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paradisetemporarilymisplaced · 4 years ago

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So I was being a basic bitch the other day and listening to my true crime podcasts when it occurred to me just how suspicious Nile’s “death” would look to everyone not in the Guard, leading me to a train of thought that, 2200 words later, absolutely got away from me but I can’t let go so I’m inflicting it on all of you!

To set the stage, we know the movie takes place over approximately a week. Here’s what happens to Nile from the military’s point of view:

She dies is very seriously injured

She heals without a scratch

Just before she’s supposed to be shipped out to Germany, she vanishes, leaving two men concussed (and presumably reporting being knocked out by a woman with short hair wearing civilian clothes)

She goes AWOL for several days

They get word from the CIA that she is to be reported killed in action (details unclear)

So, at the beginning of this very weird week, the USMC has to tell Nile’s family of her death critical injury. What her family was told depends on how long she was dead – a Google search tells me that family will be notified in person within 8 hours of a soldier’s death, but we don’t know how long her first death lasted. For an injury, however, they’d get a phone call to notify them and the unit would arrange for them to visit as soon as the soldier is transferred out of a combat zone. Like I remember when I was in high school, a guy from my church who was a Marine was really seriously injured in a helicopter crash in Iraq and from what I could tell, his parents were told immediately and were flown out to Germany to see him, so it stands to reason that Nile’s family would have been informed relatively quickly after her throat was slashed, one way or another.

And then, she goes AWOL. Her family would be notified while the USMC tried to figure out where she went, not least because the military would want to know if she’s contacted them. (And it’s possible that her family may have been on the way to Germany to see her since we know that’s where she was supposed to go!) So for several days:

Nile’s mom and brother have no idea where she is

They know she was seriously injured and most certainly should not have been moving around on her own

They can’t get a hold of her

The military can’t tell them anything

And the next thing they know for sure is that she was “killed in action.” After being injured and vanishing into thin air. And they presumably cannot produce her body or any concrete evidence of her death. In any case, something sketchy is going on, so they’re like. SMELLS LIKE A MILITARY COVERUP.

In a surprise to probably no one, there is a well-documented legacy of mysterious US military deaths, particularly of women of color (TW for sexual assault in these links). The cases of LaVena Johnson and Vanessa Guillenin particular have made national news because of their families’ persistence in seeking justice. Likewise, Nile is a Black woman, and her mom and brother are most certainly hypercognizant of (a) state violence against Black people and (b) these high-profile cases of suspicious military deaths. So her family are seriously side-eyeing the situation, knowing that (a) the military has a serious incentive (and a documented history) of covering up things that make them look bad and (b) nothing about Nile’s disappearance and supposed death are adding up.

And Andy’s right. Nile does come from warriors. And you know who else does? Her brother.

Don’t get me wrong. Nile’s mom would absolutely not back down. She’d know something was up and want to get to the bottom of it. But based on what I know about Gen X parents (mine), they’re not the most technologically savvy. Like they can use the internet, but they didn’t grow up with it the way we young millennials and Gen Z did. So Nile’s brother takes the lead. And what do zillennials do best?

Social media.

Nile’s brother starts going hard on any site he can, trying to get the word out to see if anyone knows what happened to his sister. He starts a Reddit thread. He starts a Facebook group. He reaches out to the media and true crime bloggers and podcasters à la Sarah Turney, getting loud and being a general nuisance in hopes of getting some answers. He gets his friends and Nile’s friends involved. Maybe eventually Dizzy, Jay, and others from Nile’s unit hear about it and reach out, telling him what they saw and how weird it all was. He’s drumming up interest, and soon “Nile Freeman” becomes a household name (at least among the true crime fans).

Copley is, of course, trying his best, but at this point there is just so much that it’s impossible for him to scrub everything. Sure, he can erase new footage of Nile and the Guard, but what can he do about Reddit threads and podcast episodes that are speculating something weird has happened? Maybe he could hack the sites and shut those things down, but honestly, that’s the last thing he’d want to do, because that only adds weight to the theory that Nile’s disappearance is a military coverup. So eventually he has to tell Andy what’s going on.

Andy, obviously, does not take the news well. However, she is also completely computer illiterate, because that’s Booker’s job and he’s the only one who ever bothered to learn what the internet is in any meaningful way. (She probably calls Booker for advice, and for the record, I think Booker would have no qualms about shutting down conspiracy threads, tinhats be damned, but Copley is too concerned about the consequences. He’s ex-CIA for crying out loud, he knows how it’ll look if they scrub every mention of Nile’s name from the internet.) Maybe she confers with Joe and Nicky but, let’s be honest, they’d be equally unhelpful. So at this point, she knows they have to bring in Nile.

But the thing about Nile is that she, too, knows how to use the internet (duh). Aside from her being a young millennial/digital native, we know from the cave scene where she’s giving Booker suggestions on how to track Copley that she clearly is even more computer savvy than the average person. And for that reason she almost definitely took over the day-to-day tech stuff after Booker’s exile. So I think it would be foolish to expect her to be unaware of what’s happening. She’s not contacting her family or posting on the message boards or anything, but she knows what’s up. So Copley and the team probably sit her down to “break the news,” but we know the girl does not have a poker face (see: literally shooting herself in the foot and not being able to play it cool whatsoever) and cracks immediately, telling them she’s seen everything about her case – she’s not interacting with any of it, she certainly didn’t instigate anything, but she knows. (And she is so goddamn proud of her brother.)

At this point, I’d like to pause and consider Nile’s role in the overall narrative of this movie. She’s set up as a foil to Andy, obviously, but she’s also a foil to Booker. Booker, who, like Andy, is a serious pessimist, but who, unlike Andy, still has very fresh memories and trauma associated with being the new kid, which have destroyed him. In his mind (and Andy’s), if Nile communicates with her family, she’ll become just like him in a century or two – bitter, alone, and stuck with her grief and memories of watching her family die and knowing they died resenting her. It’s a small sample size, but this is the only experience they have to go off of.

But it doesn’t have to be like that.

There’s been a lot of discussion of TOG being a fundamentally queer movie – a group of people brought together because of something inherent about themselves that is different, that must be hidden, that causes others to hate, fear, and reject them. Booker’s backstory is the archetypal traumatic “coming out” story – his family learns who he is, hate him for it, and attempt to cast him out of their lives. He’s stuck with his trauma, his pain, his loss, and it consumes him.

But what if Nile’s family would be the opposite? What if her “coming out” to them as immortal is met with acceptance, love, celebration? What if her family is just overjoyed to have her back, and they don’t care what the circumstances are? I'm reminded of this incredible post from @shitty-old-guard-deaths a while back, where Nile’s mother hits Booker with a frying pan because “my baby let me believe she was dead for FIVE YEARS based on your bad advice???” (which may or may not have inspired this whole tangent). Nile takes the advice of someone who did the same thing she wants to do because she doesn’t want to risk her family’s rejection. She wants the good memories with her family and is afraid that showing them her true self will bring her unbearable pain, forever replacing those memories. But, with high risk comes high reward.

Anyway. Nile and the team are trying to come up with a plan for how to handle this whole thing, but she’s not really participating because she’s too afraid to hope. Until finally, quickly, so she doesn’t lose her nerve, she suggests she reach out to them, knowing that, realistically, that’s the only solution before things snowball even further out of control. The team is shocked, but realize that she has a point. They decide that Copley should actually be the first point of contact, posing as a US government official to talk with them and test the waters.

So Copley goes to Nile’s family’s house to talk with her mom and brother. They’re probably distrustful and apprehensive, but nonetheless secretly ecstatic that their work has paid off. They talk and review all of the information that they’ve collected, including testimonials from the people on Nile’s base and recent sightings (along with photos) of Nile (with the same three people) over the last few years that people have sent them but they haven’t posted publicly. At this point, Copley’s like, yeah this is about to blow up, we gotta put our cards on the table. He convinces them to come with him to some safe house/black site/whatever he can get that is technologically impenetrable (I’m picturing them in like, an interrogation room at a police station kind of deal), takes their phones, locks the doors, and brings in Nile.

What follows is the most delightful reunion scene of all time, bringing Joe, Nicky, and even Andy to tears as they watch and listen from outside the room. With Copley’s help, Nile tells her mom and brother about her immortality and what’s been going on since she died (within reason, of course), and they are thrilled. They don’t understand why (because no one does) but they don’t question it and they see it as a gift from God – she’s been resurrected, she will live, and she has a purpose. Her mother and brother are so happy to see her again and are willing to agree with pretty much anything to stay in her life as long as they can.

So. They set up some complicated agreement (they bring in the other three for support/intimidation as needed) setting the terms of their relationship. They swear Nile’s family to secrecy, maybe bringing up the lab to show how high the stakes are, and they readily agree. They come up with some cover story for Nile’s brother to share on the message boards (maybe that the government has opened an investigation but because it’s an open case he has to shut it all down? Tells people to direct their tips somewhere else? Something to that effect). There’s still speculation, of course, but without Nile’s brother at the helm providing the energy, the hype dies down as news stories are wont to do without any movement. And Nile’s family goes to work for the team. The experience has taught them that Copley can’t possibly do everything himself, especially when it comes to social media, so Nile’s brother takes the lead on the day-to-day tracking/social media while Copley and her mom focus on finding jobs and scrubbing their traces afterward.

So there you have it: Nile gets to integrate her biological family into her found family and spend the rest of their lives with them as it should be, Copley gets some badly needed help managing the reality of social media, the team finally has a positive narrative surrounding outsiders Knowing About Them AND about interacting with people from their previous life, and the audience gets the happy ending to this very lovely and very queer story to counteract the pain associated with Booker’s family.

Plus, you know, I’m a sucker for both a good government conspiracy theory and for Nile getting every good thing she deserves.

#the old guard #tog #tog fanfiction #tog meta #immortal family #nile freeman #mine #damn look at me contributing to a fandom! that’s new #pls reblog if you like this my self esteem could really use it #I just love nile so much and I’m being the nile-centric content I want to see in the world #it is just genuinely nuts to think abt how this situation would be perceived by anyone outside the narrative #she just mysteriously heals from a fatal injury and then VANISHES!!! this should be national fuckin news #also I do think there’s a major hole in the story when you think abt social media #like the only time it’s even hinted at is right at the very beginning when Andy erases that girl’s selfie #and the concept of fuckin Reddit is not even brought up despite Copley’s stalker board being analog Reddit #there’s just a lot of places one could go with this which is very much what we got here #1k

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silenthillmutual · 2 years ago

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Here's a hot take ask for you 🔥: 5 films you feel are overrated (and maybe 5 underrated films you think deserve their praise instead)

overrated:

Bonnie and Clyde - i had to watch this for a film class as well and just did not understand the appeal of it? maybe it's because i was watching it in the 2010s instead of the 1970s. maybe there's some cultural context i missed that made this feel so fun and romantic to others.

Psycho - i'm not totaly bashing it because i do understand how improtant it was to the genre and all, but i don't think it's hitchcock's best work. and i feel like i have to warn people when we watch it that there's ableism and transmisogyny in it, but the last time i watched it i didn't like it as much as i did Rear Window or Rope or Strangers on a Train.

Giant - i tried watching this when i had my own James Dean Moment(TM) a while back and i just found it boring. i know people feel that way about East of Eden but i cared way more about those characters than i did about the characters in Giant. also it's like three hours long and it's so hard for me to sit through that kind of thing. i even struggle to sit through two hour movies i actually like.

Dirty Dancing - it's been a while since i've seen it so maybe i need to give it another go but i genuinely don't understand how people find it romantic? i have this problem with a lot of romance movies and could say the same about, like, Pretty Woman and You've Got Mail. i tried both of those too and just felt confused.

1900 - yes yes i watched the movie where those two characters look like artemy and daniil. yes i did. it was over three hours long and my adhd brain hated it. so much. my friend dj had to give me a whole list of warnings about it too. i do not understand how letterboxd reviewers are giving this almost four stars. i'm mostly just baffled by this film like it tried to focus on way too many things at once. and the ending, yeah, okay i agree with your politics! but do you have to say them directly to the camera like we're all fucking idiots.

there are so many more i could mention becuase i can be a real Hater when i want to be, but i'll just leave off with ONE honorable mention to Melancholia - the cinematography was nice, i guess, but people really overhyped how difficult this depiction of depression was to watch. yeah, she's depressed, but she's also a rich white girl who had plenty of opportunity to get help. and it also committed the crime of just being boring as shit and wasting all its best shots in the beginning showing you exactly what was going to happen instead of letting us get those nice shots when they actually happened chronologically.

underrated:

i'm not actually sure what counts as underrated because i... do not pay much attention to what is popular? but these are films i don't really see people in my friend circles talk about, so these are more along the lines of 'i'd love to see more people talking about this'

Mandy (2018, dir. Panos Cosmatos) - i actually heard about this on the Dead Meat podcast i think and they had it in our library and i am so glad i checked it out, it was freaking wild! i loved the whole dreamlike vibe of it and the color scheme. i am also, admittedly, a Nic Cage fan, so if you like to see him losing his shit there is one scene where he just flips out. and it's so good.

Attack the Block (2011, dir. Joe Cornish) - i recently rewatched this and found out from holla that there's gonna be a sequel and i am so pumped for that. i think the whole idea was unique because i haven't really seen 'inner city kids beat the shit out of aliens' before. (if that's a subgenre i've been missing out on i guess that's totally possible, i don't tend to watch a lot of alien invasion films).

F for Fake (1973, dir. Oroson Welles) - if you like video essays i definitely recommend checking out F for Fake. it's almost an hour and a half, it discusses the nature of forgery and art, and it's just kind of fun? it's not quite a documentary, i think the wiki page actually considers it the grandfather of video essays because it's way more in line with that kind of thing. it's neat!

Her (2013, dir. Spike Jonze) - we watched this for a women's study class in undergrad to talk about the evolution of technology and its place in feminism and i remember just being really intrigued with the way the film presented the ideas of 'what do we consider human? what do we consider relationship? what do we consider life?' (looking at it on amazon it apparently won for best original screenplay the year it came out...shrimpresting...)

Tucker & Dale vs Evil (2010, dir. Eli Craig) - for as much as i have friends who love silly horror i never see enough people talk about this one. i don't even remember who recommended it to me in the first place but as a guy from the south i do appreciate the way it makes fun of classist stereotypes about southerners in horror films!

honorable mention here to Gaslight (1944, dir. George Cukor) because for one thing, i think it is good, Charles Boyer is super creepy and absolutely reminds me of people i've known in my life and two, i think way too many people use the term gaslighting when that's not what the hell is happening and i think would benefit from watching a version of where the terms comes from.

thank u for the ask :]

#go-go-devil #harker.txt

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watching-pictures-move · 2 years ago

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Movie Review | Robot Monster (Tucker, 1953)

The release of the 2022 Sight and Sound poll has spurred me to start closing off a number of longtime blind spots with respect to classic cinema. I finally made the time to get through Jeanne Dielman... (I'm not writing out the whole title, it's longer than the movie) and Battleship Potemkin, and while at this point I probably appreciated them more than I enjoyed them, the former is certainly growing on me in the days since I've seen them. Both of those I watched on the Criterion Channel, through which I've also been watching a bunch of very good old time screwball comedies. But classics come in all shapes and sizes, and inspired by a recent MST3K-centric episode of The Important Cinema Club podcast and this great review by Letterboxd user sakana1, I decided to finally get around to Phil Tucker's 1953 movie about a robot monster, coincidentally called Robot Monster.

The movie plays like a child's idea of science fiction. The majority of earth's population is killed by a vaguely defined death ray, and the survivors band together as a family unit against the invading robot monster named Ro-Man. We also learn that Ro-Man's entire race is also known as Ro-Mans, and that he's actually Earth Ro-Man, who reports to another Ro-Man known as the Great One through what looks like a bedroom mirror. I don't expect a child to think through their choice of nomenclature, so I will excuse these awkward naming conventions. They're not even called Ro-Men, and we learn of no Ro-Women, but as all boys know, girls have cooties, which must hold for alien races and robot monsters as well. I will not spoil the ending, but it does support this reading.

I had trouble gelling to this at first, because while this is very bad, it betrays an understanding of how real "good" movies should operate. It's the opposite of exciting, but not in a way that suggests it's completely alien to such a concept. Compare this to Manos, another MST3K bad movie classic, and you see how that movie functions more convincingly as outsider art, made by filmmakers so oblivious to the rhythms of normal movies that they invent their own, with every shot framed awkwardly, held a little too long, creaking towards its conclusion like the blips on a heart monitor. Robot Monster only achieves this kind of anti-cinema in the sequences of Ro-Man waddling through the valley, framed so crudely and drawn out so long as to dissipate any tension, while Elmer Bernstein's score booms on the soundtrack. (Bernstein took the gig after being blacklisted.)

When we're stuck with the humans, this movie is regular bad and boring. When we're with Ro-Man and the Great One, this is gold. It helps that Ro-Man's appearance is never scary and indeed rather cuddly and huggable (the movie didn't have enough money for a robot suit, so Tucker hired a friend who owned a gorilla costume). It also helps that after endless, endless scenes of Ro-Man waddling around, mostly in the superior second half, we see Ro-Man's ruthless nature start to thaw, as his love for the last woman on Earth (okay, there's the mother too, but I guess Ro-Man isn't into older women) causes him to question his mission. He confesses to his superior that he wishes to "To be like the hu-man! To laugh! Feel! Want! Why are these things not in the plan?" And push comes to shove, finds himself hesitating to kill. "I cannot - yet I must. How do you calculate that? At what point on the graph do "must" and "cannot" meet? Yet I must - but I cannot!" I suppose at this point I was won over enough by the movie's directness that I was a little moved. Maybe at the end of the day, all Ro-Man needed was a hug.

#film #movie review #robot monster #phil tucker

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sunnydaleherald · 3 years ago

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The Sunnydale Herald Newsletter, Wednesday, June 15 – Thursday, June 16

ANYA: (quietly, smiling) Oh my God. Spike *hates* Xander. Maybe I could get him to wish ... dammit, if only he were a woman. (thinks) Got it! If I can somehow get someone to wish that Spike were a woman, then I could go to him - well, he'd be a her by then - then I could go to her -

~~Entropy~~

The Sunnydale Herald is still looking for at least one new editor. Contributing to the Herald is a great way to get your Buffy on! Find out more here.

[Drabbles & Short Fiction]

Secret Identity by badly_knitted (Buffy, PG)

Revelation by ChrissiHR (MCU crossover, Scoobies, M)

We Are More by Gabriel_Is_My_Guardian_Angel89 (Angel/Drusilla/Spike, M)

Jubilant by HollyDB (Buffy/Spike, not rated)

humble abode by ifonlyiwaswittier (Buffy & Giles, G)

Keepers by HollyDB (Buffy/Spike, M)

[Here's Xander, Not Dealing] by dancing-crystals (Xander&Jesse, worksafe)

Bleeding Poetry, Ch. 45 by Dusty (Buffy/Spike, worksafe, collection rated NC-17)

[Chaptered Fiction]

And the Devil Will Drag You Under - Chapter 23 by frogfarm ((Dexter crossover, Scoobies, M, COMPLETE!))

It Makes You Look Stupid - Chapter 1 by aliceinwonderbra (Buffy/Faith, E)

Fables, Fortunes, Foes and Friends - Chapter 1-3 by CSM_Scriptator (Buffy/Willow/Cordelia, Giles, E)

House Keeping - Chapter 1-10 by Hannah (Buffy/Spike, G, COMPLETE!)

Violet - Chapter 1 by sonnywithachanceofrollins (Cordelia & OC, T)

Darken My Door Again, Ch. 2 by Mad Girl Love Song (Buffy/Spike, NC-17)

The Slayer and the Vampire, Ch. 31-32 by violettathepiratequeen (Buffy/Spike, PG)

Boon, Ch. 17 by Soulburnt (Buffy/Spike, R)

Après, Ch. 14 by Ninereeds (Buffy/Spike, NC-17)

Why Are There 26 Letters? Ch. 14 by Indi_Shaw (Buffy/Spike, NC-17)

What Lies Within, Ch. 10 by cawthraven (Buffy/Spike, NC-17)

First Alternate, Ch. 13 by Soulburnt (Buffy/Spike, NC-17)

Stray, Ch. 4-5 by Feanix88 (Buffy/Spike, Adult Only)

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[Images, Audio & Video]

Gifset: i’ll be safe in your sound ‘til i come back around by charismascarpenter (Buffy/Angel, worksafe)

Season 1 Buffy by gh0stlypup (worksafe)

The Magnus Archives AU artwork by snakeliciousbaby (Scoobies, worksafe, some blood)

[Reviews & Recaps]

Buffy Rewatch 2k22: 1.11 Out of Mind, Out of Sight by handsofabitterman

The Buffy book “Here be Monsters” was really good by oveliagirlhaditright

Another good thing about the Buffy books by oveliagirlhaditright

my rewatch of becoming part 1 btvs 2x21 by spikesdru

my rewatch of becoming part 2 btvs 2x22 + s2 thoughts by spikesdru

s5 e11 thoughts on ending? [AtS - "Damage"] by Sliggers420

In defence of season 4 and why its personally one of my favourites by tommygun1945

Here goes... I don’t like Fool For Love. by lottieflimflam

PODCAST: 7.15 Get It Done | Buffering the Vampire Slayer

PODCAST: Buffy Boys - Finale! For real this time (Buffy Movie and Ranking Seasons)

‘Buffy the Vampire Slayer’ and ‘Angel’: May be dead, but still pretty by Connor Hogg

PODCAST: Pop Culture Role Call: Shame Sandwich with Shame Aioli - Angel S02E16 - Epiphany

[Recs & In Search Of]

Oh wow. I am blown away by this video edited by itsatwinthing! by buffysummers

[Community Announcements]

Would anyone be interested in joining a BtVS/Angel book club on Discord? by sr_edits

[Fandom Discussions]

Thinking about Bad Eggs again: in retrospect it feels more than a little clunky that... by coraniaid

"Crush" Spike actually did really well about his approach to things until... by disco-tea

Some random Buffy head canons [about Buffy Summers] by gh0stlypup

I really like the idea of a post-series Giles who... embraces his cringe side by hal-1500

The more I think about it, the more I’m okay with Faith and Robin together by isagrimorie

Faith shares an overwhelming similarity to both of Buffy’s vampire lovers by isagrimorie

To me, Giles is the only tolerable man on Buffy [as of mid-season 2] by lovely-v

Favourite BTVS quotes by nevergonnabemuchmorethanweather

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[I love Buffy because she's flawed] by momsopposed2theoccult, summers-pratt

absolutely criminal that Faith and Drusilla weren’t in Sunnydale at the same time by vampir4te

AtS 5 Villainy - Fries v Hainsley by LWP, Stoney

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How the heck do we break a vengeance demon’s curse? by Madido24

Advice from fans of the Buffy soundtrack? ('buffyesque' music) by Moormo

What would happen if a pregnant woman was turned? by Bucky_Gatsby

Is Angel the Biggest Kisser? by rednax2009

Anya on the Spectrum by Gen-Jinjur

Why? (I know all fandoms have toxicity, but...) by CandyLove9

Bangel / Spuffy Plot Parallels by rednax2009

I always assumed Angel subverted the Shanshu prophecy [in "I Will Remember You"] by memerminecraft

Ben at the end of Season 5. hosted by WhoIsJayne

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mostlymovieswithmax · 4 years ago

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Movies I watched in March

Thought I’d chronicle the films I’ve been watching over the March period, from the 1st to the 31st, and how I’d rate them. If you’re looking for something to watch, perhaps this will help. A lot of these movies are available on streaming services also.

The Wolf of Wall Street (2013) - 10/10

I hadn’t watched this in a couple of years but I was blown away. Peak Scorsese.

Rushmore (1998) - 7/10

Not the best Wes Anderson movie for me but still fun.

Lion (2016) - 8/10

I discussed this at length on my podcast: The Sunday Movie Marathon. Great movie!

The Grand Budapest Hotel (2014) - 10/10

Now this is one of the best Wes Anderson movies. I discuss this more on The Sunday Movie Marathon. Fantastic, funny and I watched it twice because it’s so much fun.

Inception (2010) - 10/10

Discussed on The Sunday Movie Marathon. Best Christopher Nolan movie for me, Inception is just breathtaking.

The Life Aquatic With Steve Zissou (2004) - 5/10

This might be Anderson’s weakest film (at least from what I’ve seen) but it’s still not as bad as a lot of directors at their worst.

The Royal Tenenbaums (2001) - 10/10

I was really on an Anderson binge in March. The Royal Tenenbaums is one of the most wholesome movies I’ve seen and certainly one of his best films.

Rome, Open City (1945) - 4/10

This was filmed in Nazi-occupied Italy and from that premise, the film enticed me. Despite having some interesting qualities, I do feel that initial pull is most of what the movie has going for it.

The Prestige (2006) - 7/10

I showed this to my brother and for what it’s worth, he enjoyed it. I do think this is one of Nolan’s weaker efforts but considering how much I like it, that speaks a lot to Nolan’s filmography as a whole.

Nostalgia (1983) - 10/10

I watched Nostalgia three times in the space of a week and reviewed it on The Sunday Movie Marathon. It’s phenomenal.

Kangaroo Jack (2003) - 1/10

Another one I watched for the podcast. Kangaroo Jack is truly terrible and it upset me a great deal. Avoid this movie.

Stalker (1979) - 10/10

Another Andrei Tarkovsky movie (director of Nostalgia). I watched this again during the day before my second watch of Nostalgia and while it’s hard to compare such different movies, I enjoy Stalker more. It’s a staple of Russian cinema for a reason.

Four Lions (2010) - 5/10

Watched for the podcast. I didn’t really gel with this comedy but it would certainly appeal to someone who enjoys the humour, as my co-hosts did.

Revolutionary Road (2008) - 6/10

This Sam Mendes joint was a tad too melodramatic but still boasted some great performances from Leonardo DiCaprio and Kate Winslet.

Metropolis (1927) - 6/10

This silent film is a staple in cinematic history. Its themes are as painfully relevant today as they were in the 20’s, yet despite that I found a lot of it to be intensely boring. After it hit the hour mark, I started playing it at 1.5x speed.

Crimson Peak (2015) - 4/10

A lot of great set design and costumes and colours, yet the story itself was madly uninteresting.

Eternal Sunshine of The Spotless Mind (2004) - 10/10

Who doesn’t love a good movie written by Charlie Kaufman? I reviewed this on The Sunday Movie Marathon and after a third watch, it is as fascinating as it is gut-wrenching.

Godzilla (2014) - 3/10

If you wanted to see Godzilla fight a bunch of monsters for two hours, then this is not the movie for you. There’s maybe about ten minutes total of on-screen Godzilla action and considering that’s really all anyone’s watching this for, it’s amazing the titular sea lizard occupies so little of the movie.

Prisoners (2013) - 10/10

Brilliant mystery thriller by my favourite director, Denis Villeneuve. Discussed on the podcast.

Eraserhead (1977) - 7/10

David Lynch’s debut feature film went down in my estimations this time around. You can listen to why on The Sunday Movie Marathon. Still, Eraserhead is a very good movie.

Raiders of The Lost Ark (1981) - 6/10

The first Indiana Jones movie proved to be a fun romp and Harrison Ford plays the character beautifully. I’m just not a big fan of Spielberg and his average verging on pretty good but rarely ever great movies. Perhaps on a second watch, I may enjoy this more.

The Seventh Seal (1957) - 9/10

Watching this movie again was so much fun. So far, it’s my favourite Ingmar Bergman film. It’s a celebration of life and love, with an underlying sense of dread as death looms ever-present.

Indiana Jones and The Temple of Doom (1984) - 5/10

I can tell why this generally looked on as the weakest in the trilogy. Harrison Ford is still great but the movie dragged a lot and felt more like a bunch of things happening for the sake of it rather than a fun action/adventure.

Indiana Jones and The Last Crusade (1989) - 7/10

The Last Crusade was a lot of fun and maybe it was Sean Connery’s inclusion, or perhaps the bottle of wine I drank through the movie elevated my enjoyment. But alcohol aside, I still believe this to be the best in the series.

Justice League (2017) - 2/10

People really weren’t kidding when they said this was bad. I watched this in preparation for the Snyder cut and I was not happy. This took years off my life.

Zack Snyder’s Justice League (2021) - 3/10

Barely any better and double the run-time of the original. I discussed this on The Sunday Movie Marathon and I was certainly not impressed. Better luck next time, Zack!

The Truman Show (1998) - 10/10

Brilliant movie and one I would highly recommend for a stellar Jim Carrey performance. This was another recommendation for the podcast.

Eighth Grade (2018) - 7/10

I was impressed with Bo Burnham’s debut feature. This is a coming of age story centred around a young girl growing up in the modern world and how it can affect the youth of today. Burnham shows a deep understanding of youth culture and a real knack for filmmaking.

Bad Education (2019) - 8/10

A real “yikes!” movie. If you want to learn a bit about the embezzlement that took place in an American school back in the early 2000’s, you need not look further than this tight drama with fantastic performances from Hugh Jackman and Allison Janney.

Twelve Monkeys (1995) - 8/10

One of the only movies where the time travel makes sense. I recommended this for The Sunday Movie Marathon and it’s pretty great.

Ready Or Not (2019) - 7/10

Despite a premise that is not wholly original and a super goofy third act, Ready Or Not is gory, violent fun with a lot of stylish art direction.

Dead Man (1995) - 3/10

Recommended on the podcast. I really did not get a lot out of Dead Man. It’s a very slow movie about Johnny Depp going through the woods and killing some people on the way, but it’s two hours long and hugely metaphorical and sadly it just didn’t connect.

Misbehaviour (2020) - 6/10

A big draw for me in Misbehaviour is Keira Knightley; I think she’s a great actor and I’m basically on board with anything she does. I’d been wanting to see this for a while and I was shocked to see just how relevant it is (being set in 1970) to the world we find ourselves in today, where women are still fighting to be heard and to be treated equally. While the film is not spectacular, I still got a lot from its themes, so recently after the murder of Sarah Everard and how women are being treated in their protest.

Dr. Strangelove or: How I Learned To Stop Worrying and Love The Bomb (1964) - 7/10

I was surprised at just how hilarious this early Kubrick movie is. While I can’t say it floored me or took any top spots, it’s still a great examination of the military and how they respond to threats or try to solve problems and the side of war we don’t often see in films: the people in the background sitting in a room making crucial decisions.

Taxi Driver (1976) - 10/10

Wow! I can’t believe I’d never seen this before but I’d never really had access to it. Taxi Driver is a beautifully made movie with so much colour and vibrancy. De Niro puts on perhaps his best performance and Paul Schrader’s timeless script works miracles.

Sleepy Hollow (1999) - 5/10

Classic Tim Burton aesthetics in a pretty by the numbers, almost Supernatural-esque story eked out over an hour and forty minutes.

Seaspiracy (2021) - 6/10

Everyone’s going crazy over this documentary and I agree it tackles important issues we’re facing today surrounding the commercialization of the fishing industry, but a lot of what’s presented here is information already available to the public. The editing feels misplaced at times and the tone is all over the place. Nonetheless, it’s still quite fascinating to see good journalism being done in a way that exposes this side of the industry.

Pirates of The Carribean: The Curse of The Black Pearl (2003) - 8/10

Super fun and a great first instalment in a franchise that sadly seems to have peaked at the first hurdle.

My Octopus Teacher (2020) - 8/10

Great cinematography and a lovely premise, this documentary has garnered an Oscar nomination and I can see why.

The Sisters Brothers (2018) - 8/10

A really solid western I was happy to watch again. It’s a shame no one really talks about this movie because it is excellent with stunning visuals and great performances.

Pirates of The Carribean: Dead Man’s Chest (2006) - 5/10

A strangely massive drop in quality from the original. If I didn’t like the whole concept of this franchise so much, I might have had a worse time.

Reservoir Dogs (1992) - 8/10

On a second watch, Tarantino’s first feature is still wildly impressive.

Life of Brian (1979) - 7/10

This is perhaps my third time watching Monty Python’s Life of Brian and it’s still incredibly funny, however it never manages to measure up to its predecessor (and one of my all time favourites), Monty Python and The Holy Grail.

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queensgaybeach1d · 4 years ago

Note

HELLOOO, I just discovered your blog, shame on me. So, I read your masterpost about the stunts in the industry (great work btw) and was wondering how to tell if something is real or purely pr. Would you mind giving me a few pointers ?? Answer however and whenever you can.

Hello Sweetie,

Thank you so much for your lovely words. I would love to help you dig deeper into the PR industry. In fact, I did some research myself and I stumbled upon a great confirmation on how everything works. I think it is just the right fit for you, sweetheart.

Please take your time reading the post and if you have any questions or suggestions, please do not hesitate to ask me. Have a great day and enjoy!

Kisses,

Suman 😊

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How to spot a PR relationship?!

This post is made for everyone who would like to learn how to spot a fake relationship in Hollywood. This information is supported by a very reliable source. The name of the source is Jack Ketsoyan, he set up two PR relationships himself. If you would try to compare this to your favourite Hollywood couple, you might be surprised of the outcome. I wish you all the best while reading this and if you have any questions/suggestions please do not hesitate to ask. Enjoy! :)

This is the link of the podcast about the PR relationships (skip to 5.40). I will make a little summary of the very important things Jack said. There is also another man who is speaking about this subject. His name is Christopher and he is a lawyer who has worked with cases like these for a long time.

(Please note that I am in no way hating on anyone. I have a strong dislike for all ‘’beards’’, but what they do with their lives is their responsibility. Therefore I mean no harm to any of these people. It would be very sad if any of these people would do it because they needed money for their families. If that was the case I would truly feel sorry for them, but the thing is they want to become famous by dating someone else who put his/her hard work in his/her career. That it just not fair. There are plenty of ways to become famous by dedication, hard work and staying yourself.)

I want to give compliments to the lovely @Totallylost4you on twitter. She made me aware of the podcast.

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-’’To hide the artist’s sexuality; boosting of the careers.’’ --> (Louis, Harry, Zayn, Liam and Niall. Also, Kristen Stewart, Cara Delevigne and Taylor Swift) -->

‘’It is more common on the male side than on the female side. There are certain celebrities who were, back in the day, in the closet and it was not okay to be out. We live in a completely different time nowadays, these days being gay is okay. So back in the day that was the biggest secret, it was a big taboo, if a certain high profiled male, the heartthrob is all of a sudden gay, they were not going to get the bigger roles anymore. They were going to be type casted, so that was the big way of hiding things. Them hiding their sexuality was dating a female who would keep them in the limelight basically and cover it up.’’ [about closeting] ‘’Times have changed, it still happens, but a lot has changed.’’ --> There are still people who would not like attending a Harry Styles (the heartthrob) concert when he comes out as gay.

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-’’To be able to sell the hype of it.’’ --> (Whenever a picture of Taylor and Tom or Louis and Eleanor comes out, people are quick to retweet, post and talk about what happened. Within no time the pictures have traveled through the internet. Which automatically means that a lot of people have seen it. All of this gives the label/couple/artist attention and money. --> Whether it is bad attention or good attention, attention means money.) a few examples of these couples are also: Haylor, Zigi and Elounor.

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-’’To sell tickets to concerts or movies.’’ --> 1D world tours and solo tours. That is also why beards like Camille Rowe, Eleanor Calder and Maya Henry attend their concerts. As for movies think about Robert Pattinson and Kristen Stewart (who is gay) fake dating, moments after Twilight came out. Think about 1D bringing their fake girlfriends to the world premiere and Zayn and Perrie getting engaged a second after. The purpose of these events are attention. Sweethearts, whenever people go to these shows/movies all they will focus on is 1D and their ‘girlfriends’. Photos will spread faster than ever and people will talk about how ‘real’ they are. Their aim is to kill two birds with one stone; making them look like a ‘real’ couple whilst promoting their movie/album.

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-’’To sell albums.’’ --> (Zigi, Chiam, Elounor, Hamille, Nailee, Haylor.) Let us be honest, are they not the biggest reasons why antis buy the album? Just to see what stuff they write about their fake girlfriends/boyfriends. Just to see how ‘Camille’ pronounces ‘’Coucou’’or just because Gigi Hadid starred in Zayn’s music video. Or maybe to finally know the ‘truth’ about Taylor’s fake relationships.

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-’’It's all about the hype at the moment. Especially with the social media world.’’ --> I am going to point out an important thing Jack said. He said ‘’especially with the social media world.’’ Remember when there were only rumours of Louis and Eleanor being back together? The whole fandom tweeted about it. This made it popular and that was the solid moment 1D’s label knew that Elounor 2.0 would do it for them. They would earn a lot by it. The same thing counts for Zigi, Chiam, Haylor, Hamille. Hamille is a good example too. When all of you heard that Harry wrote a song about her and that her voice was going to be included in his song, what happened? Exactly, everyone went nuts and made sure to listen to that exact song. That is exactly what they want. They want that power over you, that is what gives them the money. Another example, how fast do you think solo Zayn stans and Directioners tweeted about a ‘power couple’ when the news broke that Zayn and Gigi are ‘expecting a child’? How fast did people open their social media accounts when Kylie Jenner was pregnant for the Kardashian’s 10th anniversary? (Social media does A LOT. Whenever a picture of Eleanor (beard) and Clifford (Louis’ dog) arrives on the internet, people automatically assume they are together in a room. This, is not the case. That is how convenient social media is to arranged relationships. Why start a rumour by hiring newspapers instead of posting a message on social media? It is much cheaper and more people will know about it in less than four hours.)

Promoting certain brand like Coca Cola (Elounor), YSL, Gucci, Vogue (Zigi) and Hugo Boss are also a part of it. Celebrities wearing those brands make their fans want to buy it too, think of the Kardashians promoting Adidas and other expensive brands. Also think of people like Briana Jungwirth promoting flat tummy tea. This is called ‘celebrity branding.’

Tell me, how many times do you get HQ pic of your PR couple on your phone? People tend to go out of their mind when pictures come out. That is the immediate effect Hollywood has on social media/ you. That gives them the promo they need, even during quarantine the beards post pictures of themselves, making you think they are together when in reality they are not. :)

{About why Jack hooked an arranged relationship up himself} --> ‘’It was more of a mutual agreement between the agents. {Tells a story about an actor getting bad reviews for a movie and in order to let people focus on something else they got the actor a girl, so the media would focus on the girl instead of the bad movie.}’’ --> ‘’Just a one year deal. Basically they finished of the press and the international press and then they went their separate ways, because she did not want to do a two year deal.’’ {interviewer asks if it worked} --> ‘’It worked.’’ --> A few examples of (approximately) a one-year deal: Calvin Harris and Taylor Swift, Niall Horan and Hailee Steinfield and Louis Tomlinson and Danielle Campbell. It is also good to point out that the beard can decide whether she wants to continue or not, but the celebrity has to do what the agent arranges.

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{Interviewer asks what reasons people might have to agree to one of these PR relationships} --> Different reasons, that could be to deflect attention away from a controversy (damage control. think of something Larry or Ziam related happening and the next day Zigi and Elouno are papped. Or fans finding out Louis is in the same country as Harry and the next day they will let Elouno do a pap walk. Another example is when Ziammies find out a Zigi picture is photoshopped, the next day you will see Zigi in person. This happens when their stunts fail). So if an actor has drugs and alcohol problems they may want to give the appearance that they have settled down and are in a committed relationships so that they can banked for films. Or they are going to be able to get bonded and get work and people will trust them, because they have settled down. It also could be done to create a brand. Two celebs getting together and 'now there's this tremendous interest about them being a power couple.' [...] We create strong provision against the disclosure of any negative facts against the celebrity - with consequences. So these agreements need to be structured with a hold back of money so that over time if they have complied with the agreement and not disclosed ehh no personal information and violation the agreement then they would be entitled the payment, so under the agreement. " --> The last part might be difficult to understand, because the lawyer uses difficult words, but what he is actually saying is very important. He says if the celebrities who are in the PR relationship have done their part (parading around with each other) then they will receive their money (please correct me if I am wrong). The host also confirmed that contracts like these are the reason why a lot of celebrities do not admit they had a PR relationships.

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Clues on how to spot a PR relationship:

-‘’The main clue you would see is if, you know, a certain high profiled male is dating a female (or when a high profiled female is dating a regular male), who was not high profile. All of a sudden, she is, overnight, the most talked about girl in Hollywood and everyone want a piece of them. That is the biggest thing, you know, it is such a career boost for the female that some females end up taking the deal.’’ --> Zigi, Elounor, Chiam, Brouis, Haylor, Taylor and Calvin. How does the world know Eleanor Calder? Because of Louis Tomlinson. No one knew her before, except her family. How did Gigi gain so many followers? Because she started dating Zayn Malik. Gigi already had a platform for herself, but she gained a lot of followers by dating Zayn. Zayn also gained followers by dating Gigi. Gigi needed promo and Zayn was in the spotlight, because he just ‘left 1D.’ This made him the perfect target. I hope all of you also notice that when beards/fake girlfriends post pictures of them with their fake boyfriend, it gets way more likes than their usual pictures.

{What was the benefit for the girl in the scenario?} --> ‘’Ehm, she has a huge career at the moment. She benefit from that by becoming a household name (someone that is well known) and getting bigger roles than she would have. She would use to be the 3rd or the 4th lead in any auditions or any jobs that she was getting. She then became the first lead. She got a great career boost out of it, for sure.’’ --> Gigi Hadid, Eleanor Calder, Sophia Smith, Cheryl Cole, Maya, Camille Rowe and Kendall Jenner are just a few examples.

How did the world know Townes? Because ‘Harry named’ her in one of his songs. How did the world know about Maya Henry? Because Liam Payne started dating her. Before this, she was just a fan. How did Cheryl Cole get the attention back? Because of baby gate and by fake dating Liam Payne. How did Briana gain so many followers? Because Louis Tomlinson fans gave her the attention and because she participated in faking a pregnancy. How did Shawn and Camilla become a couple in the spotlight? Because people have always shipped them, ever since the beginning and their label gave the fans what they wanted. How did Kim Kardashian become famous? A *** tape of her and Ray J leaked and she became famous. Now, she is a lot richer and more famous than he is. A quick note, not many people know how Kim Kardashian became famous. They only really know her from Keeping Up With The Kardashians. The newer generation does not know about the tape scandal, and that is what they do. You need to dig a little deeper to see that. This all is an on-going cycle and it will not stop unless we all stop believing it. 😊

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What do they do in order to make a PR relationship look real?

{Interviewer asks what the clauses in an arranged relationships contract are} --> ‘’An arranged relationship is estranged by definition. So certainly we are going to see requests that are equally odd. They are certainly going to have requirements as to how they hold themselves out to the public as a couple. This would mean appearances at award shows, parties or events together as a couple and that there would be requirements maybe for specific events.’’ --> Eleanor attending Jay’s wedding and being ‘maid of honor’, Calvin and Taylor at Award shows, Elounor at the fashions show 2013, Haylor and their NYE ‘kiss’, Zigi at the MET gala and Chiam at the Brits, celebs at after parties with their ‘girlfriends’. All of these couples have also pictures with each other’s family members. That made a lot of you think they are close and real, well my loves, now you finally know that it is all part of a PR stunt. The fake girlfriends also have to look supportive, that is why they have to be there at concerts, soccer matches, award shows etcetera. 😊

Remember when Eleanor (beard) posted a picture of herself and in the background you could see a picture of her and Louis in 2012 and ‘Louis’ written on a board? Remember when she posted a picture of herself with her and Louis’ boots in the background in 2018? All of these things are there to make it look like they truly live together and that they truly own each other’s stuff. The same thing counts for Haylor’s airplane necklace. Do you genuinely think they did that by accident? No, that is the purpose of the whole picture. 😊

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‘’Then there is going to be particularly some none disclosure issues surrounding them as to what cannot be said about the relationship and what needs to be said. There could be a script even as to what they have to say if asked about the relationships. There would be photo sessions showing them as a couple. And then I have seen issues of sexual relationships and specific whether this would happen or not happen in an agreement. But if it is truly a PR relationships then sex would not be a part of that relationship, because it is not real.’’ --> Loves, do you remember a moment when someone asked a celebrity about his/her relationships and they stuttered and looked uncomfortable, or they just said something wrong or embarrassing or tried to talk themselves out of it? Well, that happens when you have to make up stuff that never happened. Louis Tomlinson confirmed his interviews are scripted, so this one is just an extra thick layer of confirmation. I also recall Gigi doing a live and someone asked about Zayn and she just stuttered and looked away, not knowing how to answer a question. (I think there have definitely been times when two people who were in an arranged relationship gave different answers to the same question, why? Because they do not know anything about each other.) Here is an example of a moment that is repeated and scripted about Louis’ ‘relationship’ with Eleanor, even know we have legit proof that is not what happened:

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Now I can hear all your lovely brains working and thinking whether a celebrity is willing to sign a contract like that or if their label is making them sign it. Well, if you have read my previous masterpost about the music industry you can see confirmations of the label making the artist their puppet. They own you, so if they think you should have a girlfriend to hide gay rumours then they will give you one. ‘A label cannot force you anything’, but it does make you sign a contract. When you sign the contract without reading it carefully, then your label will mess you up. In those contracts they do not write ‘’Taylor Swift has to agree to arranged relationships.’’ They write stuff like ‘’When signing the contract, Taylor Swift allows the label to make changes in order to get her to fame.’’ Of course Taylor (and other artists) would think that they mean changing her outfit and looks, but no. The label thinks being gay is something that will not get people enough fame. So what do they do? They change her, they change her sexuality. They closet her and even though Taylor and other LGBTQ artists do not want that. You cannot deny because when you do so, the label will show you the contract you signed. A contract like that is never written literally, they can manipulate their words. To the label ‘’being gay or a part of the LGBTQ+ community’’ falls under ‘’making changes’’ in order to make her famous. Of course there are celebrities who willingly closet themselves for various reasons. I hope to create a single post about how devious these contracts are for you all! 😊

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Here are a few things I hope you have learned from this: 😊

- Fake relationships still exist and they will always exist. It has been confirmed, so no one can deny this anymore.

- The girl and boy have to go to special events, such as award shows, family dinners and weddings in order to make it look real.

- Homophobia is still a thing and the biggest reason why arranged relationships exist.

- The beard has a contract too, so your idol has no say in how long she can or cannot stay. If she does good then she will stay. (I see many people say that Louis chose Eleanor because they are friends and that is why she is back, but he actually has no say in anything. Your idol is their product to sell. Your idol is basically a marionette.)

-The PR team does everything to make it look like they are truly together, think of photos of each other in each other’s homes and ‘personal gifts.’

-Celebrities get an enormous boost on their social media accounts when they start being part of an arranged relationship. Something I have always thought was a bit odd, is the fact that Eleanor never created an insta account until her and Louis’ ‘relationship’ had its peak; in the middle of June 2012. When in reality, insta was created in 2010. She also created twitter in 2012. Exactly when the first few big events were attended by them. (I genuinely think she did that, because everyone wanted to see more of her. Plus, she has always wanted to be a fashion blogger and this was her ‘big moment’ to do so.)

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The credits for this post go to @Totallylost4you. They made me aware of the podcast and they continue to shine light on hidden treasures like this one. They also hardly get credits for their solid hard work and I hope they will continue doing this! Thank you!

Thank you so much for your attention. If you have any question/suggestion, please do not hesitate to ask/tell me! I wish all of you the best and please stay safe. Have an amazing day!

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gladiatortale · 4 years ago

Text

My DEPRESSION BEATING, fandom obsessing, shit-tastic FANTASTIC year in review!

TL;DR: I’m fixing my mental health and figuring out WHO THE FUCK I AM one fandom filled day at a time! Thank you to everyone who’s been there for me along the way. xoxo

what’s up HEATHENS.

stating the goddamn obvious here, it’s been a HELLUVA YEAR. One emotional rollercoaster after another but we’re ALMOST DONE. I know things aren’t gonna magically get better the second it flips to 00:01 on January first, but I’m excited to put this year behind me, and (SHOCKINGLY) a bit sad to see it go.

It was a year where the whole world completely stopped, we realized what is really important, what is really worth fighting for, and took a GODDAMN SECOND to just breathe.

For me personally, the year (which I’m counting off from November 1st) started out UNBELIEVABLY SHIT. I had just been kicked out of the country I called home for the last four years (thank you Brexit), I had ZERO job prospects, my depression was the WORST it had ever been, and I just didn’t want to get out of bed in the morning. And in the beginning, the pandemic felt like salt in the wound, an extra kick in the teeth to my early twenties that had already “failed to launch.”

But I tried to embrace the madness, really take advantage of the world (that I always thought moved to fast) properly slowing down, and take time to try and become myself again. I wanted to figure out what I loved and try and become a bit more like the person I was before my depression got so bad.

I often say I became that Manic Trash Planet Lady™ you see in sci-fi adventure films; a bit zany to say the least, with a million ideas and a very eclectic fashion sense, but embracing the insanity as it comes...

*cough cough* audrey, get to the goddamn point!

Right. lol. THE POINT IS!

I’m not 100% “healed”, I’m not sure if I think depression is a “oh look you’re officially cured! hooray!” type of disease, but this year I let myself ENJOY SHIT for the first time in god knows how long. I still don’t know “wHaT i WaNt To dO WiTh mY LiFe”, but I’ve got a better idea and I’m heading in (what feels like) the right direction. And most of all, I can look back and say I am better than where I was a year ago.

So I wanted to say T H A N K Y O U to the mad lads on this website that introduced me to the fandoms, shows, movies, fics... THE SHIT that made me happy this year and were there to be one (BIG) piece in my healing journey.

AND SO, with out further rambling ADO! Here are the highlights of the year marked by my ridiculous hyper-fixations and OBSESSIONS. Thanks for putting up with me ya fiends, xoxox

November 2019 The Arcana (Visual Novel)

I had just gotten home and I was in a LOOOOOOW place. Randomly decided to download this app when it came up and it proceeded to ruin my life (and my bank account...) for pretty much the rest of the year. It was exactly what I needed to get me through a tough time and I was thoroughly, horse-blinders-up-to-the-rest-of-the-world, OBSESSED. These gorgeous magical fiends ruined me and all I could say was thank you.

Joined the fandom: November 2019 Obsession peaked: Late November Obsession faded: December 2019; I started a new job AND my bank statement came in and I realized I had accidentally spent over SIXTY BUCKS on this stupid app. No ragrets, but I definitely started to phase out at that point. Fandom friends: Velma, (@lanavxds on insta) miss you girlie xx Fanfics you NEED to read: ‘Second Mistake’ by DeathBelle on AO3, because DAAAAAYUM SON. Favourite moments: Basically the whole of the Julian arc. That gangly himbo OWNED my ass for a month.

December 2019 Hazbin Hotel (TV Series)

Y’ALL okay here me out. Am I proud of this one? No. Is the show crass as hell? OOOOOOOOHHHH YEAH. Did my angsty ass love it at the end of last year? DAMN STRAIGHT IT DID. Goes without saying, but this is NOT FOR EVERYBODY, but it definitely helped me along the way to becoming more comfortable with myself and being open about being the massive geek that I always was, and watching things I enjoy regardless of what people say about it.

Joined the fandom: December 2019 Obsession peaked: Shortly there after. Fandom friends: None. Dipped one toe in fandom discourse and then promptly YEETED the fuck outta there. Obsession faded: January 2019. Still curious to see the full series if A24 actually ever does produce the whole thing, but I have def moved away from it. Fanfics you NEED to read: Haven’t read any. Maybe I’m a pussy baby piece-o-shit, but I DID NOT want to go down that rabbit hole, NO MA’AM. Favourite moments:

Discovering the Hunicast podcast. These guys are a riot and Ashley is a flustered GEM. Even if you don’t watch the show, go watch an episode of these fucking LADS just dicking about and your day will get better.

Watching the first episode with my partner and watching him realize his girlfriend is a total freak.

January 2020 Lore Olympus (Webtoon Comic)

*Officially* discovered this one thanksgiving weekend in 2019, but my Arcana phase was still raging pretty strong at that point so I didn’t really get in to it until later. EVERYBODY AND THEIR MOTHER NEEDS TO READ IT. It has everything and handles the reality sexual assault and it’s aftermath EXTREMELY well.

Joined the fandom: Late November 2019 Obsession peaked: January 2020 Fandom friends: KELLEY. MA GIRL XOXOXO Obsession faded: June-ish 2020. I’m like 10 chapters behind now, but I still love this story so much. Fanfics you NEED to read: SO MANY ON MY ‘MARKED FOR LATER’ LIST AAAAAH. I have to get to that... NEW YEARS RESOLUTION lol Favourite moments: Having a drunk conversation on New Years Eve in 2019 with one of my oldest friends from high school about how much she loved it too. Helped me see how popular fandom and fandoms, are especially after feeling like I needed to hide my enthusiasm through high school and uni. (THAT WAS A MISTAKE BUT I’LL GET THERE IN A MINUTE).

February 2020 Versailles (TV Series)

SO FUCKING GAY Y’ALL. Oh my god everyone in this show is so gay. Even when they’re not they still are a little bit. AND BEST OF ALL!! it’s very historically accurate (except for the demon satanic nonsense in season 3, what was that???)

Joined the fandom: February 2020 Obsession peaked: Like??? The SECOND I finished episode one. Fandom friends: none... WHERE ARE ALL OF YOU??? Obsession faded: March 2020. It was a fast and passionate love affair, what can I say? Fanfics you NEED to read: IF YOU HAVE RECS, GIVE ‘EM TO MEEEEE. Favourite moments:

Showing the first episode to a friend of mine and the *ungodly GASP* that came out of her throat was... PRICELESS.

The ENTIRE throuple(???) relationship between the Chevalier, Philipe, and Palatine. PLATONIC/ ROMANTIC LOVE G O A L S.

March 2020 Yuri!!! On Ice (TV Series)

*deep breath* ...y’all knew this one was coming.

Was I ready for this show to ruin my fucking life? No. Am I so glad it happened??? FUCK YEAH.

NEVER IN MY LIFE have I fallen off the deep end so quickly with a fandom. HOLY SHIT. This blog didn’t have much of an “identity” before, but I you said that this is a Yuri On Ice blog now I wouldn’t even be mad (nor could I really defend myself to the contrary... bc??? like??? just go LOOK at my archive). Craziest thing is I watched the first two episodes like?? a solid TWO YEARS ago, but I didn’t continue watching because I was just not in the right head space for all the love and silliness and positivity.

I could do a whole separate post about how much this show and how this fandom has changed my life (DON’T TEMPT ME I JUST MIGHT). But I’ll stick with the highlights for now ;)

Joined the fandom: March 2020 Obsession peaked: Has it peaked?? Went straight up and it still going lol Fandom friends: Sandra, my mentor, my queen @aeriamamaduck, my fandom ride-or-die. Thank you for taking this internet bby under your wing. RACHEL @idancewiththefairies I TRAPPED YOU HERE. MUAHAHAHA xxx Obsession faded: ON GOING. CAN’T STOP, WON’T STOP. Fanfics you NEED to read: jfc, SO MANY.

‘Until My Feet Bleed and My Heart Aches’ and ‘Of Bright Stars and Burning Hearts’ by Reiya @kazliin -- Rivals AU companion pieces. Longest fics I’ve ever read and JESUS CHRIST these two fucking SENT ME. Most popular YOI fics on AO3 for a REASON.

‘Tell Me Where Your Love Lies’ by @aeriamamaduck -- Royalty AU, trope-breaking ABO. Ah sweet, TMWYLL, how you’ve killed me over and over again. This BEAUTIFUL wip has SUCH amazing world-building idk where to start (Congrats on passing 50,000 hits!) EVERYONE GO READ IT.

‘Blackbird’ by sixpences -- WWII/Coldwar Spy Fic. I don’t have enough words to describe how amazing this is. It’s elevated to a higher plane beyond fanfic. Just go read it. Thank me later.

‘Zanka’ by rinsled05 @dreaming-fireflies -- The geisha fic that ruined me. *deep breath* AAAAAAAAAAHHHHH *gasp* I’m fine. lol I sooooo not ready for this fic. Holy hell, Aoyagi had my heart in his hands from the first chapter. “’Please’ [...] ‘Don’t give me hope.’“ FUUUUCK.

‘Echoes’ by Reiya @kazliin -- Future fic. First fic I cried at... BOI. I was NOT ready for this. Shouldn’t be surprised given the author, but MAN. “‘A love like that, a love like what they had together, it never leaves completely.’ Yuri spoke again, eyes still staring out onto the ice, lost in memory. ‘There are always echoes.’” JUST FUCK ME UP.

Favourite moments: Oh good lord, where do I begin??

Having two (count ‘em TWO) main characters with mental health issues (Yuuri and his anxiety and Victor with burn out and depression) and NOT MAKING IT THE ONLY ASPECT OF THEIR PERSONALITY. CLAPS FOR KUBO AND YAMAMOTO!!

Everything about Yurio (ESPECIALLY HIS RELATIONSHIP WITH YUUKO AND HIS GRANDPA), that tsundere motherfucker is too pure for this world.

THE KISS. THE PROPOSAL. MY HEART WASN’T READY. AAAAAH!!

This fandom *properly* introducing me to smut on AO3...

Thinking I was going to get Rachel to like the show... NOT being prepared for her to fall off the deep end and START LIKING REAL SKATING TOO!!

Staying up waaaaaay too late waaaaaay too often to plan out plot points for TMWYLL with Sandra. Love ya dearie.

The warm fuzzy feeling I get every time I think about Victor and Yuuri.

April 2020 Bungou Stray Dogs (TV Series)

I had a hunch I was gonna like this show considering ALL of the characters are based off of famous classic authors from around the world... what I was NOT prepared for was just HOW MUCH I was going to love it. HOLY SHIT. The art style? Love it. The plot?? Bonkers, but so fun. THE VOICE CAST??? AMAZING. Highly recommend to anyone who wants to get in to anime, great place to start.

Joined the fandom: April 2020 Obsession peaked: Probably this summer? But we have DEF plateaued in a VERY high place. Fandom friends: FIJI. MA BOIIIII @lil-1nsane Obsession faded: Hasn’t. Hope it doesn’t Fanfics you NEED to read: So so so many. The smut in this fandom is *chef’s kiss*, but here are a few...

‘He Works Hard For the Money’ by CataclysmicEvent @cataclysmicevent2019 -- Sugar Daddy AU. FUCK MAN. I was not expecting to like this one, but bloody hell. This fic grabbed me by the throat and WOULD NOT let me go. Praying for chapter 16! But the author is working on another STELLAR fic so I’m okay for now.

‘Everything or Nothing’ by CataclysmicEvent @cataclysmicevent2019 -- University AU. FUCK THIS FIC. Started reading it as I was waiting for HWHFTM to update and BOI, this fic ROCKS. The alternating POV fits so well with the enemies/idiots-to-lovers vibe. Solid 10 outta 10.

‘The City Where Wind Blows’ by @raven-rein -- Cancer Death fic. *pained shriek* AAAAAAGUUUUUUUHHHH *gasp* aaaaaaAAAAAAHHHHHHHH, FUUUCCCCCCCCCKKKK MEEEEE. THIS FIC. Only the second fic I’ve ever cried to but I BAWLED MY GODDAMN EYES OUT. FUUUUUUUCK. I was not ready, never would have been ready. This is so tremendously well done, it killed me so beautifully,

‘Haunted by Hatred’ by DeathBelle -- Canon compliant Soukoku. It is a CRIME that DeathBelle doesn’t have more BSD fics on her page, but this one is still brilliant.

Favourite moments:

THE CHUUYA-DAZAI MAFIA REUNION TEAM UP WHEN THEY FIGHT LOVECRAFT. Ooof. BOI. We love it.

The first three episodes. Soooo many break neck plot twists.

Every insane hypothetical conversation with Fiji.

Every time Atsushi or Tanizaki is on screen bc I LOVE THESE LIL BEANS.

June 2020 Trash Taste (Podcast)

Goddamn I love these chaotic lads so much.

As I became more and more comfortable with myself and my love for anime I stumbled upon these three goons, -- Joey, Connor, and Garnt, -- best known for there SUPER successful (mostly) anime YouTube channels. Even if you don’t watch anime, WATCH/LISTEN TO THIS PODCAST. The focus is mostly on their lives and the overall expat/immigrant experience, with a bit of anecdotal anime references sprinkled in.

This show is both wholesome and heathenous in equal measure, and after having lived abroad for a significant portion of my (admittedly still quite short) life, it was such a breath of fresh air to hear people talk so openly about how living outside your home country is both wonderful and terrifying. They’re wonderfully candid about the fact that even if you love a place dearly, no where is perfect, and you WILL hate somethings about your new home even if the majority of the experience is fantastic. I cannot rate this show highly enough.

Joined the fandom: June 5th 2020, loved it from the first episode. Obsession peaked: July maybe? I was RELIGIOUS about watching the episodes as soon as they came out. Still watch every week, but less “on time.” Fandom friends: None :( but I have tricked my partner in to listening several times :) Obsession faded: It’s dimmed from where it was, but still going strong. Fanfics you NEED to read: NONE. NEVER PLAN TO. Hard and fast rule, I don’t read fics about real people. Characters played by real people, even that’s a maybe for me. But real-real people? FUCK NO. (some of my) Favourite moments:

Any time Garnt and Connor get into a big-brain-monkey-brain argument and Joey is just LOSING his GODDAMN MIND in the corner.

Bringing a retired Japanese porn star in the show for an honest conversation about consensual sex work and showing people can have more than one career in life.

Everything about the, ‘Are Online Friends Real Friends?’ episode. GO WATCH IT, it’s brilliant.

Garnt making “chotto-THE-FUCKING-matte” an expression

August 2020 Great Pretender (TV Series)

Spent most of the summer marinating in my BSD and YOI bubbles, until THIS BAD BOI came up on my Netflix recommendations. HOOOO BOI. This is some Anime Of The Year shit right here. Has a pretty original concept (Catch Me If You Can by way of Oceans 11-ish) but generally starts out like most other shounen (sans the super powers). AND THEN EPISODE FIVE HAPPENS. Not gonna spoil it but they TOOK THAT SHIT UP A NOTCH. Brilliant, even with a bit of an insane ending. GO WATCH THIS ONE.

Joined the fandom: August 2020 Obsession peaked: Pretty much as soon as I started watching it. Fandom friends: What’s up Fiji ;) @lil-1nsane Obsession faded: Naturally faded, but so glad I watched Fanfics you NEED to read: None so far! Little scared about this one, heard mixed reviews, but maybe someday. Favourite moments:

Edamame’s “madness arc” at the end of season 2. HOOOO BOY.

Laurent getting fucking WRECKED when Edamame punches him mid way through season 2, kills me every time.

Introducing my partner to anime with this show.

October 2020 Attack on Titan (TV Series)

RETURN OF THE KING. lol

In my quest to find an anime that I can watch with my partner, I turned on season 1 of this bad boi. Holy hell I forgot how much I loved this show, NO WONDER everyone lost their goddamn minds when this show first aired. I NEED to catch up before all the season four spoilers come to get me...

Joined the fandom: Winter 2016 Obsession peaked: Basically as soon as I started watching it. Fandom friends: None yet, but I know you’re out there... Obsession faded: 2017, JUST BEFORE SEASON TWO... I should have stuck around longer I know, but it’s slowly coming back. Reeeeeally need to catch up on seasons two, three, and four. Fanfics you NEED to read: GIVE ME YOUR RECS HEATHENS. Favourite moments:

Watching my partner FREAK OUT about Eren’s “death.”

EVERYTHING ABOUT POTATO GORL! lol

Getting in a conversation with a die hard fan after I hadn’t watched it in three years and saying... “Who’s that blond bitch that cries all the time?”/ “Armin?”/ “THAT’S THE ONE!”

November 2020... kind of. Figure Skating (Sport)

Okay this one is a bit hard to explain.

I have been a DIE HARD figure skating for A LOOOOOONG time. My grandmother got me a hat from the 2002 Olympics in Salt Lake City and I remember watching even then. But I first became consciously aware of different skaters, my faves, etc. from about 2010. I vividly remember watching Plushenko skating in 2014 while on a school trip to Hawaii, and my friends laughing at me as I yelled at the TV.

But I didn’t TRULY get involved in the fandom side of it until this year. I had all this knowledge bottled up, but didn’t have any skating friends to talk to... UNTIL NOW. Super ironic that this happened in a year with almost NO skating, but I’ll take what I can get ;) Also did I stay up until FOUR-GODDAMN-THIRTY IN THE MORNING a few nights ago to stream Japanese Nationals on my phone??? YOU BET I DID.

Joined the fandom: Three times; 2002, 2010, and 2020. Obsession peaked: 2014? 2018? Idk it peaks any time someone does something amazing. Fandom friends: Rachel, my girl @idancewiththefairies, WHY DIDN’T I INTRODUCE YOU TO THIS SOONER??? Obsession faded: Hasn’t. Won’t. lol Fanfics you NEED to read: NOPE. NONE. NOT GONNA HAPPEN. No fanfics about real people. Never gonna change that. (some of my) Favourite moments:

Tessa Virtue and Scott Moir doing THAT routine at the 2018 Olympics.

Rachel sheepishly admitting to me that Shoma may have replaced Yuzu as her favourite, and me being SO DAMN PROUD of her for growing and developing her own skating opinions apart from me.

Yuzu’s 2012 ‘Romeo and Juliet’ routine and Worlds. THE RAW FUCKING POWER OF THAT SKATE.

Plushenko, cheeky bastard, changing his 2014 Team Event routine AS IT WAS HAPPENING.

The worlds friendliest rivalry between Yuzu and Nathan.

Any thing the Shibutani’s do, and all they do to break up the stereotype that all of Ice Dancing has to be rOmAnTiC and SeNsUaL to be good.

Watching my early faves become coaches and the D R A M A.

Honorable Mentions:

Coco (Film): I watched this the weekend I came home and I owe this movie a lot. It is so sweet an heartwarming, and it a roundabout way it brought me back to Tumblr (needed somewhere to vent my feelings considering I watched the movie a solid THREE YEARS after it came out, Tumblr seemed like the place to go lol). Watched in again in 2020 and it’s just as amazing.

Jekyll and Hyde (All media): Loved this book from the first time I read it in my first year of uni. But in December 2019, my fandom understanding reached its PEAK. The musical?? The comic?? YOOOOOO.

Dear Evan Hansen (Musical): I have BARELY engaged in fandom discourse, but the MUSIC. She fucking SLAPS.

Sirius the Jaeger (TV Series): This show is such an underrated gem. It literally has so much; "dead” family drama? Eclectic international group of monster hunters? Cowboys and vampires?? Yes, yes, and YES. And the main character has the same Japanese voice actor as Atsushi from BSD!

Studio Ghilbi (Films): My love affair with Ghibli goes back to when I was about 5 and BEGGED my mom to take me to the library so we could rent Kiki’s Delivery Service on DVD. But that love has been FULLY rejuvenated this year when I went to the Ghibli Film Festival in New York City (ironically in the last week in February). If you haven’t seen them, go watch From Up On Poppy Hill, Whisper of the Heart, and The Wind Rises. Spoilers, you’re probably gonna cry.

If you’ve made it this far, THANK YOU FOR READING!

And thank you to all the amazing people that made my 2020 not so horrible. Good riddance 2020, don’t let the door hit you on the way out!

#2020 #mental health #appreciation post #figure skating #studio ghibli #coco #attack on titan #great pretender #bungou stray dogs #trash taste #versailles tv #yuri!!! on ice #the arcana game #hazbin hotel #anime #fandom

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homosexualadventure · 4 years ago

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every single lmam song, ranked.

i just finished listening to let’s make a music for the first time, and Oh My God it rocks. it’s a great podcast and if you’re reading this without having listened to it...i don’t know what to tell you. i don’t know what you think lmam means. but, that aside, if you haven’t listened to it yet: go listen to it! it’s not a crazy long podcast, overall or episode length-wise, so it’s manageable even for people who usually can’t handle podcasts (like me!) anyways, now that it’s over, what’s left for me to do with my time and energy that i used to spend thinking about lmam?

listen to the episodes again so that i can rank all fourty-one songs from worst to best, of course. so that’s exactly what i did.

i mostly ranked these on my gut feeling, because i didn’t come up with the idea of ranking it on a set of points before like...five minutes ago. there’s a bit of personal bias in here, so if you disagree with me on rankings, hey! send me an ask, or a dm. we can talk about it.

so, now that that’s out of the way, let’s get into it! let’s...make a ranking. haha. that’s just a fun little lmam joke for you.

41. the roquefort stank

this song only gets points for laura’s stanky noises in the background. i love laura.

40. shan’t he shanty

weirdly catchy. for a sea shanty, that is. that’s all i have to say.

39. well, i’m on child...

i do love a good gay song about polyamory but it just wasn’t enough in this case. truly heartbreaking.

38. dog trash

i’m not a big fan of polka in general. that’s all i have to say. i don’t have to explain all my decisions. this is my journey. and it’s your journey that you’re taking with me.

37. echoes of wednesday

it’s not my favorite but i do think it’s sweet and i like all the laura vocals. also the zuko vocals.

36. brothers in legs

not their best character song but it’s still a song you could quietly headbang to. i just don’t love full story ballads (there is an exception to this, you’ll see) most of the time.

35. ol’ tim’s tricks

i’m not saying it’s a bad song, i’m just saying it sounds like it was once in a made for tv disney channel-esque movie about a girl who finds her calling in sports and friendship.

34. don’t give me that altitude

very queen-esque with general 80s vibes and i like that.

33. dreamless

if it was longer i think it would be a lot higher on the list, because it’s Good. but i don’t feel right putting a 45 second song above, like, tobie’s razor. still! i love the mellow, kind of sad and eerie tones of it.

32. holiday crime!

look i know this one’s fairly low on the list, hear me out: it’s a good song and it’s pretty memorable as well! but as far as holiday songs go, i don’t think it’s their best or most iconic one. laura’s laughing and beat in the back is absolutely wonderful and heartwarming, though.

31. mr. dad

this one gets a higher rating than the previous holiday song for its good good harmonica and because when i heard the lyrics “but you love to watch him go” used to describe mr. dad i almost toppled my chair backwards with me still in it.

30. mourning ritual

the biggest load of 1980s bullshit i’ve ever heard in this decade. somehow it’s also got a big panic! at the disco vibe and i’m not sure how i feel about it but it’s definitely Strongly There and i can’t deny it.

29. outback sadhouse

it’s RIDICULOUS how well they nailed the sufjan stevens vibe with this one. plus the restaurant dialogue bit in the back of the song really adds a lot.

28. let down my better dynamite

it’s really easy to bop to and the instrumental in the background is FANTASTIC! jonah really killed it with this one. plus they talk a lot about rats in the episode which is nice for me because i love rats. also it’s the first episode with an instance of “brian does a bit”.

27. the tale of the greazzy creek

i just think it absolutely nails the vibe of a rural campfire grizzled old cowboy song while also being a really catchy theme song. like, i think you could’ve snuck it into holes (2003) and i would’ve been like, yeah, that sounds right.

26. turn around and come down slowly

not one of their more iconic songs but brian’s voice is so pretty in this and it’s really soothing.

25. ratless randy’s

i don’t know why it’s this high on the list either, but it is. ratless randy’s really IS the place to be, guys.

24. tobie’s razor

i will be honest. when i saw the title for this episode for the first time i just thought “occam’s razor” and as i type this i can’t even think of what that actually is, so..... anyways, i’d say this song absolutely NAILS the vibe but i have no idea what vibe it’s even remotely related to. certainly does nail the internal childhood monologue though. i think this song is the first one where they really started hitting their stride, also. not that it’s better than some of the earlier ones, but this one forward their songs were pretty consistently high quality. plus, and no one will be surprised by this by now, it gets extra points for laura.

23. armoire of royals

it’s weird, it’s synthy, has a vaguely billie eilish-esque part near the end which is not necessarily a point in favor depending on your taste but it Definitely is surprising and cool, and it’s got fake british accents. what more do you need out of a song?

22. sybil’s night scare

the piano in this is perfect and fantastic and the comedic timing in the song is just right. jonah’s delivery of “they’re actually real human eyes” is so goddamn good and his singing is Also great and frankly i think we can all agree we’re fucking tired of him saying he can’t sing. i mean, i assume (i fucking hope) he’s stopped saying that by now considering he had the majority of vocals on silo by a bit but Still. it’s a good peppy halloween-y song.

21. chalice for your thoughts

two spooky songs in a row! honestly, i’m not sure what reasons i have for ranking this song as high as i did. i just like it a lot. they were able to include a lot of weird twitter suggestions fairly seamlessly, and it’s just soft and pretty. spooky, but still pretty.

20. 21st blitheday

i admit it: i fucking hate the voice brian uses in this. but i really, really like the song. the beat’s very good and somehow brian still manages to sing the chorus well and make it sound nice even though his affectation is Stupid as hell <3 the background whistling is nice and his robot voice, which he’s used for several of his videos but i think most notoriously for scrundler in his week in revue series (here), is also featured. it’s a real bop, i think.

19. monday night boomball

i genuinely think this is their weirdest song, ever. it’s incomprehensible and it’s so fucking theatre kid of them, and it’s dumb as shit but it’s really funny and enjoyable and strange and i love it.

18. gentle light

this is a really good song. it’s not weird or funny, it’s genuinely just a really soft, calming, normal song. i can’t in good conscience rank it above the others for this reason, because it’s easier to make a regular song good than it is for a song about fucking a tree, but i want to be clear: i really love this song. it’s a song that you could fall asleep to, cry to, cuddle up in a blanket to, whatever the hell you want to do to it.

17. proud egg mouth

extra points for fitting the word “maw” in any kind of song, a feat i’m not sure anyone else has ever accomplished. also for brian actually singing with an egg in his mouth.

16. you can take that to the bank

brian does an incredible randy newman impression and i love him for it. also it’s just a good song! it’s not my favorite but it’s very pleasing to my ears and it’s well made.

15. rainbow trout eggs

i listened to a shit ton of colbie caillat in middle school and i can tell you with confidence that the lyrics “i feel so alive and i know that i’m happy na na na na na hey hey” would be in one of her songs. it’s a good song with completely ridiculous lyrics and it’s a better character/full story ballad than their previous ones, in my opinion. which is what you’re specifically here for!

14. car mitzvah

i think this is a song my dad would listen to if it came on the radio. i also think it deserves to be in an early 90s or maybe coming of age movie. brian’s vocals are fantastic in this, also.

13. dr. brims

“it’s a new year, Ha Hah!” this song is sooooo fucking funny and exemplary of a lot of their other songs that came afterwards. i’ve been saying that a lot i think. writing reviews is hard.

12. let’s make a music (theme song)

maybe it’s the emotional value of this song being the song i associate most with the podcast, since it’s the theme song, or maybe it’s just really good. (spoiler: it’s both but mostly the second one) the episode is also really funny in general and if you’re new to the podcast and don’t care about order, i highly recommend this one first!

11. heartbreak in michael’s

a very very very good sad gay love song and i recommend it to the ends of the earth! because this is the internet, and i can!

10. arbor day!

you try making a horny song about deforestation.

9. why don’t you like our song title?

such a fucking bop and showcases their skill for just doing whatever the hell they want and STILL making a fantastic song or video or whatever. they just stop saying words in it and it does not take anything away from the song. could you do that? i mean...maybe! but for the sake of this review and my point i’m gonna be like fuck you no you couldn’t. moving on.

8. akimbo

the backing track in this is ABSOLUTELY what makes the song. plus that one video of brian strutting but technically that can’t affect my review of the song because Technically it’s not part of the song. anyways it’s really peppy and fun and enjoyable and Good.

7. heartbreak in michael’s (reprise)

it’s the perfect finale song. like, it genuinely sounds like the song that plays at the end of a romcom after everything’s finally worked out. i Did cry when i heard brian sing the theme song at the end but that’s just because i’m a sentimental son of a bitch. so besides that ending bit that i can(’t) guarantee will make you tear up at Least, it’s really fucking fun! it’s upbeat and happy and i think they made the right song to go out on. or to go on a hiatus on, if brian’s website is to be believed. i don’t believe it, but hypothetically, y’know? hypothetically...

6. debutaunt ball

if the met gala doesn’t make this their theme song i will personally burn next year’s event to the ground, i swear to god. also it’s a good song to show off both jonah and brian’s range. it’s not like a lot of their other songs but it’s SUCH a banger and i adore it.

5. madame zamporium’s wax emporium

fuck yeah. learning that the “ooh come on baby” from several unraveleds came from a let’s make a music is the reason i finally started listening to the podcast in the first place. but BESIDES that, since that’s not a reason for my ranking (just a fun little fact about me!), this song slaps a ridiculous amount. they went insanely hard and it’s the first song they made that really sets the tone of the podcast, which is: great comedy, great high production music.

4. alan rickman’s edible zoo

GOD! the anti-celebrity, anti-capitalist rock song i’ve been waiting all my fucking life for! also it’s anti-america but only in one lyric. but in Another sense....throughout the whole song. PLUS, and most importantly, it features jonah’s literally and i mean LITERALLY impeccable alan rickman impression. like, it’s fucking bulletproof. alan rickman was in the goddamn room.

3. horsecar!

look. when this song started playing for the first time i went...fuck no. in general i don’t tolerate country or cowboy songs very well because they just don’t sound appealing to my ears most of the time. i put up with country road only because of a funny mario edit someone made of it and now the original song has more value to me. this is relevant only because the same thing happened with horsecar! in that the chorus KICKS ASS. i may make a post on just my favorite lmam songs and also this is already a crazy long post so i won’t go into it too much but i will say this. the shock value of going from the first verse in this song to the chorus is...........Incredibly high and it Works So Fucking Well! it literally makes the song. and not even just for the short term value of Oh My God That’s A Twist, it lasts through the whole song. i’m listening to the song as i type this and i’m currently at the country/cowboy part and i don’t hate it because i know the chorus is incredible. in fact, i’d argue that the chorus on its own may be the best thing lmam ever made, even better than my two actual favorite songs of theirs. i’m definitely going to have to make a full post on this. (SIDE NOTE: BRIAN’S VOCALS ARE FUCKING CRAZY AND HORSECAR! IS ONE OF THE BEST EXAMPLES OF THIS. his goddamn RANGE!! SIR!!! his falsetto is literally ridiculous my pants are OFF)

2. dragon me to this wedding

this is what i meant when i said there’s an exception to the “i’m not generally a fan of full story ballads”, because this is one of my all time favorite lmam songs. as in, it’s in the top three. which i guess you can tell from it being number two in the top three. in fact, it’s probably one of my favorite songs in general. the first time i listened to the episode i went back and listened to the song again three times in a row, and all three times i cried real tears. it’s GAY it’s REALLY PRETTY and i LOVE IT.

1. save 2 4 tony

so we’ve finally made it to my all-time favorite lmam song. maybe it’s that i recently graduated myself and so this song hits a little harder, but it also just GOES hard. i genuinely think they peaked when they recorded this. it’s one of those bdg songs where you’re listening to it, you’re just chilling, and it’s like “yeah wow this is nice!” and all of a sudden he hits a falsetto and you go “oh FUCK that guy can SING!” literally his vocals in this are incredible and it’s very fun (and on brand) that the Oh Fuck moment here is the line “tony hawk babeyyy!” plus jonah killed it on the backing and composition and everything. it’s the best let’s make a music song and i won’t take constructive criticism.

#i fucking LOVE lmam and once i finished it i knewwww i was gonna make this.#brosephs if anybody would like to talk to me about lmam my inbox and dms are always open!#i've never said brosephs before. out loud or in written form. it's a year of trying new things i guess #this took quite a bit of time. which is like. thank god i've needed a project for so long sfdfsd #lmam #let's make a music #brian david gilbert #laura kathryn gilbert #jonah scott #f.txt #bdg

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yumeka36 · 5 years ago

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Frozen 2 story/lore complete analysis

Foreword: Even after writing my review a few days ago, there was still so much more I wanted to say about Frozen 2. Since the movie had its worldwide release, I've seen many posts by fans debating and interpreting the events of the plot and posing the same questions and concerns over and over. But so far I haven't seen anyone attempt to tackle everything in one comprehensive "guide." Since I'm the type of person who doesn't like posting bits of my thoughts here and there and would rather just say everything all at once in one big post and get it over with, that's what I'll be doing here: examining every major plot point of the movie in somewhat chronological order and giving my detailed interpretation. I'll be using evidence from the movie itself and the limited official sources we have such as the recent Into the Unknown podcast with Jennifer Lee, The Art of Frozen 2 book, and a few others. I'm writing this not only as a means of getting out all the thoughts and feelings I still need to express, but also to help others understand and appreciate this imperfect but still beautiful movie. I've written heavy lore analysis posts about other fandoms before (Five Nights at Freddy's lore was way harder!) so it's something I'm familiar with and enjoy doing. I think I'm pretty good at dissecting answers using even the most minute story details

-Note- there's a high probability that as the months and even years go by, we'll get more official evidence through books, interviews, merchandise, and maybe even new animated shorts and sequels that may invalidate some of the things I describe below. I'm considering coming back to this post at a future date to correct myself if enough of what I say is proven wrong. Let's see how long my interpretations can last!

King Runeard and the dam: Because King Runeard feared the magic of the Northuldra, he came up with a plan to construct a dam that would weaken their resources, under the guise of it being a gift, a bridge between the two villages. The dam disrupted their water sources, causing negative environmental effects on the forest. Since he feared the power of the spirits, it made sense he'd try to destroy the Northuldra in a subtle way rather than wage a war. The dam probably took many months to construct, so we can make the assumption that the group of Arendelle soldiers he brought to the forest as seen in Agnarr's flashbacks stayed with the Northuldra for a while. Further evidence is scenes of the Arendelle soldiers and Northuldra doing reindeer riding together, plus the memory in Ahtohallan of Iduna talking to Agnarr when he's reading a book. Obviously the two of them forged a good relationship during the months Agnarr stayed there. As this time went on, the Northuldra leader began to realize that the dam was doing more harm than good, so King Runeard had to make his final move. Once the war broke out, Iduna made her decision to save Agnarr and "stowaway" on an Arendelle wagon that managed to escape before the mist covered the land. One of the memories seen in "Show Yourself" is young Iduna calling to the spirits for help. We saw in another memory Elsa encounters, as well as Agnarr's flashback in the beginning, that Gale answered her call for help and carried Agnarr into the wagon, and Iduna followed. Since the Northuldra and Arendellian soldiers left behind in the forest were still at odds with each other, and the symbol of the atrocity, the dam, still stood, the spirits remained angry and kept their magic dormant, no longer letting the Northuldra use it. The elements still existed and behaved normally, but no longer in the magical ways the Northuldra were using them for.

The four spirits: The movie tells us that the four spirits are air (Gale), fire (Bruni), water (Nokk), and earth (earth giants). But we also are given the impression that they do a whole lot more than just use their elements. First off, it's discovered that they gave Elsa her powers as a gift because Iduna did the right thing by saving Agnarr even though he was the Northuldra's enemy (Anna put the pieces together and told Elsa during the shipwreck scene). It was a sign that the two sides could learn to get along again so they wanted to give Elsa the ability to find out this truth (use her ice to freeze the water's memories) should she choose to. This is also supported by the fact that the spirits evacuated the people of Arendelle in anticipation of Anna and Elsa discovering the truth and choosing to destroy the dam: the spirits wouldn't want to kill the people of Arendelle as not only would that be pretty evil, but the idea is for the Aredellians to realize the wrong their people committed and correct it, not to die for the sins of their ancestors. But again, this means the spirits – as in Bruni and the rest – did all this, and yet they don’t seem like creatures that make rationale, moral decisions (seriously, Bruni is a baby~). Like, I'm imagining the four of them having a "spirit meeting" (they probably communicate telepathically) and Nokk is like "yo, that Iduna girl did a good thing, let's give her daughter ice powers so she can come back and freeze all the water memories and discover the truth" and Bruni's like "sounds good" and Gale's like "let's do it!" Joking aside, I know even though they're represented as being non-human-like, there's more to them than that. It's similar to Japanese Shintoism in which gods and spirits can exist everywhere and take many forms, often animals, but that doesn't mean they don't have wisdom and power beyond that form. Bruni and the others must be like that too, a certain omnipotence beyond their physical form. Obviously they can control the elements in areas where they're not present (when they stopped all the elements in Arendelle at the beginning of the movie) as well as other godlike phenomena like granting powers to humans. Again, the exact nature of the four spirits and how they can carry out these extraordinary actions/decisions is one of the plot elements I mentioned in my review that's glossed over because there's simply not enough time to delve into it as it's the kind of thing that would take Harry Potter-sized books to fully flesh out. Like any other magical element in fairy tales, it doesn't pay to try and understand the exact "whys" and "hows" of the four spirits in Frozen 2 – I think what we're given in the movie and a little creative interpretation is enough.

Iduna and Agnarr: What did Iduna do immediately after she and Agnarr escaped the forest? The only evidence we have is a scene in Ahtohallan where she tells Agnarr (when they're both adults) that she needs to tell him who she really is and where she's from. This makes it clear that she separated from him after she saved him and stayed away until she had grown up enough that he wouldn't recognize her as the girl who had saved him. Interestingly, the Frozen 2 Junior Novelization book includes an extra memory Elsa passes by in Ahtohallan where she sees young Iduna in an orphanage in the woods outside Arendelle and a voice that says "No one knew who you were, you didn't have any family with you" (the book doesn't say who the voice is). The book also says that Iduna had put on some Arendelle clothing in the wagon she stowed away on with Agnarr. This further solidifies the fact that she was able to hide her identity as a Northuldra and somehow met up with Agnarr many years later after they had both grown up (exactly how she went from an orphan to meeting and then marrying the king of Arendelle is a story for another time). At some point the memory we saw played out where she finally confessed to him about who she was. Exactly when this happens though I'm not sure but the timing doesn't have a big impact on the plot. Obviously it'd have to be some time before they set off to find Ahtohallan. I'd like to think she confessed some time after Elsa accidentally struck Anna with her magic. They then spent many years secretly researching magic in a hidden room, as is described in The Forest of Shadows book (it's likely Agnarr was the only person who knew she was Northuldra). Eventually they made the decision to try and reach Ahtohallan themselves under the guise of going to the Southern Seas.

The voice: I've seen two interpretations of who the voice is – either the voice is within Elsa herself or it's Iduna's ghost/spirit calling to her from Ahtohallan. In the Into The Unknown podcast, Jen says that the voice Elsa hears is her mother's but doesn't go into detail. I don't think Iduna's ghost is literally calling to her but rather the magic side of Elsa, her mother's side, is what's calling her to Ahtohallan. When Elsa reaches the final chamber in "Show Yourself" after embracing her role as the fifth spirit, she's able to reveal the memories there…and the first memories she sees are Iduna's memories. The Iduna we see singing with her doesn't seem to be a memory since it's addressing her directly, so I think that Iduna's spirit/ghost lives on in the depths of Ahtohallan, waiting for Elsa to discover who she really is. Since we see young Iduna in the memory doing the voice (from when she's calling Gale to help her save Agnarr) the melody of the voice must be a universal call for the spirits that Iduna knew, being a Northuldra. As for why it took so long for Elsa to start hearing the voice, she was too consumed by fear and notions of isolation in the first movie to even think of her powers as a gift and what purpose they could serve. It took three years of being accepted by Anna and the people of Arendelle for her to reach a level of comfort that she could start thinking of grander things, like wanting to learn the origin of her powers and if there's some greater purpose she was meant to use them for. These feelings triggered the "magic side" of her, her mother's side, to starting crying out as a voice in her head. When she finally decided that she wanted to follow it, the spirits sensed that desire and awoke, then proceeded to evacuate Arendelle, in anticipation that she'd discover the truth and choose to do the right thing.

Why ice powers? As I described earlier in the post, although it's stated in the movie that Elsa's powers were a gift from the spirits, it was not stated specifically why they chose ice powers. I kinda like that we weren't spoon-fed that answer but once you think about what Elsa does with her powers throughout the movie it becomes clear: since water has memory, ice magic can freeze those memories and give them physical form, creating visual "moments in time" that can be used to discover the truth. No one but Elsa could have used her magic to freeze the memories in Ahtohallan and elsewhere in the enchanted lands to show the past events.

The shipwreck: It was revealed that Iduna and Agnarr were headed for Ahtohallan because they believed they could find out the secrets of Elsa's powers, evidenced by what Iduna wrote on the map and their final words during the shipwreck: "Ahtohallan must be the source of her magic" and "We keep going for Elsa." Olaf questions how they were able to get through the mist, suggesting that maybe they perished before the boat actually got to the enchanted forest, but the map reveals that they knew where the mist was and took a detour through the Dark Sea (this is better described in the Frozen 2 Junior Novelization).

Ahtohallan: Although the lullaby states that Ahtohallan is a river, we find out that the water is actually frozen, forming a huge glacier that still retains all memories. The main clues we have for exactly what Ahtohallan is lies in the notes Iduna wrote on the map that Anna and Elsa find in the shipwreck: "The end of the ice age, the river found but lost, magic's source, Elsa's source." The "ice age" could be referring to the fact that Ahtohallan, once a river, somehow froze during an ice age (when this ice age took place is unknown) becoming a glacier that drifted out into the Dark Sea. "The river found but lost" means the river still exists but is "lost" in the sense that all the memories are now hidden in the glacier instead of a free-flowing river. This could also refer to the fact that even if one finds the river, unless they have powers bestowed by the spirits, the memories will still be "lost" if they don't have the required magic to decipher the memories. The part that refers to Ahtohallan as "magic's source" is the most interesting. Ahtohallan isn't only the source of memories but of magic, evidenced by the fact that we see each of the four spirits connect with Elsa in Ahtohallan, with each of their elemental symbols becoming part of her as she takes her place in the center. Her transformation into the fifth spirit couldn't have taken place anywhere but Ahtohallan – it's a "hub" for the spirits' magic, since magic is required to reveal the memories there. The last part of the note, "Elsa's source," reinforces this: as I described in the section above, the power to manipulate ice and freeze water is essential for finding the secrets of Ahtohallan, and this power is what the spirits gave Elsa. How this actually works isn't too complicated: all the memories we see are either of Elsa's own memories or of people close to her, like Anna and her parents. I think it's logical to conclude that all memories exist in Ahtohallan, but the further away those memories are from you – i.e, memories of someone you don't know, memories from a long time ago, or memories that very few people know about – can be considered "deep" memories that require going further and further into the depths to uncover, running the risk of going "too far." (Ahtohallan memories are different from memories she revealed in the forest: there she froze the memories that existed in that spot specifically whereas Ahtohallan contains memories unbounded by time and space, but with the risk of going too deep). This is why she had to go to such lengths to find out what really happened with King Runeard: not only was this a memory from someone she never actually met from decades ago, but it was a secretive memory only a couple people knew about. But even though Elsa has ice magic, there's no reason to assume she's invulnerable to other ice magic, especially the "ultimate" ice magic straight from the original source, Ahtohallan. This is why even she succumbed to the consequences of going too far into deep memories – the lullaby states "not too far or you'll be drowned," but since Ahtohallan is a glacier now, you get frozen instead. @spicylove4ever wrote a post interpreting Ahtohallan too, I recommend it.

The fifth spirit: Elsa's role as the fifth spirit is probably the most debated topic in Frozen 2 – out of all the plot points I describe here, it's the one that has the least information to go by. All we know of the fifth spirit is that it’s a bridge between humans and the magic of nature. By the end of the movie, Elsa is shown to have a closer bond with the four other spirits and her magic has gotten stronger, but that's about it. She was shown to tame the spirits during her journey, but she never tamed the earth giants, which makes me believe that taming them was not a prerequisite for becoming the fifth spirit: the spirits became active and sought her out, being drawn by her magic, and she tamed the ones she encountered. She probably would have tamed the earth giants too if Anna hadn’t stopped her. But we see that even the earth giants are friendly to her after her transformation, so I feel their connection to her is the result rather than the requirement. But now that the wrong of the past has been revealed and corrected, as far as what she does everyday in the forest and how much of it is "duty" vs "self-fulfillment" remains unclear. But one thing that is clear to me that people are concerned about is whether she's still human or is now a literal goddess/spirit. I think the term "spirit" is purely figurative. She never actually transforms into another type of being or appears to ascend to some astral plane beyond the human world – she literally just gets a new dress and hairstyle, just like the first movie, and besides being more powerful and more confident in herself, everything else about her is the same. She wasn't immune to dying to Ahtohallan's magic either, showing that she's not immortal and didn't gain ultimate powers over all. Jen even states in the podcast that she considers both Anna and Elsa the fifth spirit/bridge, further showing that the term is used loosely and not meant to be taken literally. Another point is how different Elsa is compared to the other spirits: they have a sense of being ancient, ethereal creatures that have existed unchanged for who knows how long. Unless something outrageously different about Elsa is revealed now that she has this new role, all evidence still points to her being a normal human that happens to have magical powers. Another interesting point is that there doesn't seem to be a fifth spirit until Elsa came along, so one could make the assumption that fifth spirits are humans like her who are given special magical gifts when the need arises. So they don't exist all the time, and since they're human, they have the lifespan of one and don't live on forever like the other four spirits. If another human was the fifth spirit before Elsa, they probably lived long ago, before even King Runeard's time. Honeymaren said that people thought they heard the fifth spirit call out the day the forest fell, but we know that cry was actually young Iduna calling to the spirits to help her save Agnarr. I don't believe Iduna was the fifth spirit before Elsa since there's no evidence that she had powers, only that she used the spirits' powers the same way the other Northuldra did. And if she was the fifth spirit, why couldn't she have gone to Ahtohallan to reveal and correct the past instead of Elsa? No, the fifth spirit has to have magic in order to utilize Ahtohallan, it has to be a human born with magic to have both the human side and magic side. So whether there was a fifth spirit before Elsa and who it was, or if there wasn't, why is a fifth spirit needed now and what that role entails, are questions that have stumped even me. I'll be keeping my eyes peeled for any events and panels with the Frozen 2 creators in the coming months/years, hoping for an opportunity to get these answers from them…assuming they don't get answered beforehand in future franchise installments (otherwise debates like this will continue forever with no resolution!) @vuelie-frost also wrote a good post about Elsa's transformation into the fifth spirit and what it means so give it read.

Destiny and choice: A common criticism of Elsa's story arc in Frozen 2 is that she was forced into her destiny as the fifth spirit and didn't really have a choice, since the only way to get the voice to shut up was to go to Ahtohallan. This is true, but the important part is what happens after that. She no longer hears the voice once she finally realizes that she's the fifth spirit, so once the forest was saved and everything was resolved, she definitely had a choice at that point to return to being queen of Arendelle or stay in the forest and cultivate her connection to the other spirits. If I were in her position and had that kind of incredible power, no matter how happy I am with my life, I'd always want to know why I had such a gift and if there's a higher purpose I could use it for. In the podcast, Jen said that Elsa was a good queen but had an even higher calling and one she eventually feels more comfortable with. She also mentions that she still considers Elsa an introvert, further confirming that she still retains her humanity and didn’t suddenly become “perfect” after her transformation. Elsa's obviously overcome with joy when she finds this out in "Show Yourself," so is it really that outlandish that after this emotional self-discovery she decides to continue exploring this newfound purpose? And again, it's not like she's completely giving up her family for this new role because she still sees them often. She can now satisfy both of her desires – learning more about her powers and connection to the spirits while still maintaining her bond with her family. I really wish the movie made this a bit more clear – even just one more short scene of Anna and Elsa together after Anna becomes queen and a few words on how they each feel about their new roles would have put minds at ease. But for what they gave us, it can still easily be interpreted this way.

The flood: Another criticism I've heard for Frozen 2's ending is that Arendelle should have been washed away in the flood, showing that they had to make a true sacrifice to right a past wrong. One of the pages of The Art of Frozen 2 describes an alternate ending where Arendelle castle (it just says "castle," not sure if the rest of the kingdom was spared) was destroyed in the flood and then rebuilt, incorporating some Northuldra elements. With the way the movie actually ended, nothing was sacrificed…but why do we need a sacrifice? I know the mythology book that leaked months before the movie's release said that Pabbie predicted that a sacrifice had to be made…but that same book never actually described the flood and said that Arendelle was saved in the end, so who knows? But whether the sacrificing of Arendelle was something early in the story's development that was eventually scrapped, I think the outcome we got now is just as valid. The final version of the movie had no hinting of any sacrificing that needed to be made, only about discovering the truth and doing the next right thing, which is just what Anna and Elsa did. But in a way, they did make sacrifices, or at least they intended to, with Elsa going too far into Ahtohallan so she could uncover the truth, knowing it could lead to her death, and Anna destroying the dam, knowing it means destruction for Arendelle. And because they were willing to go that far to set things right, the spirits rewarded them by saving Elsa who could then save Arendelle. While the message of the alternate ending was "a sacrifice must be made to right a past wrong even if the current generation had nothing to do with it," the message we actually got was "if you do what is right and true even if it means making a sacrifice, things may still turn out better in the end." I think both messages have merit but the creators eventually decided to go with the latter, which isn't any points against it in my opinion. Of course, the flood still could have hit Arendelle accidentally, for example, Elsa wasn’t able to reach it in time. But considering all the hardship and grief the girls had gone through and how the movie already went to a pretty dark place in “The Next Right Thing,” I can’t fault the creators for wanting to make the ending as happy as possible, with Elsa feeling triumphant that she was able to keep her promise to protect Arendelle and Anna not having to lose her homeland.

The bridge: When Honeymaren explains the fifth spirit to Elsa, she describes it as a bridge between humans and the magic of nature. This makes it seem like Elsa herself is the bridge (since she's a human with magic), but as she says to Anna at the end, a bridge has two sides and their mother had two daughters. After giving it some thought, I realized that yes, Elsa is the embodiment of the fifth spirit, but the bridge part of it comes from Anna…as in, Elsa could not have succeeded with her goal without Anna's help. Even Jen confesses in the podcast that Anna is definitely the bridge part but she considers both of them the fifth spirit in a way. Perhaps the spirits knew that magic alone wouldn't be enough, they knew that in order to discover such deeply hidden memories, one would have no choice but to "go too far" into Ahtohallan. More evidence for this is that the mist only parted for Elsa when she was holding Anna's hand (we don't see them each alone try to pass through but we do see Elsa shoot her magic into the mist only to have it bounce back). If Elsa were to do this alone, she still would have discovered the truth but she definitely would have had to sacrifice herself to do it…and in doing that, who would there be to act on the truth and destroy the dam. Even if she was able to relay the message back to the others via ice magic sculptures the way she did for Anna, would someone like Matthias who's still bitter towards the Northuldra and fiercely loyal to Arendelle go through with destroying the dam? That's why Anna had to be there: Elsa was the part of the bridge that used magic to discover the truth and Anna was the human side that had to carry it out. When Anna chose to do the right thing and destroy the symbol of the past wrong (the dam) even though it meant flooding her homeland, the spirits rewarded both sisters’ actions by saving Elsa who was then able to save Arendelle before the tidal wave hit. It's not clear whether the spirits influenced Anna's birth the way they did Elsa's just for the sake of all this, but it's possible. And this all goes back to the major emphasis the filmmakers have made about Elsa being a mythical character, Anna being a fairy tale character, and how, similar to the first movie, Elsa would have the typical tragic fate of many myths were it not for Anna's fairy tale influence saving the day. Of course, Elsa’s statement at the end that “they did this together” is true, but when she follows-up with “and we’ll continue to do this together” and, later, Anna says as the statue of Iduna and Agnarr is unveiled, that their “land and people are now connected by love” can only imply that the sisters will be working together to mend the relationship between Arendelle and the Northuldra. We don’t actually see this unfold in the epilogue due to how limited it is and, assuming it takes place not too much later (a month maybe?) it’ll take time for the two sides to truly start mingling. But this, along with how our beloved sisters adapt to their new roles, are stories begging to be told in Frozen 3. Keeping the faith that it will happen someday~

Sources:

Into the Unknown podcast with Jennifer Lee

The Art of Frozen 2

Frozen 2 Junior Novelization (thanks @99884321 for the screenshots!)

#frozen 2 #frozen 2 spoilers #frozen2 #frozen #disney frozen

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regrettablewritings · 5 years ago

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Podcasts, Youtubes, and TV Shows to Distract Yourself With Because Why Not, and Also Because I Wanna Blab About Some of These

Since I can’t go to work and horrify my coworkers/make them realize I’m a mess and/or nerd by telling them about the type of media I’m into, I’m foisting my recommendations on all of y’all who choose to read this. I frankly do not care how many people have actually heard of these things because I’m also sure there’s plenty of people who, like me, are very slow and oblivious to entertainment, or who have heard of the property but were never that convinced.

Kipo and the Age of the Wonderbeasts

Type: TV series

200 years after a mysterious yet earth-shattering event, much of humanity has taken to living beneath the surface in communities called burrows, wherein life goes on, if effected somewhat by the bizarre fauna that exists above them (referred to as “mutes”, short for “mutant”). One burrow girl, Kipo, founds her world turned almost literally inside-out when she finds herself not only separated from her father and the only world she’s ever known, but on the surface, no less. What ensues is her trying to find her way back home with the help of a stony-faced little girl with a massive chip on her shoulder; a music enthusiast and his literal gadfly friend; and some . . . unusual allies that only an oblivious optimist like Kipo could make. All to a kickass soundtrack, a beautiful backdrop of art, and a world where animals have basically evolved into gangs under a looming threat known as Scarlemagne. If you can’t already tell, I love this series to bits and now is the perfect time for people to get into it and encourage another season of it. Just . . . don’t think too hard that whatever happened to cause the Event in the show happened in October 2020 . . .

Available on: Netflix

My Dad Wrote a Porno

Type: Podcast

This should go without saying, but this podcast is definitely meant for more mature audiences. Or somebody with a strong stomach. Not that it’ll always be easy to tell with the type of content this series gives. When Jamie Morton’s father handed him his manuscripts for his self-published books, he had no idea he was being given a pinnacle of a polished turd: It was erotica. Really, really, really bad erotica. But the ear’s trash is the heart’s pleasure with this bad girl, as Jamie enlists the company of friends Alice and James to provide commentary on “Rocky Flintstone”’s series Belinda Blinked, a drama chronicling the sexcapades of Belinda Blumenthal as she climbs the ladders (and men and women) both in and out of the cut-throat world of pots and pans sales. What follows is a goldmine of awkward metaphors, strange bedmates, and just an overall stampede of whiplashing events that somehow exceed expectations. Listen in if you dare . . . And make sure you’re in good company for it. Fun Fact, though: Daisy Ridley, Ben Barnes, Lin-Manuel Miranda, Michael Sheen, Mara Wilson, Elijah Wood are but a few well-known fans of this series! Nobody is safe . . .

Available on: Wherever podcasts can be found

Lore

Type: Podcast

Sometimes, truth is stranger than fiction. And what better way to be reminded of that, then to have the dulcet tones of Aaron Mahnke tell you about the lighthouse incident that the 2016 movie The Lighthouse was loosely inspired by? Suffice to say, this podcast could also be interpreted with some advised discretion, but definitely in a way that’s different from My Dad Wrote a Porno. In the centuries humankind has existed, we’ve managed to create a menagerie of beasts, both fictional and in ourselves. Lore explores all the many different kinds of events and persons and creatures we have to offer. In any given episode, we could be talking about anything from the bizarre story of a lady who convinced 18th century physicians that she was giving birth to rabbits, to something more disturbing like the life of H.H. Holmes. Or something as relatively innocuous as the relationship between gremlins and flight. Regardless of the subject, however, you’ll definitely walk away knowing something new, if bizarre. And perhaps slightly terrifying.

Available on: Wherever podcasts can be found

The Amelia Project

Type: Podcast

Congratulations: You have been made aware of The Amelia Project. If you’re not interested in this, exit the page. Now. If you continue, there’s no unhearing it. Good choice! A new interest awaits. If you don’t enjoy it, please consider the whole thing a hoax. Okay but in all seriousness, there’s no way to do The Amelia Project justice in just a simple description. The plot sounds quite simple, really: People want to disappear and start a new life, The Amelia Project is there to help – with a price. And that’s if you can actually get a hold of them! What really makes the show, however, are the people and the writing, and I’m not just talking about the almost childlike Interviewer with an obsession for hot cocoa. I’m talking about the clientele: I’m talking about the macabre-obsessed theme park owner who’s out for revenge; the cult leader who’s in way over his head; a Santa impersonator stuck in a miserable marriage with his own manager; an actual podcast character trying to outrun his creators. And obviously this would all be nowhere without the spectacular writing! I really can explain this series without blabbing on and potentially spoiling things; The Amelia Project is an experience!

Available on: Wherever podcasts can be found

LegalEagle

Type: Youtube channel

To be frank, I just like learning for the sake of learning, even if I may not always necessarily understand the topic or have any plans to use it in the foreseeable future. The big difference here being that at least this channel makes learning about the law fun and breaks it down. Headed by a certified lawyer (because what an age we live in, where professionals actually take time out of their lives to teach us common folk), there’s a multitude of series D.J. Stone uses to help break down the complex world of law, from reviewing the realism of procedural favorites (Law & Order, The Good Wife, HTGAWM, etc), to analyzing real-life situations, to even watching childhood media that has nothing to do with the law and determining how much money, say, Willy Wonka would owe in a lawsuit. In short, it is one of my worst subjects done in one of my favorite ways to learn! Plus, Stone hates business students and is perfectly willing to poke fun at law students so it’s all fun, frankly.

Available on: Youtube

Nando v Movies

Type: Youtube channel

Sometimes, movies are bad. Sometimes, they’re good. And sometimes, they could use a few adjustments in hindsight. Especially the nerdier movies where the directors may or may not have tried way too hard or way too little. And that’s where Nando comes in: Whether it’s explaining why a different villain might have worked better for a hero’s origin story movie, or analyzing how one seemingly small adjustment could’ve potentially made more sense in explaining characterization, this channel is always providing a new perspective on a movie or show you’ve probably seen and maybe weren’t necessarily too pleased with. (Or maybe you were – I enjoyed Justice League okay but I love the version he rewrote more.) Oh, yeah: Sometimes he does rewrites of movies or even series. So if you’re anything like me and you’re way into that, this is a channel you don’t want to miss out on.

Available on: Youtube

DEATH BATTLE!

Type: Youtube channel

Does anyone remember Deadliest Warrior? No? . . . How about that one time during lunch where you and your friend got into it over who would win in a death match between Superman and Goku? Good news: A buncha geeks did the math for you and have come out with the results! Specifically, hosts Wiz and Boomstick have analyzed the weapons, armor, and skills of each combatant in every episode, resulting in an ongoing series of absolute nonsense and satiation of bloodshed. The description is admittedly nothing crazy, but the amount of detail applied is honestly where it’s at: From calculating how loud Black Canary’s screams are to approximating Scrooge McDuck’s speed (I’m not kidding you), there’s actual thought put into the characters being assembled and how they might fair with their respective combatant. And it all comes together for an actual fight, often animated but always amazing. So if you’ve ever wondered if Thor could beat Wonder Woman, or if McGruff the Crime Dog stands a chance against Smokey the Bear (I’m…I’m being honest), then this is the show for you!

Available on: Youtube

Sideways

Type: Youtube channel

If there is music in that movie or show, it will be analyzed to a degree that, unless you’ve been trained in music, you would’ve probably never thought about. There isn’t necessarily much rhyme or reason to Sideways’ videos in terms of themes beyond music, but really, must they? Is it not enough that this man is screaming to the internet these wack and awesome trends he’s noticed in certain pieces associated with movies and musicals and the genius behind them? Could life not just be him explaining the symbolism of the instruments associated with the Crystal Gems of Steven Universe, or breaking down the cultures explored by way of the Black Panther soundtrack? Also, here’s a fun drinking game: Take a shot every time he mentions leitmotifs or the Dies Irae.

Available on: Youtube

Craig of the Creek

Type: TV show

In the woods of suburban Maryland, there exists a kid’s utopia: A place where horse girls are free to roam the fields, where a boy can be a king of garbage, and where children travel the sewers completely unsupervised. That is, until the dinner horn rings; then they have to go home until the next time they can return to The Creek. The show focuses on one specific trio (Craig, JP, and Kelsey) as every day, The Creek (and their own childish naivete) brings them new hijinks to experience. There’s a blissful lightheartedness to the show, in addition to a lot of creativity that feels like it was ripped straight out of your own imagination as a child (robots made from cardboard boxes, building portals using lights, etc). But beneath it all, there’s something just plain wild brewing. I don’t want to spoil anything, but CotC has some G-rated GOT shit going on the further along the series goes and I can’t wait to see how it all unfolds!

Available on: CN app, wcostream.com

And that’s probably enough for now, I think. Lemme know if you want any other suggestions, or how you’re findin’ ‘em if you take any of them up! Stay safe, stay healthy my dudes!

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redbeardace · 5 years ago

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Asexuality Activism Report Card

[This post is a submission for the October Carnival of Aces, hosted by @asexualawarenessweek, on the theme “Reaching In, Reaching Out”]

Every year around Ace Week, I tend to give encouragement and suggestions about the type of outreach or activism we can do. This year, I’m going to do things a little different and instead give a report card on where I think we are in terms of various kinds of activism/outreach/visibility.

These are solely my opinions and my categories and are based on my experiences and not any kind of exhaustive research or survey. Please feel free to provide your own grades and suggest other areas I might have missed. I also want to note that these grades are not an indictment or attack on any particular group, person, or project. If you’re working on any of these things, you’re part of the solution and your work will make these grades improve over time, so keep at it!

And if you’re doing any of these things, please plug your projects, so people will know about them!

Intra Community - A

We focus an awful lot of energy inward, and that’s a good thing. Extending a helping hand, providing resources, hosting chatrooms, making podcasts, organizing meetup groups, writing lengthy blog posts, hosting conferences and unconferences, selling t-shirts... We’re doing a pretty good job supporting each other from the inside.

Queer Community - B

There are quite a few mainstream LGBTQ groups who openly support us. We often hold our meetups at the queer community center in town. Many aces are involved with LGBTQ organizations. There’s an ace group who goes to Creating Change every year. We’re an obligatory part of many organizations’ Pride messaging. Lots of groups now deliberately use the “LGBTQIA” variant of The Acronym, and make it clear that “A” isn’t for “Allies”. The ace group in the NYC Pride Parade this year (likely the biggest pride parade ever) was deliberately selected to be the 10th contingent, which is a huge deal because the parade was literally 12 hours long.

There are obviously challenges. The uninformed who don’t understand why we’re at the table. The deliberate trolls who relentlessly hound us online. But those people will become irrelevant over time.

Unfortunately, this year marked the first time where I saw Rainbow Capitalism set its sights on us. (With a big name ace group complicit in the exploitation...) So that’s not good.

Everyone Else - D

We are not doing well in this area. There are a few people out there who have heard of asexuality, but not many. Most people use the word wrong or as the insulting punchline to a joke. There isn’t a single household name who has come out as asexual and put themselves out there as an advocate. It’s better than it was 8 years ago, but we’re still mostly invisible.

I don’t really have any suggestions here (except that if you’re famous and asexual, COME OUT), because most of the suggestions I’d have are covered in the other areas.

Direct Outreach - F

By “Direct Outreach”, I’m referring to deliberately trying to find people who are asexual but who are unfamiliar with the term or that do not recognize that they’re asexual for whatever reason. It’s sort of a subset of a lot of these other groups. (And it could probably use a better name...)

I’m calling this out explicitly, because I think this can have the most impact, if we can figure out effective ways of doing it, and I don’t think anyone’s really doing this. (I sort of tried, but it didn’t really work out...) Basically, it would be able getting information about asexuality in front of the people who need it. Taking over the search results for “Why don’t I want sex?”. Writing articles about how some guys just don’t care about that sort of thing for a men’s magazine. Maybe even a direct person to person conversation with that friend who never seems to date. I don’t know, exactly. If I knew, I’d be doing it. But I think it needs to be done.

Fiction Media - C+

There are books with ace characters now! Pretty much entirely YA, though. And either a love story focused on the asexual character being asexual, or where asexuality is a tangential inclusion token with no real value.

There are TV shows with positive ace characters now! Huge step forward from lows of Better Half! Three shows, in fact!. Two of which have been canceled, and the third of which is about to have its final season. And none of which are anywhere close to the popularity of House. And none of which are anywhere close to the popularity of another show which completely erased a main character’s canon asexuality.

There are movies with ace char- Oh no, no there aren’t. Never mind. Same with video games.

While some strides have been made, and having productions actively consulting with groups like Ace LA is a huge step forward, we’re still largely living an area of headcanons and unverified conjecture and Word Of God retcons. There’s so much more than can be done.

Most importantly, we shouldn’t fawn over and praise any little scrap of hope. Demand better.

If you’re in a position to make things, make them. If you’re in a position to influence things to be made, influence them. If you’re in a position to boost content that is made, boost it.

Non-Fiction Media - C-

There are starting to be articles about asexuality that go beyond the typical sensational “There are some people who claim to be asexual, can you believe that, isn’t that SO STRANGE” or the blandly informational 101 interview featuring a picture of sad grey people in bed. Not many, but they’re there. But, at the same time, there are blazingly dismissive assholes hiding behind Ph.Ds, writing things like “’demisexual,’ an unnecessary new substitute for the word ‘human’ ” in articles that are published in 20-fucking-19.

There are a number of podcasts and YouTube videos talking about asexuality, but I don’t know how much reach they have outside of the ace community.

There’s one documentary that hasn’t aged well and I think has been removed from most streaming services, and another that hasn’t been released yet and is phenomenal and you should all see it. So that... Two documentaries.

Taking a quick look on Amazon, there are about seven books of substance on asexuality. Three are academic queer theory textbooks with a very specific audience. Two are self-published. One is a weird collection of essays, half of which have little to do with asexuality at all, written by someone who isn’t ace and who didn’t seem to bother even talking to aces for much of the book. That leaves one book about asexuality for a general audience written by an asexual that had a real publishing run. Just one.

Same with the fiction media, don’t go around hyping any article that mentions asexuality. Some of them are REALLY REALLY BAD. There was one a few months ago that said in an infographic that “Girls working part time have a 33% chance of becoming asexual”, yet it was being uncritically passed around by some high profile aces.

So, y’know, Cs get Degrees or whatever, but we can do soooo much better in this area. Someone go write a book about asexual dating. Someone go write a book about asexual history. Go. Do. Now.

Education/Schools - D

Well, it seems like it’s getting at least mentioned occasionally, and groups like Asexual Outreach have put some work towards this. But we’re still left out of sex ed in most places, and when we are included, the information can be confused, inaccurate, or even ridiculed by the instructor. Tackling this area will, over time, help out every other area on this list, because the next generations will all know and understand what asexuality is, and we won’t have to start from zero in order to get anything done.

Political/Legal - F

Earlier this year, I did a cursory review of anti-discrimination laws as they pertain to asexuality. Where asexuality was protected, it was often by accident. Only one state explicitly mentioned asexual people. Many states which did have strong LGBT anti-discrimination protections have defined “sexual orientation” in such a way to exclude asexuality. Even the “Equality Act” that the Democrats have made a lot of noise about this year has that narrow definition.

We need to start making connections with politicians and political groups, and we need to start leveraging our connections with queer organizations to get them to push for better language in these laws. (Many of the non-discrimination laws were deficient or bizarre in multiple ways, so we’d all be better off with improvements.)

And I should note that it’s an F--- as far as protections for aromantics…

Health Care - D+

Well, we managed to get parts of the DSM-V rewritten. But even those parts are less than ideal. There are some therapists and doctors who are well versed in asexuality, and others who, as I mentioned above, hide behind their Ph.Ds writing horrible things and going unchecked. There’s a raft of sex pills with marketing that explicitly targets people who are probably asexual but don’t know it yet, trying to sell them worthless junk that will make them suddenly black out randomly or permanently change the color of their skin. We’re still not an option on the clipboard the doctor hands you to fill out. We’re still forced to take unnecessary and invasive tests for no practical reason.

I think we need to be showing up at health care conferences. We need to be reaching out to local providers. We need to be telling people how they should be treating us, instead of letting them fumble around and hopefully get it right on their own.

#asexual #asexuality #carnival of aces #asexual visibility #ace week #asexual awareness week #ace report card

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curious-minx · 4 years ago

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Bob’s Burgers most reliable holiday provides another lowkey enjoyable, but messy episode. Whereas the latest Simpsons strikes a really sore vocal node.

The second holiday episode of Bob’s Burgers’ 11th season, much like the previous Halloween episode, this one also fails to live up to the series’ even higher Thanksgiving standard

That’s not to say “Diarrhea of a Poopy Kid” is not a good episode, but it does fall into the category of Bob’s Burgers episode I typically respond to the least: Character-based storytelling vignettes. The writing on these segment driven episodes tend to be looser and playful bending the show’s reality, but much like every time the other Fox family leaves the Springfield plane of reality into a pastiche styled playground for the writers to plug the characters into.

The overall animation and visual-based gags on this episode offers some of the best moments of the season and series in general. Having the Belcher stories revolve around action movie pastiches of 90’s action movie schlock like Air Force Once, Armageddon, and late 80’s Predator are extremely punny and really grasping hard for satire. The walk to Louise’s Breadator is succinct and makes total sense for Louise’s character to tell this kind of story, whereas Tina drawing inspiration from Air Force One for her story sags the episode down. This episode also has the gall to bring in Gayle, a character that usually elevates all of her episodes nothing much to do until the third and best segment told by Bob. Teddie is also frustratingly nowhere to be seen and Teddie is one of those characters that really only needs a small scene explaining away his absence like in the episode “Gayle Makin’ Bob Sled,” which Variety and I consider to be among the best of Bob’s Thanksgiving episodes.

Nitpicks and reminiscing on past glories aside, what’s most impressive about an episode as conceptual and overstuffed as this one, an episode that’s also poopy and gross-out from the very beginning, still manages to pack undeniable heart. Seeing a character as relatable and sad sack-y as Bob Belcher be passionate about his one favorite holiday reminds me of the everlasting and evergreen Ray Bradbury remark about how everyone is capable of writing poetry as long as you ask them to talk about something they are truly passionate about. Seeing how this episode climax revolves around Gene and Bob’s love of food and proves a powerful sentimental moment. Bob’s Burgers sentimentality works because the show’s core is silly absurdism, light and fluffy gross out gags and quirky twee-ness. Introducing the action movie element feels like the series trying to branch out its audience and try to catch some eyeballs of viewers looking for something more like Archer, American Dad, Rick and Morty, or even Treehouse of Horror style genre exercises. Bob’s Burgers and action comedy feels like putting garlic pesto on cinnamon toast, but Ryan Reynolds doesn’t think so.

Yes, that’s right. The biggest news out of the Bob’s Burgers camp…probably ever…is that the Molyneux sisters, the writers of this very action packed episode, have been hand selected by Mr. Detective “VanWilder” Pickachu himself to be head writers on the upcoming third Deadpool movie. Seeing that we live in a post Russo brothers world and how Dan Harmon was conscripted to punch up Doctor Strange scripts none of this should really surprise me, but I am still very much surprised by this development. The Deadpool 3 creative team and Reynolds is still promising to deliver an R-Rated Comedy, a rating and promise that is very much why Deadpool is the sensation that it is.

In the current media landscape the only way a big budget R-Rated comedy can get made is if it’s attached to something like a mega superhero sized brand. At this point in time Deadpool is the closest thing kids have to a Mel or Al Brooks and it is what it is. If anything Ryan Reynolds personally choosing the Molyneux sisters for a project like this makes me like Ryan Reynolds a little bit more. And he’s a man I previously had no real feelings or opinions about. The only other thing about Deadpool I know about is that the franchise has developed a particularly shitty reputation in terms of its treatment of main female characters and literally freezing them out of the plot. The future of comedy is being driven by the significant increase of women gaining these kind of writing gigs and it’s a beautiful thing to finally see witness. Especially when a company like Netflix has been really shitty to both of its own female driven comedies: Glow and Tucca and Bertie.

Sigh. I am thankful for all the sad little boys and girls wearing too much or maybe the right amount of eye shadow that will inherit this flaming Earth.

Three and half pear shaped pals out of an Oedipus Rex Complex.

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Nerds! Nothing but a lousy rotten sniveling dweeb! You dorkus-rex! You body pillow huffing geek get over here and let the Simpsons set some things straight for you: A Comic Book Guy driven episode of the Simpsons is often where the show goes off the rails. The Comic Book Guy marriage episode is was one of those late day Simpsons that feel like a bad piece of dreamed up fan fiction that you found on the cutting room floor. Is the show interested at all with the fact that comics and being nerdy have become as mainstream as the Bible? No? They’re still treating geek culture as some sort of low hanging piñata fruit lousy with cheap references in place of actual jokes? Good! I don’t know why I would ever allow myself to think for a second that the Simpsons would challenge its own status quo 32 seasons in, but I keep coming back.

What I should really do is back up. The title of this episode is “Three Dreams Denied.” Ah, Dream Denial! That’s exactly what anyone watching an animated sitcom hopes for: dreams being crushed. This isn’t some kiddy Davy and Goliath feel good wholesome fable, this is the Simpsons where characters are given dreams, and those dreams get denied. The next part of the title I want to break down is the fact that there are specifically three dreams that being denied. Three! That’s a comedy number! As long as you have three of anything you’re doing comedy. Plain and simple.

During the Robert Zemeicks arc of the Blank Check podcast Griffin Newman, co-host and comedian extraordinaire and someone I generally admire a lot, has been bringing up the fact that he’s been spending a lot of his Quarantine rewatching the entirety of the Simpsons. By the episode of Used Cars Newman has already gotten past the Movie era and is in the 20th seasons. One observation he made about later day Simpsons is that these episodes have a tendency to end abruptly on a pile of unusable and reality bending plots still in the process of tying themselves up. And there’s no better/worse example of this than this episode.

Comic Book Guy goes to a comic book convention. Bart becomes a voice actor after befriending the comic book guy’s temporary replacement. Lisa feuds over her saxophone chair in the school orchestra with a new pretty boy voiced by the underwhelming Ben Platt. One of these plots is not like the other. This used to be the signature of a quality Simpsons episode that managed to tweak and divert expectations from the typical A & B sitcom storylines. This episode fundamentally fails to deliver on any of the three storylines and what makes it worse is that it’s an intentional choice.

Now I know I have spent this review harping on Comic Book Guy, but he’s not even why this episode for me is such an abomination. And it’s not because the cutesy, flimsy Lisa subplot either (although I do find it noxiously amusing that a week after an Yeardely Smith took issue with the Queer Interpretation of Lisa would feature her going moony eyed over a boy voiced by a defiantly queer actor), no, what tips this episode into the territory of the truly terrible for me is the Bart becomes a voice actor subplot.

The only defining quality of season 32 that I can discern is that the flagrant trolling on behalf of the writers. Can you believe we had three vignette driven episodes of the Simpsons in a row? Can you believe we would have meta reality breaking voice actor related moments back to back? When Lisa Simpson’s voice actor Yeardley Smith voiced the real world character of herself in the previous Podcast based episode it was clumsy and awkward as hell. Having Bart become a voice actor that ends up voicing a character of the opposite gender is the sort of kind of a funny thing that resembles a joke that the latter day Simpsons revel in. The characterization of voice acting work in this episode is downright insulting and explains exactly why this show suffers.

The character of Phil that serves as the Comic Book Guy’s replacement is a working voice actor. He let’s Bart know this by doing a series of completely basic, broad and unremarkable impersonations that Bart is seemingly impressed by. All you have to do to become a successful voice actor is do a silly voice and you’re golden. Maybe from the perspective of a series as lazy and indulgent as the Simpsons is when it comes to voice acting. The complete denial of Julie Kavner’s deteriorating voice that at this point sounds like gentle elder abuse. There are times when Kavner is downright incomprehensible at times. The other oldest member of the Simpsons voice talent, Harry Shearer was wrongheadedly trying to defend his right to voice Characters of Colors because in his words, “the job of the voice actor is to play someone who they’re not.” Obviously these words were not spoken by someone that thinks very highly of acting either. There is no one job an actor has to do, because the job of an actor is always changing from job to job. The character of Phil is not even attributed to anyone! I have spent over thirty minutes getting testy with IMDB search engines and reading another website’s recap and no one can tell me who did the voice of the Voice Acting Character on Simpsons. Lovely.

Much like the Comic Book Guy the Simpsons heart is in bad shape. This is a show whose entire existence seems to be made out of spite. Or to garner enough funds for Matt Groening to prevent him from ever having to serve any prison time for his exploits on the Lolita express. Great, see I’m bringing up the Lolita Express at the end of a Simpsons review. This episode really left me in a bad mood, but thankfully that’s what Bob’s Burgers is for.

SKIP. The only people that should watch this are people teaching a screenwriting class that need examples of what happens when you break your episode by haphazardly shoving three plots into one episode. If you can’t tie up one story in a satisfying manner then you really shouldn’t be telling a story at all. There’s also one really magnificent visual joke involving Homer and beer tea that is absolutely wasted on this episode.

#Bob's Burgers #Deadpool #MCU #2021 #TV series #TV review #TV #The Simpsons #voice artist #voice acting #rant

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