#like i want to for organizational purposes but. well

[dreamingmappist]

For next year I got another regular weekly/monthly planner (mostly coz it’s free from work) that I would put bullet point tasks in and a blank notebook that’s not really going to be a bullet journal but does have tracker spreads (period, some money stuff, reading and watching logs).

Having One notebook for everything can be good if you’re the type who feels scattered. But I am enjoying having multiple notebooks and journal spaces with different purposes. (Including things like nature journaling, commonplace diary, media log, drawing from life)

Having a dedicated productivity system is good if you need a structure in your life—I imagine it works very well for freelancers or business owners. But I also kind of stopped looking at productivity as something to aspire to. I want to get my tasks done and then do more creative things as a hobby. You could say I’m scaling back on my ambitions and you would be right. I’d like to focus on being present, trying new things, getting healthy, loving people and having fun. Some of these are quantifiable. But when we quantify some human behaviour it kind of has us focusing on numbers instead of quality of life.

My point being that the og bullet journal method is definitely worth looking into but it won’t necessarily be what works for you. With or without the pretty. Also I respect the people who took this bare bones system and demonstrated how it can fit in their very different lives. You can still learn things from either version of it. A little mindfulness, a little organizational skills.

Still reeling from the realization that bullet journaling was essentially created to be a disability aid and got legit fuckin gentrified

[citrusinicake]

just finished round 6 of alien stage and man i have so many thoughts (not just of round 6 but of alien stage in general) but theyre kinda disjointed and may be a bit nonsensical to anyone who isnt me lol but i figured i may as well put them here

huge "idk if the flower symbolism is the same in korea" disclaimer but i do still think it fits regardless

mizi and sua adoration crossing over into idolatry/pedestal worship, love in remembrance, hope blooming from despair

mizi worships sua the way a human does a god but sua worships mizi the way a god does a human, but what does being a god in a godless universe even mean, what does being human in a universe that sees you as nothing more than a pet even mean

the first four lines of round 1 i believe is significant throughout the whole story "Oh my Clematis / hope bloomed from the abyss / Oh my Clematis / always be by my side" sua sings the former two lines and mizi sings the latter two, sua is despair (prominent black in design, often depicted with shineless eyes in art esp when not around mizi, godhood, arbiter of change, she haunts mizi's narrative, the abyss, even so there is the shine of starlight in the void), mizi is hope (very "floral" color pallet, often depicted with the shiniest sparkliest eyes in art esp when light shines on her glasses, the clematis, "bloomed" after sua is killed and loses what is covering her eyes)

i think the fact that we never really get to see from sua's perspective is part of her "mythology", that we never see much aside from her love for mizi, that we wouldnt truly know if shes anything more than a devotee if the supplemental material wasnt a thing

ivan and till reaching out for something impossible, for something that gives them hope in an otherwise stifling circumstance, for something that showed kindness in a cruel world, for something to fight for, for something that keeps them going, idealism, the want to be broken apart by the person that they think can mend them

ivan's pupils are as red as the meteors which may burn bright and are magnificent but are ultimately destined to fall, people often wish

saying that the gods are looking down upon someone is often a way of conveying their misfortune

till & mizi and ivan & sua are often depicted with parallels to each other

till and mizi both have green eyes, have an asociation with flowers (symbolism, the red flowers in the garden), both far more emotional than their counterparts, both dressed in black (like theyre going to a funeral) on the round they sing (not even compete) with their counterpart, on the round their counterpart dies, directly attacked a contestant, get severely depressed after losing their loved ones, have a hallucination of their loved one after someone triggers them, directly attacked the person that triggered them

ivan and sua were both given abundance not in the caring sense but in the showpony sense, have an association with stars, and were wearing white on the round they died (like they were going to a wedding), and (assuming ivan assessed what sua was doing correctly) both sacrificed themselves for their loved ones (sua wanted to be remembered [i wonder if she at the very least felt happy that her lover will always remember her, regardess of how it came about, if she felt happy that it was her that died and not mizi, i wonder if she truly had hope that they could both get out of the round alive or if she just went along with it for mizi's sake], ivan wanted to be seen [i wonder if he at the very least felt happy that his loved one finally saw him just him for once, i wonder if he kissed till not just for tills sake but for his own too, i wonder how he felt that he never really got to leave a mark on till despite seemingly wanting to since that "choke" absolutely did not leave anything])

i dont really have much to say about hyuna and luka for now aside from theyre a perfect representation of the two sides of the culture clashes going on and i love them both for vastly different reasons (hyuna is awesome and very cool while luka. is not.)

[bereft-of-frogs]

It has been *erases chalk number* 0 days since I faced peer pressure to watch the clone wars (2008)

[giantkillerjack]

Junji Ito makeup test #1

OR

Figuring out what I need in order to create a music video parody of the song "Gloria" by Laura Branigan, but make it about Tomie. I will be playing the part of a 1980s pop disco singer in the style of Junji Ito. This is high art in progress, people! 😘😂😅

photos of first test:

additional digital notes made using Clip Studio:

main takeaways:

So first off, where the fuck did my stage makeup go??? I had no idea it was missing until today!! I ended up using the makeup from when I used to perform as a mime. (Not a joke, but in a larger, cosmic sense, kind of a joke. 😆 I'll probably do it again sometime. I was adorable as a little soft butch gay mime!)

I now remember why I stopped using the dry cake face paint and switched to wet paint in a tube BUT I CANNOT FIND THE TUBESSS

I'm out of eyeliner in general, but for this, I need some kind of extra thin/fine eyeliner and preferably more than a thimble-full of paint for it.

Maybe I can thin out some matte black face paint and also get like a really nice fine brush? I guess it depends on if the paint is water-soluble.

I should probably check to see if I already have these materials, which would be SO MUCH EASIER IF I COULD FIND MY FUCKING STAGE MAKEUP--

Either way the lines need to be super thin, straight, clean, and parallel to each other. Or I could look at the rougher cross-hatching Ito sometimes uses, but I suspect tidier lines will look best with makeup.

Luckily, I already have an entire burlesque/drag act where I make myself look like a character from a black and white film. Between that and the mime thing, I theoretically have all the white gloves I will ever need lol. I guess I'm going to need white leggings, since the light gray ones won't work for this. Junji Ito is not generally greyscale as much as literally black and white.

Do I own makeup primer? I feel like yes. It definitely sounds like a good idea.

I KNOW FOR A FACT I DIDN'T THROW OUT MY STAGE MAKEUP because I had quality skin-safe glitter in basically every color, and only a FOOL would throw that out!!!!

Gloria is a song from 1983 with disco balls in the music video. Do I want to incorporate more style choices from 1983? Should I buy a wig? Something with shoulder pads maybe?? I guess that means I can keep the thick eyebrows...

Actually upon further research, I do need a sequinned shirt for this. Possibly a sequin leotard with a shiny belt. And leg warmers. OH! And a jacket with just the biggest shoulder pads I can find! Or at least the closest thing I can find to this outfit in one trip to a thrift store

Every 1980s music videos seems to have a person with their hair and clothing flowing in the wind. Now, I could buy a fan. But much funnier and cheaper would be a shot of my hair blowing in the wind that then pans to a friend furiously fanning me with a piece of cardboard or something. (Which means I'd need either two people helping with this shot, or I just have to accept that the shot's going to look kind of blurry by doing the zoom-out in post. Oh gods, I would have to write a proper shot list ahhhhhh--)

Honestly, blurry footage seems fine in some parts. I'm probably going to add some dreamy soft filters anyway to make it look like pre-digital 35mm film from an 80s vid.

I'm going to need some fake blood to splatter at me in the middle of the video. Obviously. So I guess that bit will need to be filmed outside.

The good news is the fact that the nearest easiest filming location for me is a alley full of dumpsters is actually really appropriate for this video. XD

Should I do the distressed eyebrows that a lot of Junji Ito characters have? Note to try that in the next test along with a The Crow-like smile. (My go-to high school Halloween costume. Damn, I have been painting my already pasty-pale face even whiter for a while now! 😅)

Other progress made on this project today:

I recorded myself singing a voice memo along to the rhythm of the karaoke version of Gloria that's on YouTube, but in it, I'm singing in the key that is appropriate to my voice. (A couple half-steps down, I think.)

Next step will be to load that clip onto my computer and adjust the karaoke version to match its pitch. And then like, practice the song with my new personalized backing track.

If i actually finish this, I'll have to re-record the backup vocals to say the right name.

Also the next step will be to see if my interest in this lasts long enough to at least get me to find my frickin' stage makeup.

Additional notes:

The original music video for Holding Out for a Hero is exactly the right energy for this, and now I absolutely need shots of me in front of (badly green-screened) flames, on my knees while singing passionately and directly at the camera and presumably wearing kneepads tbh

Omg what if I included a little "photoshoot" sequence and really fucked with the photos to make them all blurry-body-horror nasty as they flash by real quick?? Get like, a glitch effect in the mix hell yeah 😎😎😎

Edit: Omg i just remembered I have these short-shorts with a reanimator quote on the ass! ("Blasphemy? Before what god?") i know what shorts to wear for this now!!

Oh! Another idea! What if the video starts with me reading Tomie and then closing the book and picking up the nearest microphone-shaped thing and using that to start singing - and every 30 seconds or so of footage, it quietly changes to a different item (one of which is absolute the black wand vibrator that I have XD)

Note: I can easily shorten the song if I only have funny shots planned for like 2/3 of the song length. No need to get too repetitive.

[lurking-latinist]

How to Suck Less at Summaries

Probably almost anyone who's ever posted a fic to ao3 or a platform with a similar interface has been hit by that moment of panic, breaking in on the euphoria of having finished and polished a fic--"what do I put for the summary?!"

So much so, that "I suck at summaries" in the summary box has become something of a cliche. It's very understandable! You've already put all that work into writing the fic itself, and now you have to write ANOTHER thing with its own set of conventions and expectations? No way!

And I want to start by saying that that's absolutely fine. Fic writing is your hobby, your creative endeavor; you're not obligated to do anything in it that you don't want to. You can leave the summary box completely blank--ao3 will let you--and there's no reason you shouldn't, if that's what you want to do! If you're happy with your summaries, please don't change them. There's no wrong way to do summaries. This is your invitation to ignore the entire rest of this post!

However. My impression is that an awful lot of people aren't happy with their summaries. They would like to have summaries that catch a reader's attention, that fit common patterns, or that give a good representation of the fic; they're just not sure how to accomplish that, or what readers might be expecting. And the good news is that writing various styles of summaries, like other kinds of writing, is a skill you can improve--and that there are some tips and tricks that can help you write the kinds of summaries you may want to write more quickly.

How do I know? Well, on top of having read I don't know how many fics, I've published 200 of my own, with all different kinds of summaries. (In fact, writing this post is my treat to myself to celebrate publishing 200 fics!) So I have a lot of trial and error experience to draw on. I'll be using my own summaries as examples (plus some hypothetical examples), because I don't want to be nitpicking anyone else's!

I'm going to throw in a cut now because this is gonna get long.

What do you want to accomplish with your summary?

That's the first question you might want to ask yourself. And the answer really is up to you! The name "summary" suggests it's supposed to be a sort of short version of your story. That's one option. But summaries are often used to accomplish various other things, too: some of my favorite summaries don't really tell you anything about the plot of the fic, but instead give you a glimpse of the writer's style or lure you in with a question. It can also fill organizational purposes like commemorating the reason the fic was written (although author notes can also be effective for things like this).

Most fundamentally, I tend to think of the summary box as a place to manage your readers' expectations. I want them to have some sense of what the fic they're about to read might be like, and I want to present that in a way that highlights why it might be appealing to them. Of course, what I write won't be appealing to every reader--and an effective summary, plus accurate tags and ratings of course, allows a reader who won't enjoy what I have to offer to quickly keep scrolling and find something that fits their tastes better. But the way I think of them, summaries are really mainly for readers who will enjoy my fic if they decide to open it. A summary for a fic is like a pretty package for a gift: the gift is great in itself, and the nice gift-wrap makes it more eye-catching and more fun to open!

Sidebar: This "managing expectations" thing is, I think, the reason why authors sometimes add notes in the summary like "I'm sorry if this sucks" or "this is my first fic, it's probably terrible." I completely understand where this comes from--you don't want to make your readers expect some kind of genius literature and then only have something to give them that you yourself are still insecure about! But I really do think they're generally counterproductive. On the one hand, that kind of negative self-talk will tend to undermine your own confidence and make you more insecure about your writing, not less; on the other hand, they can subconsciously prime your readers to notice weaknesses and issues that they might otherwise not even have paid attention to! That doesn't mean you have to pretend you think your writing is perfect; very few of us do think what we post on fic archives is perfect. There's nothing wrong, even, with a note like "this is my first fic" or "this one is a bit experimental, I'm not sure how I feel about it" or "this wasn't written in my first language" or even "this is an old fic and I don't think it represents my best work anymore", although I tend to put that kind of commentary on craft in the author's notes rather than the summary, but that's just me; there's no rule. As an example, when I recently published my first fic in the Hornblower fandom, which has a historical setting I wasn't previously very familiar with, I thanked my beta for helping me avoid "historical howlers" and added "any remaining are my own responsibility." That made me feel better about potential mistakes in research by showing that I was aware I might have made some. I put this in an author's note at the end of the story. But, for the sake of you as a writer as well as me as a reader, I'm asking you--please don't start out our reader/writer relationship by telling me it's terrible! Give yourself a chance to shine. Even if there's a lot you're insecure about in your fic, there's something you love--maybe it's the premise, the ship, even one particular line--that makes you want to share it with the world. Use the summary to highlight that. As your reader, that's what I want to know about!

Anyway, now that you've decided what you want your summary to accomplish, there are a couple of very easy ways to fill the summary box that you might want to consider--if they make sense for your fic.

Just quote the prompt

When I write prompt-fic, often very short, I frequently just quote the prompt itself as the summary. An example would be my 3 Sentence Ficathon fic archived on ao3. Since the challenge in this event is to write a complete fic in only three sentences, a summary wouldn't be much shorter than the fic itself! So I just do summaries like

For reeby10's prompt: "Doctor Who, Clara/Twelve, unforgettable."

(Gaps)

This can work outside of prompt memes, too. If you're doing a monthly challenge, for instance, something like

Flufftember day 21, 'breakfast in bed'

might tell your readers all they need to know to be interested in your story and know what to expect.

Set the context

For some fic, the most important thing you want your readers to know going in is something about the fic's context. For instance, with drabbles I sometimes use the summary as a place to sneak in information about setting/what's supposed to be happening that I didn't have room for in the drabble itself. For Susan's Twist, a 100-word drabble, I set the scene in the summary:

Susan is grooving to the latest chart-topper of 1963. But for some reason, the song makes her grandfather uncomfortable.

which meant I didn't have to use any of my 100 words explaining "Susan was listening to the radio, when..." Since Susan's Twist was inspired by someone else's Tumblr post, I could also just have referenced that post in the summary. But in this case, I chose to phrase the premise in my own words in the summary, and cite the Tumblr post in the author's notes (I also tagged the OP when I shared the fic on Tumblr).

Flower Children is an example of a drabble with a not particularly effective summary where I could have used this strategy quite effectively. The summary is just

Neither of them wants to fight.

which is all right, but which doesn't do much to set up the (admittedly cracky) Eighth Doctor/Dalek Oswin pairing that motivates the fic. But then, I've always felt like I didn't have quite as much of an idea as I'd like about what the context for this fic is supposed to be. Maybe I'll write more about them sometime.

Setting the context can also be useful for summaries of AUs. Very often, what draws people into AUs is the AU concept itself.

For instance, the premise of my story te quaerens, Ariadna is that the events of the audio Zagreus go differently and the Doctor remains possessed by/transformed into Zagreus. So that's what I said in the summary:

The Doctor is still Zagreus, but he and Charley find ways to keep going.

In this case, the summary is accomplishing more than one thing; it explains the concept, but it also indicates a bit of the story's tone--it's fairly optimistic given its premise, and it's more about how their relationship evolves than any particular plotty event.

With setting change AUs--especially in familiar AU settings, like a coffeeshop, high school, or fantasy monarchy--often what readers will most want to know is what roles the characters are filling; in other words, how the translation from canon to AU has been made. For instance, my story Warmth is already tagged as a coffeeshop AU with the Fifth Doctor, Nyssa, Tegan, and Adric, so the summary indicates that it's told from the perspective of Tegan as a new employee:

Unexpectedly stranded in London and looking for work, Tegan finds a place where she just might fit in.

If she had been a longtime employee or a customer, that would have changed the story's dynamics, and I would have wanted the summary to reflect that instead. I could have also added that the Doctor is the shop's manager and Nyssa and Adric are the existing employees, but I decided to let the story itself reveal that in this case.

With someone's planted a bath bomb in the matrix, which is a retail AU inspired by an incorrect quotes tumblr post, I just stuck the whole tumblr post in the summary box:

Romana: When you work at lush and a customer comes in and bites the soap because they think it’s cheese… this happens way more frequently than you think. Leela: If you stopped literally presenting soap as deli food this wouldn't happen. Narvin: Who goes into a bath store and thinks something covered in glitter is cheese? Brax: Who goes to the store and just takes a bite from the cheese? ~incorrectgallifreyquotes.tumblr.com

I might do that a bit differently now--maybe more the way I handled Susan's Twist--maybe something like this in the summary:

An uptight employee and a too-suave customer are making Romana's job managing a bath store way too stressful. Thank goodness--probably--that her best friend works for mall security.

And then I'd have put the tumblr post that inspired it in author's notes.

Thing is, though, that reflects my taste and what I think is effective now, but it doesn't mean I did it wrong the first time. People read and enjoyed the story, and it was fine!

Also I just showed this post to Moki and she said she thinks the first one's more intriguing. So that just goes to show, it's really a matter of taste.

This strategy is also useful for missing scenes and things like that. Something as simple as

While waiting for Z to return from the rendezvous, X and Y have a conversation.

can draw in readers very effectively, especially if X and Y's conversation was kind of obviously a gap in the story that they might already be curious about.

Use a quote

A surprisingly effective and straightforward way to create a summary is just to use a quote from the fic. I've seen tons of great summaries like this that hook me in immediately. I struggle with using it myself, because I want the line I quote to be powerful/impactful/intriguing and give some sense of what the plot is like and make sense out of context, and I don't often seem to be able to find lines like that in my own work. But I did for The Moon by Night:

It could not have been more than a day that we clung to the hull of that station full of troopers.

Since this is a space AU for a historical fiction novel, this line gives some sense of how the events of the story have been translated into space, and also shows the voice I'm writing in (I tried to follow the style of the original, which is first-person, which is unusual for me). If you can find a line like that in your work, it can be a great summary. You can even just put the first couple of lines of the fic, especially if you've already worked to make them an effective hook!

You can also use a quote from another source. Was there a line or moment from canon that inspired the fic? A poem or song that fits its mood? You can use the summary as a sort of epigraph. (I often use author's notes for this as well.) If your readers vibe with the quote that inspired the story, they're likely to vibe with the story as well.

I did something like this with Absent thee from felicity awhile. The title is a quote from Shakespeare's Hamlet, and all I put in the summary box was another quote from a couple of lines later:

…to tell my story.

This is so short and contextless, though, that I'm not sure how effective it was. It maybe only works if you recognize the specific Hamlet scene that it's taken from and have thought about that scene in the context of a specific episode of Hornblower. (I promise that, if you do, it's heartbreakingly ironic!) This could have been a good opportunity for me to do a double summary (see below), especially since the story is epistolary and I could've established its context. Although I did kind of like revealing who was reading the letter and when slowly over the course of the story.

Okay, but I do want to explain the plot

Right, so we've established that effective summaries don't have to be in that "back of the book blurb" format. But sometimes you want them to be. Sometimes the thing you're most excited about is the story's plot or events, and you want to communicate that to the reader. But you already wrote the story in order to communicate the plot to the reader; how do you condense it into a sentence or two? Here are some tips that may help.

Are you using familiar tropes? If so, just mentioning them will likely tell your reader not only what the plot is, but that (if they like that trope) they're likely to enjoy it. For instance:

A and B are trapped in a snow cave/ice planet/walk-in freezer and must huddle for warmth.

That particular one will also explain a bit about the setting, if you want.

Relationship status/development is also something that many readers want to know, whether it's a romantic or a gen relationship (e.g. characters becoming friends or realizing they see each other as family). For instance, if A and B admit their romantic feelings for the first time in that huddling for warmth story, you might add:

They get a lot closer than either of them expects...

I rather like ellipses at the end of a summary; I think they imply, sort of, "read the fic to find out the rest." I sometimes use them to soften a summary that feels a bit abrupt. I feel like this might be just me, though? So if you don't like ellipses, nothing wrong with ending that same summary with a period.

If you have a fic where the entire content is some emotional development between characters, the entire summary can easily be that too!

I don't really write smut so I don't have good advice for summarizing it, but I get the feeling this might be a relevant strategy for it?

What changes in the story? This could be a change in characters' attitudes towards each other, in the information they have, in their physical situation, or anything else. A story doesn't have to be about one single major change, but there's almost always at least one. (Or a change fails to happen, but in an interesting way: "five times Lois Lane didn't realize Clark was Superman" would be a perfectly intriguing summary!)

What demands are made of the characters? Many stories involve a character overcoming some kind of challenge or meeting some kind of test. A summary can indicate what that challenge is--and you don't have to indicate whether or how the characters meet it! This can contribute to a feeling of suspense, so that the reader feels they need to read the story to find out how the characters react. For instance, I summarized my story Journey as:

The Doctor and Ace need to stop a dimensional leakage to put a life-sucking entity back where it belongs. But to do so, they'll each need to protect the other in their own way.

What are their own ways? Do they succeed? The reader can probably guess that they do--but how? Their attention is caught, and they'll have to read to find out!

Some notes on format and style

Summary style is as personal as the rest of your writing style, so this is only intended as a mention of a couple of trends I've noticed.

Sometimes summaries are 'in-universe'--i.e. they describe the characters and what they do, without reference to the existence of the fic itself as a textual entity--and sometimes, like the "five times" example I gave above, they refer to the fic's format, characteristics, relationship to canon, etc. in direct terms. (For instance, the example I gave for a missing scene was 'in-universe,' but I could just as well have said "While waiting for Z to return during Episode 3..."). Either of these approaches are fine, although I personally tend to incline more towards the in-universe style unless I have a particular reason to use the other, such as in Differences of Opinion, which took a lot of metatextual explaining:

When I read enough easily-crossed-over stories, such as for instance the Age of Sail books that I have been reading lately and also spaceship stories inspired thereby, what inevitably happens is I end up with a nebulous meta crossover setting where they can all hang out outside of their respective canons. Here's one conversation from that setting.

I keep wondering if something more terse might have been more effective, and I could have put all that in the author's notes. But I really think that for anyone who would enjoy this fic, the metatextual complication is a big part of the appeal. So I put it in the summary.

It's pretty standard to write in-universe-style summaries in the present tense, even if the fic is in the past tense. "The characters do this and that," not "the characters did this and that." You don't have to, but it's what your reader is most likely to be expecting.

It seems to be quite common to have a double summary: one that maybe reflects the style and tone of the fic, and another, more matter-of-fact one that explains the plot. They're frequently joined by "or." I don't typically use it--maybe because I rarely have the problem of having too much summary--but if you do, this could be a great solution.

Spellcheck and proofread your summary extra. Whatever strategies you normally use to make sure the words in your story are the words you actually meant to write, it's a good idea to turn those strategies on the summary with special intensity. After all, this is your first impression on your reader, so you probably want to look as polished as possible!

These are just a few things I've noticed that I tend to think about when staring at that blinking cursor in the summary box. I hope they may help you, too, to feel like you have something to say in that moment!

[cepheustarot]

How do other people see you?

Attention! This reading is for entertainment purposes only. This tarot reading does not give a 100% guarantee that all the described situations will occur or being ultimate truth. You build your own life and destiny and only you know yourself best.

Paid readings

Pick a pile. Choose one or more pictures. Trust your intuition.

Pile 1: People see you as a wise person with a lot of experience who can help solve a problem in any field. You are also considered empathic, you get deeply into the problem and offer exactly the solution that would suit him exactly, or say the words of support that he would definitely want to hear. I dare to assume that this pile was chosen by people who work as a psychologist or study for it, but you can just be interested in this topic. At the very least, you are involved in an area where you need to contact people a lot (for example, you are engaged in volunteering or you are working/studying to be a journalist and etc). And although you are quite an empathic person, at the same time you are seen as conflicted, but this is because you do not hide the truth and openly speak, you are honest and straightforward, and this sometimes hurts people. You are also seen as a critic, you may have high standards and therefore it is difficult to please you, many things you may not like. You are seen as a mysterious person and you attract people to yourself with such an aura, they want to get closer to you, but not everyone succeeds, because again you are attentive to the choice of friends, making a social circle!

Pile 2: People see you as a person to look up to and whose word is worth its weight in gold, you are authoritative for them and people rely on you in serious matters, as your advice really makes sense and helps in solving the issue. At the same time, you are considered an important person who is proud and confident, you know your worth and you have good self-esteem. You have practicality, rationality and good organizational skills. People believe that you are used to relying only on yourself and can cope with any life situation alone. At first glance, you may seem distant and taciturn to them, but this continues until you and your interlocutor get to know each other better. In fact, you always know what to talk about, and you prefer to talk about something deep, on topics that can be discussed for a long time, from a philosophical point of view. You are also considered a fair person who tries to look at reality objectively. You also have well-established views on life, you know exactly what you want, you know your values and principles.

Pile 3: People see you as an active person who does not sit still and is constantly on the move, is engaged in something, easy-going and easily agrees to the proposed gamble. You are presented as a flexible person, you easily adapt to new changes. You are also seen as a person who has enough resources and opportunities to start getting involved or doing something new. Moreover,  your any endeavors are accompanied by success and luck, you succeed in everything, no matter what you took. Financially, you will also not miss the benefits, you know how to earn a lot of money, you can be described as a magnet for money. However, you get very upset when something does not go according to your plan or something did not happen as you expected. Perhaps you are also impatient because of your nature, it is difficult for you to wait for a long time, you do not fixate on one place and often changes something, be it your style of clothing, your social circle, hobbies and etc.

Thank you for reading! I will be glad of any feedback 🖤

[weaselle]

@ffoxer howdy! happy to oblige :)

i used to have a dresser and a bunch of hangers in my closet and like, closet organizer thingamabobs, but instead of using any of that stuff my clothes were always in several piles around my room.

And i felt shitty about it all the time but couldn't seem to make myself the kind of person who kept their clothes folded and organized. My room was constantly cluttered with clothes like drifts of snow scattered and piled here and there. Like, i felt really REALLY shitty about that. Deep shame

any ADHDers and spoonies out there relate?

SO one day, i said to myself, what if i'm okay the way i am? What if i just need to refine how i already do things a little bit instead of insisting on reinventing my entire identity?

Did i really care about being the kind of person who's socks were rolled just so, and whose shirts were all folded perfectly and arranged by color or whatever?

no

What i did care about was not living in a cluttered, messy, unorganized, embarrassing space.

And it turns out my piles WERE an organization system. What's more, my piles were a system that had been shaped by the way i actually use my clothes, it was a system that made sense for how i live my life. And i bet it's the same for most of you who relate to what i've been saying so far.

There were the clothes that were dirty, the clothes that had been worn but could be worn again, and the clean clothes (often dumped from the washer to the bed with the intent of folding and putting away, then slept next to when that didn't happen, and finally transferred to the floor next to my bed or piled in my closet once i gave up)

These three piles (dirty, clean, wear again) made up my "i wear this stuff all the time" wardrobe, and then everything else was still in the dresser i never actually used, with a few remaining almost-never-worns hanging in the closet.

This made my dresser, essentially, just a bin of clothes i could label "rarely wear"

And the thing i hated about my piles was that they looked messy, and took up too much space, and cluttered my room, and anyone who came into my room instantly assumed i was a disaster of a human because that's what it looked like. And, honestly, that's what it felt like too.

But i could change all of that and still have piles if i just... put my piles in bins! Then they would clearly be on purpose. And contained. And on purpose contained piles aren't a mess! They're a tidy organizational system.

So i got rid of my dresser and most of my hangers and i bought four of those plastic bins with the lids that you can get anywhere from hardware stores to target. Now, if you want to inhabit a fancier lifestyle, you can get nicer bins, they make all kinds, from canvas to wicker to polished wood or whatever suits your style and budget, I'm currently using the plastic ones, but when i move i'm planning on getting something more like this

the point is, these bins contain my piles without me having to change the piles at all.

now instead of having to sort all that stuff into different drawers i just have 4 simple bins

1: clean clothes

2: dirty clothes

3: stuff i might wear a second (or third) time

4: clothes i almost never wear

remember how those first three piles make up my "wear all the time" stuff? Well, each of the first two bins are big enough to contain all those clothes (which for me is about two loads of laundry).

I have a smaller bin for clothes i've worn but could wear again. And the last one, almost-never-wear, is actually the biggest one. And naturally a couple almost-never-wear things still get hung in the closet.

So when my "wear all the time" bin is empty, that means the dirty bin is about full, and i just add the might-wear-again stuff to it and carry that bin to the washer. When it comes out of the dryer, i still follow my natural instincts to dump them in a pile and forget about them, it's just now i dump that pile into the clean bin, where they belong.

And when i'm digging for something in the bin and can't find it, just like when i would dig in my closet, i can just dump it all out on my bed to find things like i used to, but then it goes back in the bin with a sweep of the arm.

The clothes naturally sort themselves out this way, too. Say every time you go to do your laundry because you "have nothing to wear" there are the same few items left in the bottom of your clean bin. Well those are clearly part of your almost-never-wears and you can dump them in that bin before you wash your laundry. When the weather gets cold, i put most of my shorts and tank-tops in the almost-never-wear bin. I make room for them by taking out my everyday winter wear to go in the clean bin.

I can put the bins where it makes the most sense for how i use my room naturally. For instance, my sweatshirts and jeans i might wear again always used to wind up draped over the back of my desk chair, so now i put my could-wear-again bin right by my desk. If I want my room to be extra tidy, i just stack all the bins in the closet where the dresser used to be, which takes like twenty seconds.

and the BEST part is, because my bins are just the piles i was naturally already creating, my clothes stay in their bins, which is inarguably a system of organization, and my room is actually clean and orderly, no messy clothes piles in sight!

i did a similar thing with my paper piles and now there's very little clutter and i don't feel like a failure of a person about my room the way i used to!

I have accomplished Clean Organized Room without having to change who i am or how i live! 10/10 highly recommend

[zipegs]

I’m back again with another rec list!! This time, I’ll be focusing on ostensibly lesser-known long fic—for my own organizational purposes, this means a word count of (approximately) 20k+. I will be including WIPs this time around, but they’ll be clearly indicated at such. Recs are divided into two categories—canonverse (including slight adjustments to it) and alternate universe. All fics are Hannigram unless otherwise noted. 

Please be sure to heed all archive tags and warnings! Hope you enjoy, and don’t forget to give the authors some love!!

Dolce Far Niente by @avegetariancannibal​ [E, 20k]

Hannibal and Will have many, many sweet things to say and do to each other.

Technically this is part of a series, but I found it reads perfectly well on its own! 20k of Will and Hannibal being soft, sappy, and incredibly in love post-fall. A little domestic fluff, a little vacationing, and a little smut—the holy trinity tbh.

The Fall, The Flood, The Flight - Hannigram by write_starlight_riots [T,  24k]

Hello! :]

This is mainly the manifestation of a very indulgent inspiration/daydream/thought experiment that seeks to explore what immediately-post-fall Hannigram would be like. And I mean /immediately/.

Also inspired by @/threadsoflacee on tumblr!

I’m a sucker for hurt/comfort, sickfic, and vulnerability, and oh man does this fic deliver! The boys are hanging on for dear life as they fight to take care of each other’s wounds while struggling through their own. Both of them are absolutely hamstrung by their injuries in the most delicious ways, and we also get some wonderful ~feelings~ drama and realizations mixed in with it all. Very visceral and desperate in the best of ways.

Io by cuspid [M, 24k]  * WIP

"You look tired, Will. Why don't you rest? I promise I'll wake you if anything should happen." "It's already happening," Will said, and Hannibal's smile widened.

On the way to the cliff house, Will begins to feel unwell.

SUCH an amazing A/B/O AU! Will presents as omega and goes into his first heat while he and Hannibal are driving to the cliff house. cuspid’s writing is STUNNING, and I’m particularly enjoying the way they weave omegaverse into the universe, including the cultural and language differences they include when we get Chiyoh’s POV. It really feels like an intrinsic (and very NBC Hannibal) part of the universe, and they fit it flawlessly into canon. Speaking of, they include some fantastic Chiyoh POV as well as POV from an original character who I fell in love with instantly. Amazingly hot, fantastic characterization, sexual tension... 1000/10 highly recommend. Last updated June 29, 2023.

The Rules of Disorder by @lestatdelioncourte​ [E, 53k]  * WIP

He is falling...

Will Graham falls off a cliff in the arms of Hannibal Lecter, finally accepting the darkest parts of himself. He wakes up, uninjured and in Hannibal's bed in his old Baltimore house. Confused, Will quickly realises something is wrong and has to navigate a new reality: one where Hannibal Lecter is not a killer, where they have made a life together without any of the familiar horrors. It is his ideal world...isn't it?

I’m definitely a sucker for parallel universe/time travel nonsense, and this fic doesn’t disappoint!! It’s so heartbreaking and hopeful and bittersweet—Will finally gets everything he could have had, only to realize it’s not the same as what he wanted at all. Very investing, emotionally rewarding fic! Definitely feeds my hankering for angst while not being one-note painful—it’s got that delicious balance of comfort and pain that I can’t get enough of. Last update was June 2023.

Honzen Ryōri by @terminalfids​ [E, 54k] * WIP

"I have never felt as alive as I did when I was killing him," Will admitted in a whisper, and it was true. His skin ached with it, felt like he might simply burst from it. It wasn't enough to contain him.

"Then you owe Randall Tier a debt," Dr. Lecter mused softly, still holding on to Will's hand as he cast a glance over the corpse before them. "How will you repay him?"

"I want to skin him," he said after a long moment, dragged out until he could feel Dr. Lecter's emotions swallow his own with anticipation. The man's feelings were bombastic. Loud and inescapable when he let them fly free on his face. It was easy to submerge himself in it, mirror it, until Will felt more of Dr. Lecter in his head than himself. Dr. Lecter wasn't a psychopath. He was more emotionally alive than anyone Will had ever met. He just also happened to be able to act as cruelly as though he felt nothing at all but cold curiosity at the simple flip of a switch. "I need the- the parts. I want to build him a monument. Do you know a place where I might do that?"

For the second time since his release from the BSHCI he thought that Dr. Lecter might kiss him. He told himself that he was relieved when he did not.

Canon-divergent from Naka-Choko. Picked this fic up soon after it was first published my god did I enjoy it!! The very first scene had me head over heels—it’s beautifully written, delightfully intimate, and has just the combo of hurt/comfort, inner conflict, and turmoil that makes me drool. I’ve loved the little changes terminalfids has made to canon so far, and the way they’ve echoed or adapted canon scenes and lines in new, appropriately divergent contexts. Really fantastic characterization and POVs from both characters—I love the insights we get from each of them and am SO excited to see how it all turns out! Last updated on February 2024.

A place you can never go by @det395​​ [E, 84k]

When things don’t go according to plan, Hannibal makes a wish. He finds himself a year-and-a-half in the past and seemingly given another chance with Will.

His feelings about the situation only get more complicated when he realizes he may not have completely lost access to his old timeline after all.

A Digestivo canon divergence.

I have never ever felt so emotionally conflicted (/positive) while reading a time travel/parallel universe fic! Jen writes these characters beautifully and captures their pain so well. I love the way she uses the memory palace throughout this, and I was hanging on every word. Absolutely stunning fic that has become one of my all-time favorites. She also has written two DELICIOUS timestamps/accompanying one shots, which are part of the same Ao3 series as this fic.

The Storyteller by @gzdacz-writes-fic​ [E, 188k]

Hannibal has little choice: to eliminate the threat he presents, he must stand by and let illness consume Will Graham. But the brighter Will burns, the more the delusions of his inflamed brain begin to spill onto Hannibal's world, until the boundaries between the real and imagined become faint - and something Other slips through.

Canon divergent from partway through season 1. I will rec this fic until I’m blue in the face. It starts out /painful/—Hannibal lets Will’s encephalitis continue on unhindered with some truly devastating results—and continues on a slow, emotional, bittersweet train that incorporates some truly lovely character moments, some great catharsis, and an incredibly engaging surreal/magical realism–style mystery. Fantastic writing and characterization, incredibly engaging through and through. HIGHLY recommend but be prepared for the road to be bumpy! There’s a lot of caretaking and recovery both mental and physical, in addition to some emotional turmoil 🥰

Callin’ Anybody, Can You Hear Me? by nobetterlove [E, 19k] 

Daring to take an Introduction to Visual Arts class, a completely blind Will Graham ventures into The Walters Art Museum for an assignment. While taking the narrated tour, Will isn't prepared for the heavily accented voice flowing through his speakers, flawlessly describing the art that brought each piece to life. Though it was hard to believe, love at first listen sat at the back of his mind.

Two years later, Will visits the museum every other Friday, fixated on both the voice and the beauty and knowledge his favorite museum had to offer. With the right connections and a true talent, Will scores a gig playing for the museum's latest exhibit reveal. When a recognizable voice makes the opening presentation, Will is overwhelmed with feelings and dreamed up possibilities. What happens when the voice becomes a real person, who finds Will just as interesting?

Or - the one where Will falls in love with Hannibal's voice before ever meeting him.

A really lovely piece! The characterizations ring so true to me and I love this portrayal of blind Will Graham. The author does a wonderful job with Will’s inner monologue and really beautifully portrays his perspective and interaction with the world as influenced by both his blindness and his Classic Will Graham character that we’ve all grown to love! The first meeting between Will and Hannibal is so heartwarming, sweet, and charmingly fluffy, and their relationship blossoms quickly—we’re treated to some really lovely dates that beautifully capture that honeymoon-stage flutter and fondness, and there’s a lovely navigation of their mutual loneliness that definitely hit home for me. Though this fic itself is technically complete, it does end on a cliffhanger meant to be picked up by a second installment of the series. If you end at the penultimate scene, though, it can be read as a complete work!

Songs for the End of the World by th_esaurus [M, 20k] Will Graham/Abigail Hobbs/Hannibal Lecter,  Will Graham/Abigail Hobbs

When the infection hits, swift and relentless, turning men into monsters and the world into a wilderness, Will Graham is one of the few who doesn't run. He's lost his wife, he has no colleagues, and Abigail Hobbs has been a ghost for such a long time; the only person he has left in the world is sitting in the dank cells of Baltimore Hospital for the Criminally Insane.

Waiting for him.

A TLOU-inspired post-canon AU written before s2 aired. Really beautifully written, fantastically emotional and heart-wrenching piece that kept me engaged all the way through to the bittersweet end. The characterizations are so good and the prose is amazing—highly recommend! For those who don’t normally read Will/Abigail or Hannibal/Abigail, it is present, but I think even those who don’t normally find that to be their cup of tea could enjoy this piece! There are a few very brief sex scenes between Will and Abigail (really no more than a few lines) but it’s the intimacy and distance and horror and love between the three of them that really shines through!

oh, give no faith to show by videcormeum [M, 25k]  * WIP

“Try to relax your shoulders. Be one with your body, do not fight it.”

Atoms separated them. Will swallowed. With a deep, steadying breath, he allowed his shoulders to drop. It felt better, the pull at his muscles easier. His chin lifted naturally. Projecting to the balcony.

Hannibal smiled. “That’s good, Will.”

Dancers are dying at a local ballet company. With local law enforcement convinced it's an inside job, promising FBI agent and ex-dancer Will Graham is sent undercover to investigate. When he meets renowned ballet dancer Hannibal Lecter, it becomes clear that the investigation will be anything but straightforward.

Yes, you need to read a Ballet AU. Trust me. The whole cast is repurposed here as part of the ballet company (except for Jack Crawford, who remains with Will in the FBI camp), from dancers Zeller and Bev to ballet master Hannibal, choreographer Chilton, and Madame Du Maurier. The piece is really delightful and full of emotion, old trauma, and sexual tension while also delivering some really fun company bonding and banter. Really lovely piece, especially for anyone with any interest or experience in dance or performance! Last updated May 2021.

A Trip for Biscuits by anothersummerday (M_hys_a) [E, 26k]

In late summer 1936, Bedelia du Maurier's traveling circus is plagued by a series of murders, and Will Graham begins a brief but passionate affair with a man named Roman Fell.

Wow, a delightful read all the way through! The circus aspect itself doesn’t play too big—we don’t see any performances, so it mostly serves as a backdrop that provides a really lovely traveling outcast feeling. We get an encephalitis-era Will analog here, grappling with having killed Hobbs and facing his canon-typical nightmares and sleepwalking, and then Hannibal, using the alias Roman Fell, shows up smack in the middle of all of it. Delicious repurposing of canon dialogue, lovely cameos and supporting roles from characters like Margot, Reba, Dolarhyde, and Peter, and just really smooth, engaging writing.

climb into your shell of grief by skellytons [T, 37k]  * WIP

"There is... a distinctiveness to the way that you carry yourself, Will. It is familiar in people like me and unfamiliar in people like them." Hannibal looks up at the sky, reading the stars. "And people cannot trust what they find unfamiliar."

"Well, what can I do about that?" Will scoffs, feeling quite lost indeed.

"You say you have this man's address."

"Yes."

Hannibal holds out his hand, palm toward the calm sky, "May I have it?"

Will has never been one for support groups. He hadn't planned to stay for long. And then he heard Dr. Lecter speak.

Retired FBI agent Will Graham finally gives in to pressure and attends a grief support group, and one of the members there immediately catches his attention (three guesses who that is). This is definitely a heavy one, so check the tags—lots of angst and hurt/comfort, and the focus really is on Will’s grief and trauma, the background and details of which are fed to us just a little at a time, enough to whet the palate but not give you the whole picture right from the start. It’s also got a fun mixture of canon characters, who poke in from the sides, and unfamiliar ones, who serve as a pleasant, not-at-all distracting backdrop for Will and Hannibal’s interactions. Last updated May 2024.

give it to the dirt by @ropertplant​ [E, 132k]  * WIP

Hannibal gets called in to consult on his second FBI case after The Minnesota Shrike; a string of murders connected to New Orleans. While he’s there, he meets a very interesting tour guide for the city.

They talk. They argue.

And they have much more in common than they may realize.

This is the Hannibal we know from canon—Chesapeake Ripper, psychiatrist, consultant for Jack et al back at the FBI—put up against the Will we know in spirit, if not in exact circumstance. Will has remained in New Orleans and works as a tour guide, living in isolation on the swamp with his seven-plus dogs. There is so much to love about this one!! The characterizations, dialogue, and banter, for one, are delightful and so striking. We get a delicious helping of smitten Hannibal, bitchy/abrasive Dark!Will, delightful inner conflicts, sexual and romantic tension, some hilarious peeks at Team Sassy Science, and more. There are some INCREDIBLY fun and incredibly hot scenes, and there’s great humor throughout along with some really well-done sweet moments. This one absolutely consumed me—once I picked it up I couldn’t put it down! Last updated July 2024.

Symbasis by @bloodripelives​ [E, 126k]

Anabasis: a journey up away from the coast, cf. Xenophon, Alexander. Katabasis: a journey towards the coast, or, descent to the underworld, cf. Persephone, Orpheus.

The world is being torn apart and remade. The ripper of Carthage thinks to help with the tearing; a desert prophet is ready to be remade.

REALLY fantastic Historical AU that starts out at the end of Alexander the Great’s siege of Tyre, where Carthaginian Hannibal son of Lectis happens to have been stuck along with the rest of his envoy for the past seven months. Meanwhile, this version of Will (Weldjebauend, or Wel for short) is an Egyptian priest of Ammon-Re; he’d been found in the desert when he was a child by Joh (Jack), another priest of Ammon-Re, who’d taken him under his wing and brought him into the priesthood. Will’s encephalitis-induced hallucinations and empathy are repurposed into visions and knowledge sent by the gods, Hannibal is a hoplite soldier as well as a murderer who’s got a blood feud to avenge, and some of our favorite minor characters are woven in throughout, including Beverly (Bacaxa), Jimmy (Jason), and Brian (Briarios). There’s A LOT of history in this, and Alexander the Great and the historical happenings that go along with him definitely do not take a backseat. It’s a bit of a slow burn leading up to Will and Hannibal meeting and getting to know each other in any capacity, and it’s an enthralling ride—tei’s writing is fantastic and the characters are absolutely engaging from the very start!

[consanguinitatum]

DT and His Appendicitis Scar: So When Did That Happen, Anyway?

I think I've mentioned in previous posts that I come across quite a few personal tidbits about a young DT while doing research for my sloooowly developing podcast. I think - well, I certainly hope! - I've also mentioned those sorts of tidbits are not going to be in the podcast? Well, if I haven't mentioned it before, I'm mentioning it now.

I see no reason to include these sorts of things because the podcast won't be about David's personal life (either then or now) but about his professional life. But while I tend to consider most of the theatre work he did between the time he entered the RSAMD Junior School at age 11 (and then got his Equity card and went on to drama school) and prior to his move to London in 1994 part of his professional life, technically they're really not -- because up until he took his first job in the 7:84 in 1991 for The Resistible Rise of Arturo Ui, he hadn't been earning a wage. And he's said in interviews Arturo was his first professional gig.

But I'm choosing to split hairs here. For the purposes of my podcast, I plan to treat his drama school years as if they were part of his professional career. I do this because I want to give them the same consideration and respect as the rest of his career, and feature them as the seminal experiences they were. They helped build the foundation of his professional life. Besides, he himself has said that attending drama school was essential for him to become the actor he wanted to be.

Because I consider them professional experiences (and because I'm acutely aware of his desire for privacy) the podcast will stay as much in the professional arena as I can possibly make it. He's talked quite a bit about this period of his life before, and I don't feel uncomfortable highlighting anything he's mentioned which happens to coincide with information I've discovered. Anything of a more personal nature which gets included in the podcast will have been measured against all of these factors before it gets added in. So all of that said, we come to an interesting bit of information about something David has definitely talked about and shared about it before - but which has no place in my podcast. So let's talk about it!

The lovely mizgnomer did a great little post a few years back which featured a photo set of David chatting about the near-death experience with appendicitis he had when he was a child (see below):

David's mentioned his appendix scar a few other times as well, and each time he speaks about it, the range of his age at the time of the attack varies by a few years - usually from age 8 to about 10. That's not surprising at all, of course, because for most of us, trying to narrow down some of the events in our childhood to specific time ranges can get a bit fuzzy. But I'm pretty sure I know when it happened.

Back in 1980, a society/organizational newspaper column entitled "Church News" appeared regularly in the Paisley Daily Express. This column often featured prominent figures in churches all over the community and were often framed as "One Week in the Working Life Of" these certain figures to debunk the myth that ministers only work on Sundays. One of these columns, published on 1 May 1980, featured a certain Rev. Sandy McDonald, the minister of St. Marks Oldhall.

That week, Sandy was busy recording a series of short services at his church which would later go out on STV. These were likely part of one of two religious television broadcasts he was a part of at the time: Late Call or That's The Spirit (both programs David has mentioned over the years).

The article goes on to document Sandy's busy week, speaking about his duties chairing festivals of praise and being principal speaker at church rallies and charity events. In between these duties, the article mentions, Sandy has to attend to all his pastoral duties, including meetings with his own church groups, and - and here is the important part - "visits to hospital patients (including his own son)."

The time at which this article was written implies one of Sandy's children was in the hospital in late April to early May of 1980. It's probably a safe bet to assume it was David: while it could have been either his elder brother or his elder sister, this does happen to fall pretty splendidly into the age range of "9 or 10" for his appendicitis scare which David has given in the past. David would have just turned 9 years old in mid-April of that year.

So there you have it. David was 9 years old when he suffered the bout of appendicitis - which burst, and brought him near death.

Thank goodness he made it!

[cacodaemonia]

1st of all big fan, devoured RC!AU. It's fantastic

2nd of all, I could get lost in your sw resources tag that thing is awesome

3rd Do you have any references for Waxer and Boil's buckets? (Sorry in advance if you've already posted them, and thank u again for all the boxer content 💖)

Aw thanks! <3 I haven't written in the main RCAU for ages, but I'm still plugging away at the Open Skies sub-AU haha 😂

Ah I'm glad that's been helpful! I mostly tag for my own organizational purposes and I know there are some gems in there—especially from @gffa and @fox-trot! My 'sw refs' tag has a lot of overlap, but also includes a lot of image references for fanart or describing things in fics, so that one might be useful, too?

And yeah! I'm not sure if you want Phase I, Phase II, or their ARF helmets, haha, but I know I've got plenty of refs for all of those, so I'll toss them in here...

Boil:

Waxer (The second image shows the back of his Phase I helmet, which is hard to find shots of, in the background behind Boil being awkward 😂 So he had the little droid silhouette on his helmet back then, too):

And some shots of both of their helmets (Waxer is on the far right in the last image—you can see his tally marks):

Their ARF helmets seem to cause a lot of confusion, as I've even seen merch that doesn't show the little Numa painting on Waxer's helmet, and most people seem to mix up who is who in that Landing at Point Rain episode (probably because the writers seem to have done so, as well, since they gave Boil the more cheerful dialogue while having Waxer complain—but maybe he was just having a bad day! 🥺).

There's also the horizontal band of gold paint Boil has under his visor attachment to match the paint on his regular helmets, as well as a grey stripe along the top of the helmet that's lined up with the red triangle on his visor attachment. Waxer has his 'crest' stripe of gold paint, of course, and it continues under his visor attachment a little bit, too. Then he's got his tally marks and snoot triangle. :D

One thing that I only noticed recently is the very faded ship silhouette (or however you interpret the black design on his other helmets) on the left side of his ARF one. In the second-to-last image above, you can just barely see something on his left side, but the only way I knew it was more than just dirt was because I have a little figure with the shape painted on it. Which is also not very visible:

(Thankfully, I don't think I've actually done any images where you can see the left side of Boil's ARF helmet, so I shouldn't have to add that to any of them, haha. Hopefully I haven't mentioned anything about the lack of symbol in any of my fics, though... XD)

I'm still unclear what is going on with the paint on his and Waxer's spaulders in the ARF episode, because it's obviously faded/been scuffed in places, but sometimes, Waxer seems to have an unpainted right spaulder, and sometimes there's a stripe??? His little figurine is the opposite, though, with a striped right spaulder and an unpainted left one. Meanwhile, Boil's left spaulder looks like it could be all painted gold, like in the figure above, but other times, it seems to be a normal stripe??? Who even knows—I'm guessing that the texture for their models got messed up during the production of the episode, so they're inconsistent. Personally, I'm just sticking with 'matching stripes on both sides,' like the rest of their armor. 😂

Anyway, I hope that helps!

[ravelqueen]

Hello! I'm the anon who sent the last Dom!Kim ask (about the Pale) I'm glad you like it!!! I have, like, SO many thoughts on Dom!Kim (especially specifically your Dom Kim!)

So, I hope you don't mind if I share some!

I'm actually curious about who this au of Kim would defer, besides just mentally, from canon Kim. Like in canon Kim doesn't make that many decisions himself, and pushes you/Harry to do the talking/make the decision. Even when Harry makes a bad decision, Kim doesn't step in, and really only give his insights if you ask him about it.

I'm reminded of the scene where you can choose to go into the apartment that Mr Evrart gives you, and Kim lists both the pros and cons of doing either, before stating that it's ultimately your (Harry's) decision.

This actually led me to get a sub read on Kim (I didn't get the authority check because I thought asking Kim to give me a secret would be too personal/mean). Like, I kinda envisioned Kim as someone who needed/wanted someone to lead him and make the decisions (because Dom used to do that for him, and he feels so lost without him?).

But! That's not to say I don't vibe with your Dom!Kim headcanon/au, like, I can have multiple/contradictory thoughts about a character. I just wanted to share my thoughts on how I see Kim as someone who doesn't really make decisions.

Which could be taken in a sub way, or, following your au, maybe Kim is so hyper critical of how he acts in a controlling matter that he's trying to course correct. So he keeps saying that it's ultimately Harry's decision, and letting him take the led, as a way to combat his controlling Dom thoughts.

Also, I do wonder how a play through would go down if Harry was able to pick up Kim having this internal thoughts (probably through an Empathy, Inland Empire, Esprit De Corps build), and being like "actually, I would like Kim to make all my decisions for me" (Harry would probably need to have pretty low Authority and Physical Instrument, lol)

And because he's, well, Harry, he would absolutely be like "hey Kim, you know how you want to control my actions, why don't we do that? I'm kind of a mess here, and could use the help".

Though I still bet Kim would be like Absolutely Not, purely because out of principle (even though he really wants to), and because he doesn't actually know how much Harry is aware of BDSM, the life style, or if he's just asking because he's so much of a wreck and that he trusts Kim. Though I do think it's funny if the skills try to like, help you convince Kim you can be a good sub by telling Harry if Kim is displeased by a choice (like Visual Calculus, Empathy, and maybe Conceptualization and Inland Empire could help).

Though I do wonder how this version of Kim (with a Harry who seems to make it one of his goals to get Kim to Dom him/accept him as a sub) would react to Jean.

Like, Kim in the original game didn't seem to have much of an opinion on Jean. Maybe some respect for being a fellow cop, maybe some hostility for not being there during the shot out. But in this au/verison of this au, maybe Kim gets a little pissed off at Jean for scolding Harry at the end of the game?

Because at this point, maybe Kim has begun to dom Harry a little bit (justifying to himself that he's only doing it to further move along the case), and having someone else scold Harry gets his dom brain going because only *he* is allowed to scold Harry. He's the one whose supposed to publish Harry if he messes up, who does Jean think he is? Abandoning Harry and then coming back to scold him? That's not how this works!

Anyway, I also have a drabble idea after Kim and Harry find Harry's crashed Kineema, and Harry feeling guilty about it, and asking for a punishment from Kim, and this being the moment Kim steps more into the dom role. But! This ask is already getting WAY too long! So I'll just stop now, lol. Anyway, I would love to hear more of your thoughts!

(For anyone joining us/organizational purposes: OG Dom!Kim post and the first ask)

My dear lovely anon: I adore talking about ideas that's why i throw them into the world in the faint hope I get to talk about the more so you really made my day here! <3

(also never apologize for multiple headcanons/interpretations I think that's honestly the beauty of fandom that all characters exist in this sort of schrödinger's cat/multiverse sphere where as long as it's consistent with characterization it's valid)

And yes! In my mind the constant checking in and deferrals are basically two-fold: One Kim has a very dear love of Order and Structure and Rules Governing Interaction, especially in a professional setting - in this case Harry, no matter what, is the lead on this case and therefore gets to make the decision.

Second in this sort of AU version of him where he struggles with his urges, he'd be extra conscientious about not infringing on someone's agency in a way he's not been invited to. That's what the Structure is for: an outside hierarchy imposed on him, so he's not feeling resentful of someone aside from him exercising authority.

And normally that's not a problem for him, but Harry, because of his absolute level of fuck-up (and being pretty much his type overall) is crossing all his wires and fucking up his Very Carefully Created Systems, so he's like EXTRA deliberate in letting Harry call the shots in a way he probably wouldn't normally, course-correct as you say

Therefore he would probably absolute fucking FREAK OUT if Harry would be like "the city told me, you'd like to make decisions for me", because he'd be like FUCK I'VE TRIED SO HARD TO NOT BE OBVIOUS WHAT THE FUCK IS WRONG WITH ME and like double-down on fully suppressing any indication of his thoughts (making them perversely worse probably).

Not necessarily because of a SSC reason/Harry's amnesia and therefore unclear relationship to the scene (bc fucked up version of Kim here, he'd probably get a weird thrill out of being able to be the only one to show him/teach him about this) and more because the loss of control implied by being able to be read so easily by someone who - let's be clear here - is dealing with a lot of stuff and therefore should not be able to pick up Kim's internal struggle.

Jeaaaann oh Jean yes what an interesting thought.

Ok so Jean and Kim even in game have an interesting dynamic imo even though it is so heavily impacted by player choice, because no matter what you've done if Kim is there he defends Harry.

But he defends Harry in this really interesting way, because (at least in Good Cop runs) it's almost a conversation at cross-purpose, because they clearly aren't even talking about the same person.

That conversation to me reads weirdly aimless and strange, because Jean is talking to Kim about Harry the way he's clearly used to talking about him to people that also know him well - as commiseration.

Very "have a load of this guy" and "the things we have to deal with". Not getting into whether that's fair or not (I already know fandom is very divided on that point lol), it is very clear that this is almost rote to him and what is also rote is the way the other side responds: with equal levels of annoyance and pain and trash-talking.

Kim breaks this script.

To Jean, Kim is also someone who spent an extended amount of time with Harry so he expects the other side of his rote conversation to happen the way it always does, but Kim - someone he clearly respects both as an officer as well as his intellect and character - keeps refusing to engage, simply because he doesn't seem to have met the same Harry and that fully throws him for a loop.

In that entire conversation he keeps backtracking, apologizing, amending his aggressiveness at the slightest push-back from Kim.

So I think (to finally come back to your question sorry) that yes Kim absolutely would be annoyed - (idt that during the course of the actual investigation he'd ever let himself indulge in much, but he's certainly started smaller behaviour when it doesn't seem to concern the case - make Harry sleep, eat, dress warmly etc., so there is that kind of possessiveness about him for sure.) even angry at Jean for just coming in and sort of staking a claim on which behaviours Harry should even be scolded for.

But i don't think he'd lash out or anything, because really this is about control - both of the situation and of Harry's responses. And just by responding naturally - by pointing out how well Harry had solved the comprehensive, complicated mystery, how he had taken care of himself, how he'd comported himself quite well, how he'd been kind and capable - he's not just taking control of the conversation, keeping Jean always on the back-foot, deprived of his trusty protocol, but also control of Harry.

Because when at first his attention was fixed on this person who he only somewhat remembers and his (justified?) anger, simply by saying the truth, Kim manages to get him to focus on him, to accept his version of reality, of himself and his character - despite the fact that realistically, Jean's version of himself is probably more correct (simply by virtue of him actually knowing him).

Harry wants to believe that this person Kim is talking about is who he really is and to have someone who he respects say these things he desperately wants to be true, they start to become reality.

And isn't that the ultimate rush for Kim, a dopamine push the likes he's never experienced - to not just have someone accept his rules and judgement and decisions, but to have them accept his reality over their own.

[echo-goes-mmm]

Moonflower #14

Masterpost

Previous

Next

Warnings: implied domestic abuse

Iris had a meeting, and Kit decided to hole up in his room to practice his magic. 

To his surprise, there was someone already there, in his bedroom. He could smell them from the entrance to the sitting room.

A snarl bubbled up from his chest, and he rounded the corner.

It was only a maid, and he dropped the rag he was holding. The maid froze in fear, and Kit forced himself to stop growling.

Kit relaxed. “I’m sorry,” he said. “I didn’t know you were in here.”

The maid nodded, still nervous, and Kit picked up the rag and offered it to him.

The maid took the cloth from him. There was a bruise on his wrist. “I, um, I was just cleaning,” he said.

Kit shifted. “Okay. Why?”

“It’s my job?”

“Right.”

They stared at each other, equally uncomfortable. “Would you mind… not doing that?” offered Kit.

“You don’t want me to clean?” the maid’s brow furrowed.

“Uh, no. I don’t like people in my-” territory “-room,” he said. “It’s… a fae thing.”

“I’ll tell my manager,” said the maid.

“Thanks.”

The maid turned to go, but as he passed Kit noticed another bruise on his upper arm. It was suspiciously shaped like a hand.

“Wait,” he blurted.

The maid turned back. 

“Are- are you alright? Those marks don’t look like they’re from cleaning.”

The maid stepped back. “I think I should go,” he said. “I’m sorry for disturbing you.”

He fled the room, and Kit decided not to chase him down. 

___________________

Kit paced in his room, magic practice the last thing on his mind.

He should tell Iris right away. After all, this was his intended purpose:

‘I just want to know if my cousin is being an ass to a maid. Or if an advisor calls me a bitch and I just didn’t hear him mutter.’

But Iris was in a meeting, and he hadn’t even gotten what the maid was called.

Who would he ask to figure it out?

Maybe one of the guards? Since they were basically security, surely they would know who cleaned this wing of the castle.

Maxus was a night guard and not working yet, and Brennan was with Mistress. Maybe he could ask Jen in the gardens?

It was a long shot, but if she didn’t know he could always circle back to Brennan.

___________________

“I’m sorry, but there’s a lot of maids on that rotation.”

“Doesn’t seem very secure,” Kit muttered, disappointed.

Jen shrugged. “We haven’t had any problems with it. Why do you ask about maids, though?”

“I was curious,” he said.

“Well, sorry I couldn’t help more. I’m sure Captain Brennan would know who specifically was assigned to your room today. You should see his spreadsheets.” Jen shuddered. “His organizational system makes the librarians look sane.”

“Uh, thanks.”

___________________

Kit peeked around the corner. Sir Brennan was stationed outside the door of the meeting room. 

His eyes landed on Kit immediately, his eyes narrowing.

Kit hesitantly walked up to him.

“What are you up to?” Brennan asked, voice level.

“I, uh, there was a maid in my room earlier.”

Brennan waited.

“I was wondering what he was called.”

Brennan thought to himself. “Redhead?”

“Yes.”

“Sounds like David. Why do you want to know about the staff?”

Stars, couldn’t he just ask a simple question?

“Wouldn’t you like to know who’s been in your space?” he asked, defensive.

“Alright, alright. That makes sense, and I’m sorry,” said Brennan, holding up his hands in mock surrender. “Just thought I’d ask.”

Kit shifted. “Is Mistress going to be finished soon?”

Brennan shook his head. “Public works likes to drag things out. You know how it is.”

Kit did not know how it was, but he nodded along anyway. 

“You could probably go rescue her, if you wanted. They’ll probably cut it short if you interrupt.”

“You don’t think she’ll mind?”

Brennan shrugged. “The dam project has been finalized for weeks. I doubt it’s a productive meeting. Go ahead.”

Kit slipped into the room, and people turned to look at him.

Iris was sitting across from the door, at the head of the large table. Kit edged around the room.

“What is it, Kit?”

“Um,” Kit glanced at the other people around the table. “I need to talk to you about something,” he said quietly.

“Alright, can it wait a minute?”

Kit nodded minutely, and sat on the floor, tucking his legs underneath him. Iris’s hand came to rest on his head. Her fingers threaded through his hair, and it felt really nice.

___________________

Iris waited until they were long gone to speak up.

“So what’s going on?”

Kit sighed a little, his head still leaning against her chair.

“There’s this… maid,” he said. “He’s called David. Someone’s been hurting him.”

Iris paused. “How do you know?” She didn’t doubt Kit, but she needed some evidence that was more than a hunch.

“He’s got these bruises,” Kit explained, “Like he’s been grabbed. I don’t think it’s… uh, nevermind.”

“You don’t think it’s what?”

Kit blushed, a peach pink on his cheeks and the tips of his ears. “You know,” he said, ���love marks. He was too scared when I asked. If… if his lover left them and he liked it, he wouldn’t be so frightened.”

Iris’s face grew hot. His word choice, ‘lover’, made her think of scandal and risque novels. It was unintentional on Kit’s part, but it made her flush anyway.

“Right. Of course. Did he tell you who was hurting him?”

“No. He, uh, ran off. I didn’t want to chase him down for answers.”

“Good idea,” she nodded. 

They fell into silence.

“What are you going to do?” asked Kit, quiet.

Iris opened her mouth to respond, but truthfully she didn’t know. She had suspected there was something with the staff for years, but she’d been too busy working to think about what could actually be done.

“I’m not sure,” she admitted. “I’d like to talk to David, but I doubt he’d be willing to. If he won’t tell you what’s wrong, he definitely won’t tell me. And there’s not much I can do to protect him if he refuses to say.”

Kit turned to sit on his knees and face her.

“What if… I talked to him? I could coax him into it,” he offered.

“Are you sure?”

Kit tucked a piece of his hair behind an ear. “I think so. I just need some time alone with him.”

Iris hesitated. “Are you going to use magic?” Kit’s eyes went wide.

“No! I wouldn’t, I pro-”

Iris held up a hand. “No need for promises,” she said, the tingling air calming down. “Just be careful, okay?”

Kit nodded. “Yes, Mistress.”

taglist: @paintedpigeon1 @cupcakes-and-pain @loserwithsyle @cepheusgalaxy @thingsthatgo-whump-inthenight @virtualbreadtale @bitchaknso

[plasticfangtastic]

My Masterlist

Hi my name is Plastic/Kay and I been meaning to make a masterlist of all my "The Boys" fanfictions. I Hate short stories and I write long chapters.

Might self-reblog after the cozy corner kinktober event--- after I add those fics.

My fave ships for the boys are Butchlander, Homeash and Homelander x A-Train (Homerun??) and nobody wants to give me that so i will be making my own for kinktober. Professional Homelander simp

Cuz tumblr only allows 10 links per post i be doing individual masterlists for my long projects and put the links here once this gets to max capacity i will do a new masterlist with this one as a link.. will update this frequently!

Currently working on:

Of The Same Poisonous Ilk (A Butchlander and Homelander self-cest fic) (on hiatus)

Building Blocks (A Butchalnder alt. au fic) (on hiatus)

Anybody Else Won't do (A Ashlander fic) (on Hiatus)

Thank you for reading my works!

Can We Be Lonely Together?:

R18+ Homelander x GN! Stalker/Supe Reader (or Homelander X Joe Goldberg... is up to you) this work is over 270 pages long and 120K plus words (status: completed)

Of The Same Poisonous Ilk:

R18+ Butchlander/ HL self-cest with a bit of Homewell (Status: WIP/ hiatus)

American Royalty:

M- Rating (australian rating no idea what the rating system is in the US/other countries so this is just like a bit over PG+13) Homelander X F!Reader/Dadlander fic. (Status: Completed)

Carnivorous lamb:

R18+ a OC and Homelander NTR sort of fic, so don't rec if you can't handle dark topic. (Status: Completed)

My one-shots

All fics are R18- first set its a collection of the cozy corner kinktober event, this will now include general one shots too.

[another-lost-mc]

JES YOU UPDATED, the kids miss you/j

I've been busy doing a lot of nothing, if that makes sense. Well, maybe not nothing - a random assortment of rl and blog odds-and-ends that don't seem very productive but I'm going to call it self-care. lol

(read more cause this got longer than I thought it would.)

I don't usually take March Break off work, but my empty schedule this year surprised me and I didn't really know what to do with myself. I spent the first few days fending off a persistent headache, then I spent some time re-watching Helluva Boss and Hazbin Hotel while I worked on some crossover/fusion potential with OM. Today the headache is back and I'm dog-sitting which shouldn't be as distracting as it is. (She's only a little Boston Terrier but my cats get all worked up about it even though they're the ones stalking her around the house for no reason.)

I've also been playing Honkai Star Rail. I have no idea what I'm doing but it's kind of fun. I want to give Genshin Impact a try too, but I'm not sure I want to play both. (I know dailies are optional blah blah blah but if I'm going to spend time doing busywork like that, I might as well go back to playing WoW.)

Someone sent me another ask about my current WIPs so I think I'll just ramble about them here.

The canon cast and OC post for surgery!anon. I'm trying to balance fluff and angst and realism and make it comforting at the same time (aka what I would've wanted to read before mine). There's some overlap with a post about Solomon's humanity that's it's own separate WIP.

Naming conventions in the Devildom and CR. These are my worldbuilding ideas to explain how Solomon has an established pact with Bathin (my OC for Mephisto's younger brother) since he's part of the Ars Goetia. This also discusses how those same ideas apply to Luke.

Fleshing out the angel OC stuff with Gabriel and Uriel. They're situated in the AU where MC is sent to the CR for the exchange program and not the Devildom which is why I haven't talked about them much. I have the fem!angel OC as well but I don't know what to name her (I want her to be like Zee where she's an "ordinary" angel). To be fair, she's probably not going to show up much outside of the story I originally wrote for her.

Genderbending-the-OCs anon, you have no idea what this is doing to me. It changes their kinks and their dynamics and how they would approach MC and I am mentally screaming into a pillow right now.

I've been writing directly in my Tumblr drafts lately, but I found a holiday fic for Solomon in my google docs. I thought it was a WIP but then I re-read it and it turns out I actually finished it and somehow forgot about it? Like...how does someone even do that. Anyway, do we want a smutty Solomon Xmas-in-March fic? (It's only holiday-ish because of a corny mistletoe joke on his part.)

On a random note, part of me regrets not making separate blogs for AT and my OCs (for organizational purposes) and I'm lowkey tempted to do it anyway.

If you read all this, you get a prize! Enjoy some chibis that I've been collecting like they're for my OC Pokedex. These are by sempa and ocha respectively.

[mayfay]

Writing Organization

Just gonna put all my writing stuff in one place for organizational purposes. Have Fun!

Update! Analysis has been moved to my side blog Mayfay Analysis (https://www.tumblr.com/mayfay-analysis)

MHA Quirk Analysis/Ideas

Blood Supernova Mutation-minor emitter: https://www.tumblr.com/mayfay/751237741405159424/akamatsu-eizan-i-have-spent-3-4-weeks-figuring?source=share

Minji TIF Emitter: https://www.tumblr.com/mayfay/747871725759447040/minji-minji-help-ive-fallen-to-the-old-hubris?source=share 

Hardening: https://www.tumblr.com/mayfay/748517502756241408/hardening-analysis?source=share

Koda: https://www.tumblr.com/mayfay/747922601670836224/the-fact-they-dont-do-a-million-tests-in-canon-is?source=share 

Force Absorption: https://www.tumblr.com/mayfay/748148721309614080/damn-thats-a-tough-one-gonna-poke-it-with-a?source=share

Goat Mutation: https://www.tumblr.com/mayfay/748144120467423232/so-cute-gonna-do-a-tiny-bit-of-quirk-analysis?source=share

Soft Sting Mutation: https://www.tumblr.com/mayfay/748140534075441152/love-the-character-design-not-a-ton-of-purely?source=share

Flower Body Mutation-Emitter: https://www.tumblr.com/mayfay/750141654037610496/havent-been-able-to-get-this-one-out-of-my-head

Building Blocks/Canon Mutation/Transformation: https://www.tumblr.com/mayfay/748136581893931008/ooo-these-two-are-interesting-to-start-with?source=share

Self Destruct Emitter/Mutation: https://www.tumblr.com/mayfay/748131878688735232/hell-yeah-glad-you-enjoyed-always-eager-to-pick?source=share

Drawing Fabrication Emitter: https://www.tumblr.com/mayfay/750210764174950400

Slime/Morph Emitter: https://www.tumblr.com/mayfay/748224485025611776/damn-horikoshi-really-missed-the-mark-on-that

Slime Body Mutant: https://www.tumblr.com/mayfay/750210975199838208

Infest Emitter/Mutation: https://www.tumblr.com/mayfay/748342995316867072/crumb-you-have-sent-me-spiraling-down-a-well-of?source=share

Hydrokinesis Emitter: https://www.tumblr.com/mayfay/751774451910295552/dear-god-im-a-sham-i-completely-forgot-to-mention

Cloud Creation Emitter: https://www.tumblr.com/mayfay/748942345418031104/she-gives-off-such-a-comfy-vibe-im-loving-the?source=share

Bioluminescence mutant: https://www.tumblr.com/mayfay/749828615008616448/if-you-want-to-keep-some-aspects-of-the?source=share

Blood Web mutant/emitter: https://www.tumblr.com/mayfay/750502280171831296/glad-you-liked-it-still-no-internet-working-on

Danny Phantom (+Crossover) Ideas

Dannys Medical Complications: https://www.tumblr.com/mayfay/749686626134982656/dannys-medical-complications

[prismatoxic]

(ID in alt!)

hello i'm tox and i'm a 29-year-old gay trans man! i draw, write, play games, and think about boys kissing a lot.

my art tag & my writing tag my ao3 my twitter (don't use it a lot)

TL;DR FOR MY LONGASS BIO POST:

current main fandom is dungeon meshi and my otp is chilaios

i have finished the manga/am watching the anime/i tag spoilers

i am also very much into original characters and will post about my own frequently

i have an organizational tag system and also i do a lot of commentary tags, i also tag common triggers when necessary

minors do not send me messages or follow me, thanks

love talking to people but i am nervous and forgetful, be patient

i block anyone who's rude to me on the spot

you may ask me to tag things or correct misinformation i post/spread

anon asks are open for the foreseeable future

if you want to know more please read the full thing below!

i'm in a lot of fandoms and have a lot of OCs, but my current main fandom is dungeon meshi! my otp is chilaios, but you'll also see kabumisu from time to time because that's my other fave. i've finished the manga and watch new episodes as they air; for blacklisting purposes, my general spoilers tag (for major plot points or things the anime isn't at yet) is "#dunmeshi spoilers" and my spoiler tag for new or upcoming anime episodes is "#dunmeshi anime spoilers".

as the anime is currently on hiatus and i've finished the manga, my focus has been wandering. i'm not done with dunmeshi, nor am i abandoning any of my chilaios fics!! i just have adhd. i'll be posting lots of OC stuff and reblogging general posts about things i have an interest in.

i tag most posts, often with commentary but i also have a mild organizational system. you'll see a lot of "laugh rule", "psa", and "queer stuff". i always try to tag for fandom and ship (if either are things i like and may appear on my blog again), and if a post's body doesn't include text for sensitive content that's in links or images, i'll try to tag things that are widely considered triggers as well. i don't have a dedicated nsfw tag, so if you can't handle tumblr's allowed level of filth, my blog may not be for you. also, no minors, period. if you are under 18 and follow me or contact me directly i will block you. (if you see my post on your dash and reblog it without checking my blog, like... that's fine, i don't care. just stay out of my immediate space, ok?)

i love talking to people and will happily answer most messages, but i'm also shy and extremely forgetful, so try not to take it personally if i don't get back to you. people who are rude will be blocked on sight, i don't have the time or energy for that.

@/captainfkingmagic is my partner! he's not around here often but he's my everything and i do tend to talk about him fairly often.

if you ever want me to add a specific tag to something or want to offer a correction or information on a post that i don't seem to already know, please reach out! unless people start being shitty, anon asks are always open. thanks for checking out my blog!