#like fuck off both of you

[dandylion-s]

watching trixie mattel and violet chachki slag off bearded drag queens...like capitalism really has ruined you to the point of not understanding drag at all take ur millions and stfu

[lucabyte]

sometimes everything just sucks real real real bad

[inkskinned]

the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

[aria-greenhoodie]

You see, @localcanadiancryptid22, I’m a motherfucker who LOVES drama, so I fw anything that can create that.

I’m normal. Btw. In case you were wondering.

[vaguely-concerned]

the fact that irving canonically survives through the end of asunder to be at wynne's funeral is so fucking funny to me. nothing but love and respect for MY unstoppable cockroach morally grey machiavellian mage dad!!! he's survived in his position through multiple attempted rites of annulment and blood mage plots popping up left right and center around him. the chantry keeps trying to stamp him out but his dodge game is simply out of this world, divine. civil wars, political machinations and minefields, chantry atrocities, this wily old motherfucker is dodging and weaving his way through it all, not-quite-no-hits-taken-running-it-but-honestly-close-enough-under-the-circumstances style. if solas does succeed in tearing down the veil I would fully believe that one of the like three people still alive at the end of it all would be a very weary 90 year old first enchanter irving going 'oh this shit again huh'. the maker has cursed him for his hubris and his paperwork is never finished (affectionate, it's fine he canonically loves paperwork)

[nashvillethotchicken]

I stand with Louis no matter what. If either lestat or armand did that shit to me and people talked about me the way they talk about louis on here and on twitter you're gonna see me in history books

[knifearo]

"asexual discourse" is so funny cause dude that's not discourse and it's never been discourse. it's not an argument and it's not a conversation bitches are just yelling at us unprompted and then making up people to get mad at 😭

[timothylawrence]

"this fandom is so queer friendly!!" okay but is it a safe and fun space for fans of color? (spoiler: no its not)

[shiraoyagi]

hot take ??

the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.

it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)

anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.

they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.

for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.

for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.

their insecurities are incredibly similar.

in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.

in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.

just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.

now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.

for mafuyu and tsukasa it's pretty straightforward.

mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.

tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.

and even then, there's some overlap.

tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.

mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.

and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.

mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.

tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.

mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.

tsukasa has not yet cut his.

[slymanner]

God dude these two scenes and how roxie moves hurt my heart so so bad 🥹

it's like a mix of anger, feral, emotional breakdown, and complete sadness that just fucks me up soooo fucking bad.

it's like she's a pet who got abandoned by their owner but they see them again after years of sadness and depression of them being gone and leaving them like that and all that anger and sadness just manifest's into one bundle of emotion's towards them they cannot control.

roxie baby ur gonna be okay u deserve better :[

[greenglowinspooks]

(DCxDP) The obligations of a rogue versus those of a parent (Pt. 4)

—

Tw: descriptions of body horror, Dr. Crane has PTSD and Does Not Realize, Crane has an actual panic attack and just doesn’t care, the Riddler makes one (1) sex joke about Batman

Will be crossposted to AO3 eventually

(Pt. 1 here) (Prev here) - (Pt. 5 here)

(Masterlist here)

—

Dr. Jonathan Crane is in his lab, the acrid scent of chemicals filling the air, and his hands are shaking.

Danny’s health, for the first week that he had him, had been steadily improving at an extremely quick rate. However, his healing had begun to stagnate. Danny said that it was because his body had run out of ectoplasm, and that while there was a lot of ambient ectoplasm in Gotham, he needed a stronger type in order to heal.

And so, that led Dr. Crane here.

He had stolen the research notes from the Penguin years ago regarding his experimentation on him.

(He quite vividly remembers the sound of bone creaking and groaning as it twisted, lengthened. The squelching of shifting tendons and muscles, the strange fabric-like tightening of skin. The feeling of going from man to monster, of losing all claim to his humanity.)

Danny had called him Liminal, part ghost. He had said that he was transformed by, among other things, a kind of synthetic ectoplasm.

Danny needed ectoplasm.

Crane had the research notes. He had every ingredient necessary. And yet, attempt after attempt failed.

The chemical smell burns his nose. His hands tremble.

Dr. Crane is not afraid.

He doesn’t feel fear anymore. He’s tried to, many, many times, but nothing has worked. And yet, his hands are shaking still.

(The horrifying sensation of vertebrae pop-pop-popping along his spine, growing and lengthening. The unbearable itching beneath his skin as toxin glands begin to form. The feeling of his teeth sharpening and elongating, of his skull growing, of his vision changing and brightening. The awful stench of chemicals. The awful stench of ectoplasm.)

Jonathan takes careful note of his shaking hands, his blurring vision, his accelerated heart-rate and shallow breathing.

(Human hands. Human vision. Human heart and lungs and organs.)

He takes note of them, but he does not let that distract him from the task at hand. Danny is not a chemist, but Jonathan is.

The boy knows enough about chemistry in theory, but he won’t go anywhere near Crane’s equipment. He seems to have some sort of intense fear of laboratory settings, probably developed during his stay with the GiW, and Crane is willing to respect that, if only because he cannot afford to lose him.

As such, Crane is the only one qualified to do this. And, unfortunately, if he isn’t successful the boy may very well die.

He heats the chemicals to precisely the right temperatures, adding each one to its correct container.

Dr. Crane thinks of the Scarebeast, that creature born of cruelty and greed and a sense of superiority. That creature which he tries to ignore is a part of him, that can never be removed. A damage which cannot be undone.

He pours the contents of a small beaker into a larger flask, watching the liquids swirl together. The stench in the air is becoming closer and closer to the one burned into his memory.

Crane’s whole body is wracked with unpleasant sensations. It’s truly unfortunate, he thinks, that despite his mind’s lack of fear, his body still reacts so harshly.

Jonathan’s eyes wander, eventually settling on a purple and green card sitting innocently on the corner of the table.

Right.

Even if they wiped out the GiW tomorrow, and even if Danny could survive without ectoplasm, he would still be in danger.

Crane has to get him back to good health. It’s the only way he can be sure that the boy can defend himself properly.

The solution in the flask begins to foam, and Jonathan does not hesitate as he adds the final ingredient. He pours the mixture into a new container, capping it and placing it into a freezer set to -40 degrees.

Hopefully this time he got the timing right.

Jonathan tries to relax, the ventilation in the room slowly but surely clearing the familiar smell from the air.

He thinks of the letter.

Surely, he thinks, that man can come up with some better material for his jokes. Or, at least something new.

Same old threats, same old attempted poisoning.

Aiming his threats at Danny, though, that was new. New and utterly unacceptable.

Scarecrow did what he had to.

He doubted that his solution would last forever, of course, as with that man it never did. As such, he would prepare both himself and Danny for the inevitable moment that his choices came back to bite them.

However, for the moment, they were safe. Danny could rest and recover, and Jonathan could figure out a plan to minimize possible damages.

Jonathan is no longer shaking.

He’s exhausted. This is his fifth attempt today, and each one leaves an unfortunate strain on his mind and body.

With a sigh, he settles himself into his seat at a nearby desk, opening up his computer and logging his most recent attempt. He still has to wait for it to chill to know if it was successful, but he can always update the logs later.

Once he’s done, he stretches, joints popping loudly as he walks to the freezer.

When he sees the results of his tireless work, the ghost of a smile flits across his face.

Success.

Jonathan picks up the jug of ectoplasm and leaves the lab, which is in all actuality the basement of the new apartment that he moved himself and Danny into after receiving the note. The scrappy old woman who was his landlord had told him that as long as he paid her five hundred dollars up front, she would let him set up in the basement without any questions or cop calls.

And so, the most expensive apartment in the Narrows was his.

At least, he thought, the distance between the basement and the apartment was short enough that Danny didn’t have to sit in while he was doing his labwork.

Jonathan knew that he didn’t exactly have a strong grasp on the concept of ‘lab safety,’ proven by his built-up immunity to almost every toxic chemical he’d ever encountered, and he doubted that Danny should be around such an environment.

He was back to the apartment quickly, not bothering to hide the self-satisfied smile on his face. Danny is sitting in his armchair, trying to read one of his books. Danny looks up, ready to greet him, when he sees the jug in his hands and pauses.

“Is that..?”

“Synthetic ectoplasm,” Jonathan says proudly, “I found the Penguin’s research notes and decided to recreate it, since you said that you needed it to heal properly. I’m not sure if it’ll work the same as what you usually have, but I hope it’s helpful all the same.”

Danny is standing, now, and looking at Jonathan with a strange look in his eyes. He looks, Jon thinks, like he’s about to cry.

Then Danny is rushing forward and wrapping his arms around Jonathan, his scrawny form shaking.

Jonathan is, for a moment, horrified. Did he do something wrong somehow? Why is this child, who’s so afraid of touch, hugging him?

And then he hears Danny’s voice, and he knows that it was all worth it.

“Thank you,” he’s mumbling, over and over, “thank you, thank you, thank you, thank you so much.”

“Of course,” Jonathan says softly, because what else can he say?

The boy cries in his arms for a while, and Jonathan briefly wonders what his life must have been like before, if a person like him can be seen as a comforting figure.

Then, Danny pours himself a small glass of the synthetic ectoplasm, putting the rest into the small fridge which had come with the apartment, and he settles back down, sitting in the armchair once again.

Jonathan sits opposite of him, and they chat with one another as Danny drinks.

Danny talks to him about the stars and tells him about different spaceships, and Jonathan makes sure to pay attention and ask the boy questions.

He doesn’t miss the way that Danny lights up every time he asks him something about his interests. He’s so passionate, so smart, a trait that he seldom sees outside of his fellow rogues, and Jonathan wants to encourage that.

It’s…nice. Peaceful, almost.

And then the front door flies open, because Jonathan isn’t allowed to have nice things.

“Jon,” a familiar voice rings out, “what the hell?!”

Danny is frozen in place, clearly terrified.

Jonathan heaves a sigh, turning to face the nuisance who’s entered his apartment.

“Eddie,” he drawls, “to what do I owe the pleasure?”

Edward’s face is red with anger as he invades Jonathan’s apartment.

“Oh, I don’t know! Maybe it’s the fact that you sent a bunch of rogues a cryptic message and then dropped off the face of the earth for two weeks! I was worried, Jon!”

Jonathan hums in acknowledgement.

“I didn’t think it was that cryptic,” he says, picking up a book in order to pointedly ignore the Riddler.

“Oh, of course you didn’t, you straw-stuffed hickory dickory dickhead. I swear, you’re always—” he pauses, finally having noticed Danny sitting opposite of Jonathan, “—who is this?”

“My apprentice,” Jonathan replies, dreading the upcoming headache he was no doubt going to develop from Edward’s company, “he’s helping me hunt down the GiW. His name is Danny.”

Edward gasps dramatically.

“You—an apprentice?! And you’re letting him sit in the old man chair?! You don’t even let me sit in the old man chair,” he wails, draping himself over the headrest of the couch with a flourish, “Jonathan, I thought I knew you!”

“Edward,” Jonathan says, “get out of my apartment.”

“Oh my goodness, this is incredible. You’re becoming the bat!”

“I am not becoming the bat, Eddie, now get out.”

Edward has a shit-eating grin on his face as he waltzes over to Danny. Danny, who seemed terrified when he first appeared, is now looking at him with obvious amusement written all over his face.

“I mean, look at him! The hair, the eyes, the scrappy build. If you put him in one of those traffic light vigilante costumes, he could easily pass as a Robin!”

“I’m not doing this with you today, Eddie.”

“Riddle me this, Jon: I am a treasure hidden inside of a chest. You can break me, or steal me, or give me a rest. I can flutter, or pound, or attack, or drop, but if you don’t have me, you’re certainly fucked. What am I?”

Jonathan pauses for a moment before he groans, dropping his head into his hands.

“Eddie.”

Danny sits still, a confused look on his face as he repeats the riddle silently. Then, his face lights up in delight.

“A heart!”

“Jon, I like this one,” Edward says with a smile, ruffling Danny’s hair, “you are correct! A heart, something that I wasn’t aware that our dear Jonathan had!”

“Eddie, stop.”

“No, no,” Edward says, “I was worried about you, you deserve this. I mean, you even missed girls night! You never miss girls night!”

“Girls night?” Danny asks, absolutely delighted.

“Oh, of course,” Edward says, sprawling over on the couch, dangerously close to just laying in Jonathan’s lap, “we have it once a week. I’m invited because of Selina and Jon’s invited because Harley likes him.”

“And what does girls night entail, exactly?”

“Eddie,” Jonathan groans, “please.”

“Well,” Edward hums, “we usually paint our nails, or watch a movie, or gossip about the other rogues, and occasionally, we tell each other about any ‘encounters’ we have with Batman,” he says, raising his eyebrows up and down.

Danny’s jaw drops.

“Edward, shut up,” Jonathan says, an irritated tone in his voice that wasn’t there before.

“No way,” Danny says, “I thought that Batman, like, hated you guys or something. You mean he actually..?”

“Oh, the Bat is much like a bottle of liquor or a cheap cigarette, in that he was made to be passed around.”

Danny chokes on air.

“Edward Nygma,” Jonathan hisses, getting out of his seat and looming over the man, “get the hell out.”

Edward pales.

“Leaving, leaving!” Edward says, dashing away from Jonathan. He pauses, turning to flash Danny a quick smile.

“Remember Danny, I’m your favorite uncle! Not any of the other rogues, me!”

With that, he leaves, the room falling completely silent.

And, as per usual, that silence does not last.

“You full-named him?” Danny asks gleefully, “and it worked?”

Jonathan just sighs, sitting down on the couch and rubbing at his temples.

“Please, don’t take anything Eddie says seriously. He’s a moron.”

“Dr. Crane, please let me come to girls night with you,” Danny pleads, his eyes sparkling, “I promise I won’t embarrass you.”

Jonathan groans.

“Of course you won’t, Eddie will do it for you.”

“Come on, please?”

“I think we’re a bit busy with the GiW at the moment,” Jonathan snaps. He pauses as he notices the crestfallen expression on Danny’s face.

This boy is going to be the death of him.

“Perhaps, though, when all that is taken care of…”

Danny cheers, grinning wildly, and Jonathan is not at all relieved to see him happy again. Certainly not.

The rest of the day is relatively normal.

Danny works on trying to get information from the GiW database while Crane refines his his fear toxin, both preparing for a raid on the GiW base they located in Gotham.

It was only a temporary base, nothing of note, but there was a chance of discovering more bases through it, and that wasn’t something either of them were willing to give up.

Still, something like this would take time. Rushing would only lead to failure.

…

Late in the night, long after Danny is fast asleep in his room, Jonathan pauses.

The GiW are not the only threat out there. They aren’t the only threat to him or to Danny. Perhaps it could be helpful to reach out to someone with greater resources than himself.

He sends a quick message to Red Hood.

Hopefully, he thinks, everything will go smoothly.

—

[professorjirt]

I’ve discovered my favorite genre of Bagginshield art is where Thorin is a lovesick idiot who is Losing It and Bilbo is unbothered or oblivious to Thorin’s suffering LMAO

[woahjo]

suguru is such an upstanding member of the community. a recent college graduate, going to get his phd, does community service work, and he's SINGLE too (even with his good looks). there's no family in town that doesn't want him to marry their daughter. so it's really such a shame he's been secretly fucking his stepsister since his second year of college :(

[calciumcryptid]

Kinn would use pet names because he is the type of dork who would find them genuinely romantic.

Kim would use pet names because he thinks it gets him a good grade in boyfriend, a normal and possible thing to want to achieve.

Vegas would use pet names because he is trying to exert ownership in the ways deemed socially acceptable, but he has to be pretentious about it.

[oifaaa]

So like is it just me or does it seem like genius level characters are hard for some writers to write a lot of times they seem to fall into the same pit falls of either making the genius character clairvoyant or just dumbing down everyone else in the entire world

[stairset]

I do feel like the way Kyoshi was written in the Avatar reboot was lowkey influenced by the fandom's perception of her. Cause like in the original show she's really just portrayed as a pragmatist who's willing to kill if necessary. Like Aang is conflicted about killing the Fire Lord and she's like "well if I were in your position I'd do it but that's just me. Good luck." And then people started making memes where she's like a murderous psychopath who thinks extreme violence is always the solution. And it was funny at first cause it was just exaggerating for comedy but now everyone thinks she was actually like that in the show when she really wasn't. And then in the remake her introductory scene is her angrily yelling at this 12 year old that he needs to stop being a little pussy and be a ruthless warrior or whatever and the only explanation I can think of is that someone in the writer's room maybe looked at a few too many of those memes.