#like idk man it's just so wonderful knowing how connected people are to humans of the distant past!!!!

[beauzos]

i'm finishing the Odyssey n i'm like... do y'all ever get this sense when you read super old texts where you're just like damn. i love humanity.

LIKE it just hits me that it is such an immense privilege to be able to read works like this written centuries to even thousands of years ago and have the stories be relatable, understandable, and enjoyable to read. i'm like. man. we've been creating since the beginning of time and we still love and talk about what these people made an unfathomable amount of generations later. creating is so special.

[tanoraqui]

obviously the Historical Figure Episode(TM) of Doctor Who that I’d write would of the Noted Author subset endemic to the RTD Era; it’d be called “Spiders in the Trenches” and be set in the middle of World War One ft. one Lt. John Tolkien.

idk if the main aliens are spiders or if they're just using giant robotic spiders as soldier-minions. Either way, Tolkien is a little too defensive when he says he's not afraid of spiders.

The alien invaders want some sort of shiny mcguffin, maybe as a power source for their ship? Or for a mega-weapon? We do not want them to get it, at any rate. Race to find the Shiny Power Jewel-Thing which has been lost somewhere in this like 20-mile radius of the Western Front.

When our heroes narrowly beat the spiders to the SPJT, Tolkien realizes that the spiders only ever attack at night because light hurts them somehow, so he holds the SPJT up as it flares and shouts, "Get back, foul creatures! Back into the shadows from whence you came!"

(They're from the dark side of a tidally locked planet, and made for extremely low-light conditions? The SPJT flares because it's controlled telepathically and it connected to Tolkien's mind when he touched it?)

Ideally Tolkien's first encounter with the Doctor is that he wakes up in the trench one day (after losing some men to a mysterious monster in the darkness a couple nights ago?), and there's 2 random strangers in weird clothes idly singing and playing an instrument which they stole from someone a couple bedrolls down. (This works well with Fifteen & Ruby's established inclination to music!)

We do need an Eowyn Moment, because that's iconic, but I'd split it: for dialogue, at one point the head boss evil alien boasts, "No human can defeat the Tenebrarachnid Empire!" and the Doctor replies, "Good thing they've got me, then."...

[I don't know if this is a Fifteen line yet. I know it's a very Eleven line]

...and there's a soldier in Tolkien's unit who is revealed to be secretly a woman! Who disguised herself as a man in order to enlist for ??? reasons, and who dramatically pulls off her hat to reveal her long hair.

The third notable local character is the sort who inspired Sam Gamgee, "...the English soldier, [like] the privates and batmen I knew in the 1914 war, and recognized as so far superior to myself.”

^those two can have a romantic subplot if it fits (comrades-in-arms is also extremely good). Tolkien, however, at some point shows Ruby the picture of his wife Edith which he carries at all times, she of the black hair and bright grey eyes, and is obviously ready to monologue about how wonderful she is.

In the same scene(?), Tolkien looks up at the stars and says their brightness shining afar, clear of all the horrors on the ground, is always a source of hope and strength to him.

Maybe also in the same scene? Tolkien is shown to make up stories for fun, or to read them in his little spare time - fairy tales and mythological epics. Maybe he tells them to the men around the fire, maybe he keeps a little notebook, maybe he just admits to daydreaming... When asked why, he paraphrases his quote from later life, " Fantasy is escapist, and that is its glory. If a soldier is imprisoned by the enemy, don't we consider it his duty to escape?"

At some point (Star-watching scene? when the Doctor inevitably has to explain that aliens exist? when they're all saying goodbye in the end?) there's a line drawing attention to the Doctor's parallels with Eärendil - eternally wandering figure of hope, sailing the stars in a ship with a light on top, not quite mortal...

Tolkien DEFINITELY tries to figure out the alien language, in writing or speech.

Something the aliens are doing is making people sick. Maybe the attacking robo-spiders are venomous, maybe there's a toxic byproduct of the alien ship, maybe it's a deliberate first assault of the planned invasion... By the end of the episode, Tolkien is very ill. The Doctor has figured out an antidote and given it, but Tolkien says goodbye to him and Ruby only to stumble to a medical outpost - from where, the Doctor explains to Ruby, he'll be sent home with this bad case of what's assumed to be trench fever. Between the fever and the brief psychic entanglement, and unentanglement, with the SPJT, he won't even remember most of this, and what he does remember, he'll put down to fever dreams amidst the horrors of war.

But he'll remember some things! He'll remember an eternal wanderer of the stars, unaging and undying and ever-hopeful, heralded by light (and a vworrrp vrorrrp noise).

[faislittlewhiteraven]

Fais fanfic rambles: Introduction to my 'Selkies by Starlight' ISaT AU

Note: Not to be confused with @looped-140-and-counting / Soren_793's wonderful Selkie AU oneshot series 'The Northern Islanders are Selkies' which was hugely inspiring for this if potentially VERY different in vibe (we got very into talking about cloaks! XD)

Basic premise/summary:

In an alternate version of the precanon adventure, the party lead by Mirabelle to stop the King freezing Vaugarde in time, recruit Siffrin as per usual.

Thing is, Siffrin is a Selkie.

A very skittish selkie without a cloak of their own, who openly wears the cloak of another, and due to Reasons is under the impression that the party know all both of those things and the Implications about them, and for whatever reason have decided to welcome him into their group anyway.

Which er, he's completely wrong about as the party know absolutely nothing.

Mira and Isa like most Vaugardian humans think 'shifters' are just fairytales, Odile knows shapeshifters are real but is only really familiar with how foxes like her father work, and Bonnie is actually able to sense some pretty major things but is a preteen dealing with a lot and hasn't even joined the party yet, so this pretty major misunderstanding is sustained for quite a while...

Cue the AUs' main focus being on the resulting party dynamic shifts as more and more canon divergence due to Sif's 'selkie stuff' (both cute and serious) comes into play, the party slowly realising something is up, and all of it hitting an eruption point right around the time of the 4th Orb/the loss of Siffrin's eye...

Some key world building notes: (Note: very summarised from my docs. I have like 20k+ words on this stuff XD)

The Island - Probably the most drastically different thing from canon here, the Island was not forgotten or erased here. Rather it is hidden away and permanently shrouded in Wish Craft generated fog from 'those without cloaks'. Side note: Sif is still unable to return home and continues to have some very plot critical memory problems but those are due to unrelated issues, which means yay I get to have Sif talk 'home culture' with the others in this =D Also idk why the King is freezing Vaugarde still. I've got a few ideas I'm not sure about and he's not in focus enough for it to even matter really, but random suggestions -especially those with possible selkie motivations- would be very much appreciated.

Selkie powers in my setting - Went into something of a deep dive regarding selkie folklore for this and did you know they have an absolute ton of seer/oracle based stuff going on?

From selkie being summoned by their human lovers shedding seven tears into the ocean, to a selkie man telling a former lover that he and their child will die at the hands by her genuinely good and loving future husband, to a selkie woman forseeing her fisherman husband about to die out in a storm just in time for her to swim over there and rescue him, etc.

So... Yeah. This AU has a lot of plot relevant sensory/seer stuff going on as well as the standard seal shapeshifter stuff (Islander selkie traditionally believe it to be the Universe talking with them, in the same way Wish Craft is talking to the Universe), and going off all the stuff I read decided it'd be most fitting if the general rule for how it all works is: - Selkie always passively have a bit of it going on (aka Sif's canon 'you sense someone nearby' stuff) which like most things can be enhanced with Craft use a bit. - Near perfect understanding of all 'connected' bodies of water (aka they know EXACTLY where the tasty fish are/will be and can probably get a general sense of location for most people on a boat) - Potentially get strong 'visions of the future' and/or instincts on what they need to do to avert an outcome when it comes to loved ones being in danger/distress.

They also maybe get to pull very fast, high power Wish Craft 'curses'/miracles' at idk, the cost of something major like their cloak or lives (mostly based off of the The Legend of Kópakonan where the whole island of Kalsoy was cursed with death by a selkie in retaliation for her husband and children being murdered) but not super attached to this idea past it being in 'seal shifter' stories in-setting.

Other non humans in setting and regional differences in shifters - Pretty much only selkie and selkie issues are in focus here, but just as a general thing, all non humans in setting are shapeshifters and originated from human ancestors who went crazy with the the Body Craft and/or used Wish Craft in some way.

Ka Bue in particular has a ton of them since yokai, with their origins being various sects/clans back in the warring eras going so nuts with trying to weaponize Body Craft (super soldiers, enhanced life spans, infiltration, exploiting attraction to furries, etc), that after some particularly high profile incidents (for an idea plz see: Kiyohime, Tamamo no Mae, Kachi-kachi Yama) and 'Body Craft misuse leading to shut down of the brain/vital organs' being the most common cause of death for 10+ years once peace time was established, eventually Ka Bue's authorities set their foot down and banned Body Craft altogether.

Currently the shifter population in Ka Bue is around 30% of the population, shifters are required to have ID regarding their forms (or potential forms if they're merely 'half'), and it's considered distasteful for a shifter to be in non human form outside of private settings/necessity and even ruder to ask a shifter about their non human forms if they haven't brought the topic up yet first (kinda like seeing/asking about someone's underwear or something XD).

In contrast the Vaugarde, Mwudu and Porteria region is extremely shifter sparce, with most of its original shifter population being the result of various Universe worshipping peoples (mostly small groups, like greek mystery cults) deciding to use a big Wish Craft ritual as some sort of religious rite and becoming shifters as a side effect of their primary Wish (usually stuff like 'we wish for us and our descendants to be one with You and the sea/air' or 'may we Change with the phases of the holy moon' etc) which granted them some pretty neat skills but also tended to come with some 'potentially nasty' drawbacks attached (see: selkie and swan maidens with their cloaks, werewolves Changing in both body and mind etc) Which er, lead to some issues born of lack of knowledge about this stuff, later some very nasty anti shifter sentiment in the region, and then around... IDK 200 to 300 years ago or so ended up exploding into violence and other very nasty things, with most shifters able to do so fleeing the region, and those that couldn't either enduring horrible conditions until they could escape/died or went deep into hiding, with the Island's Country being founded by the two later groups who used Wish Craft to hide their new home, erase awareness of their existence from their enemies (a short term, fully intentionally 'forgetting' blast centered specifically around shifters), and developed a LOT of culture and traditions regarding when, who and what can be told to 'outsiders' about themselves, Wish Craft, etc in order to keep their people safe.

There are shifters living in present in Vaugarde of course (anti shifter sentiment died back a LOT after most people stopped thinking they were real, and most modern day Change Believers are more likely to view these 'totally fictional/allegorical' beings as children/messengers of the Change God rather than 'evil demons who stole power by tearing apart the Change God's cloak for themselves and thus have to be hunted down and made to repent' propaganda take that was everywhere back then) but numbers actually living outside the Island as opposed to merely visiting remain low, since either the shifters know their history and stick firmly to their 'stay secret' traditions or quickly pick up on how oddly unknown shifters are around these parts and decide to err on the side of caution... Also 'trust worthy' humans who do learn about them (usually northern coastal folk, gee wonder why) tend to help cover them up so... Yeah =D

---

And... Yeah!

This is hella long as is, so will stop here and ramble about the actual 'how this all affects our beloved Sif and Co plot and culture wise' stuff that is the actual meat of the AU in another post later, but hope this made for an interesting/idea provoking read, know that I have no issue with anyone using any of this for their own works (just please, don't use the 'Selkies under starlight' same story name unless it's actually a fanfic/fanart of my 'hopefully soon has a chapter/one shot up' fic/Ao3 series of the same name so people don't get confused), and I would love to chatter with you about any thoughts/questions you might have so...

Wishing you a good day =D

(sighes in relief finally getting this post finished after literal months. Pheeeeww~)

[kagoutiss]

So I am having SO MANY thoughts about the twinrova and how they’re a couple centuries old and so would’ve lived through multiple rulers before “serving” ganondorf.

Like they raised him, what was their agenda? Did they have plans spanning multiple sovereigns to secure their power over the gerudo? Did they have the Omni man “what’s another century we’ll just raise the next one” kind of feelings towards him if he didn’t become their puppet or weapon?

So much thot not enough brain space this rot is taking over me

ooooooogh twinrova brainrot is strong in me too…..yeah because if they’re ~400 years old and OoT ganondorf was still just in his twenties at the time, and a male gerudo child is born every century, then presumably they could’ve been in the position of raising said children multiple times? i think i remember seeing a take somewhere that considered the idea of twinrova’s role in the gerudo being similar to that of impa serving as an attendant/mentor to zelda, and i think that’s a really cool idea. there’s probably also a lot of potential angst to be found in these little old witches who may have cared for previous gerudo princes, and would have had the incredible responsibility of keeping them safe in childhood, while also training them in witchcraft and war strategy, and advising them in their kingship as adults. because if that’s the case, they would’ve seen those princes live and die multiple times too

it kinda makes you wonder if their love for ganondorf is so obsessive in part because they know firsthand how painful it is to lose a child, to live long enough to outlive to your children multiple times. tbh, i feel like them using ganondorf as their proxy for everything, and trying to make him an all-powerful being at any cost, is more a product of their love for him, than it is a litmus test of whether they‘ll love him or not? and by this i don’t mean they’re like,,, a healthy family by any means, like you can still easily apply terms like abuse and trauma-bonding to parts of their dynamic, imo. i think kotake & koume love ganondorf genuinely, and always have, and that the sentiment is mutual. it’s just that they’re willing to go to very extreme lengths to protect/empower ganon in the ways they believe are necessary, because they are very aware of how important he is, to them and the gerudo as a whole. and ironically, a lot of the time, this desperation ends up being not at all conducive to his safety, or sanity, or happiness

like…raising him with expectations and standards that are completely unreasonable for any human being, that turn him into an ambition-driven nutjob who invents lightning magic & masters all types of weaponry & plays a pipe organ, while also having virtually no ability to form genuine relationships with people other than his mothers. or them trying to make him into an impervious, all-powerful being by trying to take divine power, which sometimes inadvertently turns the rational parts of his brain into soup and sets them on fire. or them trying to revive him after death in the downfall timeline by sacrificing themselves, inadvertently bringing him back wrong, and sentencing him to an existence he never would’ve originally wanted

idk. they’re really fun and also heartbreaking to think about. he engraves their names into his weapons, they willfully die just for the possibility of allowing him to live again. their familial relationship seems to be the most important bond in the lives of everyone involved in it, at the expense of any other kind of connections in their lives. he’s their figurative puppet in a few ways, and will break himself over and over if it means meeting their expectations, but i doubt any of them see it that way. everyone involved gets extremely hurt in one way or another, no matter what, often in an attempt to do the opposite, out of love and fear. little fucked up witch fambly……it’s so much

[sashi-ya]

Not again... not another ichiruki vs ichihime situation in Kaiju no. 8... 🫠 it's ok if you wanna ship Kikoru with Kafka, but think about the plot and the implications of such ship in the canon context. My personal opinion is that Kikoru sees Kafka as a big brother, it is probably cause he is everything she's been lacking since she was a little girl, she was never praised, never protected (in a way that she could tell). Kafka represents comfort and someone who believes in her. That's why most of us love him so much cause he is the definition of "comfort". A young girl can misinterpret the feelings, sure (i believe she is 18~ not 16 as some people say. I think she is around the age of Reno). She can even see him with eyes of love, but do you think Kafka is able to see her with romantic love? Or even lust in all its forms? Idk, I'm not Matsumoto ofc, but I don't think this man has such feelings for her as he has for Mina (especially regarding the last manga chapters as well as being Mina's memory who actually made him come back to his "humanity"). I think the Kikoru x Kafka ship might come from two or even three reasons (mostly for young cis hetero men) 1. People simply like them together cause it was "the first" deep hetero interaction and connection they saw in the animanga. 2. They simply simp for kikoru, and they identify as Kafka. 3. They are young and misinterpret Kafka's demeanor; most people I've seen think Kafka "acts" younger or immature for "his age". Guys... he is 32, that's exactly how we act at 32, we are youngsters inside bodies with knee pain. [This is why I like this manga so much; we finally have representation. The problems Kafka goes through are exactly what happens to us after 29; life does not end at 20. Life is not perfect. Dreams do come true at 20, at 30 or even at 80, but society likes to act as if that was a lie, as if not achieving something before 30 was bad. Guys, we've been programmed to be a slave of the productive chain, the younger you are "the useful" you are to make money. And that's not life. That's why some are soo worried about us not having "enough kids". They are literally saying it will bring an economic default. Wonder why 🤷‍♀️]

If you ask me, there is nothing I'd like more than these two ending up together. I don't want clichés to be broken, I just want it that exact way 🥹💕 Mina always waited for him, and I hope she is able to give that sweet dork all the love he deserves cause she knows, above all, how much he's been struggling to reach his own success. They deserve to be together, in calm and happiness 💕

[tulkunmakto]

hahaw nìltsan

Description: Human!reader has spent many years of her life on Pandora, originally as part of the science team. She learned Na’vi with the Omaticaya, in the forest she considered a home away from home for many years. Left Earth in search of something more. Now resides with the Metkayina (don’t ask, I just felt like being w them) and has a deep relationship with a Metkayina male.

OC!Na’vi x Human!Reader / OC!Na’vi x Human!Y/N / Metkayina!Na’vi

AN: This is just straight up shite bc I need a Na'vi mans in my life fr. Also ignore that reader is human and there isn't one mention of breathing apparatus, I don't feel like dealing w all the technicalities a human!na'vi relationship would bring lol

If you want to listen to this lovely ambience while reading, have fun, I listened to it while writing and it's beautiful.

Most Na’vi words are italicized, though those spoken by my OC!Metkayina are are not written with the glottal stop now that we know the Metkayina don’t use that sound in their accent.

Idk who this mans is but if everyone else is taken and he's free... imma have him

enjoy

--

A soft rustling caused you to stir from the layers of mat you laid upon but you did not wake. You’d only fallen asleep shortly ago, body already growing sore from your earlier recreation. The bioluminescence from the seafloor below was muted by the thick woven material of the marui pod you shared with your mate, though starlight spun through the small openings in the window glass. 

It had been an early night for you after a long day. The tulkun had returned and the day was spent in a frenzy of celebration. Bonding, storytelling, songs, dance and food were shared among the entirety of Awa’atlu. It was only your second time having met Kekoa, Ateyo’s spirit brother, and you could tell he was accepting you even more. 

Kekoa trusted Ateyo, and if you were who he chose, then he was happy for his brother. 

You’d shed tears a fair amount, washed away by the ocean spray. The connection the Metkayina had to the tulkun people was more than heartwarming. Watching Ateyo share stories with his brother and swim together felt like someone had robbed your heart and squeezed it in their palm. It was one of the most beautiful things you’d ever seen, and you didn’t think you would ever see a tulkun reunion without crying of joy. 

If only the people of your home planet could understand how harmonious all beings could coexist with each other. After all, everything and everyone on Pandora was born of the same stardust as those on Earth. You wondered when humans had stopped listening to themselves and their surroundings, though it was long before you were even born. 

But you did not harp on those thoughts that day, it was a blessed and spirited occasion. Laughter was passed around with good drink and you danced with members of the clan until your feet screamed. 

The men were the first to retreat from the celebration, as was custom for each migration cycle. The first night had the men and their brothers for a hunt during eclipse, followed by the women and their sisters the following eclipse. 

You stayed to see the men swim off before returning back to your kelku. 

The home had undergone a metamorphosis within the past migration cycle as well, becoming more of a mélange of you and Ateyo. Softer mats lined the floor, a new abundance of pillows and soft blankets. More flowers were added to hang from the high ceilings, the first weaving you’d made with the Omaticaya in the colors of the Pandoran forest. Something you could never part with. 

It seemed as if you’d already lived so many lives. 

And you were stirred yet again into this present life from the feeling of a warm body crawling in next to you, adjusting beneath the thick blanket. 

You groaned, eyes still closed. 

“Teyo?” you asked. 

He smiled immediately. It was no good, quiet or not, you always sensed him in the dark. 

“Shh, go back to sleep, txelan,” he whispered. 

You hummed, feeling him settle against you. Your back to his broad chest, curling into him and seeping up his warmth. He smelled of citrus and salt. 

“You are in for the night?” you asked, voice groggy.

Ateyo hummed in agreement, placing a kiss to the crown of your head. The gesture made you feel safe, but you wanted to be closer. He’d been gone with Kekoa for hours. You turned your body to face him, finding his face alight with illuminating freckles. You smiled at him, eyes half lidded, and he returned the grin, leaning in to press his mouth to yours. Love bloomed in your chest as his lips molded against yours. 

“Welcome back,” you said. 

“I am only a little sorry I woke you,” Ateyo replied. 

You grunted, nuzzling his neck with your nose. 

“Why only a little?” 

Both of his arms held you close, giving you a tight squeeze. You were also in for the night, there was no leaving him when he held you like this. You were whole. 

“Because I was able to get a kiss in return,” he answered. 

You let out an amused huff against his skin, kissing above his heart and lingering there. For all he had a rough, warrior’s exterior, he was so soft. 

“I always give you kisses in greeting,” you said. 

“Srane, but not always are you so pliant and vulnerable like this,” he said. His thumb caressed your waist back and forth, so small against him that his arms could’ve wrapped around you twice. 

“Mm. Maybe I’m not doing a good enough job at keeping you in your place,” you teased. 

Ateyo chuckled, moving to grip your thigh and placed it between his legs. You curled farther into him. Like seaweed around his much larger body. 

“On the contrary, babygirl, I am wrapped around your finger,” he said, stroking his cheek against your crown. 

You exhaled and with every blink, found it harder to keep your eyes alert. But curiosity got the better of you. 

“How was the hunt?” 

“A blessing from Eywa,” he said. “Now go back to sleep, txelan. I will tell you more tomorrow.” 

You yawned and your mate couldn’t help but sleepily smile at the sweet sound. You were so pliant against him, and the fact that this little human trusted him so completely to sleep entwined with him made him swell with pride.

“‘M sorry, Teyo, I’m so…” you drifted off, “So tired.” 

His own eyes began to soften, giving your forehead one more kiss before settling his head down. 

“I know, baby, I know. Sleep now for me.” 

You buried yourself into him once more with a muffled, “You’re cozy.” 

“Shh, yawne. Sleep soundly for me. I got you,” he murmured. 

You were already asleep, safe and sound curled into his strong body. Your very own fortress. 

[tamlinrose]

NuWho Characters as The Entities (TMA)

9th Doctor- The Desolation.

He is fresh off the time war, where millions were sacrificed in flame. He is the main cause of death of his entire people and rose like a phoenix from the ashes. DEFINITELY the desolation

Rose- The Eye.

Come on, she becomes an all knowing goddess of Time. How could Bad Wolf NOT be the Eye??

Captain Jack Harkness- The End.

He literally dies over and over and over. Even though he can’t permanently die, I’d say he’s feeding The End some good cosmic horror

The Tenth Doctor- The Lonely.

Pretty self explanatory. He desires companionship so much, but everyone leaves him, whether by choice or force. In the end, he is all alone. And regenerates knowing that for all the connections he made, none could stay. Sad wet boy

Martha- The Hunt.

I debated this one, but I think especially her traveling across the world with the sheer determination to defeat the Master shows her becoming the predator instead of the prey. She also becomes a unit soldier, and her arc is her adopting the soldier mentality the doctor so hates about himself onto herself out of survival.

Donna- The Spiral.

Her whole arc is around not being able to trust herself, her own mind because she’s been told she isn’t clever or worthwhile so many times. Not to mention Fear Her, where everything about the World is Not Right and she’s at the center of the wrongness vortex.

Sarah Jane- The Web.

She’s a journalist, she’s constantly picking at threads, finding out information she shouldn’t have, weaving it to her will. I also think that the doctor dropping her off and ditching her without her consent is playing into the fear of having your life puppeted by forces outside of your control.

11th Doctor- The Stranger.

Idk something about him… his penchant for theatrics, his burning desire to be human but always being just slightly left of human behavior, mannerisms. It’s like he’s mimicking the humanity he wants so bad, but it just gives him the uncanny valley affect that makes him even more alien than ever.

River- also the Web

She is scared of being controlled by forces beyond her. She was brainwashed into wanting to kill the doctor and ultimately it is not her will that pushes her to do so. She lives to be free of influence but she is controlled by the outside forces of the time stream discrepancies that keep her and the doctor apart.

Amy- The Flesh.

Okay this is for silly goofy reasons, but the fact she was LITERALLY a flesh avatar for like a full season really sells it for me. Not to mention a lot of her arc is very centered on body horror (pregnancy without her knowledge, giving birth, not being able to have kids, etc).

Rory: Also an avatar of The End.

He just dies so many times man, him and captain Jack should go to couples therapy or smthn

12: The Dark.

Okay hear me out. It’s the oldest fear entity, which I think really folds in with 12s general air of wisdom and the fact he’s been around a fucking long time. Also, he has that entire episodes where he tries to find out what lives in the dark at the end of the universe, and what lives under the bed that absolutely does not wish to be seen.

Clara: Also The Desolation

She is sooooo self destructive man. Especially after Danny Pink dies, she’s willing to burn it all to the ground. Her eventual demise is because she is impulsive to a fault, and in some ways it could be argued she has a death wish.

Bill: The Vast

She just gives me that childlike wonder for new worlds and the open sky. IK this seems like pretty vague reasoning but I think like Simon Fairchild she just loves the vastness of the universe so much that she eventually goes travelling with star eyed girl to see it all.

13: also The Vast

Citing that youthful wonder again. Honestly I don’t know much about 13 or her companions so if you have Headcanons for Yaz, Ryan, Graham and 13 hmu! Tag them below

The War Doctor: The Extinction

Self explanatory. He’s the doctor who ends it all, his entire species. And that choice defines and haunts him into future incarnations.

The Master: The Slaughter

Senseless chaotic violence for the sake of violence. Sounds pretty on brand.

If you have any contradictions, additional thoughts, or help on 13s era I’d love to hear it in the tags!!!

[goatpaste]

watching through p2 of jojos again and it never like, it never stop feeling weird to me how weirdly human araki wrote the pillar man. with so many traits and points make them feel like complex characters, heros of their own story, just weirdly feel sympathetic and human to the point of connection to them.

Like Josephs point in making on meeting santana that 'we can assume he's just bad, this is a fucked up situation to be in maybe so we should give him the benefit of the doubt'

whams WHOle character good god could i put a lot of talk into him

Esidisis behavior and way of acting

Kars enjoyment of animals and plants and for nature in general, a wish to walk in the sun and just kinda a dislike for human people. The way he violently mourns for his fallen family

but none of it matters because you know araki wanted them, even with flaws, to be the main villians. thats all it is. a greatest evil on earth to deal with even if they show human traits.

but it feels so weird, because when im like 'idk i dont think the pillar man did anything wrong, let them do what they want, like sorry joseph but im not rooting for your side' im kinda not kidding. like yes your supposes to assume the worst of the pillar men and their intentions and what they'll do to people if they can walk in the sun. but like, they barely did much when walking around people at night unless they deamed them a threat to themself or something they cared about.

idk i think this comes back around to my feelings that BT really should have been a lil bit longer and fleshed out. its such a shame because while i knoW araki was just wanting to get shit done and move onto his stand stuff, he introduced such a rich cast of characters who if given a bit more time i think could have made such a fucking wonderful and complex narrative... like to the point of the pillar man but to everyone else. Joseph got a strong character introduction only to just kinda get worse and stand still imo. i still like him but i think he could have done a lot more if the story was a bit more fleshed out. Him a caesar actually getting to develop some sort of actual relationship on screen that isnt the two of them fighting and sometimes caesar admires joseph's skills or whatever. JOSEPH AND LISA LISA TRAININGGG, i would have KILLEd to see joseph and lisa lisa do anYthing togeatherrrr... the subtle hints to be dropped of lisa lisa past and her connection to joseph..

idk what point im trying to make actually, im just thinking about how weirdly soft and kind we see the pillar men in moments at time and not just as pure evil being and it feels so weird to remember that were supposes to be rooting against them is all. i feel like we were should have had more insight into their group and lives and feelings and maybe even what they were up to while joseph trained. idk man idk, just kinda thinkin out loud

[tblsomedoodles]

I love your family web AU! (I'm working on my own AU with Big Mama having partial custody of Raph so I'm glad to see more of Mama being... a mama) And was wondering something about their heritage. We know QUITE a bit about Yoshi's side but we know very little about Big Mama's. Would she be going through old books with the boys like "Here is your grandfather! He was an incredibly-ledibly man!" so they can feel more connected to their yokai side?

(I've tried to answer this ask 3 times now and my foster kitten kept jumping into my lap and pinning my arms so i couldn't lol)

THank you!! I'm glad you like it : ) And that sounds so cool! I love seeing things like that lol.

But yeah, i definitely think she would. b/c these boys grew up with their only family being eachother and their father, so making sure they knew they have/had an extended family on top of 3 other dirrect family members would be pretty important to her, and pretty fasinating for them.

Though i'm sure she was explaining this to all of them, i think she may have focused on showing Raph more. He inherited her family mystics, the having a human form thing, so it would be more important that he knew where that all came from. (plus, the mystics itself teaches a new user(?) how to use it via dreams of their ancesters using it, particularly from their point of view so said they are familiar with how it feels and works. It doesn't cover everything, hense him still having to have 'how to use shapeshifting mystics' lessons with Mama, but i imagine he would want some information on who he was seeing in those dreams.)

I'm not entirely sure if Mama has any living relatives on her side, at the moment i'm leaning towards not. (Half b/c i don't really want to generate any more ocs for this fic lol. And half b/c i think it would make a lot of sense for her and Lou's relationship pre-kids. Like they were just two people with no family/close relationships left just not wanting to be alone anymore. idk it just makes sense to me.)

Thank you!

[mochiwrites]

I don't think I quite have all the words I want to say- But my goodness if this is gonna be long.

Your writing is gorgeous. And you can take all the time you need on it if it means you can be proud of it and enjoy it as much as I do. When I read Songbird, the characterization was genuinely on point and made complete sense for all of them. I love their unique ways of going about things and how anything they do can be led back to the concept of cause and effect. Idk, I like how despite all the traumas they experience, all the fear, all the blackmail, and wondering if tomorrow will even exist, the one constant they can look forward to is each other. They're hurt, lonely, confused. But they can hold each other's hands and tell the other it'll be okay. (ALBEIT THE RECENT CHAPTER HAS GOT ME IN SHAMBLES THANKS A LOT???) I genuinely love the way you write them all. Grian has got his iconic sass and is always on the go, moving around. He's curious. So curious that it leads him to find people he wants to protect. He wants to do something. He wants validation and to know he's doing things right. He's only human, but since when did that stop him from playing a game way beyond his understanding? Mumbo is lonely and filled with his past mistakes. He pushes away until he realizes he can't anymore. And he lets the light in. The only light he can look at. He grows attached. He's easily flustered, gets snarky, and gets surprised, he's painfully human despite how much he says he's a monster. And I think that's what has gotta hurt about the most recent update. The only humanity he could look forward to, not his own, but another- Possibly gone.

Scar's development is so interesting. He's perfect in every way. He knows what he's doing and doesn't hesitate to do it. Until he does. And just like Mumbo he's grasping for that light to hold onto, but in turn, he crushes it in his palm, only feeling the warm memory of what it was like to be looked at as himself and not a monster. I find your play on words so incredibly fascinating. Fae have such a connection to identity. Scar identifies with a word Grian refuses to call him. Something he was consistently called by so many people until he got a gentle look of determination and care that shattered down his walls. That made him feel with his non-existent "soft human heart". Being taught that identity is what you make of it, and it's up to you and nobody else to decide what you are. But he can't go through with it. Because it's not his choice.

RAAA!!!! I'm so sorry for the long message but I'm such a sucker for your writing and I will probably write more in your dms soon if you're okay with it. But seriously, your writing has got my brain ticking around the clock. Every second of waiting is worth it if you can hold your story in your hands and tell yourself, "I'm proud of this." Because you should be. (Plus, it gives me more time to plan art pieces BNFJBN)

WAILS AND SOBS AT YOU???? REALLY LOUD????

uwahhhhh thank you sm 🥺💕💕 everyone's characterization is something I keep in mind all the time, with every action or thought they may have and ueueueue I'm glad they feel true to their characters. there's just something about like... experiencing so much bad and evil together, but knowing with certainty that the people around you will be there at the end of the day.

AND ALL THREE OF THEM,,, WAILS. grian and his stubborn curiosity but determination to protect and help. yet he's still so pesky and sassy and the impact he has on mumbo and scar is so important. so so so incredibly important. I genuinely don't think the songbird story would hit the same way if he wasn't human.

and mumbo ;-; he has such a kind heart but he's filled with guilt and regret that he pushes people away. and the thing that gets me with him is like,,, he tries so hard to squash that innate kindness, yet he can't help but give that kindness out anyways. and that's so painfully human??? I love sb!mumbo a lot, sad little vampire man.

theN THERE'S SCAR. SCAR WHO I WANT TO SHAKE AROUND SOOOOO AFFECTIONATELY I PROMMY. he's a character that is SO incredibly interesting to me both to study and write and I love how he's developing in the story. we're finally approaching the point in the story where we really see the goodtimeswithscar that we all know and love, and I'm so jittery about revealing his backstory. scar's connection to his identity is so... AUGH. AUGH. I love him ( even while he's making terrible mistakes rn <3 )

but,,, sobbing so incredibly loud at you 🥹💕💕 songbird is very precious to me and I am so proud of it. so incredibly proud of it. long message is 100% welcome, and please!!! feel free to wiggle on into dms :D (and sobs??? plan art??? soBS????)

[pegaace]

Analysis on Witch from Mercury, Colonialism, The Tempest, and Caliba(r)n

Okay I know this is my first post ever but I was tryna find somewhere to put my thoughts after seeing a bunch of people everywhere slander Caliban and why that is not it and how my boi is innocent, good actually. For qualifications I did an undergrad lit class that covered The Tempest like 2 years ago so that's fine right (apologies to my profs if I fuck any of this up)

Okay so for starters yes by now everyone knows WfM is The Tempest, Prospera is Prospero (or Prospera actually, there was a 2010 film adaptation that had the gender switch already), Aerial is Ariel, etc etc. So therefore Caliban has to be this villainous, "monstrous" creature right?

Haha no sit down cos no that would be boring. (and also kinda racist as I'll explain) Notice how in the original Prospero isn't the villain of the story, not really, he's just getting revenge for being wronged years ago and trying to ship the kids together. But if recent gwitch is any indication, Prospera truly is the villain of this story, breaking hearts and stopping at nothing to destroy the Benerit group AND earth. Now I wonder which other adaptation of The Tempest has Prospero as the big bad HMMMM :thinking:

Enter Aime Cesaire and A Tempest. Written in 1969, it deals with a lot of the more unpleasant connotations of Shakespeares play. Let me lay it all out for you. So you're saying Prospero, a white dude, comes to this island, uses his western magic to overthrow the native witch (Sycorax), wrecks the land of its magic, and then enslaves her son to do his work for him, constantly insulting his appearance and intelligence? HMMMM seems pretty sus (racist and colonial) to me.

Cesaire, writing during a time of decolonial movements throughout the world, was rightfully really mad at colonizers for forcing their way upon natives with violence, and especially with the use of language to control said populations. Caliban has also been repeatedly dehumanised through previous adaptations of Shakespeares work slowly turning him from a man into a monster, not even human. This is similar to how non-european people have constantly been treated in the past.

Now like wait... Forcing communication through a set language? Dehumanisation? Colonisation of oppressed peoples? Where have we seen that before...? HMMMM

(its almost like... permet scores and gundam technology... Calibarn being free of permet links is like Caliban refusing language...)

And here's where I see the great potential of a Gundam Caliban. Gundam is certainly no stranger to decolonial movements (shoutout to my fave Gundam ZZ and the bois in Blue team and the African liberation front) and I think having Caliban as the Gundam to finally end Spacian oppression (perhaps in a sequel idk if Suletta is getting that far after bonking her mom by the end of the season) would be a great take.

As a side note, Aerial is kinda portrayed negatively in Cesaire's work for choosing to work for Prospero in exchange for their own freedom, as kind of a sellout who makes things worse and is ultimately tricked and trapped anyways and... hey! She's in a giant coffin now and Suletta is unhappier than ever! Oops.

Also like I qrted this on my twt but like its important to remember that Caliban is human too, and will respond to accordingly. They (and this might be where i disagree with @adracat a lil on their otherwise excellent posts) arent just a violent unthinking monster, thats just unfortunately how racism often portrays people of colour. If Suletta shows compassion and humanity towards Calibarn, like how she did to Aerial, and how Eri was able to connect with Lfrith in the prologue when Vanadis had failed, I'm sure she'll be able to bring Calibarn over to her side. And because they can connect so fully via human emotions and love (this is where I do agree with adra that love is the answer and key to open the door) (wooo yeah another love powered robot!! G Gundamming time) I dont think Quiet Zero will be able to stop them, as Suletta will have made the ultimate, unmediated connection between woman and machine, becoming one with it in the way Cardo Nabo had always truly hoped for. To don Gundam and live in space.

Okay sorry for the disorganised post but like one last thing I know I said it'd be nice for Calibarn to show up again in S2 but the other theory I have (which might or might not be true cos lets be real gwitch only rhymes, never copies, and i dont even know where schwarzette fits into all this [goatmom gundam my beloved i miss schwarzletta theory still]) is that the ending of A Tempest has Prospero send the girlies off as usual, but then still choose to stay on the island to fight with Caliban forever, till he can finally fully dominate him, cos racists are shit like that. This continues for a rlly long time cos his magics kinda prevent him from just dying of old age and he lives on, like a vampire sucking life from the island (wow capitalism huh) and its implied he and Caliban are just locked in this long struggle to the death until the day he finally croaks and the colonized can finally be free. Now what other gundam has an eternal struggle with fascism hmm?

idk just thought it might be cool for the gundam sisters to push suletta out of the way (maybe out of quiet zero?) whilst trapping prosperas grudge within it for all time, that would also be dramatic and neat lol. Come to think of it if Prospera does it itd be like ZZ again too lol with Haman pushing Judau away.

[ca-suffit]

I've never really gotten why people are so into Loustat. Maybe if you only read the books? But in the show they're just not happy most of the time. And of course there's the whole domestic violence aspect of it. Whereas Loumand WERE happy together most of the time. They had interesting discussions, enjoyed art together, had long walks, and were sexually compatible. Yes of course there's the horror with Claudia, but as a couple, they were happy. So what's up with that?

it's hard to know where to start to answer this cuz there's so much I could get into. I'm gonna skip the book history cuz wiki is right there, but yah it's basically a book thing. they were the relationship that ppl wanted to see the most, bcuz they started the series (which wasn't a planned series to begin with) and ppl wanted to see them grow and heal their issues. anne rice had personal grief issues attached to their creation and louis in particular. that's why he's moved aside for a lot of the series but does return more in the end as a main, romantic focus.

all the vampires are p polyamorous, so even if there's main focuses at times, they are constantly moving around each other. loustat *are* going to be the underlying show focus, they've said, and they don't have to sideline louis like the books did if they don't want to. I expect they'll make him more prominent and generally make a better flowing story in a lot of ways than the books.

loumand is v short in the books but it's similar to the show in that louis is seeking someone who he thinks has more answers to life's meaning than lestat ever gave. the show deepens that a bit more too by making them both men of color who would understand similar ways of surviving in the world than lestat as a white man understood.

(as an aside to all the book stuff too, it has to be said that part of the fandom's preference of loustat is bcuz it's a relationship that has a white man in it tbh. it's not like ALL loustat ppl are racist or anything, but "loumanders" has been used in place of a racial slur here for a while so it's still def part of it from some. ppl will always say it's not racist, it's from the books....but........it v obviously both sometimes)

the show has also drastically changed the timeline of these relationships as well. the books had loustat lasting 60-70 years for the IWTV arc of it. loumand...I can't remember the exact time, if it's given, but it's a LOT shorter. the show has rly fleshed out both relationships in ways much more than the books give us.

re: the DV. armand is also abusing louis too tho. the show's addition of the drop is new but louis and lestat physically fight in the books a lot, and lestat is emotionally abusive. however, armand is abusive too, with his ability to get in other vampire's heads. the book relationship feels entirely forced in a lot of ways tbh. bcuz of louis' connection to humanity (idk if this is outright stated or my own thoughts), he's easy to mentally manipulate as a vampire. it happens a few times to him, but armand is the first.

so armand and lestat are kind of two sides of the same coin in a lot of ways. as individuals and as partners to louis.

I am interested to see where the show takes them all, bcuz lestat and armand *also* have a history.

I think the show is doing and will do a better job at exploring all these relationships and growing them out. where loustat is now won't always be who they are, same for whatever loumand becomes. all of these vampires still exist around each other in some capacity, bcuz their community is so small. they all have a history with each other somehow. the books never explored that v well but I expect the show to do it. claudia's death hangs over all of them and it's never addressed with armand again in the books, so I'm wondering how the show will do it. but it's an event and a grief (at least for loustat) that connects them all forever and is a major player in how loustat exist forever after and talk about themselves too.

so I literally don't blame anyone for disliking loustat for where it's at rn. I mean, u don't have to ever like it tbh! but we're v early for seeing all of this and getting the foundation for where the story is going from here on. I obviously don't know for sure, either, but this is the start of where everything else will branch off.

a lot of book ppl are trying to cram everything into the first series mainly bcuz ppl don't like seeing lestat being judged the way he is. but....this is supposed to be a long series? everything is not going to happen in S1 and S2 that mainly stem from book 1. I wish ppl could just relax and let the story tell itself. there were years in between the books being published, sometimes not even knowing another book was coming at all. the show is telling its own story and it's ok to go at the pace of where it's leading us.

omg this was long. idk if I rambled more than answered anything but lol. u can always ask more if u want.

[stergeon]

Sorry if this seems sudden, but what are your thoughts on a Young Edelgard befriending a Young Byleth who canonically doesn't have friends due to how people are afraid and creeped out by her behavior?

Yea, the tragedy is how Byleth has nobody their age to connect with as well as most not getting them to the point of dehumanization until Garreg Mach, but it's neat to think of.

ohhhh tbh i love this… in my mind, young edelgard is very precocious, but also extremely coddled (comes with being royalty) and kind of oblivious/condescending without meaning to be. “aren’t all tutors dreadful? hm? you don’t have lessons? what do you do all day? what?? you work??? is that allowed????”

like, well-meaning with a strong sense of justice, and genuinely curious about other people’s lives, but without a frame of reference for anything yet.

and young byleth, as you say, would have been intimidating to be around lol. an eerie and serious kid who probably learned how to kill a man not long after she learned to walk. i see her as being affable in the sense that she just kind of goes along with whatever situation she’s in, without any investment in it one way or another beyond doing what she’s told, but she would definitely be confused by other kids and struggle hard with social cues, etc. until she gets sufficiently good at reading people as to passably mask. it’s a very lonely and difficult way to live.

i could absolutely see edelgard running into this weird little girl and adopting her on the spot. “why don’t people play with you. what do you mean, you don’t know how to play. we’re going to play a game right now; so there.” edelgard is nothing if not driven and dedicated to the causes she believes in (and her massive savior/martyr complex doesn’t help lol—she’s already adopted one local weirdo by becoming besties with hubert). so i think if she set her mind to being byleth’s friend, she would make it happen. this kid is now her personal project. they WILL be friends.

and i reckon that friendship would do wonders for byleth. she had so little interaction with anyone her age in her youth, and having one real friend might make all the difference for her. edelgard could help ground her, and help her better understand the world they live in, and keep her in touch with her humanity—or, really, help her discover it in the first place. meanwhile, edelgard could learn a LOT from byleth, who’s spent her life unhoused* and pretty much living paycheck-to-paycheck with jeralt’s band of violent (and likely alcoholic, per jeralt and alois) mercs. byleth could lend her some perspective and further shape edelgard’s love for the people of fódlan, as well as her understanding of what kinds of societal changes are needed to make things better for everyone.

who knows, that connection might even lead sothis to emerge earlier…

the concern, of course, is jeralt, who (for debatably valid reasons) never wants to stay anywhere for too long, and probably would get super freaked out by the idea of his kid hanging around one of the heirs of the adrestian empire. whether they’d actually have enough time to become friends… idk.

but kids are funny when they set their minds to something. i’d like to think edelgard would decide, day one, that they’re friends, and friends help each other, so that’s what she’s going to do. i’d like to think that when edelgard found out byleth’s group would be leaving again soon, she’d use that big brain of hers and coax her father into hiring the mercenaries on for a long-term mission or as a standing battalion. adrestia’s been on the outs with the church for a good while already, so jeralt might feel comfortable enough to consider putting down roots, even if just for a little longer than usual.

that could REALLY change both byleth and edelgard’s lives. in my little daydream, byleth starts training to be a knight and a personal guard for edelgard, and basically spends as much time around her as hubert does. and maybe, when the insurrection happens edelgard is taken to fhirdiad, hubert stands a better chance of finding her with someone by his side who has spent her entire young life in the woods and on the roads, tracking enemies and avoiding pursuers. maybe they find her. maybe they help prevent some truly terrible things from happening.

what happens from there, idk; so many of edelgard’s views are informed by her experiences and it gets too complicated for my tiny brain to realistically figure out what would occur and who she’d be if it went down like that instead.

but byleth would be changed just by knowing edelgard. having someone in her young life who is invested in her, who sees beyond the fog of the day-to-day, who’s interested in what she wants, who embraces and celebrates her quirks and doesn’t shun her for them, who grants her stability and some agency in her own life… someone who sees her as a person, not just as a sword or set of hands… how could anyone not be changed by something like that?

* with the exception of Whatever The Fuck she was doing while jeralt was parading around in leonie’s village for however long. this is my least favorite plot hole in the game, namely because leonie acknowledges it. “huh. i don’t remember you being there, and you don’t, either. maybe you were with a relative”??? what relative, IS?? how many living relatives does byleth have that aren’t trying to turn her into a mommy-god??? why fake your kid’s death and disappear “for her safety,” just to ditch said kid somewhere with someone for months?????

WHERE WAS YOUR CHILD, JERALT??????

ok i’m done yelling lol. thank you for this ask, this was really fun to think about <3

[manicpixiefelix]

I love, love, love, LOVE whenever we get to see and feel how Reader and Felix actually loves one another.

I really just want to take a moment and appreciate how you're able to write this wonderful masterpiece, it's so.. emotional it very much appeals to the root of my humanity- i don't know how to properly say it but the way you write, and how you write for these characters is so romantic, so raw, like the poetries.

dude i feel like im going to cry, this is such an unbelievably sweet comment, thank you! im often really worried about how my prose comes across so this has been really wonderful and uplifting to hear.

i love writing character driven stories about connection and compassion that don't shy away from the human elements of their relationships, while still being true to who these characters are as people, you know?

idk man, you give me two kids barely in their twenties who've been in love for years, and i'll show you how scared they are to actually think about their future. because that's how it is in your early 20s, and i want to write true to those experiences, even though the love is still obviously there.

why am i rambling. where did this go?? why do i do this on every ask????

anyways you called my writing poetry im going to carry that in my heart forever i love you <3

[weebsinstash]

Ok so finished watching Across The Spiderverse in theaters and here are my thoughts, under readmore so you guys won't get spoiled cause I'll mention plot shit

Nonspoiler review: these movies really are works of art, both visually and in sound. They draw on very relatable and powerful emotions of wanting to fit in, feeling like you belong, feeling like you're important, are you doing the right thing, are you living up to the expectations of others. These are the kinds of movies that could introduce people to the franchise and even if you're not into superheroes the emotion and visuals and writing itself is spectacular. Definitely a movie I could own and rewatch later

Now, here's my takes with more spoilers

-Miguel is actually so snarky and sassy. He is 100% done the entire movie and he's sarcastic or condescending almost every time he opens his mouth. He has a sense of humor it's just more mean spirited lmao "well you're gonna have to shut up and trust me" saying "how wonderful" sarcastically to Miles, being all "spiderverse? No thats dumb, its called the Arachnid poly multiverse, which, I guess sounds just as dumb"

-seeing him on the big screen really was like wow. He could be go from being sort of a dork to being so imposing and threatening, like, there was a small part where he steps closer to Miles as a silent intimidating gesture because hes so much taller, he could be so stone faced and cold when things got serious when Miles wasnt taking his warnings, but initially he was trying to be more compassionate, just, mwah, definitely going to help with any writing endeavors and characterizations of this man

-just seeing how the wristwatches and "daypasses" work is useful for any fanfic ideas I'm having ;) but holy shit you could just glitch until you die? I much prefer the concept of "Reader somehow whether being a mutant or an anomaly or just lucky gets transported to other dimensions instead or just back home"

-God just. Gwen's opening was amazing I don't even know how to describe it. When she's recounting her past and she's starting to talk about Miles while she's playing the drums and her drum playing keeps getting more and more intense, her music angry and frustrated and powerful as she keeps saying "and he's not the only one", speaking of his pain and isolation and how she feels connected to him, just, the way these movies write relationships between people and emotions is so human

-Spider Cat my beloved. LEGO Spiderman my beloved. Plushie Spiderman my beloved. Sun Spider is a fancharacter and got a speaking role. The thick, plus size, and fat spiders. Just the variety. It really is fun to imagine a Spidersona and feel represented kwim

-Jesus the intro to Mumbattan was insane. The way these movies constantly have you flying and falling through the air and falling through multiple levels and layers as objects whiz by, the music, the choreography. Just. The visuals and music the entire movie was insane

-HOBIE! definitely a fucking star. He's smart enough to build his own watch dude!! Love that guy. Definitely see him being in some stuff of mine as a helping hand if nothing else. Hobie helping Reader out during the YouTwo drama by offering you safe haven in his universe?

-I'm guessing Miguel has to give himself regular, spider nanomachine whatever injections? His powers kind of seem to have changed from his comic book a little bit. In the comics he has organic webs and was atomically spliced with spider dna but in the movie I think it's all technology idk? Correct me if im wrong, maybe they're red and glowing in the comics too 🤷‍♀️

-something something "smutty story where Miguel boyches a formula and turns himself into like a possessive horny borderline pure animal in heat and of course you're the lucky lady to stumble into him first"

-I got the bunny filter version of Lyla by the way!

Ugh this movie has me filled with so many emotions and also I snuck alcohol into the theaters and was on an edible gummy so I was FEELING this movie and just. Definitely two of my all time favorite movies

[gear-project]

hey i’m a new gg fan and i’m wondering what’s ur perspective on the relationship between sol and sin in comparison to ky and sin. i’ve seen people say sol was a shitty dad and i’ve heard he literally threw sin into a tree. but also from my understanding ky gave up sin to sol. idk where the line between canon and fanon starts, so i’m a bit lost. do you think sol was a good parent?

Okay, from early on, the circumstances were that Ky had no choice but to rely on Sol as a foster parent… it wasn't so much that Ky was "giving up" on raising Sin, so much as he was worried that Sin's existence would become public and that people around them might do something bad to Sin because of his Half-Gear origins.

This also applied to Dizzy, which is why she also went in to hiding even after Dr. Paradigm unsealed her from the Thundersealed-Sword which had been protecting her from Valentine's Sublimation.

Initially, Sol had absolutely no experience raising a child, even putting a leash chain on Sin because of his meandering… this wasn't because Sol had enmity towards Sin… it was just simply because Sol didn't know what else to do with a growing Boy who was ALSO a Gear with superhuman strength and ability.

Sin later recounts a point when he was being bullied by kids "similar in age", and Sol "settled the dispute" by mildly beating up both Sin and the bullies he encountered (which ironically caused them to mutually become friends)… this wasn't Sol being hostile… this was Sol's "solution" to the situation.

Sol was… for most of his life, very isolated from other people, so he had his own beliefs and ways of doing things… crude but efficient were his methods.

Now, what makes Sol different from an "abusive parent" or "fully dysfunctional parent" is the idea that Sol lived the same lifestyle that Sin did.

Even if Sin gets excited about something strange like Sugar/Salt Water… that was ALSO Sol's solution to drinking instead of investing in fancy drinks and sodas which were probably NOT cost-effective when living a nomadic lifestyle.

No matter what things Sol did to Sin… they still lived together (ate and slept together), no matter where they went.

Sol is also a Scientist by nature… so most of what he does FOLLOWS HARD LOGIC, rather than simply being sentimental or considering the emotional state of other people.

This, was also something factored in by Sin's growing nature and powers… Sol KNEW that Sin could potentially be dangerous if he wasn't watched carefully.

As a result… Sol's abrasiveness and caution caused Sin to develop a more lighthearted, playful, and easy-going personality.

Though, behind the scenes, Sin developed a dark grudge against his biological father, Ky, because of the circumstances… Sin tried his best not to focus on his current situation and simply adapted as well as he could.

Sol was aware of Ky's struggles, but because of the situation, he ALSO had no choice but to face Sin's hatred of Ky head-on, justified or otherwise.

Sol basically acted as a barrier between Sin getting revenge on Ky early on… and that probably wasn't easy, given how strong Sin was becoming.

There was even a point when Sin asked about the nature of Gears to Sol… and Sol was confronted with the sins of his own past.

Of course, Sol had to explain that humans hate Gears because of the Crusades… there was no getting around that to someone like Sin.

Even if it seems like Sol never pulls his punches (or is crude), this time he did that… in ways that are hard to see, but still there.

One of those ways was forcing Sin to go fight alongside Ky on the battlefield against the Vizuel Army (Valentine's Army).

This gave Sin an opportunity to see Ky for who Ky really was… not a faulty irresponsible father, but a Knight, a Warrior, struggling to survive in a harsh world for the sake of those he cares for.

Being a King was secondary to all of that.

Sin, even if Sol is who he is, can still see the old man's efforts to connect father to son.

That's also why Sin can be worried for Sol's sake as well, which is why he got upset at Sol concerning Elphelt and Ramlethal for their sakes.

It wasn't so much that Sol cherry-picks whom his friends and family are… Sol doesn't THINK about that sort of thing, it's not in his nature as a loner.

It was Ky who later confronted Sol about it (especially with regard to Sol's choice to spare Dizzy's life, which is what created Sin in the first place).

Sol, of course, realizes he made a few mistakes along the way (like Sin's lack of a solid well-rounded education)… but even after the fact, Sol does his best to make up for those things (in his own abrasive ways).

In some ways, this way of life also inspired Sin though… a desire to become as strong as Sol, even! To surpass his father, Ky… to surpass his Mother, Dizzy!

It isn't so much that Sin is naturally competitive, as it is that he likes to encounter EVERYONE and make friends with EVERYBODY.

Even Ky's religious beliefs in God touched Sin's heart… so that is ALSO a part of whom Sin is now (which is also something he shared with Ramlethal, which changed her ways of thinking).

In the end… nobody is perfect as a parent… there's always going to be bumps and roughness along the way… but to truly become an ideal parent is to acknowledge that and still move forward and STILL CARE about one's FAMILY and do things as best they can.

Sol did and still does that… and now, after 171 years… Sol can finally make friends alongside his family.