#like idk for me there’s a line between reacting to a story and being invested to the point of legit emotional distress

[jefferythejelly]

If leo ever looses her last life, foolishs heart will actually be destroyed. Like we are talking about a guy that is not willing to tell his friends, that he has known for years, he loves them, but will stand in front of this tiny egg and tell her he loves her very much. I think that actually made me almost cry...

anon idk what possessed u to send me a qsmp lore related ask when i haven’t posted abt the server in weeks but… yes and no😭

like i think the relationship between qfoolish and leo is very sweet but also i feel like you’re maybe overestimating here. like maybe the reason he can say i love you to a minecraft egg and not his friends is because it’s roleplay and not as serious

is it still gonna be sad as fuck when the egg shit ends and they inevitably have to separate? yeah. is he probably gonna roleplay his little heart out and make chat cry? probably also yeah. do i seriously think he’s going to be emotionally destroyed irl? no and if you think he is (or if you yourself are) maybe take a step back and realize that all the roleplay shit is fiction, and while it’s okay to feel things about stories at the end of the day it’s still just that. a good story

[batarangsoundsdumb]

guess fucking what? my inbox is so fucking full right now i'm unloading all of this shit in one post.

For the 11th gotham memes: gothamites react to bruce being jacked in a tiktok he made with kids, like super yoked, ripped as hell

fucking hilarious thanks. i think i did it in one meme post, but i genuinely don't remember which one

i dunno which of the batfam would do this but one time i was sleeping over at a friends house and ended up on the floor bc the bed was so very small and i just stayed there because the rug was soft

that's a drunk jason move i don't know what to tell you

tim and jason are "i listen to pop punk" solidarity. whenever jason highjacks the batmobile theyll go on long ass car rides blaring mcr and paramore and then never talk about it again

as they should!!!!!!!!!!!!!!!!!!! tim: no jason it's my turn using the aux cord i gotta put on my jams jason: don't you dare put on weird shit tim: don't worry, you're gonna love this *plays fearless (taylor's version)

hear me out hear me out, red hood stans 🤝 nightwing stans t h i g h s

holy shit yes.

SNL au: Bruce breaks character when pretending to superman and says something like "I'm not superman! You've seen his gps!! It's from 2001!!!" @sabeanybabe

superman flies past the snl building the next day just to say 'actually it's from 2005, i'm not a heathen'

does your back hurt from carrying the batfam fandom

it hurts more from the exotic rock collection i keep in my backpack, but thanks for the concern.

I love your posts by why would you always leave the best parts in the tags?

as a treat for the people that check the tags ;) (and also because i'm committed to the short post aesthetic)

somehow your playlist was everything i never knew i needed. i mean it. this is my new favorite playlist.

and don't you dare get a new favourite playlist!

babe ur stoner tim playlist is exactly too perfect, earth is literally blessed by ur existence

babe thanks so much! i love my stoner tim playlist because it's just my usual playlist but people think it's an artistic choice that i put taylor swift and britney spears in there, when it's just what i unironically like listening to

JANDKSKDK BILLY RAY CYRUS ON THE STONER TIM PLAYLIST I LOVE IT IT

again it's not even an ironic choice, i know every single word and i genuinely like the song

The last chapter of Fundamentals of Casework has me crying at work. Thanks I love it @dudelookitsalesbian

oh babe, i'm sorry, but also, not sorry i love chapter 4 so much it's my lovechild with the 'mental illness' tag

soooo....stumbled on your tumblr by some stroke of fate??? read your DC fanfic first. which is PHENOMENAL btw. then found all the batmemes; the funniest thing EVER bc everyone forgets about regular old gothamites. kept scrolling and your blog pops up as recommended. clicked on the ao3 for shits and giggles and waddaya know?!?!? it's YOU!!! you're LEGEND!!!! ever seen that meme? it's a video of a cat that got into a baseball field and the two announcers get really invested in his escape attempt and start giving a play by play of the cat instead of the game. memeable moment: "GREAT stuff from the Cat!!!"

i seriously think about this ask every single day and it's so fucking funny to me that i've never seen the meme you're referencing, but i still find myself going 'GREAT stuff from the Cat!!!' whenever i see something funny. but wow i'm glad you liked this steaming pile of garbage

Fav dc character overall? And fav batfamily character?

don't ask me to pick between the loves of my life, but i can tell you i've cried about every single batfamily member and also wally west (my beloved)

What's your opinion on fans having a problem with batfam being "too big"? And some even claim that batfam is just "Bruce Alfred Dick Damian" and the rest of them are just "friends and allies" (source: reddit) Personally, I like batfam because of this reason but idk

stupid. a family can never be too big. i'm not that big a fan of like huge batfam stuff with everybody from every single universe, because as much as it's funny for bruce to have like 30 kids, it just feels a little too OOC for me.

This is the best tag I've seen involving the batfam, thanks for thinking of it

This is canon now @nctxrejects

lmao yeah i think at that point alfred has had to sit through like at least a dozen coming out talks and just has a pride flag collection in the attic that he pulls out whenever a kid comes out

idk why batfam hits different as compared to any other superhero family

bc it's found family and usually the other superhero families are almost all genetically related in one way or another

I don't know if you watch the umbrella academy but I saw your last post about batcest and saw the similarities. But the thing is (although I think it's weird) in TUA, they addressed it by saying "they were raised as weapons, not siblings" or something along those lines, which is simply not the case with batfam.

yeah i watched tua but i also thought it was ridiculous and they still treated each other as siblings so i didn't like the luthor/allison thing, and am glad they stopped doing that shit bc it fucking sucked.

Hot take: Batcest shippers are the same people who believe adopted siblings are not actual siblings

smoking hot take: batcest shippers are the people who watch 'my sister got stuck in the washing machine' porn

Duke was adopted by Bruce?

not technically no, but do i, tumblr user batarangsoundsdumb, look like i care?

True story but I had to change my freaking name because it used to be "Damien" and most people would go "OH LIKE DAMIAN WAYNE" like please I'm just tryna live

true story, but i don't actually think of damian when i hear the name damian, literally the first thing that pops up is damian darkh like bruh what?

apparently dc comics company supported comic stores by giving out new titles and stuff during the beginning of the pandemic to help them run and I just think that's wholesome

ah yeah that's so fucking cool, still don't like dc, the company, because this world is a capitalist hellhole and we're all owned by warner brothers or disney with no in between.

ayo looking at tumblr head canons and finding out bruce is actually a terrible father is a punch in the gut

lmao yes, in like 50% of comics bruce is a terrible father and it gives me whiplash

oooh I just saw the jason todd vs winter soldier post and the real question is: batman vs iron man

while iron man has like hundreds of cases of armor, batman could throw out an emp and have the guy dropping out of the sky in 2 seconds.

dickfast = fastdick = quickdick = quickie

magnum hot take

hey bata(?) just thought I'd let you know I have copied the obnoxious emoji and Billy Ray post for use on simping men going forth

thank you 😘🌷 (@spacebarsidecar)

why would you do that to your followers???? i get why i did it, but why would you???

what is scarecrow made the nightwing funko pop himself, like those diy-ers that paint over other ones

oh god no, horrible take, horrible take, that's a disgusting thought oh no

I see your HC that Bruce and Oliver fucked and raise you this: Dick and Roy ALSO fucked

yes they did and it was a horrible moment for jason to find out dick has fucked both of his best friends

"at this rate bruce adds like 1 child to his family every decade or so" Duke is introduced in 2013, Damian as Damian, not as an unnamed child, in 2006. And he is already 14 years old, Robins rarely remain Robins after 16 😬 It looks like a new Robin and Batkid will appear in a couple of years

i mean i can't wait? but somebody will probably die first tho, we're due for another major character death. my money's on either cass or duke this time.

BRO you're so right all of your Bruce's ex headcanons are amazing but they aren't ships, that's kinda wild. Like I don't want any peeks into how their relationship was I just want to see everyone make fun of them

lmao YES it's just i love bruce being a slut, like good for him.

I am in love with your posts your honour thank you

omg thanks are we like,, gonna kiss now?

The justice league needs to have a meeting to discuss how many of their members/partners have slept with bruce. Because through a combination of cannon & fannon (if DC wasn’t homophobic) we have AT LEAST: 1) clark 2) lois 3) oliver 4) dinah 5) john

Thats not counting villains or random civilians @dudelookitsalesbian

yes yes yes, they'll have a yearly meeting about how many of their collective exes could be out for revenge and batman's list just keeps getting longer.

tim was like "i'm drake now" and everyone was like ahh so your fursona is a dragon and tim was like pffffft no. ducks.

and what about it?

when steph's fighting livewire and she zaps her with lighting and nothing happens and then they both just. stand there awkwardly for a second and talk. yeah i couldn't stop laughing at that batgirl steph is the BEST

oh yeah that was fucking hilarious and i think it would be so cool and sexy of dc to give steph a little comic series,,, as a treat

Hi I absolutely adore all of yours "Bruce and Oliver very badly pretending they didn't fuck each other" memes

lmao i do too

I need you to know that “Bruce Wayne had frosted tips” is one of my favorite Bruce takes of all time it’s so galaxy brained. you’re right and you should say it

he also painted his hair blonde once when he was travelling and in conclusion, this is why he's being blackmailed by the gotham gazette.

you know my thing about gordon being branded as the only good cop in gotham is its a load of shit like arguably he's a good person and not working to screw people over or anything but the fact that he also works w. batman makes him a shit cop. like yea batman is better than the mob but its still illegal its still an abuse of power he just not making bank

babe, all cops are bad cops. (but yeah youre absolutely right, working with vigilantes makes you a shit cop, but also working against vigilantes just makes you an asshole cop yanno?)

ruh roh i think i’m about to add “so not yeehaw” every time i don’t like something

that's a very good vocabulary upgrade

somehow i feel like steph already knew. like babs obviously knew but i feel like bruce got high/drunk in front of steph and started telling his boarding school stories and steph was just like “oh you fucked up i’m never gonna forget this”

steph and bruce have weird uncle/rebellious niece dynamic and they just hang out sometimes and bruce will be like 'i once broke my arm when i tripped over a hedge when i was drunk so oliver drove me to the hospital on an electric scooter' and steph will just have to sit there with that knowledge in her head.

Hello I just wanted to tell you you are So right in all your steph opinions bc she is, in fact amazing and I think that's very sexy of you. Ps. Your Bruce/Oliver fic is hilarious

babe, thank you so much and yes steph is amazing and i love her and she deserves the world and she's the best member of the batfam hands down. also thanks

In Supersons we see a couple of kids that are implied to be Damian and Jon's children and the boy has laser eyes and can fly, so I asume he's not adopted. The girl, who calls Bruce grandpa, can also fly, btw. So it's canon (probably by accident) that Jon can have kids and he must have married one of Bruce's kids. (I'm hoping for Damian, mostly because any other of his children would be waaaaaaaaaaaaay too old.) @artemisa97

lmao that was probably an accident seeing as jon is a 17 year old superhero in the year 3000 (by the jonas brothers)

You know, I'm a die hard fan of your memes, but I gotta say one thing: if Gothamites actually took gas mask everywhere with them, then the Scarecrow would just be a weird dude in a weird costume, and not a villain oh so scary. DC really should just takes notes from you.

bold of you to assume there's no gothamite anti-maskers

How does it feel being the funniest person on this app?

horrible, next question.

I can't listen to Green Day or Billy Joel without thinking of your post about how Bruce got arrested at a Billy Joel concert @nightwings-kid

yeah that's your mistake, i on the other hand can't enjoy billy joel without thinking about the glee rendition of 'uptown girl'

I've FINALLY been watching the Batman animated series and I gotta say, after watching "the gray ghost" I am CONVINCED that Batman is a closeted super hero geek who was 100% freaking out the first time he met Superman and is just REALLY good at hiding it.

superman: so what do you do in your free time? batman, thinking about the superman fanfiction he's writing on the batcomputer: i have no free time

bruce and oliver be like boyfriends to co-workers 401k (do the justice leagues get 401ks??? not that bruce and ollie would need them, but-)

lmao yes just 400 thousand words of bruce realising 'oh dip oliver is such a fucking dumbass' (also i don't know what a 401 k is but i assume they don't?)

Gothamites would totally boo superman as he saves Gotham while batman is out. @meenje

he's like 'okay think about that next time you want to be saved from an alien octopus'

I just took long break from dc comics and I come back to see ric grayson ??

i think it's very cool and sexy of dc to see dick and just think 'you know what? let's just give him a traumatic brain injury' and then didn't develop his character in any real way

SPEAKING OF RIC GRAYSON, gothamites making confused memes out of ric grayson is much needed

'dick grayson is my taxi driver? can anyone explain what the fuck happened he looks like an italian plumber?'

i hate to say it but batfam are def "marvel characters" in that sense they are characters who are human but become superheroes unlike most dc characters who are gods trying to be human maybe this is why I like batfam

fair enough

[curioussubjects]

You seem to have a way of understanding dean on a better level than a lot of us. What do you think of what jensen said about dean wasting his life away at the back of a pool bar if Sam was the one who had died? I'm having a hard time processing what he said and I'm still upset that jensen sees dean as still heavily codependent. Idk I'm uncomfortable that it came from jensen as opposed to anyone else. He let me down...

Ok, so this is a complicated question with a complicated answer. First, I want to say that I completely understand why people are upset. My immediate reaction was the same, tbh. But here’s the thing: Jensen was right, but he said it wrong. I realize the Jensen is right is, afaik, and on my dash at least, the main opinion going around, but the reason is more nuanced than the conventional wisdom. Sure, yeah, we know how Dean reacts to loss, and we’ve seen that kind of despair take him nowhere good (hello Advanced Thanatology), but that’s not why Dean had to be the one to die. 

If you’ve been around my blog (and other polol folks, too) you might have noticed I’m on the Dean was always supposed to die camp. Not only that, but the dying in this case doesn’t mean the end but ascension. That is, it’s a death solely of the body in which the soul goes on to live it’s truest life free from the suffering of material existence, of suffering. Something that is achieved by actualization of the self. Death, in the philosophy informing the mytharc for Dabb’s run and s15 most loudly, is transformation. A refining of the self, say. In this ‘heaven” is meant to be what’s True, and Real, and Free (”what would you rather have, peace or freedom?” [both]).

Cool beans, but why does this matter. Well, I’m gonna quote my much less eloquent screaming from discord:

jensen IS right, but he SAID IT WRONG because the story never manifested itself [in 20]. so he described a hopeless dean wasting away which is so not what dean's death meant to portend. nothing wasting. nothing about hopelessness. he would cross and move on to LIVE HIS ACTUAL LIFE with his family, with his beloved, and he would welcome sam and sam's family (who would be dean's family, too) on that bridge and dean would still have a mission and i just aaaaaaaargh. BECAUSE HE WASNT MEANT TO DRIVE AROUND [pointlessly in heaven] EITHER

What I mean here is that Dean surviving and Sam being the one to die would only underscore how Not of Earth Dean was anymore. He didn’t belong there anymore. Everyone he loves, all he could ever need, or want, or dream, was somewhere else. Sam, on the other hand, did in fact have specific things to accomplish on earth still before being ready to ascend. Sam had Eileen and the MoL and the new hunter gen. As Jensen said, Sam had a bigger picture he was invested in, while Dean has always been about his family. Dean had said he was ready to retire if he knew the world was safe. Dean surviving instead of Sam would leave him wholly alone (yes, I know, Jody, Donna, and Claire, but for all Dean cares for them, they aren’t Sam and Cas. Mary, Bobby, Charlie). 

If we think of death as a door and not an end, and assuming a finale that isn’t completely botched: Dean surviving alone would make his worst case scenario real in that he doesn’t have his family, he doesn’t have the people he loves to share things with. There would be only the job and dying bloody and alone. Meanwhile Sam would be in heaven never having come into his own as a leader. He wouldn’t have Eileen. The flipside, that is, the finale we didn’t get, would have Dean being around all his favorite people except Sam. BUT he would know Sam was following a path on his own right, he’d have a goal, he’d have a family. And then they’d reunite and never part. 

The reason I’m saying this is because if one of the has to die, it has to be Dean because everything falls into place with the exception of the momentary separation between him and Sam. A separation that needs to happen because Dean needs to let go of the burden to “protect Sam” and Sam needs to walk on his own legs without his big brother/parent. It’s a growing up and letting go story before reunion. Where both Sam and Dean would be in environments conductive to them thriving. It’s the final blow to that toxic codependency. 

Again, from my discord screaming: 

ugh what a perfect microcosm of the finale: the essence of what jensen said is right, but the form of it, the way it was presented was all wrong. and i cant even fault him that badly because idk how much he does know, if he has only a pitch, how much he knew of the intended ending. we just don't know. we don't know what is ignorance and what is misunderstanding, or what is just good old misreading.

The proposal of the finale only works if properly delivered, I think something like that happened today, too. I don’t know to what extent it’s Jensen misspeaking (because it’s a finicky topic that is rather hard to explain) or being ignorant of the full scope of the mytharc (knowing he doesn’t actually watch the show). 

At the end of the day, what Jensen says or doesn’t say doesn’t change the textual meanings of Supernatural. I know we want validation, and that we want our fave to agree with us, but the bottom line is that there’s only so much Jensen can say. And ultimately it doesn’t affect the story one bit. 

Did...all this kinda answer your question? I know it got way long, but there’s a lot here skdjhfalksdjfhalsd Y’all can send more asks if you need clarification on any of this mess.

[selfships-in-spanish]

Idk random thought but I think it would be cute/hot if canon!verse connor and ona where at home watching a movie and it ended up with them getting handsy with one another. Like, they're snuggled up under blankets and roaming hands lead to some fun times (like some finger fucking/handjob etc.).

Anon I am DEEPLY SORRY for how long it took, but between the creative rut I was in, the months I worked and such... I just had no time and words didn’t want to come to me. 

But I really hope you’re still around and that you enjoy this 6683 word smutty one-shot!

A bazillion thanks to @tinmiss1939 for helping me out with English and ideas when my brain decided to not cooperate <3

Warnings: smut! They get touchy 👀

––––––––––––––––––––

Saturday nights ended up being movie nights with Ona’s cozy blanket that her grandmother knit her as a Christmas present. She didn’t want her favourite grandchild being cold in the States, knowing Ona was used to her precious Mediterranean weather. Connor ended up snogging most of the blanket, even if it was big enough for two adults and had wool to spare. 

Ona made sure Connor was familiarised with the classics, checking out the long list of movies she wanted Connor to see, and Ona would also make popcorn and prepare thririum-sodas for Connor so he could enjoy The Experience. Connor was grateful for her efforts and felt her enthusiasm transmit to him too. He kind of regretted watching Terminator 2 because she kept asking him to repeat some lines, but he secretly looked for leather jackets. T-800 was… cool. 

Ona finished the popcorn, setting the bowl on the table next to their soda glasses. She was currently staring at the screen, quite invested in how Yoda trained Luke Skywalker on Dagobah. Connor ventured a look at her, eyes zeroing on her lips absently wrapping around her popcorn-salty fingers. He wondered how her tongue would feel on his own fingers, the texture, the heat. A notification appeared on his HUD, warning him about a slight rise in his core temperature. Connor ignored it. 

Connor decided a distraction from those thoughts would be good, and he went to reach for his own thirium-soda, keeping his eyes on the TV screen. Ona reached to the paper napkins she put there previously, wiping the remaining of the salt and saliva out of her fingers. Once done, she threw the crumpled paper napkin inside the popcorn bowl and rearranged herself on the sofa to find a comfortable position, which ended being by her leaning slightly into Connor. The poor android suppressed embarrassing noises at the fact that Ona was slightly touching his arm with hers. He couldn’t wait to actually feel her in his arms, some day. 

They kept their positions for a while, Connor not daring to move a single centimetre in case Ona realised her proximity and put some distance between them. But rA9, how he wanted to move to—

Ona leaned her head on his shoulder, sighing contentedly. 

Connor wanted to scream. 

His olfactory sensors could pick up traces from her fruity shampoo and the pressure and heat sensors from his shoulder could feel the warmth from her cheeks and the comfortable weight of her head. Some stray curls tickled his neck. 

Connor wanted to scream. A lot. 

He stayed perfectly still, his breathing program stuttering slightly. Did she know what this meant? To him? Did she know how he longed to feel her against him and to be able to freely touch her? Touch her soft, snow white curls? Connor ignored the movie completely (not that Ona will ever know, he could download it and watch it anytime, as well as film analysis and data in case she wanted to discuss the plot and story points), focusing his attention on this tiny human that managed to make her way into his pump, unknowing of the depth she managed. 

He wanted to lean his head against hers too, he wanted to wrap his arm around her waist and tug her closer to him, he wanted to feel her entire weight on him, he wanted—

Ona nuzzled her head against Connor’s shoulder, shifting to make herself more comfortable. Connor was this close to make shutdown noises. 

Connor tried to analyse this situation: Ona was not uncomfortable with his presence, she was in fact seeking contact, and she was quite prone to seek human touch. She was a hugger, she liked holding his hand whenever she dragged him somewhere or would poke Hank’s chest when she teased him, sometimes even managing to convince Hank into letting her tie his hair in a ponytail. So, it wasn’t new she liked to touch her friends and people she was comfortable with, but the fact that she was touching him… he would never get used to it, or at least anytime soon. 

“Am I too heavy?”

Her voice pulled him out of his thoughts, slightly lifting her head to turn around just enough to face Connor. RA9, she was beautiful. 

“You are not, detective. My pressure plates and carbon fibre chassis can endure heavy weights and— what?” Ona was smiling at him, fondly, and with an amused spark in her eyes. Connor could get lost in her olive-green gaze. 

“You said detective,” Ona began, a teasing edge in her voice. “We are not in the precinct. Do I have to pull a Hank on you?” Hank was very loud about how he didn’t want to be called Lieutenant every single time his friend, because he wasn’t ready for son yet, talked to him. And Ona wasn’t shy to make herself heard either. 

“That will not be necessary, Miss Boix.” Ona raised a brow. “Ona.”

“That’s better. I like the way you say my name.” Ona got on her previous position, leaning her head on his shoulder again. Connor was too stunned to reply, having her words in a loop. What the hell does he reply to that?

Connor kept staring at the screen without really seeing anything. Half of his HUD was occupied with error notifications and temperature increases, as well as his pump regulator accelerating. The other half was occupied with romantic manoeuvres and tips he could execute to take a further step in their relationship. He decided to try one of the most used and well reviewed tactics: the arm stretching behind the couch. 

On the count of three, because he needed a mental kick from himself to move, Connor slowly nudged his shoulder, making Ona hum. She lifted her head, and Connor almost regretted moving because it meant she was no longer touching him, wasn’t letting her soft cheek press against his perfectly ironed shirt and— but it was for a good reason, he told himself. Connor lifted his arm, trying to ignore Ona’s questioning look, and made as if he stretched it as humans do after having a limb locked on a particular position for too long. 

“You should have told me you were uncomfortable, bobo.” Ona mumbled, shifting into a new position. 

“No!” Ona looked back at him, startled at his outburst. Connor mentally kicked himself. “No, uh. I’m okay. I, uh…” Ona frowned, Connor didn’t stutter. The android decided to finish executing his move. Carefully, he let his arm fall and curl on Ona’s shoulder, making her head rest on it. “I thought you would be more comfortable like this.”

He made it. Connor made it. He executed it perfectly, as expected from an android. 

Ona smiled, an “awww” escaping her lips, being touched by Connor’s concern. She snuggled further, pulling the blanket up and making a cocoon with both of them inside. One of her hands rested on his chest. 

Connor was a wreck. 

For Connor, Ona felt as if she fit right there, in his arms, as if he had been perfectly designed to fit her body. It was a silly thought, but it made Connor giddy. Ona was warm, she was a comfortable weight against his own body, and he quite liked the feeling of it. He could get used to it.

Both human and android resumed watching the sci-fi classic, Connor still processing what just happened. Deviancy was new, deviancy was scary, but with Ona, Hank and the Jericho crew next to him, it was a less frightening journey. Deep in his thoughts, Connor didn’t notice a slight tugging at his tie. Looking down, he saw Ona’s hand tugging at it with a displeased frown.

“Aren’t you suffocating with this?” Connor looked at the perfectly made windsor knot, apparently offending Ona’s standards of ‘comfy movie night’.

“I can’t suffocate–”

“Shush, you know what I mean!” Ona teased him, flicking the silky end. “It looks a little bit constricting for a pajama-ish movie night, don’t you think?” Connor considered her reasoning and she surely had more experience in such matters than him, anyways. Maybe he should listen for once. “C’mon, loosen up a bit! You can relax here.” Connor was the opposite of relaxed, having her so close and being so carefree with her touch. But, maybe he should really give it a shot.

“Well, I suppose I could... try.” 

Ona grinned, not caring to hide how pleased she was that Connor both listened to her and tried to loosen up as she suggested. The twinkle in her eyes spurred Connor into action. He sat up, efficiently undoing the knot. The android folded the tie and left it on top of the table, Ona snorting at the mannerisms he couldn’t shake off. Feeling daring, Connor unbuttoned the top button of his shirt. He looked back at her in time to see her roll her eyes and slightly shake her head.

“No no no! That’s not loosening up! We are not in the Victorian period and you are not a victorian lady showing an ankle, bobo!” Ona sat up and inched closer to Connor, not giving him time to react when she grabbed his shirt and unbuttoned a few more buttons, pleased at the hint of a collarbone. Connor’s pump rhythm skyrocketed. “There, much better!”

Connor could count every tiny freckle on her skin, being as close as she was, and he could also see the hint of gold in her beautiful olive green eyes. He wanted to say thank you, but got lost in her gaze. 

Ona patted his chest, smiling once more before shifting into her previous position, but this time much closer with her head propped up fully on his shoulder and her hand resting on his clothed chest. Her weight was comfortable, he liked it, and unconsciously he let his arm fall once again and curl around her, pulling her slightly closer. Ona sighed contentedly, nuzzling her cheek against his shoulder.

They settled for a comfortable silence, enjoying the movie. Connor liked when Ona giggled at some parts of it, made tiny commentaries and got excited when her favourite scenes came on. He also liked how her curls tickled his now more exposed skin, whenever she laughed or shifted, and the warm weight of her hand on his chest. Connor had to force his artificial breathing program to not stutter or become erratic; she could not suspect of her effect on him in case she moved away at the knowledge of it. Connor thought it was selfish of him, and felt guilty of it, but he really wanted to be a bit selfish sometimes, as both Ona and Hank suggested more than once.

His pressure sensors detected a soft caress on his clothed chest. Connor ventured a look and found Ona still looking attentively at the screen, as if her thumb wasn’t mindlessly brushing Connor’s chest. Connor concentrated on the feel of it, letting himself bask in the glory of her touch. He knew what this kind of gesture meant, Connor did an extensive research on affectionate touches and their meanings, so he really allowed himself to chase that fleeting thought that maybe, just maybe, Ona wanted more.

Ona shifted again, getting more comfortable on Connor’s shoulder, and her hand didn’t move from its spot or cease its movement. In fact, it slipped slightly forward, inching near the open shirt. Connor was very aware of the spare centimetres between his naked synthskin and Ona’s hand. She kept caressing his chest with her thumb and Connor didn’t dare to move. Until his sensors picked up the movement and slight pressure of her hand moving forward. 

Connor was never prepared for the feel of her fingers on his chest, warm human skin against his synthskin. He wouldn’t know how to describe it, how wonderful and exhilarating it was, how eager it made him for more. Ona kept brushing her fingers against his chest, appearing completely oblivious of it. His hand unconsciously twitched on her shoulder, as if looking for an outlet to release everything he was bottling up in a false sense of calmness. Connor didn’t know how to proceed; all this was new, the whole world was brand new after deviating and Ona made him feel things he didn’t know the name yet.

But he liked those things. 

Ona was a comfortable weight, and he absolutely loved the tingling feeling her fingers left when they lifted off his skin. It sent the android equivalent of “shivers” down his spine, to every connector, every nook of his body. He wanted more.

A snort escaped Ona’s lips. Connor registered that a funny line happened in the movie, but he completely ignored it in favor of saving in a special folder, that he will never say it is labeled as Ona or that he has it, every stroke of her hand, every curl tickling his skin and adding more input to his already overloaded connectors and sensors.

Ona’s hand ventured its way up, leaving tiny sparks of electrical fire on her trail. Her fingers brushed Connor’s collarbone, softly, as if Ona didn’t want to spook Connor with her boldness. Connor had to bite back a noise he didn’t know he was capable of doing, the sensation of her touch melting him right where he was. But it felt good, so good, to be touched like this. Connor unconsciously bit his lip.

Connor didn’t see the glint in Ona’s eyes. In another situation, like catching a perp, Connor would know that glint meant Ona was determined and even dangerous; once she put her attention on something, she would chase it off like a lioness. Right now, Connor was her prey.

Ona shifted once again, her fingers leaving a trail up his neck. Her fingernails lightly scraped Connor’s synthskin, as if on accident, and he couldn’t help the little gasp that escaped his lips. He was too focused on the pleasant feeling of her touch to notice her leaning into him. Connor would never, ever, be ready for the exhilarating feel of her soft lips kissing his neck so tenderly. His hand squeezed Ona’s shoulder, wanting to melt right there as she kept peppering Connor’s synthskin with tiny butterfly kisses. He was so scared to move, to do something wrong and probably tear Ona from this haze. When her lips brushed his jawline Connor let out a breathy pant.

Connor’s HUD was suddenly invaded by warnings and alerts, programs initiating that he was not aware he had them installed. His temperature was rising and pop-ups kept coming. It was more than obvious that Ona had other plans in mind than watch a movie. Is this what humans really meant with the “Netflix and chill” saying, used a long time ago? But more importantly, Ona wanted to do… intimate things, with him? She didn’t mind he was not human? Given the enthusiasm, no, she didn’t mind at all.

Ona tugged slightly aside the collar of Connor’s shirt, giving her more room and more of Connor’s synthskin to kiss. She couldn’t resist temptation and lightly nibbled where his neck met his shoulder. 

“Ah!” Connor arched his back, closing his eyes at the onslaught of sensations running through his very wires. Ona unglued herself from his body, making Connor want to whine at the lack of her warmth and weight against his body. 

“Shit, sorry.” Ona’s voice seemed panicked for a moment. “Fuck. Joder. Did I hurt you? Are you okay?” 

Connor opened his eyes and tried to focus on her lovely, very flushed face. Her pupils were blown out, almost eating her beautiful green irises, and her lips were redder than usual, something Connor would never get tired from looking at. 

“I went too far, didn’t I?” Ona covered her face in shame with her hands, groaning. 

He wanted to say so much, but even if he had 300 languages at his disposal, Connor was unable to find the words he needed to express himself with.

“I…” could he convey what he felt through his eyes? Would Ona catch the need in them?

“Do you... do you want to go or...?” Guess not. Ona sat back, twisting one of her curls on her finger, something Connor noticed she did when she was nervous. Connor closed his eyes, frustrated. 

This was the chance he wanted after all this time of pining after the tiny human detective that made his pump skip its perfect rhythm.

It was now or never. Connor turned to face her, nervous. He lifted his hands and felt his fingers twitch, as if they exactly knew the meaning behind his intentions. Connor made Ona turn her head to face him, holding her in place. For once, Connor stopped thinking and decided to let his heart act. 

Connor crashed his lips against hers. 

Ona let out a surprised noise, but was happy she didn’t scare Connor off, and let him do as he wanted. His lips were soft, and somehow Ona expected them to be a bit more stiff and cold, but they felt like they belonged there, with hers, warm and pliant. She let Connor take his time, have his sweet first kiss at his pace and liking, chaste and innocent, but even if she wanted to be there like this for the rest of her life, she needed to breathe. 

Breathing through her nose made Connor remember that humans needed oxygen, and that he was depriving his precious detective of it. Embarrassed, Connor parted from her lips with a million sorry’s ready to spill from his own, chastiting himself for not thinking about it. See? This is what happens when he doesn’t think, and now Ona–

Connor found his thoughts halted once again when Ona kissed him back, crawling on his lap to have a better angle. She let her weight rest on him, liking how well her body fit with his. Connor let his hands rest on her waist, not knowing where to put them exactly. Since his mind was occupied right now, he let them wander as they liked. Ona didn’t mind one bit. 

Wanting more, Ona lightly bit Connor’s bottom lip to make him gasp at the feeling and open his mouth. She took that opportunity to deepen the kiss, letting her tongue touch Connor’s as she wrapped her arms around his neck, pulling him flush with her body. Ona was careful, slow, letting Connor get used to it, verging on sweet. Connor didn’t know if it was in some code ingrained deep in him, or the salty taste of her tongue due to the popcorn she ate before, but it felt divine. 

Thinking about the extensive research Connor did, preparing himself for the day this exact moment happened, he decided to put in motion one of the things he saw and read about. One of his hands went to cup the back of her head, tangling his fingers in her white curls. The other one wrapped itself around her, securing the manoeuvre. He read about the intimacy of kisses, of bodies touching, tongues dancing with each other and the sweet noises that fueled the passion. He also watched videos trying to educate himself on the matter and thinking about him and the detective in such situations, going as far as having reconstructions in his mind that rendered him a blushing mess and his LED a permanent red. He wanted it. He wanted it so much. Nothing he watched compared to the reality of this moment. 

Adding a little bit of pressure, Connor made Ona turn her head more to the side so he could properly deepen the kiss. Ona’s muffled moan made his core temperature rise, and he inhaled fresh air to try to cool his body. His other hand descended from her back, brushing the hem of her sweatpants, and let it rest on her buttock. Connor unconsciously squeezed it, making Ona arch into him and gasp in between sloppy kisses. Ona made a mess of Connor’s neatly styled hair, and honestly he couldn’t give a damn about it. 

Connor felt a change in Ona’s movements, and he frowned, not pleased at having to stop. 

“Wait— Conn— Hmpf!“ Ona abruptly tried to stop the kiss, untangling herself from him and trying to mumble words in between kisses. Connor chased her lips until he felt her fingers stop him. 

Connor felt like ice-cold water fell on him, freezing the poor android on the spot. Did he misread the situation? Did Ona not want this anymore? Did he go too far? Did he—?

“Wait. Connor,” Ona took a deep breath to gather her wits. This had been amazing and she needed more, but she needed to ask him something first. “Wait— no, don’t give me that look, let me explain. I… You did nothing wrong, if that’s what you are asking yourself, quite the contrary. I loved this, I longed for this, but I want to know if you want it too.”

“If I want it too? Kissing you back hasn’t proved it enough to—” Connor didn’t understand. He liked her, he kissed her, maybe he didn’t do it enough to prove his point?

“I don’t want to force anything on you, Connor! I want you to want this as much as I do, but I don’t want to force you or coerce you into wanting this. I don’t want to screw it up. I really, really like you. And I really want to know if you want this—“

Connor reached for her hands, squeezing them in his. 

“You really don’t know how many times I dreamed of this, of you. I always wondered how your lips would feel, or your touch.” Connor felt daring and bold. This was his chance. “I want you, Ona. I want this. And if we don’t go back to this wonderful human thing called kissing, I’ll—“

Ona let out a relieved laugh. Connor tugged her back to him, urged Ona to sit on his lap as she was doing before. Connor held her face in his hands, touching his forehead with hers. 

“This whole... deviant thing is new and scary. Feelings are scary, but… I want to explore them with you. Good and bad.” Connor’s voice was low and soft, as if he didn’t want to break their little bubble.

“Then… let’s take it slow.” 

Ona pressed her lips against Connor’s again, softly, letting the sweetness of the moment dictate the pace they wanted to follow. The movie kept playing in the background, completely forgotten.

Connor let his hands descend Ona’s body, as if he was mapping once again her figure, trying to save it in his memory forever. It always mesmerised Connor how soft and squishy humans could be, and he let himself squeeze his hands against her flesh once again, relishing the thrilling sensation of having his hands so full.

That elicited a low moan from Ona, who in return slowly rocked her hips against Connor’s. The android let out a groan himself, getting a hold of her hips and pushing her down against him again. It felt so good, the pressure sending sparks all over his body, and he couldn't wait to learn more about this wonderful human thing called makeouts. Connor wasn’t stupid, he did his research and he knew humans and sex had a tight relationship, although it wouldn’t be good to generalise since what made humans so unique and beautiful, was the diversity in their race. But still, he wanted to explore it with Ona if she wanted to, and right now he couldn’t be thanking RA9 more than he was right now for letting this happen.

Ona felt like taking things up a notch, and she loved the reaction she got out of Connor the first time –despite her momentum of panic–, so she broke the kiss to brush her lips against his jaw, nuzzling her nose against his neck. Ona felt Connor’s artificial breath stutter in its impeccable rhythm, and was delighted to see how Connor bared his neck to her. Ona wasted no time, peppering the exposed synthskin with slow and wet kisses, while she kept grinding her hips against him. Feeling his excitement only fueled her own more. 

Her hands busied themselves with the remaining buttons of Connor’s shirt, impatient to have his chest and torso fully exposed for her to see and touch. Having the always impeccably dressed android under her, all sense of decorum and propriety gone, gave Ona a rush nothing else could give her. Ona bit her lip once her work was done and could gaze at her prize. He was delightful, beautiful, truly a work of art. Connor’s flushed cheeks and red, shiny lips made her feel herself clench, desperate to have something fill her.

Connor’s irises were engulfed by his pupils, lust coating them, and Ona marveled at how expressive his eyes were. Connor had always been a quick learner, though, and he could see how much Ona needed to be touched right now. His hands reached the hem of her sweatpants again, and this time he didn’t pass the opportunity to get his hands inside them, feeling the soft fabric of her underwear slid under his fingertips. It was Ona’s turn to close her eyes and let out a shaky exhale, eager to see what Connor would do this time. A soft gasp escaped her lips when Connor got his hands inside her underwear too, feeling his fingers on her burning skin. He squeezed the flesh of her buttocks in his hands, feeling the fullness of it. Ona groaned, arching her back to give Connor more leverage. The android sat up while Ona was distracted, pulling her close to his body. Connor decided he wanted to do the same things Ona did to him, to make her feel as good as he did, and now that he had her neck in full display, he was going to take advantage of that.

Kissing her feverish skin was delicious, but Connor knew he was only adding more wood to the fire the moment he bit the juncture of her neck and shoulder, replicating her actions from before. The reaction was instantaneous: Ona’s moan echoed around her living room, her nails digging in Connor’s shoulders as she felt shivers run up and down her body. His tongue soothed the mark he left, kissing it as an apology, although the thought of her having a mark made by him excited Connor more than he expected. And by the looks of it, Ona didn’t mind much. Connor left a trail of kisses up her neck, reaching her jaw, and left another mark right under it.

“Ah!” Connor scored another win for himself, pleased at how the proud and self-assured detective was becoming putty in his hands. “You do not play fair, Connor. You already know one of my weak spots.” Her teasing tone made him smile, hiding it behind a kiss on her shoulder.

“I am the most advanced android detective, after all.” that made Ona laugh, leaning back to see the mirth in Connor’s eyes. His sense of humour improved greatly.

“Aren’t you a cocky android, hm?” Connor winked in response, which made Ona snort. She knew exactly how to wipe off that self-satisfied expression from Connor’s face. 

Connor knew that arched brow and mischievous smile meant trouble, but he was quite eager to find out what Ona was planning to do. She pushed him back on the sofa, his hands sliding out from under her clothes to end up getting a hold of her hips. Connor decided she looked absolutely stunning in her loose maroon t-shirt and slightly pushed down grey sweatpants. Her underwear was peeking out too, and the little visible piece of fabric made him swallow hard.

“Let’s see how cocky are you now, Mr.Detective.”

Ona’s hands descended from Connor’s shoulders to his chest, savoring the feeling of her fingertips grazing the perfectly designed muscles. Ona slowed down when she was close to his belt, teasing the belt loops, tugging them slightly. Connor’s breath hitched when her fingers skimmed over the belt buckle. His eyes were glued to her hands, watching as she undid the buckle and teased the button of his trousers. Connor let out a stuttered breath as Ona’s palm pressed against his zipper, pulled taut by his erection. 

Deciding she wanted to tease him a little bit more, Ona slipped her fingers inside Connor’s trousers, over his underwear, as he did to her before. Connor arched his back off the sofa, groaning at the feeling of Ona’s fingers grasping his clothed cock. Connor’s hands squeezed Ona’s hips, needing something to hold onto as he was blown away by the feeling of her fingers on him.

It felt amazing.

Ona took her hand out much to Connor’s dismay, a soft and breathy “no no no–” escaping his lips, followed by an “–oh” when he saw that Ona was undoing the button of his trousers and pulling the zipper down. 

“Up.” Connor got the message. He lifted his hips so Ona could push down his clothes just enough to free his aching erection from them.

Ona let out a soft moan at the sight of Connor’s cock in full display, rock hard against his belly. She felt herself clench, as if trying not to make more of a mess on her underwear as she was doing now. Ona wanted to do a lot of things right now. She wanted to push her own sweatpants and underwear down and ride him until he burned his vocal module from moaning, she wanted to get on her knees and pleasure him, feel his hands on her head as he guided her to how he liked it best, she wanted to–

They will have time to do all of that. For now, Ona wanted tonight to be for him, to discover what he liked, what it felt like. Ona looked up and was met with hungry and desperate eyes. Connor was on the verge of begging Ona to do anything, because judging by what he felt before, this was going to be even better.

Slowly, Ona trailed her finger from base to tip, pleased at the amount of wetness gathered at the head. Connor stuttered, not tearing his gaze from Ona’s own lustful ones until she did to look down again. He did the same, and the image he found would be forever stored in his memory bank, locked up in a special folder. She was smaller than him, he often marvelled at the difference between them and how her hands were shorter than his, for example, and in this exact moment he couldn’t be more delighted to see how said hand wrapped itself around his cock. He was not ready for when she moved. 

Connor cried out, throwing his head back on the sofa’s headrest. His sensors were going absolutely crazy. He felt as if fire was spreading all over his connections and he wanted more, so much more. Ona’s hand was covered in a sheer blue slick, the fluid helping her motions. The sound of it was downright sinful, and it only turned both human and android more.

Connor’s thirium pump was pounding in his chest, moaning and groaning, his interior fans fighting to keep the body temperature in check. It was getting harder as Ona started squeezing her hand when she reached the head of his cock, way more sensitive than the rest, and Connor’s hips involuntarily thrusted upwards when her other hand renewed her journey on his chest, making sure she traced his collarbone and neck.

One well placed tug made Connor keen, feeling light-headed, and unconsciously pulled Ona to his chest, wrapping his arms around her tightly. Her hand was trapped between them, but she never ceased her movements. Ona’s curls brushed Connor’s cheek, some strands being plastered over her forehead, and Connor could feel her rapid breaths tickling his ear. 

Connor, in a moment of clarity and feeling a tad bold, had an idea. He still doesn’t know how he managed to tear one of his hands apart from Ona���s body, but he had to make Ona feel as good as him. He was no stranger to human anatomy, and even less human genitalia, so he knew what he had to do in Ona’s case. He sneaked a hand inside the front of her sweatpants and underwear, feeling her smooth skin until he found her mound. Connor didn’t stop there, he kept going until his fingers brushed her soaked wet clit. Her hitched breath was music for his audio modules.

“Connor–!” Ona jolted, arching her back and gasping, melting his name into a moan. 

Connor decided, right in that moment, that his name never sounded so divine before. The sensors on his fingers picked up the generous amounts of wetness gathered in them, and Connor had the urge to taste it. But that was something for later, now he had more important matters in his hands. 

Recalling all the information he previously searched, Connor let his fingers be completely soaked in Ona’s juices, knowing it would make the glide smoother. Her folds were soft to his touch, velvety, and Connor loved the feel of it. Her heavy breaths and moans on his ear spurred him to keep going, to trace every inch of her sex, to tease her entrance with his finger pads. Connor’s other hand released his hold on Ona’s hip, moving it up to brush her nape and bury itself on her hair. Ona reacted to his touch, raising her head from Connor’s shoulder to took at him. Her lips were shining bright, reddened from worrying them with her teeth, and Connor felt the urge to kiss them again. 

So he did, swallowing Ona’s moan as Connor got his middle and ring finger inside her, feeling her walls pulse around him, burning. Ona had to stop pumping her hand, needing a moment to gather her wits as Connor moved his fingers in and out of her, his thumb finding Ona’s clit and rubbing it slowly, almost lazily, which drove Ona mad with pleasure. When Ona renewed her movements, gripping Connor’s cock harder, the android groaned and bit Ona’s bottom lip, getting his tongue inside as she did earlier. Connor felt a gush of slick tickle down his hand, and it only excited him more to know it was because of him.

Having his sensors overloaded continuously from the new and pleasurable sensations, Connor had a feeling this would crest soon. He was tempted to cut out the process of it so it would last longer, all night if possible, but he desperately needed to find his release. He felt like a spring fiercely recoiled, ready to snap at any given moment, and Ona’s tiny moans and gasps of his name as she rocked herself on his fingers only catapulted him into it. He had a feeling Ona was close too.

But oh, that felt so good. He doesn’t exactly know what Ona did, but it felt amazing, so Connor let himself be drowned in it, thrusting his hips up at the same time as Ona to pulled down her hand. He was close, so close, so–

“Ona, I’m– I think I’ll– Ah!”

Connor came all over Ona’s hand and his belly with a jerk of his hips, throwing his head back into the sofa as he let the shockwaves consume him whole. In the process, Connor unconsciously pulled on Ona’s hair, needing to grip onto something, and with a brush of his thumb on her clit Ona came right after him, blessing Connor with a mixture of spanish curse words and moans. Connor felt the tight grip on his fingers, her juices coating him even more, and the thought and feel alone made another glob of synthetic cum dribble over her.

Ona let her forehead rest on Connor’s one, panting and trying to regain her breath again. Connor mimicked her, trying to cool his body and helping his frenzied interior fans. When Ona opened her eyes, he found Connor gazing at her with such emotion behind his eyes that made Ona’s heart skip a beat. Connor’s hand was still on Ona’s back of the head, so in a moment where he just let himself follow his heart, Connor pulled Ona in for a sweet, slow kiss. When they parted, it was Ona’s time to gaze at Connor, wondering how beautiful he was right in that instant with his hair disheveled and a blush on his cheeks.

The ending fanfare of the movie credits made her trance break, noticing Connor’s sticky release in her hand beginning to cool. Ona released her hold on Connor’s cock, raising her hand to her face so she could inspect it closer. Connor sheepishly did the same, trying to ignore the squelching sound of his fingers getting out of her and how his own cock twitched in response. Connor knew he could stop the refractory period too, ready to go for another round until he ran out of thirium and had to enter into stasis, but he had a feeling Ona wouldn’t appreciate that. Instead, he inspected Ona’s own cum on his fingers, the fluid sticking to his fingers too. 

Connor swore he didn’t mean to, it was a completely unconscious decision, but he brought his fingers to his mouth, tasting her. A soft giggle made him look up, his cheeks burning out of shame.

“That is so… you.” Ona’s warm smile made Connor know she was not teasing him or angry. It was genuine. She made a conscious effort to inspect her own fingers, coated with the blueish fluid on them. Connor made a move to stop her, feeling suddenly embarrassed of it, but he wasn’t quick enough to stop her. Ona’s tongue peeked from her mouth, licking one finger. She hummed, followed by a snort when Connor’s voice module did an undignified noise at the sight of it. “I thought it would taste… plastic-ish. It’s actually not bad.”

“...Synthetic ejaculate can have different flavours, if desired.” Connor will never know what triggered that piece of information to appear on his HUD, and what made him say it, but Ona’s open-hearted laugh was worth it.

“Put a sweet, chocolate-ish flavour in, and you will have me all day on my knees and you know it.” Ona turned around just enough to grab tissues from the coffee table, wiping her hand clean, as if she had just commented on the weather. 

Connor was suddenly assaulted by reconstructions of what Ona just said, rendering him to a violently spinning red LED and his blush program glitching, making his cheeks reach a bluish glow. Ona hastily threw aside the used tissue, not caring where it went, when he noticed Connor’s state.

“Oh my God! Connor, are you okay?” Ona held Connor’s face in her hands, desperately searching for an answer in his eyes. Connor looked at her, his LED reverting back into yellow.

“There’s vanilla flavour, strawberry flavour, milk chocolate with caramel flavour–” Ona snorted, bumping her forehead with his.

“You oaf, I was worried!” Connor raised his brow as if questioning her. If he was being cocky again it meant he was okay and back to normal. Ona guilty looked to the side.“...milk chocolate with caramel.”

Connor smiled. Ona shook her head, smiling too, as she turned around again to pick up more tissues for Connor.

“Let’s clean you up.” Connor kept smiling, feeling dazed with happiness, as he let Ona do as she pleased. Once clean, Connor pushed and fastened his trousers and belt, as Ona mourningly buttoned his shirt.

Ona stood up once finished, her face twisting into a grimace as she felt the cold and sticky mess in her panties. She looked down, trying not to worsen it by moving too much.

“...And I need new underwear.”

Connor stood up with her, eagerness coating his movements and voice.

“Let me help you with that.”

[lcnguor]

THE MEGA RP PLOTTING SHEET / MEME.

First and foremost, recall that no one is perfect, we all have witnessed some plotting once which did not went too well, be it because of us or our partner. So here have this, which may help for future plotting. It’s a lot! Yes, but perhaps give your partners some insight? Anyway BOLD what fully applies, italicize if only somewhat.

Mun Name: Mik      Age: 26       Contact: IM, discord, smoke signal, whatever.

Character(s) I rp: Nora, Spike. Which muse(s) inspires you the most atm?(for MM): Nora, most likely Current Fandom(s): Fandomless Fandom(s) you have an AU for:  pretty much everything I find around and hop on. My language(s): spanish, english.  Themes I’m interested in for rp:   Fantasy / Science fiction / Horror / Western / Romance / Thriller / Mystery / Dystopia / Adventure / Modern / Erotic / Crime / Mythology / Classic / History / Renaissance / Medieval / Ancient / War / Family / Politics / Religion / School / Adulthood / Childhood / Apocalyptic / Gods / Sport / Music / Science / Fights / Angst / Smut / Drama / etc. Themes/Genres you have an AU for: modern without supernatural, I do have some fantasy set up but eh. 

Preferred Thread length: one-liner / 1 para / 2 para / 3+ / novella. Asks can be send by: Mutuals / Non-Mutuals / Personals / Anons. Can Asks be continued?:   YES / NO   only by Mutuals?:  YES / NO. Preferred thread type: crack / casual nothing too deep / serious / deep as heck. Is realism / research important for you in certain themes?:   YES / NO. Are you atm open for new plots?:  YES / NO / DEPENDS. Do you handle your draft / ask - count well?:  YES / NO / SOMEWHAT. How long do you usually take to reply?:  24h / 1 week / 2 weeks / 3+ / months / years. I’m okay with interacting: original characters / a relative of my character (an oc) / duplicates / my fandom / crossovers / multi-muses / self-inserts / people with no AU verse for my fandom / canon-divergent portrayals / au-versions (as main or only verse). Do you post more ic or occ?:  IC / OOC. Are you selective with following others?:  YES / NO / DEPENDS.  

Best ways to approach you for rp/plotting:  ask, IM, discord, singing telegram, smoke signals, messeger pidgeos -- whatever dude. I will most likely talk and ramble a lot, I do like plotting and I squeeze my brains out to think in ways to rp with ppl. and I really suck at approaching others. really...

What expectations do you hold towards your plotting partner:  Ideas and somewhat more enthusiasm than me. I tend to shy away or feel very much awkward right off the bat if the person approaches me with not much to say or give. And honestly, some people really intimidate me because I am too hard on myself, so giving a bit of a pat on the back makes me relax more. I deal with a lot of anxiety and I know people run away the second I show it. 

When you notice the plotting is rather one-sided, what do you do?:  Mostly when I am doing the talk or coming with ideas or looking generally more interested. It takes effort for me to get on things and actually do stuff but if it’s not the other way around I end up thinking they got bored of me. I am one hell of insecure person. As for what I do, if after many tries of trying to reach another person and end up feeling rejected or ignored, then ... I stop. What’s the point of insisting if the other person would just be awkward or not spare you a word?

How do you usually plot with others, do you give input or leave most work towards your partner?:  well, I usually ask first what the other thinks or have in mind, if nothing, I either suggest or start brainstorming with the other person. I know some who have dealt with me at first I seem like a dettached person but not having ideas really makes me feel like I have not much right to talk. I want to give yet without impossing or letting it twist my arm. I know for a fact nora’s lore really doesn’t help shit for most things. 

When a partner drops the thread, do you wish to know?:   YES / NO / DEPENDS. - And why?: if the thread was meaningful and we were really into it , then I would ask but as for the most, I don’t really bother with it. Sometimes people just lose muse, and even if I was enjoying it, I don’t have the right  to force someone or ask why they stopped. thread dropping is normal, i guess.  - What should your partner do when dropping a thread?:  whatever they want. telling me or not is up to them, I don’t really mind. RP is not something SUPER serious like it should be just perfect. I try to convice myself of this a lot.

What could possibly lead you to drop a thread?:  either because it was old as fuck, I couldn’t find muse or because it was lost in the void of tumblr’s amazing tracking system. - Will you tell your partner?:   YES / NO / DEPENDS.

Is communication in the rpc important to you?   YES / NO. - And why?:  if I do not have some idea of who am i rping with and what they have in mind, then it’s nearly impossible. being purely IC is really uncomfortable and could lead to a lot of misundertandings. - Are you okay with absolute honesty, even if it may means hearing something negative about you and/or portrayal?:  yeah. mostly yeah -- I mean, I will feel bad, I do have feelings, but I will take it with water. - Do you think you can handle such situation in a mature way?  YES ( but I will feel bad anyways ) / NO.

Why do you rp again, is there a goal?:  connect with others, ramble a lot about characters, have fun. I’ve been rping since i was 12 ( back then it was not big deal your age apparently ) and having to connect with other people by making these plots and stories and just having a fun time is something that brings me joy. There’s so much that can be done. And exploring my muses with other muses influences is really helpful to fill the holes left due indecisiveness.

Wishlist, be it plots or scenarios:  I wish people joined my lore more. Having muses that could be in the same story department as Nora in particular, would be hella and inspire me more. There is so much I have. Explore nora’s power is also something I want but it’s hard -- it’s very invasive and not many would really like it, feeling it’s meta. For now, I don’t really have other muses and Spike has her little crew outside tumblr.

Themes I won’t ever rp / explore:  umm, it’s hard to think in something in particular. But mostly stuff that collides with nora’s story/character. but there is a lot I am willing to explore.

What Type of Starters do you prefer / dislike, can’t work with?: casual starters are my fab. It’s easier to figure out how  to go or stop and think. plotted ones also work. as for what I dislike or cannot work with, things that force my muse to not act how they would? not giving me something solid is hard to handle. 

What type of characters catch your interest the most?:  I really like out of the norm muses, something that you see and say /oh , look at that/. Aesthetically, story wise or personality wise, something that goes out the usual troup most would use. I do have a guilty pleasure for opposite to my muse characters --- something that would really show the contrast with one another.

What type of characters catch your interest the least?:  Very basic ones? or those who try TOO hard to be special. A character that doesn’t fit in the context they are in, esp. in fandoms. HEAVILY divergent characters that just basically turn them into OCs. I know I sound like a bitch but I am the type who respect canon and the actual author behind the character too much. Also those that I don’t know much about? as in, the fandom never managed to catch my interest or smth in that line.

What are your strong aspects as rp partner?:  I know where is the line between fiction and reality. And that what your character does it does not reflect as the person you actually are. I am pretty laid back and I understand people’s views and reasoning. idk. I draw a lot if I am super invested ?

What are your weak aspects as rp partner?: I am super sporadic and can go from being super active to flat out dead for weeks. my mood swings a lot with the amount of attention I get, as horrible as it sounds. I am very anxious as a person for reasons ( not IRL mostly, just bad experience from previous partners ). I promise a lot but do little? honestly I will just bad mouth myself if I keep writing this.

Do you rp smut?:  YES ( tho mostly on discord ) / NO. Do you prefer to go into detail?:  YES / NO / DEPENDS. Are you okay with black curtain?:  YES / NO. - When do you rp smut? More out of fun or character development?:  both? - Anything you would not want to rp there?:  ehhhh, idk -- i don’t do as much to know what I don’t like here.

Are ships important to you?:   YES / NO / RELATIVE. Would you say your blog is ship-focused?:   YES / NO. Do you use read more?:  YES / NO / SOMETIMES. Are you: Multi-Ship / Single-Ship / Dual-Ship  —  Multiverse / Singleverse. - What do you love to explore the most in your ships?:  the very nature of human relations. I am talking about Nora big time here -- there is a lot to explore in her relations and how she reacts and acts towards someone is very very contextual. How much she fakes, how much she is sincere, how much she struggles or how relaxed can be. force her to show her real self, which is very hazy even for her as a task. Be very poetic deep and also very shallow. I particulary see her as a character that REALLY depends on her relation with the other muse -- but generally speaking for any of my muses: I love to explore them as a pair and as individuals. - What is your smut tag?: the unfamily friendly. ( new tag (?))

Are you okay with pre-established relationships?: YES / NO. - And what kind of ones?: Anything? I am open to anything honestly. As long as it makes sense.

► SECTION ABOUT YOUR MUSE.

- What could possibly make your Muse interesting towards others, why should they rp with this particular character of yours now, what possible plots do they offer?:  Anyone who is denying their feelings, are peculiar as an individual or anyone who needs an insight of themselves and the world around them. Nora is a mentor type of character, she is here to be a support and help others explore themselves and learn. Also if you are a minor, she will most likely try to get close to help -- one must protect the good sad kids.

- With what type of Muses do you usually struggle to rp with?:  Stubborn, very fixated with things. Who would not open themselves to other perspective without thinking someone is trying to change them. Also she would struggle a heck lot with psychopaths and sociopaths, or anyone that “doesn’t have a face” for her. - With what type of Muses do they usually work well with?:  Curious people, struggling ones, kids in general -- people that are willing to listen to her opinions and try to improve in a positive way. Also those who are quirky in a way. 

- What interests your Muse(s) in general:  rabbits, literature, interesting people, the unknown, learning, relationships of all natures.  - What do they desire, is their goal?:  Live long without letting her particularity ruin her -- for her kind nobody makes it past the 50s and she wants that , to conquer her ability and prove that even with something like she is ( they are ), it’s posible to live and be happy. have a family of her own, yeah she is that cheesy. - What catches their interest first when meeting someone new?:  Their actions and the emotions that they are carrying on their back.  - What do they value in a person?:    sincerity, willingness, enthusiasm. - What themes do they like talking about?:  a lot of phylosophic stuff, deep topics -- as well to casual things of life. about people and society. - Which themes bore them?:  excuses and avoidance -- people who are willing to drop everything and give up.

- Did they ever went through something traumatic?:  the attempt of suicide of her mother. and the successfull suicide of many of her peers. - What could possibly trigger them?:  any sort of threat or violence towards someone who does not asked for it. esp. her peers and family. - What could set them off, enrage them?:  Immoral ones. Those who are willing to stomp on others just to success in their goal. - What could lead to an instant kill?:  is not killing, but touch a hair of her family and you are done. same for her friends and protegees.

- Is there someone /-thing they hate?:  gorgers, suicide, her tired face. - Is there someone /-thing they love?:   her family and dear ones --- to a fault. rabbits or anything related to it.

Is your Muse easy to approach?: YES / NO. - Best ways to approach them?:  any way is okay as long as is not threatening. - Where are they usually to find?:  during the night, in the streets -- during the day is either her workplace or her house. maybe a park near her apartment/location if she is feeling stuffy.

Something you may still want to point out about your muse?:  she is not a good person , she is willing to manipulate people and is constantly trying to impose her morals. but she is also very sensitive even if she doesn’t show it --- Nora does look tired for a reason , and one of them is because she cries a lot . 

CONGRATS!!! You managed it, now tag your mutuals! ♥

Tagged by:  @skyvar​ Tagging:  @batoushoujo​ , @obtainedloss​ , @lorddiiavolo​ , @evanesense​ , @sunpierce​ , @necrotrigae​ , @maljefe​ , @ethaeria​ , @calpio​ , @veiliisms​

[godlivesonthemoon-archived]

THE POSITIVE & NEGATIVE; Mun & Muse - Meme

fill out & repost ♥  This meme definitely favors canons more, but I hope OC’s still can make it somehow work with their own lore, and lil’ fandom of friends & mutuals. Multi-Muses pick the muse you are the most invested in atm.

My muse is: canon / oc / au / canon-divergent / fandomless

Is your character popular in the fandom? YES / NO / IDK (I don’t see lot of content with him so he’s not so popular I guess? :( )

Is your character considered hot™ in the fandom? YES / NO / IDK (apparently it’s a debate but I personally find him HOT)

Is your character considered strong in the fandom? YES / NO / IDK

Are they underrated? YES / NO / IDK

Were they relevant for the main story? YES / NO (first one to introduce observation haki so heck)

Were they relevant for the main character? YES / NO / THEY’RE THE PROTAG.

Are they widely known in their world? YES / NO

How’s their reputation? GOOD / BAD / NEUTRAL

How strictly do you follow canon?

I’m trying my best to follow his canon character and the way he reasons, but I have to somehow make sure to be able to interact in several verses as well, which could end up turning him as a more canon-divergent character sometimes. We don’t know much about Enel, especially his past, it’s a vast playground which has never really been explored, so it gives me liberties regarding his interpretation and my own headcanons. I do believe I try to portray him in the most canon way possible, but I’m not Oda, and I didn’t create his set of mind in the first place! That’s just me trying!

SELL YOUR MUSE! Aka try to list everything, which makes your muse interesting in your opinion to make them spicy for your mutuals.

Enel is an asteroid suddenly entering your world, highly different from the casual villain you could encounter, with a set of mind different from what you have ever seen before! Egocentric prick full of himself and able to harm your muse either with in verbal joust or physically? For sure! You want to have debate about your muse’s most profound beliefs and challenge their abilities to think and manipulate someone else? He’s always up to have a conversation and will provide you so many topics to debate that you could stay here for years without even being done. Enel is the impredictable character you need to have spice in your life. He drifts between a terribly strong God Complex and a very human persona, leading you to various interactions where I dare you not to feel anything. Because that’s it’s his best capacity : ENEL WILL MAKE YOU FEEL SOMETHING, and either you will love it, or hate it, but you can’t remain neutral when he’s around.

Now the OPPOSITE, list everything why your muse could not be so interesting (even if you may not agree, what does the fandom perhaps think?).

Even if you believe he could be nice and understanding towards your muse’s sorrows, Enel remains a villain and probably one of the most unpredictable. He’s not here to be kind, not here to waste his time either. He’s more often harsh and insulting than really patient and open-minded. Could he really love your muse one day? That’s a harsh question, and he will probably disappoint them if you expect something more casual around him. Enel loves to destroy his environment, challenge his RP partners (all of them, not necessarily on a romantic ship), and your muse could walk out of his garden, thinking that they waste their time with someone like him.

What inspired you to rp your muse?

I JUST LOVE ENEL SO MUCH.

I have always been hooked by complicated characters in the first place, and when I started RP with my OC when I came here, I was already interested in having another canon character. I wanted to roleplay with him, and no one else. Enel is such... a forgotten character? We forget about his haki, we forget about his set of mind, we forget about his combat skills (DAMN he masters martial arts so WELL), we forget about his impressive logia fruit... Enel is a smart man, cruel and impetuous, but his philosophy is so interesting to develop, I’m just a weak girl for this boy.

What keeps your inspiration going?

Definitely the numerous roleplay I have, and the awesome friendships I developed with awesome muns!! I have received so nice comments regarding my portrayal that it’s a real pleasure to keep musing with him. Really, guys, thanks a lot for everything!!

Some more personal questions for the mun.

Give your mutuals some insight about the way you are in some matters, which could lead them to get more comfortable with you or perhaps not.

Do you think you do your character justice? YES / NO (doing my best)

Do you frequently write headcanons? YES / NO

Do you sometimes write drabbles? YES / NO

Do you think a lot about your muse during the day? YES / NO

Are you confident in your portrayal? YES / NO

Are you confident in your writing? YES / NO

Are you a sensitive person? YES / NO (I’m tough for sure but I’m also a bby)

Do you accept criticism well about your portrayal?

Only if it’s constructive and genuine in the first place! I totally get that people might find my portrayal divergent regarding his canon character, but argumenting is always important, and it’s still a game... I wouldn’t actively criticize someone in the first place because I don’t agree with the way they portray their muse ; everyone should be able to bring more diversity in the RP world and have fun in the way they want to play, as long as they’re having fun! So yes, and no, it really depends and I guess criticism comes with trust between two mutuals.

Do you like questions, which help you explore your character?

I’m a sucker for these questions! I’m often surprised by a lot of them, and it allows me to explore topics I didn’t think about!

If someone disagrees to a headcanon of yours, do you want to know why?

Like the criticism part, it depends on the way that person is talking to me! We can all have different opinions regarding characters, it must remain genuine. Sure we can have two points of view, that’s even amazing! But it doesn’t mean I will change my headcanon, because this is the way I like to see my muse :) People needs to respect my own creativity, as I respect theirs when it comes to their muses, it’s simple.

If someone disagrees with your portrayal, how would you take it?

I just block and don’t care anymore. We can’t all get along for sure, and I’m too old to actually change the way I want to portray my muse, and also... too experimented on the RP world to turn it into something toxic again. You don’t like it? That’s alright, let’s just live our lives in peace, there’s no point in continuing interacting and seeing each others. Nothing personal! Just having some peace :)

If someone really hates your character, how do you take it?

You can hate Enel, it’s absolutely normal to find him arrogant and despicable, but people need to draw the line between ENEL’s actions and ME as a mun. I’m not him, I’m writing how he WOULD react to something, so I don’t want to suffer from people’s hate towards me, or disappointment I guess if the RP relationship doesn’t go the way they want/hope? I have an EXTREME tendency to really separate my RP passion and my real life thanks to former experiences, which means I’m definitely able to play with my muse with a completely detached set of mind (it’s actually the only way for me to play villains XD). I’m perhaps not the best partner to interact with if RP gets under your nerves too much, or if you take things too... personally. Because actually, I have no more patience for this...

Are you okay with people pointing out your grammatical errors?

I don’t mind, because english isn’t my first language in the first place! I’m always trying to write readable contents, and even if I have a good level in english, mistakes happen so... I really don’t mind if someone corrects me!

Do you think you are easy going as a mun?

I’m easy-going, an extrovert for sure, it’s easy to actually reach me, and it’s easy to talk to me. I won’t pretend though that I don’t have my flaws! Sometimes I’m not in the mood to talk on discord or here, and I have the terrible need to withdraw into myself after a long day at work. Though, I love interacting with people, musing, talking about everything!! I’m always up to share a chat! :)

That’s about it, congrats for filling out!

➸  Tagged by : @seraphiixa​ (thank you ma’am!)

➸ Tagging: @chillin-at-partys-bar​ @kingofdesert​ @godsnaturalenemy​ @mightyxsprout​ and whoever is interested!

[unproduciblesmackdown]

it’s 7am and for no especial reason im gonna throw out “bat boy” numbers that really go off which is, really all of them, but still, might as well share my wisdom

a) COMFORT AND JOY: obviously!!!!! THE song. it is seriously like, wow. the drama. and its Such a jam. what haven’t i already said to endorse it? cuz i’ll say some more.

b) SHOW YOU A THING OR TWO: automatically gets second spot b/c its second most likely to be in my head. it’s all “i’ll show you a thing or two, second verse with these-two-notes [two-notes]” and i do a little dance for those two-notes. and the lyrics “you’ll soon complete it—but, wait! ((??)) don’t eat it ((oh))” will loop thru my brain like fifteen times. lot of Musical Style variation in this whole show and this ones got like, a highstepping chorus line theme & thats a delight. and lots of incredible lyrics too, like this song’s “but now say howdy to a summa cum laude.” oh wait and i suppose its self explanatory but meredith The Mom and shelley The Daughter are teaching edgar The Bat Boy like, all of general knowledge in a matter of weeks / maybe several months. dr parker The Husband / Vet is tangentially helpful but not really because he sucks. meredith’s patience is v nice. you really have to root for them, except dr parker, because he sucks.

C) CHILDREN, CHILDREN: any ranking order beyond this is basically just me throwing darts w my eyes closed but this is a good third cuz its again that musical variety......this ones like, this 90s-ish movie credits remix echoey chimy synthy thing going on?? but its really a jam too. when the company joins in with the “oooo~shalala” i go BERSERK.....and there’s this suddenly punk rockish break in the middle of it. pretty great. what’s going on is that, as edgar and shelley are fleeing from Society into nature / the woods to reinvent their notions of humanity, the god of that sort of stuff Pan has shown up with an eden-esque panoply of animals to sing this song to set the mood. obviously.

D) WHATCHA WANNA DO: speaking of punk rockish...this is that? it’s a bit head-tiltingly jarring as its just this number in which one of the local teens who found edgar in the cave shows up to the parkers’ house where he’s currently caged and reacts to him in a Thematic Microcosm of what will be others’ reactions, aka to reflect a like, lack of inhibition re sex and mostly violence back at his feral nature and perceived inhumanity. one of the stranger numbers in a weird musical, but still a jam, see: punk rockish

E) A JOYFUL NOISE (REPRISE): end the musical here and everythings fine! just a real short one but a lot of fun because of what i just said. edgar goes to the local revival to beg the townspeople’s and preacher’s acceptance, and they give it to him. yet more musical style variety and a shoutout to this exchange

F) THREE BEDROOM HOUSE: send the musical in a different direction in the middle of this and everything could still be fine. this is a fun boppish number kinda reflecting elements of “show you a thing or two” musically, which i suppose is since its again mostly about meredith having decided that they can make this mess of a situation work. that mess being that, edgar Was accepted by the town but actually her husband killed a local teen and then showed up and blamed it on edgar & implied the mysterious plague upon their cows was edgar’s fault too and edgar’s run off into the woods. then this one is followed by children, children. i could go in order but its chaos rules only!!! the amount of fun energy in this song is frankly great and its like hell yeah meredith!!!!! hell yeah hock this stupid ring!!! kill your husband!! or whatever. js

G) CHRISTIAN CHARITY: god this one is fun idk......also self explanatory imo. local teens have found a cave cryptid, now the sheriff has him, he’s dragged him into the house where the local vet lives and is just p much casually dumping said cryptid on them, which is funny. there’s Musical Themes here repeated w some of the townspeople’s numbers & set up for comfort and joy....what really gets me is the sheriff’s part that starts abt a minute into the number where it’s like, this really neat almost-lilting musical phrase in the key of i don’t know, but its cool. i like it

H) INSIDE YOUR HEART: man, this one’s got this like, p simple musical Theme in there that’s just like, that’s all you need really. sort of like, the classic ballad duet type of song now. but also sort of cutting its own drama, b/c the musicals like, tragicomic and all. like edgar has this whole swelling “oh god this curséd existence you have to leave me” declaration and then immediately you get shelley’s matter of fact “...no.” even tho its a bit Meta Humorous like that, frankly its still a pretty great straightforward and sweet number which im sure a lot of musicàl love songs Wish they could be, which is just made more Smh by the fact that a) it’s about shelley trying to convince edgar its okay to drink her blood and b) because right after it ends meredith shows up to belatedly inform them that they’re half siblings. shits a wild ride.

I) A HOME FOR YOU: careening back to the beginning....this one is also less like, oh shit im gonna dance along, more of a subdued and quiet number, but its a nice solo of meredith’s and p sweet but not in a way like Inside Your Heart where its gonna get immediately wrecked. instead its one of the more grounded songs where she’s just telling the feral bat teen now in her house that maybe he can like, belong somewhere. it also has the Additional Depth not yet revealed in the plot that meredith is aware that edgar is her own child whom she had previously presumed dead. and this song is also Significant in that it’s Reprised when edgar realizes he might actually be fully human (he’s not) and is eager to go to the town’s upcoming revival and win their acceptance; and its Musical Theme is briefly reprised in “apology to a cow” when edgar is at the total opposite end of things, having been turned on by the town thx to the betrayal of his evil stepdad, and then having his and shelley’s attempt to forsake the need for social acceptance in the first place Also Wrecked by their mom telling them she’s their mom, so then he’s just mad at everything and murders a cow b/c he feels the only thing left is to embrace their idea of him as a killer monster, and he Reprises the a home for you theme as he swears to kill both meredith and dr parker, which he doesn’t, although they do Die around him. whoops. wanna @ will roland and be like “hey can you sing this one single line from Apology For A Cow?? cuz its rly cool and honestly a lot of these songs make me sure that wroland’s version of this material what with his voice and acting and how dramatically that production seemed to treat the outlandishness in general all means i’d fucking go ballistic and i wanna hear ‘this face will be the last thing that you ever see’ cuz that key change and that like, rise and fall at the end,,,,OOF,,,”

J) I IMAGINE YOU’RE UPSET: just round it off by slapping this climactic song right down. it’s a lot. dramatic again but also kinda fun...ish......i mean its the “everythings gone to shit and lets bring everyone together for peak disaster” so how much fun can be had? yet the quick exchange of “i smell [...] her sweat” “oh my god” whole town: “JESUS!!” and the sheriff singing “im sorry your life’s a sham” like hfvlmao thanks dude. but there’s all the clashes of characters’ built-up emotions and edgar is over here covered in blood and demanding to be killed while the town is like YEAH but all meredith’s lines are especially bittersweet and honestly like its a weird absurd story obviously and we’re all here to be ourselves and have fun but the story does make me bummed cuz of thinking about it all as “okay, yeah, but if you treat it earnestly,,,,Sad” like man you hearken back to three bedroom house and how meredith is determined to see it all be okay and really like just wants to live with her kids somewhere safe and NOT with her crap husband who’s been ruining everything the whole time for once. and then she’s here caught between the final confrontation of the Dramatic Foils that are edgar and dr parker and in general everything is a bit too late. ugh. lot of Dramatic Exchanges here and musical theme reprises!! that’s the good shit. and then the song ends on dr parker’s sort of ominous yet resigned-ish “are you hungry edgar” (shoutout to comfort and joy!!) after which he cuts his own throat, and, just like in comfort and joy, (and sort of like just prior to comfort and joy, when edgar reflexively defended meredith from dr parkers Violent Behavior) when he presents edgar w the fresh blood edgar automatically Attacks, wherein dr parker takes the chance to stab him, and inadvertently stabs meredith when she tries to shield edgar, and they all three die w edgar bleeding-outly refuting his humanity to shelley, and then there’s the final number where everyone’s like wow that was some shit. but ACTUALLY there is also this one specific detail i’d be desperate to see from the nyu steinhardt version, which is that after they all die and there’s that Breathless Moment, the Man From The Institute who the sheriff had called earlier to deal with edgar Rushes In and sort of beholds the whole town gathered staring at these three bodies and maybe a cow’s head off to the side, and one of the townspeople just goes “...you’re late.” and i am so certain that this line is HghhfGH-wheeze-laugh worthy; but the performance i saw they did NOT do the timing right!!! they said it like right off whereas what you need to do is hold the pause at least three full seconds!! and then go: You’re Late. i’m adamant about this. so much of Landing The Delivery is timing!! anyways. god. press f. anyways. it’s now 9 am. thanks and good morning. basically saying that the whole soundtrack is basically pretty great and really will roland has doomed me to actually be invested in this weird story, b/c its the ol magical realism comedic-framed wild obviously-that-would-never-happen plot, but, still, you’ve got this teen trying his best and it COULD all be fine actually but it all goes to shit b/c nobody killed dr parker in time really. well i’d just like to conclude by saying it’s raining and that’s great b/c i love when it’s raining

[kyluxtrashpit]

For the writing game, I couldn't decide which, all the colors please? They're so interesting!

Omg I was so excited when I saw this! You’re so sweet to enable my rambling

Red: What type of writer’s block do you experience the most?

I guess the most common one is I get stuck in transitions. Like I know how this scene goes and I know how the next scene goes, but I don’t know exactly how to get from A to B and it’s one of those cases where I can’t just put a line and jump to it. Scene transitions are one of the hardest things for me for some reason. The second most common for me is probably when my brain is being a shit and won’t let me be productive due to some sort of emotional crisis lmao

White: Are you a supporter/lover of fanfiction?

I mean, kind of obvious lmao, but absolutely. I think it’s great that there are people who are creating things solely out of love for something, and that’s really what fanfiction is, at it’s deepest core. It’s a community of people being so enthusiastic about and loving something so hard that they work their asses of and dedicate time to just… making more of it. For no real external benefit other than some social validation, if they’re lucky. Love and passion are the true motivators and idk that’s just really beautiful to me

Black: Would you want to live in one of the fictional worlds you’vecreated?

I don’t really do a lot of worldbuilding because I find it incredibly boring and I’m terrible at it lmao, but since I always write either canon-verse or modern au, I’m going to treat this as ‘do I want to live in the Star Wars universe?’. And the answer to that would honestly be no. As much as there’s cool stuff, like advanced technology and aliens and maybe I’d be lucky enough to be able to move shit with my mind, there’s also a lot of bad things. A lot of fascism, a lot of wars, and every once in a while some asshole builds a planet-destroying superweapon and blows up a planet (or 5) and like… I could live on one of those, you know

That said, if I didn’t die because the planet I was living on exploded, I would probably survive alright. I mean, my background is in science, so tbh I might have better opportunities there than I do here. While that could mean making chemical weapons or something if the Empire was in power, that’s at least more interesting than customer service at a chemical company lmao. I still wouldn’t choose to live there, but I think I’d manage okay if I had to

[More beneath the cut - my sincerest apologies to those on mobile]

Blue: What’s more important to you: characters or plot?

I mean, they both definitely matter, but if I have to choose? Interesting characters can save a dry plot, but the best plot ever written will still be mediocre at best if the characters aren’t compelling. Personally, I love character-driven stories more than anything. Event-driven plots can still be fun, but I prefer the focus to be on how the characters are dealing with said events, as opposed to them just being passively driven along by them. The best is when it’s the characters themselves driving the events of the plot, but that’s more difficult to execute than it sounds. Regardless, it’s the characters that usually draw me into a story in the first place and that keep me interested. And from the perspective of my own writing, I go character-driven, all the way. Sure, some event might happen that drives the plot sometimes, but I’m far more interested in how the characters react to that event than anything else

Yellow: What’s a common writing tip that you mostly ignore?

In terms of writing advice, nothing makes my blood boil more than those posts that say ‘get rid of this entire class of words’ or ‘if it’s not absolutely strictly necessary to the plot, cut it’. Fuck that shit. If you want your writing to look like Hemingway, sure, go for it, but a) Hemingway is overrated, and b) that’s not the only way to write well. Especially as someone who tends to focus on characters, passages that aren’t necessary to the plot may be necessary to establish characterization. Or they may add some emotion to the story that gets the reader invested. Same with wording choices; more or less words can drastically change the tone or mood of the scene. Are there times when you need to cut words and keep things concise? Absolutely, but any writing tip that says ‘remove every instance of [word] in your document’ is fucking bullshit and you should never listen to it

Grey: What’s a common writing tip that you almost always follow?

Tbh I think every writing tip you see should always be taken with a grain of salt, especially if it’s a ‘never do x’ because there is almost always a situation where doing x is the right thing to do, it’s just a matter of knowing how to do it correctly (looking at you, ‘never use the passive voice’). So really, there are very few I always follow, but I’ll give one that was foundationally helpful for me

Edit in a different format than you write. That can be changing the text size, or the font, or printing it out physically, or whatever. For me, I usually pop it into AO3′s preview function and take notes of things that need changing as I go. It forces your brain to notice things it’s been overlooking for the entire writing period. I only do my final edit this way, generally speaking, but I’ve found it to be incredibly helpful for catching typos and general weirdness in the writing

Orange: How many projects do you usually have going at once?

Because my fics are usually short, I tend to only have 1, but I think I’ve had up to 3-4 before. That’s basically me just popping between documents everytime I get stuck on one until one is finished lmao. But more than 2 gets to be a lot to handle

Currently, I’m really only working on my Big Bang fic, though I do have at least one one-shot I’m planning to write when I need a short break from it

Pink: Which of your characters would become your best friend?

This is so hard because like, I don’t get along with a lot of people generally speaking. I’m also going to treat this as the entire SW cast even though I only write Kylo and Hux, for the most part. And I’m not sure I’d be good friends with either of them. While Kylo would make an excellent self-destruction buddy, I think we’re too similar for the most part to get along. And while I also have an element of Hux in me that’s my anal retentiveness when it comes to organization (not to be confused with cleanliness; I’m talking more about my colour-coded work email and my nested folder system on my computer), I’m also very emotional, messy, and I’m not really equipped to verbally spar with him. I think I would actually do okay with Hux as a boss, not a friend, but with Kylo, I think we’d get along really well until we really didn’t. And then I would be dead lmao

Aaaand none of that was an actual answer. But like, I honestly don’t know? Most of the other characters I really like (e.g. Rey, Rae Sloane, Ventress), it’s because I would have a big huge crush on them which would manifest as my hovering in their vicinity a lot but never actually starting a conversation and then waxing poetic while crying about my unrequited love when I continue to go unnoticed lmao. Which is, well, still not friendship

Maybe Finn… I might get along really well with Finn. He’s one of my favourites as well and I think he’d be really interesting to talk to. Has a lot of interesting views on things, likely a good listener. Hm. I’m still not 100% solid on it, but after far too many words, that’s my answer lmao

Purple: Which of your characters would become your sworn enemy?

Okay, hear me out on this one because the reason isn’t what you think lmao. I’m also treating this less as ‘sworn enemy’ and more ‘person I’d least get along with’ and that’s actually Poe. And the reason is that highly extroverted, extremely friendly people who others call charismatic tend to rub me the wrong way. Like there’s nothing wrong with them, they’re perfectly nice, but they’re just too friendly and my socially-inept, introverted brain always responds to that with DANGER DANGER. And I think he would definitely fall into that category for me haha

Green: Pencil, typewriter, or computer?

Computer. I have written fic by hand before (I also sometimes do planning by hand, just because it can be a bit more visual; Fractured was planned largely by hand when I used to work evenings at a gym and had access to unlimited spare paper), but that’s usually only when I have nothing else to work with. I wrote most of a fic in the Halifax airport on a layover, once. I’ve also done it on my phone, but that’s too fucking annoying lmao. Typerwriters are super fun to use but also very impractical for me; my typing accuracy isn’t good enough

Brown: Do you have a set writing space? Or do you write everywhere?

Mostly I’m at home on my couch, but that’s really cause I have nowhere else to write. I do write at work sometimes (not smut though lmao), but only when it’s slow enough that I can get away with it. And there’s nowhere else I really go where I’m sitting with a computer for long periods of time

Silver: Are you comfortable writing in public places?

I am, yeah. I don’t know why I wouldn’t be tbh. Work is a public place and the only reason I don’t write smut there is because I don’t want to get fired lmao (slacking off is one thing, porn is another). I don’t really ever write in public, but that’s more because I don’t spend a lot of time sitting in public places by myself

Gold: Do your stories usually contain lessons or morals?

Not really… I can’t think of any at least. They always have some sort of closure, though, because I fucking hate open-ended stuff where everything isn’t worked out in the end lmao (or is at least on it’s way there). I’m too fragile for that shit haha

Clear: Do your characters control where the story goes or do youmaintain control?

I tend to write more like an rper than an actual author, based on conversations I’ve had with others, so my characters have a lot of control. That said, if you’ve got your plot and all the major points of it planned out and then you get halfway through and find it doesn’t work because of the characters, then that’s a failure in planning, not the characters taking control. Sometimes things do change and are reworked as you go, that’s the nature of writing, but that still means your plan needed some adjusting, you just didn’t know it at the time. I intentionally leave a lot of room in my plans for the characters (e.g. ‘and then they talk about [blank]. Hux says something mean and Kylo gets angry’ might be my only note for an entire scene), but if you’ve planned enough to actually start writing, your characters and plot should already work together. Characters control the minor details of the story, not the major plot

Tan: Are you open to co-writing a story?

I might be. I’ve never done it before and the Big Bang I’m doing now is the most collaborative thing I’ve ever done writing-wise. If someone approached me and was really interested in it, I might be willing to give it a shot. I’m not really sure how it works, though. I tend to envision it as basically an rp except it’s planned out beforehand and then edited afterwards, but in all honesty, I have no idea how it actually goes

[alexandriagreengrass-blog]

finally back on my laptop and here to tell y’all about alexandria!

( LILY COLLINS, SHE/HER ) — ALEXANDRIA GREENGRASS ? oh, you mean the TWENTY-FIVE year old HALFBLOOD. they’re working as a CAMPAIGN MANAGER now, aren’t they ? I’ve heard they’re really CAPABLE, but i know for a fact that they can be UNREPENTANT at times. No wonder they’ve decided to SIDE WITH THE NEUTRALS.

so alexandria is a halfblood, former slytherin

professionally known as alexandria and it’s how she is introduced / tends to introduce herself but some of her friends know her as lexi

she has pureblood cousins but the greengrasses are slightly less intense than a lot of the traditional families and her mum’s a halfblood and skilled witch anyway so it’s not like she’s a muggle

in all honesty, if she wasn’t a halfblood, she might be more in line with the death eaters and stuff but she’s definitely not the type to support a system that puts her at an inherent disadvantage — sure, she’s still valued way above muggleborns, muggles and squibs, but halfblood still isn’t pureblood, even with a good surname, and she’s never going to support something that puts her at a disadvantage. that’s no way to win lmao

she has no interest in fighting for the order either because like ?? she has no intention of putting herself at risk to help others, let alone total strangers

she’s working as a campaign manager bc she’s really good at it ?? she’s sharp and quick and clever and tough and has never been easily cowed and it makes her a very effective campaign manager, especially because she’s always been pretty strategic and, bc she’s never been especially concerned with being noble or moral highground or anything ( except for how candidates and campaigns can spin it to their advantage ), she’s pretty good at accounting for her opposition’s moves bc she’s willing to think the worst of them in ways some of her more idealistic peers are not, which can leave them blindsided by the lengths to which some people will go

in another life, she’d have been an incredible investigative journalist bc she’s ruthless and tenacious and doesn’t back down or get blown off — like a dog with a bone, once she’s sunk her teeth into something

definitely a red wine kinda gal, but she will drink anything unless it’s shit ( she values herself too much to make herself suffer with bad alcohol )

she’s dedicated and driven and keeps her word, but she can be hard to convince of things or sway to your side

she will always look out for herself but she can be very loyal to those to whom she truly trusts but that’s a pretty small and exclusive circle

she’s so very not idealistic and then her job is about bringing about change and it’s such a ?? juxtaposition but it’s mostly for the win for her. that might change if she gets a campaign or candidate who she actually believes in or actively disbelieves in but she’s a bit cynical and is yet to find anything that she’s invested in with more than her desire to succeed or has made her react with more than an amused smirk and raised eyebrow

tends to sleep with guys who don’t interest her conversationally. i don’t know. she’s observant and a bit sharp and there are lots of people where she doesn’t actually engage with — and honestly, probably actively ignores a lot of the time — but when someone keeps up, she can be anything between amused and pleased and surprised

i’m probably missing something important but idk what so. message me if you have any questions or you want to plot or something!! <333 i think there’s only like two characters her age rn but given her job, she probably has connections in a bunch of places ( or the rest of her campaign team does, leaking certain stories to the media, meeting important people to convince them to support whatever they’re working on, even certain locations as regular settings for meetings with potential investors and stuff ) so yeah!