for not giving this evil curse to Shinichiro instead but, apparently, the entities above also doomed Shinichiro to a life of rejection. So, you suffered because your best friend didn’t look at you and the man suffered because no girl wanted him.

At thirteen you turned into poetry and all kinds of literature, finding pieces that you related to a bit too much and, eventually, writing things yourself. Shinichiro didn’t understand most of the stuff you read, always questioning what words meant and what was so special about those poems that had you tear up so often. You shared that part of your life with him as well, showing the poems, drabbles, verses you came up with that were messily written in your journal. Fortunately for you and your weak heart, Shinichiro didn’t really understand that most of the things you wrote were about him.

It stayed that way until you were twenty three. You were less naive, more in tune with the feelings that made you want to throw up years ago and definitely in love with your best friend (who kept getting rejected even after changing the horrible hairstyle; the Gods really hated you both). Shinichiro had his own bike shop, a gang that supported him through everything and you. He still happily reads whatever you wrote in your journal and he still doesn't understand half of the stuff you have there but the honest praise and support makes your heartbeat a little bit faster. Shinichiro is there when you publish your very own poetry book, his name deservedly on the first page. To Shinichiro, who was always there for me. As Franz Kafka said “In a way, you are poetry material; You are full of cloudy subtleties I am willing to spend a lifetime figuring out.”

So, maybe, you were a bit too obvious with the whole ‘I love you’ deal but Shinichiro didn't seem to understand all the hints you dropped. Everyone around you seemed to find out about your little secret and some of his friends even went out of their way to let you know he felt the same but you weren't so sure.

“What you writing over there?” the smooth voice of Shinichiro pulls you back to reality, the noise in the shop coming back in an instant. It was almost dinner time and you came into the shop hoping to have a meal with your best friend before going home. Deciding to entertain yourself, you pulled out your notebook and a pen from your bag and wrote some ideas that popped in your head as you stared with heart eyes to the object of your affection.

“Nothing important.” A lie. The words that stared back at you formed, yet again, another finished love poem that you dreamed of showing to Shinichiro in hopes that he would read it and return your feelings. Shinichiro knew you were lying. Somehow he always knew. You refuse to return eye contact when he grabs your pen and doodles mindlessly next to the verses, a routine he acquired when you whined about the pages of your journal being too boring with just words in it. You look at his hands gently drawing small hearts (Shinichiro couldn't draw a heart even if it was to save his family but you grew to love the blob shapes) and a random dog with stars surrounding it.

“Can I read it?” You meet his eyes, tender and sweet, which were already looking at you. Your heart flips, turns and does cartwheels when Shinichiro gives you that toothy smile that makes him close his eyes and you can only let out a small “Sure.” before closing your mouth so you don't accidentally confess.

My soul holds a secret that my pen

Now wishes to share.

In ink-stained lines, my feelings find a home:

Untold to anyone but the Gods from above,

As I convoke Eros to help me compose a piece

That will reach your heart.

But do I dare?

Do I dare trouble the deities with a greedy tone

When I can’t gather the courage

To whisper confessions when we’re alone;

The only witness to my love

Being the moon shining high up

And the paper getting stained with passion.

So sure of my affection yet,

I hesitate.

Do you dare reciprocate these heavy feelings

That only keep me awake at night or

Am I merely a friend that consoles your ego

When things fall apart?

But it’s okay,

For I have accepted the possibility

The harsh, unwanted probability

That I’m doomed to an existence of unrequited love

And a lifeless life

Without the muse who inspires me

To write the most loveful poems and

The most sorrowful verses.

You nervously glance at Shinichiro while he is reading, noticing how his eyes squint and his nose scrunches from time to time (he does it when he doesn't understand something that is written). You pay close attention to his face, the poet in you wishing to remember Shinichiro until your last day if the worst was to happen. A part of you hopes the man will finally understand all of the things you wished to say but weren’t strong enough to. You pray that your poem reaches his heart and soul, that he sees you not only as a longtime friend but a life partner. “Wow.” He sighs, lifting his eyes from the paper to settle on you again. “I’ll never get tired of saying you’re really good.” Shinichiro stands back at his full height, murmuring about back pain after leaning down for so long. You look up at the man who has your world spinning around him, waiting to see if he says something more. He doesn't.

“Is that all?” You ask, playing with the bracelet on your wrist (a gift from Shinichiro when you turned 18). He looks at you confused. His eyes scan the paper again, rereading the verses to figure out if he missed anything. He still looks lost so you grab the pen and, in a moment of courage, you write a few words at the bottom of the poem. For Shinichiro, who I “loved with a love that was more than love”. The handwriting is shaky, giving away the anxiety exuding out of you. Shinichiro reads the additional words, then stops, then looks at you. You get up, not being able to have his body towering you that way. He is standing next to you and, for the first time, you’re not sure about the emotions revealed by his eyes. You wonder if you made a mistake confessing out of nowhere, in his shop, while his siblings and friends are hanging out and the last customers exit. You should have eased your way into the subject but what’s done is done and all you have left is to wait.

“I know I’m not the smartest person…” Shinichiro’s eyes are on you, reading your every move. “But does this mean what I think it means?” You nod, not trusting your voice. His eyes widen and, in a sudden movement, Shinichiro is even closer to you. His hands are on each side of your face, forcing you to look at him. “You wrote a poem for me. A love poem.” You nod again, your movements a bit restricted by the big hands holding your face in place. “I’m going to kiss you.”

Shinichiro gives you five seconds to step back before his lips are crashing against yours. You don't think any poem, book, word could describe what you felt the moment your lips met. It’s fast and a bit clumsy but you couldn't be more happy this happened, unable to control the smile when Shinichiro stops the kiss to look at you. You want to giggle like a young teenager when Shinichiro gives you that smile you love more than anything. “Does this mean you feel the same?”

“Yeah. Have for a while. Couldn't stand the thought of getting rejected by you though.” His thumb caresses your cheek and you find yourself leaning to the touch.

“I would never reject you.” You murmur, embarrassed at such revelation. “You know there’s a quote from Emily Brontë-”

“Tell me about her in a bit.” Shinichiro interrupts you. “I want to kiss you again.”

The next time you write a poem isn't about Shinichiro, your best friend. Instead, you dumped all of the new (reciprocated) feelings about Shinichiro, your boyfriend, and the experiences you get from living with him by your side. Most of your poems were and will probably always be about Shinichiro Sano, no matter the status he holds in your life. You get to love your muse and your boyfriend gets a lifetime supply of romantic poetry dedicated to him (as well as quotes that fit each situation).

[1800titz]

Okay besties, I feel that I’m usually very nice on here, and I never, ever post negative anons (firstly because I’m blessed that very few people who stumble into my corner of the internet feel the need to send something nasty, and secondly because that simply defeats the purpose of the space I try to cultivate), but I have to make a lil announcement and it might come off a little stern.

I’m not sure why I have to make this announcement, but I guess it’s time to remind people of that little rule we all learned when we were kids; “If you don’t have anything nice to say, don’t say anything at all.”

I’ve gotten two asks this like now and I’m going to assume that they’re from the same person (in good faith of the people who browse my blog) because I didn’t block the first time (I would hope numerous people aren’t taking it upon themselves to anonymously send in messages like this) but going forward: sending in an ask like this will get you blocked. You are gaining absolutely nothing by sending something like this in, because you are not going to get your desired outcome. Whether that be to make me feel some type of way about my own writing, or get me to change my writing style. It’s just a really weird thing to do. It doesn’t make me want to simplify my writing for you. It just makes me want to stop sharing it with tumblr.

Absolutely no offense to the book-tok lovers, because I know that the type of prose that’s been blowing up has been really simple, non-descriptive stuff. If your goal is to have an easy read and just consume, that’s okay, but you’re probably not going to vibe with my writing style. Prose is supposed to make you analyze. It’s supposed to be poetic and full of metaphors. A story is supposed to enthrall you with it’s worldbuilding and immerse you. Make you think, make you learn new words. I read a lot of classics, and one of my favorite things about reading those is analyzing the structure and learning new words. If you’re not into reading, that’s all good, but don’t read my stuff and take it upon yourself to make an unwelcome criticism (when writing styles all differ because enjoyment is subjective). It makes me feel super weird that someone who reads my stuff thinks it’s okay to send things like that.

It’s okay not to like something. Just keep it to yourself and don’t read. If it’s not for you, it’s not for you! Just scroll :)

[curse-of-dming-strahd]

Can we get a variation of the off-limits list so we can all nod knowingly when you say what your location is in-game bc We Know What You Had To Change

YES absolutely, a fine ask and I may pin this response

assurance: I may write like a goblin but I promise I am a confident DM, my friends and I are all having fun with this challenge, and I'm only panicking about how to stitch up plot holes and not how to run the game. And I was already planning on changing a bunch of shit in CoS before my players asked for it to be PG-13 and chill.

that said I've never had to adjust anything quite as hot a mess as CoS before, and I foolishly haven't finished reading this 265 page tome yet so idek what wild shit is waiting for me in the back half, BUT HERE WE GO

BELOW IS THE LIST OF STUFF THAT'S OFF-LIMITS AT THE TABLE

We've agreed the following topics and tropes will be avoided at the table, and will not feature as plot in our story. I've asked players to not include these themes in their backstories or act out these tropes during play:

Ableism, ableist behavior

Bugs (insects, spiders, grubs, maggots, etc., one of my players has a big problem with swarms of little bugs especially)

Cancer or cancer-like disease (no tumors, cancerous growths, etc.)

Cannibalism

Claustrophobic scenarios

Clowns (hilariously I thought this one wouldn't come up BUT THEN I FOUND SOME CLOWN SHIT SOMEWHERE IN CASTLE RAVENLOFT)

Creepy dolls (similar to clowns)

Drug addiction, mechanics that simulate addiction

Eyeball trauma or spooky eyeball imagery

Genocide (stares at Rahadin)

Hangings/lynching (including general gallows imagery)

Homophobia

Incest

Necrophilia

Racism (including fantasy racism)

Religion (we can mention like, a church or a god or something, but we want to avoid religion being a driving plot point or dealing with NPCs who do stuff because of their religion; I've got some plans to get around this but I have a feeling this one in particular may Get Complicated later in the module).

Self-harm

Sexual assault (I gotta be careful with vampire stuff since It's Kind Of A Metaphor)

Slavery, slave labor

Suicide (stares at Strahd's backstory)

Transphobia

Realistic acts of terrorism (very fantasy terrorism is ok though!)

Realistic descriptions of torture

[dev-solovey]

So I just read this awesome LGBT extreme horror book:

(description in alt text)

Content warnings: gore, cockroaches, sexual assault, discussions of prison, gender dysphoria, transphobia

I want to give some context about the author, based on her interview with Asher Dark on YouTube as well as my own conversations with her (she's super sweet!). This was her first book, which she wrote while she was in prison - AND while she was transitioning. She began her transition in prison, and the intersection of those two experiences informs the narrative as well as drawing parallels between imprisonment and dysphoria.

The story surrounds a transgender woman named Vera who's staying in a cabin alone for the summer so she can focus on writing her next horror book. As she becomes increasingly paranoid due to isolation, her writing gets more disturbing - writing that is threaded into the narrative about a killer who defiles women in some of the worst ways possible. Vera is disturbed by this writing because something about this killer feels too real.

From here on, there are spoilers. Also, this is an extreme horror/splatterpunk book, it should go without saying that things are about to get really, really gnarly. This is your one and final warning about that, you are not allowed to whine in the comments beyond this point. Dead dove, do not eat.

So the prologue is arguably one of the most brutal parts of the book. It ends with this killer sexually assaulting the woman he's kidnapped by binding her hands and feet, then putting a jar of cockroaches in her pussy and lighting a flame beneath it, sending the cockroaches fleeing from the heat up inside her. Extremely shocking beginning, but the things that stood out to me most is the parallels to prison.

Prison really is the ultimate violation of autonomy. You're being literally locked up, physically and mentally, in a where things like sexual assault and pest problems are rampant and inescapable. When Carietta told me that this book represents everything she felt and experienced in prison, I didn't expect those feeling to punch me in the face so quickly, but I'm glad they did. It's terrifying and uncomfortable, but that's the point - it sets up what this story is about.

The first chapter tells us a bit about Vera's life - she has a conversation with her (very sweet) fiance, Connor, where they establish that she's going to be at this cabin alone while he's off doing field research for his own profession. From there, the story whips back and forth between Vera writing and going about her day, and the brutal actions of this killer.

Throughout the story, we see more and more details about this killers envy of women, and Vera's own struggles with dysphoria. Much like in prison, she can only talk to Connor over the phone, and she feels she's growing more distant from him to the point where she becomes increasingly envious and thinks he might be cheating on her - a thought fueled by her returning dysphoria. Later in the book, we see that the killer's motivations for tormenting women come from a hatred of them, a hatred which is later revealed to be jealousy in disguise. He wants to be a woman, but believes he can't be - and that makes him want to torment attractive women because it's not fair that he can't be one too.

The two parts of the story meet at the end, and you realize that the killer is what Vera could have become if she repressed herself any longer. As a transgender man myself, I absolutely loved this metaphor. Many people who are trans, before they realize it, put themselves through their own personal conversion therapy, where they tried to stuff down the other gender as much as possible. And that's essentially what this killer is doing - he's not just tormenting some woman he's kidnapped, but metaphorically, he's tormenting the woman within Vera, chaining her up and keeping her trapped and oppressed.

The torment that he enacts really makes the reader squirm, as it should - it's intended to evoke ever-present discomfort, which is exactly what gender dysphoria is too. As I read, I think on some level I always knew how it was going to end, even though it still kept me guessing. Because it matched up with my own experiences so well, I had the suspicion that the killer was just another side of Vera, but I never knew how the two elements were going to come together until the very last page.

The storytelling structure of Unmarked Grave is non-linear, very unconventional. If you're looking for something plotty and straightforward, this isn't it - it's a reflection of personal experiences, which are always messy and never fully resolved. It's raw and brutal.

The extreme horror serves it well for that reason. At best, dysphoria makes you uncomfortable, and at worst it makes you feel like you're going insane. A genre like extreme horror is perfect for evoking that feeling. The constant s itching between points of view is also extremely disorienting, and while that made it occasionally difficult to follow, I see why the author made that choice, as it serves the metaphor well.

I highly recommend this book to any queer horror fans out there - you can purchase it on Amazon, where you can also find Carietta Dorsch's other works, including a short story collection she released just last month. If you want to learn more about her, she did an interview on the Unveiling Nightmares channel with Asher Dark, where she goes into more detail about her work.

Lastly, I wanted to share some pictures of my copy of the book - I purchased a signed copy, and what she did with the packaging was so neat I just have to share it with everyone:

She packed it in an envelope designed to look like police evidence, and included a few horror movies stickers and fake cockroaches to go along with the theme. My favorite touch on the evidence package is under remarks, where it says "STAY OUT OF THE WOODS".

And of course, here's her signature:

If you read it, don't forget to leave a review - much like small businesses, indie authors live and die by reviews. If not, please reblog and share to support a trans horror creator!!

[shrekgogurt]

Ten Questions for Writers

Thank you for the tags! @artsyunderstudy @roomwithanopenfire @youarenevertooold @emeryhall @monbons @larkral I'm eating up reading your answers because we're all so DIFFERENT.

How many works do you have on AO3? 9 (technically 10 but we orphaned one of them out of shame)

What’s your total AO3 word count? 99,978 (mine) + 7,531 (shared) + 9,991 (someone else's) = 117, 500 (total)

What fandoms do you write for? presently, Carry On but back during my high school ff.net days I did some Percy Jackson/Heroes of Olympus (Percabeth and some separate OCs), Alex Rider (OCs), The 100 (as an elaborate prank), Harry Potter (literally just a My Immortal parody), and Divergent (OCs) and if they weren't oneshots they were never finished.

Do you respond to comments? Why or why not? YES! I'm currently behind on my replies, but it's so fun! It's like a book club but for stuff I created!!???? Shit rocks. I fully didn't expect anyone to read IKABIKAM (my first fic on ao3) when I first published it and so every comment still feels like a miracle.

Have you ever had a fic stolen? No.

Have you ever co-written a fic before? Yes! I love collaborating because it gives me something to bounce off of. A scene partner. A ticking timer. It's like lifting a heavy object by yourself versus getting someone else to bear some of the weight with you. It's easier. I also find myself constantly seeking collaboration with other people even with my solo fics. I'm all up in those DMs pestering people both as motivation and as external processing. And by GOD, do you fuckers have some good ideas. Y'all make me exponentially better.

What’s your all-time favorite ship? SnowBaz but also in a very real sense...Percabeth. (You never forget your first.)

What are your writing strengths? I got my start with rping, so dialogue is really comfortable for me. I also think my training in other art forms (dance, music, theatre, film, academia) positively influence my approach. When writing action, I often mentally frame it as 'blocking' the scene or 'choreographing' the movement. When crafting sentences, I'm constantly evaluating the rhythm and rhyme and repetition (not to mention alliteration) as if it's a song, always searching for the perfect word or metaphor. I also listen to actual songs and pull the emotion from them, using them as character studies or a musical soliloquy. I imagine shots and then write what I see from the perspective of a director explaining the actor’s motivating thoughts. I constantly revisit my thesis, grounding the narrative in callbacks and a cohesive structure like it's an academic paper. And all those things combined create this kinetic cause and effect style I'm really proud of and tangibly improves every time I write something new.

What are your writing weaknesses? I do not have a firm grasp on proper grammar. I'm also really slow and inconsistent with my output because my process is so physically disorganized and meticulous which often frustrates me. I'm also impatient. I don't do wholesale messy drafts; I edit as I go and when I'm done I want it published immediately. I also fall victim to the white room syndrome with physical descriptions. Establishing shots? Don't know them. What a guy looks like? What they're wearing? Sorry, I haven't told you because it felt weird to jam in there. Outside of fanfiction, I also struggle with creating something from nothing. I'm a theologian rather than a god. I much prefer playing in a sandbox and exegeting meaning from someone else's grunt work rather than conjuring the wood and the sand myself. My writing is also incredibly referential to pop culture which I'm not sure would translate outside of fanfic, but I guess I'll cross that bridge if I ever get to it.

First fandom you wrote for? Divergent (big cringe)

Now tagging! @onepintobean @cutestkilla @theearlgreymage @thewholelemon @mooncello @brilla-brilla-estrellita @you-remind-me-of-the-babe @bookish-bogwitch @facewithoutheart @fatalfangirl @urban-sith @prettygoododds @valeffelees @ileadacharmedlife TELL ME HOW YOU WRITE YOU GENIUSES