#like get real dude

[ziggy0-o]

can we talk about how teenage girls have kept tons of fandoms afloat for decades ??

[ghostlude]

Nah why was this anon acting as if yumeshipping is some Olympic level professional sport 😭 and good God, to think they really just sat there typing that long ass message out, read through that shit and said "yh this good" and hit send

“KILL YOURSELF i hope you absolutely EAT SHIT and DIE, your f/o fucking HATES YOu!!!!!!! and also PROSHIPPERS FOLLOW YOU AND LIKE YOUR CONTENT ooga booga” .just put the fries in the bag bro

[chloesimaginationthings]

Michael learns of Jeff’s pizza from FNAF Into the pit

[doctorsiren]

Day 15 of Sirentober / Doctober

Portal / Lost

Oh Stanley ☹️

Available as a print on my Etsy Shop

[lucabyte]

A belief in Nominative Determinsim

[zillychu]

Consider this: ghosts are actually exactly what the Fentons think they are.

They're snapshots of a longing so strong, unfinished business so deep it reaches out beyond life. Lingers just a bit longer. And if it happens to meet a dense cloud of ectoplasm (invisible to the naked eye, but omnipresent even in the mortal realm), it coalesces. The ectoplasm fits into the shape of it. Which, when the desire is strong enough, it's got a rough idea of its self-image. This tends to mean a more humanoid figure, though it's more often warped in some way–a self-reflection, skewed by said desire. The warping varies on the dead soul’s perception of themselves, the intensity of their desire, how much time passed after death, and how much ectoplasm was present.

In short… no matter how “normal" a ghost looks or acts, it really, truly isn't human. It's animated ectoplasm with a single goal: an obsession. Nothing else. They're more akin to plants than animals, following a single drive with no emotion. They react to stimuli, recognize threats (including other ghosts), and can even imitate human speech and mannerisms to obtain fulfillment of their obsession.

Not “evil" by any stretch, but they're entirely driven by instinct. A tree doesn't pause to consider the rocks it breaks with its roots. A cordyceps doesn't torture its host for fun, or kill with malice. It just does. It follows code in its DNA to survive and multiply–And ghosts just follow the code in its ectoplasm to fulfill its obsession. The more powerful a ghost, the better it's able to overcome obstacles preventing this–whether through brute force, or manipulation. This power is always directly proportional to the amount of ectoplasm present at the time of formation, and how much time passed since death.

What then, does this mean for Danny? Danny, who's previously come to the conclusion that he's only half-ghost, which surely explains how he retained his mind? His independent thoughts and emotions?

What does this mean for Phantom, who experienced an entire world’s worth of ectoplasm condensed as a singularity, at the exact time of his death? Whose strength only grows and begins to exceed every limit they previously thought possible?

If a ghost was as strong as him… could it mimic a human perfectly? Down to a molecular level?

Could it, in its desire to fill an obsession… trick its own fake mind into thinking it was still human? Or half-ghost?

[choccy-milky]

seb vs. clora's Childhood Friend™️ 😇🥰 ((from my new chap! ao3/wattpad))

[aroaceleovaldez]

one of my favorite headcanons about Nico getting his ears pierced is that he totally idolized Thalia as well for the like .2 minutes they hung out in TTC cause he thought her style was cool. And Thalia, because she hated the Hunt at the time and was mildly pissed off at Bianca for joining them and knew Nico was as well, and also partially to distract him for a bit so he'd leave everyone alone, went "Hey kid wanna see something cool?" and just pierced his ears for him.

[egophiliac]

"IT WAS SUPPOSED TO BE A JOKE" As someone who's been playing TWST since march and stopped going out of my way to be spoilerfree after I got stuck at Overblott!Jamil? That's honestly been one of my favorite things about it - seeing something in fanart or a comment you think is just fans joking, only for it to be canon. "The economy!", "May I also throw a tantrum?", Malleus' gargoyle thing, and... everything about Rook being my top examples.

there's a whole bit in Trey's platinum birthday card where he goes on about how he became increasingly obsessed with mustard for like a week straight until the other students held an intervention. how are you supposed to talk about this. how can you bring up something like Trey's descent into mustard obsession to the point that the other characters are worried for him without it sounding like the most obvious lolrandom "he mentioned it once and now fandom acts like he puts mustard in everything" joke. also, how can I slip this into every Twst post from now on, because I need everyone in the world to know that this is a real canon fact about Trey "I'm just an average normal guy (who sticks my hands into people's mouths and owns 20 toothbrushes and used to eat flowers off the side of the road)" Clover.

for bonus points, 1) the punchline is that he still doesn't even like mustard that much, 2) he's saying all of this to Leona, and 3) Leona is actually kind of invested in Trey's mustard story for some reason, which is the most unbelievable part of all of this to be honest. (then Trey gets distracted by a painting of the Cheshire Cat and Leona takes the opportunity to powerwalk away to freedom before they can start talking about dijon versus spicy brown or whatever and extend this bit even longer)

[hellspawnmotel]

can I interested you in some strange old men on this fine evening

[starcurtain]

Following Topaz's explanation that Cornerstones are made to fill the hole in the user's heart, what "hole" in Aven's heart do you think his drag queen powers are meant to fill? Especially since Topaz remarks he's the only one with such showy powers

Still trying to catch up with all the messages in the inbox; sorry to everyone for taking a million years to respond.

So cunty, and for what???

Anyway, first, when Jade talks about the Stonehearts' "voids," the alternate reading above that word is actually "ambition." And she mentions that the reason she risked reaching out to Firefly is that she views herself as similar to Firefly--Jade is someone with an unfulfilled wish.

I think there's enough here to suggest that the Stonehearts' voids are not quite what we would normally think of when hearing the word "void"--rather than being best understood as something removed or something lost, their voids seem to be "something desired." An unfulfilled goal. An unmet need. A burning ambition. A secret wish. They all have somewhere they want to get to, and they've signed on-board with Diamond's Preservation project because his power is the fastest way--maybe the only way--to get there.

The implication here, by the way, is that the Stonehearts are acting out the very act of Preservation itself with Diamond. The goal of Qlipoth is for the universe to be saved, an unshakeable resolution to stop Destruction's wanton obliteration. Thus, Preservation itself can be understood as "A desire that must be continuously protected and relentlessly pursued." To live. To endure.

In using the power of an emanator to protect and provide the Stonehearts with ways to pursue their own desires, we replicate in miniature the exact resolve and endless pursuit of perseverance that Qlipoth is acting out in the broader universe. The will of Preservation empowers the Stonehearts--and in turn, the Stonehearts swear an oath to aid in Preservation's mission. It's a mutually beneficial arrangement, and it also simultaneously imitates Jade's shop perfectly: I'll give you exactly what you want, if you give me what I need.

I should clarify that I don't actually think the cornerstones themselves fill the Stonehearts' voids. Rather, they seem to me to be a tangible symbol of the oath between Diamond and the Stonehearts--"I'll give you this power to fulfill your deepest wish, if you work for me." Jade suggests that the power of the cornerstones provides Stonehearts with the means to fill their voids (I.e., having superpowers makes it possible for you to pursue your wish), so I think their individual cornerstone abilities are best understood as "The exact power I need to achieve my particular goal."

So what does that say about Aventurine's "showy" transformation?

Pretty much all the rest of this is just going to be my personal speculation, but I'd say the most telling glimpse we get into why Aventurine's power is so "visual" comes from these lines with the future "Aventurine" in 2.1:

There's two completely contradictory desires being expressed here: Aventurine's life "is the chip he's most eager to lay down" and "always has been"--that is, he genuinely wants to die. He isn't just willing to gamble with his life, he's eager to. The future "Aventurine" also says real Aventurine wants to be "polished up" (to be controlled and molded by others) and "cuffed with red-hot chains" (to be made powerless and not responsible for making his own decisions, to be punished).

But conversely, the real Aventurine also wants to be perceived as "a smooth operator" and "the solid gold deal-maker who doesn't waste a drop of sweat." He wants to be in charge of his image. He wants to be the one who controls the narrative and defines how others think of him. He wants to be "spotlit center stage"--to command the eyes of the world. In short, we could say that Aventurine wants his death (and conversely, his life) to mean something.

From these conflicting desires, I think you can derive a few totally opposite but equally valid interpretations of why Aventurine's cornerstone power is so "visual":

A combat-oriented transformation is another means to seek death.

Jade's power is scary, but she isn't using it to literally launch herself into fights. Topaz's seems to be similar--something that might allow her to win over her opponents in some way (she was about to use it in Belobog to no-sell the Trailblazer), but she clarifies directly that it is not a "transformation." Aventurine just literally turns into a boss enemy and goes straight out on to the battlefield.

In the fight, he doesn't even use shields. (Now whether that's something he never does because the cornerstone powers don't actually come with shields while in his monster form, if he couldn't use shields because his cornerstone was broken, or if he just chose not to use shields in this fight to give Trailblazer and Co. a fighting chance, only time will tell. However, it might be worth noting that his empowered Apocalyptic Shadow form doesn't come with shields either, despite having other new mechanics.)

The point is, this form, while looking cool and seeming strong, is actually a gamble in and of itself. To go out onto the battlefield, where you might not actually be the strongest combatant, is always a risk. And I think this is the kind of risk that Aventurine manifests continually in his life. He is constantly creating opportunities for his own luck to fail. His unfulfilled desire, the "ambition" he was desperate enough to join the Stonehearts to pursue--as his original goal to save his people is completely gone, his only current goal might actually just be a chance to die. His powers may manifest as a combat-oriented transformation because that is just one more way to throw himself into the crossfire.

In fact, this is exactly what Sugilite accuses him of in Jade's myriad celestia:

You didn't need to snatch his wig this hard, Sugilite. (Also I need you all to know I originally wrote "You didn't need to come for him this hard, Sugilite," but then I realized how unfortunate that wording was, so...)

You could even argue that the fact Aventurine's transformation comes with a mask that obscures his entire face is a sign that we're supposed to see this form as dehumanizing.

The facial features are completely obscured and asymmetrical, there's no mouth, his fingers have become claws--despite his body staying mostly human-shaped, it's obviously intended to hint at something monstrous, subsuming his original identity behind a violent facade.

Kakavasha disappears entirely behind "Aventurine" when he transforms, becoming a faceless enemy at the risk of (perhaps in hopes of) entirely losing himself. Maybe every transformation lets Aventurine throw himself closer and closer to the edge of death--and perhaps, before Penacony, only death could ever have filled the "void."

But, on the complete opposite hand (because Aventurine is always both sides of the coin), we could also argue the other end of the spectrum entirely:

A combat-oriented transformation is a show of force.

This screencap brought to you by Mr. Rubhen925 of Youtube.

Aventurine's entire life has been marred by disenfranchisement, by violations of his basic human rights, freedoms, and agency. At every turn, he has been victimized by others more powerful than himself: his childhood consisted of his clan being relentlessly hounded and hunted to extinction by the Katicans, having their food constantly stolen, their meager belongings burned to the ground, and each one of his family members systematically slaughtered, often in front of his eyes.

After his childhood, he was bought and sold as chattel for pennies, branded like an animal, and forced into a fight where to he had to beat other innocent people to death just to keep himself alive, all for the entertainment of the masses. Even Jade, who promised to help him achieve his goals, treats him like a business investment more than a friend.

In Penacony, we watch everyone he talks to degrade and ostracize him. Even though Aventurine led him into doing it, Sunday tortures and re-traumatizes him live for our entertainment.

Even more that, we see Aventurine constantly struggling with the question of whether his life is really his own or whether his blessing from Gaiathra means that his entire existence has been predetermined, his fate sealed in blood and sand from the very moment of his birth, utterly inescapable.

No matter how Aventurine tries to portray himself as the ultimate winner, he's only ever the "final" victor--being the only one left standing at the end is meaningless if on the road to getting there, you were treated like fate's favorite punching bag. Winning in the end is utterly pointless if on the road to winning, you still lost it all first, from the things you loved to your personal freedom.

What does a person who has been made powerless again and again truly desire? What void do you seek to fill if life has denied you your agency over and over?

Power. Dominance. The ability to literally strike back at those who've wronged you. The strength to intimidate and force people into a corner the way you've been intimidated and forced before.

If we say that Aventurine's "void" is not a literal desire for the release of death, then it might make sense for the "void" to instead to be a frantic desire to gain control over his circumstances. To be the one finally in charge of deciding his own fate.

Particularly in light of his character story which tells us that Kakavasha's original goal for joining the Stonehearts was to save his people, the desire to take on an impressive form that screams "I'm powerful" and has the ability to physically enact vengeance on others feels directly aligned. And it remains aligned even after the reveal that the Avgins are all gone--once more fate strips Kakavasha of his power to make a difference in the world, to achieve what he truly dreams of.

The Apocalyptic Shadow version of his boss fight is called "Desperate Diceroller."

How angry he must be, deep down. How hateful the world must seem. How sad it is to feel that way.

If destiny won't let you out of the cage, your only choice is to grow claws to tear it open.

Okay, but WHY so much swag though?

Are the peacock feathers and spandex really necessary?

Listen. Everyone talks about Ratio having "gifted kid" syndrome, but I'm here to tell you that Aventurine is actually a burnt out gifted kid extraordinaire.

He's literally, canonically, explicitly the chosen one of his people.

From the moment of his birth, his mother and sister--and presumably others in his clan even--were telling him that he was their clan's most precious treasure and that he would lead them to prosperity and safety.

He carried this weight even after fleeing from the massacre, all through his childhood and teenage years, through slavery and abuse, putting his very life on the line to join the IPC in hopes of finally fulfilling the destiny his mother and sister promised he could.

He was supposed to save them. That was his meaning. That was his purpose in life.

But he was too late.

The fate he was born for, raised believing, and risked everything to achieve... is still incomplete.

So, for all that talk about suicide and power-seeking, my real answer is this: Aventurine's "void" is his unfulfilled destiny.

His whole existence has been predetermined, his life's journey laid out in prophecy and blessings from the very beginning. Yet what he thought was his fate betrayed him, and where you head after becoming an unsuccessful chosen one is a question without answer.

His thoughts constantly circle around how he is a "failure" and a "loser."

When you have no sense of purpose, when your life has no meaning, when what you are still seeking is the role you were supposed to have from the moment of your birth: the glorious destiny of being a savior, being the "happiness" of your people, being the hero...

Of course you crave the spectacle. Of course you long for the spotlight--you long to be recognized. Because Kakavasha's the chosen one. "Spotlit center stage" is where he's supposed to be--in the leading role that was stolen from him.

I think that Aventurine's cornerstone transformation is so flashy because, at the core, it represents a longing to truly be the "precious wealth" of the Avgin that his sister promised him he would be. It represents his desire to transform from a useless, "discarded" person into a larger-than-life version of himself. (Hey, fun fact, out of every official depiction of Aventurine, his boss model wears the only outfit in which his slave brand is not naturally visible.) He literally transforms into a supernatural being, capable of seizing others' fates in his hands. It represents the power he needed to save his people and himself. Its extreme flashiness screams for attention, demands to be witnessed as something beyond a helpless human.

It's almost as if Aventurine is a child writing a wish-fulfillment story where he transforms into a hyper-glamorous, all-powerful masked superhero who is capable of saving the day and winning against his enemies every time.

Unlike Jade and Topaz, Aventurine can't hide his deepest desire. It was always going to be a "transformation," because Aventurine's unanswered wish is to be someone better than himself.

His "void," his deepest unachieved ambition--it's written right there, all over his body.

Aventurine's cornerstone power is a story he's telling himself about the person he was supposed to be.

But as Acheron claims, that's life itself.

Aventurine doesn't feel like he has any control over his journey's ultimate destination.

He doesn't know where's he's headed or what the purpose of it all is. But...

Jade explicitly describes the Ten Stonehearts and Diamond's endeavor as a "journey" as well:

Because Preservation represents the continuance of life itself, and the Stonehearts with their endless "voids"--Aventurine with his soul-deep longing to become someone better than himself--represent all of us very real human beings, trying our best to find our own "cornerstones," to gain the means to finally, finally achieve our own sweet dreams.

[chloesimaginationthings]

"Oswald's mom has got it going on" - FNAF Pit bonnie

[kenneduck]

Crying over the thought of no one remembering Link’s birthday. Like after the 100 years, Link wakes up and realizes one day he cannot recall his birthday.

To his dismay, neither Impa, Robbie, Purah nor Zelda recall his birthday. He acts as if it isn’t a big deal, but he’s always finding himself quite sad when celebrating the birthdays of others.

Sidon notices at his own birthday celebration that his Hylian friend has a sense of sorrow. One that isn’t possible to rid of with his famous smile and flex. When Sidon approaches Zelda, she reveals that Link cannot recall his birthday, and that no one who knew him 100 years ago seemed to remember or take note. Sidon looks sympathetic towards the revelation, but then he has a thought…

Moments later, it becomes rather apparent that Sidon, the literal 10 foot tall birthday shark, has slipped away from his own party! A search begins around the domain. Where did he wander off to?

While looking around, Link finds himself being the one to enter Sidon’s room. He hears a flipping of pages, and he curiously notices Sidon looking through a journal. Before Link’s presence gets known, Sidon smiles his famous smile, and shouts “I KNEW IT”!

Link walks over to the happy shark man. Wondering why Sidon dipped from his own celebration to read a… paper journal. One that seems… familiar. Mipha’s journal?

Sidon, seeing his friend, scoops him up in excitement! Shouting over and over a date that wasn’t too far off in the future. Link looked confused, and when Sidon noticed said confusion, Sidon smiled. “Your birthday, Link! Mipha… she wrote it down! I knew she would!”

Link looked puzzled for a moment. What did Link’s birthday have to do with anything? But then he understood… his birthday WAS remembered. It had a date again. It wasn’t lost. Sidon couldn’t help but show the page of Mipha’s diary that spoke of Link’s upcoming birthday. Of the plans she had to surprise him despite the calamity looming.

Link couldn’t help but tear up at his smiling tail-wagging friend. Sidon looked concerned, thinking he did something wrong, but the tight hug Link gave him said otherwise. He thanked him. Repeatedly. And Sidon only began to smile again. Immediately beginning to ramble off birthday plans for his dearest friend.

But to Sidon’s dismay, Link cut him off. Telling him that it’s not Link’s birthday they should be celebrating right now. That Sidon has a party to get back to. Sidon only pouts playfully before readying to return to the celebration.

After the two do, Link couldn’t help but catch himself looking towards Mipha’s statue throughout the party. A few looks paired with a smile, but a few… a few felt tied with tears.

[doctorsiren]

thinking about Phoenix Fulwright….😳

[ilynpilled]

jaime turning women down constantly more bc he is very monogamous and in love with someone else right now for the first time and is also kinda scared of actually having sex with someone other than cersei is sm better to me than “i respect the kg vows of chastity so intensely rn actually because i changed into a good and serious person” or whatever lol

[buqbite]

part 1 (on VA and being better than humans)

part 2 (on welt and being just a human)