#like i've been fully conditioned in a lot of ways

[salomeslashes]

So I was just thinking about like the comfort aspects of hurt/comfort and how I usually don't really write them but how I have just now gotten out of an abusive situation and now am mistrustful when people are nice to me and skittish and deflective and there's this guy who's being so sweet and nice and patient and like fuckin' hell am I accidentally INSIDE ONE OF THOS FICS?

[seaweedstarshine]

[QUESTION: I'm wondering, when watching Doctor Who, could the Doctor could be diagnosed with ADHD?]

MATT SMITH: Probably, yeah. I mean, I probably can. Yeah, I mean I think the Doctor could be diagnosed with a lot of things. He’s a pretty strange, mad creature. He’s got a lot of alien afflictions, I’m sure. But yeah, why not! Why not.

Q&A Matt Smith Heroes Comic Con Brussels 2022

[jacksintention]

I'm thinking again on the fact that so often comments, criticism and readings on Jack dwell a lot on how he is barely human/a person/doesn't have a personality at the point of the story and, while I somewhat understand these points, I find them so lacking. I find them... ableist? I'm always doubtful to use the word here because I'm not sure if it's applied in this kind (mental health) of context, but something like that. And I find them extremely simplistic.

However, honestly, a big part of the reason for these readings being so popular is that the manga itself words it that way. But that's one of the problems I find in the manga. When I say P.andora Hear.ts is very good but unfortunately it is very manga-like at times, besides the 2000s homojokes and the like, I'm usually thinking about things like this. I feel like often characters and situations that are (potentially) very intricate instead of getting insightful deep overviews often get screwed by the writing itself, which falls into very manga tropes a lot in a bad way (not that every manga has to fall into them, or that every manga trope has to be bad or written badly).

I don't know... For instance, I'd argue R.askolnikov's capacity for love in Cr.ime and Punishmen.t is debatable, but it's never treated as if it made him less of a person, a human being or made him not have a personality. I'd say not even Svidrigailo.v, who is as much a Bad Guy™ as a character can be, gets that treatment by the writing. I'd say that even him or Mikol.ka are written as fully fleshed human beings with their intricate internal lives and feelings. Svidrig.ailov's last scene with D.unya is fascinating for both characters and spins the whole dynamic and makes you question the entire narrative and veracity of not only those two characters, but brings to mind several other conversations among different characters and throws light (and doubt!) on the main plot between R.askolnikov and Porf.iry.

In similar situations, Jack's humanity, personhood and personality are debated, doubted and even full on accepted as vanished. No one reads Crim.e and Punishmen.t and comes to the same conclusions about Raskolni.kov, Svidrig.ailov, Sony.a or Razu.mikhin. The writing doesn't allow it. The writing doesn't allow you to forget that humanity is diverse and multifaceted, that it can be sad and cruel and loving and monstrous, even all at the same time, or that a person may struggle with feeling at all; and one is still a person.

[heyitsphoenixx]

.

[thepersonperson]

Why the hell is JJK 270 called Dream's End?

JJK 270 being titled Dream’s End is so fudging ominous. That’s some Umineko type beat. I’m not sure if I should even judge this chapter as presented because of this. In fact, I'm holding off on posting the other analysis I had for today since I no longer am certain of what JJK 268–270 are.

There's two lines of thought I have:

1) Gege suffering from burnout and bad working conditions plus rushing has caused the writing to decline.

2) Gege still has a hidden ace saved for the final chapter and the weird writing is deliberate.

I'm going to humor Option 2, but only because the title of this chapter is called Dream's End.

(The most 'hear me out' discussion under the cut. Using TCB scans and leaks. Click images for captions/citations.)

[Small Update: Follow-up Discussion on why everyone feels OOC.]

Preface

"Without love it cannot be seen."

This is a phrase and philosophy I have borrowed from Umineko since I've started these JJK yapfests. It essentially boils down to 'discard your negative biases and try to examine things in good faith.'

JJK 268 & 269 have fudging tested that for me. I've been giving Gege and the characters a pretty hard time with the caveat of knowing how exploitative the manga industry is. I initially rejected the idea that these chapters were to be taken at anything other than face-value because of this. In fact, I cited the JJK 268 chapter title of Finale as a reason I've accepted things as is.

And with that same logic, I'm now doing the opposite... So hear me out! I've got some pretty good reasons to be doing this.

What's wrong with JJK 268–270?

There's a lot of things in these chapters that are fundamentally inconsistent with what's been established in throughout the manga. If we use Option 1 to explain these contradictions, these are last second retcons because Gege forgor.

Option 2? We're about to have the rug pulled the hell out from under us because the last 3 chapters have been delusions.

What first tipped me off to something possibly being wrong on purpose was the fate of the incarnated culling game players in JJK 270. Not too long ago it was established that the souls of non-sorcerers in vessels were unsavable.

The souls are suppressed in a way that distorts them permanently or their consciousness is outright destroyed. They were gambling on Megumi's survival due to him being a sorcerer and Sukuna's incarnation method being unique. 99% of them will die and those who survive will likely be vegetables, so why is there a sudden gamble on their survival in JJK 270?

It's such a neat and fine bow to tie this mess up that goes directly against existing lore. It's so ideal that it has me suspicious.

Brain damage from sorcery on non-sorcerers has been established as extremely taxing. I think about Gojo's Unlimited Void (UV) the most when it comes to this. Non-sorcerers were hit by it for 0.2 seconds and required medical intervention for 2 months to fully heal from it. Sukuna, the absolute strongest, tanked some of it and it affected him for the rest of the battle. ...And then we have Megumi who was under it for about 6 minutes and seems to have very little problems from it.

This is bizarre. Someone who underwent the month long bath and UV without Reverse Curse Technique (RCT) should be struggling to even stand after waking up. Sukuna had RCT and the Gojo brain damage still took him out. This screams of inconsistent writing unless...this is a deliberate hint that something is amiss.

I want to draw attention to the panel Megumi's UV damage is addressed. Just about everyone has been seemingly waiting around in the same spot for him to wake up. It's a bit weird given that sorcerers don't usually do that. They usually get a move on asap. And after the destruction of Shinjuku and the Culling Game Players still running about, why would they take a breather to discuss their plans that worked?

But that's not what started bothering me about that panel after reading JJK 270. It's that characters who aren't in the room, start appearing without warning. Look who is behind Maki and to the left. It's Kusakabe. And to her and Yuta's right? Inumaki. So why is it that Hakari, Kiara, and Ino are in Kusakabe's place while Todo spawns where Inumaki is? (And Yuta is facing the wrong direction too.)

That's pretty fudging weird right? You can chalk it up to Gege forgor but it doesn't stop there. Higuruma enters the discussion in a way that causes Yuji to pause.

Why is Yuji surprised to see him? (And where the fudge did he come from?) Shouldn't he know of his survival by now? And why is he in a cast? Higuruma had learned RCT and fully restored his arms before leaving the battlefield. If he's conscious, then he should be able to heal himself fully no problems.

And that got me thinking... Why is Yuji still missing his fingers?

It was established that he kept his fingers unhealed to help with Yuta's plan. This means that if he won, he has no need to keep them missing. Yuji has fully regenerated missing chunks of his face, including his eye, and stomach. He has RCT just like Higuruma. But it doesn't end there either. Yuji's number of fingers on his left hand keeps changing.

4 fingers, 3 fingers, dubious amount of fingers, 5 fingers. Once again, you can chalk it up to Gege forgor, but JJK 270 came out and the same problem started happening with Megumi's scars.

The same mistake is made within the same set of panels and very big page. That's weird.

ONCE AGAIN, you can chalk it up to Gege forgor, but when these errors occur, like with Yuta mistakenly having his ring on in JJK 251, Gege will note the mistake outright. Gege has made no such comments for Yuji's fingers or the scars. This many “errors” in row when Gege has otherwise been careful with these features could indicate it really is on purpose. (Kind of like Sukuna's everchanging mask. The thing was just moving around and pulsing. That was deliberate not inconsistency.)

What does this mean?

I think it means what we are seeing isn't reality. After all, the most common way to tell if you're dreaming is being unable to count the number of fingers on your hands. Another way to tell is the distortion of faces.

Readers have noticed that something is wrong. The weird timeskips, the lack of lasting consequences, design inconsistencies, characters behaving like similes of themselves, death and pain being glossed over like it's nothing. It all feels so off. But it's still close enough to the original to be somewhat believable. ...Is that not what it's like to dream and not know you are dreaming?

Why is it that the chapter titled Dream's End ends with the hunt for a curse user whose ability is to distort the perception of reality?

Dreams and Delusions in JJK

We already know Gege weaves Buddhist symbolism and ideas heavily into JJK. I'm not an expert in Buddhism at all, so there's a lot of it that goes over my head. I decided to look into if dreams are significant in Buddhism and boy howdy are they. Quoted directly from the source:

"Dreams can be a message from a Bodhisattva, an ancestor, or a god, The intent of the dream may be to test the dreamer’s resolve: is he non-retreating (avaivartika) from Bodhi (enlightenment) even when sleeping? The purpose of the dream visit may be to communicate information vital to the dreamer’s well-being. The Buddha himself had five dreams of catastrophes, falling stars and worlds in collision just before his enlightenment. The dreams were sent to him not by a benevolent Dharma-protector, but by an malevolent sorcerer, intent on disrupting the Buddha’s samadhi and preventing his awakening."

In summary, (correct me if I'm wrong) dreams appear to be seen as another state of being just as valuable and impermanent as reality.

There's also this other bit I'll quote directly.

"The most common use of dreams in the literature of the Mahayana, or “Northern School” of Buddhism in China, Tibet, Japan, Korea, and Vietnam is to see dreams as a simile for sunyata, (emptiness) the hollow core at the heart of all component dharmas (things). For example, in the well-known Vajra (Diamond) Sutra, the Buddha taught that:

“All conditioned dharmas, are like a dream, like an illusion, like a bubble, like a shadow, like a dewdrop, like a lightening flash; you should contemplate them thus.”"

That's starting to sound like what Yuji's Domain does, right? He projects memories that did happen and mixes them with delusions and dreams. Sukuna and Megumi both experience this in full.

It's incredibly suspicious that it hasn't been named yet. Yuji is the son of Kenjaku who has a domain based on the Womb Sutra/Realm...which is paired with the aforementioned Diamond Realm to encompass the entire Dharma. It's very likely this is what Yuji's domain is—a realm of dreams and reality combined as one.

Unreality Runs in the Family

When Sasaki Setsuko "wakes up" as the Culling Games begin, Kenjaku explains her situation with this:

What follows is a sequence that cannot be described as a dream. It seems to be a blend of reality and hallucinations. But that's not anything strange, Sukuna does it too with Kashimo in reverse.

As you can see, both the positions of the characters and even the backgrounds change suddenly from reality to ??? and from sequence to sequence. It's all incredibly dream like.

Another strange thing about this space is Kenjaku creating it as a part of an escape route Binding Vow. You know, the kind Sukuna uses for Malevolent Shrine.

What I want to draw attention to here is this reality-dream state somewhat requires consent (in the loosest possible definition) to appear. The person entering this state has to desire it themself. We see this with Jogo and Gojo who are mutually interested in having a relationship of somekind with Sukuna. (Same with Kashimo.)

(It's also very hard to tell if they are dead or still in the process of dying during this.)

This is where the delusions Yuji projects differ. They are forced onto others when he is near death or severely injured, seemingly as a defense mechanism.

And would you look at that...the syntax is identical for Todo and Choso's Brother Yuji Delusions. "At that moment, a memory was born inside X's brain...of a past event that never happened." It's kind of like how Yuji replaces Gojo in Megumi's memory to reach him. It's also very strange that Sukuna, Choso, and Jogo go "What is this?" to this in-between space.

My point here is that Yuji having access to this space has been hinted at since the start of this manga and that it was inherited it by blood. (Totally Not Kenjaku showing up with Takaba Mr. Reality Warping CT in JJK 270 supports my case too I think.)

What does this mean for JJK 268–270?

The battle ended in JJK 268. Of that I'm certain. What I no longer know is if anyone survived.

A common complaint about Sukuna's death is his lack of an afterlife scene. Everything ended so abruptly. And then Megumi wakes up.

It's so jarring in out of place. ...But that's how all scenes involving the space between dreams and reality begin. Sasaki Setsuko "wakes up" once and then again. Most of us have experienced those kind of dreams right? (They made a whole movie about it called Inception which is based on the movie Paprika.)

There's one other thing I need to draw attention to. Yuji's Domain shattered after Sukuna cast Domain Expansion (DE).

When a sorcerer withdraws their domain voluntarily, it does not shatter. Gojo has demonstrated this for us in quite clearly.

When a domain is broken by force, it will shatter and shards will scatter. When a domain is withdrawn, no shards are left behind. Yuta uses these facts as a part of his plan. In JJK 252, it's revealed by Kusakabe that Yuta shatters his own domain on purpose to trick Sukuna into thinking he won.

What this means is that some kind of violent action needs to be taken to shatter a domain. Yuji's domain is massive and his attacks only targeted Sukuna. What could've shattered his domain all at once? He's not had the time to practice shattering parts of it like Yuta.

Gojo has shown us what a uniform domain shattering looks like—it happens when Malevolent Shrine activates. (Please note that the sfx used for Sukuna breaking Gojo's domain is カシャア. It's the same one used for Yuji's domain shattering.)

I'm proposing that we've been in unreality since the end of JJK 266. Sukuna and Yuji are both severely injured, on the verge of death, and have a connection with each other. These are all conditions that trigger the space between dreams and reality.

And I must remind you that Yuji first triggers this event with Todo after a severe head injury. Right before Sukuna casts his domain, they do this to each other.

Everything that has come after has been perfect for Yuji to a unbelievable degree. Everyone whose death was uncertain is alive and the living are getting exactly what they wanted. The effort behind it and the logistics are all missing. And yes a rushed ending can explain that, but that too can be part of the ruse.

Another massive complaint is that mourning has not occurred. Not for Gojo or Choso despite how much Yuji cherished them. It's like they're being willfully forgotten by the cast despite being crucial to their success in Shinjuku. It feels out of character, especially since Yuji is of the few that showed concern for them no matter what.

But if this is a delusion on the brink of death designed to bring happiness, why would Yuji think of the dead? He's always been so avoidant with it. When his grandpa is dying and trying to talk about his parents, Yuji tells him to shut up. When Nanami dies, he thinks of him then and then never again directly leading up to his talk with Sukuna. When Megumi tries to discuss Nobara's fate, Yuji ends the conversation as quickly as possible.

The only people in this world are the ones who may or may not be dead. He saw Yuta in Gojo's corpse. The only way that can happen is if Gojo is dead. Yuji has no choice but to believe it. Choso burned away before his eyes. Yuji has no choice but to believe it. He went through some of Megumi's memories and saw Tsumiki's corpse. Yuji has no choice but to believe it.

And since Tsumiki is the only person Yuji wasn't close with, she's the only death that has been outright acknowledged. But not for too long! That would make Megumi sad.

Another complaint is that Sukuna really didn't kill anyone in the final battle outside of those two and Kashimo. The dudebros call it Disney Kaisen. But the fairytale-like idea that everyone is ok? Todo was the one who put that idea in Yuji's head.

And Yuji has always been one to fall to story-like logic when things look like they're finally wrapping up.

"And then everything will be just fine." (Yuji before the worst possible outcome for both him and Megumi happens.)

This is similar to the line Gakuganji uses in JJK 270. "Everything is fine." This line is the whole reason I sat down and wrote this all out without stopping. I know Gakuganji. He'd never say that. This man has been in a state of worry over Jujutsu Society since his first appearance. He doesn't even fully believe in Gojo's cause as someone who values tradition. He's a stickler for details and will do everything in his power to ensure stability. For him to toss Sukuna and Tengen's remains in a shrine and call it a day? Who is that? He's changed but not that much.

And so I compared the raws.

It is very much the same 大丈夫 (Daijoubu). These are Yuji's words.

What I'm proposing is that JJK 267–270 are Yuji's delusions of the happiest possible ending. It's a picture perfect little end where all the trauma and death has no effect on the living and people move on like nothing happened. I don't know if this means he's dead or if Megumi's dead or if they're all dead. But what I'm seeing now? I don't think it's real.

Reexamining JJK 269

CW: Brief discussion of suicide.

Even if this turns out to be a part of the smokescreen, I'm always going to hate JJK 269. But I do want to give it some grace under the assumption this chapter titled Examination (which can also be translated as Reflection) is about Yuji's guilt. Both him and Megumi's tbh. I think their feelings for each other and their situations are driving these delusions. That's one thing about this space that's real—the feelings behind them.

Yuji has a lot of guilt surrounding his existence after ingesting Sukuna, Megumi does too. Straight up Yuji has been seeking death over it since JJK 9.

He struggles to forgive himself for being the centerpiece to violence he had little to no control over. The only thing that upsets him more than that is knowing that his death will break Megumi's heart. He doesn't want Megumi to feel any guilt for it whatsoever.

The kicker is, Megumi already knows Yuji is planning to die. And he wants to do everything to rid him of that guilt. Up until they connect inside of Yuji's domain, they were unaware they shared the same goal for each other.

And that's what JJK 269 is. It's a very cold and harsh breakdown that allows them to forgive themselves. Blame is passed around and ultimately pinned on a combination of Gojo and Kenjaku. (It's really weird Sukuna isn't blamed either, but that's not the point of this for now.)

Kusakabe's comment is especially harsh. Telling Yuji point blank he should've died and that both sides on the issue were valid? He may have believed that to an extent, but he made a point of not telling it to his face. Why have a whole chapter discussing how kind he is only to turn around and do this?

If this is all a delusion, a manifestation of Yuji's guilt and trying to absolve himself of it for Megumi's sake, that makes sense. This version of Kusakabe is what Yuji feels guilt over the most—Everyone's lives being better if he died.

In the same breath Kusakabe tells them to solely blame the adults. It's very reminiscent of Nanami telling Yuji that being a child is not a sin.

It should also be noted that every single time Megumi tries to apologize for being possessed, he's stopped. Maki tears into Yuta without checking in on him, but she asks if Megumi is ok and tells him to not blame himself. JJK 270 is full of this too. He tries to apologize to Tsumiki at her grave and Shoko tells him not to sweat it. He tries to apologize to Hana and she hits on him instead.

This delusion is crafted out of love. It allows Megumi to live in a world where he can move on from the guilt surrounding his possession and saving Yuji. It's all Yuji has ever wanted for him. And now that Yuji knows Megumi wants him to forgive himself, he has no choice but to do that too.

It's a perfect ending for Megumi that's too good to be true.

It must be a dream...

There's another thing I can't reconcile about JJK 269 unless it's a delusion—Todo's explanation for Yuta's plan. It's another one of those glaring contradictions.

In JJK 269 Todo claims Boogie Woogie can't target Maki. But in JJK 259? Todo makes plans with Mei Mei knowing that it works with her.

Either Todo lied...or Yuji never fully knew the plan and that Boogie Woogie could target Maki. Otherwise she would be dead. Her surviving Sukuna's flames would be impossible.

I've already talked about how Yuji believing those who may or may not be dead are alive is Todo's doing. He's always been the one to save Yuji from his breakdowns. But let's talk about his speech in Shibuya.

"Looking for meaning or logic in death...can at times defile the memories of those we've lost!"

Everyone who has read these past 3 chapters has really felt the defiling of Gojo's memory. And it was all in service to a strange logic that helped them cope with all this death. Acknowledging how massive Gojo's sacrifice was would riddle both Yuji and Megumi with immense guilt, so it's best to ignore it for Megumi's sake. (And perhaps that's why Yuji replaces Gojo in that memory.)

"What have you been entrusted with? You don't need to answer right now. However... Until you find your answer, never stop moving."

In a way, JJK 269 is an answer to the question Todo proposed. Yuji was entrusted with saving Megumi. Saving Megumi requires Megumi and Yuji forgiving themselves. And Yuji won't stop moving until it's done. All these time jumps and rushed developments are Yuji moving Megumi forward. He's getting that happy ending even if it's to the detriment of everything else.

What about Sukuna?

When Sukuna respects his opponents and they have a connection, he gives others these dreams before they pass. He's been very impressed by Megumi since JJK 9. It's not out of the ballpark for him to allow Megumi to die satisfied in the way Gojo did. Yuji also seems to understand that Sukuna was manipulated by others just as much as he was. I think that's why Sukuna is spared of the blame for the most part.

I don't think Sukuna won. He's probably dead. But he did warn Yuji not to underestimate him. I think the worst absolute last fudge you to Yuji he could give is this happy ending dream before ripping it all away as he dies.

In Conclusion...

I'm not sure that we're going to get that happy ending. Reggie Star warned us not too long ago.

"...it all comes down to a sorcerer's lies."

Reggie is a lot like Sukuna here, outwitted by modern sorcerers and dying to someone he loathes. Sukuna is good at tricking people. He let Gojo think he won before tearing it all away. Yuta did the exact same thing to him. Or did he?

"Can you do me a favor? After all, you've killed me. Let fate toy with you, become a clown, then die."

If the last 3 chapters are delusions...Megumi will be playing the part of a clown.

Gege said the manga would end with either 1/4 or 3/4 of Yuji, Megumi, Nobara, and Gojo surviving. This of course, could be changed throughout its development, but Gege said the manga is ending in its original vision. There's a real chance that it's only Yuji or Nobara surviving.

Remember, Gege is a troll first and foremost. Somehow Gojo was revived, but in the worst way possible (Yujo). Somehow Gojo did tell Megumi about Toji, but in the worst way possible (dead man's final letter).

Gege also said this about the final chapter:

"I am working hard to create a final chapter that will (hopefully) satisfy as many people as possible who have supported Jujutsu Kaisen. So everyone, please bear with me!"

I can't think of a better way to appease everyone than by making the last 3 chapters nothing more than dream.

[star-anise]

Currently getting my socks clean blown off by Rethinking Narcissism, by Dr. Craig Malkin. Which I found, in a roundabout way, from this video on Midsommar, grief, and narcissism.

Tonight I woke up from a nap and accidentally took my morning meds, so I'm going to be up for a few hours because of the meth. In place of sleep, I'll try to roughly sum up some basic ideas proposed by the research the book is based on:

That traits of "narcissism" like entitlement, grandiosity, and feeling special are not inherently toxic. There are times and places they are appropriate and beneficial. If you show up at a hospital with a gunshot wound to the chest, you should not sit and wait to be seen after people with earaches and coughs. (Actually, medical systems are designed to prioritize people with more urgent needs, and you qualify under that system. You are special and are deserving of different treatment than those others, which is why making your needs known, even insisting on it if you're not listened to appropriately the first time, is an extremely good idea. It keeps you from bleeding to death on the floor, and keeps the hospital from getting its pants sued off by your heirs.)

It is more useful to view "narcissism" not as an inherent immutable personality trait, but as a cluster of coping mechanisms. As previously stated, there are times they are exactly the right coping mechanism for the job. However, people we call "narcissists" tend to cling to these ones even when they become detrimental to themselves and others, often because they lack other ways of regulating their emotions and getting their needs met. And that is something they can change, if a person is willing to put in sincere and difficult work. It is not usually fast change; it's a matter of years, not weeks. But a skillbuilding approach turned Borderline Personality Disorder from an immutable curse to a fully treatable (though not quickly treatable) condition, and there's a lot of hope that it can do the same for Narcissistic Personality Disorder.

Meanwhile, there's an opposite end to the narcissism spectrum, and it is also pathological and destructive to hang out there all the time. It's an aversion, or even a resistance, to expecting yourself or other people to treat your own feelings, thoughts, ideas, needs, or preferences as important. For Greek mythology reasons, its proposed name is Echoism.

Unfortunately, because most of the damage echoism does is, by its very nature, localized to its sufferer and their own personal relationships, its downsides aren't often talked about. In fact, it's often seen as an ideal moral state, a kind of altruism or saintliness everyone should strive for. As a pathological coping mechanism a person is trapped in, though, it's often more a fear-based reflex than a conscious and deliberate attempt to achieve some real and specific good. It's not actually as beneficial as being able to recognize your needs, desires, positive aspects, and areas of competence or excellence, and bring them forward in your relationships with other people and yourself.

To me this has all been a cross between a gut-punch and a cool, sweet drink of water. There have been other ways to describe echoism over the years, but this feels like the most concise and useful one I've seen in ages.

It specifically puts its pin down in the middle of the moral debate a lot of people struggle with—"What right do I have to put myself forward? What hope do I have of being seen and accepted? Isn't it better not to burden anybody else?"—and says that the problem is not feeling in touch with either side of the equation, but specifically, the inability to move from one part of the spectrum to another when it's merited by circumstances.

When I was a child, I thought Echoism was the answer. It was my ideal. I thought it was what would get me the love and acceptance I wanted, and would keep me safe from the pain of rejection or not being understood. I had no idea it would actually, in fact, be the primary cause of alienation and loneliness for the rest of my life.

Now I'm so deeply thankful I couldn't fully achieve it, in practical terms. As hard as I tried to erase myself, there were always things I loved too much to suppress. I still found ways to express and discover myself in the books I read, the stories I wrote, the intellectual work of school and the experience of pursuing hobbies I loved, my ambitions to be helpful even when they demanded I stop being selfless, and the relationships where I felt safe enough to experience love and acceptance even if I didn't think I deserved them.

There's this question I found a while back that echoed in my bones: Who am I allowed to be around you? Because that's what I felt like, as a child. If I wanted to engage with other people and minimize my risk of harm, it was my job to bend into a pretzel and fit the shape they wanted. And thank god, thank god, thank god, I couldn't fully do it. Despite everything, there were parts of me too strong and bright to lop off completely to get my arms and legs inside the carriage. I was able to take care of myself and let them grow in secret until I found social places I could let them out again. Despite myself, I found ways to grow and thrive, well beyond the trauma that said I shouldn't have.

[autisticshadowthehedgehog]

"Why Would You Bother With Me?" - An Analysis of Kitsunami, 09/07/2024

tw: major discussions of abuse, the cycle of abuse, re-traumatizing situations, toxic and abusive relationships (non-romantic)

so like when I first read this panel my reaction was just to joke with Cori that this is a "get out of my school" moment (iykyk) but I've been thinking about it a lot recently because I... couldn't remember any specific beef Kit had with Tails?

Last we saw of them interacting one-on-one, Tails was talking Kit down from fighting, and Kit's beef with the squad later was more with Sonic than him. Tails didn't take down Surge in #56 or even affect the fight in any way, and Sonic was the one who told Kit that Surge was dead beforehand. At least that I could remember, so I went back to those comics. Indeed, in #56 he shows no animosity towards Tails specifically, nor when he talks to Surge in #55.

Then I went back to #54.

See, he does seem to blame Sonic entirely for the Surge death fakeout, and he thinks that Sonic is literally trying to kill her when he walks in. But he does have one (1) reaction to Tails, right at the end of the interaction.

In the previous issue, after Sonic and Tails saved his life, Kit immediately switched on his subservient personality and was desperate for any kind of validation from the hedgehog. We only see it for a few panels before he is told about Surge and sinks into a depressive state, but it's made very obvious.

And when he leaves to help?

Kit's conditioning under Starline means that he is excessively codependent on Surge– and if Surge isn't around, on anyone who is nice to him. The hypnotic repetition shown to us was "You live to support Surge. You'll do anything for her." Kit's sole purpose in life is to be a Support party member.

Kit's conditioning was to be the new Tails.

Starline wanted Surge and Kit to replace Sonic and Tails– that much was obvious from the get-go. But what was also obvious was his fundamental misunderstanding of Sonic and Tails's dynamic and how that negatively impacts Surge and Kit's relationship.

Starline completely misses the strong sibling bond that Sonic and Tails have. To him, Tails is just there to support Sonic, to provide the brains and tech that Sonic lacks, and so Kit needs to be there to support Surge in the same way. He sees it only as a business partnership, and not a mutual relationship built on trust, love, and shared experiences. Starline only saw other people as tools, so obviously he projected that onto Surge and Kit, hoping that they would immediately take up the closeness that Sonic and Tails did because, well, they served the same purpose to each other, right?

Except Surge and Kit don't have that relationship. These two children were forced into the same proximity and made to work together. They're coworkers at best, being told to act like a family.

Obviously their dynamic is super toxic, with Surge clearly holding a lot of power over Kit, but it's also clear that this isn't because Surge wants to beat on the kid. She was made to be Sonic, and so she has his arrogance (and possibly Shadow's, considering IS1 showed his image when Starline was talking about stealing abilities), but, as Boom!Sonic says, "Without any of the awesomeness to back it up." Okay, wrong, she's plenty awesome, the correct phrase is "Without the experience" and, most importantly, "without the altruism that makes Sonic Sonic." Surge wasn't programmed to like the people she saves, because that would conflict with Starline's goal to take over the world. So she's only made to be competitive and to want to best Sonic, anyone inbetween them be damned. This clashes with Kit's programming to not only be liked, but to be liked by Surge. Surge was also programmed to believe fully in herself in order to enhance the arrogant trait, and Kit was made to give her the help that she doesn't want.

To Surge, Kit represents everything holding her back. And she's not built to view him as a person, because Starline doesn't view him or her as people. Obviously this doesn't absolve her of her treatment of him, and later issues showing her getting more and more aware as she becomes more social is definitely going to impact the way she views him– or, if it doesn't make her reconsider Kit's personhood, it'll serve to make her more antagonistic for the viewer.

But the point is, Sonic trusts Tails because he knows and respects him as a person. It isn't just because Tails can help him, but because he knows Tails will. Surge, at this point in the comic, not only doesn't view Kit as a friend, she doesn't even care what he thinks or feels.

And despite the brainwashing, I don't think Kit is oblivious to this. He knows how bad their situation is, but he is so conditioned to accept it that he can't escape it whatsoever. In both fights with Tails, Tails talks him down easily because Kit doesn't want to hurt anyone. Kit only reacts violently when Surge is brought up, because he's meant to do anything she wants.

Like he said to Belle, he was made for Surge. And what he says directly after– "Sonic can use me, too." Kit doesn't even view himself as a person, only a tool– that's how far Starline's brainwashing went. It's clearly even affecting Surge, who realized in the latest issue, #72, how fast she and Kit fell into their abusive patterns again once Clutch took over– they were conditioned to be tools. Clutch claimed to want to help them, but really he was just using them for his own ends, just like Starline. So they went back to the familiar.

And speaking of familiar– pain is familiar to Kit, specifically pain in service to others. In his breakdown in #50, he says that Starline made him happy he'd been hurt. And in Imposter Syndrome #3 and #4, we see that him and Surge hate Starline and want to usurp him... but also are still trapped in the patterns he implanted in them. Surge still wants to kill Sonic and outperform everyone else. Kit still can't do anything but what she wants, to the point he becomes near catatonic when he believes she's dead.

Another pattern Kit is still trapped in is the idea that he has to be okay with his own suffering.

The only sense of home or family Surge and Kit have is in each other, but they fundamentally can't work together, at least as they are currently. Kit is expected to take Surge's anger, and Surge isn't expected to treat him like his own person.

And this, I think, is Kit's problem with Tails.

He was made to be Tails, and he knows this, but he can never have what Tails has. He can never live up to Tails and do what Tails can do, despite that being his entire life's purpose.

He doesn't hate Tails because he was programmed to– as he says to Surge, he only wants to destroy Sonic because she wants to. When he first encounters Tails, he refers to him as his target- a simple, unemotional term. He doesn't have the deep ingrained hatred for him that Surge does for Sonic.

Instead, he hates Tails because of what he sees in him. He sees Sonic and Tails interact, he sees how much Sonic trusts and relies on Tails, and he sees how he also loves and respects him. He sees how Tails has his own motivations and opinions, and he's experienced Tails's genuine compassion that was in part fostered by the hedgehog that raised him. In turn, Tails is loyal to Sonic, but not because he has to be– because he, in turn, loves Sonic and wants to be with him.

Kit only wants to be with Surge because he was forced to. Starline wanted to use Surge and Kit to stop Sonic and Eggman's cycle, but he made a whole new one instead. Kit is trapped in a cycle of pain, knows he's trapped in it, and is helpless to escape it.

Tails isn't, and Kit sees that in Tails. Subconsciously, he sees Tails and only sees how he fails to live up to his life's mission, and how he'll never have what Tails has.

After all, why would anyone bother with him? They already have Tails.

Is he a target? I like it here now.

[ladyloveandjustice]

Mental Illness in Anime

I saw someone say Komi Can't Communicate is the only anime they've ever seen that talks about mental illness and that's kinda sad, so for you to not end in the same boat, I've decided to put together an overview of mental illness in anime, what I'd recommend, what comes with caveats, and so on.

It's a little nebulous what "talks about mental illness" means as lots of anime depict characters who are very obviously depressed, traumatized and even suicidal (suicide will be mentioned a lot in this list, so watch out for that), but don't directly name mental illness. It is very stigmatized in Japan, even moreso than many other countries, you don't see much talk about therapy and so on.

However, naturally there are many Japanese people who are mental health advocates, and I found an interview with Makoto Kageyama, a mental health awareness advocate who volunteered at Aokigahara forest. He points out anime he feels deal with mental illness. One we'll cover fully, many of them I haven't watched:

I think the most accurate and positive portrayals I got were actually from Kiriyama Rei (March Comes in Like a Lion), Naruse Jun (The Anthem of the Heart), Miyamura Miyako (ef: A Tale of Memories), Takeya Yuki (School-Live!) and Smile (Ping Pong: The Animation)

I'm super open to suggestions for additions, and might be adding them as reblogs and under the cut.

I'll also be making a post on mental illness in manga if this post does well, which I will link here when I post it.

So I'll start:

Anime that directly discusses mental illness:

March Comes in Like a Lion- not only is the main character one of the most accurate depictions of depression I've ever seen, it's the rare anime that actually talks about counseling, showing a traumatized character attending counseling and slowly getting back on her feet.

Orange--it...certainly is about mental illness, but it's a pretty mixed/problematic one because it seems to be confused by how mental illness works at times. It centers around a character who's suicidally depressed and his friend's efforts to save him after receiving a time travel message about his future suicide. It also does mention offhand that this character was supposed to go to therapy and is skipping out at one point. But yeah, how it handles it is...not always great. It kind of gives an impression that if you try hard enough you can "fix" someone's suicidal depression. With friendship. I guess. You have been warned.

I haven't watched it in a really long time, so it might even be worse than I remember. But I'm including it bc I definitely cried and felt parts of it were very relatable when I saw it way back when. so there's some resonant stuff there.

Monster: Kind of mixed, but it's definitely notable as an anime that not only has a psychiatrist as a major character, but also shows prominent characters going to therapy and getting better. Characters go to him for alcoholism, depression, PTSD (PTSD is not named but yeah it's definitely PTSD). At one point he helps a main character recover some repressed traumatic memories.

What makes it mixed is that while several heroes definitely are mentally ill in some way, the (complex) antagonist of the series also has some sort of mental health condition , and the story is often weirdly muddled about it. At one point they make it out like he has Dissociative Identity Disorder (calling it "split personality") but then he never shows any symptoms of that and it's kind of dropped and not bought up again. He does definitely have repressed traumatic memories though, so maybe that's all they were getting at but said it very badly.

A heroic character that actually seems to have Dissociative Identity Disorder and YMMV in how it's handled and how accurate it is. It's a "the other personality is violent" one, but rather than the other personality being evil, it's. a defense mechanism, and the violence is always in self defense or defense of others..

Sort of names the problem:

My New Boss is Goofy: One of the main characters is recovering from an abusive boss, and definitely has anxiety attacks and flashbacks as a result. This is directly named as "trauma" (though much like in the West where the loan word came from, anime characters use the words to refer to minor things that aren't mental illness too. But in this case it's treated very seriously). At any rate, the entire anime is about others helping the MC slowly recover with his new boss and friends showing immense compassion for his anxiety and other problems. Here's a good article going into it!

Anime that focuses on social anxiety:

I think what stands out about Komi is that it directly says she has a communication disorder, but tons of anime focus on characters with social anxiety, and even state what the problem is directly.

Bocchi the Rock- The girl with the social anxiety is the main character and not the bland self insert guy who has a crush on her?, amazing. it lets her be a mess too? whaaat. Yeah, Bocchi does say directly she has severe social anxiety, and the series is very relatable in how it explores that. There are a lot of gags about it, but in a knowing, sympathetic way. Her recovery is realistically slow, and sometimes she backslides. She talks directly about her social anxiety, using the term.

Tsuritama: MC's social anxiety is so bad he can have panic attacks when people talk to him...the attacks are also represented in this really interesting way where they have water come in to drown him.

My Roommate is a Cat: Man dealing with social anxiety slowly recovers with the help of his cat. It's cute. Here's an article going into it!

Anime that don't namedrop mental illness directly, but really resonates:

Natsume's Book of Friends: I wrote an entire article about how relatable it is to me and my mental illness, how it uses the characters seeing yokai as metaphor for mental ilness at times (Natsume was textually mistreated by so-called guardians who thought he "wasn't right in the head" and his grandmother was often called that too) but also Natsume shows a lot of textual symptoms of trauma (possibly PTSD), depression and so on, and they're explored very poignantly. Here is my article: “The Courage to Speak”: Mental illness and recovery in Natsume’s Book of Friends

Revolutionary Girl Utena: Probably one of the most poignant explorations of what it means to be depressed and traumatized as a teenage girl. Several moments with Utena herself resonate, starting with when she was a child and declares she doesn't want to go on living, Anthy is also...dealing with a lot, and it's powerful how the show goes into it.

Neon Genesis Evangelion-- Many characters in it show symptoms of mental illness. Though it isn't named as depression directly (i think?), but Shinji shows every symptom you can think of, and the director Anno has said that he was extremely depressed while making it and channeled a lot of that into the characters, and we definitely see his mental journey for the better very strongly reflected in the reboot.

Kyousougiga: One of the main characters is suicidally depressed (this one is graphic, because he commits suicide on screen...only it turns out he can't die), and his journey towards becoming okay with living is a focus and was very resonant to me.

She and Her Cat: A short anime about a girl who definitely has depression and how her cat helps her. Rather simplistic ending but it's good otherwise. CW animal death too, but in a very gentle way.

Haibane Renmei: It deals with suicidal depression and other mental health struggles in a pretty intense way, it's touching, but if you have triggers consider looking into it.

Fruits Basket: Truly a cocktail of mental illnesses among the cast. YMMV on how it's handled but some parts really resonate. These articles go into it:

The Always Smiling Girl: How Tohru critiques toxic positivity

“A Man Who Can Experience His Feelings”: Fruits Basket, toxic masculinity, and mental health

Colorful: This is a submission from Nickyenchilada from the notes of this post: "I would also recommend the movie/novel Colorful. I think YMMV on how it handles the central issue of suicide but I think it does portray how even kids can be thrust into very complex situations without necessary outlets for coping with them."

Vinland Saga: This was an addition I got from a discord conversation, the entire second season explore the main character's PTSD

Yuri on Ice- A conversation on discord reminded me that a lot of people read Yuri as having an anxiety disorder, which I can totally see!

A Silent Voice- a submission from @boku-no-anime-phase who says: "I think it deserves its own shout out! This movie is nuanced, gentle, beautifully told and brimming with hope. I love the fact that just like in real life, things don't resolve particularly easily; but the characters make important progress that's rewarding to watch. TW for suicide discussion, ideation and attempt".

Rascal Does Not Dream of Bunny Girl Senpai - From boku-no-anime-phase who says: "YMMV but there's an arc that deals with bullying and memory loss where a character who deals with those things is supported and encouraged through it".

My Happy Marriage - From boku-no-anime-phase who says: "also YMMV but I think there were some lovely moments in this where you can see Miyo beginning to heal from her trauma and abuse, and learn to trust."

Anime Feminist has a whole host of articles on mental health in anime and they're all here. It covers a lot of different anime I don't know about or didn't mention and offers a lot of cool perspectives, so check 'em out! Here's a few that stuck out to me:

Finding Inner Magic: Depression in The Ancient Magus’ Bride

(I don't like this anime's narrative due to the issue with the ending pointed out in this article, but it did have resonant moments of exploring depression).

How Clean Freak! Aoyama-kun compassionately handles mental illness

The Sound of Depression: Liminal spaces, sound design, and Super Cub

From Yandere Girlfriends to Social Anxiety: Handling mental illness in The Future Diary and A Silent Voice

Footnote on Hikikomori in anime:

Any anime that focuses on Hikikomori characters are dealing with characters that are mentally ill, as being so depressed/traumatized/agoraphobic/anxious you can't even leave your room or house is obviously not mentally healthy. But what really matters is how that’s handled and if these issues are explained, as Makoto Kageyama notes:

Usually, the most common issues I’ve seen covered is the “hikikomori phenomena” and light eating disorders. Basically, a bullied character that becomes a recluse out of social anxiety, but… The characters don’t usually get shown correctly, since their issues are not explained properly and basically it ends up with a “Hey, see? People are not that bad, we are your friends!” and “Yay, I have friends, I am cured and I can trust others again!” Which is not the case, because real hikikomori can take a lot of talk and patience to get them out and when they get back to normal society (if they do), they become very wary of others. And ironically, “hikikomori” has also been used as a “moe trait” in anime even though it’s a mental health issue.

One I saw a lot of people namedrop as handling it well when I googled around was Welcome to the NHK, though I haven't seen it. But, if you look at Nickyenchilada's take in the comments to this post, it's mentioned as being resonant and it's noted that the recovery is not an easy fix, and it's also noted that several characters in the story are mentally ill.

Bonus list:

Neurodiversity in Anime- (that don't namedrop mental illness directly, but really resonate)

I initially didn't include a neurodiversity section in this post because I honestly could not think of any anime that directly talks about neurodiversity or has a textually neurodivergent character.

(However, there are manga that actually do! I pointed some out in my Mental Illness and Neurodiversity in Manga post I did to complement this one!)

You can also read some articles about neurodiversity in anime here

And the list of characters that can simply be read as neurodivergent is huge, and if I tried to list every popular read it would be endless, plus I don't feel comfortable "diagnosing" any characters with developmental disorders I don't personally have. However, I am willing to take suggestions from others on this one, so here are a few!

Mob Psycho 100 - submitted by boku-no-anime-phase, who says " Mob is autistic and I will die on this hill; the trouble he has with fitting in, relating to others and knowing the right things to do imo stems directly from that."

Princess Jellyfish - submitted by boku-no-anime-phase, who says "I'd be willing to bet that all the women who live in that apartment are neurodivergent. They all have their special interests and they live together in mutual neurodivergent infodumping bliss and it's wonderful. (Unrelated but TW for sexual assault and some transphobia)"

Chihayafuru- submission by @noisepartythumpingmusic who says "It's never noted explicitly, but I firmly believe the main character of Chihayafuru has ADHD, which is perfect for a main character of a sports" josei. As someone who does have ADHD, I personally can totally see that read of Chihaya (the main character)!

Anti-recommendations (as in seems potentially resonant but then drop the ball hard, because if I listed all the anime that's blatantly gross about mental illness from the second the subject comes up we'd be here all day) (Dead Dove Do Not Eat)

Wonder Egg Priority: Starts out like it's going to be a nuanced exploration of recovering from abuse, suicidal depression, and so on, only to end up incredibly stupid and offensive. The writer also believes some stupid and misogynist things about "reasons" girls commit suicide. This article goes into it a little.

Your Lie In April: Depiction of depression and trauma is completely undermined by how all the characters tell the MC he needs to get over it because his talent for piano is more important, and the clumsy, gross take on forgiving your abuser, and so many other things. This article goes into it.

---

And that's it for now! Again. I might be updating this with new stuff based on feedback or me remembering something I missed, through both updates and adding stuff under the cut.

[sjywrites]

༊*·˚ Prada & Versace

: ̗̀➛ 𝓢ugar 𝓓addy!𝓛ee 𝓗eeseung x 𝓕!reader. 𝓖enre smut, fluff, age gap, s2l. 𝓢ypnosis where reader is a broke and single college student celebrating her best friends birthday, and at said party she meets someone who might solve more than just one of her problems. 𝓦𝓒 estimated 5-10k. 𝓒𝓦 age gap, oral (f! and m! receiving), unprotected sex (don’t be silly, wrap your willy!), pet names (good girl, baby, slut in an affectionate way!), mentions of alcohol, both hee and reader smokes, reader is a bit intoxicated but still fully aware of what she’s doing.

𝓝ote this is a sneak-peak of the actual story, this is the first story I’ve ever posted on tumblr so if you see anything that I can improve, please let me know. I want the first story I post to be good enough for me to be motivated to keep writing!

This is purely fiction and is not meant to interpret how the idols act in real life!

,, not proofread + english is not my first language ! ೃ⁀➷

Flashing lights, loud music and the smell of sweaty bodies. That’s what most clubs look like, and this one was no different.

It was Ryujins 19th birthday, and she wanted to celebrate it with just her closest friends and her girlfriend. That’s why Y/N agreed to it in the first place. She’s not used to social settings and spends most of her time stressing over finals, so being forced into a social setting wasn't making her any less stressed. Her and Ryujin are the complete opposite of each other and she can’t really remember how they became best friends, but somehow they did. And that’s why she’s in this position right now, pressed between strangers in a club that reeked of alcohol, dressed in a skimpy black dress that barely covered her up.

“Hey Y/N, get me another drink will ya’!” Ryujin shouted and laughed, fully intoxicated. “I don’t really think that’s a good idea Ryu” I said, a little worried about her condition “you’ve had a lot already” I tell her, hoping she would just give up “It’s fineee, I’m fineee, trust!” She laughed and grabbed another beer. I tried to stop her but she was too fast. I just gave up and sighed, trying to reason with her when she’s drunk is like trying to argue with a wall “You’re gonna throw up later I’ll tell you that.” I grabbed my lighter and walked outside for a smoke, leaving her to Yeji, her girlfriend. I love Ryujin, but sometimes she can be a handful to look after.

I walk out on the balcony, leaning against the rack and admire the glowing night sky, letting the cold wind run over my body. It’s a relaxing moment until I hear someone approaching and I assume it’s either Ryujin or Yeji, until they lean against the rack beside me. Build too big to be either of them, I look over in their direction. A tall, hot guy with glasses stands there. He lights a cigarette and looks over to me. I forgot how to breathe for a moment, embarrassed, I looked away slightly. When I look back to see if he’s still there, we make eye contact. He’s close enough that I can feel the heat roaming around him. And I can't tell if it’s the embarrassment or the close contact with the man that makes my cheeks heat up, but I’d rather not find out.

I take a look at the man in front of me, scanning him up and down. Dressed in a suit too fine to be worn at a basic club, hair styled in a way that makes it look almost untouched, and his eyes, his eyes were so easy to get lost in. I snap out of it when I realize I’d been staring for a while, a slight smirk on the man's lips as he leans down to my level.

“Take a picture, it’ll last longer”

✩ ♬ ₊.⋆☾⋆⁺₊✧

A/N please let me know if you want me to finish it! Likes and reblogs are very much appreciated ♡ (Also someone please teach me how to make my posts aesthetic I've never posted on Tumblr before so I don't know how it works 😔)

[brucewaynehater101]

Hear me out for something Silly. Jack is not Tim's biological parent. Jack, Janet, and Tim all know this. So does Tim's biological parent. Tim does have contact with his Biodad and they do get along wonderfully. When he has time off from his very busy job and thinks it's safe, he will 100% drop by Gothem to see his son. Even if they can't see eachother a lot, Tim and his dad are still very close.

As for how this happened, Janet and Jack had a three way with a *very* interesting stranger about the time Tim would have been conceived. Since he didn't exactly look like Jack, they did a DNA test and then called the guy and asked him to do a DNA test. He told them he would but only if he got his DNA back after the test. Just one of his weird quirks that worked as Rizz on the pair.

Honestly though, it's nothing short of a miracle that they got The Question of all heroes to do a paternity test, but then again. He has always wanted to be a dad and this is an opportunity that just fell into his lap! And the day he walked into his son of 7 years old standing infront of a corkboard covered in pictures and string? It was the proudest day of his life. He had little Tim talk him through all of the strings and explain his theory and Tim started by smacking his little hand on the board and saying in the most manic voice, "BATMAN IS BRUCE WAYNE."

By the end, Question was pacing around the room as Tim also paced around the room, both rambling at eachother as they used Bruce's connections to uncover who well over half the leauge are. Does Question feel a little guilty about finding out his coworkers identities? Maybe. But he doesn't care, he's bonding with his son! His son is brilliant!! Not even he knew who Batman was!!! He could never have been prouder and it nearly made him cry.

Years later when Tim became Robin, he freely told Question about it and while Question didn't approve fully, he knew there was nothing he could do to stop his brilliant, wonderful, adorable, *stubborn* son. Tim could out stubborn a hundred mules, just like both his mother and his father. Maybe he could even out stubborn the both of them, as evidence by Question being the one to cave first. He caved on the condition that Tim get *proper* training and go to a few people of his choosing after he trains under the people that Bruce wants him to train under. Tim agrees and gets a few extra teachers in his time away.

Tim does not tell the Bats that Question is his Dad, simply assuming that if he could figure out who they were at 7 years old, they can figure out something as simple as who his parent is. Turns out, all of the Bats think that Jack Drake is his father and he doesn't find this out until Jack dies. When he does so, Bruce asks where Tim is going to stay and he replies, "with my Dad and his wife, obviously." To which there is quite a bit of confusion until Tim scoffs and crosses his arms as he states, "Jack Drake was never my father. He and Mother were very open about the fact that they had a 3 way and the other guy there is my biological father. I've been in contact with him regularly since I was 3. Sure he's not there all the time but he makes sure to visit minimum once a month. Usually at least twice a week. He's a good person and I'll be fine living with him and his wife. Hell, he's been trying to get me to move in with him for years anyways! Honestly, I thought you already knew this Bruce. Now if you'll excuse me, I'm going to see my Dad." And simply walked out if the cave.

The Bats. Don't know who his father is. Nor for lack of trying though. His dad is The Question that man leaves no evidence of anywhere he has been and never walks into cameras. He leaves just enough that they know he's real. Jason has seen the man with his own two eyes and swears he is a red head, but the man vanished before Jason could say a word to him. However Damian saw Tim talking to someone with black hair and and blue coat on patrol, but didn't get a look at his face. The guy was gone before Damian could get there and Tim tells him that it was his dad doing a mid patrol check in, which he does sometimes.

There is nearly a very big fight about civilians and identity hiding until Tim snaps, "HE KNEW FROM THE DAY I KNEW. HE HELPED ME WITH MY FUCKING EVIDENCE BOARD AND ENCOURAGED ME. BESIDES, HES NOT EVEN A CIVILIAN ANYWAYS!" And before anyone can question it, he goes on a long rant about how it can't be that hard to piece together who his dad is because they haven't been hiding it from them At All and how disappointed he is in them. As he does so, he is texting someone and when asked who, Tim snaps, "my Dad! I'm telling him to come to the Batcave because you're all idiots who couldn't find the link between us!" This leads to Bruce getting angry about inviting strangers to the Batcave and Tim scoffs about Bruce having invited his dad there before.

30 minuets later, when The Question walks in and says, "Hello Batman." Bruce turns to him to ask why he's there but Tim cuts in and says, "finally! Dad, can you believe that none of these idiots put it together?! They have no idea were related!" And Question just says, "but. We've been living together for nearly a year. I've known you all your life and you are the greatest thing I've ever helped to create." And Tim blushes a bit at the last part but plays it off by insulting The Bats, "right? And they call themselves Detectives!"

They spend the next hour roasting the Bats together and also mentioning off the walls crazy theories that are actually true.

Years later when Tim goes on the Brucequest, he doesn't go alone. He shows his evidence to his dad and Question and Huntress both come with him to help. Tim doesn't loose his spleen thanks to them but they do have to team up with the LOA because they have Tam held hostage. They also blow up the leauge but all credit goes to Tim and when they get Bruce back, they try to give credit to Tim but the Leauge just points at Question and Huntress and says, "those two did it."

Holy shit. This AU is fantastic.

I do not know nearly enough about Question, and you've pointed out the errors in my ways. I should know more about him because you are absolutely correct (also, AUs that speculate who can be Tim's bio parents are hilarious to me).

Fuck. I just binged some of his content (a very small amount), and I swear to gods this man is hilarious. His dry wit, conspiracy theories, humor, and overall demeanor is grand. I should find more.

Anyways, I absolutely love how Jack, Janet, and Question are peacefully coparenting. There's no drama or tension. Jack isn't jealous or mad. They just raise Tim together.

Tim and Question bonding over theories, research, stalker tendencies (referencing when Question said he goes through everyone's trash), and pin boards is adorable. This is a friendship/mentor bond I didn't know I needed in my life until now.

I'm also vibing with Question messing with the Bats while Tim us legitimately confused how they haven't figured anything out yet.

I'm also imagining post Jack's funeral (if this is a good dad Bruce AU), that Bruce turns to the newly orphaned Tim. He has adoption papers metaphorically behind his back and does a blue screen at realizing that Tim has been hiding even more parents all this time. It seems his adoption addictions were stopped this time, dagnabbit.

[kaciidubs]

Ok this is weird but i have this condition where i get a really strong headache when i have a powerful orgasm. It doesn't happen if its just a mild pleasure sensation but when it's an actual like Orgasm, it happens and lasts anywhere frim like 10 minutes to 2 hours. I've been thinking about how Chan would react to this.

Ooh I wonder how he would react too, Nonnie!

The first time he gives you an orgasm - a true orgasm that had your soul levitating from your body - and this happens, he doesn't realize anything is wrong at first.

You were laying on the bed with your eyes squeezed shut, trying to catch your breath, and he thought he'd just taken a lot out of you until he went to bring you closer and you physically flinched from the movement.

"Baby? Are you okay? Did I hurt you? Did I do too much?" It's taking everything in him to not jump to conclusions until he gets your verbal confirmation, but when you bring your hands to your face with a grunt, he feels his heart start to fall to his stomach. "Baby-"

"Shh, Channie, I'm okay I just..." Taking a slow breath you continue, "Sometimes I get really, really bad headaches after intense orgasms, it's nothing you did - I mean, you kind of did it, but it's not a bad thing, you did a great job, technically."

He smiles at your way of trying to make him feel better, but with your hands still over your face he couldn't allow himself to settle into that comfort until you were alright.

"Alright, pretty, just lay here - I'll take care of everything."

And take care of everything, he does; he keeps his movements light and meaningful to keep from disrupting you, he gently cleans you up with a warm washcloth and goes the extra mile of setting up an oil diffuser gifted to him to diffuse the faint scent of lavender throughout the air.

You can hear him patter around the bedroom, his footsteps fading for a moment until they grow louder once more; you can hear the sound of things being put on the nightstand through the pounding in your ears.

"Baby?" He's whispering this time, the soft timbre in his voice soothing the ache in your head by a small fraction. "I brought pain medication, water, and some snacks whenever you need them - if you need them. Is there anything you want me to do?"

His thoughtfulness made your heart flutter and you dared to move one of your hands, looking up at him through a squinted eye - even with the led lights surrounding the room set to a dim glow.

"Lay with me?"

Seeing the dimpled smile you cherished, he slowly climbed back into the bed and settled next to you, laying on his side to lightly drape his arm across your middle - not daring to cuddle you fully until you made the move first.

"I'm sorry if I ruined things, Channie, I know it sounds weird, and-"

"Hey, no, no - don't apologize, alright? Nothing's ruined, nothing's weird - I just did a great job like you said, yeah?" Chuckling softly, his thumb rubs softly at your stomach, "It just means softer after care and quiet time... Quality time."

Breathing out a giggle, you hummed, "Quality time, I love it... I love you."

Lips pressed to your shoulder, gentle and warm, just as they'd feel against your own.

"I love you too, baby."

[Unedited]

[tizeline]

The Sep AU is super interesting, like it grabbed my brain and does not want to let go-

I find it interesting how from the Drax Trios innitial perspective everything Donnie is just justifies their opinion more-

Donnies dark aesthetic, murderous humor, dangerous machines, deadpan attitude and lack of liking of magic combined with his alleged backstory and being friends with a human? U could really argue he got indoctrinated into being a villainous mad scientist or smth. They don't know that that's just him, Donnie TM. I can absolutely see them being worried that "Long lost brother" got brainwashed so badly and how annoying that could be for Donnie himself lol

I'm also curious on Donnies relationship with Splinter. Is it better than in canon or similar to Canon or worse? Since in Canon Donnie is craving parental approval, does he still here?

Thank u for (potentially) answering :)

First of all, "Drax Trio", thank you, I needed an easier way to refer to specifically Raph, Leo and Mikey in this AU so I'm gonna steal that

Second, yeah, Donnie acting like a cartoon villain is really just cementing the Drax Trio's idea that he's been corrupted by humans. You know Draxum's villain song in the show? I can totally see Donnie putting on a perfomance like that XD Speaking of Draxum, to be fair he's very alike Donnie in the way that he's fully embracing the whole Evil Scientist aesthetic, but in that case his sons would just excuse it with "oh haha dad's just a bit silly goofy don't worry about it it's not like he's actually evil!"

Anyway, you know how Mikey basically forced Draxum into having a redemtion arc in the show? He'd try to do the same with Donnie in this AU. I've been thinking about this for a while so I'm defintiely gonna draw it, but he's constantly going full Dr. Feelings mode trying to teach Donnie how to be a "good person" and such and Donnie finds it INCREDIBLY annoying!

And Splinter! Being a single parent taking care of a child who was created to be a super soldier while living in the sewers is HARD, but not nearly as hard as taking care four of them at the same time under the same conditions. So while Splinter is still dealing with depression and burn out in this AU, he's doing better than what he is in canon. For years Splinter and Donnie would literally only have each other, so they'd end up growing closer as a result. That being said, because Donnie didn't have any siblings to spend time with, he'd end up demanding a lot more attention from Splinter. Which he didn't always recieve, because his dad is still very much dealing with a lot of emotional baggage. To summarize, Splinter is still a flawed parent, but he's not terrible by any means, he and Donnie are close, but Donnie is also a lot more lonely (especially before meeting April).

[mantequillamcwhoremick]

Probably a common Kenny question but how do you think he'd react/feel if someone admitted to him that they're fully aware of his curse but never said or mentioned anything about it?

LMAO you've hit the spot hahahah I literally have an almost finished Fic Wip exactly about this topic so I've given it LOTS of thought.

Okay first and foremost: Kenny isn't a very reactive guy. He's pretty good at keeping his negative emotions in check, probably owed to his upbringing where he always had to be the sane, calm and collected one to endure his home life (parentification let's go!!!). Instances like in the Coon & Friends trilogy (where he lashes out at Kyle) are pretty unique and rare, the only other time he gets similarly angry and acts on it happens in "Poor and Stupid" where Cartman mocks both NASCAR fans and people in poverty.

Deadass when his friends ditched him for Halloween bc he couldn't afford a phone for the e-scooter (ep "The Scoots") he wasn't even mad, even though he had every reason to be. He was just sad. Similarly in Post Covid; he revealed he'd been pissed at his friends for giving up on their broship, but what did he do? He studied and researched for decades how to go back in time and fix it, and post-mortem he left the option open for THEM to continue his work.

My headcanon is that he tried and learned to be the calm one so Karen could have some semblance of stability in their home, but this situation you're describing wouldn't require him to stay strong for Karen (unless it's Karen that would remember his death). I'd say this is a pretty solid conclusion, drawn from his behavior in episodes like "The Poor Kid" and "The City Part of Town" (which ig are the only Karen and Kenny centric episodes lol). I still think (because of "Going Native" and how he handled Butters' emotional issues) that Kenny simply defaults to understanding and a rational caretaker role, no matter the person. Heck, he was even kind enough to leave Cartman his PSP (ep "Best Friends Forever") because he feels bad for Cartman's loneliness. If you have empathy with an IRL Cartman, there's no one you wouldn't be understanding with.

Having an analysis of Kenny's temper tendencies out of the way, I'm gonna move on to the next statement: I think it might slightly depend on WHO this hypothetical person was, the one who "admitted to him that they're fully aware of his curse but never said or mentioned anything about it."

There's two main reasons that this could even happen:

1: The person is so freaked out by this situation that they were afraid to say anything for a long time, they possibly even thought they might be insane and imagining things

2: The person is Cartman

And because I kinda analyzed this in my fic (not yet published), I'm gonna reference it a little and explain my decisions.

The fic's premise is that in a sudden turn, Butters remembers Kenny's last death. Butters freaks out when he sees Kenny come back and after initially lashing out at Kenny thinking he's a ghost coming to haunt him (like in "The Death of Eric Cartman"), he later apologizes to Kenny, concluding he just imagined his death and is insane. (Butters has been conditioned to not trust his mind & brain, assigned mental disorders when there's nothing wrong with him in the aforementioned episode as well as in "City Sushi", so I felt that this makes sense) This makes Butters a perfect contestant for scenario 1.

What did I have Kenny do? Well, in my fic Kenny is overjoyed to finally have someone that would believe him about his curse, but that's not the scenario you provided. But given Kenny's temper patterns and savior complex/caretaker tendencies (gestures at the entire Mysterion arc and anything to do with Karen, including the TFBW DLC "From Dusk Til Casa Bonita", and also "Going Native" where he swiftly accepts his role as support system for Butters), I find it pretty solid to assume he would show a lot of understanding for why the person didn't say anything before. It's a lot to digest to watch someone die, even more if they just... come back? And everyone else acts like nothing happened? On SEVERAL occasions?? Like, Kenny is the first to relate to that sentiment. He'd be understanding about everything the person would be confused & distressed about, and also the reasons why they didn't say anything before.

After Kenny gets his understanding & patient savior complex stuff out of the way, I imagine him slowly going insane trying to figure out WHY this person remembers. That's the second part of the premise in my fic; Kenny and Butters try to figure out why Butters remembers, and why now, and Kenny's main motive is because he wants to find a way for his best friends to remember. The Coon & Friends trilogy proves that Kenny is very distressed by Stan and Kyle not remembering, they mean a lot to him. He feels safer and more comfortable with them than probably with his own family. In my fic, his attempts at figuring out why Butters remembers end up with no results and Kenny slowly starts losing it, lashing out at his friends for feelings of resentment he had long buried and his rational temper control starts cracking more and more. I feel like this is how he'd react in any case of anyone remembering his death, as long as it's not Stan or Kyle. I doubt either Stan or Kyle would ever even wind up as the person to be aware of his curse and not tell him. Especially not Kyle.

Scenario 2 is if Kenny found out that Cartman remembers, has remembered since forever, and never said a word. In my fic (spoiler alert?) Kenny doesn't even deal with Cartman. He just goes straight home to pull out his gun and shoot himself lmaooo he does this because he wants to talk to Satan in Hell and demand answers, bc he doesn't know who else to turn to. In Chaos Plan I have a bit where I describe my take on Kenny's general feelings towards Cartman canonically showing signs of remembering his deaths, and the quote goes like this:

"Kenny often wonders if Cartman does remember his deaths, but is simply too much of a shithead to say anything about them." (Chaos Plan chapter 17)

Kenny is a big "Do no harm but take no shit" kinda guy when it comes to Cartman. He doesn't fight him when it's pointless and prefers to preserve his energy (unlike Kyle), but he does call him out on his bullshit occasionally (at least when it's targeted against Kenny and/or his family). Kenny is also scarily emotionally mature for a 9/10 year old (makes sense bc of his upbringing) so I doubt he'd get his hopes up about ever getting some kind of compassion or collaborative effort from Cartman to figure out what's up with his curse's mechanics. While Kenny and Cartman have an interesting friendship, and Kenny is kind of Cartman's soft spot, I can still imagine Kenny thinking "sure, my luck that the worst possible person remembers my deaths and no one else" and kind of be apathetic about it, kind of like he is by the end of the Coon & Friends trilogy before he shoots himself lmaoooo

So yeah, that's what I think :)) You said the question is common but honestly if it is, then it's for good reason because it's one of the most interesting ones the entire show of South Park has provided. I'm probably biased lol but still, thank you so much for the ask anon <3 I hope you weren't expecting a short answer ahahahahah

[deeper-x-deeper]

I've recently been considering the potential of using hand signals as triggers for trance.

I already have a tendency to talk with my hands a little bit, but not in the way that most people think of it.

I've noticed a lot of people who "talk with their hands" mention they have this problem of being perceived as aggressive or angry from people who aren't used to communicating like that. their hands move with their passion and their emotion, emphasizing their point and helping them fully express themselves.

it's a little bit different in my case. while yes, I do use my hands to emphasize points and emotions, I tend to be a little bit more...flashy about it. I emphasize things with a flourish, bringing your attention to the motion of my hands, and how they move in time with the rhythm of my words.

no matter what I'm doing, I always do it with a little bit of style. a little extra twirl of a pen when I go to write something down, or a waggle of my fingers while I'm looking for the correct button to push.

some people who have known me say it's a leftover feminine trait of mine. I don't mind having it, considering those same people usually just assume I'm a cis gay man. it comes off as flamboyant in their eyes.

but what if it could be something else?

what if, once I have captured your attention with the way I use a wiggle of my fingers to enhance the punchline to a joke, I make sure you stay focused on my hands?

maybe I'm moving them rhythmically back and forth, like a pendulum or a metronome. your eyes follow the motion as you listen to the rest of what I'm saying.

maybe I'm moving them in circular, spiraling patterns, twirling my wrists to add a bit of dramatic flair to a parody impression of someone we know, though maybe now you've lost track of the topic and you're simply nodding along.

maybe now I'm moving them like a conductor, in time with the music in the background, up and down and back and forth and around and around and around in an endless cycle, forming more and more complex patterns for your eyes to struggle to follow.

maybe, once my hands have your full attention, all it would take to pull your mind away from you would be a little crook of my fingers, as though I'm beckoning you forward, but instead I'm pulling your mind out and into my own hands, dropping you deep to be gently remolded.

but it could potentially be a lot more forceful. a sudden gesture pointing down, taking your mind with it, bringing you to your knees in obedient submission, awaiting your next command.

can you imagine being so deeply conditioned to respond to my commands that I don't even need to speak them anymore?

where all I would need is a gesture, a distinct but silent signal, to prompt you to return to your rightful place in trance, under my control, exactly where you belong.

I imagine it would be like having your mind on an invisible leash that I can tug and pull whenever I want to make you heel to your handler.

no gimmicks, no rambling on and on, just a single motion that rips your conscious mind away as though I'm reaching inside you to take it myself.

[ninaswritingstuff]

One reason I haven't updated shifting priorities in well over a year is that I've been fixated on an AU of my AU in which Bernard is thrown into the mix.

Like, Tim has been so fixated on trying to clone Kon that he has pretty much completely ignored his body. That cloning tube and Kon's DNA are pretty much the only things he cares about. And he's tried and failed 99 times. He's running out of Kon's DNA, nothing has worked, so he gets an extra boost of desperation.

He uses his own DNA as a stabilizing agent.

So, fun thing about cloning is that it requires a donor egg. The genetic material of the egg itself is removed and replaced with the complete DNA of whatever you're trying to clone (don't quote me on this, this is my recollection/understanding of how they made Dolly).

Tim, who in this AU has the parts that would produce a human egg (trans!Tim or AOB, dealer's choice for the purposes of this run-down), decides he's going to cut out the middle man and use his own.

Only to find out that he's pregnant. It doesn't really click in his head until he's gotten his egg and already started the 100th attempt (forgetting to remove his DNA from the egg before adding in Kon's), so when it finally hits him, he's staring at a cloning tube with a (finally) viable embryo.

So he goes out and gets himself a pregnancy test, and this is where he crosses paths with Bernard. Bernard just kind of stumbles across him in the local CVS, and at first thinks he could try to reconnect and made shoot his shot, only to realize exactly where he's found Tim.

And never let it be said that Bernard Dowd is a coward.

So he squares up and heads over, and ends up basically being Tim's moral support for the remainder of the pregnancy. He had even planned to be in the delivery room with Tim when the baby was born (which didn't happen because the baby decided to arrive a month early and in the most traumatic way possible).

He's not actually expecting anything from Tim. Clearly, Tim's got enough on his plate, and he's clearly still not over whoever it was who got him knocked up. So Bernard's mostly just trying to be a good friend. And if something eventually develops, well. Bernard certainly won't complain.

Bernard was thrown for kind of a loop when Danny came along, but delayed twins are a thing, so...he just kind of rolls with it. It's Gotham. Weirder things have happened.

He puts a lot of time into helping Tim out with the not-twins, and maybe kind of starts to think of the kids as maybe sort of his. In, like, a dad-that-stepped-up kind of way. Bernard is honestly surprised by how down he's turned out to be for basically co-parenting with Tim.

They end up building up a working system over the next few months, with Bernard coming over after school to mind the kids so Tim could get so rest in. By the time the not-twins are a month old, Bernard's kind of...moved into Wayne Manor. In an unofficial capacity.

And just when things seem to have reached a sort of equilibrium, Bruce dies. Or, well, it seems pretty overt that he's dead. Bernard's been in the know (to an extent) since Tim brought Danny home, so when Tim tells him his theory about the portrait of Mordecai Wayne, Bernard (funky little conspiracy theorist that he is) believes him.

Tim ends up leaving Danny and Ellie in Bernard's care so he can go and hunt down enough proof to bring Bruce home, with encouragement from Bernard (and the condition that Tim maintains regular contact while gone). It's not easy, being a single parent to twins is even less easy, but Bernard fully believes that this is something Tim needs to do, and he was already pretty much done with school, so he doesn't have to worry about college until the fall.

BruceQuest occurs largely unchanged from canon, save for the fact that Tim is less passively suicidal throughout. And when Kon finds him in that sewer...well, Tim's half-convinced he's talking to a hallucination, so he mentions the not-twins.

After that encounter, Kon makes a bee-line for Gotham, and gets to meet the babies. One thing leads to another, and Kon and Bernard end up co-parenting while Tim's off saving Bruce's bacon.

When everything is handled and Tim's back home with Bruce not too far behind, the three of them end up having to have a discussion about what they're gonna do moving forward.

Endgame TimBerKon.

[dresshistorynerd]

Hey, I noticed that in one of your posts you showed an Iron Age Finnish woman's dress. Would you happen to have a good idea of what Finnish men were wearing in that era? The information on it seems sparse. I do have a relevant book that I'm about to look through, but I'd like to hear your insight too!

Hi! Thanks for the question (and sorry for the slow answer), I do love Finnish Iron Age clothing so it's always my pleasure to write about it. I've been wanting to do a deep dive into this for a long while, so maybe I'll do at some point a post about women's dress too.

Unfortunately no one has good idea of the Finnish Iron Age men's dress (and if you find any book or other source that claims otherwise, do not trust it), since there's much fewer archaeological finds of men's dress than women's dress. The most accepted theory on why the textiles of women's dress survived surprisingly well is because of the bronze ornamentation commonly sewn into especially the fine women's dresses of the era. The bronze protected them from decomposing fully. Presumably men's dresses were not decorated similarly then. There are some finds though and we can piece together at least some kind of vague picture.

I will be discussing the period from Viking Age to Crusade Age in Finland. Viking Age is often defined to cover 800s to mid-1000s and the Finnish Crusade Age started right after the Viking Age and ended in the end of 1200s, where the Finnish Medieval era begins. Crusade Age refers to the period where mostly Swedish (also German) crusaders in the span of couple of centuries conquered lands of the Baltic-Finnic pagans. The crusades of this period targeted pagans all over eastern Baltic Sea, including Baltic-Finnic Karelians, Livonians and Estonians, and Baltic peoples, and the Scandinavia too, where Sámi people were targeted. After that the Finland and Sápmi were colonized by Norse people and stayed that way untill Finland was transferred under Russian rule, but to this day Sápmi still stays under colonial rule, including Finnish colonial rule. The current Finland was very multicultural area, mostly populated by Finno-Ugric peoples, including Sámi people, Karelians and various Finnish peoples.

It's important to understand that even just Finnish peoples where not homogeneous, but had distinct, yet of course strongly related cultures. These were Finns (suomalaiset) (yes most people we now call Finns were not in fact called that) in the coast of southwestern and western Finland, Tavastians (hämäläiset) in central-western lake-Finland and Savonians (savolaiset) in central-eastern lake-Finland. This means we can't mix findings from all over Finland to reconstruct a dress without evidencing that all the elements were actually used in one place. These three tribes had broadly similar base for their clothes, but distinctive jewelry and detailing. The big divide was and has always been between eastern and western Finnish peoples. This is because western Finnish people were in close contact through the sea with Norse people and southern Baltic-Finnic peoples, while eastern Finnish people, Savonians mostly, were influenced a lot by their proximity with Karelians. Another dividing factor was the very different environmental conditions between western and eastern Finland. The Finnish coast especially in west is very flat and fertile land, while the lake area, especially in eastern Finland is very rocky, hilly and quite infertile. The main way it effected clothing differences was that western Finland being more wealthy had more elaborate clothing. Tavastians in both occasions fall quite in between, but they tended to be more in the western cultural camp.

My most important sources are a study by a doctor of cultural anthropology, Jenny Kangasvuo, Savon historia I (Savonian history) digitized and open sourced here and the digitized archeological collection of Finnish Heratage Agency. They are all in Finnish so not very useful for most people unfortunately.

Finnish Men's Dress in Viking and Crusader Ages

The basic garments men wore were broadly similar as women. They wore a shift/shirt, knee or above-knee length dress, cloak, belt, shoes and some kind of headwear. Wool was used most commonly, though the shirt would sometimes be linen too. Even evidence of silk has been found in some western Finland graves. I would assume that would be from a dress of some great man, who traveled to gain riches, possibly with vikings. Embroidery and decoration with metals was a typical feature of the whole Eastern Baltic Sea area. In Finland during this period bronze was the most common decorative metal, but silver was used too. Decorative elements were usually woven with small bronze spirals into all kinds of patterns. Here's examples from the reconstructed Ravattula's dress (Finns) used by women.

Shirt

The shirt (in Finnish shift of both women and men was called shirt) was basically a long shirt or under dress. We can assume it was similar to those of women's except shorter since the dress men wore was shorter too. They were made from wool or linen, I would assume wool was used in winter and linen in summer, when linen was even available. The neckline had a cut and closed with a bronze brooch. Horseshoe brooch was common. The first one is a quite typical bronze horseshoe brooch with a bit of ornamentation from Salo (Finns). The second one is from Tuukkala, (Savonians), it has exceptional ornate detailing and is uncommonly silver, not bronze. The third picture has two quite uniquely ornamented horseshoe brooches, first from Köyliö (Finns), second from Kurikka (Finns).

Legwear and footwear

Very little of men's legwear has survived and it's unclear weather men wore pants or separate pant legs, leg wraps or perhaps long socks. Evidence of strings decorated with bronze spirals and tablet woven band has been found in leg area of men's graves. This could mean that they wore either leg wraps, long sock or some sort of pant legs that needed to be secured with string or band under knee. Women used strings and tablet woven tape to secure leg wraps and socks, which I think supports that theory. Sometimes both bronze decorated string and tablet woven band was found in the leg area, which would still be explained by this theory, since it was common to decorate the ends of the bands with bronze decorated strings. Here's an example of sock bands just like that from the earlier mentioned reconstruction of the Ravattula's women's dress. Since men's dress was shorter, I think it would make sense if they still wore some kind of pants or separate pant legs with socks or leg wraps like that.

However, the strings and bands could have also been part of the shoes. Everyone probably wore similar shoes - laced leather shoes with a bit of pointed end. They might have been short or ankle length and the lacing was done with either leather cord or tablet woven band, which would also explain the findings. Socks or feet wraps would have been used in them, and straw or wool could be added as filling for warmth. Here's a pair of traditional Izhorian shoes from Estonia from early 1900s, and a pair of traditional Sámi shoes. The designs were likely roughly similar in Viking and Crusader Ages, though obviously more simple, and it's probable that Finnish shoes very something like that too. Here's a 1893 drawing of what findings of shoe material from Korpiselkä (Savonian or Karelian) might have looked like. Considering the quality of archaeology of that time, copious amounts of salt should be applied. And finally as a fourth picture there's reconstruction shoes from Ravattula's dress.

These are not necessarily mutually exclusive theories. The lacing of the shoe could have been laced up the leg and used also to secure either sock or leg wrapping, or they could have been separately secured in ankle and knee respectively.

In some graves twill fabric has been found in the leg area. It could be part of pants or for example leg wrapping, which was often made of twill. One theory about pants is that they were similar as some findings in Sweden, where fairly tight pants made of twill were secured at the hem with buttons similar to cuff studs. These kinds of cuff stud buttons are quite a common find in Finland and some have been found in men's graves close to legs.

Dress

Again there's not much findings of dresses, but a little more perhaps. It was usually from wool. The shape was either a tunic or an open coat. In Karelia there's findings of men's dress suggesting tunics thicker than women's dresses and made from sarka, a type of broadcloth. On the other hand, in Masku (Finns) they found buttons in a row on top of the torso, which suggest a coat closed with buttons. The first picture is a drawing of the grave find. Similary coak closing amounts of buttons have also been found in other places in western Finland. This suggests that Finns and probably Tavastians too wore long coats buttoned to the waist and Savonians wore tunic of Karelian influence. Below there's couple of version of what might this western Finnish men's coat dress could've looked like. The first is an imagined version of the coat based on the Masku grave finds, second is just as imagined version based on Eura (also Finns) grave finds.

Take these "reconstructions" with a strong dose of salt. These are more artistic reconstructions than scientific, since there's not enough material and too much guesswork needs to be done. And because we can see in the Masku grave drawing right here that the other deceased has a large buckle to (probably) close the shirt (to be fair, it could for a cloak too), like was typical, I find it implausible that the coat neckline would be small and round covering the buckle. If you make a decorated big buckle, I assume you want to show it. I would find a v-neckline more probable. It's also easier to make without wasting expensive fabric.

The buttons are interesting. There were what you would imagine - your typical buttons made of bronze like seen in the first artifact from Hattula (Tavastians). But then there was silver jingle bells used as buttons, found for example in both Masku and Eura graves, Eura findings pictured below.

It's possible, even probable I'd say, that the hemlines of men's dresses were finished with tablet weaving patterns, like women's dresses. Also I would assume the pattern of the men's dress (and shirt) was mostly similar to the women's underdress/shirt patterns. So here's couple of different reconstruction patterns for women's dress. Different historians have made different interpretations of the patterns, so it's very much undecided what it really was like.

Belt

This is likely the most ornamental part of men's dress. They could be made out of leather or tablet woven band. And there's another east-west cultural divide here. Karelian belts were made out of leather, were usually 1,5-2,5 cm wide, decorated with iron or bronze studs and had a buckle made out of iron or bronze. These types of belts have been found in Savonia too, for example in Tuukkala grave find, which you can find very cool pictures of in this photo documentation of the dig in pages 173-175. In western Finland a "hela" belt was the common style. I don't think there's a world for hela in English. It's a sort of decorative lamella, small metallic plate (not necessarily square but often so) attached to fabric or leather with studs or sewing. Hela belt came from the Permians of Kama river, who were one of the many Finno-Ugric peoples who used to populate much of European side of Russia. Karelians lived closer to Permians, so you might think Permians would influence eastern Finland more, but my theory is that the costal Finns, who frequently joined viking crews and at least were in close contact with merchants including vikings, who would travel along the eastern route through the eastern European rivers, where they could go all the way to Kama river or at least meet traveling Permians. Here's yet another Finnish source more on the Finno-Ugric people around Kama river.

Anyway, hela belt was made of leather and filled with small decorated lamellas, often in square shape, but various other shapes too, like animal ornamentation. In this period hela belt helas were bronze. First image is a nice full set of hela belt metal pieces found in Pirkanmaa (Finns). Second is an older example, right before Viking Era, from Vaasa, costal settlement, (Finns), depicting a very Permian style. The third one is a lion hela found separately in Pälkäne (Tavastians). They are also found in Tuukkala, showing that both eastern and western cultural influences were present there at the same time.

Another western Finnish belt type for men had intricate tassels decorated with bronze spirals hanging on the waist at the end of the belt. They could be made out of leather or tablet woven band. First image depicts a reconstruction of such tassel. Belts in east and west would have strap dividers to hang straps for things like purse, knife and sword. The first picture above has couple of those, but the second picture below has two more of them in more detail in the middle of the picture. These finds are from Lieto (Finns).

Cloak

Like women's cloak, men's cloak was woolen and either a square or trapezoid. Cloak is yet another east-west divide. In western Finland men's cloaks have embroidery with bronze spirals. They in fact appeared earlier in men's cloaks (in 900s) than in women's cloaks (1100s). They were also a little different in men's cloaks. The spirals and the patterns themselves were bigger and the fastening thread itself was also used for the pattern creation, unlike in women's dresses, where the thread was mostly covered. In eastern Finland there has been no finds of bronze decorations in men's cloaks, mostly only cloak brooches have been left of them. Unsurprisinly same applies to Karelia. This also means there's very little fabric left too. There's one exception. In Tuukkala (Savonians) they found a piece of fabric probably from men's cloak, though it could be from a men's dress too. It was striped, with possibly white or brown base and wide stripes of red, blue and yellow. So perhaps eastern Finnish cloak was not non-decorated, but the decoration was in the fabric pattern. Unfortunately it's hard to know how common fabric like that was, when so little of it is left.

Accessories

It's safe to assume men too wore some type of headwear, but none of those has survived. It probably means it was entirely made out of fabric whatever it was. Some type of hat or cap was certainly used in cold weather at the very least. Tablet woven headband was also possible option for not too cold weather.

In Tuukkala there was couple of interesting jewelry finds too. Two graves had a necklace type mostly found in Karelia. It was birchbark tape covered with nettle fabric and had square helas sewn into it. There were also more typical Finnish necklaces made of beads and bronze spirals.

Razors have also been found with men in their burials, so we can assume shaven faces or at least trimmed beards and moustaces were fashionable.