#like is it all the same man. like the real actual living not fictional man.

[ruinpowder]

looking to see if anyones covered haagen dazs ika no sappukei with teto’s new voicebank yet and one of the first results is a sanders sides pv please 😭

[llycaons]

this musical podcast is charming but I will not become involved in the fandom because I don't believe in hero-worshipping celebrities or referring to them exclusively by their first names (also one of the pettier reasons I hate tswift fans). no matter how friendly or approachable or cool-seeming these people are, they are at the end of the day performers who are being paid and getting fans based in large part on how charming and likeable they are, so they have incentive to appear a certain way. maybe they are just as lovely in private as they are in public, but ultimately they're still strangers to the vast majority of fans who interact with them. and can I be real. these musicals aren't THAT good

[piratecaptainscaptainpirates]

Been thinking about why the argument that OFMD is inherently a bad show because it's based on historical slaveowners so often feels disingenuous to me as a person of color.

HUGE disclaimer up front: if you don't wanna fuck with the show because of that premise right out the gate, that's 100% valid and I completely get that. I'm not talking about that. What I'm specifically talking about is White fandom people in particular who argue that OFMD must be "problematic" because of this, especially when they say this as some kind of virtue-signalling trying to win points in fandom wars, stuff like that.

My big thing is that the resemblance the characters in OFMD have to their real-world namesakes begins and ends with having the same name. The show feels more to me like it's playing with the vague myths around these names, not the people themselves. Can you make an argument that they should have come up with original characters instead? Sure, but let's be honest, even people who study the irl counterparts have very little knowledge of their actual lives, and the average person has all but none. To add to that, this show has absolutely zero interest in historical accuracy; the moment they cast a Jewish-Polynesian man as Blackbeard that became obvious. No one is saying the real-life Blackbeard and Stede Bonnet were good people, least of all the show itself; the point is that OFMD's versions are basically original characters already.

It always feels like an incredibly disingenuous claim to parallel the show to Hamilton, because Hamilton both did care about historical accuracy and also brought up the slave trade. Hamilton is uncomfortable for so many poc because it writes poc into the story of otherwise very faithfully portrayed racists, colonizers, and slaveowners and just handwaves the racism. In OFMD, racism exists, but the stance is always explicitly anti-racist and anti-colonialist in a way that is just so fun to see (whom among us has not wished to skin a racist with a snail fork?).

The other thing that sticks for me is...there's an appropriate amount of slavery I want to see in my romcoms, and that amount is none. I am so sick of historical fiction where Black characters are only there for trauma porn about the horrors of the slave trade. You can make a legitimate argument that OFMD is handwavey about the slave trade, but I'd argue that including discussion of the slave trade is something that should be done with such incredible care that it would leave us with a show that can't really be a comedy at all anymore. OFMD's characters of color are allowed to be nuanced, complex characters with their own emotions, and it's incredibly refreshing to see, and I'd much rather have that than yet another historical fiction show where the only characters of color are only there to make White audiences feel virtuous about how sad they feel for them.

In conclusion, I guess: every yt person who makes this argument to win points in a fandom war owes me and every other fan of color a million dollars

[chokamo]

| every day, i dress all black

pairing : charles leclerc x fem!reader

summary : you were known for wearing nothing but black, and though no one ever gave it a second thought, the monza GP with ferrari was your moment to shine .

a/n : finish this in one hour lol

yourusername

liked by charles_leclerc, user, user and others.

yourusername 📌 new york

user black theme as always

user AWWW charles matching with her

user -> i didn’t even notice until u said it

user -> love them together 💞

user so SEXY

user im no better than a man

user CHARLES GET TO HAVE THIS BRO

user charles needs to move and let me love y/n 😫

user manifesting my life like this

user the magazine is a needdd

user can’t stop staring at her. oh lord.

user the FIFTH SLIDEE

user -> IK RIGHT. like are we even allowed to see her like that 😅

user THE. couple. DUO.

user WAIT?!? why are they in new york for? 🧐

user -> 👀👀👀

user everything matches

user -> it’s pleasing to look at 😮‍💨😮‍💨

user she’s so me only having one colour scheme

user always ready to like and comment y/n pics ‼️

yourusername

liked by charles_leclerc, user, user and others.

yourusername dresses are the only clothes i have

user miss y/nnn 😫😫

user gorgeous girl

user link me ur dresses please 🙏

user -> there’s account out there dedicating to link everything she wears

user -> lifesavers indeed 🥲

user 😳😳

user need to meet y/n once 😮‍💨

user -> i met her! she’s so nicee 🥹

user -> same!!! i saw her strolling one time

user -> feeling fomo rn

user -> lollll

user looking real hard

user the bows is in the hair 🎀

user -> it’s so y/n

user body body body 😫😮‍💨

charles_leclerc mon cœur 🖤 (my heart)

you liked this comment

user she’s so boring

user -> and you are not welcome

user -> get away and never come back ❤️❤️

user -> ugh.

user 🔥🔥🔥🔥

charles_leclerc

liked by yourusername, user, user and others.

charles_leclerc carbon fibeeeeer.

user wowie

user zoo wee mama !!!!!

user monza is gonna eat i fear

user -> y/n and charles in black together will be so 😮‍💨

user -> im so not ready.

yourusername you’re hot

charles liked this comment

user good luck for monza

user -> so excited 😆

user -> yes! the hype around it is insanee 😳

yourusername 🖤🖤

user -> we need your pics posted asap

user -> will be WAITING

user can’t wait for this grand prix

user -> excited to see how it goes

user what can go wrong

yourusername

liked by charles_leclerc, user, user and others.

yourusername monzaaaaa i love u ft my outfits

user and i love uu

user love the fit!

user wishing ur clothes are in my wardrobe!!

user gorgeousss

user this is y/n world and we are living in it

user love seeing charles in her post

user -> parentss

user why does she post herself so much 🙄

user -> there’s a thing called freedom of expression..

user -> and? we love it so what’s the big deal

user -> why are u even here to hate?? get a life

user hoping to see u !!

user -> good luck 🤞

charles_leclerc je suis reconnaissant que tu sois ici avec moi ❤️ (im grateful you are here with me)

you replied -> <333

user AWWWW

charles_leclerc

liked by yourusername, user, user and others.

charles_leclerc a sunday ill forever remember.

user so so happy

user congratulations!!!!

user another flag added!!!

user let’s CELEBRATE

user forzaa ferarriiiiii

user HE WON IN MONZA

user YESSSSS

user congratulations!!!!

user monza is red ❤️

yourusername so proud of you

charles liked this comment

user another flag added!!

user leclerc-piastri on podium

user -> what a time to be alive

user -> my DREAM podium

user -> need a lec-pia-sainz one next

user -> or pia-ham-lec 😉

user -> add max there and we are good

user -> YUPPP

-

a/n : charles p1 in monza! and oscar p2! the leclerc fam .

check out my other post! masterlist

disclaimer: this is a work of fiction, the events and characters depicted are not based on real life, and any resemblance to actual persons, living or dead, is purely coincidental.

[youvebeenlivingfictional]

help i have a crush and no guts to tell them. If convenient… some bruce wayne? Bruce is hotter. I am safer dreaming about fictional men than real ones. My crush miiiight know(im 20. WHY the heckkkkk do i even HAVE a crush). I made eye contact and immediately looked away. I literally couldnt be more suspicious. Im begging you to distract me.

Important note: i love love love your writing especially the other half. Which i know is over so im not asking for a continuation of that. But your bruce is enthralling. Also no pressure if youre not in a bruce writing mood.

listen

i hate to tell you/warn you

having a crush at 29 is just as if not more embarrassing. i sadly speak from experience

also what do you call it when Batman skips church

christian bale

"He's going to catch you."

"Catch me what? I'm not doing anything."

"You're staring."

"I am not staring," You insist, "I am...Looking in the direction of his vicinity."

"Well that vicinity is pretty narrow. Completely narrow. You're just looking at him, actually."

You pass a sidelong glance toward your best friend, eyes narrowing as she smiles sweetly at you.

"I'm just sayin'," She shrugs, "The more you stare at him, the more likely it is that he'll catch you."

"No way for him to catch me if there's nothing to catch—Oh, shit," You hurriedly whirl around as you see him twist toward you.

"I told you."

"Shut up!" You hiss. "Is he still looking?"

"Yep."

You groan, raising your drink to your lips and draining it. "I'm gonna go get another one. You wanna come?"

"I'm alright."

It's for the best, you decide. She was right, you've been way too blatant. But how many times are you going to be in the room with the Prince of Gotham, with the Bruce Wayne?

"Prosecco, please," You request, setting your empty glass down.

"It'll be a moment," The bartender warned. "We're waiting for a few bottles."

"Okay! No worries."

You're certain this is the only time that you would be in the same room as Wayne, so you may as well take a look, get your fill. There were whispers of him coming alone, instead of trotting out one of the models that he usually brings to these events. Maybe it was a last-minute acceptance, or he couldn't find anyone to come...Then again, you were certain that that was impossible. Hell, you'd cut off your right arm to say yes—Not that Bruce Wayne would ever ask you.

"Prosecco."

His voice makes you freeze, your eyes widening slightly as his sleeve brushes your arm.

"It'll be a moment, Mr. Wayne," The bartender frowns.

"S'alright."

You glance hesitantly toward him, offering a tight, flighty smile when you find him looking at you.

"Hi," He greets.

"Hi."

Oh god, what the hell is he doing, talking to you?

"Come here often?"

"...To the Natural History museum?" You flounder.

"Not exactly," He chuckles. "I meant to events like these."

"Oh—No. My friend had a plus one, so."

"Mm."

You nod. You should ask if he comes to many of these, right? But you know that he does—every appearance is highly publicized in the Gotham Gazette, US magazine, across gossip blogs and social media. Hell, you'd have to have been living under a rock to not know who he was.

But how can you ask questions without seeming like an ignorant simpleton or a weirdo? Will he think it's odd that you know he goes to these events? Will he think you're lying if you pretend to not know that he does?

You don't even know this man, so why does he make you so nervous?

"Flying solo on this one?"

It's out of your mouth before you can stop it, and—shit. You take in the way Bruce blinks, his lips tipping up with a small smile.

"I am. I accepted last-minute."

"No other way to spend your Friday night?"

"No other good way. It is for charity, after all."

"That's true," You smile. Oh, god look away now. Stop looking into his warm, dark eyes—Damn, how does he get you so hot with just a smile?

"Two proseccos." The two of you turn as the bartender speaks up, setting your drinks on the bar.

"Thanks."

"Thank you."

You take yours, ready to step away and say goodbye. You don't want to linger—but—

"Is your friend going to be missing you?" Bruce asks.

"Um..." You look around, spotting her speaking with one of her colleagues—one that you know she has a crush on. You huff a soft laughing, shaking your head. "No, definitely not."

"So she won't mind if I hold you up for a bit?"

Your heart leaps into your throat, brows creeping high.

"Hold me up? For what?"

"To talk, if you're interested." He holds his hand out for a shake. "Bruce Wayne."

And you can't keep it in anymore. He's introducing himself? You chuckle softly, shaking his hand.

"Yeah. I know."

[perseidlion]

There's a lot that has been made of the Cat King and whether he's "bad" or "problematic." Putting aside that's a silly conversation to have about a fictional character (who is there to add conflict and drive the story forward) it also misunderstands Cat's Whole Deal (TM.) Think of him like one of the fae. He's very decidedly not human, and although he isn't called a fae canonically (and I don't think he actually is) he is called a spirit. And there are some things he does that are decidedly fae-like.

He strikes bargains.

He protects his domain.

He punishes those who transgress his domain.

His punishment is a curse combined with a task.

He has aspects of a trickster figure which is common in fae mythology.

He has his own unspoken rules, but if you break them, you still need to be punished.

Edwin slights Cat by forcing his will on one of his subjects. In Cat's world, that is a crime that needs to be answered for. He offers sexual favours, which Edwin refuses, so he gives him another option. It isn't an impossible task, but it is an inconvenient one. In Cat's world, letting Edwin off with no punishment is simply not something he would do. So all the questions about whether he's problematic or that he violates consent are silly in this context. Of course if he was a real human man and he forced Edwin to stay somewhere against his will, that would be bad. But that's not what's happening here. He's a spirit with a domain and Edwin misstepped and had to pay the price as a result.

It is also important to keep in mind that he is an ANIMAL spirit who just happens to be able to take human form. That also explains some of his behaviour (including the horniness and the cowardice to some degree.)

This also makes the age gap discourse moot, too. It's the same kind of dynamic as a teenager and an ancient vampire. Except in this case, Edwin is not really a teenager and has existed for over 100 years.

I love Dead Boy Detectives but man, those characters are not teenagers. They don't act like teens, they don't look like teens and they run around, cross international borders and live on their own. They are at the very least out of high school, if not in their early twenties. It actually feels silly that the show keeps calling them kids when the story doesn't treat them that way.

BUT that is really neither here nor there and is a topic for another day! My point is just that it is silly to apply human morality to Cat and condemn him based on that.

If you just don't like him, and/or don't like him and Edwin, that's totally fine. But there's no need to condemn him/that dynamic based on how his behaviour would be interpreted in real life. That's frankly, pretty silly.

[clairegregoryau]

Through the Looking Glass

From fairytale in Season 1 to stark reality in Season 2 of Our Flag Means Death- meta ported across from this Twitter thread by popular demand!

This thread contains spoilers for the entirety of OFMD Season 2

First OFMD S1 rewatch since S2, and holy shit, if you haven't done that yet... do that. A thing that it made instantly clear: they told us *all along* where this was going, but there was a reason we didn't see it. Because we were living in Stede's world then. Now it's Ed's.

I know that a lot of us have felt that the tone shift at the end of S2 was... jarring, compared to what's come before. This felt like a show that wouldn't go there. One where being run through was a temporary hiccup. We've travelled all the way from this to this.

But we haven't jumped there without a journey in between. And from the minute we started hearing about Blackbeard, the show never tried to hide what Ed's world and his specific life was like. Not once. In fact they told us over and over and over.

But Season 1 told us a lot of those things through song and story and fuckery. It blended reality with fiction.

Stede met the Blackbeard he knew through books and tall tales, and the real man was even more wonderful than he'd imagined.

We, along with Stede, were comfortable thinking that all those other tales were exaggerations and misrepresentations, and a lot of them very likely were.

The Ed Stede got to know was a person who was capable of whimsy and silliness and loved soft things and doing something weird. Yep, he was also capable of violence and rage, but when he was with Stede, he didn't feel it so much.

This was a vacation from that life.

To Stede he was absolutely lovely... oh, and also a bloodthirsty killer. And Stede loved (and loves) everything about him, and both of those things can be true. This is a perfect example of a spot where (in watching Season 1 without the benefit of hindsight) I assumed that everyone else in that pub was wrong, and Stede was simply trying to protect Ed's fearsome reputation by agreeing on the bloodthirsty bits. And I think from Stede's perspective that was largely true. I think that's how they wanted us to see Ed, through his eyes. Now, after watching both seasons, I think it wasn't the whole picture.

They told us, we heard it, we saw glimpses of it. But we (and Ed) were in Stede's run-away-to-sea fairytale the whole time. It wasn't until Stede left that we saw the reality- the Ed we knew had been, to a degree, a fictional character all along. I always saw this scene as Ed putting a bit of distance between himself and reality; it always felt like the Blackbeard of Stede's storybooks was the fictional one. But now it feels like the softer Ed that Stede knew was much the same- neither of them the whole story of who Ed was and is.

The one person who refused to live in Stede's fairytale was Izzy. I've seen people say it before, but he always gave off that vibe of the only human in the Muppets movie, or the guy who was in Black Sails while everyone else was in Pirates of the Caribbean. He saw the real risks clearly.

And in that light, the end of S1 has shifted an inch to the left for me, and I'm seeing it at a slightly different angle.

Izzy ripped away the healing Ed was doing, but in some respects he did it by tearing away the fairytale we'd all been living in, shoving Ed back into the Blackbeard story.

And that's where we pick up again in Season 2.

The fairytale reference came back in S2 in two notable places, those being Jim carrying that legacy forward in the darkest times, and in Izzy invoking the wooden boy against Ricky's efforts. Stede's made himself into a real boy. Ricky, nope.

Now that I've watched both seasons together, the tone shift doesn't feel so jarring at all, actually.

It feels like sliding through the looking glass, out of Stede's world, and into Ed's- a world that existed all along; we were just seeing it, la vie en rose, through Stede's eyes.

At the beginning of S2, Stede's gone, and we're seeing it unfiltered through Ed's reality.

But Stede wasn't lying when he said he loved everything about Ed. He made a promise to come back and find him- he went down into Ed's darkest place and reminded him that no matter how bad things got, there WAS someone waiting for him, ready to love him.

The contrast between S1's fantasy and S2's reality (excluding mermaids and actual bird guys and cursed coats) is stark, but it really is that.

We have the same settings, the same people, and very different ideas and outcomes at different times.

But it was always there.

Things do come back to a state of (precarious) balance once they're all together. Apologies are made, whether they're spoken out loud or through actions. Things go right, things go wrong. Healing happens. Izzy continues to have the steadiest, most real through-line in the story as he tracks toward redemption, finds acceptance, and to an extent finds himself.

Once again, I hate that they went here with the ending and I wish they hadn't. But it got a fraction easier for me looking at it not as a continuation of Stede's fairytale, but of the grounded-in-pirate-reality arc Izzy was always on, even while we lived in Stede's world.

Where does that leave us? We're not going back to the fairytale, but we're not going to be living in Black Sails for S3, either. We've hit a fusion point where S1 ended with each of them going to separate, miserable homes, but S2 ended with them in the same place, ready and willing to make a go of it.

Season 3 is going to give us their world, together.

I LOVED the moments in this season where the deep emotions were in balance with the silliness I've always adored about this show. Eps4-6 were wonderful like that. Clearly we're not done with drama, either, but like Ed and Stede, I think we'll find a middle ground.

Anyway in conclusion, a rewatch of S1 after S2 somehow made me love the first season even more, which felt impossible? It's now gained /even more/ layers of depth than it had before. No matter how you feel about S2 I think it's worth that rewatch.

Adding one more bit of clarity for myself: I think we got a bit (intentionally) seduced in S1 by the idea that the Ed of the storybooks, the Vampire Viking Clown with the nine guns, was a version of him that others saw, when Stede saw the REAL person who 'worked' for Blackbeard.

In hindsight I think it's clear the Ed Stede go to know was also not the complete version of himself- the reality is, there's a whole spectrum between the two, and they've landed in the middle of it now. Ed intentionally leaned into the unlovable Kraken image to protect himself.

It very much didn't work, just like being just... Edward hadn't worked to protect himself, either. This season has been very much about pulling those two extremes together and finding all the parts that make up Ed overall (another thread on that here on Twitter, which I'll also shift across to Tumblr soon!)

And I think one of my favourite things in S2 has been seeing the way Stede SEES that- he knows what Ed's done, everyone's told him, but he still loves Ed. sees his trauma and how it affects him, and believes he's a good man regardless. He IS lovable; he's not forever broken.

And together, they can heal.

[spiderfreedom]

the male gaze distorts reality

started watching movies again (just don't like movies really) and one thing that surprised me was how the male gaze isn't just about staring at hot naked ladies, but how it distorts reality. the male gaze creates 'people' and 'situations' that simply don't exist.

the biggest example to me is the femme fatale. the devious woman using her sexuality as a weapon. whether the trope is a blonde bimbo bubblingly bouncing her boobs, or a sophisticated older brunette casually letting the strap fall off her shoulder and threatening to reveal her bust, they are different incarnations of the same concept. the women are knowingly using the sexual desire of men against them.

i watched a particularly egregious example where a group of women were sent to seduce a group of men, hanging off their shoulders, caressing their chests, with the promise of further sex if they came to another room. the true purpose was to humiliate them by getting them to disrobe in front of other people.

when i was a kid watching these scenes, i was convinced that this was a real thing women did - there were women out there who knowingly used their sexual appeal to get men to do things they otherwise wouldn't. it had to be such a recurrent trope for a reason, right? it even shows up in movies for children - remember the hot pink pegasus seducing hercules's pegasus?

but as an adult, i find myself confused watching these scenes. i've never seen anything like this happen. i've never met someone who says they do things like this. it's one thing to be flirty and dress in a sexually attractive way to get free drinks, but it's quite another to be so sexually forward to 'deceive' and 'trap' men. not to mention, it's... dangerous. if the man even believes he's being deceived, he can turn violent. it's a foolish move.

maybe the only real life example I can think of is honeypots. but honeypots are actual spies, trained by governments, and spies are selected to have less empathy than the average human being. do we really think that among untrained women there are so many seductresses with the skill of trained spies?

"what about sex workers/prostitutes?" while the honeypot spy is employed by a government agency, prostitutes are paid by the very people they are "seducing." prostitutes have to put on an act - they need to pretend to be the sexually active and perpetually horny woman men both want and fear. but most prostitutes are not like this; they are in it because they need money fast, not because they think fucking strange men for pay is a sexy and desirable career path (fun fact - read the diary of madam pompadour, the most famous courtesan and the embodiment of aristocratic seductress, and you will find she actually did not like having sex with the king and dreaded it. not even our real life courtesans can live up to our fantasies.)

the entire idea of a woman using her sexuality against men is simply a male fantasy - and the flipside is that it's a male anxiety, too.

men wish that women would approach them and find them desirable and initiate sexual intercourse with them, without the men having to do any of the work. there's nothing inherently wrong with fantasizing that a hot person finds you so special and hot that they want to have sex with you right away. men and women of all sexual orientations entertain these secret fantasies.

but then, there's the fear - "what if these hot women are actually only pretending to be interested in me, to get something from me? and i'm too horny to think straight and i actually give it to them?!" and that is the male anxiety, that for a moment, they actually end up losing the upper hand. despite the fact that such a situation is actually pretty rare in real life (I asked several male friends if they had personally or second-hand encountered such a situation in real life, and none could say they had), it is a common trope in fiction. it is especially lascivious in film, where the seduction before the fall can be portrayed in softcore porny ways.

"this is a foolish idea, everyone knows fiction and reality are separate." well, we know they are separate, but do you know which parts? if you don't already know the facts of the situation beforehand, how can you tell when fiction is lying to you and when it's drawing from reality? do you think the young, sexually inexperienced kids watching disney's hercules know that 'seductresses' aren't a common threat when we watch this scene? or will they learn and think "ok, a thing that happens in grownup life is that hot ladies seduce men, and you gotta watch out for them!" what basis does a child or even a teenager have to know this is false? especially when this is a common trope?

"women are sexually available and active - and deceitful" is a harmful trope. when you read about the ancient greeks stereotyping that women are lustful, they don't mean it in an "aww shucks, these girls just love having sex!" kinda way, they mean it in a "women are unfaithful and will use any means to get dick, including taking advantage of their hotness" way (this is why 'whore' is the ultimate insult for women). because if this trope were real, then it would be dangerous, wouldn't it? honeypot spies are dangerous for this reason. luckily for us, it is not real, but the male anxiety surrounding it continues. the male desire/anxiety around it informs porn tropes about 'punished sluts'. it informs incel tropes about the 'cock carousel'.

and this is what i mean when i say the male gaze distorts reality. it fabricates, out of whole cloth, a person that does not exist in any meaningful way - a woman who seduces men while demanding no emotional involvement, who is eager and willing at all times, who can turn the very desire for her existence against those men to get what she wants. she is not repulsed by or afraid of the men she pretends to be attracted to. before, we had to content ourselves with art and novels glorifying this false woman, but film allows her to exist in flesh and blood. cast a real woman, have her speak words and move her body in ways dictated by a man, and suddenly she appears much more real. grow up with enough of these, and even women writers can start to think these "seductresses" are real people. she can try to reclaim her and turn her into a badass boss babe, or she can condemn her as immoral and pathetic, but the deception is complete - the argument is no longer about whether this woman exists (she does not), but about whether she is justified in her ways. the female writer does not realize she was nursed on the male gaze for years, and it will take serious seeing with her own eyes to realize what is the real world and what is male fantasies and fears.

[colorisbyshe]

A lot of the response to Oppenheimer criticism has been "Clearly, you haven't watched the film, it isn't celebrating him! It shows all the things he did wrong" and I have to say... that's... still... missing the point of the criticism.

Oppenheimer occupies the same space as all the war films--like Dunkirk--that say "War is hell." While these films could and do skew towards "War is bad, let's avoid it," they still often... really end up saying "War is hell but let's pity the warriors and maybe consider the ways in which it was worth it."

The "war is hell" films end up completely missing the "anti war" mark because they choose to focus on the people waging the war, painting them in a sympathetic or at least humanizing light even when they're in the wrong. You feel bad when a soldier has to kill a kid on the other side--even if the kid is unarmed or begging for their life--because it's sooo sad that the soldier was driven to that point. And because... well, what else could they have done?

A much more effective "war is hell" film would be focused on the people whose land is ravaged by bombs. The civilians. The families. The people who lose their homes, their schools, their hospitals, their lives. Not in waging war but just in happening to live where war is happening. THEY are the real victims. They are not victimizers who might come to regret it (like warriors, like Oppenheimer) but like... actual victims.

In choosing to make a film about Oppenheimer and not about his victims--the people of New Mexico, the people of Japan, people forced into internment camps on US soil, and broader even then--you are saying "This man is responsible for great evil but let's humanize him too. Let's recognize that he didn't really have a choice or that maybe he felt bad about it. It was out of his hands."

Beyond humanizing him, it gives this history an element of inevitability. He HAD to do it. This HAD to happen. It's horrible that it happened but it was always going to happen.

If you focus instead on all the people victimized, you see all the reasons why it didn't have to happen.

And if Christopher Nolan isn't equipped to tell the story of New Mexican civilians who weren't given protective gear when the only jobs they had left were at all the labs or the stories of what a Japanese child does when his family is ravaged by American war crimes... he doesn't have to tell that story. The option isn't "Tell Oppenheimer or tell an intimate story he can't at all relate to." He could just... not tell this story.

Some stories really are not meant to have entertainment value. Some stories are not meant to be human stories but rather just facts on paper. Or told from the other human side. Sort of how like documentaries on serial killers often get it wrong but the fictionalized tv shows exploring ~what made them serial killers are ALWAYS wrong.

Some perspectives don't really need to be explored, is what I'm saying. Oppenheimer shouldn't be a grey or even dark protagonist. Some atrocities do not need to be humanized in any way, even if the humanity mostly culminates into "He was still wrong, though."

There are more efficient, less troubling ways to explore the motivation (the greed, the nationalism, the racism, the hatred, the warmongernig) behind bombings and wars like this. That would be better tools at realizing how we are repeating history, right now, in 2023.

That don't involve having to paint atrocities and the people behind them as grey or human or pathetic or pitiable.

[dawnisdreamlanding]

CHAPTER 1

Ghost x Reader x Konig

(Neighbour!au and Roommate!au cause I can't get enough of them hehe)

Also like for this fic just don't mind how this would actually never happen in real life + don't think too much about the logic in this story. It's all purely fictional and for your entertainment :)

You want to go home.

Your apartment keys jingle as they hang from your fingers. Room 409. You sigh. It’s been a long day, to say the least. All you want to do is to just relax and unwind like you would any other Friday with a glass of wine and that dumpster fire of a Netflix show that is ‘Emily in Paris’. You let out another long sigh waiting for the elevator to reach the lobby. At least Emily lives a much more exciting and drama-filled life than you did with your 9 to 5 job.

You stare at your feet, trying to find something to pass the time that seems to drag on for forever. Your feet are already killing you from your high heels that you’ve been wearing for over 9 hours. Usually, you would be home by 7 — it’s 11 — especially on a Friday. Laura, a close coworker of yours went on pregnancy leave, meaning you’re working more hours to cover her absence.

Your phone buzzes with a reminder from your calendar app — oh great, it’s already 12. ‘RENT PAYMENT DUE IN A WEEK.’ You haven’t found a roommate to occupy that extra bedroom in your apartment even after 2 months of your listing being put online. Granted, you should’ve started looking for a new roommate the moment your previous one told you they were moving out, but you were too busy for that! You tap your foot impatiently. How long does it take for an elevator to travel up 2 floors from the carpark to the lobby?

The elevator doors open with a ‘ding!’ and you’re met with the giant of a man that is this mysterious guy wearing all black. His brown hair and matching brown eyes make him dashing and the scars littering on his face adds on to his good looks somehow. “’s rude to stare, love.” His gruff voice snaps you out of it. “R-right, sorry.” To say he was intimidating was an understatement, but god was he good looking.

When you’re both in the elevator, the usual smell of the clean, bleached scent is replaced with the smell of cigarettes and an undertone of gunpowder? Whatever it is, you much prefer it over the smell of bleach you’ve been used to for months. The elevator ride is silent and you both get off the same floor to go our separate ways… except he was following you!

You get a little bit nervous as anyone would if a tall, maybe 190cm buff guy was following you a few steps behind. “What apartment you in?” You say with panic filling your body with each step. Oh god, you don’t wanna die yet! “410.” He responds. “Oh.” Well, that makes more sense.

“I’m your neighbor then! Nice to meet you.” You smile and introduce yourself. He hums in response. “Simon Riley.” He says, nodding at you in acknowledgement. You would like to chat with this guy more, but he doesn’t strike you as talkative, as if his short replies didn’t already tell you that.

You both turn the locks on your own apartment doors. “Next time, you should really run if you think you’re in danger.” He chuckles a little to himself. You turn to look at him in shock, only to find he’s already disappeared into his apartment. So he did know! Asshole. You shake your head and enter your own apartment.

After showering, you scroll your phone on Instagram mindlessly when a notification pops up on your phone. Oh my god, someone responded to your listing! You waste no time in responding to them, despite it being ass-o-clock. You arrange to meet up with them in the afternoon, and you head to sleep hoping whoever this guy is will be a good roommate for you.

When you wake up, you’re a little behind schedule. Scrap that, VERY behind schedule. You haven’t cleaned up the apartment and made it presentable to your possible roommate yet, and you’re gonna meet him in 20 minutes downstairs! You hurriedly stuff all the clothes you find lying around in the living room into your own bedroom and clean the kitchen counters — you know the drill.

As soon as you’re done arranging the last piece of furniture in the living room, you rush out of the door, bumping into that neighbor you met last night. You give him a quick, “Morning, Simon!” before rushing past him, not even giving him time to greet you back.

Somehow by the grace of god, you’re right on time to meet the guy. You agree to meet him at the café right across your apartment complex, and holy fuck. There’s no way this 2 meter guy is your roommate. You both stare at each other awkwardly before you decide to go up to him. “Konig?” I say, and he nods. Oh he is.

[awakenedsalamander]

This is gonna be a long walk. But I’ll get there. I promise.

In a lot of Chronicles of Darkness games, there are “minor templates” for players to take for their characters. These are basically lesser types of supernatural beings— undeniably marked by magic, but not transformed by it like the main templates are. So instead of being a werewolf, you might be a Wolf-Blooded, i.e., not the monster your stronger cousins are, but still recognizably having a connection to that world.

Again, a bunch of games have these. Mage has Sleepwalkers (and Proximi), Vampire has ghouls, Geist has the Absent, Demon has stigmatics, etc.

In Changeling: The Lost, there are the Fae-Touched. We’ll get to them in a bit. First, more on Lost.

In Lost, like many stories about faeries, oaths and vows are very important. They are, in the form of magical Contracts, the source of many fae powers. Changeling have a neat ability to make any spoken promise binding, invoking the force of the Wyrd to force even minor vows to be taken seriously. And many changelings are taken by the True Fae by getting ensnared in some kind of oath.

See, if you didn’t know, Changeling: The Lost is about humans taken to the home of the True Fae, and then transformed into changelings as the True Fae torment them. The game is very much about the way trauma changes a person, and how even recovering from trauma still doesn’t bring you back to the way you were— you’re healed, but you’re not the same.

And much like trauma changes a person, it isolates them too. Lost represents this in the fiction with fetches— the faerie-forged simulacra left behind in the stolen person’s wake, acting the roles of parent, sibling, friend, and so on while the original person is actually suffering with no escape.

But the Fae-Touched won’t stand for that.

Because while Changeling: The Lost recognizes that many promises aren’t serious, that when people swear, “I’ll always be there for you,” they don’t always live up to that, it also recognizes that some promises are different.

The Fae-Touched are the mortals who remember the words they swore, and will not ignore them. They can tell, in their dreams, through the nagging impulses they get in their waking moments, that the person they promised to help needs them now more than ever. They are lead by the Wyrd into the land of faerie to live up to that promise, and they follow it gladly.

A Fae-Touched is the father who knows the smiling fetch who claims to be his daughter isn’t the real thing, and that somewhere the girl he swore to protect is in mortal danger— and so he delves into a world of dreams and nightmares to bring her back.

A Fae-Touched is the woman who fights off briar wolves in a mad, twisting forest so she can find her wife, because when she said “I will never abandon you,” she meant it.

A Fae-Touched is the young man staring down a Lord of the True Fae and refusing to yield. He and his brother went through hell together years ago when their parents died, and they promised one another then that they’d always stand by each other, and some monster in a crown can’t change that.

Not every changeling is helped by a Fae-Touched, and not all of the Fae-Touched succeed. Sometimes you have to claw your own way back home. But God, what a beautiful concept.

I know that Changeling: The Lost is very dark, and the reason I love the Fae-Touched isn’t really because they’re the light to that darkness— I think that simplifies it too much.

I like the Fae-Touched not because they take away the darkness, but because they remind me we don’t always have to face the darkness alone.

Sometimes, when you think there’s no point going on, when you think it will just be the pain and the fear again and again and again… it’s not true. Because sometimes, maybe even more often than we think, there’s someone out there who knows you need help. And they ready themselves, they set out into the darkness, saying only,

“This is gonna be a long walk. But I’ll get there. I promise.”

[agustdakasuga]

The Way Of A Criminal: Chapter 1

Genre: Mafia!AU, Criminal!AU, Angst, Romance

Pairing: OT7 x Reader

Characters: Normal!Reader, Gangster!Namjoon, Gangster!Seokjin, Gangster!Yoongi, Gangster!Hoseok, Gangster!Jimin, Gangster!Taehyung, Gangster!Jungkook

Summary: Your father was a stranger, you never knew who he was and what he did. But one day, someone knocks on your door, informing you of his passing. Now, you learn more about him, his life and the legacy you are expected to continue with the help of his 7 executives.

Story warning(s): This story will contain depictions of violence, blood shed/gore, death, mentions of abuse, smoking, alcohol drinking and gambling. This story is fictional and has nothing to do with real life events or the actual members of BTS. Please read at your own discretion.

“My condolences.” Someone wished you solemnly as they stepped up to pay respect. From your position on the straw mat at the side, you only maintained a straight face and bowed to show your gratefulness.

“Your father was a great man.” A lady smiled softly.

“I’m sure he was.” You replied. But her reaction to your statement made you purse your lips. You hadn’t intended to let that comment slip out. You recovered by straightening up and shaking her hand, gesturing to her to the food and beverage table.

Some people excused your attitude as your way of coping and mourning. But those people that knew the truth knew your indifference and emotionlessness was because you didn’t know the man in the coffin.

He was supposed to be your father, it says so on your birth certificate. But it also said so on the divorce papers your late mother had.

To you, he was a stranger.

You had just finished a long call with your classmates to discuss a group project that was coming up. You stretched your stiff arms over your head as you went downstairs to get a drink.

DING DONG

You placed down your mug and went to the front door. There was no reason for anyone to be here. You didn’t order anything recently.

“Yes?” You opened the door to come face to face with a suited male. He was good looking and you could tell how built he was despite his suit and coat covering his body. But you had never seen his face before.

“Nice to meet you, Miss. My name is Kim Namjoon-”

“I’m not really interested in what you’re selling, thank you.” You cut him off, ready to close the door. He held a hand out.

“Apologies, (y/n) sshi. I’m not here to sell you anything.”

“Wait, how do you know my name? I have never met you before.” You frowned, starting to get a little worried and cautious. This man looked like trouble but at the same time, you knew you couldn’t run from him. Where could you run to in your small house? Plus, he looked like he could catch you easily. You just took a step back, shielding more of your body behind your door.

“My name is Kim Namjoon. Unfortunately, I am here to inform you that your father, (y/l/n) (y/f/n), passed away early this morning.” He informed. Your eyes widened as your brain worked to process what he said.

“As his only child, it is only right for you to represent him during the funeral procession.” Namjoon said.

“I-I don’t have a father.”

“I was told that you may react that way. Here, this is for you. I know you never had a relationship with your father but he did think of you often and I know he would want you to be there for his final send off.” He handed you a folder.

“He’s a stranger. I know nothing about him except his name.” You tucked the folder under your arm.

“I understand. Your father did love you and miss you but there were circumstances that prevented him from contacting you all these years.” He gestured to the folder.

“Look, Namjoon sshi, I don’t have the money for a coffin, much less to book a funeral hall. I’m on my own, living off the savings my mother and I earned on our own.” You sighed in defeat.

“Don’t worry about that. My brothers and I have everything handled, as instructed by your father before his passing. All you have to do is be there. We were close but at the end of the day, you’re his only blood born child.” Namjoon said with a small smile.

“You work for him?”

“In a way. I trained and work directly under him.” Namjoon was brief in his explanation. You just stared at him, knowing that he was more than just an employee to your father.

“Have a nice day. I look forward to hearing from you, hopefully.” Namjoon offered you another respectful bow before turning to walk back to his car. You closed the door, leaning against it and heaving a long sigh.

So here you were, greeting people and thanking them for coming to a funeral of a man you didn’t even know. They probably knew him better than you did.

“Namjoon sshi. I’m going for a breather.” You went to the male, who was sitting with 6 other males.

“Sure. Make sure to get some food and drinks too.” Namjoon smiled and patted you on the shoulder. You stiffly nodded and walked out of the funeral hall. You entered the toilet to splash your face with water.

“What am I doing here?” You looked at your reflection.

“Just get this over with and go back to your normal routine.” You told yourself as you left the bathroom. Maybe you didn’t really know how to feel about your father since your mother never talked about him much. All you knew was that they got divorced when you were 2 years old. Were you supposed to resent and hate him? Or be sad that you never got to know him?

“Want one? You look like you need it.” A pale guy offered you a cigarette when you stepped onto the balcony for some fresh air. You recognised him as the stoic looking one in Namjoon’s friend group.

“No, thanks. I don’t smoke.” You shook your head.

“Suit yourself.” He rested his forearms on the banister, lighting his cigarette to take a smoke.

Guess you won’t have much fresh air. You turned around and headed back in. You didn’t have much appetite to eat but you did grab a drink, throat feeling hoarse from greeting people.

“My condolences. It must be hard losing your father. He was a great businessman.” An older man came to shake your hand.

“You worked with my father?” You asked politely.

“Yes, he worked hard to build his company and this legacy. He was hoping that one day, you would take over-”

“Mr Park! Come, help yourself to the food and drinks.” One of Namjoon’s friends whisked the male away before he could finish his sentence. You blinked in confusion, unsure of what was going on. Namjoon led you back to where your post was.

“If you need anything or need someone to take over while you take a break, let me know. My brothers and I can take over temporarily.” Namjoon said.

“Thanks.” You sat back down on the straw mat, making sure that the ends of your hanbok were straight.

“Thank you for coming.” You bowed to those who came to pay respects.

You looked over at Namjoon and his 6 friends who were also tending to guests and speaking to them. They were obviously not real brothers but you could tell how close they were. The guests seemed to know them fairly well.

They were your father’s children more than you were.

“That girl is really his child?”

“He has never mentioned having a child before. Is she just after the inheritance?”

“Look at her. She doesn’t even care or have an ounce of grief knowing her own father has just died. That’s cold hearted.”

Of course, you were a new, unfamiliar face. You heard all the whispered comments that were being made about you. It didn’t help that Namjoon insisted you wear the band of the chief mourner, that itself signified your highest rank in your father’s life. You didn’t blame the gossip, you would find it suspicious too if a child of a deceased only appeared at their funeral.

“The girl can’t possibly be taking over his company, right? I think he would have willed it to Namjoon. He is capable of taking care of the company in his stead.” An older lady said.

“All the boys are capable of taking over the company. They have been trained by him and cared for by him.” The man she was with replied.

“Yes, they can definitely help it to grow to be even more successful.” She giggled lightly.

"We will be having the final rites before moving to the burial site.” The funeral director came. There was a moment of silence as the final rites were performed. The director held out your father’s photo to you.

“I shouldn’t...” You hesitated.

“Please, (y/n) sshi.” The director looked at you with pleading eyes, as if he was scared of anyone else holding the photo. You chewed on your bottom lip, reaching out with shaky hands.

“Thanks.��� You whispered, holding the photo in front of you. Namjoon and his 6 brothers stood on either side of the coffin, lifting it up.

“Right this way.” You walked in front, nestling your father’s photo in your hands. As you walked passed, all those in attendance of the funeral bowed their head respectfully. They walked behind the carried coffin. When in front of the hearse, you stepped aside for the boys to load the coffin into the hearse.

“It’s okay, Hobah.” You watched as the smaller, pale man comforted his brother that was crying. Even the tough looking, tattooed one was crying and being comforted by the others. You couldn’t find it in you to shed a tear of feel sad.

The rest was a blur. The ride in the luxury car to the burial site, all the expensive cars riding behind the hearse. You kept to yourself, keeping your head down and not attempting to make any conversation.

“Goodbye.” Was all your uttered as you tossed your flower down onto the descended coffin.

“Thank you for coming.” You stood with the 7 men, bowing as the guests all retreated to their cars to leave the cemetery.

“The company is in your good hands.” The guests all told the 7, mainly ignoring you. You stared at the mound of dirt that would be turned into a nice grave with a headstone soon.

When your mother died, you did everything on your own. There were no visitors, no fancy send off and no one to help you. You had her final rites in the hospital where she passed and paid for her to be buried immediately. Your mother was an amazing woman, she deserved all this as a grand send off, not your father who abandoned you.

“(y/n) sshi.” Someone grasped your arm.

“Taehyung!” Namjoon called out as you yanked your hand away, as if his touch burnt you. The man’s eyes widened at your reaction, he had no ill intentions and even wanted to try to comfort you.

“I’m going home.” You muttered and walked down the path to the road.

“Let us send you home. It would be hard for you to get a bus or cab here.” Namjoon offered. You nodded your head and sat in the car.

“(y/n) sshi, can we pick you up some food before dropping you home? You barely ate at the funeral home.” The one that sat in the passenger seat of the car you were in asked.

“No thanks. I just want to go home.” You requested.

“Of course.”

The car pulled up in front of your small, two storey house. You stepped out and looking up at the house.

“Before you go, (y/n) sshi. This is for you.” You were handed a thick envelope. You didn’t need to open it to know that it was money inside. Probably all the money from the funeral visitors.

“Keep it. It’s not my money. You guys paid for everything so split it amongst you all or whatever.” You held it back out for them to take.

“You’re your father’s child, you should be the one to have it-”

“Look, let’s just stop. The man that was just buried is not my father. The day he left my mother and I, he stopped being my father. To me, he’s just a stranger that I’d rather not know about. I couldn’t cry for him like you could, I feel nothing for him.” You sighed.

“If he wanted me to know him, he had all these years to come back. I wouldn’t have to see my mother shoulder everything on her own because he was prideful or selfish.” Your voice wavered at the memory of your mother.

“He regrets that. He hates that he could only be your parent in his death.” Namjoon said gently.

“No, I only have one parent and I already buried her, two years ago.” There was so much bitterness in your voice. You turned away and entered your house, locking the door shut.

Like the day Namjoon came to deliver the news, you sat with your back to the door. You heard the roar of the luxury cars come to life and fade away as they drove off. Finally, your sobs and tears fell freely.

It wasn’t fair that the man that easily upped and left is celebrated while you and your mother were left to fend for yourselves. The only regret you had was not being able to do better for her when she tried her best for you to live life like any other kid. You worked any job that would take you but you still couldn’t buy her lavish gifts for Mother’s Day and her birthdays.

The day your mother collapsed, you had never been the same. You blamed yourself, she collapsed from the exhaustion. Her body was so weak that death came quickly.

When you buried her, you buried your heart with her.

“Ugh.” You got up, going to shower and change out of the mourning hanbok. You placed everything into a paper bag, throwing it into your closet.

“Hi, can I order two soups, please? Yes, two bowls of rice.” You ordered with the nearby restaurant. If you were not cooking, you usually ordered 2-3 portions of food at once, keeping the extras in the fridge to save on delivery fees.

*KNOCK KNOCK*

“Delivery!” You went to the door. The man held out the packets of food to you and you handed him the money.

“Have a nice night.” He bowed and went off on his motorcycle. Just as you were going to close the door, you looked at the envelope on your door step. It was the one with the funeral money. But unlike earlier, there was now writing on one side of it.

‘You don’t have to spend it, you can donate it. The money doesn’t belong to us. If you ever need anything, contact us.’

Stapled to the envelope was a business card. It was white, the company name ‘Bangtan Enterprise and Exchange’ printed in gold font. The other side of the card had one number on it. There was nothing else on it.

“Bangtan...” You read out. You placed the food on the table and put the envelope aside, no intention on using the money.

“Thank you for the food.” You began eating. You had placed your laptop in front of you, some mindless show playing to fill the quiet space with some sort of noise.

‘Dear student,

We would like to extended our deepest condolences to you and your family upon hearing your family member’s demise. As per school protocol, you have been granted 3 days of school leave.

- School administration’

You just saw the email sent to you by your school administration. How did they even know if you didn’t tell them? Plus, you never registered a ‘father’ in your school records. Whatever, now you had 1 extra day. Maybe you could spend the whole day sleeping tomorrow since you have been thrown into this emotional rollercoaster and have not slept for 2 days.

“I’m so full.” When you were done eating, you did the dishes, put the extra food into the refridgerator and went to your room to do some studying.

‘(y/l/n) (y/n)’

You remembered the folder Namjoon gave you when he first arrived at your doorstep. Pulling out your chair and sitting at your small desk, you undid the string and poured all the contents out.

“Omma...” You picked up one of the photos. You were a baby in your mother’s arms, the photo caught the both of you mid laugh.

‘My beautiful girls.’

The handwriting was not your mother’s so you guessed it was your father’s. There were pictures of them together, before your mother was pregnant and some while she was pregnant.

The only one that was carefully wrapped in plastic was one of your father carrying you after you were just born. In the plastic, with the photo, there was a folded letter than fell out. Your name was written on it.

‘My dear (y/n),

If you are reading this letter, it probably means that I am gone. Namjoon and the others have been instructed to give this to you only when I pass. Only because I am a coward that cannot face you and your mother after everything I have done.

I know after so many years, no excuse or reason will ever make up for my absence. I deserve to be hated and resented by you.

(y/n), if I could have been there to witness you growing up into such an amazing person, I would have. I would have given up the world to have you and your mother with me.

But I know I cannot be selfish. I cannot jeopardise your safety and risk putting you and your mother in danger. I’d rather live away from you than to know I am the reason you or your mother get hurt.

Every day, I think about you. How I wish I could speak with you and hug you, tell you I am sorry and that I missed you.

It has not been easy hasn’t it? You and your mother having to fend for yourselves. Your mother is just as tough, not wanting to receive any help from me, wanting to singlehandedly raise you, care for you and put you through school. I am confident that she raised you well, to be just as strong and independent as she was.

I’m sure you don’t need me to tell you that though, how amazing of a woman your mother is. I will always love her with all my heart, I’m grateful to have her as my partner and soulmate.

While I may not be there to make up for my absence, if you or your mother ever need help with anything, please contact any of the boys.

To ask you to be there at my funeral was unfair of me, I am just a stranger, you probably barely know what I look like. But please just let me be selfish one last time, I just want to see you one last time before I leave.

I’m sorry, (y/n). I don’t deserve to call myself a parent, much less your father.

- (y/f/n)’

~~

Series Masterlist

Ko-Fi

Main masterlist

[cerastes]

Right, look, forgive me for placing a damp blanket over your shoulders, but, you know that one post where it’s a screenshot of a Twitter post where one person is asking “hey we’re censoring armpits now?” “yeah because there are freaks in twitter I guess” “yeah me uncensor them” on the pic of a girl cosplaying as Cammy from Street Fighter?

Alright, I’m linked that post now and then, or @’d in it, and yeah I get it, it’s in good fun, I can see the comedy, but it makes me uncomfortable because that really shouldn’t be acceptable behavior in a vacuum. I don’t know the cosplayer in question, so maybe she’s ok with that stuff or even encourages it, I don’t know, but let’s assume this is all in a vacuum for a second and that she’s just a cosplay enthusiast, and maybe even infer that it does make her a bit or more than just a bit uncomfortable based on her having censored her armpit in the first place. Assumptions you’d make, perhaps, without knowing the person at all.

That’s really not good! If it were a fictional character, say, fanart of Cammy, a grown woman, man, who cares if you leave a reply saying “I want to motorboat her asscheeks so hard it’s going to register as an 8.5 in the Richter Scale” or “Not even a chastity belt forged in the finest forges of Mordor could keep me away from her lower lips”, it’s a fictional adult character, who cares. Now, it’s not at all the same when you are directing those comments towards an actual living person. It shouldn’t be your first instinct to say something like that unless you’re 100% absolutely sure that the cosplayer is cool with those kinds of comments or interactions. For all you know, they simply like cosplaying as characters they like, and suddenly, you hit them with a “Hello! I want to make your armpits my keto diet supplement!” which is... Not fucking cool, my dude.

And this isn’t just weebs, alright, because I know this post is going to have some braindead reblog that’ll be like “degenerate weebs deserve the rifle” in the tags, save yourself the keystrokes, this was a pretty big problem around 4 years ago with subs and bottoms, even on this website. Obviously, you can’t say subs and bottoms exist as a monolithic entity, this isn’t about all of them, but there was a VERY blatant social license for people to reblog posts of attractive cosplayers or women into fitness with comments like “oh my god crush me mommy”, which is not a normal thing to say to someone you don’t know. I’m singling out this particular behavior because it was defended in the vein of “oh but I want to be Beaten By The Girl and Fucked By The Girl, NOT the other way around #feminist” which was hilariously duplicitous and shameless. There’s nothing wrong with these wishes, but just like Armpit-kun up there, unless you’re 100% certain the person behind the photos is A-OK with these sorts of comments, Well, Don’t Be A Fucking Weirdo! It’s real people, behave. 

[roosterforme]

roosterforme's Bob Floyd masterlist (Bob x Reader)

(welcome to my masterlist, Bobby!) roosterforme masterlist

Stiff Competition After visiting your bakery one time, Bob has a crush on you. The only problem is, so do all of the other guys.

The Kind of Girl I Could Love Bob has a secret admirer, but he's convinced it's actually Jake and Nat messing with him. 

Stud On Board You're nervous to meet Bob's friends for the first time. Initially you think they are poking fun at you, but then you realize that's not the case. When it becomes obvious that it's your boyfriend they're picking on, you make it a point to let them know just how much of a stud he really is.

The Wingman Bob never did this sort of thing. Talking to girls and flirting and romance. It's not that he didn't want to, he just didn't really know how. But you were different in all the right ways, and you made him feel confident enough to try. 

Brighter Than a Supernova Bob planned to simply stop by Phoenix's Hanukkah party for a few minutes before heading back home. He'd hang out with the guys for a bit, even though he never quite felt like he fit in with them, and he'd meet the little sister Phoenix often referred to as annoying. But he had no idea how bright and magical one night could be compared to every other night that had come before.

Explicitly Yours When Bob met you, he fell for you hard and fast. He thought you might be his perfect match, the one that would make his days feel full instead of lonely. He never would have dreamed you had a secret. But secrets are known to be revealed at the most inconvenient of times, and Bob's surprised hesitation could cost him the thing he wants most.

Some Things Take Time Bob is a man well known for his patience. He never rushes things in the air, and he tries to live by a similar philosophy on the ground. You and he are both on the same page about welcoming a child into your home through foster care, but it's hard for him to watch you try to bond with her unsuccessfully. He soon realizes that Avery is a lot like him, and that some things are worth the extra time.

The Curveball (13 Part series) Bob x OC Molly from Batting Practice! When Bob started coaching a tee ball team with Bradley, he was surprised to find how much he enjoyed it. But the last thing he expected was to fall in love with Molly, the beautiful and exciting aunt of one of the players on the team. Bob is hooked after one look at her, but he's afraid that he could never be enough.

How Old Are You? (a Curveball/Batting Practice one-shot) Bob only gets one birthday every four years. When his wife, Molly, realizes it's almost Leap Day, she throws him a party any nine year old would love. And it's the perfect celebration for a thirty-six year old, too.

Covering the Classics (19 Part series) Bob never experienced a romantic relationship like the ones his friends have found. He silently craves the love and attention that he used to think were only real in novels and works of fiction. Then he meets a mystery woman who turns out to be the new literature professor at San Diego State University, and he starts to believe he could have a non-fiction love as well. This story is part of the Beer Boy and Sugar universe and the Jake and Jessica universe

[sindar-princeling]

The previous post made me think some more about the real life influences on LOTR, so because I’m down with a cold and have a lot of time to spare, I finally wanted to write a coherent post about those comments GRRM made about Aragorn and his tax policy.

For those who haven’t heard the actual quote, here it is:

Tolkien can say that Aragorn became king and reigned for a hundred years, and he was wise and good. But Tolkien doesn’t ask the question: What was Aragorn’s tax policy? Did he maintain a standing army? What did he do in times of flood and famine? And what about all these orcs? By the end of the war, Sauron is gone but all of the orcs aren’t gone – they’re in the mountains. Did Aragorn pursue a policy of systematic genocide and kill them? Even the little baby orcs, in their little orc cradles? In real life, real-life kings had real-life problems to deal with. Just being a good guy was not the answer.

And my god, do I have problems with this approach to Tolkien. It’s kind of like asking why Bilbo was unconscious for a lot of the battle of five armies, when we know it was a story Tolkien was telling his kids before sleep.

When looking at LOTR, I think you can’t not read it as an ultimate escapist fantasy - and what’s most important, Tolkien’s personal escapist fantasy.

He is Frodo - a man born into a middle class family, educated, well-read, with close friends coming from the same “social sphere”, like Merry and Pippin, who died in WWI. Sam is in a very literal sense the batmen Tolkien fought with, which he said he considered “so far superior to myself”.

Tolkien had a few batmen during the war, like the article from my previous post mentions. Most probably because he fought in a few different units, but also, he may have lost some of them to war.

And in LOTR, they all get a happy ending.

Of all four of them, Frodo is the only one who can’t return home, most probably mirroring Tolkien’s trauma. He’s the only one whose ending is grounded in trauma, PTSD, loss. The rest of the hobbits get happy endings - very simple and traditional in a way that after the war was nothing but good - they marry, they have kids, the kids marry each other, everyone is happy and lives long lives.

Sam, especially, gets the happiest ending of all in this sense - he marries a woman he grew up with, he has so many beautiful kids, he is mayor for like seven times and everyone loves him, the Shire thrives.

Tolkien was too traumatised after the war not to write Frodo as a mirror of his experiences. But then he took all the people who fought alongside him, who suffered alongside him, people who he lost, and gave them the happiest fairy tale endings he could think of. And it’s not that Merry, Pippin and Sam weren’t as traumatised - this ending is not meant to belittle their experiences - Tolkien is simply giving them the ending that real life didn’t give them.

Returning to the original point, to Aragorn - it’s just another version of the same mechanism. Gondor was struggling, Gongor had Mordor as their immediate neighbours and was heavily affected by the war as well. And then there came a just, good king, and everything was fine. The end. It’s a subplot of the same fantasy as the hobbits’ endings. It doesn’t matter how hard ruling is, we trust that Aragorn is a good king, because people of Gondor deserve a good king (the people of the real world deserved a good ruler who wouldn’t drag them to war), and we know that Aragorn is an honorable, just man.

Nothing about the LOTR ending - apart from Frodo’s trauma - is meant to be realistic. Why would Tolkien want to write WWI and the aftermath - this time fictional.

[azumeowth]

SpongeBob is an Adult

I'm so sick and tired of people trying to say that SpongeBob is a child or that he was 13 when he was hired at the Krusty Krab. I swear does anyone actually watch the show? Look no further than Season 3, Episode 3: The Bully.

Mrs. Puff would NOT be his teacher if he was a child. He is a grown ass man who can't pass the driver's test. That's not THAT uncommon.

The argument I often see online is his (fictional) driver's license stating his date of birth as 7/14/1986. There are two problems with this. One: This is a dream sequence. (A rebuttal to this is that his license was shown again in season 2, but cartoons reuse assets all the time) Two: We don't know when the show actually takes place. Many shows don't take place in the same year as real life. Example: The Jetsons.

Season 1, episode 12: Employee of the Month. 43 months have passed, at least, with the 44th month being this episode. Three and a half years have passed AT MINIMUM since he was hired. This is still in season 1, mind you. March 8, 2000 was when the episode aired. 10 months, 1 week after the Episode 1 airdate of May 1, 1999. These episodes do not go along with real time.

When people say he's a kid, they are not being literal. Figurative language has been around forever. They mean he has the heart and energy of a child while living his adult life. When Mr. Krabs calls him a kid, he is being dismissive and derisive. Krabs is an old man, to him, SpongeBob IS a kid, because he's so much older than him.

Squidward calls him a kid because he's just an asshole sometimes. It's like when someone dismisses someone else along the lines of "Shut up, you're like 12" even if the person is in their 30s.

Another problem I have with people insisting SpongeBob is a child is that he's very autistic-coded if not flat out autistic. To say he is a child is infantilizing autistic people who act the same way. My partner is this way, she is nearing 50 but she acts like a 10 year old. To say she's not an adult would be insulting at best and ableism at worst.

Need more proof? Season 1, episode 12: The Chaperone. SpongeBob mentions that he couldn't find a date to his junior prom. That means he finished his junior year of high school. At the very minimum, SpongeBob could be 17, but Pearl is 16 in that episode so that is VERY unlikely.

If I need to add more to this post, I will, but chances are the ones who need to read it never will.