#like it wasn't the first comic i read but it was the first that had me be like yeah i want more of this this is fun

[crime-scene-psychic]

I honestly think that the Nolan Batman trilogy was the best and worst thing to happen to the Batman franchise, because on one hand, it was the first live-action instance of trying to make Batman more gritty and serious (because while the Keaton, Kilmer, Clooney movies took the story much more seriously than the 60s television show, they were still goofy at times, which is why I honestly think they're the best rendition of Batman, because they were able to balance silliness with seriousness, which is what Batman is all about, but that's obviously an entirely different thesis) which then allowed for more people to take comic book movies serious, consequently leading to the rise of the DCEU and, obviously, the MCU (we would not have the MCU today and the actual good movies that came out of it without Nolan's trilogy, there's simply no argument there).

However, the Nolan trilogy also unfortunately made "dark, gritty Batman" the norm, meaning that once anyone tries to actually have some fun with Batman, they immediately get shit on by comic book dude bros. It also created the most annoying characterization of the Joker that everyone has been trying to replicate since and no one will be able to replicate, because they simply do not understand the character (I honest to God think the closest live-action actor who has ever made a Joker character work besider Heath Ledger was Cameron Monaghan in the Gotham television show, and he wasn't even really Joker??? but at least he didn't make it everyone else's problem and was a good mix of goofy and psychotic, not just psychotic) and will never be Heath Ledger (but they don't stop trying much to my forever annoyment).

And while I can recognize the cultural and significant impact on the comic and film community that Nolan's trilogy had, it is still by far my least favorite adaptation because of how serious it takes itself (and of course, the racism. The racism is actually the bigger one for me. Fuck Christopher Nolan for that. Ra's al Ghul is NOT a white man just because you want a plot twist, and you CANNOT just erase Bane being mixed race because you fucking FEEL LIKE IT because him being mixed race is extremely relevant to his origin). Batman has had serious moments in the comics, don't get me wrong, and I know things must evolve and change over time and that I cannot expect an 80 year old character to not be further developed throughout the decades, but it almost feels as if Nolan and Goyer (the writer) read a Sparks Notes version of the history of Batman, cracked their knuckles, and said "yeah, I think I got it."

Spoiler alert: they did not get it.

When I watch the Nolan trilogy (which I haven't in quite some time and I really don't want to, even to prove a point to people on the Internet) I notice how uninspired it feels, story-wise. While the action and cinematography is excellent, the story is lacking for me, and when you're telling a story like Batman, that has decades of content, you cannot just forgo storytelling for cool special effects.

I'd much rather watch a Batman adaptation that has the shittiest effects known to man with a writer who whole-heartily cares for the characters they're writing and has taken time to research. And that's honestly one of the biggest problems the comic book film industry is having now, both DC and Marvel. They're not hiring people who actually care about these characters to write them and they're focusing much more at appealing to everyone they can instead of who the movies should be made for: fans.

You're gonna have such a harder time convincing my mom, a woman who only cares about Wonder Woman, to watch the new Captain America film than you would someone who has read the Sam Wilson Cap comic run. And while this entire issue stems from the fact that the film industry is just that, an industry, and has become less about filmmakers making art and more-so how much money investors and producers can get out of ticket sales, it is still infuriating to see franchises you care deeply about be ruined by guys just there to cash their paychecks and be done with it.

And really, the film industry as we know it needs to be fucking demolished from the inside out, but that will never happen and now we're a bit off-topic. So, back to Batman.

I think another issue I have with newer live-action Batman adaptations is that they choose to forgo a VERY IMPORTANT character when it comes to Batman/Bruce Wayne's evolution as a character and story line.

Robin.

Since whatever the fuck the casting of Chris O'Donnell in 1995 was (why was he, like, a grown man?), people have been afraid to touch a live-action Dick Grayson with a six-foot pole (besides Titans, which I'm gonna get to in a sec). Which is ridiculous, because he is, like I said, an insanely important character when it comes to showing the growth Bruce Wayne goes through.

Bruce Wayne becomes Batman because he is so angry about his parent's deaths and the corruption of Gotham that he doesn't know what else to do. All the money in the world cannot change things for the better, his own father tried and died for his troubles, and he is left with no other option. Bruce Wayne works during the day to fight corruption via charity and his company, Batman works during the night and is able to do what Bruce Wayne can't (beating the shit out of people, mainly). The two are separate sides of the same coin.

And despite this seeming like a good arrangement, it's pretty obvious in most adaptations (at least they get THAT right) that beating the shit out of people in back alleys is not a good replacement for therapy. You're able to see the toll being Batman has on Bruce. He quickly becomes more occupied with being a vigilante than being himself. Bruce needs something to break through this internal struggle and help him balance both lives.

And so a boy named Dick Grayson comes along.

Dick's so important (and so are the other Robins, of course, but Dick being the first means I have to talk about him a bit more) because he forced Bruce to get his shit together. Here's a boy who's about the same age Bruce was when his parents died, who also just saw his parents killed in front of him, and is so full of rage he has no idea what to do. Sounds familiar...

Bruce is able to help himself by helping Dick. He gives him an outlet to vent his anger and frustrations while also looking out for him in the best way he can. While there are many issues with how Robin comes to be in various comic runs (and if this was real life it would be fucking ridiculous) Dick becoming Robin is extremely important. If he hadn't been taken in by Bruce Wayne, if he'd been allowed to let that anger continue to bubble up inside of him, he probably would have killed Tony Zucco and that would have been enough to set Dick down a terrible path he might not recover from.

The same goes for Bruce. If he were to set out and kill the person who shot his parents, he wouldn't be a hero anymore because that single event would shatter the entire point of Batman, which is that he is not meant to decide who lives and dies. If he were, how would he be any different than all the villains in Gotham that he fights as Batman? How would he be better than the corrupt businessman and politicians that he has to battle as Bruce Wayne? He wouldn't.

Batman needs Robin and Robin needs Batman, because they are yin and yang. Light within darkness, darkness within light. You cannot separate these characters and still tell an accurate story, it's impossible. I think that's a huge issue Nolan's movies have, on top of many others. You cannot accurately present to me a Batman story if there is no Robin, just as you couldn't give me a Robin story without Batman.

Every Robin is so important to how Bruce Wayne as a character is developed, and disregarding this as a creator is not only disrespectful to the character, it misses the entire point. I refuse to take your adaptation of Batman seriously if you can't figure out how important Robin is. He isn't just some kid sidekick, he isn't an optional side character, he is what makes Batman human. You cannot have gritty, Neo-noir Batman and forgo Robin just because you see him as the sidekick in tights. When Batman was silly and took itself less seriously, sure, there wasn't a lot to Robin nor Batman's troubling pasts. But now that you want to deep dive into Bruce Wayne's psyche and pick apart what makes him the way he is you wanna throw in the towel and erase the part that humanizes him? Fuck. You.

You can't make a complex Bruce Wayne and take away parts that help audiences understand his complexities, that's fucking STUPID!

Titans, for all its faults and problems, will always have my gratitude as it had the fucking balls to give, without a doubt, the best and most rounded live-action adaptation of Dick Grayson we have ever seen. Titans introduces Dick at a very important and rocky time in his character arch: him leaving Bruce.

If you're not in the know, there's a falling out between Bruce and Dick that's been written a couple different ways over the years, but all comes down to Dick being "fired" from being Robin and leaving Gotham. This is a bit of a newer story line in comparison to how long the character of Dick Grayson has been around, and eventually leads to Dick becoming independent from Bruce, signalling his evolution from "side kick" to his own hero, Nightwing. However, there's issues with Dick having to give up the Robin mantel, because it's something that is whole-heartily Dick Grayson. Robin wasn't something Bruce Wayne came up with, it was the nickname his parents gave to him. Even the colors are his, those were the colors of the Flying Graysons' uniforms. Robin is much more than just a vigilante alter-ego to Dick, it is the last link he has to his past and his parents. So when this is taken away from him and given to another, this causes a huge internal struggle for Dick, as he has to deal with the anger he now has for Bruce, a man he originally looked up to and idolized. This is Dick seeing how wrong it was for Bruce to do some of the things he did to Dick, despite at the time those choices being what both needed.

The way Titans is able to portray this extremely delicate time in Dick's story line in a way that not only makes sense for his character, but also allows for growth is really admirable. Like I said, the show isn't perfect by any means (can I PLEASE get a Romani actor to play Dick PLEASE) but it's the first time I feel that the character is wholeheartedly taken serious in a live-action setting. You can tell the writers have a better idea about how the characters should interact in a live-action setting and while some choices are questionable to me, the heart is there.

Nolan's movies in comparison feel soulless and devoid of all creativity and love. He does not care about these characters, no matter how much he tries to make you think that, and he never will. Christopher Nolan, you will NEVER convince me that you give two shits about Bruce Wayne. And if you, the director, can't bother to care, why should the audience? Why should I care about your adaptation if you can't even be bothered to put an ounce of individuality into it?

With Matt Reeves' Batman films underway, things are getting worse again. For a while, we only had to deal with the shitty Joker adaptations that tried to replicate Ledger's Joker, but with the Reeves Batman movies, the film bros are making themselves known again. I remember when the new design for the Riddler dropped and I said it was shit and people on Twitter and YouTube got SO PISSY at me and told me I just don't understand Batman and that I'm childish for enjoying the designs for Gotham Riddler/ Batman Forever Riddler and whatever and that I'm stupid, which none of those things are true, I hate to be confident in anything, but I think I know more about Batman than you do, Twitter troll.

The suit sucked and the character sucked. They just created a new character but gave him the Riddler's name. That's NOT the Riddler. That's honestly closer to Hush than Riddler, so just... do that? But of course, less people know about Hush than Riddler, and you're not trying to make a film for fans, you're trying to make money, so why would you ever be so silly as to do that! I'm not gonna talk to much about the new Riddler, just because it's super old news and it's not the point I was trying to make here, it's just something that continues to piss me off when it comes to gritty recreations of characters, because Riddler really never was supposed to be some Zodiac Killer wannabe, he's supposed to be a guy who leaves you riddles and makes you solve them and he's supposed to be a little silly about it. And I'm not saying you can't do a more gritty Riddler, because Arkham Knights did it super well imo! Just don't reinvent the wheel! Don't just make a new character and call him by another's name, that's a disservice to the character themselves and their creators.

This is a hard topic, because you have people who get the point of these characters (people who have actually read a comic before and paid attention to the story) but you also have insufferable film/comic bros who worship the ground Nolan and Reeves walks upon and who don't even take time to explore the rest of the Batfamily comics (his gang of vigilante children show up in the stand-alone Batman comics, though, so I don't know how they're missing this, unless they have the reading comprehension of a goldfish, which they probably do tbh). It's why I think a lot of these weirdos don't like Gotham Knights or Wayne Family Adventures, because they hate the thought of there being any semblance of fun in the Batman franchise. Not everything needs to be doom and gloom! Let Dick Grayson be bisexual and let Bruce Wayne have a PTA rival! You can have your cake and eat it too!

I know this seems like a silly sentiment coming from a person who just wrote an entire essay on this, but maybe don't take Batman so seriously? I don't mean, of course, that you can't care about these characters, I'm actually saying the opposite! I care very deeply for these characters, so much that I obviously spat all this out. I just think some people need to fucking chill when it comes to realistically portraying Batman. There's nothing wrong with taking a more serious approach to the characters and I have no problem modernizing them, but you can't just have action hero Batman, you have to have the human behind the mask too. And if you can't balance that, then I'm sorry, but you shouldn't be making Batman adaptations, because you obviously don't understand what the character is about.

I'm nervous to see where Reeves will go with the character, and only time will tell. I've heard rumors he plans to introduce Robin, I've heard rumors he doesn't. Either way, it's obviously out of my hands and I'll have opinions either way, but I really hope he has a better understanding of the history of the franchise than Nolan. While I appreciate, again, what Nolan did for revolutionizing not only the Batman franchise but the comic movie industry as well, I can still find faults in how he went about things. I truly don't believe we can have a worthy adaptation of Batman live action without Robin and without embracing the silliness of Batman's villains and I really hope producers, writers, and directors realize that soon.

Sorry if you read all that...

[give-grian-rights]

can someone tell me why im being abnormal about a character i've barely touched the content of. like yay yippie i watched like 20 hours of you. there's fucking 80 years of content get me OUT OF HERE?

[bobbinalong]

I miss the super sons. Now that Jon was aged up, hanging out with Damian is weird. Not that they hand out as often as they used to.

They have the same age gap they had before the age-up; it's just reversed now, my guy. Damian used to be 13, Jon used to be ten, now Damian's 14 and Jon is about 17. It's still three years. And they hang out plenty; they just unfortunately don't have an ongoing anymore.

An alternate-universe version of them even showed up in the most recent Flash! They had a movie come out not too long ago written by Jeremy Adams, as well.

Also, DCeased features them prominently as Batman and Superman, I think, but I haven't been keeping up with that one, so no screenshots of that. It's not like we're in a Super Sons drought.

[dan-crimes]

LMAO so funny thing is everyone knows the whole Sonic and Shadow looking alike thing is total bullshit and I totally agree those comments they try to pull in the games and show(s? I'm not technically a Sonic fan I dunno if it's multiple) make basically no sense to me but then my Mom comes in while watching Sonic Prime and says "So what, Sonic has a brother or something?" and this whole other world has opened up to me and I've seen the truth of it all

[solradguy]

Some day ASW is going to release a piece of Guilty Gear media that REALLY goes into depth on Gears/Gear cells and I'm gonna translate it in record time. I NEED to know, Daisuke, the secrets of your interdimensional beasts

[leatherbookmark]

ooooh apparently the pjo show is out? or is it just the first episode? i'm not sure but. hm!!

[inkovert]

something that really grinds my gears as I venture into other writing/bookish spaces is the fact that people have to apologize when stating their opinions/personal preferences when it comes to what they read or consume for fear of offending The Majority. Like there's this sudden hyper-defensive stance that fans or certain groups of people take about what they love and if someone else god forbid states (on their OWN account or a comment thread mind you, with others who agree with them) that they prefer not to consume those things or they don't love it as much as those people do then these people suddenly feel attacked??

Like. Imagine me obsessing over a show that I've binged a million times and then someone across the globe whispers the words "eh I don't really like that show, it feels overhyped and I don't get why people like it. I prefer this other show to that' and I DIVE ACROSS THE OCEAN to be like 'You're entitled to like that other show, but I don't get why you have to put down my show that I love so much in order to say that. Like that's just very rude of you to even verbalize that opinion in your own space of living and existing that's nowhere near my space of living and existing.'

Like??? People?? Do we not see how mad that is?? THAT'S what's happening in the book community rn and we're treating that like it's normal, I don't know. I get that people can cross a line when stating an opinion or make generalizations about people who consume certain things, but...I don't need someone else's validation to love what I love? If they don't like it or think I'm weird or whatever for liking it that's their problem (and their opinion)??? It doesn't say anything about me or change how I feel about the things I like? And if I'm around people who are bashing what I enjoy and I don't want to see that then maybe just...click away? delete their comment? click unfollow? follow more people who like what you love to drown it out? idk. People are entitled to not like what you love, that's what makes us all beautifully diverse. idk.

[queeranarchism]

I think the left completely failed to form an effective covid-safety strategy.

First they failed by putting far too little effort into winning systematic changes (access to health care, access to paid sick leave, ventilation of work- and public spaces, etc) and putting most of the focus on individual behaviors that they could judge individuals for (vaccines and above all masking).

Their second failure was to then primarily rely on punitive pressure and scolding people to achieve that behavior. Which meant that this strategy only kind of worked a little when they had enough people to keep up that pressure. The moment that pressure wasn't enough anymore, most people stopped masking because they'd only even done it because of external pressure.

This left us with nothing. No systematic changes and no group safety.

At that point, the third failure was to change nothing once it became abundantly clear that these tactics weren't working. People wrote comics and long reads and video essays about the lack of solidarity of people who stopped masking, and while there was truth there, that didn't change anything.

Yet at no point did people take stock, re-assess and change strategy. To this day people are just doing the same thing over and over again and expecting different results. In fact, people seem to just double down. Where they talked about a range of safety measures in the past they've switched to only talking about masking. Where they used a range of tactics in the past, they've switched to only scolding.

And when you challenge them, the response is something like "But I am right, this is unjust, so people should change when I tell them it is unjust". But that's not a strategy. Creating societal change doesn't require being right, it requires having an effective plan on how to actually achieve real change.

And I don't have a full draft of what would make an effective strategy. I think unions could play a big role in achieving things paid sick leave and proper ventilation. But I don't have all the answers either. I think there needs to be an acknowledgement that what's currently happening isn't working, and that a new strategy is long overdue.

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[vxnuslogy]

— pasalubong.

pairing: kinich x gn!reader

premise: kinich wasn't a sentimental person at heart, until you left to travel. neither was he easily upset, but here he was, undoubtedly upset that you didn't give him a gift with your recent package.

— warnings: ooc-kinich and ajaw (still havent done the new aq), he's a bit down bad, and misses you dearly.

— author's note: this is not angst despite the premise LMFAO. art credits to @.n429g on twt. | 1.6k words.

“delivery for kinich!” a mail man shouted, trying his best to not look down over the ledge the scions of the canopy is held. “delivery for ki—”

“i heard ya!” the small dragon yells, taking the sealed letter and small box from the man’s hands and throws a pouch of mora as thanks. 

the man sweat drops at the comical sight of the tiny dragonlord floating up to where kinich was. said man was dangling his legs over the ledge, hair swaying with the wind and an indifferent look on his face as he swats away his small companion and roughly takes the letter in his hands. he could only assume that the two had started another argument once again.

with a sigh, he cups a hand to his mouth and shouts, “thank you for your patronage!”

kinich looked in his direction and gave him a small nod. there were few postal workers here in natlan, so he made sure to at least pay the man generously—especially with how his legs shake and hand clutch the side of the mountain for dear life.

ajaw continued to punch and tug at his head but his attention had zeroed in on the envelope. it felt heavier than the last and you had sent a small package with it. ‘for my dearest, kinich & almighty dragon lord, ajaw.’ the small note said with your signature right below it as well as a wax seal at the corner. your penmanship makes kinich smile and before ajaw can open his mouth, he takes the grapple on his waist and zips away to find a secluded place to open your gifts. they were sacred to him and therefore had to be treated with utmost care.

when he lands on teticpac peak, he sits down by one of the rocks and gently peels away the seal. kinich makes a mental note to stop by a market to get a new container for all your letters, after all, his bedside drawer can only hold so much of you over the years. 

‘to my dearest, kinich,’

with just four words, you had him smiling like a fool. one hand propped behind his back to support his weight as he leisurely soaks in your stories like a sponge. ajaw sits by his shoulder, impatiently demanding him to open the box that came along with your letter. kinich was not even half way with reading before he relented—you always had a knack for making pages and pages of stories, but he didn’t mind. you have been away for nearly 7 years now and send only a letter or two every few years. kinich learned to appreciate the pages of your love every time they arrive.

“hurry up!” ajaw demanded, waiting with bated breath as kinich opened the box. “learn to be patient, ajaw.”

the dragon only huffed and turned around but it didn’t take long before he dove head first into the array of gifts. while his little companion drowned in material luxuries, kinich took out items in piles and made a mental note to give them to their respective owners.

kinich tucked the small pouch with xilonen’s name along with your letter for her at his side. he will deliver these to her first, he concludes. as he’s sifting through the items, kinich catches a glimpse of ajaw sitting on a toy fox’s head with a small note with kachina’s name. the final item that seemed important was a small box containing colorful seashells with mualani’s name on it.

his brows furrowed in confusion as he sets all the gifts down carefully and sifts through the package one more time. and again, and again, until his lower back felt sore. ajaw noticed his antsy behavior and decided to look at what all the fuss was about. kinich sat down, head lowered with his bangs covering his eyes—ajaw was beginning to worry (but he would rather die than verbally admit it).

“hey!” ajaw turned to kinich who had stiffly stood up. clutching at your letter as the sliver of expectancy in his eyes dimmed. “don't tell me they actually forgot about you?”

“let’s go back,” he says with a subtly sullen voice. “we have to deliver these to the others.”

ajaw makes no further comment and sits on his shoulder as they zip from one place to another. he doesn’t point out the way kinich’s eyes looked duller and the way a frown tugged at his lips—he was upset. 

“hmph! i'll be sure to show them a piece of my mind when they get back!" the dragon complains to him as they arrive back home. kinich beelined his way back to his residence, a bit more aggressive than he normally would.

he doesn’t want to admit that he was upset—it was stupid. so what if you didn’t get him a gift after not hearing from you for almost a year? but how come everyone else had one? hell even citlani and mavuika received one, so why didn’t he?

with a click of his tongue he pushed past all the people in his way, muttering half hearted apologies here and there as ajaw kept calling his name. kinich was not upset nor was he disappointed—he wasn’t a child chasing after the trail of gold you left behind anymore. he was an adult now, someone people look up to and admire. kinich was no longer the shy kid that always wondered if he could ever chase after you.

“kinich!”

with the shout of his name, he was taken back to memory lane. how you would call to him from the ground, a pair of wheels at your feet as you glided through the rocky terrain as if it were made of ice. the smile you flash him as you point to your finish line makes his heart skip a few beats, rendering him only to reply in a nod because his mind has turned into a mushy puddle. 

“kinich!”

you have always been golden in his eyes. smiles bright like the sun, kindness gentle like its morning rays, and hypnotizing in the starry trail you leave behind. kinich remembers the first time he tried his hands on rollerblades. he felt unwittingly afraid of standing on his own two feet, the possibility of his world turning upside down with one single step scared him. but you were always there to ward away his fears. it wasn’t long before he took them off and said with a dead expression that he will never try them again. the laugh that he managed to steal from your lungs made all his suffering worth it.

“kinich!”

he doesn’t like letting things go, not when you’ve taught him how to cherish every little thing. but he’d hate himself if he kept you from your dreams. so there he was, all those years ago, standing by natlan’s borders, unable to say goodbye as the rest bid theirs. you had to make him face you—gently cupping his jaw with both hands and flashing a small smile, giving him a tempting offer.

“let me stay,” you said. you were willing to give up your dreams if it meant making him happy. kinich didn’t want his happiness, he wanted yours.

“leave,” he said bluntly. it made you laugh because it sounded incredibly rude, but the way he held your hand in his shaking hold, lip bitten until it almost bled, everyone knew he was struggling the most.

“i’ll give you souvenirs,” you offered as consultation and it took every willpower he had to say he only wanted you. 

“i’ll keep them safe.” he replied and you smiled.

“kinich!”

urging you to travel has been the best and worst decision in his life—you were enjoying your life but he was stuck missing you. his longing for the sun in his life greatly outweighed his happiness for you. how can he be happy when happiness is spelled with your name? the way you smile, and the way you leave a golden trail?

“kinich.”

“ajaw, enou—” his sentence was cut off when he turned to look at the smiling faces of his tribe. brows furrowed in confusion as he searched the crowd for a certain green dragon, but all his eyes could see was gold.

the wind in his lungs was stolen as the images of smiling faces turn to fade, his attention solely on you in the distance, ajaw by your side as you both waved him over. as fast as the winds could take him, kinich ran straight in your arms—his home. your laugh ringed like morning birds and your hands felt warm like the afternoon heat. you were home; you were his gift.

“pasalubong, for kinich,” you say with a teasing lilt to your voice. 

“pasalubong?” he repeats, hands coming to cradle your smiling face. “what does that mean?”

you smile wider and hold his hands with your own. “it means gifts given by homecomers. but,” you tuck away a stray piece of his hair behind his ear as you tempt him in another embrace. “it can also mean ‘to meet again.’”

kinich laughed—airy and bright, like the setting sun. this was so you, he thought, burying his head in your neck. trying to make up for all the lost physical contact he had missed. 

“thank you for the gift.” he said with a smile.

you pat him on the back and hummed in delight. “i came back just for you.”

“i’m honered,” he jests and takes a step back, not letting your hand go. “you should be! the trip back home is nothing short of tedious!”

he chuckles because kinich knows he’s a goner. no need for xilonen’s amused teasing, mualani’s persistence and kachina’s curiosity. everyone in his tribe and maybe even natlan knew, kinich would wait for you knowing you’ll eventually come home to him.

© vxnuslogy 2024. do not plagiarize, repost, or translate any of my works without my knowledge or consent in other platforms or websites.

[mollyrealized]

How Michael Met Neil

original direct link [MP3]

(Neil, if you see this, please feel free to grab the transcript and store on your site; I had no easy way of contacting you.)

DAVID TENNANT: Tell me about @neil-gaiman then, because he's in that category [previously: “such a profound effect on my life”] as well.

MICHAEL SHEEN: So this is what has brought us together.

DAVID: Yes.

MICHAEL: To the new love story for the 21st century.

DAVID: Exactly.

MICHAEL: So when I went to drama school, there was a guy called Gary Turner in my year. And within the first few weeks, we were doing something, having a drink or whatever. And he said to me, “Do you read comic books?”

And I said, “No.”  I mean, this is … what … '88?  '88, '89.  So it was … now I know that it was a period of time that was a big change, transformation going through comic books.  Rather than it being thought of as just superheroes and Batman and Superman, there was this whole new era of a generation of writers like Grant Morrison.

DAVID: The kids who'd grown up reading comic books were now making comic books

MICHAEL: Yeah, yeah, and starting to address different kinds of subjects through the comic book medium. So it wasn't about just superheroes, it was all kinds of stuff going on – really fascinating stuff. And I was totally unaware of this.

And so this guy Gary said to me, "Do you read them?" And I said, "No."  And he went, "Right, okay, here's The Watchman [sic] by Alan Moore. Here's Swamp Thing. Here's Hellblazer. And here's Sandman.”

And Sandman was Neil Gaiman's big series that put his name on the map. And I read all those, and, just – I was blown away by all of them, but particularly the Sandman stories, because he was drawing on mythology, which was something I was really interested in, and fairy tales, folklore, and philosophy, and Shakespeare, and all kinds of stuff were being mixed up in this story.  And I absolutely loved it.

So I became a big fan of Neil's, and started reading everything by him. And then fairly shortly after that, within six months to a year, Good Omens the book came out, which Neil wrote with Terry Pratchett. And so I got the book – because I was obviously a big fan of Neil's by this point – read it, loved it, then started reading Terry Pratchett’s stuff as well, because I didn't know his stuff before then – and then spent years and years and years just being a huge fan of both of them.

And then eventually when – I'd done films like the Underworld films and doing Twilight films. And I think it was one of the Twilight films, there was a lot of very snooty interviews that happened where people who considered themselves well above talking about things like Twilight were having to interview me … and, weirdly, coming at it from the attitude of 'clearly this is below you as well' … weirdly thinking I'm gonna go, 'Yeah, fucking Twilight.”

And I just used to go, "You know what? Some of the greatest writing of the last 50-100 years has happened in science fiction or fantasy."  Philip K Dick is one of my favorite writers of all time. In fact, the production of Hamlet I did was mainly influenced by Philip K Dick.  Ursula K. Le Guin and Asimov, and all these amazing people. And I talked about Neil as well. And so I went off on a bit of a rant in this interview.

Anyway, the interview came out about six months later, maybe.  Knock on the door, open the door, delivery of a big box. That’s interesting. Open the box, there's a card at the top of the box. I open the card.

It says, From one fan to another, Neil Gaiman.  And inside the box are first editions of Neil's stuff, and all kinds of interesting things by Neil. And he just sent this stuff.

DAVID: You'd never met him?

MICHAEL: Never met him. He'd read the interview, or someone had let him know about this interview where I'd sung his praises and stood up for him and the people who work within that sort of genre as being like …

And he just got in touch. We met up for the first time when he came to – I was in Los Angeles at the time, and he came to LA.  And he said, "I'll take you for a meal."

I said, “All right.”

He said, "Do you want to go somewhere posh, or somewhere interesting?”

I said, "Let's go somewhere interesting."

He said, "Right, I'm going to take you to this restaurant called The Hump." And it's at Santa Monica Airport. And it's a sushi restaurant.

I was like, “Right, okay.” So I had a Mini at the time. And we get in my Mini and we drive off to Santa Monica Airport. And this restaurant was right on the tarmac, like, you could sit in the restaurant (there's nobody else there when we got there, we got there quite early) and you're watching the planes landing on Santa Monica Airport. It's extraordinary. 

And the chef comes out and Neil says, "Just bring us whatever you want. Chef's choice."

So, I'd never really eaten sushi before. So we sit there; we had this incredible meal where they keep bringing these dishes out and they say, “This is [blah, blah, blah]. Just use a little bit of soy sauce or whatever.”  You know, “This is eel.  This is [blah].”

And then there was this one dish where they brought out and they didn't say what it was. It was like “mystery dish”, we had it ... delicious. Anyway, a few more people started coming into the restaurant as time went on.

And we're sort of getting near the end, and I said, "Neil, I can't eat anymore. I'm gonna have to stop now. This is great, but I can't eat–"

"Right, okay. We'll ask for the bill in a minute."

And then the door opens and some very official people come in. And it was the Feds. And the Feds came in, and we knew they were because they had jackets on that said they were part of the Federal Bureau of Whatever. And about six of them come in. Two of them go … one goes behind the counter, two go into the kitchen, one goes to the back. They've all got like guns on and stuff.

And me and Neil are like, "What on Earth is going on?"

And then eventually one guy goes, "Ladies and gentlemen, if you haven't ordered already, please leave. If you're still eating your meal, please finish up, pay your bill, leave."*

[* - delivered in a perfect American ‘serious law agent’ accent/impression]

And we were like, "Oh my God, are we poisoned? Is there some terrible thing that's happened?"  

We'd finished, so we pay our bill.  And then all the kitchen staff are brought out. And the head chef is there. The guy who's been bringing us this food. And he's in tears. And he says to Neil, "I'm so sorry." He apologizes to Neil.  And we leave. We have no idea what happened.

DAVID: But you're assuming it's the mystery dish.

MICHAEL: Well, we're assuming that we can't be going to – we can't be –  it can't be poisonous. You know what I mean? It can't be that there's terrible, terrible things.

So the next day was the Oscars, which is why Neil was in town. Because Coraline had been nominated for an Oscar. Best documentary that year was won by The Cove, which was by a team of people who had come across dolphins being killed, I think.

Turns out, what was happening at this restaurant was that they were having illegal endangered species flown in to the airport, and then being brought around the back of the restaurant into the kitchen.

We had eaten whale – endangered species whale. That was the mystery dish that they didn't say what it was.

And the team behind The Cove were behind this sting, and they took them down that night whilst we were there.

DAVID: That’s extraordinary.

MICHAEL: And we didn't find this out for months.  So for months, me and Neil were like, "Have you worked anything out yet? Have you heard anything?"

"No, I haven't heard anything."

And then we heard that it was something to do with The Cove, and then we eventually found out that that restaurant, they were all arrested. The restaurant was shut down. And it was because of that. And we'd eaten whale that night.

DAVID: And that was your first meeting with Neil Gaiman.

MICHAEL: That was my first meeting. And also in the drive home that night from that restaurant, he said, and we were in my Mini, he said, "Have you found the secret compartment?"

I said, "What are you talking about?" It's such a Neil Gaiman thing to say.

DAVID: Isn't it?

MICHAEL: The secret compartment? Yeah. Each Mini has got a secret compartment. I said, "I had no idea." It's secret. And he pressed a little button and a thing opened up. And it was a secret compartment in my own car that Neil Gaiman showed me.

DAVID: Was there anything inside it?

MICHAEL: Yeah, there was a little man. And he jumped out and went, "Hello!" No, there was nothing in there. There was afterwards because I started putting...

DAVID: Sure. That's a very Neil Gaiman story. All of that is such a Neil Gaiman story.

MICHAEL: That's how it began. Yeah.

DAVID: And then he came to offer you the part in Good Omens.

MICHAEL: Yeah. Well, we became friends and we would whenever he was in town, we would meet up and yeah, and then eventually he started, he said, "You know, I'm working on an adaptation of Good Omens." And I can remember at one point Terry Gilliam was going to maybe make a film of it. And I remember being there with Neil and Terry when they were talking about it. And...

DAVID: Were you involved at that point?

MICHAEL: No, no, I wasn't involved. I just happened to have met up with Neil that day.

DAVID: Right.

MICHAEL: And then Terry Gilliam came along and they were chatting, that was the day they were talking about that or whatever.

And then eventually he sent me one of the scripts for an early draft of like the first episode of Good Omens. And he said – and we started talking about me being involved in it, doing it – he said, “Would you be interested?” I was like, "Yeah, of course."  I went, "Oh my God." And he said, "Well, I'll send you the scripts when they come," and I would read them, and we'd talk about them a little bit. And so I was involved.

But it was always at that point with the idea, because he'd always said about playing Crowley in it. And so, as time went on, as I was reading the scripts, I was thinking, "I don't think I can play Crowley. I don't think I'm going to be able to do it." And I started to get a bit nervous because I thought, “I don't want to tell Neil that I don't think I can do this.”  But I just felt like I don't think I can play Crowley.

DAVID: Of course you can [play Crowley?].

MICHAEL: Well, I just on a sort of, on a gut level, sometimes you have it on a gut level.

DAVID: Sure, sure.

MICHAEL: I can do this.

DAVID: Yeah.

MICHAEL: Or I can't do this. And I just thought, “You know what, this is not the part for me. The other part is better for me, I think. I think I can do that, I don't think I could do that.”

But I was scared to tell Neil because I thought, "Well, he wants me to play Crowley" – and then it turned out he had been feeling the same way as well.  And he hadn't wanted to mention it to me, but he was like, "I think Michael should really play Aziraphale."

And neither of us would bring it up.  And then eventually we did. And it was one of those things where you go, "Oh, thank God you said that. I feel exactly the same way." And then I think within a fairly short space of time, he said, “I think we've got … David Tennant … for Crowley.” And we both got very excited about that.

And then all these extraordinary people started to join in. And then, and then off we went.

DAVID: That's the other thing about Neil, he collects people, doesn't he? So he'll just go, “Oh, yeah, I've phoned up Frances McDormand, she's up for it.” Yeah. You're, what?

MICHAEL: “I emailed Jon Hamm.”

DAVID: Yeah.

MICHAEL: And yeah, and you realize how beloved he is and how beloved his work is. And I think we would both recognise that Good Omens is one of the most beloved of all of Neil's stuff.

DAVID: Yes.

MICHAEL: And had never been turned into anything.

DAVID: Yeah.

MICHAEL: And so the kind of responsibility of that, I mean, for me, for someone who has been a fan of him and a fan of the book for so long, I can empathize with all the fans out there who are like, “Oh, they better not fuck this up.”

DAVID: Yes.

MICHAEL: “And this had better be good.” And I have that part of me. But then, of course, the other part of me is like, “But I'm the one who might be fucking it up.”

DAVID: Yeah.

MICHAEL: So I feel that responsibility as well.

DAVID: But we have Neil on site.

MICHAEL: Yes. Well, Neil being the showrunner …

DAVID: Yeah. I think it takes the curse off.

MICHAEL: … I think it made a massive difference, didn't it? Yeah. You feel like you're in safe hands.

DAVID: Well, we think. Not that the world has seen it yet.

MICHAEL (grimly): No, I know.

DAVID: But it was a -- it's been a -- it's been a joy to work with you on it. I can't wait for the world to see it.

MICHAEL: Oh my God.  Oh, well, I mean, it's the only, I've done a few things where there are two people, it's a bit of a double act, like Frost-Nixon and The Queen, I suppose, in some ways. But, and I've done it, Amadeus or whatever.

This is the only thing I've done where I really don't think of it as “my character” or “my performance as that character”.  I think of it totally as us.

DAVID: Yeah.

MICHAEL: The two of us.

DAVID: Yes.

MICHAEL: Like they, what I do is defined by what you do.

DAVID: Yeah.

MICHAEL: And that was such a joy to have that experience. And it made it so much easier in a way as well, I found, because you don't feel like you're on your own in it. Like it's totally us together doing this and the two characters totally complement each other. And the experience of doing it was just a real joy.

DAVID: Yeah.  Well, I hope the world is as excited to see it as we are to talk about it, frankly.

MICHAEL: You know, there's, having talked about T.S. Eliot earlier, there's another bit from The Wasteland where there's a line which goes, These fragments I have shored against my ruin.

And this is how I think about life now. There is so much in life, no matter what your circumstances, no matter what, where you've got, what you've done, how much money you got, all that. Life's hard.  I mean, you can, it can take you down at any point.

You have to find this stuff. You have to like find things that will, these fragments that you hold to yourself, they become like a liferaft, and especially as time goes on, I think, as I've got older, I've realized it is a thin line between surviving this life and going under.

And the things that keep you afloat are these fragments, these things that are meaningful to you and what's meaningful to you will be not-meaningful to someone else, you know. But whatever it is that matters to you, it doesn't matter what it was you were into when you were a teenager, a kid, it doesn't matter what it is. Go and find them, and find some way to hold them close to you. 

Make it, go and get it. Because those are the things that keep you afloat. They really are. Like doing that with him or whatever it is, these are the fragments that have shored against my ruin. Absolutely.

DAVID: That's lovely. Michael, thank you so much.

MICHAEL: Thank you.

DAVID: For talking today and for being here.

MICHAEL: Oh, it's a pleasure. Thank you.

[lilybug-02]

The Chara Timeline Continues...

Woah!!! Where'd all the color go?? >:(

Part 29 || First || Previous || Next

--Full Series--

I KNOW IT'S BEEN 8 MONTHS SINCE THE LAST UPDATE I WILL EXPLAIN!!!

Hello!

SO. It's a bit hard to describe the feeling of posting only one page to a comic series I've been neglecting for 8 months (which was for a good reason!). I have been intentionally distancing myself from the Undertale and Deltarune communities. Not out of malice or annoyance!!!, more just because I've grown out of it (took me 8 years lol). I wasn't feeling as excited for news updates or gameplay and I realized... I didn't enjoy constantly thinking about the series like I used to. (plus I had little time for other art, comic projects, and real life.)

So I decided to take a loooong hiatus. That was one hell of a smart decision (good job past me). I was able to THINK about other games and shows and interests. I rekindled my love of bugs and nature and SOIL and then I made a full on Hollow Knight comic. And I got to educate people on BUGS (it's been amazing).

But... Today I was reading over the comic for the first time in a long time... and I could see and feel my passion for art literally seep through the page.I remembered how much I tried to breath life into these characters and it inspired me to continue ((literally TODAY)). Because passion pushes me to do what I love :')

COMIC UPDATE:

*cough* Anyways- I wanted to let readers of this comic know that I am still unsure what the future looks like for the series. I have 5 pages scripted and essentially finished. And I do have an end game in mind (even though that may be an extra 30 pages lmao). But drawing this comic takes TIME and A LOT of ENERGY. If you guys know me,,, haha,, I'm really bad at guesstimating times. And I'm even worse at being prepared and on top of things...

I want to submit single pages from now on. AND do minimal coloring. Having multiple COLORED pages was actually wild and I do not know how I did that for so long. I am unsure when the next page will come out (because I am also STILL MAKING MY OTHER COMIC <3), but it will not be out anytime this week.

Thank you guys... From the bottom of my heart. ❤️

[foxy-eva]

Warm Embrace

Summary: Spencer and his wife explore ways to be intimate with each other after a traumatic event

Pairing: Spencer Reid x Fem!Reader 

Category: Hurt/Comfort, Smut

Please read the CW, this story contains potentially triggering topics! 

Content Warnings: (18+, minors DNI) referenced past SA of Reader (non-graphic), implied flashbacks, trauma related sexual problems, conversations about sex and intimacy, nudity, kissing, mutual masturbation, handjob, thigh riding

Word count: 5.4k

Masterlist

“Spencer?” Your voice echoed through the apartment when you stepped through the door and found no sign of your husband. 

A distant sound came from the bathroom. “In here!” 

After a quiet knock on the door and his confirmation that you could step in, you found Spencer sitting in the bathtub. The room was filled with the lavender scent of the bath soap and what you could see of his body was covered in bubbles. It almost looked comical how his knees stuck out of the water, making it obvious that the tub was not big enough to accommodate his long limbs. 

“I was too tired to take a shower,” he explained after discovering your curious expression. 

“I can see that,” you laughed. “I thought you hated taking baths.”

“Honestly, I think I’m starting to understand why you like them so much. This isn't too bad.”

You stood there for a few moments, smiling at the sight in front of you. Then, as if it was the most natural thing in the world, you slowly began shedding your clothes. 

“Mind if I join you?” you wondered. 

Nothing about this situation would be unusual for any other married couple. Just a few months ago neither of you would have questioned your actions. Back then initiating any form of intimacy with each other felt natural and familiar. 

Things were different now, though. 

Spencer cleared his throat and shifted his position. “Are you sure about this?”

There was a reason to ask. For the past months any attempt to get close to each other resulted in you crying for the rest of the night. Something as simple as him placing his hand on your thigh was enough to startle you. 

A sigh rolled over your lips as you dropped your shirt to the floor. “No,” you confessed. “But I miss you.”

“I’m right here,” he reminded you.

That was not what you meant and he knew that. Of course he understood the meaning of your words. Spencer was well aware of the fact that ever since that son of a bitch hurt you, you fought a constant battle between wanting his nearness and pushing him away. 

Your husband gave you the space you needed and was there to hold you whenever you’d let him. It couldn't have been easy for him either but he never once complained about this new reality you had a live. 

A reality where that person took something from you that you’d never get back. It was hard to shake this feeling of being tainted after having your physical integrity stripped away like that. You were distant and closed off when it came to intimacy, despite your best efforts to get back to what once was normal. It had been months since Spencer even saw you unclothed.

That was about to change. 

Slowly, you pulled down your pants before reaching back to undo your bra. Spencer's sight followed the piece of clothing as it dropped to the floor before settling on your face again. 

“Stop profiling me,” you warned him with a playful undertone in your voice. 

“Sorry, I just want to make sure you’re okay.”

By pulling down your panties, you shed your last piece of clothing, leaving you completely bare in front of your husband. It was a strange feeling to reveal yourself to him. It felt new yet familiar to allow him to see you. 

However, he didn't dare to look, even when you approached the tub. It wasn't clear whether he just tried to be respectful or if seeing you like this for the first time after months was too much for him to bear. His reaction reminded you that he never answered your question about you joining him. Maybe he was the one who wasn’t okay with this. 

Spencer’s eyes widened as he noticed the change of your mood before you did. Within a split second your heart started pounding and you stepped back to reach for your bathrobe. 

“Sorry, this was a stupid idea,” you muttered as you turned around to shield your body from his sight and your heart from the rejection. 

“My love,” he cooed from behind you.

The sound of splashing water gave away that he was exiting the tub. From the corner of your eyes you saw how he reached for his own robe. 

You felt his presence behind you. “Can I touch you?”

You nodded as you turned around, finding him wrapped in his robe with water still dripping from his jawline. Spencer reached out his hands to pull you into his arms. 

“What just happened?” He wondered, his voice laced with concern. 

Before you could think about it, you mumbled, “You didn't want to look at me.”

Your husband thought about your words for a moment, replaying the scene that had just unfolded in his mind. What you said wasn’t true. He wanted to look at you, to admire you fully like he had done countless times before. 

“I was afraid it would make you uncomfortable,” he confessed as he pulled back to be able to find your eyes. 

It was hard to read your expression which was not surprising considering you were mostly confused about your current state yourself.

“I miss the way you used to look at my body. I miss being close to you,” you whispered and paused for a moment. “I miss… sex.”

He closed his eyes before placing an innocent kiss on your forehead. “I know,” he breathed. Me too, he thought.

“Do you still think about it?” You wanted to know. 

“Sex?” 

Nodding, you watched his facial features intently. Ever since your attack, there were many occasions when the two of you had tiptoed around this subject. But never before had you been so blunt about it. 

It seemed like he was looking for the right words. “Yes, I do,” was what he settled on.

Raising your eyebrows, you asked, “With me?” 

The insecurity in your question wasn’t lost on Spencer but he still couldn't hold back a breathy laugh. “Of course, silly girl. You're my wife.”

“It’s just been so long that I would understand if you ever thought about doing it with someone else.”

“Stop that right now,” he said with a firm yet loving tone. “I would never cheat on you.” 

A shaky breath escaped your throat before you dared to say what had been bugging you for weeks now. “What if I’ll never be ready? What if things won’t ever be like before?” 

“That would be okay, too,” he reassured you. “There are many ways to create nearness and intimacy. Sex is just one way but it’s not necessary. At least for me it’s not.” 

“So you’d be okay to live without sex?” 

“Before I met you I thought that was my only option,” he quipped. 

You knew there had been a handful of women before you but you appreciated his joke nonetheless. It made you smile. 

Spencer let his fingertips brush over your cheeks. “But to answer your question, yes, I would be okay with that.”

His words were genuine. The way he looked at you with the most loving expression made your heart jump. The amber of his irises radiated a warmth you could get drunk on. You nestled your head against his chest and he held you even closer against his body. He was right. Sex wasn’t necessary to create nearness. However, you were still curious about what else you felt safe enough to try. 

“I want to get into the bathtub with you,” you whispered. “And I want you to look at me.” 

Loosening the embrace, you looked at your husband. With a nod he confirmed that he wanted that, too. 

With shaking fingers you brushed over his robe before gripping the material. “And I want to see you, too.”

Together you helped each other out of your robes until you stood bare in front of each other. You took a moment to admire the man in front of you. It had been a while since you had seen him like that. Unlike you he didn't deliberately hide his body from your sight but there hadn’t been many occasions in the past few months that allowed you to see him unclothed. 

His body looked familiar yet different at the same time. His tummy was a little bit softer than you remembered and you imagined what it would feel like underneath your palm. 

Spencer dared to let his eyes drop down to take in every inch of skin within sight. The way he looked at you made your skin tingle and you noticed how it broke out in goosebumps. 

“You're so beautiful,” he purred as he tentatively brushed over your arms. 

Tilting your head, you placed a soft kiss on his lips before breathing against them, “So are you.”

He took your hand in his to walk you over to the bathtub. Your husband got in first, bending his knees in an attempt to make himself smaller than he was. There was enough space to join him, a relieved sigh falling from your lips when you felt the warm water enveloping your body. 

First you sat a little awkwardly opposite one another for a few moments before you felt confident enough to get closer. Gently, you placed your hands on his knees to part them before moving closer to lean against his body sitting between his legs. Spencer’s heart pounded rapidly against his ribcage as you nestled against his chest. 

“Is that okay?” You wanted to make sure. 

“Yeah, I uh… I’m not sure where to put my hands,” he chuckled and you noticed how they hovered above the edge of the bathtub. 

Taking his hands in yours, you guided them towards the water, placing them underneath your chest. Even though you expected his touch, you still jerked when you felt his palms make contact with your body. 

Instinctively, your husband wanted to retract his hands again but you held them still with your own palms pressed against them. Once the initial shock faded, you were certain that you wanted to be held exactly like that. 

A part of you still wanted to fight this vulnerable situation but a much bigger, much more confident part longed to be close to the love of your life. 

It was as if Spencer sensed your ambiguity. “You okay?” 

“Yes,” you confirmed. Then you thought about the way your body flinched when he touched you. It had happened before each time Spencer had touched you in places that he had touched, too. “I just feel like my body has to relearn a couple of things.”

Spencer nodded before finally being able to relax a bit. He leaned back while holding you against him, relishing the sensation of having you close without any barriers between you. Just for a moment he forgot about what had happened to you and to your own surprise, so did you. 

For the following weeks you made it a new habit to take baths with each other. There was something so sweet about getting clean together, it became a sacred ritual you wanted to repeat over and over. 

Slowly but surely you got more comfortable around Spencer. There was a time when you didn't think it was possible that the two of you would cuddle every night and every morning without constantly having to fear that you’d freak out at any given moment. 

But just like that it happened. Spencer didn't have to think twice about hugging you from behind and leaving a feather-light kiss on your neck. He didn't hesitate to pull you into his arms when he woke up before you. 

He did however wake up in shock and almost jumped out of bed when one morning he realized he had sleepily pressed his erection against your thigh. Having woken up before him, you had noticed it, too. You could have easily moved away but found no reason to do so.

“I’m so sorry,” Spencer murmured as he moved away from you, his voice still sounding raspy from his slumber.

“You don’t have to apologize for that, Spencer. I know basic biology,” you snickered. “Now come back here.”

Hesitantly, he moved back towards your open arms. The warmth you radiated was too hard to resist so it took very little convincing for him to find his place inside your embrace again. 

Gentle fingertips danced along his arms, making him hum in contentment. It had always amazed you how his skin felt so particularly soft and tender in the morning. His curls hung unruly from his head and you couldn't resist intertwining your fingers with them. 

You thought back to the many times you had woken up like this. Back then when it still was normal for your hands to become curious enough to explore every curve and dip of each other’s bodies. 

It was odd to think about before. Sometimes it felt like a lifetime away, other times it felt like nothing had ever changed. It made you feel like the man who hurt you had the power to bring a new time reckoning upon you. You didn't want him to. 

It only spurred you further on to fully reclaim your body again. 

Your fingers found Spencer’s jaw to tilt his head just enough for you to be able to kiss him. His lips felt so soft as he slowly reciprocated your actions. It was sweet and innocent at first but your desire to feel more of him only grew the longer you kissed. Slightly shifting your leg you could feel his hardness again, making him whimper at the sudden pressure against it. 

As your hand found its way under his shirt, you brushed over the softness of his tummy. Shaking fingertips followed the trail of hair leading further down before changing their direction and moving upwards to feel his chest. The beating of his heart was faster than usual, almost erratic. 

With cautious motions he mirrored your eagerness and let his palm wander beneath your shirt as well. You deepened the kiss when you felt his fingers wander over your waist, leaving goosebumps on their path. Spencer became hungry, almost desperate as his tongue brushed over yours, melting into you in a way he hadn’t for too long. 

It was what you longed for too, what you had been hoping to finally be ready for. 

Then he touched your breast and it all came crashing down again. 

“Stop!” 

Healing really wasn’t linear. 

In an instant Spencer retracted his hand and leaned back to give you some space. Widened eyes looked back at him and it took both of you a second to realize what had just happened. Before he could apologize, you did. 

“I’m sorry… I really thought I was okay with that.”

For a moment Spencer closed his eyes and took in a deep breath. Then he looked at you again, a soft expression on his face. “Please don’t ever feel the need to apologize for that,” he cooed. 

Unlike other times, you were able to calm down quickly. Instead of pushing your husband further away, you still yearned for his proximity. He seemed surprised when you moved closer to him again to lay your head down on his chest. Content to still have the privilege to hold you close, he wrapped his arms around you before a relieved sigh fell from his lips. 

There was no need to leave the comfort of your shared bed just yet, so you just lay there together, basking in each other’s warmth. 

Spencer placed a gentle kiss into your hair before breathing, “I love you.” 

“I love you more.”

You tried your best to be kind to yourself in that moment. It was a learning opportunity for you. Just a few weeks ago lying close to your husband like that was unthinkable. Even if they felt like baby steps at the time, it was still progress. 

The images of recent intimate encounters flooded your mind and let a pleasant calmness spread through your body. Spencer’s kisses tasted sweet and made you feel insatiable, always longing for more. Feeling his skin pressed against yours as he held you close in the bathtub enveloped you in a safe feeling unlike anything else. 

You thought back to those rare moments when you considered taking things further lately, just like you had tried just now. There was something you had wondered about. 

“I have noticed that when we cuddle…,” you began your sentence, unsure of how to continue. “Even when we’re naked in the bathtub together, you uhm… never get aroused? That was very different before.” 

Spencer cleared his throat. “Yeah,” he let out an awkward laugh. “I try really hard not to. I think about baseball a lot.” 

His response confused you. Propping yourself up on one elbow, you raised your eyebrows at him. “You think about baseball when we’re taking baths together? You don’t even like sports.” 

Spencer just shrugged and added, “Sometimes I try to solve equations, too.”

“Please don’t do that anymore,” you pleaded as you laid back down beside him. “It makes me feel good to see you’re still interested in me.” 

“Of course I am still interested. I just really do not want to make you uncomfortable or feel pressured in any way.”

Your words were genuine when you said, “I don’t think that will happen. I actually really liked seeing you in all of your morning glory earlier.”

Your husband smiled at you. “Yeah?”

A smirk formed on your face. “It reminded me of the countless times we were both late for work because we couldn’t keep our hands to ourselves after waking up.” 

“That was fun,” Spencer chuckled. “What wasn’t fun though was the conversation I had to have with Hotch after being late four days in a row.” 

His words made you laugh, too. Then, after a few moments of comfortable silence, your husband hesitantly asked, “Can I ask you something?” 

Tilting your head to find his eyes, you responded, “Of course.”

“You don’t have to answer this but I’m wondering… Do you ever get aroused in those moments, too?” 

You were used to talking openly about intimacy with your husband, that had always been a normal part of your relationship. His question didn't feel odd and you wanted to respond to it. 

For a long time after what happened, your longing to feel his nearness wasn’t connected to any sexual desires. At times you even felt like your libido had gotten lost entirely. Recently that had changed. 

More and more you had become aware of the little spark inside you that was ignited when you were with him. It was very different from the burning flame that was there before but your desire grew each time you were together. 

“Lately, yes,” you sincerely answered. Thinking about it some more, you decided to share another detail with him. “I even started uhm… touching myself again.”

Spencer seemed a little surprised by your response. “You did? That's good to hear.” His palm brushed gently over your arm when he added, “I can imagine that's a good way to feel a connection to your body and your needs.” 

For a second you thought he might start one of his ramblings to share all his knowledge about the health benefits of masturbating. He didn't, though. 

“Yeah, it feels nice. Almost normal,” you said instead. “I obviously still have a long way to go when it comes to sex but… I finally feel like I’ll actually get there, eventually.”

“There's no rush,” he reminded you. “We have all the time in the world.” 

Your lips met his in a tender kiss. “Thank you for being so patient with me.” 

After a few more moments of enjoying each other's company, it was time to get up and get ready for the workday. That night you found yourself tangled up in bed with your husband again. 

As you breathed in his scent and felt the heat radiating off his skin, you noticed it again – the little spark inside your chest flared up and spread a tingling sensation through your body. 

Your mouth found Spencer's neck to leave a trail of kisses along it, before it moved over his jawline and found his lips at last. He hummed when you kissed him and you could feel his fingertips twitching against your waist. 

It didn't take long until you deepened the kiss, a quiet moan slipping through your lips when Spencer’s tongue found yours. 

With your body pressed against his you didn't allow any distance between the two of you. It still wasn’t enough for you, though. There was too much fabric in the way of really feeling close to him. 

Your hand moved to the hem of his shirt to grip it and impatiently push it upwards. Spencer moved with you as you pulled it over his head. When your fingers moved to the waistband of his pajama pants next, he interrupted the kiss to find your eyes. 

A smile was painted over your face when you nodded, reassuring him that you were okay. You weren’t sure yet where exactly this was going but you felt safe enough to explore your options.

“We can stop or slow down at any point,” he reminded you.

“I know.”

After kissing him again, you sat up so you could continue undressing him. Slowly you pulled down his pants, an audible breath falling from your lips when you saw he was already half-hard. 

Spencer scanned your face for any sign of discomfort but found none. What he saw instead was excitement and curiosity. It made him smile. 

He sat up and brushed his hands over the fabric of your shirt. By lifting your arms over your head you gave him the sign he needed to remove the piece of fabric. He gently motioned for you to lay back down before he made contact with your hips, carefully brushing over your pajama shorts. 

There was no hesitation to be found when you lifted your hips for him to pull them down, without ever breaking eye contact. You thought about how different this situation was from being naked with him in the bathtub. Some parts of you remained hidden from him even then. 

You wanted him to see you, even when being exposed to him like that still felt a little scary.

After he had dropped the last piece of clothing on the floor, you dared to open your thighs for him to see every part of you. A rosy shade spread over his cheeks as he dared to look at you. It reminded you of when you were with him for the very first time many years ago. 

Just like then, he breathed, “You're so beautiful.” 

You could feel how some arousal had already gathered at your center and wondered if Spencer could see the glistening. By the way his pupils dilated you had a hunch that he did. 

Then, after he had fully taken in your beauty, it was as if he was frozen in place. He used to be so confident in situations like that, knowing your body better than his own and never questioning his next move. Things were very different now and you both sensed it. 

His eyes met yours and it became obvious how unsure he was of how to proceed. 

Opening your arms, you cooed, “Come here, love.” 

He seemed relieved when he lay back down beside you again. You wanted to kiss him but he hesitated. 

After a moment, he suggested, “I think it would be helpful if you talked to me more. I need you to tell me exactly what you want to do.”

“I’m figuring this out as we go, too,” you explained. “Right now I don't know where this is going. I only know that I really want to kiss you.”

His nose brushed against yours. “I would really like that, too.”

Just a split second later you got lost in another kiss. The way your bodies were pressed against one another while your lips were connected let you briefly forget where your body ended and his began. After shifting your position, you became well aware of that again. 

Spencer was fully hard now and his erection was firmly pressed against your thigh. You moved your leg slightly, prompting him to whimper into your mouth. The hand on your waist moved down to your hip and his fingertips pressed into your skin. 

“Hey,” you mumbled against his lips. “Can we slow down for a moment?” 

His grip on your hip lightened immediately before he moved his hand back up to your waist. Spencer placed one last peck on your mouth and pulled back. “Do you want to stop?” 

You shook your head. “No, I just need a little break. To make sure it doesn't get too much.” 

The truth was that you felt really good in that moment. Excited, loved and so, so turned on. It just felt safer to take things slowly. Gently you pushed against his shoulder until he was lying on his back. You found your home inside his arms. 

Your lips grazed over his cheek as you breathed, “How are you feeling, Spencer?” 

He chuckled at your question. “You have no idea how good I’m feeling right now.” 

As you let your head rest on his shoulder, you dared to look down at his body. The extent of his desire laid on his stomach and you noticed how a bead of precum had formed at his tip. Your fingers itched to touch him, to remember how hot and heavy his cock always felt inside your palm. 

A curious hand made its way down his chest, over the side of his stomach, brushing along his thigh. For a second you hesitated but then you let your palm hover over his hardness. 

Then you felt a pit form in your stomach and decided to retract your hand again. It might have just been your nervousness but that didn't change the fact that you couldn't continue in this moment. 

Your husband had watched each of your motions intently. It was obvious that he was burning to find relief. 

Tilting your head to find his eyes, you purred, “I want you to feel good.”

“It’s okay, my love. You don’t have to,” he reminded you.

You knew that, of course. There was still something else you could do together. 

As you began kissing his neck, his throat vibrated under your lips and a moan escaped his mouth. Then, you whispered into his ear, “I want you to touch yourself.”

Spencer’s eyes widened at your request and the rosy color on his cheeks turned a shade darker. It seemed like he needed a little more encouragement, so you lay back down inside his arm and opened your legs to give yourself access. 

“Okay, I’ll start,” you teased as you let your hand wander down your own body. 

Mesmerized by the sight, his eyes followed the path of your fingers. When you parted your folds to access your most sensitive spot, Spencer hissed a curse. 

The honeyed wetness between your legs made it easy for your fingertips to move through your folds. It felt relieving to touch yourself like that. Just like Spencer you were yearning for release. 

When your husband heard your heavy sighs as you pleasured yourself, he couldn't hold back anymore. You watched as his hand found his cock, a view that let your heart pound inside your chest. 

First, he wrapped his fingers around his shaft and squeezed, prompting droplets of his arousal to run down his tip. Then, he swiped his thumb over the leaking head before he slowly began moving up and down. Your mouth hung open as you watched that sinful scene unfold in front of you. 

As Spencer accelerated the pace of his fist, sounds of pleasure filled the room. His eyebrows were scrunched up and desperation was written all over his face. 

He had never looked more beautiful.

Distracted by the mesmerizing view, the hand at your core stopped moving. Instead of continuing, you let it wander away from your body to touch Spencer’s thigh. Before you could overthink it, your hand kept moving to his center. 

A heavy breath fell from his lips as your fingertips cautiously brushed over the velvety skin of his balls, making his body jerk underneath you. Smiling to yourself, you remembered how sensitive he was. 

Spencer stopped moving his hand, waiting to see how you’d proceed. When you touched the soft curls at his base, he whimpered. It was then that you realized that you were not scared anymore and that your nervousness had turned into excitement. 

“Can I continue?”

Spencer audibly gulped before removing his hand. “Yes… please.” 

When you wrapped your fingers around his length, both of you moaned in unison. Holding him in your hand like that felt both familiar and novel at the same time. You started moving your palm and quickly remembered how exactly he liked to be touched. 

“Fuck,” he groaned. “Feels good!” 

With all the built-up tension and those months of abstinence, it only took a few moments until Spencer was getting close to reaching his point of no return. Familiar with all the telltale signs of his impending climax, you continued caressing him. Coming closer to his undoing, his cock twitched inside your palm and his entire body started quivering. 

His release began spilling over your hand and onto his stomach while he kept pulsing against your fingers. You kissed his jaw and his neck before you reached for the tissues on your nightstand to do some damage control of the mess you had created. 

Your husband’s chest was still heaving when you finished cleaning him up. Concern was written all over his face when he found your eyes.

He pulled you back into his embrace as he asked, “Are you okay?”

“Yeah I am. That was really fun,” you snickered. 

Spencer's hand brushed over your back as he placed a soft kiss on your mouth. “Do you want me to touch you?”

The truth was that your entire body was aching for his touch. You could feel the heat burning between your legs and were aware that your arousal had started coating the insides of your thighs. It had been a long time since you’d felt so turned on. 

And yet, the thought of him actually doing something about it made you nervous. 

“I’m not sure,” you admitted. “I would like to kiss you again, though.”

He let out a breathy laugh before finding your mouth once more. Feeling his lips on yours only blazed up the fire burning inside you. You shifted your position until you were hovering over your husband, one of his thighs pressed between yours. 

Tentatively you began rocking your hips against his leg, sighing as you realized how pleasant the friction was. 

“Is that okay?” You breathed against his lips as you kept moving. 

“More than okay,” he reassured you. “Use my body however you like.”

You sat up as you ground against his skin, feeling him tense his thigh underneath you. Taking his hands in yours, you placed them on your hips so he could help you move. Soon you had created a mess on his leg as you spread your wetness along his skin. 

With your entire entire body twitching, your motions became erratic. Looking down at Spencer, you found him staring at you with lust-filled eyes and a wicked grin painted over his face. 

As you danced along the edge of euphoria, you forgot your surroundings. It was only you and him right then. “I love you,” you whimpered and before your husband could respond, you collapsed into his arms as pleasure overcame you. You kept pressing your core against his leg as your whole body shook. 

Spencer held you firmly inside his arms as you came down from your high. He kissed your forehead and whispered, “I love you more.”

After your heart rate had come down to a normal frequency and you weren’t panting anymore, you kissed your husband. 

“How are you feeling?” He wanted to know. 

“Good. And also a little sticky,” you snickered, hinting at the mess you had created between your legs. 

“Yeah, me too,” Spencer chuckled. “How about I run us a bath so we can get cleaned up?” 

The prospect of that made your heart flutter. “That sounds wonderful.”

Author's Note: Writing this story took me two years and I am so relieved I was finally able to get it to paper. I hope reading it felt as cathartic for you as writing it was for me. Thank you for reading! I would really appreciate a reblog and a comment.

Taglist: @adoredfromafar @grumpyy-bearr @frickin-bats @pleasantwitchgarden @cynbx @xserenax-13 @alexxavicry @samuel-de-champagne-problems @evvy96 @reidsbookclub @lover-of-books-and-tea @sebs-oxygen @nomajdetective @kobaltdragon @matthew-gray-gubler-lover @castiels-majestic-wings

[prongsx]

who are your boyfriend?

Even though you talk a lot about your sweet boyfriend, people don't understand the sign.

Warnins: English is not my first language, there will probably be mistakes, I'm more grammatically correct in my language I swear lol, f!reader, just a silly idea I had.

You're a person who talks a lot about your boyfriend, not that it's your intention to show him off or look like you're obsessed with him (maybe a little), but still, it seems inevitable to quote Jason Todd in your social circles, especially in the work.

It's a good work environment, your colleagues are nice, and you like to be communicative. However, the new co-worker, Adam, seems to be a little too friendly, your colleagues have already noticed this, but you dont notice this, lost in your own thoughts about your boyfriend.

The thing is, Adam has concluded that your boyfriend is an idiot, he listens to you talking about him, and the only conclusion he can draw is that you're dating a stupid nerd who lives in his mother's basement. It started weeks ago when you arrived with a jar of colorful cookies, offering it to your colleagues with a silly smile and saying.

"Jaybean did, does anyone want it? It's his grandfather's recipe"

Adam laughed internally at that. It wasn't right, you were too pretty to date such a weird guy who was definitely supposed to be short, skinny and silly, what kind of man cooked colored cookies? Or even worse, let yourself be called a "jaybean"?

The next day, he overheard you talking to your friend, in a worried tone, about how your boyfriend was about having physically fought with his younger brother, which only added to the comical image Adam had of his boyfriend. Definitely the guy was a banana. What kind of guy would let his little brother hit him?

Around the football season, Adam decided to show you what a real man was and ask you out, showing you the tickets he got. He called you a doll, which you registered with a slight frown.

"um, thanks Adam, but my boyfriend doesn't like football very much. And this week we're going to an arts fair in New York."

Adam let out a stilted giggle that you didn't seem to notice, the thoughts of him again calling your boyfriend stupid. Seriously, art fair? Didn't like sports?

There were other, clearer signs of how pathetic your boyfriend was, according to Adam, like when you commented that he had sewn a blouse of yours. (you didn't say that Jaosn's talent with sewing came from the fact that he sewed his battle wounds himself). Or when you called him cute nicknames.

Adam wanted to show you what he really wanted to date a guy, a real man, who had muscuslos and knew how to beat someone to protect you.

The fuse for Adam was when he approached your desk and saw a book by Jane Austen and asked, avoiding making a face at such a syrupy book.

"Do you like classics, doll?"

You looked up from the computer where you typed, a slight smile on your lips as you stared at the book brevmenete.

"A little. My boyfriend likes it, so I promised I'd try to read it. I prefer fiction books"

Adam's face drooped, you were really dating a stupid guy, you deserved to meet a real man. He rested his hands on your desk and puffed out his chest.

"You know, doll, you can get more."

You blinked your eyes limply, confused.

"Excuse me?"

"There are men… for real."

There was an arrogant smile on Adam, which you didn't like, not at all. Your posture became tense, prepared to reject him, by hook or by crook. But a voice, hoarse and thick, woke you both from the uncomfortable exchange of looks.

"Am I getting in the way?"

Adam turned, his eyes narrowing at the sight. There was a tall guy, much taller than himself, who even in a leather jacket could see his muscles. The guy had messy black hair and scars that gave him a tough look, even his blue eyes seemed like a warning, a warning to stay away. Adam was about to ask what he was doing there when your voice came out loud and contented.

"Jaybird!"

Adam stood still, his mouth wide open as that intimidating man gave you a soft smile and squeezed your waist, a chaste kiss on the forehead. By no means was that guy stupid of your boyfriend.

"That's adam," you said, a half-annoyed expression on my face, which softened when she turned her eyes to Jason.

Jason just gave Adam a suspicious look, not bothering to spend time with him before grabbing your bag and giving you another kiss on the cheek, whispering.

"Ready to go, honey?"

You nodded, smiling. Saying goodbye with a slight nod to Adam, as you told for your sweet, gentle boyfriend about your day, whose acts were what really drew you in.

Just a silly thing I thought about while analyzing the things that betrayed me about Jason. Adam is just one of those guys who think women are attracted to things that – they – think should attract them. Jason is just a grandpa's little boy who has learned how to be a gentleman right under that rough surface.

[xitsensunmoon]

My first ever comic con! And first cosplay too. Of course it's gonna be my boy :] Ramblings about the process are under the cut(Let me know if?? You would want me to elaborate with process images for any of the steps?)

The costume took me forever to make, as I've never done any machine sewing, sculpting, fabric dying or spray painting before but learning all of these was so fucking fun!! I never realised just how many different skills go into making a cosplay but it was so worth it!!!

Almost all of the clothes(except the hat) were purchased first as bases, but all of the detailing was added by me. All of the fabric used was originally just scraps that I was given for free so I needed to learn how to dye and dye all of the stars, they were originally white.

The sewing machine was its own beast that brought me tons of frustration from the lack of skill and knowledge (it was devastating to find out that 95% of fuck ups were my fault and not the machine's lmao). But as a result, a hat sewn from scratch, all of the fur trims, embroidery on the corset, stars and the collar(which is very hard to see on the pictures unfortunately) was all added manually. The stars and the stripes(on the back of the cape) were attached using heat-and-bond adhesive (I WISH I knew about such thing just when I started working on this. It would save me so much time and nerves.)

Then I found out about polymorph(mouldable plastic) and it has become the next thing I wanted to learn, to sculpt the claws and the fangs(yes, they're handmade jfksjs). The claws I then primed and painted in trillion coats because I wasn't satisfied with the colour of the spray paint. The fangs I moulded to my own teeth and then stained with tea to match the colour of my teeth :)c

As for makeup, I used Mehron Paradise water activated paints. At first I wanted to try to save money and bought myself Snazaroo instead, which unfortunately turned out to be a waste. Snazaroo didn't hold on my face for longer than 2 hours, cracking and peeling awfully. Mehron on the other hand survived 11 hours of me smiling, talking, emoting and such and didn't even crease at the smile lines(I'm actually shocked about that). It obviously works like any other makeup which means your skin texture and wrinkles won't go anywhere but Mehron's elasticity pleasantly surprised me. It did obviously smear from sweat and saliva(if you're eating and licking your lips) but if you don't touch the skin it just dries again, self setting. But if it's dry it's fully smear-proof. Highly recommend!

And last but not least, I've decided against painting my hands as it was very risky that I will stain everything I touch at the smallest hint of sweat. So instead I got myself gloves-tights(? Not sure how they're called but it's made from the same fabric as tights) and painted them with normal acrylic paint(did you know you could dye fabric with acrylic paint? I personally didn't), then heat set with an iron and voilà, they're reusable, my hands are not stained after an exhausting day and I don't stain everything I touch. It worked wonderfully which honestly was a surprise as I was really sceptical that acrylic paint will somehow stay in place.

I think this whole thing took me minimum of 6 months with big-big breaks for my school and life in general. But I'm really proud! This project taught me so many new skills and I couldn't have been happier about learning new knowledge, even if it sucked to fail in the meantime.

Everyone at the con was really nice and gave me a large confidence boost even tho it was my first time and I had no idea what I was doing. Taking photos with other people was really awkward/new for me as I hate cameras so I really had no idea how to pose/behave in front of one. But that's okay I think. This whole experience definitely made me want to do this again, so I think that will come with experience. Thank you for reading this far, hope you enjoyed this little summary :)

[aliceoseman]

s3 dealt with some more mature themes than s1&2 did, did you struggle with that in any way or did it feel like a natural development for the characters? especially since heartstopper has been praised specifically for being a "wholesome" show basically from the start, did you find it in any way daunting to write (more) sex and alcohol into the show?

(Upon reading this back, I have only talked about sex, not alcohol, very sorry!! Also this gets really off topic but this was the only question I received about sex in the show and I have a lot to say that I just didn't get asked about at all in any promo interviews, so... Here I shall word vomit!!)

Short answer: Yes, I struggled, but not with the writing of the story - just with the general discourse about sex/no sex in Heartstopper, since the beginning of the show.

Long answer:

It wasn't something I struggled with when writing the comic. I always knew that Heartstopper would get to that point - that it would grow up alongside the characters - but the general cultural view of the show as 'wholesome' vs. the criticism of it for being 'puritanical' and 'sexless' has definitely made me feel quite anxious about how these maturer elements would be interpreted by people in the show.

I never saw Heartstopper as 'wholesome' when I started creating the comic. The first chapter of the comic leads to a scene featuring assault, and the story deals heavily with mental health and bullying. The comic has swearing throughout. Whether the story was 'wholesome' was simply not a topic of discourse before the TV show released - I knew it was uplifting and optimistic, of course, but only in the same way that most YA romance stories are. So the public declaration of the Heartstopper show as 'wholesome' - as its defining characteristic and unique selling point - did take me by surprise. I'd had to remove the swearing from the story, but aside from that, I couldn't really understand what was different with the show compared to the comic, and why this was its defining feature. And then of course some of the conversation shifted to the fact that in S1 and S2, there's no sex.

This too confused me. I always felt the sexual attraction between N&C was obvious from the start, and sex itself was introduced into the story at the time I felt was right for the characters, with no real thought as to whether the audience would agree with me. People hardly ever pointed out the lack of sex in the comic - it's very, very normal for YA fiction romances to not feature sex, and in fact, it's actually pretty common for teen movies and shows to not feature sex, certainly when they skew towards younger teens as Heartstopper did in S1 and S2. But for some reason, when the Heartstopper show came around, people really, really noticed the lack of sex, and I was very surprised by that reaction. I wonder if it was because people weren't accustomed to that in queer TV, or if it was because people liked N&C so much as a couple and desperately wanted to see them take that step, or just because people felt it was broadly unrealistic for a teen couple to wait a little while before feeling ready to have sex. Perhaps it was all. But whatever it was, it caused some... outcry!

(I could go into arguments as to whether it is morally correct or generally realistic for N&C to wait before having sex in the story, but ultimately I think people's opinion on that varies heavily depending on their worldview and personal experience, and there's no right answer - people can like it or not like it and that's completely fine, not every tv show is for everyone - but the one thing I would say is that I think it shows young readers/viewers that it's OKAY to not be ready, and how to have that conversation with your partner, and I think that's a really, really good and helpful thing for young people)

Fortunately for those who were distressed by the lack of sex in the show, and for me who was anxious about all of that criticism, I'd been planning for the story to reach that stage pretty soon anyway. It honestly made me relieved that it was going to be introduced, if only to reassure people that I wasn't pretending sex doesn't exist or that I, as an asexual, was spreading some sort of anti-sex agenda (seemed to be a common refrain among those who find it particularly annoying that I'm ace). But mainly - I'd always known this would be a really important step in N&C's journey, and I wanted to do it justice, and I felt I had done so in the comic, but with the TV show came all of those opinions and discourse, so I was much more nervous about it and spent a lot of time during the writing process trying to figure out how people would feel about it. An impossible task, and before S3 released, I had no idea what the reaction would be.

In the end it was pretty anti-climactic - it got hyped up a bit too much in the early promo for S3, and then the general consensus was that the sex in the show was shown with a very light touch, and some people thought that was a good thing and others did not. And people still call the show sexless and puritanical, so it didn't really solve that issue. (I'm just not sure what those people really expected to happen - obviously they are not going to suddenly start fucking on screen in a show that's been previously marketed for the 12-16 age bracket, guys, let's use our brains here) Personally, I'm really proud of how that element of the story turned out. I think the scenes are really beautiful and feel totally right for the tone of the story, and have let the show mature without suddenly becoming an entirely different show.

This has been a long answer but I think what I'm trying to say is this: the 'mature' vs 'wholesome' scale of Heartstopper is something that has never been a topic of discourse for the comic. But it has been front and centre for the show, and certainly is something that has caught me off guard and caused me some anxiety, because I do see the criticism and it does hurt, and at times feels incredibly personal. But at the end of the day, I'm just telling a story, and the things that happen will happen at the time I feel is right for the characters. I just want to tell the story that I've set out to tell, and I intend to keep doing so until it is done.

If we get a S4, and indeed now that I am working on Vol 6, I am thinking much less about how the audience might react to the sex in the story, and am simply just writing/drawing what feels emotionally and dramatically right for the story and characters. And that feels much more creatively freeing!