#like even if it is canon (which I will not confirm because that's spoilers)

[lilirot]

As far the whole "Homicipher isn't romantic (enough)" debate- Like I'd definitely say it's romance lite but it's definitely got romance especially if you read between the lines. It doesn't have a lot of the "dating" aspects you'd expect from a otome but considering the setting is that really surprising? Hard to go on a date in a constantly shifting labyrinth where the closet thing to a restaurant (a random ghostly painting) is serving unknown meat and blood "tea". (Spoilers)

Like, barring Mr. Silvair, who outright says he's not interested in you, and Mr.Machete barely acknowledges your existence in general in his route. All the other boys pretty obviously (to me) are attracted to MC romantically. Mr. Crawling is the most obvious with his route him outright saying it, and like, the other Mr.Crawling focused ending is literally called "Blissful Love Life". Mr.Scarletella is the same. He says he likes/love you, he says you like/love him (even if you don't agree obsessive love is still love). Honestly, I'm pretty sure that Scarlet Rain is the actual canon ending too. Mr.Hood you could absolutely interpret as more parental in his route for MC, but I think we need to use Otome's Razor (It's an Otome game so assume all the characters are into MC unless stated otherwise), here that it very much still equally possible he likes you too. Mr.Chopped is the most interesting because you definitely have to extrapolate based on information over the whole game and not just like his route. In fact Mr.Silvair's route, the explicitly non-romance route, pretty much confirms that Mr.Chopped is interested in MC. The monster that Mr.Silvair kills is Mr.Chopped, he ended up that way because MC mentioned that it would be for the best if he had a body, if he wasn't interested in MC he probably wouldn't have bothered to convinced Silvair to help him get his body back and ultimately turn into a mindless beast. Which is fucked up honestly. Bro just wanted to impress MC but ended up getting actually killed (seriously, he's one of the few characters that actually dies in this game what the fuck lmao)

[castoff-comic]

So....... Island Punch canon???

[sflow-er]

What Alice Oseman has said about the Ferris wheel scene

Cut for Heartstopper season 3 spoilers!

Apparently, Alice Oseman (@chronicintrovert) already said in May that the dialogue between Tori and Charlie would be different in the show and Tori's asexuality would only be explored in S4 (which has not been confirmed yet):

Not only that, Alice also referenced Tori's aceness in this Netflix Tudum article from a couple of days ago:

Although many Heartstopper couples are leaning into their relationships, one pair is in a bit of a gray area: Charlie’s sister, Tori (Jenny Walser), and her friend Michael (Darragh Hand). In the finale, we learn Michael is ready to call Tori his girlfriend, and Tori isn’t so sure. Even Charlie is confused about why Tori won’t say yes.  Oseman says that the answer to Charlie’s question lies in her fifth Heartstopper novel, which the show hasn’t caught up to. In Volume 5, Tori tells Charlie that she believes she’s asexual. “This is why she has been quite confused by her relationship with Michael,” Oseman explains. “She clearly cares about and loves Michael a lot. But she doesn’t really know whether it counts as a relationship or not.” 

So I hope that reassures those who are understandably worried that her aceness might have been erased from the show!

Personally, I think this is the better choice from both a storytelling and a representation perspective. Having her come out to Charlie on the Ferris wheel would have delighted those of us who already had more context for her character and relationship with Michael, but for the show-only fans, it would have come completely out of the blue. It would have felt more like lip service/ticking a box than actually portraying a new queer identity, because we saw very little of her and Michael's relationship and none of her feelings on it yet.

Also, the events of Solitaire don't seem to be canon in the show (as their first meeting was changed and they are clearly still going to Higgs), so the context we do have may not be fully applicable anyway. I for one am excited to see a new version of Tori and Sprolden unfold on my screen when S4 rolls around!

Perhaps we might even get to see the two ace stories converge, as the camerawork in the finale certainly seemed to hint at that.

[estcaligo]

Nobody: Me at 3 AM: Glorious Masquerade represents the confrontation between polytheistic and monotheistic worldviews

Or "The Big Three of Olympus vs One Christian God" in the Glorious Masquerade event

Content Warning: Greek Mythology, religion, Christianity, Glorious Masquerade event spoilers

Note: I talk about things in this post from a researcher's point of view, in a descriptive and comparative manner mostly. Just some observations.

I've already discussed a similar concept before - Idia, Jade, and Sebek representing Hades, Poseidon, and Zeus, the "Big Three" in Greek mythology, the most powerful and important gods of Olympus - during the Harveston event. See the post here.

However, in the Glorious Masquerade, the situation becomes even more peculiar because the SSR characters are dorm leaders - those who are in charge. And then there's Rollo, who is twisted from Frollo.

Note: I will consider all sources of inspiration for Rollo, including the book and the musical, which were confirmed by Yana herself to be inspirations for Rollo.

What? Why? Who?

3 vs 1. The Big Three of Greek Pantheon vs The One God, who embodies 3 in 1 - the Father, the Son and the Spirit.

The Big Three are the three most powerful gods among the Olympians - Zeus, Poseidon and Hades.

Zeus commands the sky, lightning, kingship and summon any weather conditions.

Poseidon manipulates water, storms and earthquakes.

Hades has dominion over the dead and undead, darkness, earth-related disasters, and metals and jewels.

*By the way, lightning was considered just Zeus throwing a temper tantrum, and what happened when Malleus got angry? Right, he started throwing  lightnings left and right.

And now we have Rollo. Twisted from Frollo, who, as we know was a religious man (especially in the book where he is a priest, not a minister).

And despite there being other characters, such as vice-president and the assistant, they aren't "real" or “important” characters like Rollo.

So we can say there is only one (1) main character in this event.

2. 7 Dorm Leaders vs 1 Head of the Council

As is well known, Ancient Greek mythology features many major gods, each controlling different aspects of life (or representing them, or serving as patrons). This makes Ancient Greek religion a polytheistic system - meaning it has multiple gods - akin to the Great Seven and the dorm system at NRC.

The Dorm Leader Council functions much like a small pantheon. Not to mention NRC is located on upper hills, which resembles a mountain (Olympus) if we look at the landscape of the Sage Island.

On the other hand, Christianity only has one God, making it monotheistic religion. There are multiple saints in Christianity, who are patrons of different aspects of life, however it is important to note that these saints do not control - they are more like the intercessors between man and God.

Even the NBC itself is focused on one Villain and has one statue in the yard, not the 7 (the "pantheon" of NRC). And NBC itself doesn't have Dorm system like NRC.

3. Oral vs Written

Greek religious tradition is primarily oral, with legends and stories passed down through generations by word of mouth.

In contrast, Christianity is predominantly a written religion, where the written canon holds great importance.

How is it important here?

Well, in this event specifically the NRC guys spend their time walking around and commenting on things. We learn some of their lore and thoughts on various topics through dialogue. Even Professor Trein reveals his past verbally telling about it. Naturally, it’s a game mechanism. But since we’re talking about such details….

On the other hand, the most important part of Rollo lore is found by the Big Three in written form - Rollo’s diary.  It's also noted how Rollo prefers writing above all else. He writes in his diary, sends letters, and drafts invitations. While this may not apply to the NBC in general, since we're focusing on Rollo, this detail is worth considering as well.

4. Our guys vs That One

Another difference between the two religions is that the Greek gods had flaws that made them more similar to humans. They had tempers and they often held grudges. This made the followers of the religion not want to be like them but, instead learn from them and their shortcomings, frequently through fear. 

In contrast to the flawed gods of Greek mythology, Jesus is portrayed as a man who is to be aspired to, more so than the Greek portrayal of a god; who the audience learns from (imitating in a way), rather than obeys.

Our NRC boys are someone we know and who we’re familiar with. We know their struggles and fears, their dark past. Even the guys in charge of each dorm - the Dorm Leaders - are not so distant from the regular students. Well, more of less.

Whereas Rollo is described by all the characters we’ve met at NBC (and even from his vignette) as someone who is amazing, excellent, wonderful and so…exemplementry. Rollo, at the same time, distances himself from everyone.

5. Vertical vs Horizontal

A small but interesting observation is that many monotheistic religions, including Christianity, often have a “vertical mindset” - symbolizing a relationship between the human and God.

In Christian cosmology, we often imagine a vertical world structure: Hell at the bottom, the human realm in the middle, and Heaven above.

In this event, we also experience vertical movement when things get serious. Initially, when it's peaceful and fun, we mostly walk around the town (mostly horizontal, not including the lower parts).

However, when the action begins, Rollo first sends us downward into the sewers. From there, we start moving upward. The ascent of the tower is highly symbolic, as we are literally ascending towards the sky where Rollo awaits us (with his “judgment”)

 6. Masks

The whole masquerade theme is, of course, a nod to the cartoon and part of the game feature to get the characters to dress up.

But let’s remember that in Ancient Greece, masks played a significant role in theater, particularly in tragedies and comedies (twst features elements of both). In general, it is known that masks represent hidden nature, transformation, and more. 

Interestingly, only our NRC squad wears masks and costumes. We even encountered some Royal Sword Academy students, but they were not given costumes (again, a game feature, but still noteworthy).

On the other hand, there's Rollo, who isn't wearing a mask or even a costume. He doesn’t need to. He is who he is, with no need to transform into something else, as he represents the One, in our comparison here. 

What's even more interesting is that, despite not wearing a physical mask, Rollo is the one with ulterior motives in this event, and we only learn his true face later on. He metaphorically takes the mask off, even though he never wore one in the literal sense.

7. Catholic Guilt

The last but not least - Rollo's punishment, which, perhaps is the most fitting and cruel outcome for him. Rollo, after being defeated, expects harsh punishment because he is ruthless with himself and assumes others will treat him the same way. He failed and he expects to be punished. However our Big Three surprise him by concealing the truth and allowing others (the NBC mobs were the first to thank him for his bravery at the tower) to believe that Rollo was a hero. This situation forces Rollo into a state of internal torment, where he must live with the guilt of his actions while being praised for something he didn't truly do.

Rollo's punishment is psychological, forcing him to confront his guilt and shame in isolation. They choose leave him one on one with his Sin.

On the contrast, in Ancient Greek mythology punishments were often cruel and involved physical pain. One of the most popular example would be of course the myth about Prometheus, which, by the way involved Zeus.

And the way Big Three dealt with Rollo was truly cruel in its own way.

(from an interesting article about Greek Gods and punishment - here)

Fin

I left out some obvious notes like Malleus having horns, Rollo hating on magic etc.

Naturally, there may be other details I haven’t mentioned, so feel free to add any additional insights!

[love-of-the-red-star]

That time I got reincarnated as an Aeon

(Series)

Chapter two: This is not a good day to be a god.

Warnings: Spoilers for Aventurine’s backstory, some canon divergent stuff as I’m taking creative liberties. Reader is kind of biased but also not. People aren’t really having a good time. Good ol Eldritch horror. This chapter is a bit more serious in tone than the last ones.

“Mr. Yang, can we please switch the channel?”

Welt, being the nearest person near the techy T.V you absolutely had no fucking idea how to operate yet had obliged to your request, because you see, the news channel had no problem broadcasting your latest breakdown for everyone to hear.

You could have sworn you saw Pompom almost cry from the sound of your eldritch version and honestly you wouldn’t blame them— if you were them, you were sure you’d cry at the sound of your own voice too because what the fuck was that—

Why you even cried? Well, you accidentally freed a planet.

From existing. By simply accidentally dropping your tears on it because you cried watching a planet from thousands of light years away that you’re pretty sure is Sigonia come to conflict.

How you accidentally did more damage than Nanook and haven’t ended up being assimilated to them is beyond you, but you remembered you still have some agendas, you can’t be eaten yet.

It wasn’t exactly your fault your true form was a little too big that rogue planets who had the unlucky chance to get too near you ended up being quite literally disassembled. You just hoped there were no sentient life forms in it.

Continuing on with breakfast, Himeko drank her weird smelling coffee near you, unperturbed and probably used to hearing the news airing out your dirty laundry. (She’s still a little shaken from hearing the crying, but knowing you personally has made it seem.. less terrifying.)

You munched on your toast, thanking Pompom for making it the way you liked it; being slightly on the burnt side.

Welt had switched the channel to a different network, this time, there’s sports. Everyone seemed content on seeing sweaty men on a soccer field instead of hearing your not so pleasant and probably horrifying sounding distress so it was a win.

Then you randomly remembered Sigonia.

“Hey uh.. Himeko? Do we have data on this specific star cluster here?” You asked as you scribbled on a piece of paper, hoping at least that Akivili had made it there at least once.

Himeko peered through the paper and frowned. “….” She seemed hesitant, which confirmed your suspicion. “We don’t… the rail hasn’t gone that way just yet.”

Well shit. It seemed like you couldn’t take the express with you without you heading there and establishing a space anchor first.

But that would take time. Too much time. And you realized that logically there would be little to no benefit of a space anchor in a harsh desert planet— you cut those thoughts as soon as they came, you weren’t going to think like the IPC.

It’s up to you to establish a connection then. But could you even make it in time?

————————————

Your projection had disappeared after breakfast, leaving the express once again to wander as they pleased as you returned to your original body to peer into Sigonia— specifically Sigonia IV once again.

It’s surprisingly lively for a desolate place. It made sense, people do live there, and it made you smile at the resilience they presented despite their circumstances.

You should bless them, you thought, maybe placing it under the guise of their mother goddess if you’re remembering their belief system correctly. She.. unfortunately does not exist, but you do.

You won’t let them know that though for the sake of their peace.

You just wish the two clans would free themselves from hatred; logically it would be more beneficial to work together in a place like that, and it made you feel bad for the Katicans in a way— to be caged by their own prejudice they can’t see beyond words or envy that they’d choose to simply wipe out another clan out of those feelings. It was just sad, a little pathetic almost.

You didn’t want to be biased, but you do know you have sides to take if you wanted to be free of something. In this situation, you don’t think there was an option to simply have the two of them be on equal terms— not for now at least. Maybe you should consult Xipe? But where even are they?

For the sake of quieting your strangely human conscience, you chose to bless the Avgins in their little festival, in the hope that you’d steer them away from their written fate.

You know it’d be hard to fight, but you’d be damned if you didn’t try.

It had taken you to seeing little Kakavasha for a good while for you to finally crack and get down there yourself.

There was no way you were going to let him suffer a life that you knew was going to happen to him, not if you could do something about it. And lucky for you, you were an Aeon, and you were an Aeon that did whatever they damn wanted.

You had said fuck you to fate that day and took the form of an Avgin woman, not before leaving a message to Boothill that you hope he’d receive considering you’re not delivering it through your phone number— you were delivering your message through sheer will.

————————

Assimilating with the Avgin had come rather easily. It had made you feel bad to deceive them— you had pretended to be injured, no, it was more like you intentionally let your projection appear injured, as you approached their camp.

You had called yourself “Delia”, and they were keen on accepting that. They had taken care of you and kids cooed over the patterns of the skirt that you wore, asking you how you had created it.

Your only saving grace had been a young girl who appeared almost the same physical age as you, shooing away the people who crowded you too much. (Not that there was even many of them, there were three at most, and they were children.)

You had only awkwardly laughed as she shot them a look, something about how the “patient” needed to be left alone.

“Sorry about them, they can be excitable when they see something pretty.” She said to you, squeezing a wet rag before she wiped your face with it. It’s embarrassing to be taken care of like you were a baby, but if it’s what it took to try and free them, then you’re willing to sacrifice your dignity a little more— if you were being honest, you’d take this over hearing the sound of your own crying on the television.

“It’s fine.” You smiled as she put the rag down and checked your “injured” leg.

“A few more days and you’d be good to go. Though…. You’re healing faster than people normally would…..” You could sense the suspicion in her tone, and inwardly you smiled mischievously. “Never mind, I suppose that’s a good thing. The sooner you heal, the sooner you’re out of the bed and can go around and move about.” She nodded to herself in her assessment of you and left the tent.

It was days later that you found that she’s funnily enough, Kakavasha’s sister.

By that time, you were known by the people around you, but you didn’t know them.

Kakavasha had been one of those who knew you in courtesy of his older sister; and now he’s here, shyly peeking over the table as you scribbled away into a sheet of paper.

He’s curious as he peered over your work. “It’s the stars you see on the left side of that mountain.” You told him, hesitantly he brings his pointer finger and holds it over the tear drop shapes.

“What’s this?”

“It’s rain.” You explained, and the little boy that you once knew to be the gambler tilted his head.

“Why is there so many of them?” Ah right, this place didn’t rain much.

“The sky is crying.” You told him and he simply frowned.

“Sister said you have a lot of stories.” He decided to change the topic, probably sensing your awkwardness. How embarrassing for a little kid to know you’re not good at speaking, but you know you’ll eventually learn how to better yourself in doing so.

“Yes I do, wanna hear one of them?” Your smile returned, and little Kakavasha, with his one missing front tooth, reflected your expression.

“I’m taking that as a yes. I’ll tell you the story of a girl who lost everything to the rain…”

————————

Two Sigonian months (you’ve counted the hours, and put them into months to prevent yourself from going insane from saying the numbers) and you’re pretty sure you’ve ran out of tales you’ve parodied from the original you told him and the other children. Kakavasha had brought it upon himself to stick by your side funnily enough, saying something about not caring if you repeat the tales to him again.

His mother had brought you to the side some time ago, thanking you for the diversion you gave to the children from the reality they were in.

You were combing a sleeping Kakavasha’s hair when you had heard it. The dreaded call for aid for the next Kakava festival.

And there was no time for the space anchor you were just starting to make.

Your hands paused, and you gently set the child’s head off your lap and into a pillow before disappearing into the night.

You returned 6 system hours later. Then another 18 system hours went by before you disappeared again and reappeared exactly after six hours. That continued on for days as the festival grew nearer.

——————————

Unbeknownst to you, this was utterly terrifying for the galaxy rangers aside from Boothill to receive messages from a nonexistent number. It had come in the form of a cipher, then actual comprehensive texts, then another cipher again and all of them would increase in frequency— as if the one who was calling for help was making it a point that it was urgent.

All of it had led to the answer of Sigonia IV despite the other strange contents of those messages.

Sometimes it wasn’t even texts at all, sometimes it was calls in the same six system hour time span that they’d receive those messages. They’d receive the call, and they would receive static sounds that formed words— gibberish half the time, but still beckoning them to Sigonia IV.

Some of them had put their phone down sometimes as the calls manifested into sounds that made them shudder all the way to their bones. They couldn’t describe the noise, but it put some sort of primal reaction out of them enough that some of them went 72 system hours without sleep.

As irrational and ridiculous as it sounded, there were very little things that galaxy rangers feared.

Whatever was sending them these things were one of them.

Sometimes it would be their TV, and Boothill had the unfortunate fate of listening to the strange cacophony that if he had been a human he was sure it would have terrified him enough he’d piss himself. There was something wrong about the waves it emitted, it wasn’t a normal glitch or a hack sort of glitch, but rather something else.

SOS, Sigonia IV, SOS, Sigonia IV. The message were a repeat.

In the calls he received, he would have thought he was having a fever dream when he found they didn’t exist in his call logs until his fellow rangers confirmed they received the same message.

He remembered receiving the text once before all this— a strange occurrence, but not exactly a coincidence.

They received the same messages again for this night. Except the ending sequence changed.

Bring people. Avgin. IPC not help. SOS. Sigonia IV. Send HELP.

After the last sequence had indicated the date, the TV short circuited and the lights dimmed.

“Oh fudge me.” Boothill muttered, whoever or whatever was even sending these things were clearly going agitated. “Looks like we’re going to be on a roll boys, I don’t think it’s wise to priss off this cutie pie so best we don’t ignore that signal for any fudging longer than we already had.”

“Say less, and I hope to the aeons I get a good nights sleep when we’re done.”

—————————————

Part I, Part II, Part III [HERE], Part IV, Part V, Part VI, Part VII, Part VIII….

And that’s a wrap for part two! I know it lacks jokes but come on. But yeah we’re going on the more serious territory for a bit before we go back for the jokes. Heavily unedited and written in the middle of the night.

[year2000electronics]

BILL CIPHER IS STILL AN ADULT.

Book of Bill spoilers below (and the answer as to why I would even be saying this):

So one of the pages in the Book of Bill has been slightly contentious in the fandom, I’ve noticed. Some people have taken the “fact” on this page and run with it.

Now, obviously people who were already imagining him as such kinda took this and ran with it, as they were want to do, but I’ve seen other people who are just taking this statement as “canon confirmation” and as someone who’s seen TikTok run itself weary with fake discourse about character ages because “I looked it up and Google said [character] was 15”, we’ve gotta nip that in the bud.

1: IT’S A JOKE.

The rest of the interview has similarly misleading answers. The whole gag here is that he’s not being truthful. When the question implies he doesn’t know how to wear pants, he says “I resent that!” and shows a picture of him wearing pants wrong. When it asks him for anything to ‘plug’, he uses the wrong meaning of the word on purpose.

Even the structure of the question is based on a common joke trope. To give an example, a viral post on Tumblr has a photo of Barbie in a kitchen with a decapitated Ken in her fridge and the entire reblog chain is full of people going “OH MY GOD, BARBIE! …You seriously left raw meat to sit on your cutting board? The juices will seep into it!” You know, expressing a sentiment of outrage and then completely whiffing on what you’re “supposed” to be outraged about. That’s even why Bill states his age before he claims he’s a “preteen”. This is clearly meant to be a sort of sarcastic response to the question, not a sincere one.

2. BILL IS FREQUENTLY DEPICTED PARTICIPATING IN “ADULT” ACTIVITIES.

Let the record show that obviously you can do things like drink at a young age, it’s not as if Bill is some saint so he could be underage drinking, but I’m thinking of this in terms of what we as readers/watchers are shown. And typically, these actions are associated with adults.

First of all, Bill is depicted as being served alcohol at a professional establishment, drinking in private with Ford, and driving, as well as being right next to Pyronica while she flashes someone.

Second of all, multiple references to Bill using sexually-evocative language and even claiming to have banged your mom are present both in the book and other supplementary material (his Reddit AMA). I wholeheartedly believe Alex Hirsch and the crew would not be enthusiastically using charged language directed to a mostly-adult audience (The book has a ‘for older readers’ disclaimer!) which would specifically be read as coming from/being about a preteen.

I’ll call this 2.5 but regardless of how you read Bill and Ford’s dynamic in the book, Mabel still refers to Bill as being like ‘a needy ex’ and to ‘go crush on someone else’s uncle’. Even if that’s just Mabel’s read on it, it would be weird to make that joke about a “minor” and an adult!

TLDR: Bill Cipher is an adult, anyone taking a one-off gag, ignoring the other evidence against it, and using it as an excuse to harass people or claim anything about relationship dynamics that simply isn’t true is being obtuse and misleading on purpose, and it’s fine if you want to headcanon that he’s a minor, just please don’t push it on other peoples’ canon or try to imply that it’s something that’s been confirmed at all.

[spop-romanticizes-abuse]

since it's pride month, i want to highlight my favorite underrated/underappreciated queer characters and ships! (part 1/???)

(feel free to add more!)

Lake - Infinity Train (non-canon)

it's not canon but you cannot tell me that Lake isn't an allegory for trans/nb people. her arc is so beautiful and her character resonates with me so much!

i have to admit, i actually kinda hated her in the beginning because of how aggressive and rude she was, but she actually gets good character development and you can also understand why she was the way she was, being a good representation of a minority who is constantly suffering because of the social norms she’s forced into. also i don’t ship her with jesse but i do like the idea of them in a qpr or just being platonic besties.

(i use she/her pronouns for Lake because that's what they use in the series, but also because not all non-binary people use they/them, and it's kinda weird to see people insist on using they/them for Lake just because she's nb-coded. she has never shown an aversion to bring referred to with she/her pronouns.)

Le Chevre x El Topo - Carmen Sandiego (canon)

they are side characters who don't play a huge role in the narrative but they are a really cute couple and have been confirmed to be canon! even without the confirmation, it’s clear that they were written to be a romantic couple.

mild spoiler: after the series ends, they stop being antagonists and instead put up a food truck together! it’s the cutest thing, i swear

Ryan x Min-gi - Infinity Train (non-canon)

my OTP through and through! i say non-canon but the romance is so heavily implied, you cannot ignore it.

they're a good example of childhood friends who had a complicated relationship where both individuals did something wrong, but in the end, they grow as people and manage to mend their relationship together.

Moomin x Snufkin - Moominvalley (canon)

i have only read one of the books and watched a few clips of these two characters but from that alone, it's clear that they were written as lovers (and the author is queer too!)

they are a beautiful portrayal of long-distance relationship where both individuals have different needs in life, but still want to be with each other regardless.

Terrestrius / Terry - The Dragon Prince (canon)

Terry is canonically transmasc and they actually manage to explain this in the series, without making it sound too forced or expository. he's such a sweetheart too, and his relationship with Claudia is actually really sweet, despite the fact that she's one of the villains.

Carmen x Julia - Carmen Sandiego (non-canon)

again, i say non-canon but it is heavily implied that they have feelings for each other, especially in the extra interactive episode, where Carmen leaves a bouquet of red roses for Julia, and Julia is shown to blush when receiving them.

Amaya x Janai - The Dragon Prince (canon)

what’s that? it’s actually possible to write an enemies to lovers romance that is healthy and not extremely abusive?

Amaya and Janai have such a good relationship in S5 (and Amaya is also a great disabled representation!) Janai actually learns sign language to communicate with Amaya, and there are no unnecessary miscommunication plots or drama, they’re just a really loving wlw couple.

Benson x Troy - Kipo and the Age of Wonderbeasts (canon)

when i say we need more mlm ships in animated media!! i’m so glad us sapphics are getting a lot of representation but it’s time cartoons started including more queer men.

benson and troy are just a really sweet couple with a good relationship that doesn’t have a ton of pining or unnecessary angst. while i love complex and tragic queer relationships, i also think that it’s good to show teenagers just being teenagers sometimes.

this opinion seems to be scarce in the queer community, which really annoys me tbh.

Raine x Eda - The Owl House (canon)

i cannot believe that given the popularity of TOH, Raeda is still such an overlooked ship. this might be an unpopular opinion but Raeda is better written and has more chemistry than Lumity and Huntlow.

just within the span of Raine's introductory episode, they managed to establish a clearly romantic past between these two characters, and also an interesting dynamic. and even though they didn't have much screentime, they still turned out to be the best ship in the series. (again, just my opinion, don't come at me)

i think it's so important to show older queer people in media, just as it is important to show younger queer characters. it helps establish the fact that queerness has always existed and isn't some newfound trend that social media invented. not to mention, raeda is one of the very few canon ships that include a non-binary character.

[inawickedlittletown]

No Queerbaiting Here

A long time ago…I’m talking May of 2021, I wrote a meta post about queerbaiting. Essentially an essay. I wrote it right before the S4 finale of 9-1-1 aired because I was frustrated by Buddie fans calling Queerbait entirely like the boy that cried wolf. I still stand by it. Sort of. 

Now, even back then I was pretty clear about how 50/50 I was on Buddie ever going canon. (Maybe not in that post but certainly elsewhere) But, I shipped Buddie then and wrote a lot of fic and meta and participated in fandom. I never said it couldn’t happen…I just would never be bothered if it didn’t.

Where we stand now: It’s not going to happen. 

And where I stand now: fully immersed in Bucktommy. And what’s more, I am more than perfectly happy about Buck and Tommy staying together and going the long-run. Although I can still look at Buddie and think it’s a cute ship, I just don’t want it in canon. I would not be satisfied if the show went that way. But what’s more if Buck and Tommy don’t work out, that would be disappointing, but I’d be okay as long as they got to be happy. There is, after all, always fanfiction. 

So, I wanted to revisit this concept a bit now that Buck has been confirmed as Bisexual and now that he is in a relationship with a man. Not Eddie. Tommy. And somehow, some Buddie fans are still crying queerbait because their ship is not canon. That’s not how it works. Also…shipping works outside of canon, that’s the whole point of shipping. 

To reiterate from my original post on queerbaiting, here’s the definition from wikipedia:

“Queerbaiting is a marketing technique for fiction and entertainment in which creators hint at, but then do not actually depict, same-sex romance or other LGBTQ representation. They do so to attract a queer or straight ally audience with the suggestion of relationships or characters that appeal to them, while at the same time attempting to avoid alienating other consumers.” 

Here’s where I stand: Buddie was abandoned a long time ago. If it was ever a real possibility, we won’t ever know. What we do know is that Oliver was aware that at one point he had given them the go-ahead to make Buck Bi. Whether this was by putting Buck and Eddie together or having Buck realize this another way, we just don’t know that. We don’t have that information and nor will it probably ever be provided to us. Narratively, I know that a lot of fans figured the timing of it fit with S4 and that particular finale but we really just don’t know despite what happened in the finale.

I found that interesting looking back at my own post from back then and the discussion that followed where some fans felt that the way the finale went would determine if Buddie would be another queerbait ship. (I think most people agreed after the will scene that it wasn’t queerbait because it did leave a kernel of hope that Buddie might still happen). 

And yeah, I guess you could argue that the network deciding not to go the route of a queer storyline points to missed opportunity. That doesn’t then mean that any queerbaiting occurred or that any fans are owed anything just because something that was set up or that the writers were writing towards was then scrapped by the network. Is it a shame that it didn’t happen in whatever way they wanted to play it out, sure, but only because Buck would have been confirmed queer earlier. In the same vein isn’t it nice that we have a confirmed Bisexual Buck now? That the show managed to bring it back to that.

A Buck that is happy and free and that has realized something so monumental about himself? Isn’t it nice that all the queer coding that Buck as a character has received since the start of the show is actually finally not just queer coding but full on character development? That we can look back at the show and see all the things Buck did around other men for exactly what they were. 

When Tommy first returned to 9-1-1 in S7, I think a lot of us were excited by the spoilers about Buck and Tommy because of Bi Buck, but also because this was the thing that could lead to Buddie. 

And then…then Tommy was actually on my screen and I doubted it. I actually thought maybe the spoilers were wrong and this was about Eddie and Tommy? That episode flipped things in such an expertly way that by the time Tommy and Buck were sharing a kiss for the first time I was right there with Buck. On a second watch, it is all there. Buck was never jealous because his friend was ignoring him. He was jealous because his best friend had the attention of the guy whose attention he wanted for himself. The writing on that was perfect and no amount of twisting it can change what happened on screen. 

Buck was not jealous because of Eddie. Tommy was never interested in more than friendship with Eddie. And Buck and Tommy have nothing to do with Buddie. Tommy is not a stepping stone, a way for Buck to be ready to then embark on a relationship with Eddie. That’s both disrespectful to Tommy and Buck, but just not what the story being told on the show is doing. 

The storyline is monumental. Having a big strong guy, a firefighter, figure out his sexuality in his thirties is such good storytelling and add to that Tommy. Someone that we already know, who already works as a first responder, and who can show up and wow Buck in such a way that he realizes something about himself? This is what I’ve always wanted. Because guess what, Buck never questioned his sexuality before this. Not when he met Eddie and not when he met anyone else, not until Tommy. 

Going into the new season we know a few things and one of those is that Buck and Tommy are thriving. The media coverage talks about them as a solid couple, it talks about Buck having someone to turn to and complain to. It talks about how they are still in the getting to know each other phase and I love that for them. I love how they are being treated and described and I can’t wait to see what plays out for them and how much of the build up of their relationship we may get to actually see. 

Do you know what the media and the show never talked about outwardly like this? Buddie. Whenever it came up it was always brushed aside in a way that was respectful to fans and what they saw, but without ever confirming or hinting that the show would ever go there. They never queerbaited anyone with Buddie, what they have done is say “yeah…we know what you see” and then turned around and given us a Buck and Eddie friendship and Buck kissing Tommy, going on a date with Tommy, and thriving with Tommy. 

So, no queerbaiting here on the show where half of the major canon pairings are queer. It’s actually more like some fans baiting other fans with theories and headcanons that just don’t fit.

[alwaysahiccupandastrid]

Some things I’ve noticed on my second viewing of “Five Nights at Freddy’s” (2023)

(Some of these are obvious, don’t @ me, I’m autistic and I had work the day I first watched the film so my brain was all over the place)

Once again, SPOILERS ARE UNDER THE CUT, PLEASE DONT READ IF YOU ARE AVOIDING SPOILERS!!!!

On my first viewing I thought that showing the security guard at the very start loosening the bolts of the chair straps was a fake out to make us believe he’d escape, but actually he loosened the bolts which is how Mike was able to escape later on

Just want to say that the opening credits are fucking cool and I love them so much

In my previous post about things in the FNAF movie, I incorrectly said there was no Golden Freddy - Golden Freddy is in fact in the film, he’s the one who goes to the house/kills Aunt Jane/is in the taxi

Following on from the above point, I said last time that I thought the cupcake was the fifth ghost child but I actually think it’s Golden Freddy to be honest - the blonde girl was obviously Chica, the boy with the bunny ears was Bonnie, the ginger boy was Foxy, and then there was the blonde boy and another boy with a top hat on. I originally thought that the blonde boy who wore the brown shirt was Freddy because he seemed like the leader, but now I’m wondering if the boy with the top hat was Freddy and the leader boy was in fact Golden Freddy (given his blonde hair)? I’m interested to hear what everyone else thinks

This is obvious but the doctor foreshadowed the ending because she told Mike that drawings are powerful tools for children to express things and understand things, and that’s exactly how Abby communicated to the gang at the end that Afton was responsible for their deaths

^side note but as an early years practitioner at a nursery/for preschool children, it’s actually true that pictures are used to help children learn things even before they can read, write or talk. I don’t know, it just interested me to be like “oh yeah that’s true!!”

There was not that much focus on Mike’s dad, like he was seen so briefly compared to his mom, which makes me wonder if there’s something to it that might be revealed in a future film. Like maybe his “dad” isn’t his dad or something? Because in the game canon, William is his father, so… I don’t know. I also saw someone else point out that in the training video Mike watched, there was a man working on the animatronics who maybe looked like the actor playing Mike’s dad, so maybe his dad worked there with the animatronics?

The film appears to be set in 2000; I’m 90% sure the security cam of Mike in the careers office showed the date as being in 2000, but if someone else can clarify or confirm the exact date then that would be great. It would make sense though because Garret presumably went missing around the same time as the ghost kids (in the 80s), so the film being set in the present day (meaning Mike would be in his 50s) would make zero sense. Also the mobile phones/computers all seem like they come from the early 2000s

Someone on Twitter pointed out that one of Abby’s drawings on her wall appeared to be a red airplane, which could just be an indication/foreshadowing of her knowledge of Garret’s disappearance (his toy airplane) but also someone else said it could have been 9/11 which….?!?! If this film is set in 2000, then that’s FUCKED

(I think it’s either a random drawing or to do with Garret’s toy tbh but the idea of her having foresight of 9/11 is fucking horrifying)

I’m still not totally sure which animatronic the gang were going to force Abby into, like it’s one with spring locks and at first I thought it might be Circus Baby but it doesn’t really look like her. It looks almost like a marionette or something? And I mean, yeah, it could be that they changed the design a bit but they literally stayed faithful to the designs of all the animatronics in the series so… you know.

Desperate to know if Matthew Lillard is aware of the fact that his DILF status has been multiplied by one hundred after this film like can someone check in on him and see if he’s alright? 💀 the FNAF girlies fans are frankly RABID about Afton

On that note, I wonder if Josh Hutcherson or Matthew Lillard have ever played any FNAF games, like were they fans before being cast or…? I really wish we could have content of them talking about the film or promoting it, but Hollywood refuses to pay their actors fairly so 🤷‍♀️

Listen, I ADORE both Josh and Matthew anyway but in this film I feel like Matthew especially stood out??? Maybe it’s just the character he’s playing but he ATE this role up (so did Josh but still)

I feel like the springlock scene was actually more terrifying upon a second viewing like at my first one I was like “that’s not as bad as I imagined” but this time I was like “holy shit he’s in agony” like his screams were PAINFUL to listen to

Speaking of painful to listen to, Freddy gave this really guttural and pained roar/scream at one point during the ending and it really made my heart hurt, it’s like the child inside of him was reliving the memory of their murder or something??? I can’t describe it but it was such an intense moment

I honest to god feel like I enjoyed it more on a second viewing and I don’t know why??? Maybe it’s just because the other people in my cinema weren’t laughing every five minutes but still.

I now have the urge to rewatch ALL of Markiplier’s playthroughs of ALL the FNAF games so… yep!

Once again begging for people to talk about FNAF because I’m not the most knowledgable on the series but I do enjoy it!

[itsohh]

The True Ghost

AN: I kept editing this one and I feel like the vibes are a little over the place.

Summary: After getting shot in the head you find yourself not in the land of the dead but stuck in the land of the living without a real form. Unable to interact with anyone, your forced to watch your lovers suffer with your loss.

Word count: 2156

Warnings: MW3 spoilers, angst, canon typical violence, hurt no / little comfort

Masterlist AO3

The twist of your arm, the furious look on Makarov’s face. The shouts that echoed around you, then… nothing. 

You opened your eyes. 

When you sat up you did so with extreme ease, the weight of your body was non-existent. Perhaps that's what it was like on the moon. It was like being submerged underwater but with no force of any tide. 

You looked up from your sitting stare to see your entire team staring at you. “Got something on my face?” You joked but they didn't reply. When had Gaz and Ghost arrived? 

Soap collapsed onto his knees with a choke. He reached towards you but as his fingers were to come into contact with your skin, they phased right through. The warmth of his hand spread through you and you looked down to see what he had truly reached for. 

He had reached for you. More specifically your body. You scrambled to your feet to get a good look. Blood pooled under your head as a lifeless look was frozen on your face. 

“Shit.” You covered your mouth and looked at your team. “Shit!” You were dead? “Shit! Shit! Shit!” Your eyes went to Ghosts and his eyes closed for a second before he placed his hand on Johnny's shoulder, a sombre look in his eyes. 

Price couldn't tear his eyes from you as he radioed in. The call of KIA which confirmed your death. Your hand threaded through your hair and took a few steps away. If you were dead then why were you still there? A fucking ghost. It should have been somewhat ironic but you couldn't bring yourself to laugh. By the obvious lack of other ghosts around, it seemed you were a special case. Was it because you hadn't killed Makarov? Was that your unfinished business? 

The thoughts raced through your mind as you glanced over to see Soap lean over your body and press a kiss against your forehead. His hand shook while he held yours. As you stared at him you realised that his entire body was shaking

“I've got her Johnny.” Ghost's voice was broken, empty and Soap turned to look up at the man. Tears swelled in Soap's eyes and Ghost crouched down next to him. Ghost gently pried Soap's hand from yours and brushed your eyes close. 

If it hadn't been from the hole in your head you could have looked like you were asleep. “I've got her.” Ghost squeezed Soap's hand and the man nodded in return. It took all his strength but he backed away from you and Ghost went to pick up your corpse. 

You didn't know if it was comforting or not that they weren't leaving your body there. It was strange, you were so disconnected from it but at the same time, it was still your body. It was like a childhood home you no longer owned. 

“It should have been me.” Soap muttered as they started to walk and Ghost froze for a second. 

“Don't do that Johnny. Don't do that to her.” 

Soap glanced at Ghost's hardened expression and went silent. 

-

The car ride back was that same prolonged silence. You had sat in your designated spot, at least you had that going for you. With the whole ‘everything passes through you’ situation, you were just glad you didn't have to walk back. 

You watched as Soap entered his room. Not yours, not Ghosts, but his own dorm room. It was a place Soap rarely visited anymore. Ghost’s room had been a sanctuary for all three of you. 

He ripped his gear from his body, his hands shook and he threw it all to the ground. Tears now flowed in free fall and he staggered over to his bathroom where he flicked on the the shower. Soap stepped in immediately, not caring about the cold water. He desperately started to scrub at the skin on his hand even though there wasn't a speck of blood. 

You sat down in the corner and closed your eyes as his sobs started to echo in the room. He swore your name and choked on his tears. 

Eventually, the water turned off and he came out. His eyes were red and puffy while his muscles were dense. Soap's skin was red and raw from scrubbing it too much. He went over to the sink and leaned on his two palms. 

You got up from the floor and went behind him. So desperately did you want to confront him, to hug him, to tell him it was okay. It was an act in vain but you placed a hand on his shoulder. Warm but tense you looked forward and paused at the sight. 

Perhaps it was because you could see yourself but the reflection showed the pair of you. Honestly, you looked terrible. A picture image of the moment you died. Wet blood eternally stuck to the side of your head as your eyes lacked a certain warmth to them. 

A sudden smash came as Soap's fist collided with the mirror right where your reflection was. A fractured spider web formed and a stain of his blood tainted the centre of it. 

You flinched at the moment and covered your gasp with your hand. A choked sound still escaped, not that anyone could hear. You reached on to him as leaned on the sink. 

“Should have bloody fucking let me die.” He growled. “Should have saved herself but she had to play hero. Never seen her do something so stupid-” Soap slammed his bloodied fist down without a care for the pain that it would obviously inflict. 

Would he be the same mess if your position with Simon was flipped?  

His choked sobs came but you didn't attempt to vainly comfort him again. Perhaps Ghost could help- perhaps if you could somehow communicate a way to get your lovers to join hands…

You left Johnny's bathroom and went towards his bedroom door. 

You put your hand on his locked door handle to open it but once again it went right through. Brows furrowed you tried again but this time with a lot more concentration. 

Your eyes widened when it jiggled a bit but the stiff lock was just a little bit too much. With a sigh of frustration, you went to slam your fist on the door but ended up going right through it. With a stumble, you fell forward across the hall into your own room. 

Surprise crossed your face to see Ghost there. His mask off. His eyes were closed and he took deep breaths as if he were meditating. You couldn't help but wonder how long he was there. 

“I'm sorry.” He eventually said, his eyes cast at the ground. “We weren't fast enough and you paid the price.” He let out a deep breath. “I should have known that you would eventually go. But for a moment, I could play pretend.” 

You sat down on the bed next to him. He couldn't see you, he couldn't hear you but you hoped somehow that he knew that you were with him. 

-

Days went past and you saw two events. The official funeral that was done for all operators, a big fancy honourable thing that felt more political than anything. Then there was when they spread your ashes, a more quiet event where they flew to your homeland and did so.

You preferred that one. 

It got a bit boring if you were honest. Most of the time you just walked with anyone who was at base. Normally Ghost or Soap but sometimes it was Gaz or Price. On the odd occasion, it was Kate. You missed Farah and Nik. 

Ghost seemed to spend a lot of time in your room. Soap didn't. Their relationship had certainly suffered because of it. 

s

One night as you watched Ghost leave your room, you heard it. A small buzz. You went over to the nightstand to see your phone exactly how you had left it. It was on charge on the side table. You went to pick it up and surprisingly, it obeyed your command. 

With wide eyes, you slid your finger against the screen and it unlocked. A sound of glee left your lips as you tapped away on it. “My sweet baby boy, you recognise me.” You grinned at the phone. 

Consequences be damned, you hit Soap's name and opened your messenger.

I love you

You sent it without hesitation and as you started to type to Ghost you heard the shout. It was Soap's voice. Uh-oh. You placed the phone down and left your room to see Soap at Ghost's door. His first was raised and banged against the door while his phone was clutched in the other. 

The door eventually swung open and you saw Ghost there peer above Soap. 

“Johnny.”

“What the hell is this huh? Trying to fuck with me with her phone?”

“I don't know what you're talking about.” 

“Oh cut the bullshite, I know you spend half of your time in her room.” He waved the phone in Ghost's face and grabbed his collar. 

Ghost's brows narrowed. “I know you’re hurting Johnny-”

“Oh that's rich-”

Soap's voice was cut off by Price who had been woken up by the endeavour. 

“The hell is going on?” He barked and walked up to the two men. Price took the phone from Soap and looked at the message. A sigh left Price’s mouth.

“It's probably just a scheduled text message Soap. You know what she was like, always one to think ahead. Probably did it because she knew you well enough to know that you would refuse to watch her recorded messages.”

Soap let go of Ghost's collar and looked down. 

“She loved you, the both of you. She wouldn't want you to fight. I know you're both in pain but you're better off working together not against each other.” He clasped a hand on Soap's shoulder. “If you really hate it that much you could go disable it in her phone. It's probably where she last left it.”

“Passwords 2019.” Ghost finally spoke up. It had been a running thing that you never told Soap your phone password. Something to tease him about. Soap threaded his hand through his hair and nodded. 

“I'll…I'll go check out her phone.” His voice was quiet and then it dawned on you. 

As much as you wanted them to stop fighting, you didn’t want them to take your phone.

You turned on your heel and dashed through your bedroom door. With a snatch of your hand, you took it off the charger and went to put it in your pocket but then paused. It fell to the floor. It seems your pockets didn't work. With a roll of your eyes, you picked it off the floor, climbed onto your bedside table and turned it to silent. You balanced on the table and slid it on top of your dresser. It was tall enough that not even Ghost would be able to see on top of it

Last second you lost your balance and let out a cry as you fell onto to hover awkwardly above the ground. “Guess ghosts can fly after all.” You muttered.

Slowly you lowered your feet onto the ground just in time for Soap to walk into your room. It was the first time since you died. He went to your nightstand only to find it gone. A frown formed on his face and then he went towards your desk. 

He let out a sound of frustration but it was Ghost's voice that filled the air. 

“Can't find it?” 

“Did you take it?” Soap asked

“No. I'll call it for you.” Ghost brought out his phone and started to call your number. Yet it didn't make a sound. Soap stood up and started to walk to the bathroom to look for it. You followed him as he searched under the sink and when he stood up, his eyes made contact with yours in the mirror. 

He didn't say a word. Soap looked away and rejoined Ghost. Just in time to hear your voice through your phone. 

“I'm unable to come to come to the phone right now. Don't leave a message and please send me a text. Thanks!” 

“She probably hid it somewhere.” Soap’s eyes shut. “It's fine. I don't want to be in here.” He pushed past Ghost and left the room.

Pain swelled in your chest. You didn't want to hurt him- either of them. But your phone was all you had. Ghost glanced to the rest of the room and left. The door clicked behind him. 

Slowly you went for your phone again and unlocked it. It was still open on Ghost’s contact. 

You finally hit send. 

A moment later you surprisingly received a reply. 

I love you too.

I miss you

Rest well

[clairescotcoutts]

So, about The Veilguard.

This post is:

Long.

Spoiler full.

Read at your peril.

So.

The fact that I devoured the game in virtually less than three days should speak for itself; I was worried about the playing style, I was unsure about the combo system, and having only two companions travel alongside the MC felt a little alien to me and also added to my anxiety. (Yes, I’ve played Mass Effect, yes, I’ve been in a fighting trio before, but never in Dragon Age.) I thought, “There’s only three of us?! We’re gonna die so much and so hard.”

Turns out I didn’t die so many times as I’d expected, so yay me.

I had refused to watch anything that had to do with the plot, with the exception of the trailers, because I wanted my experience to be fresh and untainted by expectations. Of course, I had hopes — but other than that, I dove in blind and without any sense of direction.

As you know, the depths of the ocean hold both horror and beauty, so here are mine; I shall start with the horrors so all the bad air is cleared out first.

My primary horror is that, save a few points, the game very clearly follows BioWare’s own canon, in which the Hero of Ferelden must have died to stop the Fifth Blight, and thus there is no Kieran. Morrigan plays a pivotal role yet again, but her presence implies that the decisions made in previous games are… well, your own, but not the world’s own. So, no Kieran, and it is heavily suggested that it was Morrigan who drank from the Vir’Abelasan. Even if she hadn’t, turns out she ends up with a piece of Mythal inside her anyway, granted by a regretful (and finally gone) Flemeth.

Story-telling wise, well, I don’t know if it was the best choice— I just know it bummed me out a bit to find some of my decisions discarded, not considered at all.

My second horror is the absence of either Hawke or Stroud. The events at Amaranthine are mentioned, but (unless I missed a codex entry) there’s no word on what happened to the brave soul left in the Fade to fight that giant monster demon. Since I always leave Stroud behind (because Alistair is and always will be a king to me), I can’t say I’m suffering to know his fate, but it would’ve been nice to confirm something. 

At the end of Inquisition, Morrigan narrates that should Hawke live, they go to Weisshaupt, but soon all news from there ends. What happened?! Am I missing something found only in the comics or books?

Also what happened to the rest of the companions? What about the woman made Divine in Inquisition? Whether it’s Leliana, Cassandra or Vivienne, you’d think the Divine would have something to say about two ancient elven gods turning the world tits up.

What about the Qunari who are not part of the Antaam? Are they in agreement with Elgar’nan and Ghilan’nain? Is Seheron torn asunder like Minrathous?

Why is nobody remarking on the fact that the Crows buy (or used to buy) people?! I love the Antivan Crows, I do, but one cannot forget Zevran and all he told us about them.

Those are my particular points of horror. 

Now, to the rest.

Veilguard is a game that doesn’t hold back. It’s out to punch you in the guts and kick you in the feelings, and boy does it do it brilliantly. The sacrifices are real. The choices are heavy and carry weight on them that slumps you down (especially if you’re extra sensitive, like me) throughout the game. The dilemma and problems your companions face are heart wrenching, and you want them all to thrive. Yes, even the one who was hardened because you can’t bloody be in two places at once. These companions are well fleshed-out, they’re alive, they’re complex and they are so beautiful to live and travel with. The emotional moments they have, I felt them, I suffered with them, I cried. I /cried/, which had never happened to me with a videogame before. And not just because this companion is my favourite or that topic hits a bit close to home— not just that. It’s because they’re amazingly written and acted out. They feel so real.

The locations are gorgeous (I especially fell in love with Treviso), and I love how much you’re able to explore. I love that you can pet animals. I love that you can interact with the world in front of you. I /love/ that you don't miss dialogue even if you get into a fight because the companions re-start conversations now.

The NPCs? My children. Isabela is fire, as always; Antoine, Evka, Viago and Teia have my whole heart. The Mourn Watch is fascinating and the Shadow Dragons are bold, united and righteous. I really like that the Veil Jumpers don’t diss on the Dalish just because they know more— they understand that, as a people, they are one. And they’re accepting of everyone, not just elves!

I simply adore Rook as a protagonist. Not just because they give purple Hawke, and I love Hawke, but because again, they feel human and real. They know this is well above their paygrade, and they’re in way over their heads, but they still step up and lead because damn, someone has to. Iron Bull would be so proud. They are fun, they are caring, they are talkative and they know they’re drowning, but can’t afford to stop swimming.

Both in Origins and Inquisition it felt as though we were The Chosen One, even if in the latter one tried to swear it off and deny any possible divine intervention, but in DA: 2 and here, we are just people trying their best with the worst circumstances, and to me, that’s beautiful. Rook is a delightful protagonist.

The game allows you to choose who you’re going to be and /how/ you’re going to be thus. You can be cis, you can be trans, you can be neither and you can be both. No limits now.

Which leads me to another point I simply adored: how the questions of gender are treated. It’s really big to have an NB character go through their own acceptance process before our very eyes. While in Origins (and a bit in Inquisition too) you have the choice to be shocked that there are people who like their same gender, this game is Thedas saying “The world is big, the world is complex, and people everywhere are not defined by your expectations or rules. It’s not even an option. Deal with it.”

Regarding the magic, I’m not even mad it looks and feels different. After all, Dorian used to say that “the South is so charming and rustic”, and now I see that’s because what he saw in Ferelden and Orlais was not what he is used to. Even in Absolution we see that the way Tevinter used magic is distinctly unique and not how it is done south of Arlathan. I understand it. I like it. It’s not as if there had been no changes in the designs of demons and darkspawn before, and now that’s what they look like. It’s fine. Time has passed and people are allowed to make different creative choices.

Now, to Solas… Solas. Oh, Solas. I understand you so much better now.

Veilguard really helps put into perspective some bits of dialogue from previous games. Why does this 8-ball care so much about spirits and the Fade? Gods, because he /is/ them, and the Fade used to be his home. Every time he has to hear that spirits are monsters or unreal he takes it personally, and how could he not? People are saying he’s a monster, he’s not real, and nobody knows any better because they wouldn’t believe him anyway. Now I understand why he gets so worked up if you make Cole more human—you’re doing to him what Mythal did to Solas himself. You’re forcing him to be something else and Solas knows it hurts. (Also, Cole is happier as a spirit— “Thank you for helping me find this again. For believing in me. You don't know what it means”, he says, and now it hits so differently.)

I have to remark on some things I’ve read that have shocked me— first of all being the interpretation of Solas and Mythal’s relationship. Like Taash, you can assume “they were doing it”, however, I don’t think they ever loved each other like that. Their bond, to me, is that of a queen and her most loyal knight, a “king and lionheart” sort of situation if you will. Solas knows her better than anyone else, certainly, but the way I see it, that right there is his commander, inspiration and also, his heaviest shackle.

Their relationship merits another post altogether, I believe, as does Solas and Lavellan’s.

All in all, the good, to me, far outweights the bad.

Give the Veilguard a chance before you discard them, enjoy the appearance of some of the characters you love, enjoy getting to know the new heroes. Give yourself the option of having an informed opinion before you love or hate.

Also, petition for Solas to let his hair grow out again.

That's it, for now.

[maddy-k-reads-all-day]

I'm starting to agree a bit with people's interpretation of Wooly being that he tries to stay on script. In "Play My Way" (which I'm 99% sure is canon since it's an official Amanda 2 song and listed in the Amanda 2 game credits) Wooly's verse goes "Now watch us play our part, now watch us dance and sing, don't let it break your heart just play along and don't-" (before getting cut off by Amanda). So I do think he tries to stay on script a bit.

Though I don't think it's out of malicious intent. I think Wooly is just more avoidant about everything. Like, he doesn't like to think much about their situation since, to be fair, it's pretty upsetting.

Eventually, I'll have a full Amanda and Wooly analysis complete with quotes and clips but for now I'll just share the gist of this personal theory I'm working on. Basically, I think a big part of this has to do with memories. I don't think Amanda and Wooly remember everything from before, and it's possible in the beginning they remembered nothing at all.

Spoilers ahead:

For one thing, in the first game, Amanda only reacts to the name "Sam" in the context of the father chicken. In the second game she reacts to it a lot more and seems to know what happened to him, so I think it's safe to say she remembers that much now. I think the first game was Amanda slowly remembering more and more and trying to prompt us to go off script so we could jog her memory a bit more.

I don't even think she remembers everything in the second game. It's possible there is still more she doesn't recall, but at this point, it seems like she doesn't want to talk about it. Even when Wooly wasn't around, if we mentioned Hameln or the butcher, she immediately shuts down. She's telling us pretty clearly that she wants out, though.

Which is why I found it interesting in the librarian tape when Kate couldn't even confirm if Amanda wanted out of the tapes. She was certain it was Rebecca, but she couldn't tell where she was coming from. I think Kate started the process of Amanda getting her memories back, or maybe she sped it up by mentioning names and things that Rebecca would know, jogging Amanda's memory over time just like we did.

But here's the thing, all of this probably jogged Wooly's memory too.

I see it as a "would you rather be told an inconvenient truth or a comforting lie" situation. Amanda wants the truth, but Wooly would rather live a lie.

I mean, the truth is clearly something that is painful, sad, and scary. Once Amanda learns it, she says in the Goodnight tape that she tries not to think about it. But Amanda knew these memories were upsetting and wanted them back anyway. She doesn't seem to regret knowing the truth. But I think Wooly would've rathered all this stay forgotten. Sad and scary things make him uncomfortable, as we learn in the "when you feel bad" tape when you answer "tragedy" or "horror". I think he tries to avoid them in general.

Another thing, Amanda wants us to know what happened to her. That's abundantly clear in the second game. Personally, I think she was the one who helped us find the secret tapes. She sprinkled little hints throughout the tapes to let us. She might not have known excatly what was on those tapes, but she clearly knows that they have something to do with what happened to her. There could've been some research on Wooly too, but we just never found it. I mean, Amanda doesn't excatly like Wooly and she's kinda desperate for us to know the truth about what happened to her so... she probably wouldn't be too eager to share about Wooly.

What I'm trying to say is: the reason we never learn about Wooly is because Wooly doesn't want to know the truth, and by extension has no interest in us finding it. My guess is that Wooly would much rather just forget and have things return to how they were in like the Hide and Seek Pilot, for instance.

Which, let me remind you is canon.

Basically, my guess is Wooly would rather things go back to how they were when they didn't remember. Staying on script and never questioning anything because the answers to those questions are painful.

Edit: I'd also like to mention that Sheep symbolizes FOLLOWERS. Something that fits Wooly to a T. He's not the "bad guy" he's simply the bystander, which doesn't make him a good person but it also doesn't make him a villain.

It's late, I'm tired idk if I'm even making sense. Had to rewrite half of this cuz it got deleted. Hope you enjoy nonetheless!

[yazthebookish]

This might be a bit long but the Gwynriel Reddit thread inspired me to let my thoughts flow about Gwyn and Azriel.

P.s. this will include some HOFAS spoilers.

I've said this before but SJM choosing to end Azriel's chapter with Gwyn is a choice. It's the beginnings and the endings of a chapter that authors tend to put a lot of thought into—so her ending the chapter which felt like her nudging readers' to Gwyn's direction is intentional.

Gwyn was not just a random addition, given their interactions throughout ACOSF their scene in the bonus chapter didn't feel out of place (even if readers' didn't expect to see her in it).

People try to invalidate the bonus chapter as much as they can but HOFAS had proved once again that they are important and canon (though I do think SJM and her publisher need to include these in the main books because they are crucial).

"You depend so much on a bonus chapter that a lot of readers don't have access to"

True but that doesn't mean the next book can't fill in the blanks because Azriel and Gwyn were already interacting in ACOSF, so having that romantic development in the next book (and the possible reveal that they're mates) + ON PAGE will still make it up for the readers that never read the bonus chapter. Like, CC4 will definitely bring up the fact that Ruhn and Lidia got married (despite it happening in a bonus).

I always considered the bonus chapter as a teaser for what will happen in the next book, Sarah confirmed she sprinkled little crumbs and I quote "I want to hear all your theories after you read the book and his [Azriel's] bonus scene, the crumbs have all been scattered, little bread crumbs everywhere" and it will keep readers guessing until the next book is out. So you won't know for sure how relevant or significant the bonus chapter is and the crumbs she scattered until you read the next book.

With that being said, Gwyn's cameo in the bonus chapter didn't come without some interesting clues: Azriel's shadows didn't warn him she was around, they were curious about her and she smiled at them, they danced and sang around her, Azriel revealed he sings because she asked, she thanked him with a smile and he felt settled even his shadows calmed.

We never saw his shadows react to anyone the way they did with Gwyn. They seem drawn to her, they danced, they sang, and while there are many theories about it but I absolutely do think if the shadows would be drawn to someone it would be Azriel's mate.

"Azriel and Gwyn had no romantic development and he didn't think about kissing her and all that"

But did every SJM couple start that way? No. And someone expressing the desire to kiss and hook up with someone is not always an indication of endgame (I can count multiple couples who kissed but weren't endgame).

The crumbs we had of them in ACOSF sets the groundwork for a romantic relationship to build in the next book—because who doesn't want to read about them both falling in love on page?

And yes, Sarah is capable of writing a love story from scratch in a single book (e.g., Tower of Dawn). Another example is how ACOMAF started with Feyre being in love with Tamlin and halfway through she started to really fall in love with Rhys.

The whole Azriel/Elain/Lucien triangle is messy as it is, so I don't think SJM would turn it into a square by inserting Gwyn. SJM could've chose not to give Gwyn and Azriel any ties in any way whether it was him rescuing her, him training the Valkyries, and again, including her in his own bonus chapter (hell even her boss:guardian Clotho made an appearance).

But she did and based on her pattern with her male love interests in particular, she doesn't really insert a new female or have females fight over the male love interest. I don't ever see Elain and Gwyn fight over Az, each might have an issue with Az on their own but do I see them argue with each other over Azriel? Absolutely not.

And if you look at the sequence of the scenes in his chapter, it gives a better idea of how it was planned:

1. Starts with Azriel reflecting on his loneliness while everyone left.

2. Elain shows up and they interact, Azriel gives her the necklace and they almost kiss.

3. Rhysand interferes and Az stops the kiss and tells Elain it was a mistake.

4. Az and Rhys argue and ends with Rhys ordering him to stay away from Elain and dismissing him.

5. Az leaves to the House of Wind wanting to work off the frustration but finds that Gwyn already occupied the training ring.

6. Gwyn and Az interact and he leaves the scene feeling settled down and his shadows calmed.

7. He wakes up, goes to the River House and finds Elain's necklace, he pockets it with the intention of returning it to the shop after the snowball fight.

8. Instead of the shop, he goes to the library to ask Clotho to give the gift to Gwyn and refuses to leave with it.

9. Going back and forth, Clotho eventually agrees and said she will tell Gwyn a friend gave it to her and she thanks Az for the joy it will bring to Gwyn.

10. Az leaves but the mention of Gwyn's joy sparked something in him that it brought a slight smile to his face, he buried the image in his chest where it glows quietly.

Both interactions with Elain and Rhys ended with him feeling miserable, but both interactions with Gwyn and Clotho ended with him feeling lighter and better—and to me that shows me how intentional SJM was with creating these parallels (including the shadows skittered back vs the shadows danced and sang).

Instead of Gwyn and Clotho we could've had Mor or Nesta or Amren, but SJM chose Gwyn and Clotho. Like, it could've ended after Rhys's argument but again, it's a writer's choice.

That's why no matter how many times I reread ACOSF my mind doesn't change much because SJM is not that subtle.

[callsign-rogueone]

assessments

Aaric Graycastle x reader part two of Aaric and Sunny's story words: 1.7k 🏷: set during Iron Flame but no real spoilers. canon-typical sparring. very vague mentions of injury (a bruise and a bandage.) more of Sunny's backstory perhaps.. I promise these titles will start getting more creative after this. this one's technically a double meaning -- assessment day for Emeterrio's class, and our bbs slowly starting to figure each other out.

You consider yourself excellent at reading people, a skill you’d honed in your years of working in a tavern in Calldyr city. It made long shifts more bearable, and earned you better tips — you knew exactly how to talk to each kind of person who walked in, what to do and say to make them like you, to think you were just like them.

All you need to do is look at someone for a minute, watch them and listen to them speak, and you can gather everything you need to know about them -- where they’re from, and what their deal is.

It didn’t take long for you to figure out your entire squad.

Rhiannon, the squad leader, is the responsible, motherly one, but she’s still fierce, and has something to prove. She wants your squad to be the best it can be, and has her sights set on being a wingleader next year. 

Ridoc is the class clown who is almost never serious, but cares for his friends deeply and won’t hesitate to fight for them. He’s smarter than he lets on, and a good fighter, even though he’s smaller than some of the other guys — which isn’t saying much, because they’re all giant — but maybe you could learn a thing or two from watching him.

Sawyer, Rhiannon’s second in command and Ridoc’s best friend, who balances him out with logic and restraint, but is definitely still frequently dragged into his shenanigans — though he takes his role seriously, feeling the need to prove himself to the world.

Violet, the daughter of two generals, who was expected to follow in their footsteps despite her medical condition, incredibly smart and observant, and not to be underestimated despite her small stature. 

Sloane, who was forced to be here because of the Treaty of Aretia, as her parents were accused of treason, holds a grudge against Violet for her unclear role in the death of her brother, but seems to respect Imogen enough not to kill the girl.

Imogen, the unaffected cool-girl, was also forced to be here, but she seems to have taken it in stride. She’s clearly not afraid of anything — not to stand out, with her pastel pink hair, nor to provoke anyone, being a skilled fighter both with words and hand-to-hand.

Nadine fits into a similar category with her dark purple hair and her unrestrained laughter. She seems less serious than the others, not at all worried, but it remains unclear if that’s because she’s overconfident or underestimating the challenges that second year will bring her.

…. and then there’s Aaric. You find yourself watching him for confirmation of what you’re supposed to be doing, but also out of sheer curiosity, because you just can’t figure him out. He doesn’t fit in any box you’d sorted the others into. He’s quiet, but not because he’s shy like Sawyer. Serious, but not the rigid soldier that Dain is. There’s just something about him that you just can’t put a name to, some quality you can’t quite describe.

He doesn’t look tired at breakfast, so he’d probably heeded the wingleader’s advice to sleep early — and he must not have stayed awake all night worrying about being killed.

You’d tossed and turned, but you’d been comforted by the theoretical safety of your top bunk, a good five feet above anyone, in a corner where you can see the whole room, and your two knives — one under your pillow, one clutched in your hand like a child would a stuffed animal. 

You wear one on each hip now, tucked into the belt loops of your pants. You should really get one of those leather rigs that the second-years have to hold them in a better position. They look much more secure, and more comfortable. Maybe you can invest your last bit of coin in a card game and make enough to buy one in town. Or maybe they’re issued to everyone later in the year — most of the older cadets have something similar.

You’d been one of the first ones awake, re-wrapping your bandage and changing clothes quietly, brushing your teeth before everyone else woke up and wanted to use the bathroom.

You learn these things quickly when you live with half a dozen other girls. 

Sloane had been slower to get ready, but you’d waited for her, lingering by your bunk and giving her a nervous half-smile — silently asking if she wanted to walk together. She’d agreed, falling into step beside you out to the morning formation.

It’s easy to spot where you’re supposed to be — look for the pink, purple, and silver heads. 

Imogen looks relieved to see Sloane in one piece — then she turns to you, looking unamused. “What are you so happy about?” she asks, raising a dark eyebrow. 

You know they won’t really understand, but you tell them anyway. “I woke up this morning in a bed of my own, looking at a roof over my head, with clothes on my back that I didn’t have to steal.”

Both of them soften, realizing just how differently you’d grown up. Their childhoods and teenage years may not have been the happiest, but they were safe, and didn’t have to worry about where their next meal would come from or where they’d sleep that night.

Aaric hadn’t realized that the service could be an escape for some people, rather than a death sentence or an act of patriotism or a moral obligation. Whatever you’d faced in the city had outweighed the possibility of dying in battle — despite being incredibly underprepared, you’re the one of the three of them that wants to be there the most. 

He has several questions, none of which he can ask without giving away his little ruse — and it’s been less than twenty-four hours since you’d all crossed the parapet. But still, he wonders about you. What’s your story? Where had you lived in Calldyr City? How many miles from the castle? Had your paths ever crossed? 

For a moment, anger roils through him. He’s aware of the disparities within his father’s kingdom, the way the other half — the other nine tenths, more like — lives, but to hear you speak of it so candidly… it’s clear you’ve never known anything other than struggling to make ends meet. 

Just another item on the laundry list of issues that your dear king is so content to ignore.

“I’m sorry,” he says finally, as if he is at fault for your situation, as if he had been the one to deal you those cards — but is he not implicated in your suffering? He’s certainly complicit, passive, letting it happen.

Not that his father would listen to him if he asked him to do anything about it.

You give him a reassuring smile — you know from experience that talking about your life tends to make people uncomfortable. “Don’t be. I feel richer than the king.”

That makes him feel worse, actually.

-----------------------------------------------------------

“Bell, and Hannigan,” the professor calls, already looking and sounding bored. If everyone in the quadrant has to do one this week, that must be at least two hundred. You wonder how many have already occurred, and how many more he has to go. 

And what are they going to do with this information? Rank you somehow, for sure. Maybe they’ll split you into groups based on skill level? No, they probably aren’t that nice. Everyone has made it sound like it’s kill-or-be-killed here, literally. They probably aren’t offering any remedial courses.

You recognize the other first-year girl. She was one of the few who were up and moving before the wake-up call.

You give a nervous smile as you step onto the mat. She doesn’t return it. Either she doesn’t remember you, or she doesn’t want to acknowledge that her bed is less than fifteen feet away from yours.

Maybe this place is just like Calldyr city. The school may as well be a city of its own, with its size and population, and the way nobody here seems to care about each other, or be friendly at all — friendliness and trust would get you robbed in the nicer parts of the city, or maybe even killed in the “bad parts”, but you’d survived there your whole life.

You’ll have to do the cold-and-distant thing, you suppose. It would be nice to have friends, a group of people you can trust like Violet does, but you’ve done everything for yourself for years. You can keep doing that.

She isn’t too much bigger than you, but she looks like she knows what she’s doing, and that she’s confident she’ll win. She should be — you haven’t had anyone to practice with, lest it give away your plans. All you know is what you’ve seen from watching the drunks in the slums swing at each other, and they’re not very good examples. 

She lunges quickly, but you slip aside with ease. 

You duck a would-be punch to the jaw, attempting to kick her legs out from underneath her, but her boots are planted to the floor — it only irritates her and probably bruises her left shin.

No time to feel bad about it; she’s pushing forward again. She’s determined, you’ll give her that. 

It becomes clear that your duck-and-dodge strategy is effective in keeping yourself unscathed, but it won’t win you this fight.

You attempt a punch like hers, unsuccessfully; she catches your wrist and uses it to leverage you to the floor, where she presses you into the mat, wrenching one arm behind your back and using her weight to keep you down. You struggle for a moment before realizing she has you pinned too well. “I yield.”

“Hannigan wins,” Emeterrio announces monotonously, writing it down.

She lets go, but doesn’t offer you an apology nor help you up. Cold and distant it is, then — with everybody but your squad, who are supposedly not allowed to hurt you.

You’re three steps away from falling back into your place beside Sloane when you hear a crack and a scream.

Then all hell breaks loose in your corner of the gym.

[justmenoworries]

some unorganized thoughts about Vox and Valentino Hazbin Hotel

Spoilers For Hazbin Hotel episode 2

TW: Discussions and depictions of abusive relationships, sexual assault, extortion and financial abuse

So going by the promo material shown to us, a lot of fans seem to think that Vivzie has changed course on VoxVal and that it's going to be a much more healthy relationship than previously implied.

Not gonna lie, that disappoints me.

Because depicting an abusive romantic relationship with an imperfect and unexpected victim would have been extremely interesting. We already know Valentino is a piece of shit who doesn't care about anything but himself and profit.

The "Addict" music video and the prequel comic "Dirty Healings" make that very clear.

Valentino regularly assaults Angel, keeps Angel's earnings for himself and tries to keep Angel in the studio as long as possible, even getting angry when Angel goes out by himself. Even if it's to get money for Val.

And for all of his faults, it's very easy for the viewer to feel sympathy for Angel. Angel is a likable character who's been shown to have a much kinder side to him via his friendship with Cherry and him trying to comfort Charlie in the pilot after her pitch for the Happy Hotel flops.

Vox though?

Vox is slated to be a main antagonist. He's a fellow Overlord of Hell. Someone for whom it'd be much harder to believe that he'd let anyone treat him like Valentino treats Angel.

And yet...

To be fair, this artwork is from the in-character Instagram accounts, which were already confirmed as non-canonical. (The accounts themselves are sadly archived now due to some really messed up stuff that happened with the Octavia and Stolas accounts.)

Still, depicting Vox as one of Valentino's victims would have been pretty intriguing. It shows that this kind of thing can happen to anyone, no matter the gender or financial or social situation. It would also acknowledge that just because someone is a victim of abuse doesn't mean they're pure, innocent or weak. And that no matter the circumstances, no one deserves to be treated like Valentino treats Vox and Angel.

I'm honestly hoping that this aspect of the VoxVal relationship isn't entirely gone and I kinda think it isn't.

In episode 2 we see right off the bat that Vox doesn't really like Valentino. And it's easy to see why.

Valentino is a spoiled angry manchild with no self control. He needs Velvette and Vox to reign him in, otherwise he's going to do stupid shit like waltz up to the princess of Hell's doorstep with a gun in hand. Because he can't handle the idea that one of his employees is living somewhere he didn't approve.

If Vox hadn't stopped him and talked him out of it, Val would have gotten the VVVs into some serious shit. His violent streaks can also not be talked down completely, they need to be satisfied somehow. Vox needs to offer Val the lowest earners to shoot at and work out his aggression on or Val's going to continue to go on a rampage and most likely tear apart more of Velvette's models.

Speaking frankly, Valentino seems way more trouble than he's worth. Vox and Velvette appear to be doing all the work in their shared empire while Val just throws tantrums and forces them to go out of their way to calm him down.

So if that's the case, why do the other Vs puts up with Val?

In Alastor's and Vox' duet in episode 2, Alastor has this very interesting thing to say about Vox and his relationship to Valentino and Velvette:

"Is Vox as strong as he purports? Or is it based on his support? He'd be powerless without the other Vs."

What's also interesting is Val's and Velvette's reaction to it.

They're smiling. Like they agree.

Alastor also reveals that Vox was trying to get Alastor to join the Vs. Alastor declined.

Vox of course tries to deny all of that, but in the process gets so worked up he short-circuits himself and causes a city-wide blackout.

If Alastor is telling the truth here (and we don't really have a reason to believe he isn't), that puts everything in a whole new light.

Vox is he brains of the operation but is he also the only thing that's keeping it together? Val and Velvette don't really get along (Velvette insults Val behind his back, Val rips apart her models when he's angry) and both don't seem to respect Vox that much. Velvette lets him deal with Val's bad moods, Val doesn't hesitate to throw stuff at Vox when he's pissed (the fact that Vox nonchalantly dodges the glass Valentino throws at him implies this is not the first time). They both have a look of disdain on their faces when Vox hugs them during "Status Quo".

So why does Vox go to all this trouble to keep these two assholes in line if he doesn't really care for them and they in turn have no love for him?

Maybe for business reasons, but Vox already has a giant multi-media empire, right? So again, what does he need the other Vs for?

I think it has to do with Vox's need to be admired and liked and at the top.

See, another thing this episode tells us about Vox is that he's deeply, deeply, insecure.

He has a dozen different programs where he changes his outfits, approach and demeanor to cater to every single sinner possible, he throws out new business ideas on the fly so he'll always be the newest trend everyone follows. If something (or someone) comes up that cracks his cool confident businessman facade even a little he can't handle it and literally breaks down.

Really, Alastor puts it best:

"Is Vox insecure? Pursuing allure? Between this fad and that, is nothing working? Every day he's got a new format."

So Vox doesn't just want to be powerful and popular, he wants to be the most powerful and the most popular and his shows alone aren't going to cut it for that.

That's why he needs Velvette and Valentino. They provide the content that draws the viewers Vox so desperately craves. Without them he'd be all on his own, might lose large chunks of his viewership. And that's something I think Vox is deeply afraid of.

So no matter how little he might actually like them, regardless how shitty Valentino treats him, Vox needs these two. In his view at least, he can't afford to lose them.

[nebbys-personal-nebula]

the biggest, most copium agent 4 theory from this clown of an agent four enjoyer

apologies for the wait on this! i wanted to unlock all of the dev diaries to make sure i could squeeze out every last bit of lore...

anyways SIDE ORDER SPOILERS INCLUDING POSTGAME

so let's start with the common knowledge. most people know by this point that agent 4 has a palette. it's one of the first you get in the game, after pearl and marina's. to the surprise of nobody, it is a splattershot...

according to what marina says about the memverse, palettes are a portion of a person's soul dragged into the memverse. so agent 4's soul got dragged in here somehow. how did this happen, and why? there are a few possibilities...

marina mentions in her eighth dev diary that she needs someone to handle system security. she writes: "maybe i can ask that person cuttlefish introduced me to for help there." this is still pretty vague, but we know from smollusk's note on agent 4's palette that it is definitely agent 4. quote:

"THIS is who mawina wanted in charge of memverse security? this unfwappable, free-spirited so-and-so? i would never abide it!"

the question is: if agent 4 was intended to be security for the memverse, then where are they? this leads us to the parallel canon boss!

note that figure in the center. even though all descriptions for this boss describe it as "a lot like eight", it is clearly an inkling with its pointed ears and hair.

the hairstyle is significant, too. all art of this boss, including its icon, display it with the "haircut" style. why does this matter? because official art of agent 4 also uses this style:

on top of that, people have reported that if you have splatoon 2 save data on your switch, the boss will use whatever hairstyle your inkling uses in that game (with that inkling, of course, being agent 4). unfortunately, i forgot to take a screenshot of my save, but maybe someone could reblog this and confirm?

another thing to note about that agent 4-looking robot in the center is that they're wielding the order shot, which is the same weapon you get from agent 4's palette.

so what exactly am i getting at with all this? let's read a little more of smollusk's notes on agent 4...

"buut...no weason such stwength shouldn't be used to pwotect a world of order. an order defense force is MUCH cooler than a new squidbeak splatoon anyway!"

this phrasing is particularly interesting to me because it implies smollusk wants to, or already has utilized agent 4's strength in some way. additionally, smollusk regards fans of chaos in a very similar way. for almost all of them, he argues they must be "punished". examples:

"she must be PUNISHED!" - callie's palette

"her chaotic lies must be PUNISHED!" - shiver's palette

"for the sake of order, they all must be PUNISHED!" - frye's palette

"it annoys me, so he must be PUNISHED!" - big man's palette

"he must be PUNISHED!" - sheldon's palette

"i sentence him to PUNISHMENT!" - dj octavio's palette

almost all of these characters are on the side of "chaos". callie and dj octavio were on the chaos side of the final fest, while shiver, frye, and big man rep the splatlands, basically the land of chaos. no idea what smollusk's beef is with sheldon though that guy was neutral LOL

on the other hand, smollusk is notably softer with characters on the side of "order", like marie, murch, and marina (obviously). he still critiques them, but he doesn't sentence them to "punishment".

agent 4 was on the side of chaos in the final fest. so why didn't smollusk sentence them to "punishment"?

perhaps it's because smollusk is already making use of them...by using their soul to control the parallel canon boss!

think about it! the bosses of the tower are basically security, right? they keep you from reaching the top! since smollusk knows from marina that agent 4 was meant to be security, it could have pulled in their soul to fulfill that job. that's why agent 4's palette is there, and that's why we don't physically see them in the dlc! because they're grayscaled in the outside world!

…it is also definitely possible that the boss is just INSPIRED by agent 4, taken from marina's memories, or something like that. but i like this theory because it explains why agent 4's soul ended up in the memverse.

one other thing - i think the popular opinion is that the parallel canon boss are "robots", due to the way they move, their eyes glowing, the filter on their voice, etc...this is probably true, but have you ever wondered if the boss is actually a real inkling (a digital…real…inkling? you get the idea) if it was just a robot like the others, why would it specifically have ears and hair? not only that, but you can get the parallel mask from the priz shop:

which you wear on your face. what if this is the real agent four, wearing this parallel mask? their gray coloring could be because they're grayscaled! after all, we never actually see a representation of grayscaling in-game. the name implies that they'd actually turn gray in some way, maybe in the color of their tentacles. but this could be the most dramatic extent of it!

this is definitely a stretch, but you can consider it food for the die-hard agent 4 angsters out there. love you guys <3

feel free to reblog if you have thoughts, add-ons or even counterpoints! i find this all really interesting