#like i think the overall theme of the movie was supposed to be love. in all aspects of the family

[80s-prometheus]

decided to throw my hat in the ring and try making a playlist

it's mostly made up of songs i think lisa and creature would like, songs that I think would fit them, and songs I think fit the vibe of the film

[chilewithcarnage]

in the same vein as the previously reblogged post, i saw this post this morning by a white lesbian complaining about how, like, people that stan eeao focus on ke huy quan's character too much and his relationship with his wife, when the main focus of the movie is supposed to be the mother-daughter relationship and a young woman coming to accept her sexuality. and it's like, okay...you know two things can be true at once and can exist simultaneously. like thats the point of the movie; its about everything. and personally speaking, the many praises and meta ive seen on here (by at least mutuals and people i follow) the conversation about these things has never felt unbalanced.

[katzenklavierr]

My friends (specifically Hida) love to remind me about how shortly after I'd started a medication with a notable side effect of making me irrationally angry over things that would normally just be irritating, I decided to watch La La Land

And didn't like it

And went on a like, legitimately angry rant about it for like two hours

[chironshorseass]

what bugs me most about the pjo show is that i know they could’ve done better. i knowwwww they could’ve been as faithful as they wanted to the books. for anyone saying “oh, but it’s an adaptation! it isn’t meant to be the same so stop whining that they took stuff out or that they’re adding things in different order!” well yes, i agree that adaptations aren’t meant to be a carbon copy of the source material for the simple fact that it’s adapting the source material into a different medium (television), yet it’s just that! a form of adapting the things that are unable to be channeled from, say, a book—or on the contrary, adding things that make sense for television but couldn’t be channeled into the books otherwise…all of this in a faithful manner. a good adaptation is one that stays true to the source material by properly adapting its themes, characters, symbolism, context, pacing, and the overall story/plot so as to not only be seen as a sort of love letter to the fans, but also to reach a wider audience.

just look at the hunger games! the movies are so faithful to the books to the point that most of the scenes are taken straight out of the books, dialogue and all. and they’re movies, aka less runtime than a freaking tv show and they still did it better. did the hg movies have to take a few scenes out? yes; they have only so much time to tell the story as it is told in the books. did they resume things, like the games themselves? also yes. but did most of the important scenes and character moments stay in the movies? also also yes. again, THESE ARE MOVIES!!!!! a medium much more limited than a freaking tv series with multiple episodes that have enough run time to add even more scenes from the books than what could be possible in a 2 hour (max) movie!!!!!!!!!!!!!

and yet they STILL changed so much that rly had no business being changed other than that the writers decided they felt like it because…..a lot of it im not even sure. and the worst thing of it all is that freaking rick riordan took part in script writing yet so much of the source material has been watered down???? they make a whole ass episode about a monster fight with the majority of the scenes from said episode not even present in the books instead of sticking to the perfectly good source material???? and by doing so they delete the small details that are very much integral to character development and plot???? huh???? the math isn’t mathing. don’t get me wrong, i do like some changes, but then i think: at what cost do they add these things when there was a perfectly good narrative without it? like, at what cost do we get the whole turning to gold sacrifice scene if they’re gonna take out all the fun details that make the lightning thief the lightning thief? for example the silly water park merch and then annabeth displaying her spider phobia and her mortification at going to the thrill ride of love with percy and then being broadcasted to olympus. this is just one episode, but they’ve been doing it in all of them. and u know, it’s not that i don’t hate-hate most these changes. again, what bugs me is that this was supposed to be a faithful adaptation. again, it’s a tv series, with so much more time to develop everything from the books. rick is behind it, who apparently hated the movies for how unfaithful they were. the cast is great. and yet…the script is so mediocre. the spark is lost. character traits are looked over in place for weird pacing and even weirder changes. if the hunger games could do it, then surely a pjo tv series could as well? apparently not? i really really Don’t Get It.

[lvrtwn]

venus if she was awesome

speedpaint and more thoughts under the cut

venus has always been one of my favorite characters, though i feel her design is pretty underwhelming with a lot of wasted potential. this is kind of a redesign, kind of my own personal headcannon, and kind of how i imagined venus in my head as a kid.

this is supposed to be my version of g1 venus, more similar in facial features and keeping the straight hair. i absolutely love her new hair and face in g3 but im hesitant to call the new outfit an improvement. both g1s outfit and g3s outfit are bad in their own ways. i dont want it to seem like im shitting on the new design. again i think the face sculpts, hair, and body types of g3 are so awesome. its great to see more diversity being included in the designs. i just decided to go with g1 venuses look because thats the venus i grew up with

i definitely took some inspiration from g3s outfit for this design. i like the idea of it but the execution is just not great, not to say her original outfit is any better. i feel like out of all of tge original monsters she was the one with the most waisted potential. i love her personality and the abilities she has but the way she was styled has always bothered me.

in the movies shes described as “eco-punk” which is SUCH a cool style to go with a plant monster character. i just feel like the “punk” in “eco-punk” was never really represented in her outfits. i personally love punk music and clothing; ive been an active member in my local diy scene for many years and i love seeing all the outfits people put together.

i thought i would give her an outfit that shows off a couple of my personal favorite staples of punk style. big chunky leather boots with lots of straps and buckles. kept the shoe mouths from the original because they cool as hell. lots of leather, studs, spikes. i gave her denim cutoff shorts inspired by her gen 3 outfit, same with the torn black top. punk style has a big focus on comfort, practicality, and making things yourself. i imagine she cut a pair of old pants into shorts, roughly cut her “undead kennedys”band shirt tank into a crop top, and probably repurposed the remaining fabric. i also totally didnt draw this whole thing as an excuse to use that pun. i included asymmetrical leg accessories, with one fishnet stocking and one torn up sock. i also feel like she repurposed these, continuing to wear her old torn up socks instead of just throwing them out. i gave her a big chunky studded belt matching one of her cuffs with a recycling symbol belt buckle. i feel like it communicates an important aspect of her personality just at a glance, plus i just love big belt buckles. lastly i added piercings because 1. theyre cool and 2. i for some reason remembered her having an eyebrow piercing but i guess she never had one.

i mostly kept her body and hair the same. changed her ears and hair color slightly but thats just personal preference. i decided to make the vines on her body look more like tattoos instead of being 3d. i imagine she can make them grow into real vines, but when shes not using her powers theyre just flat against her skin. gave her a facial expression that made her look a little more unhinged. she might only do things for the good of the earth but she can still mind control people at will.

i wish i leaned a little bit more into the plant theming but im overall still super happy with how this came out. maybe ill made more monster high redesigns in the future

[dr0wnmyselfinwhiskey]

No one asked for this, but I need to get it out of my system, so here are my thoughts on Rite Here Rite Now (mostly in regard to the lore and what I noticed during the movie, as far as I can remember). This turned out way too long, you’ve been warned.

Seestor must have known for quite a while that she’s gonna die, and prepared for Copia to take over her position

Maybe she invited Mr. Psaltarian to overlook the orderly transition and keep an eye on C when she’s gone. That might also explain his grumpy attitude towards him, I bet playing nanny to a 50+ year old autistic man isn't exactly Psalty's idea of a dream job

Would also make sense if the additional coffin in “Tax Season” was meant for her

Speaking of “Tax Season”, where Copia plays ‘Driving Miss Daisy’. Could that be another hint that Psaltarian is supposed to be the calm and wise character guiding the now ‘widowed’ Copia? Interesting parallel

Another thing about Psaltarian (now that we know his name is written like that): most of the Psalms stem from King David, who, among a lot of other things, is considered the patron of the Meistersinger (master singers) and in the Dies Irae announces the approach of the Final Judgement 👀

Anyway, Sister’s illness was kept hidden from Copia, or maybe he knew but deliberately ignored the signs, and I loved how this was solved visually by having Sister sitting in a baroque chair in all shots from Copia's perspective, but in the counter shots from her perspective you can see the back and the backrest of the wheelchair 💔

During the father-son-conversation between Nihil and Copia (I didn’t cry, you cried), Nihil tells him how he always wanted to entertain people, and he can even do that after he died and then says something like "Do you think I imagined it like this?". Perhaps this indicates that Nihil, now that he's reunited with Sister in the afterlife, is ending his stage career for good and Miasma will be retired from the set list? I hope not, but to me, it sounded a bit like that. Overall, the movie felt to me like a farewell to many characters, especially Sister and Nihil, whose story is concluded by the scooby-doo-esque part during MOAC

Would also fit the overarching theme of the film: letting go, not clinging too much to the ephemeral, coming to terms with the fact that everything in this world is subject to change (a beautiful message, tbh, I totally wasn’t crying about that 🥺)

Speaking of change, I guess by now everyone and their aunt got the hint that Copia is apparently a fucking twin?!?

With this new information, can we just talk about how cruel Copia's naming is? It literally means "copy"? Hello?? Seestor, wtaf?!

Anyway, going by the visuals provided, I’m leaning towards fraternal twins (one blonde, one dark-haired) and there are a lot of theories about who the twin could be

I’m not a fan of the Defroque theory, because I just don’t see how he would be the frontman of the band, as he has an assigned actor with his own face and voice. But on the other hand, I was certain he would play a bigger part in the Ghovie, since he was featured in the JHKM Video and in the teaser-thing they did for Download. But he wasn’t even mentioned?

I love the Terzo theory, although I don’t think that one very likely, given TFs reluctance to repeat things. BUT, I always thought Terzo and Copia looked quite alike, and they are around the same age. And we’re talking about a fictional satanic cult here, there would certainly be ways to bring him back from the dead, so why not?

However, I think this twin storyline is the perfect opportunity to introduce a completely new character, like they did with Copia back in the day. Imagine the door opening and a man standing there with Copia's old face. And Frater Imperator is like ????? (But that might also be just my love and nostalgia for his old look speaking, OG Copia is my babygirl, I don’t think TF will pull that off, again because he doesn’t like to repeat things and C’s old mask was changed for a reason, so why go back?)

TF also said in an interview that he doesn’t want to just have Papa after Papa after Papa. What if the new guy is something else? A bishop? They also wear mitres. Or the whole shadow in the door thing is just TF trolling us again? Or the Romulus & Remus reference was meant literally and Copia and the new guy will try to kill each other? Damn, I’m so excited for whatever that silly swedish man has cooked up in that silly head of his! 🫶

Just one last thing I noticed because on my second viewing I paid close attention to the backstage set and all the trinkets and knick-knacks. Whenever Sister, Copia or Kevin looked at one of those control monitors or TVs, there were VHS boxes in frame. Most of them were titled after the chapters, I saw a “Meanwhile in Dublin” one, and “Tax Season”. But there was also one titled “Ghost in the Trees”. My research only brought up a song from the band “Thee Oh Sees” from 2008, but I couldn’t really make any connection to something Ghost related. Maybe it’s just a song that TF likes that has “Ghost” in the title?

Okay, I think that's it for now. Maybe I'll do an update when RHRN is available digitally, maybe not. This has already taken way too long for nobody to read it anyway.

[agirlandherquill]

alrighty, so being tagged by @katwritesshit means i'm up for a very interesting tag game so here goes

rules: answer as many (or as few) of the questions about your WIP as you can

What was the first part of your WIP that you created? - might be my favourite question of the lot but for me at least, it's pretty simple, i start with an idea - a theme of sorts I suppose, and I wanted to write about a heist, I wanted treachery, danger, and crime (lots and lots of crime), and from there I spun the rest of my story

If your story was a TV show, what would the intro song be? - consulting my many, many Spotify playlists has made answering this one very difficult (shoutout once again to @katwritesshit for The World Ender because I love that song) but I'm going to have to say Dinner and Diatribes by Hozier or As It was, also by Hozier, most likely because I've spent a great majority of this story listening to Hozier along the way, since Wasteland Baby is one of my favourite albums and it fits so so well

Who are your favourite character(s) and why? - I feel as though I'm committing to a betrayal here by not saying the character who is supposed to be the main protagonist but I'm going to go for Fenley, purely because his cynical, overall dark demeanour has been the most entertaining to write (and his POV contains some of my favourite scenes of the novel)

What other pieces of media could share a fan base with your WIP? - now this one is FUN. especially since I draw inspiration from so so many things, Throne of Glass, The Cruel Prince, The Mummy (one of my all time favourite movies), Now You See Me, The Witcher - just to name a few, I'm not even going to mention the inspiration for the combat scenes because action movies are just (insert chef's kiss)

What has been your biggest struggle while writing your WIP? - truth be told, finding the time to write, as this labour of love has taken me a solid four (ish, I think) years to write, a lot has happened, I've grown with my novel which is to me at least, a very heartwarming thing

Are there any animals in your story? Talk about them! - sadly there aren't any major animal characters in my story, my characters use horses for transport most of the time but that's about it

How do your characters get around? - well, when they aren't on horseback they're either walking or sprinting for their lives

What part of your WIP are you working on right now? - edits, dreaded, dreaded edits - just kidding I'm loving getting to dive into the earlier parts of my novel and change bits as I go, I'm falling in love with the story all over again and I'm only editing Chapter 7/40(something, the current number escapes my mind)

What aspects of your WIP do you think will draw people in? - hopefully the sheer and utter chaos of unlikely thieves trying to do an impossible thing, the characters are my favourite sort to read about, and the tropes (not giving too much away I do enjoy a good mystery :) )

and that's about it, this was super fun so thanks for the tag!

and passing the metaphorical torch on, I'm going to tag: @the-ellia-west @somethingclevermahogony @unlikelycreationwasteland @leotheponderer @alwri-tes and of course anyone else that would like to give it a go! (being new at tag games appears to be my fatal flaw since i have very little clue who to tag, but here you go!)

(and as usual in my rambly responses, very, very little read through, but in my defence this is a late night post so I feel as though the grammar-police might cut me some slack :) )

[ape-apocalypse]

My Thoughts on Kingdom

First off, my general no-story-spoilers thoughts on Kingdom of the Planet of the Apes.

I really really liked this movie! I loved all the characters, both human and ape. I really enjoyed the story, even if it was a little bit predictable, and I could guess along the way what was going to happen next (though that may just have been because I watched every single trailer and TV spot and could guess based off scenes I had seen). The animation on the apes was phenomenal, and the landscape was gorgeous. I love the world building and seeing the ape communities grow and have their own traditions and beliefs in this world.

For the things I did not like, I definitely thought the pacing was off. Weirdly the story and the pacing felt a lot like War to me, and much of my criticisms about Kingdom are similar to what I thought of War. The ending is a little underwhelming, and I think they were taking too much focus on setting up for future movies, but I didn’t hate it, just didn’t feel wowed like the end of the previous films. But overall, I thought it was a great movie. Not as good as Dawn which is my favorite among the Apes films, but definitely a worthy successor to Caesar’s trilogy.

I definitely plan to see the movie again and think it will further develop my thoughts but those are my initial thoughts after one viewing. I give a three out of five stars.

Onto the spoilers... read at your own risk below the cut

To elaborate on why I feel like Kingdom is very similar to War, here’s my basic breakdown: an inciting incident sends the lead ape off on a journey, he encounters a strange ape and a human who come along on the journey, he loses an ape companion, he is captured by the main antagonist who does a big monologue on the fate of his species is in his hands alone but otherwise doesn’t do much else and ends up with an unsatisfying death, lead ape brings his people home. This fits well for me because much of my criticism for Kingdom is the same criticism I had for War, especially with poor pacing and an underwhelming ending. I think, since both movies involve a physical journey with lots of side characters and a big looming antagonist who doesn't get much to do, War and Kingdom would have been better served as mini-series, where they had more than 2.5 hours to tell their story. But for being confined to a film, they are still enjoyable, even when suffering the same flaws.

I thought the story was good, even if predictable. I could guess most of the story beats as they came but still enjoyed them. There was a definite pacing issue; it felt rushed once Noa got on the road to finding Proximus. One thing that did surprise me was the relationship between Noa and Mae. Halfway through the movie, I was thinking that I wasn’t really feeling a bond between them and was the writing not working. Once I reached the end of it, I realized oh, there wasn’t supposed to really be a bond between them. I actually kinda like that, I like how driven Mae is for her mission of reclaiming human society. 

The movie ends with the question of can humans and apes truly coexist. Both Mae and Noa don’t have that answer at the moment, all they know that they want their own people to survive. I hope that this is setting it up to go into more depth in future films. If they don’t pick this question up in a sequel film, then it really will be a dangling thread and I think this is one reason some reviewers say that the themes of the movie feel muddled, because they don't get a definitive answer. But I’m OK with this debate not getting resolved in this first movie, since it feels like it will be the theme of this trilogy.

One major criticism I have is it feels like characters were under-utilized. Raka was fantastic, probably my favorite character in the movie. I was really disappointed that he got swept away into the river, presumably to his death, so quickly. Now personally I don’t think he’s dead; I know orangutans can’t swim, but we didn’t see a body and the credits end with orangutan sounds rather than chimp or gorilla sounds. So I would not be surprised if he popped up in a future film. But I didn’t really feel emotional when he was swept away in the water. Likewise, I think that Proximus is severely underused. If you’ve seen his scenes and trailers, then you’ve seen the majority of his screen time. I am not surprised that he ended up being a one movie villain, since I think the next movie will have humans as the main antagonists, but I was pretty disappointed that that was all we got of him. I didn’t mind him dying by the birds, I actually liked Noa and his clan singing the eagles song together, but I am sure a lot of people will dislike that ending for him.

Those criticisms aside, there is also much to love. The attack on the eagle village is an incredible action scene. Despite me knowing that it would end with Noa’s family captured and Koro dying, it is where I felt the most tension in the film, with Noa walking through the action, dazed and confused while there were so much happening around him. The humor was on point. I often forget that these films can have a good amount of humor, like Koba with his fake silly ape routine for the two humans in Dawn and Bad Ape’s silliness in War. so, this film did great on humor that kept me chuckling. Mae teaching Noa the word “shit” had me howling. I like Noa’s growth being connected to his father’s eagle, and whether he can call the bird to him or not. Again, I knew he would, because I had seen him in the trailer with the bird on his arm, but I thought it was well played with the bird pecking him in the very beginning of the film and then it coming willingly to him at the end.

Of course, the visuals are gorgeous, though they felt more on level with Dawn rather than War, which always had the best CGI among the Andy Serkis trilogy. I loved seeing the development of the apes; they're talking and showing more emotion than apes of the last trilogy, so their personalities really stand out, even if having so many characters meant they didn't each get as much spotlight. Soona and Anaya are my precious adorable babies and I will throw down with any writers or directors who dare to harm a single hair on their heads.

All in all, it's not a movie that I love and adore, but it was a really good film, despite some flaws. I think many of the flaws will be forgiven when/if they are allowed to do a full trilogy where they can resolve dangling threads and flesh out characters even more. But even if no other movies follow up, I still enjoyed the film and loved seeing a glimpse of post-Caesar ape societies.

[moonisneveralone]

Y'all I'm saying this with the biggest love for y'all, but do not bond too hard with a fictional character over your trauma. Especially not in this fucking series. Maybe if it's a closed medium like a movie where similar themes are explored in a way that cathartic to you that can work, but you don't know where they're taking this character and what they will have him do. So keep a layer of seperation.

I'm saying this cause I kept seeing people say things like there was hesitation in Armands eyes when Louis told him to get in the coffin.

I think the confusion has multiple levels. It is ambiguous.

People want to be protective of Armand, especially because of his history with slavery and sexual violence. That is absolutely fair. While for honesty sake I'm still in the I don't trust Armand camp, I still feel like much would be lost in my enjoyment of Assads acting ability and the series overall if I just thought of him as cartoonishly evil. To me he's a dangerous being that finds a way, while insisting on being a mercyful being. Mercy and willfulness will bring forth a specific kind of cruelty. That's what I think. So feel free to take my opinions with a grain of salt if you believe Armand completely.

But there are two things that people assume about the dynamic Louis and Armand have in Paris that I take issue with.

First is that it was solely Louis who basically forced Armand into the role of a submissive. I do not think so. The scene where Armand tells Louis about himself works twofold. On one hand Louis is supposed to understand it as an inivitation. Armand is showing himself to vulnerable to gain Louis trust. He's also showing Louis that their relationship will be different from the one he had with Lestat. But I think the ground work for the d/s dynamic is Armand asking Louis who he is. Remember that is what Armand says he does. He finds the vulnerability. That is what convinced Louis to chose Armand, which is what Armand wanted. However Armand is still clearly the one in power (which is how a dynamic like that should work). Louis can't make him do what he doesn't want to do. Armand has denied Louis when he wants to. Another clue to the fact that their dynamic definitely has rules in Paris is the Paris version of "Are you asking me or making me?" that Armand immediately apologized for. Opinions may differ, but I think he's well aware that Louis asked him and did not want to play in that moment. So Louis definitely also has boundaries. They've not talked about it like I imagine a well adjusted couple would do nowadays, but they have shown each other what lines not to cross.

Okay the get in the coffin scene. A lot of people have said there was a hesitation on Armands part. I did not see it personally. I would love to know where that idea comes from.

One thing seems to be that it was around the coven. Armand himself said he has fucked most of them and some at the theater. Santiago was getting head mid conversation some episodes ago. Supposedly Armand and Lestat fucked in the Opera with Nicki watching. I doubt that he seriously had an issue with the idea in genral.

What I saw in that scene was the equivalent to "Come to bed love" "I still have work to do" "I am wearing the thing you like" cue pushing the Laptop of the table running. The look that Armand gave Louis after he said face down in the coffin read as horny contemplation to me if anything. Working his jaw that way and looking Louis up and down just a moment shy of licking his lips and letting his tongue cartoonishly roll out his mouth. That's what I saw. Even if we were a little squeaked out by Armand not immediately consenting,

I think it's very normal to deny yourself pleasure you're generally open to in the face of responsibilities. To me it was a very "You're right it can wait." or "You know what? That's more fun." type of energy.

I have a lot of things on my mind as to why that didn't translate. Some people have openly talked about relating to Armands trauma and therefore being uncomfortable. I think to people with certain traumas this type of play can be very triggering and therefore should be approached with caution. It is still important that you know when your perception of things is bleeding into how you're picking up on cues in a fictional story though. That's why I said it's a little dangerous to get too attached.

Louis and Armand are toxic for multiple reasons, but to me personally the kink aspect is the least toxic aspect. To be honest if it were a healthy relationship and that was what both of them needed to feel safe and secure in the relationship I would be down for that. Truely go of kings. But I can't say that, because that's not what's going on and it's not that kind of show.

People have also said that Armand is retraumatising himself with the dom/sub dynamic. I think if anything him trying to keep a crushing hold on Louis is the more traumatising aspect. Fully knowing he is mot loved as he should be, but chosing to stay with Louis. Slowly draining Louis of everything that fascinated Armand about him, everything that Armand seems to like in a man until Louis is just as grey as the walls of that Penthouse is doing worse things to his psyche than any play ever could. That's my honest opinion. Because again sexually or not Armand will still do what he wants. Either himself if he can uphold his powerful benovelence or through a distructive force of his choosing. There is a moment where the relationship stopped being a relationship and became a job to him. Someone said that Armand never moves on without something new in mind. Maybe that's what it is. That he wouldn't know what to do with himself yet. He's waiting for the other shoe to finally drop.

Also one of the writers DEFINITELY did this nad wanted us to know it was an option. Girlies who like their writing and wanna spice things up this is your time.

TDLR I have nuanced reasons to believe Armand definitely wanted to get backshots in that codfin while he read.

[snakeeyesdraws]

Overly Analyzing Fortune Street character dialogue (Mario and Luigi)

So I've spent a lot of time browsing Mario wiki pages (organized easy to read information about a current hyperfixation makes for great destressing material) and one of the pages I've been really into is the quotes from Fortune Street (2011)! I've been thinking about talking about and discussing some of the character dialogue from it, since some of them actually have some fun character tidbits, and after seeing this post from pianokantzart (please go check out their stuff!) I decided to go ahead and do so!

Today we'll be focusing on Mario and Luigi's dialogue, and dialogue that involves them! If you would like to view these quotes for yourself, you can do so here and on the character's quote pages. I'll mainly just be highlighting some of the fun ones under the cut!

Mario

"Brr! This ship gives me the creeps! Best to win fast so I don't have to hang out here too long!" (The Ghost Ship)

This is an area-specific dialogue line for the Ghost Ship, and I find the implication that Mario is a bit creeped out by ghosts/haunted places, seeing as Boos/ghosts are an enemy that have notably defeated him numerous times via the Luigi's Mansion series.

"Wow! What a fancy palace! But I still think Peach's Castle is the best…" (Castle Trodain) "Ha ha! I'm gonna do well here. Peach's Castle is like a second home to me!" (Peach's Castle)

Simple but cute!! He thinks of Peach's Castle as a second home and feels safe there!! This is extremely important to me

"Dooo-doo-doo-doo-doo-dooooo! Hey, I love this tune!" (Super Mario Bros.) "Doooo--doo-doo doo-doo-doo! That sure is a catchy tune I've got stuck in my head! Oh, sorry, is it my turn already?"

He also really loves the Super Mario Bros. theme! The theme that is associated most with him and Luigi ;w; I like to imagine he hums its to himself whenever he's working

To Yoshi: "I'll help you find your cookies, Yoshi - just give me a second to brush these cookie crumbs out of my mustache!" Yoshi to player: "Yoshi! Yoshi! (Nice job on that promotion, (player's name)! Here, have some cookies to celebrate!)" Mario's response: "Why no cookies for Mario? Can't I have just one?"

There's also a running theme of him wanting Yoshi's cookies which I think is so funny. The Legendary Hero of the Mushroom Kingdom cannot turn up a tasty snack. Some people seem to push back against the idea that Mario enjoys eating?? But I think it's such a cute characteristic of his (and the fact that he basically admits to Yoshi's face that he swiped his cookies jsadjkkdlsa)

"Not to look a gift Yoshi in the mouth, but I was hoping for more coins..."

Mostly highlighting this one for the substation of "horse" with "Yoshi" in this quote. Fun little world building tidbit of Yoshi's being the Mushroom Kingdom's horses.

After player warps: "Ever get a stomachache when you warp, (player's name)? That happens to me sometimes!"

Even though he presumably uses the warp pipes all the time? Interesting... (side note but because I'm movie brain pilled, you could potentially read into it more here for that verse 👀)

After landing on a Take-a-break square: "Heroes never take the day off! What am I supposed to do with myself - go to the beach?"

Bro that is not a good mindset let yourself take vacations!

"Thank you for your patronage! You're very generous, (player's name)... Just like me!"

There's a lot of playful lines like this from Mario, I like when we get to see his competitive side and how he has a teeny bit of an ego (he's still overall humble and kind, but he knows he's the hero of the Mushroom Kingdom)

After player buying his circus tent: "I can't believe you took over my circus, (player's name)! Didn't you like my fireball show?"

FIREBALL SHOW???? HE PUTS ON A FIREBALL SHOW????? I am desperate for any crumbs of reference to Firebrand (even though he likely used a Fire Flower for this but still)

To Luigi: "Hey Luigi! Stick with me, Bro, and we'll win this one together!" Luigi's response: "You got it, Mario! We'll show (player's name) some real Mario Bros. teamwork!"

To player: "Nice work, (player's name)! But Luigi and I aren't going to give up quite yet!" Luigi's response: "Right you are! The Mario Bros. are just getting warmed up!"

THEM........ 🥺💖 WE LOVE TO SEE THEM WORKING TOGETHER

To player: "Psst! Hey, (player's name)! Princess Peach is watching, so I'm afraid I just can't lose to you today!" Peach's response: "Mario, I heard that! But don't you worry - I'm the one who's going to win!"

Dude is SMITTEN for Peach and it shows. He wants to impress her! I do like that we get to see that Peach is also competitive and playfully rolls with it

To player: "Keep going, (player's name)! It's way too early to give up!" Peach's response: "Hey, Mario-what gives? You seem like you're more concerned about (player's name) than you are about me!"

That said, Peach clearly likes having his attention on her LMAO it reminds me of the scene in Paper Jam where M&L Peach visibly got a bit jealous of Mario getting blushy and flustered over Paper Peach

Bowser to player: "You're in luck! If you beat me, you automatically get to become one of my minions! That's the law around here!" Mario's response: "Don't listen to him, (player's name)! I've beaten him a million times, and I'm no minion!"

Almost all of Bowser's quotes that invoke a response from Mario play out like this; Bowser provokes or taunts the player and Mario immediately snaps back or defends the player. It's fun to see a version of their rivalry here, albeit one in a much more relaxed and lower stakes setting. They will get extremely competitive even when it's just a game for fun

Bowser Jr. to player: "You're just being a big show-off, (player's name)! I'm NOT impressed!" Mario's response: "Don't be jealous, Bowser Jr.! Sure, (player's name) is doing great - but you're not doing bad yourself! Try to stay focused!"

While Mario will do the same if Junior taunts the player, here we can see him being encouraging towards him. It's a cute little moment! I feel like Bowser's Fury enjoyers will like this quote lol

Peach to Mario: "Hmph! Why does (player's name) have all the luck? Mario! I order you to go out and gather me some gold coins!" Mario's response: "Sure thing, Princess Peach! But, umm..how?"

I mean it when I say dude is smitten. One order from the princess and he's ready to drop his competitive streak to go fetch some coins for her LMAO

Toad to player: "I'm impressed with your business acumen, (player's name)! I wish I was more like you… Mario's response: "You can be, Toad! Just keep up the hard work!"

Friendship between Mario and Toad can be so personal, actually... and more encouraging and sweet Mario! Never forget that this man is kind and caring before anything else

To Birdo: "Ouch! Birdo, you're charging me an arm and a mustache! That's precious gold I'm never going to see again!"

AN ARM AND A MUSTACHE HE SAYS............ this man is a DORK

To Bowser Jr.: "I'm surprised you're charging folks so much to shop here, Bowser Jr. ! Just like your daddy, you are!" To Bowser Jr.: "Bowser Jr.! You're just like your daddy. Always getting in my way!"

He'll be encouraging and overall gentler with Junior, but it doesn't change that fact that Junior still gets in his way a lot JADSKK

To Donkey Kong: "Hey, Donkey Kong! Would you mind if I paid you in bananas? Ha ha ha! Oh, I bet you get that joke all the time!" To Donkey Kong: "You sure know how to roll that die, Donkey Kong! Almost as well as you roll a barrel!"

oh my god he's so obnoxious sometimes you KNOW this man is telling dad jokes even if he's not a father. And it's a small hint towards the DK and Mario rivalry that started in the old games!

To Luigi: "Oh, Luigi! Can't you give me a special discount or something? I thought we were the bestest of buddies!"

the bestest of buddies I could cry.... it's a very sweet sentiment, even though clearly it's said in a bit of teasing tone here. I now HC that Mario calls Luigi his bestest buddy whenever he wants something from him

To Peach: "Looks like I need to start picking some flowers for your victory bouquet, Princess Peach!"

THIS. MAN. IS. SMITTEN.

To Waluigi: "I hate to fraternize with my brother's nemesis, but it looks like we're going to have to work together! Let's swap shops, Waluigi!" To Waluigi: "What!? Waluigi's about to win!? I don't think Luigi is going to be too happy about that…"

Interestingly, we get to see the Waluigi / Luigi rivalry acknowledged by someone outside of them. I do like the implication that out of principal, Mario avoids anyone who has beef with Luigi.

Luigi

”Eek! No one told me there would be gh-gh-ghosts here! I wish I'd brought my Poltergust 3000 with me.” (The Ghost Ship)

LUIGI'S MANSION REFERENCE!! An obvious one, but it makes me happy whenever it's referenced regardless

"Leaping lasagna! This place is even bigger than Peach's Castle!" (Castle Trodain) "This place is wackadoodle! It's turning my brain into spaghetti!" (Good Egg Galaxy)

HE DID IT HE SAID THE FOOD JOKE THINGS!!!!

"Looks like my bro really cleaned this place up! I hope they gave him the key to the city!" (Delfino Plaza)

this one is just, so pure and cute???? supportive Luigi confirmed??

To player: "Hey, (player's name)! I'm Luigi! Oh, you've heard of me? I'm so flattered I think I'm blushing!"

This is also so cute and a bit sad - he thinks it's amazing that someone has heard of him enough to know his name outside of just "Mario's little brother"

"This game has got my mustache all mussed up! Where's my little comb?"

Implying he carries a comb with him specifically for brushing and cleaning up his mustache! Which makes total sense, considering these other lines of dialogue from him;

"I take a quick time-out to trim my mustache, and someone buys up almost all the shops! What gives?" "Ack! One shop left? All I did was take a minute to trim my sideburns… I need to stop doing that!" "Who bought up all the shops? Guess I was too busy grooming the 'stache to pay attention to the game…"

A lot of people interpret Luigi as very neat and tidy and almost obsessively keeps himself cleaned, and this dialogue most certainly solidifies that! People pointed out in the recent film that Luigi's hair is also a lot neater than Mario's, which lends to this idea. Apparently more than once he's been so focused on grooming his mustache and hair that he's missed something important lol

"It's not so bad being in second place. As a matter of fact, it feels just right! I wonder why that is…"

Ohhhh buddy,,,,,, the eternal player 2 mood LOL

"One day I'm gonna dominate this district. Then everyone will see who's the real brains behind The Mario Bros.!"

JDSJKASDLDASKLA this is such a sibling quote. Though it is interesting considering many people consider Luigi the more strategic of the two

After player lands on a Take-a-break square: "You've been working so hard lately, (player's name). Promise me you'll take it easy on your day off!"

A lot of characters will gleefully remark that they can advance while you're on a day off when you land on a Take-a-break square, but Luigi seems to genuinely want you to take it easy and I think that's neat

To player: "Did Mario teach you to play this game, (player's name)? 'Cause you've definitely got some sweet moves, just like him!"

CUUUUUUUUUUTE Luigi thinks the world of his brother, so of course if you impress him, he will compare you to him!

After player builds a tax office: "Built yourself a tax office, (player's name)? That was a calculated move! Ha ha ha ha!"

"You got any hobbies, (player's name)? I'm into lots of things: golf, tennis, basketball, beating you at this game…"

DORK I am going to lovingly push him into a locker. This was the blueprint for "You just got a-Luigi'd!"

After building an estate agency: "I bet Princess Daisy'd be really impressed if I owned a few more shops! Help me out, estate agency!"

One of the most favourite moments for Luigi/Daisy enjoyers. Because it really is cute! He just wants to impress her!

Going bankrupt: "Bankrupt!? I'm gonna get laughed right out of the Mushroom Kingdom!"

highlighting this one just because every time I read it all I can think of is "they're beating my ass in the QRTs"

Daisy to player: "If you win, (player's name), maybe I'll invite you on an all-expenses-paid vacation to Sarasaland!" Luigi's response: "Wow, what a prize, (player's name)! I wish I was in your shoes!" Daisy to player: "Yay! You got your salary, (player's name)! I guess that means you'll drop by my shop soon, right?" Luigi's response: "Wow, Princess Daisy! You're good…"

THIS. MAN. IS. ALSO. SMITTEN. I find it so funny that both Mario and Luigi are so head over heels for their respective princess GFs.

Waluigi to player: "Hope you're comfortable in last place, (player's name), 'cause that's where you belong!" Luigi's response: "Knock it off, Waluigi! I'm pretty sure you're the one who belongs in last place!" Waluigi: "Luigi, (player's name)… Is there anyone they DON'T let into this thing?" Luigi's response: "Ha ha! You're one to talk, Waluigi! How did YOU get on the guest list?"

LUIGI, KILL!!!!

More of the Waluigi / Luigi rivalry, and it's interesting to see someone who is usually more timid and soft spoken like Luigi be so confrontational and angry addressing someone who is clearly getting on his nerves. Waluigi seems to be one of the few people who can really push his buttons like that.

Mario to player: "Nice job, (player's name)! You're a real hero - just like Mario!" Luigi's response: "I wish Mario would call me a hero sometime…"

The post I linked before delves a bit more into this, but Luigi has a couple of dialogue lines about wishing Mario would think more highly of him. It doesn't come across as out of spite or disdain; it just reads as a younger sibling wishing he could impress his big brother who he looks up to. But as we all know, Mario clearly thinks the world of Luigi and he even shows it in this game;

Mario to Luigi: "Great job, Bro! Ha ha! You're my hero!"

They care about each other and I will hear NO arguments.

[skazoo]

fire to the rain.

↳ min yoongi x f!reader x jung hoseok

a crime lord, a mental hospital escapee, and a sociopath detective enter a bar.

length. 2.3k

genre. angst, thriller!au?? i REALLY don't know how to label this, agust d and jack do their own thing ig

warnings/tags. language, mention of mental illnesses, murder, arson, implied organized crime, dark themes overall. in this fic's seoul mental hospitals still exist, like arkham asylum/ahs: asylum stile idk it doesn't really serve anything but i imagined it this way.

networks. @kflixnet k-labels

notes. i finally get to publish this fic after soso long can i get an hallelujah?!?! also jack and agust d need to be in a movie together i really need it.

last but not least infinite thanks to the best beta reader i could ask for <3 @l00pyluluo7 MY angel 🫶🏼

hope you like it!

i'm desperate for feedback and i love comments with your opinion!

(cross-posted on ao3 only)

navigation

a crime lord, a mental hospital escapee, and a sociopath detective enter a bar.

you think back to yesterday and you have a hard time recognizing which part of the so-called joke is funny but it was one of the rare times yoongi laughed when hoseok said it so you guess it’s just a you problem.

rain falls relentlessly on seoul’s concrete streets, the raindrops biting into your skin like needles. you walk slowly, hands in your pockets and the hood of your jacket pulled over your head, almost covering your vision. you let your eyes scan the dark alley you’re about to enter, but you see nothing other than a few plastic bags from the restaurant in the front of the building and a stray cat looking for something to eat.

according to the message you received in the dead of night from a —ironically— familiar unknown number, the meet-up is supposed to happen early in the morning but as of right now the sky is dark, the rising sun completely hidden behind a thick layer of ominous clouds. a milky mist bathes the city that has yet to wake up in a gray hue and morning seems nowhere to be seen. 

you grimace. 

if anyone were to ask you, seoul doesn’t deserve anything. 

the freezing cold in winter, the scorching hot summer, the rancid smell, its unforgiving nature, the city you were born in has never done anything for you. not when you grew up in foster care, not when you were denied the same opportunities as your peers because of your ‘slightly disturbing’ nature, not when you joined the police. if anyone were to ask you, in all the years you’ve been alive, seoul has never shown kindness and you’ve come to the point you’d rather see it burn than be a silent victim of its cruel ways. 

no one ever asked you, though. not until you met him first and the other second.

they knew what you were talking about when you told them what went on inside of you and be it in loneliness or personal gain, they enabled you in the only way they knew how. with gasoline. setting fire to the rain.

the phone in your hand says it’s 5:26am. you still have time.

you fish for the unopened pack of cigarettes in your pockets. 

it’s weird how the first thing you think about is sergeant kim and his passionate hate for your addiction. sergeant kim and the conversation you had almost four hours ago.

his voice was a quiet thing when he found you outside of the police station when it still wasn’t raining.  

“detective L/N.”

“sergeant kim.”

“the fires are getting more frequent.”

you let the smoke wash soothingly over your lungs. kept it there before lazily pushing it out. “they are.”

he stood in silence, leaning on the other side of the door, looking at you with a grave frown.

“it’s dangerous, detective.”

you buried yourself further into your jacket and turned your head in his direction, a minimal movement that spurred him to go on.

“and it’s arson,” voice low as he looked around the outside of the station. it was late. uncharacteristically so for him but your case must have been keeping him up at night more than you thought it would. maybe you underestimated his love for the job or his fear for his failures, you don’t know. you don’t particularly care either.

“i thought we’d already agreed on it when we took the case, sergeant. it is malicious. it is arson.”

he frowned and shook his head.

you’ve noticed he often gets these fits of frustration in which he struggles to make you understand exactly how certain things make him feel, as if he needs to explain the reason he’s not comfortable. you think he does it unconsciously but you wonder if sometimes he catches a glimpse of what goes on in your head and his desperation it’s just him trying with all his might to pull you away from something you both know is not pretty. something he knows would put a premature end to whatever relationship he created between the two of you. 

“it’s murder,” just above a whisper. “Y/N, we’re looking for a single man, a madman, a psychopath that uses the same brand of matches every time he burns something down but i’m starting to think it might be a group? do you think it could be possible? i just can’t think about the actions of a single person causing so much pain i–”

“what? so it would take this case from having a chilling lack of ethics to just being ethically questionable? would it make you sleep better at night?”

he stared at you as you let out another puff of smoke that curled around itself and vanished in the night air. it smelled like rain. you thought you saw a gust of lighting from behind a building.

“Y/N, i’m worried about this. i’m worried about you.”

that was a weird thing to hear, naive too, you thought.

sergeant kim namjoon. you’ve known him for years. polite, respectful, driven, maybe too driven. your partner in this last case. he took a particular liking to you after you helped him catch an abuser his first year of being sergeant and as much as it was inexplicable to you it was very easy for him to consider you in no time something more than a mere coworker, a friend, even. you realized with time that he craved human connections no one around the station or the city was eager to give him and he found in your uninterested passivity a sign of acceptance of a new friendship. but you don’t think he’s the clueless, clumsy man he portrays himself to be most of the time. you think he’s just a person who’s so desperate that he’d turn a blind eye, a deaf ear to the wolf in sheep’s clothing working alongside him if it meant he could keep someone close to his pathetically lonely heart. you think he’d be considered wretched and rotten and insane just like the rest of you.

when you didn’t answer he shook his head again. a slow hand passed over his tired face as if to wash away the stuff of nightmares you both have to work with.

“whatever organization or– or crazy person– i don’t know but whoever is doing this knows we’re looking for them. you and i, Y/N. and i’m used to your indifference but i’m worried you’re not taking this seriously. they’re getting closer, i can feel their eyes everywhere i go and i–  this group is–” 

“sergeant…”

he squeezed his eyes shut. to avoid tears from falling from his watery eyes? to ground himself in the shitty reality he’s cursed to live in?

“will you ever call me by my name?”

fuck, he really was naive. still is. always will be.

“sergeant,” you smiled more to yourself than anything but you saw him clinging to it as if it was his lifeline. “don’t compromise yourself over things you wish were true because they’re easier to come to terms with.” he hung from your words. he alway does. “don’t compromise yourself. you’re all you have, sergeant.”

on that occasion you don’t know why you said those words if to really speak to him and reassure him or to drive him away from your business. you just know you did and it seemed to free him of something and burden you of something else. you just know that sergeant kim namjoon passes through your mind numerous times in the weeks that follow the conversation.

you’re walking further in the alley when you’re forced back to the rainy present by the sound your ears capture in the drowsy silence of the early morning. you take off your hood to listen.

someone is following you. you can hear their footsteps, speeding when you are speeding, slowing down when you do the same. you stop in place. you can feel their presence, hear their breathing, their arms stretching out towards you, a hand coming from behind and reaching out. 

a single lit match floats in front of you held by a bodiless fingers.

“surprise.” barely audible, whispered into your neck.

your mouth pulls into a small smile as you stretch your neck to light the cigarette you’re keeping between your lips.

“it’s 5:37.”

a silent kiss is placed on the exposed skin between your jacket and your hair.

“i know.”

“you’re late.” you muse. a drag of the cigarette and you gently blow the smoke in the dark in front of you.

the voice talking to you finally gets a face when the man behind you slowly circles you. he lets his hands travel from your shoulder to your waist as he comes standing in front of you. his eyes are crinkled with glee, his usually mischievous grin softens when he sees how you’re looking at him: amusement hidden by a thin veil of annoyance.

he takes your face in his hands, a rough thumb swipes over your cheekbone. the smell of sulfur hides his usually earthly perfume. 

“seven minutes, love.”

“seven minutes late.”

he huffs out a laugh and lets his hands pass through the wet strands of his hair.

he looks good even with ash in them and eye bags under his eyes. 

it makes you feel weird when you think about these things. when you find yourself admiring him as if you’ve finally found something worthy in the pool of mediocrity you’ve been swimming in since you can remember. it never occurred to you that people —insipid, dull, hypocritical— could make you feel like you didn’t want the world to end anymore. 

they both made you change that about yourself and at first it was alarming how quickly you fell into them. you don’t know what it was but for the first time, you felt seen. not understood or full, no they couldn’t do that with you just as much you couldn’t understand or fill them, but you were visible. you were there, and they were too.

hoseok lazily looks around the dark alley one last time before taking your hand in his and gently pulling you along inside the building, to the flights of stairs that take you to the roof. 

you know that with his silence he’s giving you the time to come back to yourself, to hide again what you know he’s already seen time and time again. it’s still hard for you to freely show what you feel but they’ve never pushed you and often you find yourself wanting to tell them how glad you are about it.

“he’s late too, you know. i hope he gets the same treatment when he arrives, mh?” he quips once you reach the roof and the other man’s dark mop of hair is not standing there, tapping an impatient foot on the cement floor. 

“he has responsibilities. he’s gonna be late sometimes.”

hoseok gasps, “and i don’t?!”

“your only responsibilities are lighting a match and hiding from whatever mental hospital you ran away from, jack. stop whining, you know i don’t particularly like it when you do it.”

he pouts as you blow smoke in his face. you know he wants to argue against words that are nothing more than simple truth but he settles on whining more. “and i don’t like it when you call me jack.”

“i know.”

“then why do you do it?”

“you’re cute when you’re upset, hobi.”

he sputters out something about indulging crazy people just as the rusty door of the rooftop creaks open.

he stands there. the healed scar on his eyes casts a dark shadow on his porcelain skin. he looks the part, you think. born and raised in the same city that doomed you from the start. you also think that’s why you found him and he found you. you’re not that different.

you take the last drag of the cigarette and throw the butt on the floor, putting it out with the heel of your boots.

“did you finish the job?”

you look up at him as hoseok stands behind you. his hand sneaks to your waist. you know he’s sending a proud smile to yoongi.

“you know we always do,” you answer calmly, truthfully. it’s just facts. you always do. you always follow through with his requests. this time it was seoul police getting too comfortable snooping around his business, the next time could be one of his allies threatening his authority a little too much. he trusts you. you trust him. it’s a mutual act of something akin to what people call love. it’s not even that absurd if one thinks about all the things people say they do for love. you’re just humans like the rest of them. fragments of decay.

“and they said i had ‘behavioral issues’” hoseok scoffs from behind you.

yoongi smiles at the picture in front of him. he takes your hand in his, kisses your knuckles. does the same with hoseok. sweeps a thumb over a dark smudge of coal on his cheek. 

the sun must have risen behind the thick layer of clouds —the bubbling of the tempest can be heard in the distance. the three of you stand there, huddled close, subtly holding hands. dark smoke, the blaring siren of an alarm, and faint screams rise from the police station in front of the office building you're in while the rain still cascades unforgiving from the heavens.

a crime lord, a mental hospital escapee, and a sociopath detective enter a bar.

you still don’t get it but you let out a silent chuckle anyway. if it made your partners laugh that much in bed last night then it truly must be funny.

end note. i didn't want to put this at the beginning bc i didn't want to spoil anything but i started writing joon's texts/ voicemails to Y/N after the 'incident' and if you're curious pls tell me i can finish them and maybe do a little drabble spin off on that! lmk <33

[goodboyaudios]

Hello! My name is Grim, and I fancy myself a bit of a researcher. Now, this is not for anything important or extremely serious. Instead, this is mostly for my own pure enjoyment and something I have in the works that is to be posted on Tumblr. You are not obligated to answer any or all of these questions I have posed. I know it’s a bit much. Take your time, but don’t feel obligated to do anything. Feel free to add any additional input! Thanks for your consideration!

1. How different do you think your work would be, in terms of getting across a point, in a different medium thats not Audio RP?

2. How do you think your work would be different if it more reflected main stream industry forms of storytelling where you as a creator would be more separate? (ex. movies, tv shows, games, etc.)

3. How important do you find the voice acting in your work?

4. You are the primary voice of your works. Would you consider taking a step back from voice acting in your work to focus on narrative work?

5. Do you believe your own individual ability to voice characters enhances the story overall?

6. Do you enjoy the idea of a “Listener character” or would you better prefer to not have one?

7. As a writer, how does the writing of the Listener take you out of your comfort zone? (ie their effect in relationships, plot movements, etc.)

8. Is Audio RP your favored form of art?

9. How do you believe Audio RP differs from main stream forms of art/entertainment?

10. Do you believe that your work has over arching themes that relate to you personally? (very optional)

Sure! I'm happy to answer some questions!

I think with the addition of a visual medium it would most definitely be significantly easier, yes.

Well, I can't say for sure. I could explain for hours about how mainstream media forces a creative to conform their work within often-times hostile parameters. Nevertheless, I'd be blessed with the opportunity to try. That being said, I have a lot more creative freedom here on Youtube than anywhere else, at least by my standards.

I think it's very important. Conveying enough emotion without the added visuals means that it is ALL DOWN to vocal performance.

I am typically the primary voice, yes, but I must admit this is a very difficult question. I love to write stories of scifi and fantasy, I love to take concepts and ideas, pieces of dialogue and conveyed emotion and put them into an all expansive list of things to try, but I personally love bringing those emotions and ideas out myself. I find it fun! I suppose...I wouldn't! Writing is fun, don't get me wrong, but being able to perform it is part of my joy in creating what I make. If I stopped doing one, I'd have to find it elsewhere and that would take me away from doing the other thing.

I like to believe that, yes. It only makes sense that the writer knows the exact feeling to convey in a script, but you could call me vain for that if you like lol!

Listener characters are the bane of my existence lol! Okay, that was too dramatic. It's very difficult to write a character that doesn't talk, but represents...basically everyone! How do you compensate for that? And echoing dialogue is not something people do on a regular basis. No one talks like that, but we need to in order to get across what the listener is thinking at any given time, because if you don't, everyone is confused. It's quite frustrating and a hell of a dilemma in the scripting process.

Well, like I said earlier, I have to try and accommodate for everyone which is a challenge all on its own. It's VERY easy for the listener to become a talking head and I try my best to avoid it. Alas, I imagine even the greatest xlistener writer has fallen into that trap lol

No, it is not. I like 2D animation and RPGs.

Money? Budget? A lot more emphasis on visuals? When you start out as a content creator, you start with nothing and are tasked with making something, but with mainstream media, the network hands you a budget to make something. Granted those things might not be great given the parameters of the network, but hey! At least you can say you made something!

Very much so, yes. Zed is directly related to my insecurities and fears of not being enough as a person. Makkaro is related to my need for a work/life balance so that I might enjoy the little things while still giving my all. Albus is a toxic form of what I wanted to be when I grew up, a man who can fight through anything, but inside is deeply broken. Yargwynn is my running away from my problems in hopes that it'll all just go away. Mortallous is those problems always chasing me, always catching up. One day, I will tell a story of Zed realizing who he wants to be. That story will show that the man I really want to be, is myself. I will no longer be Good Boy Audios, but Good Man Audios. Yeah, it's cheesy as fuck, but hey, I like cheese.

Thank you for your questions. I really appreciate the time you took to ask me them. And I hope you enjoy my stories moving forward too!

[bradassholemajors]

Wtf Is Shock Treatment’s Deal? (Or, Local Critic Discovers Escapism and Having Fun In The Midst of Late Stage Capitalistic Dread)

Watched Shock Treatment for the first time this week, and I am a changed man lol. Here are some disorganized thoughts:

I think something that makes Rocky Horror so special is that it can be as deep or not-deep as you want it to be. Like, if you want to think about the cultural implications of the themes portrayed (hedonism, gay & trans liberation, gender roles, the Invasion-of-the-Body-snatchers style infiltration of outside queer forces, the downfall of the safety contained within a collective identity), you can absolutely do that! There’s so much to be interpreted there!! But if you are just here to see Tim Curry looking incredibly sexy and violently thrust along to the Time Warp at a midnight showing with a bunch of cool strangers, that is absolutely awesome, too. Slay!! Take what you want.

BUT SHOCK TREATMENT MANNNN??? Shock Treatment is a whole different ballgame lol. Like, it is also a thematically rich goldmine, if you’re willing to squint a little— in terms of content included, not necessarily how it’s portrayed within the narrative. In the words of Barry Bostwick here, “it was a statement about the future that we weren't quite ready to explore. We didn't really even have the mental emotional vocabulary to understand what Richard [O’Brien, the creator] was trying to say.” I think this is spot-fucking-on!!! It’s absolutely frighteningly prescient, especially today in terms of the commodification of mental health. Like, woah. Janet being crowned “Miss Mental Health” felt like such a Gwyneth Paltrow moment. Cultural prophet Richard O’Brien saw the dark cloud of Betterhelp and wellness culture galloping over in the horizon in the distance of the American landscape, and he set out to warn us.

I still don’t quite understand what happened in the movie. I still don’t know what my takeaway was supposed to be. And I guess if you’re a little insane and love having fun doing thematic analysis with weird media (like me), taking Shock Treatment seriously may be right for you, lol. But thematically overall I think it’s safe to say: it’s a lot less coherent than its predecessor. It’s messy. It’s not interested in being flawless. It’s not interested in appealing to an audience. It’s barely interested in being a sequel. Shock Treatment is lowkey pointing and laughing in the face of those who showed up expecting a masterpiece— which admittedly was me, because I take Rocky Horror pretty seriously. (I put off watching Shock Treatment for a while bc I wasn’t sure about how it would affect the Rocky Horror Universe I had in my head.) If not for the internet reviews prepping me, I would have walked in completely expecting another nuanced perfect symphony of a movie to measure up to Rocky Horror’s magic.

But the thing was? Watching Shock Treatment, it ended up I did not really care!!!!! I was having the time of my life!!!!!

(more under the cut whoops)

Wtf was going on!!!!!!!!!!! Who knows!!!!!!!!!!!!!!!!! I still don’t quite know!!!!!!!!!!!!!!!!!! And I loved it!!!

This reaction of such joy, just letting myself vibe out made me think because when did I start getting surprised when watching a movie is more pleasurable than not??? Isn’t that the entire point of media??

I think with the modern commodification of media analysis and examining pop culture up close, I’d argue that Fun Media without a message is actually pretty hard to come by— at least in mainstream culture. Even stuff as sanitized as Disney movies are now digging into like generational trauma, appealing to what seems to be a collective search for depth (or at least the appearance of depth.) Modern neo-nazi brands of fascism wields power like never before, horrific images of violence follow everyone left and right. Sometimes it seems like this open secret, that everyone knows there’s this looming darkness at the forefront of our minds at all times.

So this transition from Rocky Horror to Shock Treatment felt actually sort of powerful to me. Rocky Horror’s generation-long reverberations of shamelessly depicting sensual revelry are so powerful; it’s bold even for today! (Of course, we all know transvestite isn’t a term commonly used today, but looking at it through the lens of its time, it becomes clear what a miracle the movie is. Knowing what it must have meant to queer people at the time it became a phenomenon— giving them a real space to be themselves in a hostile world criminalizing who they were, in a time of oppressive pressure to stay silent — that is the type of brave blatant acceptance hard to come by in any era.) Rocky Horror is something I don’t know if will ever happen again, and its sequel seems to concur.

Shock Treatment has been called a cash grab but I beg to differ. If you’ve seen it, no offense: but does this seem marketable to you??? It seems like it’s a Richard O’Brien project (already wacky) that went through several levels of development hell and heavy modifications through the creative process. Said with the utmost respect… it may have got away from them a bit. Put lovingly, Shock Treatment lowkey kinda sucks a little at times. It’s silly, it’s got a huge cast and musical fun galore. It’s serving B-movie realness. I don’t say this to bash on it, I say this with a bemused respect— I think the existence of Shock Treatment is as much a miracle as Rocky Horror (aren’t all creations???)

So in the first iteration, we have advocacy and fighting for freedom for those long silenced… but also, Shock Treatment seems to allow the creators to just let themselves have fun. Aren’t they both revolutions in their own right? Does everything have to be lasting cultural milestones or does our enjoyment matter in the moment? I’d argue we need both as human beings to thrive. It comes back to that Rocky-Horror-experience philosophy I covered where you’re taking what you feel you need most from the media you consume: a message or a celebration of just being here.

In conclusion, sometimes shit doesn’t have to be that deep. More movies should just say “fuck it, we ball” and give you the most absolutely incoherent fun time of your life. I love not taking things seriously, and I love creators willing to not take their work seriously. Perhaps Richard O’Brien also had a premonition with Shock Treatment in the sense of how he just had fun with it! Maybe we need less attempts at masterpieces and more attempts at just creation for the joy of it— or both, because joyful creation makes masterpieces!!! I’d love to see more creators of every skill level and every background, known and not known, say fuck you to capitalism and expectation and marketability and just say, we’re gonna do it anyhow, anyhow!!!

[venusgirltarot]

Although the pictures above are edited by me to fit a theme, the original pictures are not mine! All credit goes to the original owners!

Disclaimer: This reading is for entertainment purposes only. Tarot readings are about possibilities based on your current energy. Energy is forever changing and nothing is set in stone. Always remember, you have your own free will to make whatever decision you feel is best.

Close your eyes, take a deep breath, envision the person you are thinking of and then choose the pile(s) you feel most drawn to.

If you would like a personal reading from me, you can get one, here!

Hello, lovely pile one! The last time you saw your person they may have confessed feelings for you or there was some sort of conversation between the two of you that took your connection with them to the next level. This could be someone you’ve had a crush on or been in the talking phase with for awhile and one of you made the first move and asked the other out on a date.

This has a very lovey honeymoon phase type of vibe. Before this conversation or offer, your person had a lot of anxiety and stress towards you and the connection you two have. Like a fear that they’ve been reading the situation wrong, the feelings are one sided, you don’t see them as anymore than a friend, etc. but this conversation the two of you had completely eliminated those fears for them.

There’s this fresh, vibrant and excited energy surrounding them. I heard “the stars shine brighter” almost like every part of life for them is more vibrant and meaningful now that they’ve made this next step with you. I keep getting a message about Mary Poppins? I keep getting an image from the beginning of the original movie where that guy is walking around the town and singing? (I’m sorry if that’s off, I haven’t watched that movie since I was a kid) this may resonate with some of you somehow (if it does, please let me know! I love hearing about how odd little messages like this resonate with you all!)

The people around your person may also notice that they’re happier. I heard “pep in their step” your person just comes off as so much lighter, happier and vibrant to those around them.

As for how this person felt the last time you saw each other:

When I was shuffling for this portion, I heard “giddy” and “blind hope” The last time you saw your person may have been in some sort of group setting or small gathering. They may have been jealous or upset about the lack of attention they were getting from you but I don’t think they made this known or told you about it. They may have seen you talking to someone else and they felt very jealous and this is what pushed them to have this conversation with you or ask you out (I keep hearing “blind hope” again) the way this person approached you or asked you out may have seemed abrupt to you but I don’t think you were upset about it, at all. In fact, I think you may have been waiting for this for awhile. This jealousy pushes them to make the first move and it’s not something thought out or planned and afterward, it feels like a weight lifted off their shoulders. There may be this mentality for them of like “I’ve been stressing about pile one and whether or not they have feelings for me for so long and I let it hold me back from asking them out but now that I have, I don’t know why I didn’t do it sooner” it feels like the easiest thing they’ve ever done because your connection and conversations are just so effortless. The two of you mesh together really well.

They have this overall very giddy and excited energy but also more relaxed than they have been in a long time. They may be sleeping better now that they’ve asked you out. Truly, they were so worried about the feelings being one sided and you not wanting them that it kept them up at night. I just heard “I missed you so much”

I feel like I’m not supposed to say much more, I believe you’ll be going on a date with this person soon and I’m strongly feeling that I’m not supposed to give out too much information and to let you experience this for yourself and I would recommend you also do the same! Get to know this person through them themselves (so no social media stalking lol) and don’t obsess or stress about the connection too much! Let it flow effortlessly and enjoy this person and the time you spend with them! The feelings are most definitely mutual and there’s nothing to be afraid of.

Hello, Pile Twos!

The last time you saw your person could have been at some sort of charity event or work event. They were really excited to see you and really nervous, as well. They spent a lot of time looking at you. There was something about you that came off as very giving and mature. Everything about you seemed so effortless and elegant to them.

You could have also been around children. This person thinks you’re very good with children and have a very motherly/fatherly/parental vibe and they really like that about you. They may have seen a more intimate side to you or less professional side to you. Maybe you know them through work or something professional and when they last saw you, it was somewhere outside of work where you didn’t have to be as straight forward or professional.

You came off as very easy going and friendly to them. You know how to work a crowd and keep a conversation going. A lot of the time, your person just stood back in awe of you. You may have felt that they didn’t like you or something because they didn’t talk to you much or seem to be making an effort to be around you more but that’s not the case at all, they definitely noticed you. I heard “spent the whole night noticing you” I don’t get the vibe that they were too intimidated to talk to you or felt like they couldn’t, I think they just enjoyed seeing you socialize and just be yourself.

They really like getting to see you in a setting that’s very different from the kind of setting they usually see you in. They also thought you were very funny and easy going. I know I’ve said easy going before but it’s a message that keeps coming in frequently. Maybe you’re serious at work or wherever you usually see this person? There’s just something so different about you and the way you act here like more light and carefree, just enjoying yourself and not worrying about anything or stressing. Maybe you have a very stressful job? Or your job has been very stressful lately?

After this last interaction, your person saw you as someone very balanced. Grounded but carefree and kind of go with the flow, funny and outgoing but also serious and professional. I think this person is seeing more of you and your personality and they really like what they see. They want to know more about you, you definitely fascinate them.

This could be a very recent ex. The last time you saw them could have been when you were meeting up to give each other back all your old stuff or something or maybe you share custody of your children or a pet or something? The reason for the breakup could be due to infidelity. For some of you (especially if children are involved) your person could even still be in a relationship with the person they cheated on you with.

No matter the situation, your person felt very flustered around you. You came off as very self sufficient and happy, like you’re doing fine without this person in your life. Some of the cards you got were The Empress, The 10 of Cups and The Four of Wands. To them, it seems like luck is on your side and you’re doing just fine.

I heard “best you’ve ever been” I keep hearing a 5SOS song. I think it’s “Mood Swings” (I could definitely be wrong tho) but the lyric is “I can tell by the look in your eyes that you don’t wanna fight on a Friday night” and “I hope you don’t mind that I ruined our time” I’m getting very emotional and on the verge of tears rn so hearing this may be very emotional for you? If this is an ex, you may still have love for them and are fond of the memories you share with them but are also aware that they aren’t good for you and that you need to move forward without them or at the very least, without them playing the same role or taking up the same space in your life that they did previously. If no one else has told you, I want you to know that that is okay and I’m proud of you for knowing when a situation/person is no longer serving you and moving forward without them while still healing from that loss and hurt. Your feelings are valid and it’s okay to move on. The time you spent with this person was not time wasted and it’s okay to think back on it and appreciate it while still moving forward without this person.

Now, back to this person’s thoughts/feelings, they may have even expressed to you that they wanted to try again but if so, you turned them down (some of you may have told them you’d think about it and it’s not my place to tell you what you should/shouldn’t do and I can only see so much of this situation but I do want to tell you that just because someone wants you back, doesn’t mean you have to or should take them back. Always do what’s best for you and what will make you happiest but don’t feel like you have to do anything for anyone other than yourself.)

I’ll finish off by saying pretty much what I’ve been saying, this person sees you as an elevated person. Like someone that has gone through a post breakup sort of glow-up and is thriving on their own. You’re coming off to them as very successful and self sufficient. I heard “you’re absolutely glowing” you don’t need this person and it’s obvious to them. They may have even been a little jealous seeing you and knowing others would want you (I heard “why wouldn’t they”) you could definitely move on to someone else and have no problem doing it and that kind of drives this person insane. They’re feeling a lot of regret for their past actions and rethinking their decisions but that’s not on you at all.

I’m going to end the reading here because I feel it’s best for you to focus on yourself and not worry about this person. You’re doing so much better and are going to continue to get better with time. You shouldn’t have to worry about this person or their thoughts/feelings. Don’t let their energy hold you back or weigh you down. Do what’s best for you and what makes you happy!

I hope this reading has brought you some sort of peace, clarification, or happiness! Feedback is always appreciated :) have a good day or night. Sending you love and light!

࿐ mara

[kingprinceleo]

Hi there! Playlist anon again. I listened to the whole thing and here are my thoughts. I hope this isn't over reaching cause I really enjoyed it overall and would love to see the rest 🙏🏽. Buckle in this is longgg

Rivers is a Vampire- Sonic would dance fight Shadow to this song (like in the original puss in boots, look up the scene I swear it's great).

Loose Cannon- it's both so Shadow and Sonic coded but it's funnier if it's Shadow realizing he likes Sonic. More likely it's supposed to be Sonic @ Shadow and it really fits. 10/10 putting it on my personal playlists.

Genius - this is Sonic having a jam sesh in his bedroom. 7.5/10 very in character, you're going to make me start liking rock music.

Assassin- 9/10 Shadow in his emo boy bag. The verses feel like Shadow in his head thinking he's hot shit (he's right), but the chorus feels like Rouge trying to talk him down. Overall big fan.

Lost- Honestly really love the vibes of this one. It sounds like Sonic and Hoax fighting/ talking or just Sonic debating with himself. Love the jaunty music with the sinister undertones.Fading World- 7/10(<- could be higher depending on personal taste) A nice interplay between Sonic's cheery friendliness and Shadow's.... everything. A nice world building song if that makes sense. If vamp au! were a level in a game this would play.

Moon Trance- A vampire nobility song if that makes sense. Kinda gives off Blaze if Sonic were dropping in with EDM beats. World building song.

Phantom of the Opera Overture- Shadow once again in his emo bag. Listening to this I imagine him dramatically posed as Ophelia in the river as Rouge looks on utterly unimpressed. Another world building song.

Dear Wormwood- 10/10 Devastating. This feels like when Shadow discovers Rogue is a vampire (if that's still canon?) and could work for the Sonic/Hoax reveal but to a much lesser extent.

Galacta Knight Theme- 5/10. Not bad but I'm not entirely sure how it fits. Feels like a world building song but lacks the rock and goth roots of its predecessors. I wanna say it feels like an Eggman song?

Trouble- Rouge song very fun (Shadow if you get a microscope). Good for a chase scene or playful fight.

Look What You Made Me Do Remix- Shadow after Sonic sneaks an extra sip of blood. 8/10 Shadow wouldn't be a Swiftie but he would bop to a song or two.

Bodies- GODDDDD 10/10. Shadow tracking a vampire to a party in his vulture outfit and having to maneuver his way to stealthily kill them (can't remember clearly if Shadow's actively a vampire hunter in the au rn but you get the vibe /pos).

Vampire Culture- like I said before Shadow being a hater /pos. Somebody get this boy a weighted blanket he needs to chill 8/10. I imagine he plays this as he puts on each vampire repellent stud and piercing.

The Magic 8- A very Sonic song in message but also Amy with the talk of magic. Funky duet? They'd probably sing this at Shadow 9/10.

Who's in Control- 10/10 Another Sonic/ Hoax talking song (I interpret their dynamic to be that Hoax has less inhibitions than Sonic and is overall allowed to be looser. hopefully that's close).

Why Do I- Sonic after Shadow realizes he's Hoax and they have a falling out. It feels do very Teen Beach Movie /pos. He'd get a whole musical number with backup dancers and rad sad choreography.

Blood Red Moon- World building song. Funnily enough I think you'd introduce Shadow with it. Dark foggy night, random vamp running away/ person being attacked by one, cut to Shadow standing ominously with a lightning strike for good measure. Lowkey has cowboy vibes.

Born of a Star- Feels like a happy future. The type of track that would play towards the end of a boss fight.

Drumming Song- 8/10. Very much an Amy song I like it a lot plenty of witchy vibes. Feels like it would play when she performs a powerful spell/ ritual (not sure exactly how her magic works). The chorus especially also sounds like Shadow describing the effect Hoax has on him :).

You've Created a Monster- Shadow. That's the review. This plays during a hunt or just during his morning routine. Just goofy enough to hide the emotional turmoil but serious enough to show his issues 8/10.

This is Why- Shadow whenever he sees Hoax. He's his biggest hater. Also Shadow at his job with Knuckles (he's about to punch someone's teeth in).

Figure 8- Sad Shadow hours. Probably around the time he just met Hoax and made the deal. Sounds like he's questioning his whole identity :(.

Shoot to Kill- 6/10 World building song. It's giving gathering of elders in the vampire kingdom.

Punching Bag- I've been associating the Set it Off songs with Sonic so far so at first I was thrown for a loop, but honestly? I can see him singing this after someone (Shadow) tries to kill him. It can also be a Shadow song but I find the Sonic angle very interesting.

Vampire- 9/10. ROUGE SONG. She's about to rob a man, GOOD FOR WOMEN.

Sirens- Not sure exactly this would apply to but very fun. Sounds like Shadow falling in love in a very overdramatic way but could also be Sonic. 8/10

Again sorry for the length and I hope I didn't interpret anything egregiously wrong 😭

I think the band In This Moment and their albums GODMODE, Mother and Ritual could maybe fit.

Thanks again for sharing :)🙏🏽

~🩸🎵

anon i am literally kissing you on ur nonexistent smooth gray mouth HHJDFHHSDH this is the nicest thing anyones ever given me im so giddy about this DHFSHFHSDJDSF that being said this is gonna get so long so i am adding the under cut LOL

Rivers is a Vampire- youre so fucking right for this and i wanna draw it so bad ... JKDFJKSJKF

Loose Cannon-set it offs elsewhere album is a whole banger and highly recc the whole thing >:]]] and this song is a shadow centric one ! about how hes always on the edge around everyone bc of his paranoia, and esp around hoax lol, he gets mad about being called out </333

Genius - sonic jamming to this is also so correct fdjghjdfg contrary to shadow, sonic in vampire au is just here to have a good time LMAO (u should get into rock :} BDSFBH its fun here)

Assassin- this one is rlly interesting to me bc the ENTIRE thing is intended to be a shadow callout post from sonic/hoax pov. i would not have considered this being shadow reflecting on himself at all ! but damn the rouge pov also works out really well too, i never considered that either! (originally i figured the only rouge mention would have been 'you hear whispers when were just talking' which would have been sonic and rouge talking to each other and shadow thinks they are conspiring </3)

Lost- this one is a lil complicated in my rat brain shdfhj !! this one is shadow pov! its like. about his perspective shifts across the plot in vampire au- first trying to hide from the scary vampires </3 and the screams are getting louder line ....is about maria...... i eated that part up.... "please dont find me im not ok" is a very shadowcore line and the final lost chorus meant to rep shadow eventually becoming 'lost' in what scared him but like. embracing it. this one. is hard to convey JJSDFJSD prob would need art to get across what i mean i suppose Fading World- this one is a Maria and GUN song ! :]c (dont worry about the fact its bass boosted. i am just guy who likes bass......)

Moon Trance- close !!! silver and mephiles :3333 jbhdfjdj(meph is blazes royal advisor so it does tie back to her kingdom ehe). boys who prowl and will bash your head in to this in the woods somewhere

Phantom of the Opera Overture- "Shadow once again in his emo bag. Listening to this I imagine him dramatically posed as Ophelia in the river as Rouge looks on utterly unimpressed. Another world building song." I NEED TO DRAW THIS SO FUCKING BAD AHAHH u are SO FUCKING RIGHT FOR THIS. side note, a general rule of thumb (not always but a lot) anything that sounds this fucking dramatic is shadow pov and how he imagines vampires, the real guys are just chilling dfbhgfhsd with their nerd music. shadow is vampires #1 hype man without even realizing

Dear Wormwood- this one is Primarily a shadow and GUN song !! tho there are little tidbits of others who he has discovered lied to him like rouge eggman and sonic !!! (and yes shadow finding out rouge is a vampire is still canon >:])

Galacta Knight Theme-close with the eggman bit !! a theme for geebo <333(Lance)

Trouble- very correct vibes !! primarily rouge but i would add sonic in there too !! they both have that fun playful air to them tbh that i think a lot of people overlook in their canon dynamic hfgdhj

Look What You Made Me Do Remix- Shadow @ everyone tbh !! buttt primarily this is during his GUN arc when hes just so fed up with being lied to (he doesnt even know) i think if u remixed enough taylor swift into rock or metal he could get down to it fdgbjgdhjf

Bodies- YOURE SO RIGHT FOR THISSSS. esp the vulture part :]c... and the vampire hunter part is .. a little complicated ! he kinda is sometimes? theres a specific circumstance that makes him more willing to actively hunt and kill

Vampire Culture- he is absolutely blaring this in his mind while he gets ready lmaooo . big fan of weight blanket shadow tho dhgfdjg....something to draw.... fun lil fact tho... i imagine that smooth voice to be the head of GUN....

The Magic 8- i think sonic is the one singing it! but its all about amy! about her arc with her desperation to prove herself, getting consumed by her ambitions, and working with dark magic :)

Who's in Control- the sonic and hoax angle is SOOO interesting to me! i would have never thought of it bc frankly they are chill af, he does not have much turmoil about it! this has always been a HUGE shadow song esp 'living in fear, living afraid, hysterical everyday"

Why Do I- this is actually shadow @ sonic !!! reverse hehehe. this is one of the more accurate songs lmaooo, like 'wake up in cold sweats screaming your name" this song is the canon point in time where shadow first realizing he has a crush on sonic !! sonic is the reason the bastard drinks </3333

Blood Red Moon- absolutely obsessed with your version of it oughhhh, but its always been an eggman song to me (esp with that laugh lol)! and one of his silly little schemes. defo gonna draw that shadow idea tho thats so sick (and it is SO cowboy. do not be surprised if it winds up in the desert vampire playlist)

Born of a Star- this one is a death song ! self reflection and "how did we get here"

Drumming Song- close with the chorus part ! but the entire thing is Sonic pov about how yummy yummy shadows blood is 😋 shadows heartbeat drumming in his mind !

You've Created a Monster- i was SO fucking confused when i saw this bc!!!! youtube is hiding that video from me "its not available" !! and apparently you can see it but i cant!!! im so mad but i also owe you my life bc i found the song again and it BANGS SO HARD and it is 100% shadow wanting to kill maim <3333 its also a 3 way song for shadow @ everyone/ Hoax @ shadow about how shadow seems to be forcing hoax to be the monster he fears to justify his hatred/ uh oh amy fucked up !!!!

This is Why- THE JOB ANGLE IS SO CORRECT AND FUNNY, obsessed with that. but also yeah shadow doesnt like outside </3 rouge is the one saying the coast is clear </333

Figure 8- the deal interpretation is so good...... thats all im ever gonna think about now. honestly "all for your sake, became the very thing that i hate, i lost my way, spinning in an endless figure 8" was meant to be a shadow talking about maria line! but thats all i really got from the song, the deal idea is so good.......

Shoot to Kill- i personally saw this as a shadow GUN song !! bro is more intense and focused than usual

Punching Bag- THIS CHANGED ME WTFFF, i was struggling to see it as shadow and GUN, but oh my fucking GOD, the sonic pov is so raw and i am OBSESSED with it. pissed him off one too many times !!!!!!!

Vampire- WE SUPPORT WOMENS WRONGS !!! YAY ROUGE!!!!

Sirens- this is a shadow and GUN song !! solace in their song is propaganda !! shadows ready to shoot !!! shake off some blues kill vampires !!! HES BACK IN THE NOOSE!!!! SONIC GIVE HIM ALL YOU GOT BECAUSE IF NOT THEYRE GONNA DROWN HIM OUT !!!!!!! ehe :]

i listened to Mother and couldnt immediately feel anyone out with it but ill look thru their other stuff and rack my brain !!! ty for the suggestion !!!! but omg ty SO MUCH this was so fun if u ever wanna hmu for the other playlists...... i am looking so hard.. (but no pressure !! this was already so much and im so grateful !!!)

[alfredosauce50]

Requests are closed, but this has been sitting in my head for months. A white picket fence-themed story with slasher undertones! This is a little different to my other posts (and longer) because it has a concept and build up, but I hope you guys enjoy it anyway!

Content warning: Slasher horror, adult themes, and overall fucked-upness. Viewer discretion advised. R18+ only.

The reader is referred to as she/her.

Yandere America headcanons

Everyone says the same things about him. That he’s friendly, charming, and reliable. The boy-next-door, the type you’d trust your drink with. What nobody knows is that it’s all an elaborate guise to hide his true colors. Once he reveals them, there’s no going back. You’re never getting away from him.

The worst part is, nobody suspects a thing. Everyone would think you’re the crazy one for accusing him. Thus, his untouchable reputation (and cunning) makes him the most dangerous yandere of all.

The office romance

Alfred is the most popular guy in the building. He’s a hard worker, a people person, and lights up the room with his smile. It feels like he has everything going for him: a great job, good looks, and lots of friends that can’t get enough of him. What he can’t seem to get is your attention.

You’re married to the Danish ditz from customer relations, Mathias Densen. HR usually frowns on that sort of thing, but you were cute together. Either way, you’re friends with Alfred for the same reason everyone else is. He’s charming. The only difference is that he makes an effort to see you outside of work—to see a movie, to grab dinner, or to catch up over some coffee.

“So, what do you say? Me and you at Mastro’s?”

You’re walking out of the break room when he jogs over, his blue tie swinging from side to side. He’s been going on about having a steak dinner with a friend, then complaining nobody wants to go with him—only because he hasn’t asked anybody yet.

“I don’t know, Al. Isn’t that place expensive?”

“Hey, it’s not like I’m paying for the both of us.”

“Okay,” You laugh gently, turning toward the cubicles. Everyone is clacking away on their keyboards or speaking into their telephones. Your husband is one of them, only he’s more animated than the rest, nodding away and chuckling every now and then. “I’ll try and get Mat to pick me up at ten.”

“Great! I’ll be sitting in my office pretending to do stuff until we get off.” He beams.

He likes getting on your nerves. It’s that one trick that gets you to feel closer to him. And it works. During work hours, he’ll drop by your desk to steal your snacks for a reaction. He will literally pluck a candy bar or pastry out of your hand and stuff it in his mouth while walking away. When you get mad at him, he’ll just laugh and go, “you’re not supposed to eat at your cubicle. I’m just saving your ass from trouble. If you don’t believe me, you can take it up to HR.”

If he’s not picking on you, he’s a total sweetheart. Alfred will make you coffee without being asked. Mathias usually keeps an eye out for stuff like that, doing favors for you when you need them, but not when he’s predisposed with work. He’s easily distracted, unfortunately. And Alfred is an opportunist. “You look tired. I’ll add in an extra bit of everything to give you the energy.”

Being closer to him, he can act more like himself when he’s around you. That means less of the laughing, small talk, and all that nonsense. He can actually give you a straight answer. You’re willing to let him explain, and if not, you seem to trust him for his judgement. He loves that. He thrives off validation. But by the rare occasion you do disagree with him, you mostly just poke fun at him. “Doesn’t that seem kinda stupid? Or am I just an asshole? I’m the asshole? Okay, fine.”

He starts obsessing over you. It’s refreshing to be around someone he doesn’t need a social battery for. Alfred is also lonelier than he’d like to admit. He can’t count how many superficial acquaintances he has. You’re an outlier, so he make it clear he’s high-strung about you in a ‘guy best friend’ way. He won’t stop competing with Mathias over everything as a joke. It’s really not. “So, is the husband gonna take you to Field of Screams this weekend, or am I gonna have to?”

He makes his attraction to you glaringly obvious. Alfred doesn’t care to hide it. It starts off subtle, like looking at you when he’s laughing in a group setting. Then, he’ll start gazing your way when you aren’t even paying attention to him. When it gets to that point, he has the balls to hold your waist when he’s around you. When I say he’s an expert at playing things off, I mean it.

That’s when he starts scheming. He will match his schedule with yours and sabotage Mathias’s. You start seeing him more during the work week, not knowing it was his doing. Alfred will catch you in the break room every day, making sure to get in every ounce of interaction there is.

What gets him to blow his cover is jealousy. And not from the third-wheeling he’s already doing. That, he can keep a lid on. But telling him you hope to have a baby soon? With your husband?Alfred will turn red in the face and lose his composure. His reaction is visceral, rambling about why you shouldn’t, that it’ll ruin your career, that kids aren’t economic, and any other bullshit reason he can come up with on the spot.

“You’re too young,” He laughs breathily. He’s already rubbing you the wrong way, but he drives the stake in with this comment. “And plus, do you really wanna have a baby with that guy? I mean, look at him—”

You slap him right across the face.

His head turns in the direction of your hand. He falls silent, his smile gone. That’s the end of your friendship. But to him, it’s the start of something else. And it isn’t half as holy as what you have with Mathias. Or what anyone has, for that matter.

“What, do you hate me now? Just say it and I’ll leave you alone.” Alfred gives you a side-eye.

“I really want to hate you.” You fume, wrapping your arms around yourself. Your voice is hushed to hide the hurt in it. “You’re an asshole. But I just want you to apologize, even if I shouldn’t talk to you again.”

“Fine. I’m sorry.”

When you argue

Alfred is manipulative. He victimizes himself or over-exaggerates to make it seem like something is not his fault. “I’m sorry for giving my opinion. I was just trying to be honest,” or “Great. Now I’m the bad guy.” are typical responses when you confront him. He hates being confronted. He will do anything to avoid the blame, even if it means pinning it on you. He never admits he’s wrong.

He needs to have the last word in an argument. He will go back and forth with you for hours if he has to. He only ever stops when you give up, meaning you storm out on him. He’s knocking on your door, pleading to work this out with you. Shut him out all you want, he’ll force himself into the room. “Babe, just hear me out. I’m sorry for being an asshole—wait, don’t lock the door—you locked the door. You know I have keys, right?”

If you’re crying, he turns gentle and affectionate. Kissing, hugging, whispering how sorry he is for hurting your feelings. Alfred then makes it up to you with a romantic dinner, a movie night, or flowers. Even then, he still won’t double-down. He only feels bad for making you cry, not for the point he’s making. Egocentric is his middle name. He thinks his opinions are always right, and can’t see things from another perspective.

Psychology

He has a sense of entitlement like no other. Being close to him will give him the confidence to do anything. He will go from a friend to a homewrecker pretty fast. Why? Because he can. It comes from his undying belief that you’ll always forgive him. That you like him enough to let everything he does slide. And he won’t think twice to take advantage of your soft spot for him.

He has a major superiority complex. Alfred loves what he is—his intelligence, charisma, and wit. He also believes he’s far better for you than Mathias is. What he has with you is more special, and he’s dying on that hill. “You can be with him in another life” is bullshit. Fuck that. Having a husband won’t stop him from chasing you, let alone your rejection. You just need to give him some time. You’ll warm up eventually.

He’s mastered the art of seduction. Once he admits his attitude is out of jealousy, he will try and get you to give in to him. If he can kiss you, or better yet, get you to have sex with him, your marriage will be over. He’ll have you all to himself. “I didn’t want you to have his baby because I want you to have mine. Okay?”

Alfred is very traditional. He loves the idea of having a nice big house in the suburbs. He has a thing for kids too, so it’s no wonder why he freaked out so much in the first place. He’s also happy to play along with gender roles, however obsolete they are. He wants to be the provider. That’s one thing he mentions to persuade you to dump Mathias and marry him instead.

He’s obsessed with his image. Alfred needs to look like a perfect poster boy to compensate for everything he’s thinking about doing, or what he’s already done. Being admired is a coping mechanism for him to be at peace with himself. He’s deluding himself that he’s a good person. There’s a practicality of a good reputation too—he can avoid any and all suspicion.

What’s unique about him is that he never ‘snaps’. He retains a level-headedness throughout, even while doing the most unsound things. Making threats, stalking, you name it. He can look Mathias straight in the eye and say, “I’ll kill you,” before smiling and playing it off as a joke. It’s not. He’s already thinking about how he’s gonna do it.

He feels no empathy for his victims. There’s a ‘necessity’ in his actions, and he refuses to think they’re really just violent impulses. He associates aggression with unrefined criminals, which he feels he’s above. He’s too clever and classy to be a criminal. He’s too ‘in control’ of himself. Alfred could be the most dangerous out of all the prisoners behind bars, but he’d get pretty pissed being treated like the same—like an animal.

He’s a true-blue psychopath. It’s hard to gauge how much love he’s capable of, but his obsession with you goes without saying. Keeping you in his grasp is all he can care about. Controlling how the world sees him will make sure of that. Killing anybody in his way is just maintenance. There’s a satisfying finality of death, the absolute silence of possible witnesses. His victims will never get him caught if they’re in the trunk of his car. The soil in his garden. When they let out their last breath, all they see is the million-dollar smile that everyone fell for. It’s a final display of power, a cruel reminder that he will never be caught.

His first target is your unassuming husband. The trigger is simple—your plans to start a family with him. Alfred needs to get rid of him before that happens. He will study his schedule before following him in his car. When Mathias is alone, he will sneak up from behind and hit him in the back of his head with a bat. Alfred will pack his body in his trunk like he’s packing for Summer.

He’ll comfort you while you’re grieving your husband’s sudden disappearance. When you’re anxious in the middle of the night, he’s more than happy to talk to you over the phone. Alfred is now closer to you than ever, and makes it a habit to swing by and keep you company. What he can’t change is how you feel about Mathias. He’s long dead and gone, but your love for him is undying. Sometimes, you might even cry about how much Alfred reminds you of him.

That’s how he comes up with this: impersonating and replacing your late husband. An opportunity comes along when you get in a car accident. Alfred rushes to the hospital to see you, only for the doctor to inform him of the brain trauma you endured. You have retrograde amnesia; you can’t remember major details about your life. Not your friends, family, or a Mathias Densen being in your life. Alfred would be a fool if he didn’t take advantage of that. He will sit by your bedside and lie that he’s your husband, the Mr to your Mrs.

Home life

Alfred is a con artist. Not only will he convince you of your new marital status, he’ll get rid of any evidence of Mathias being in your life. He’ll photoshop his face out of your pictures and replace it with his own. It’s easy to do because they look similar. Then, he shows it to you to ‘refresh’ your memories of him. You’re sitting in your hospital bed, bonding with him over events that never happened. Not with him, anyway. “And these—” He flips through a photo book before wiping his eyes. “—these are our wedding photos. They’re really, really pretty, I know. We rented out a National park and everything.”

He takes you ‘home’ to the middle of nowhere. The house is a huge, rustic, and gorgeous manor in the mountains, i.e., miles away from your next door neighbor. It’s the perfect getaway for fresh air, quiet, and enjoying the wilderness. Alfred can live the life he’s always idealized, and with the woman he’s idealized it with. He won’t have to worry about anybody finding you here, either. “Once you get a little better, we can try out the pool. It’s heated.” He grins, turning to you with a spatula in hand. You’re sitting in the patio while he barbecues some meat. As for the apron, it’s a bright pink one with ‘kiss the cook’ on it. And you do, thanking him for how sweet he’s being.

He’s a dedicated husband. Alfred is incredibly sensitive to your mood, and will do anything to keep you comfortable. He has no problem going to work, doing the chores and being there for you when you need him, especially while you recover. You worry you’re not doing enough, but he always assures you otherwise. All he wants is for you to get used to moving around on your own. Deep down, he knows that having you is more than what he deserves. Being the perfect hubby is almost like his redemption for what he did.

He works on himself. He can’t ruin what he has with you, so he tries to mellow out his more undesirable traits—narcissism, apathy, etc. Alfred will go to therapy for it. Separating from him isn’t on the table. Ever. What are people gonna say when you tell them you divorced a man you never married? What is Alfred gonna do when they tell you about your real husband? Keeping you happy is his number one priority, and he’ll feel good while doing it.

Alfred manages all your affairs. You don’t know where everything is, all your files, documents, and important passwords. You don’t ‘remember’ them, apparently. But that’s no problem. He can handle it. He becomes the more dominant one in the relationship, being responsible for the bills and bureaucratic side of things. There’s nothing you can do without asking him first, but it never feels restricting, or demeaning for that matter. He’s always kind about it, doing things for you and taking the lead, so you feel protected.

He’s very sensual. Alfred values the physical aspect of the relationship, and, of course, the time he spends with you. He loves taking you on long walks where he can just hold your hand and ramble about all the animals he wants to find. Deer, chipmunks, even butterflies. He loves it when you take off his glasses just to kiss him. Suddenly, he doesn’t want to look for animals anymore. “Wanna go home and kiss in the pool?”

He likes sleeping in on Sundays. That gives you the chance to get up and make breakfast for him. Alfred is a pretty heavy sleeper, but it doesn’t take long for him to wake up when you’re not next to him. He will get out of bed, throw on a robe, and saunter into the kitchen with the worst bed head of the century. While you’re frying up some pancakes, he will hug you from behind. “Can you put in some chocolate chips for mine?” Alfred mumbles, squeezing you tighter. You ask him to let go of you so you can get it for him, and he’ll just change his mind on the spot. “Nah.”

He has to be in the same room as you. The house is pretty damn big, but it doesn’t feel like a home when he can’t be with you. If you’re folding laundry in the bedroom, he will walk in, flop onto the bed, and clack away on his laptop. If you’re watching TV when he comes home from work, he will put his head on your lap and take a nap. Alfred is clingy when he’s tired, but who doesn’t sleep better when they’re around loved ones?

He’s the most affectionate when he wakes up in the morning. Not only is he comfortable in bed, he’s turned on by your smell. You’ve been under the covers with him for hours, so your scent is the strongest now. Alfred will cuddle you for a good hour or so, kissing you until you memorize the taste of his tongue. He also has to deal with morning wood, so morning sex becomes a bit of a routine. It’s the first thing on the menu, after all.

Not a month goes by before you find out you’re pregnant. Either from him, or Mathias. You think it’s Alfred’s. Alfred doesn’t know that, though. But it’s not like he’s gonna check. A paternity test could potentially be evidence for his crimes. Either way, it doesn’t matter. He’s excited to be a father, and there’s nobody else out there that can claim the baby is theirs. The baby will look like him too, so it won’t make much of a difference.

He’s happy, you’re happy, and Mathias has germinated into a flower. There’s a pretty patch of daisies in the backyard, which you see Alfred tending to every now and then. He’s picked up gardening as a hobby ever since he moved here.

“I didn’t know you liked flowers,” You comment mindlessly, staring into the yard from the balcony. The daisies sway lightly to the breeze, and you stand watch. He’s hugging you from behind, kissing your head and cheek. “They look really nice, by the way.”

“Nice enough to not be dug up, I hope.”

“Why would I dig up something you planted?”

“You wouldn’t.” Alfred smiles. “You wouldn’t.”