#like actually see in all it’s brutality

[djuvlipen]

i said it a thousand times before and i've seen other romani people say it as well but memes like the one just above ^ are so annoying cause it's like. you guys see a group of people that is being segregated in secluded neighbourhoods and at school in several european countries, a group of people who is facing so much discrimination that 80% of our entire world population lives below the poverty line, a group of people that faces police brutality, racist attacks, pogroms in 2024, a group of people that's among the first target of neonazis and far-right politicians and that has no civil rights movement because european countries squashed all of them, a group of people that's been subjected to genocide, slavery and marginalization for centuries and you think it's funny? you still find a way to laugh about it? like please tell me where is the joke supposed to be? why can't we take anti-romani racism seriously for once? for one sec? it feels so tokenizing, like yall are just weaponizing anti-romani racism in your weird ego contest with europeans to know who is the most racist instead of actually caring about the people being discriminated here. if you genuinely cared about anti-romani racism outside of trying to own the europeans, maybe you should address the very real and present history of anti-romani racism in the US (just look up ian hancock's works for christ's sake), maybe you should criticize the european union (whose interests are aligned with those of the US) that is exploiting the romani working class and doing nothing to stop the rise of the far right

somebody will rightfully notice that europeans are really fucking weird about romani people and there will always be 1 person in the comments going "okay it's not racist, you just don't understand, bleeding heart americans, i promise my brother tony had an experience which proves they're all raping theives and hitler was right about them" and not seem to be aware of how much they sound like americans talking about black ppl

[d-z20]

Breaking Point

Pairing: Agatha Harkness x Reader

Summary: Agatha goes up against the Scarlet Witch in a fight and refuses to back down until the end, no matter what it may cost her. Her injuries are severe and you tend to her them, providing comfort into the night

Warnings: angst with a happy ending, hurt (A physical & R emotional but not by each other), whole lotta comfort, protective reader

Words: 1.8k

A/N: Fic is based off this request. I should clarify that I actually don't watch MMA so I'm really sorry if there's inaccuracies, I gave myself a crash course for Heavy Hits so I'm hoping it's all okay.

AO3 | Master List

The atmosphere is tense

The lights in the arena shine brightly, casting a dramatic glow over the octagonal cage at the centre. The crowd roars as “The Scarlet Witch” is announced, Wanda Maximoff striding confidently into the ring. Her crimson gear matches the fierce energy in her eyes. Across the ring, Agatha Harkness, your girlfriend, is a vision of defiance.

It’s deafening, the crowd’s energy crackling like electricity in the air. You stand just outside the octagonal cage, gripping the metal fencing as though it might somehow hold you upright. The referee is giving final instructions, but your eyes are locked on Agatha. She stands tall, her lean frame wrapped in a sleek purple sports bra and matching compression shorts, her hands taped beneath her open-finger gloves. Her dark hair is pulled back tightly into a braid, leaving no distractions. She looks lethal—confident and determined.

But you know her better than anyone. Under her stoic expression, there’s always a flicker of doubt before a match, one she’d never admit to. As her partner in and out of the gym, you’ve seen her highs and her lows. And this fight? This one feels different. Facing Wanda Maximoff is like stepping into a storm. Wanda has a reputation: precision, aggression, and devastating power.

You’re here as part of Agatha’s cornermen. Not just her girlfriend but her trainer, sparring partner, and the person she trusts most to see her through battles like these. It’s your role that allows you to stand so close to the cage. Still, you hate being this near. You hate feeling so helpless.

“Let’s go, Agatha!” You shout as the bell rings, your voice almost lost in the roar of the crowd.

The fight begins cautiously. Wanda moves like a predator, light on her feet, her red-and-black shorts glinting under the arena lights. Her punches come fast, jabs testing Agatha’s defences. Agatha responds in kind, her kicks snapping out sharply, keeping Wanda just out of reach. For a moment, it looks even. They exchange blows, neither landing anything decisive. Your heart races every time Agatha ducks or blocks a strike—so far, so good.

But as the first round wears on, Wanda’s strategy becomes clear. She isn’t just fighting to win; she’s fighting to break Agatha down. Her strikes grow heavier, targeting Agatha’s ribs and legs. Agatha manages to return fire, her high kick glancing off Wanda’s temple, making the redhead stumble. You surge with hope, pounding the cage wall in support.

“Beautiful! Keep her on the ropes, Aggie!” you yell.

But Wanda recovers too quickly. She counters with a vicious combo—an uppercut followed by a low kick that makes Agatha’s stance falter. The bell rings to signal the end of the first round, and you rush to her corner.

“How are you feeling?” you ask, your hands gentle as you wipe sweat from her face with a cool towel.

“I’m fine,” she says, but her breathing is laboured, and you can see the faint beginnings of a bruise forming on her ribs. “She hits like she’s trying to kill me, though.”

“Stick to the plan. Keep moving. Don’t let her back you into the cage,” you say firmly, holding her gaze. “You’ve got this.”

The second round is brutal. Wanda turns up the aggression, landing a spinning kick that sends Agatha staggering. You clench your fists, shouting at the top of your lungs, willing her to keep going. Agatha fights back fiercely, landing an elbow that opens a small cut above Wanda’s eye. But it isn’t enough to slow her down. By the end of the round, Agatha is clearly hurting. Her breathing is ragged, and she’s clutching her side.

“Let me call it,” you plead as the medics check her during the break. “Agatha, you’ve done enough.”

“No,” she says sharply, her eyes meeting yours. “I’m finishing this.”

The third and final round begins, and you hold your breath. Agatha gives everything she has, landing a solid right hook that makes Wanda stumble. For a moment, you dare to hope. But Wanda is relentless. She unleashes another devastating combo—a liver shot, followed by a spinning backfist that sends Agatha crumpling to the mat. The referee steps in immediately, waving Wanda off and calling a technical knockout.

You don’t wait for permission; as soon as the match is over, you’re in the cage. The sight of her lying there, blood trickling from her lip and her face already swelling, breaks your heart. She’s clutching her ribs, her breaths shallow and ragged.

“Agatha, my love, I’m here,” you say, your voice trembling, dropping to your knees beside her. “You’re okay. I’ve got you.”

Her eyelids flutter open, and she manages a weak smile. “I totally won that, didn’t I?”

“Always the joker,” you whisper, brushing her damp hair back. “You fought like hell, sweetheart.”

With the help of the medical team, you carefully lift her, her weight pressing against you. Her arm is draped over your shoulders, and you wrap your arm securely around her waist. Every step out of the cage is agonising, her quiet whimpers slicing through you.

Back in the locker room, you lay her down gently on the physio bed. The medics confirm a fractured rib and multiple bruises but assure you it isn’t life-threatening. As soon as they leave, you stand at her side, holding her trembling hands.

“Agatha, why do you do this to yourself?” you ask, your voice breaking as you clean her up. She hisses in pain when the antiseptic touches her skin, but she doesn’t complain.

“Because I love it,” she says softly. “And because I have you to patch me up.”

“You’re infuriating,” you mutter, but your touch is gentle as you bandage her ribs and ice her swollen cheek.

—

The drive home is quiet, the weight of the night pressing heavily on both of you. Agatha leans against the car window, her face pale beneath the faint streetlights. Her breath hitches every time you hit a bump, and each sound twists like a knife in your chest. You’ve never felt so desperate to wrap her in safety, to shield her from the pain she insists on enduring for the sport she loves.

When you finally pull into the driveway, you turn off the engine and sit for a moment, just looking at her. Her eyes are closed, her brow slightly furrowed even in rest. You reach over, gently brushing your fingers over her cheek. She stirs at the touch, her lips curving into a faint smile.

“Caught staring?” she murmurs, her voice hoarse but teasing.

“As usual,” you reply softly. “Come on, let’s go. I’ll carry you inside,” you insist.

“You’re ridiculous,” she says, but there’s no bite in her words, only affection.

“I don’t care,” you reply. “You’re not walking.”

Despite her protests, she lets you carry her up the driveway, the weight of her in your arms a grounding reminder that she’s still here, still whole despite the bruises and fractures. You settle her carefully onto the couch in the living room, arranging pillows around her and draping a blanket over her lap. She sighs as she sinks into the cushions, her body finally relaxing a fraction.

“Stay,” she whispers, her eyes fluttering open to find yours. “Don’t run off.”

“I’m not going anywhere,” you assure her, pressing a kiss to her temple. “But you need food, Aggie. You haven’t eaten since before the fight.”

She grumbles something unintelligible, but the corner of her mouth quirks up as you disappear into the kitchen. You rummage through the fridge and cupboards, settling on her favourite comfort food—a simple grilled cheese sandwich with a cup of warm tomato soup. It’s nothing fancy, but you know it’s exactly what she’ll want.

When you return, her eyes light up at the sight of the tray. “You spoil me,” she says, her voice laced with affection.

“Rotten,” you tease, kneeling beside her as you set the tray down on the coffee table. “Now, eat. Slowly.”

She obeys, though her hands tremble slightly as she leans forward to pick up the sandwich. You watch her carefully, ready to step in if she needs help. Between bites, she keeps glancing at you, as if grounding herself in your presence.

Once she’s finished, you clear the tray and return with a glass of water and the prescribed pain medication. She tries to wave you off when you fuss over her, but you catch the way her eyes soften every time you adjust her blanket or tuck her hair behind her ear.

“Movie or book?” you ask once she’s settled again, her head leaning back against the cushions.

“Book,” she says after a moment of thought. “Something soft. Something... distracting.”

You nod, disappearing into the small shelf by the window. You pick a collection of short stories about witches you know she loves; its worn cover is a testament to how many times you’ve read it together. Returning to her side, you slide onto the couch, gently easing her to lie back against you. She winces slightly as she shifts, her body pressing into yours, but once she’s settled, her sigh is one of contentment.

“Comfy?” you murmur, wrapping your arm carefully around her waist, mindful of her ribs.

“Perfect,” she whispers, her voice heavy with exhaustion.

You begin to read, your voice soft and steady as you let the rhythm of the words wash over you both. Agatha’s breathing slows, her body melting into yours as you turn each page. Occasionally, she murmurs a comment about a line she likes, her voice laced with sleep.

By the time you reach the third story, her eyes are closed, her head tucked beneath your chin. You let the book fall to your lap, your hand shifting to stroke her hair gently. The tension from earlier in the night begins to ebb away, replaced by a warmth that feels like home.

—

Later, as the night deepens, you coax her into the bedroom. She protests faintly, her voice slurred with sleep, but you’re firm. “You’ll rest better in bed,” you say, kissing her forehead as you guide her to the mattress.

You tuck her into bed, piling pillows behind her to keep her comfortable. She looks so small, so fragile, and it breaks your heart all over again. You climb in beside her, pulling her carefully into your arms.

“I’m sorry,” she murmurs, her voice thick with exhaustion. “I hate making you worry.”

“You don’t have to apologise,” you say, stroking her hair. “Just... let me hold you, okay? I need to feel you’re here.”

She shifts, pressing her weight into you, her head resting on your chest. “I’m not going anywhere,” she whispers. “You’re stuck with me.”

You hold her tightly, the warmth of her body melting away the fear and tension that have gripped you all night. She’s here, safe in your arms, and you’ll never let her go.

To anon who requested it: I hope you enjoyed :)

[nevermindmorpheus]

So I just want to notice a few things about this article and suggest we all take a moment to do a fact check.

First, it’s weird that only the advocate leading a rally on Jess and Dahlia’s behalf is quoted.

Second, there does not in fact seem to be a light rail stop at Hennepin and 5th street. (a bus stop, yes).

Third, the details are odd—Jess and Dahlia were beaten to unconsciousness on the street and yet the only news is this story in the Independent, and then a few stories using that article to regurgitate that information.

Fourth, while there is a quote from a legitimate group in Minneapolis (Sequeerity) it’s not actually about the attacks, but about whether their services and classes have been in demand. Which I am sure is true, but it’s a red flag there is no link to the actual event that supposedly kicked off the interview.

When I search “trans women attacked minneapolis” it pulls these up along with a story from the Star Tribune (Minneapolis’s award winning local paper) about a trans woman attacked by two men in a light rail station—in March of 2023

Now, this story treats the violence with the level of care I would expect for something this vicious, you can see the multiple sources, how the details are laid out etc. (Also in this incident, and the police are called and her attackers were charged.)

Now what I kind of suspected here in the case of the 2024 story that uses some of those details but none of the context that makes sense, was that this story is either AI written or in the worst case, written to stoke fear in trans folks hoping to find safety. Things feel very dangerous in the US right now and a story like this can make even places of refuge seem unsafe. The reality of course is that no place is perfect, but Minneapolis is still a much better option for safety for trans folks than many others.

Now, things that would make me trust this story is if we could find journalism where anyone has covered either:

a) the actual attack occurring Nov 2024, citing a full police report, speaking to either Jess or Dahlia, or a bystander who saw the incident. Or even you know, the time of day exactly, and gets the actual physical location correct.

EDIT! There is coverage here that does that and clarifies the location of the light rail station and resolves the factual issues that raised my questions in the first article: https://bringmethenews.com/minnesota-news/rally-held-after-transgender-women-attacked-near-minneapolis-light-rail-station

https://bringmethenews.com/minnesota-news/rally-held-after-transgender-women-attacked-near-minneapolis-light-rail-station

b) a story covering the rally that happened in support of Jess and Dahlia. Where was it? How many people were there? Are they asking for anything?

EDIT: the above linked story does that!

At this point I can find neither and so I urge everyone to be careful and critical when encountering news that is hitting all of your emotional buttons. No one’s fears are unfounded here (this did happen in 2023!) but we owe it to each other to only spread stories like this that are based on solid evidence ♥️

EDIT: Thanks to some other folks doing searching as well, the step of fact checking which is find other coverage has succeeded. I was wrong! I do want to emphasis that it is still important to go through the process of noticing these things and making sure what you’re looking at is real, because there were enough errors in the Independent story that made the reporting not feel right. The “bring me the news” piece, as well as the instagram posts it’s linked to clarify the rally, the large public support including government officials, and reports the correct details of location and when the cops showed up (late, at the hospital. nice look there guys).

I’ve gotten a lot of hate for wondering if this was correctly reported and being wrong on the internet, and I do want to say that I looked into this because it made me upset, and then concerned, that the violence against transwomen was being used to stoke our fear (which is what I felt about the Independent article). I included the sections about what would indicate this was real because I knew there was a real possibility I had missed something, and wanted to highlight how you know when to change your mind.

so the tldr: The first shared article has a lot of factorial errors that means you should look more. Even if you don’t see evidence at first doesn’t mean you won’t get it later! The truth is that this violence did happen, but also that there was a huge outpouring of local support. Please take care of each other, and be kind!

This is where we are. Anti-trans pogroms have begun and the community is living in fear. Things are so bad that some of us are unable to live anymore.

Where is the left? Where are our allies?

#TDoR2024

[ohmotherwhereartthou-if]

Quick Update

Hey everyone, sorry for the very low updates with asks and on the IF itself. This semester had been brutal and plus with my job, that both have robbed me of all my free time.

But yesterday on the 18th was my birthday and a day or so before that it was the 2 year anniversary of my starting OMWAT. More than anything it floored me that so much time has passed and how little progress I have made with the story.

For the longest time I have been stuck in a rut of wanting to make just so much more progress than I have been currently able to and it's been pissing me off more than anything.

Each time I update it's usually only like a few 5K or 6K words, I mean, two years and I am still on chapter 1? Ugh.

I am not just complaining here either, if anything it's pushing me to find more time and just keep updating whatever I have done so I can actually see the progress as further motivation.

Right now the dashingdon page has a new update I just dropped where I finally wrap up chapter 1 act 1, and start act 2.

FYI a LOT of it is clunky and unfinished but I really think I just gotta keep micro updating as I go, for my own sanity.

If you decide to wait until much more is done that's all good with me too, I am very sorry about the long waits in between updates for this IF. 😅

--------

Quick update change list:

The IF is now at 61k words

Fixed some bugs

Added chef profession path

Chapter 1, act 1 is done; we know will zoom through MC's development years with June all throughout act 2 (a lot of it is not done!), act 3 is when the heartbreak happens

Added a secret trait that you can only find under VERY specific conditions, no special dialouge has been added to it yet but that is planned for the future

Added the starting mechanics for MC's sexuality, only one option for it is shown for now, later in chapter 1, act 2 more of it will show up to cement MC's sexual preferences

Took off the secret lock on chapter 1, act 2

Introduced 1 of the the 2 possible childhood best friends for MC

We now begin to mold who your MC is during chapter 1, act 2; a lot of it isn't done but you will see the first of many snapshot moments of their development years.

--------

Here is a quick link to the game if you want to see the small update: Link

[inubaki]

Taking What’s His

-chapter 1

—-warning for Adam x Lucifer smut -

—-a commission I bought from @libby-for-life for my birthday. The art pieces by @sir-tater-of-the-tot!

Adam was mad beyond belief. About two weeks ago, he had gone to sleep in Heaven after a long night of drinking. The next day, he had somehow woke up in Eden. At first, he thought it was a pleasant dream. Then he saw Lilith and thought it was a nightmare. 

He hadn't dreamt of Lilith in years and she was just as distant and cold as she always was. Adam ignored her this time as well; he was dreaming, so why not? He spent most of the time by himself.

Until he accidentally hurt himself. Seeing the red blood drip onto the emerald-green grass made Adam's heart skip a beat. No...you couldn't get hurt in dreams...

He had a full-blown panic attack right then and there. His breathing was so erratic he almost passed out. This was real. This wasn't a dream. He was really back in Eden, and somehow, he was no longer an angel in Heaven.

What kind of bullshit was this?!

He decided he wanted nothing to do with Lucifer or Lilith. Let them play out their fantasy but leave him out of it. He did everything to avoid them. He also knew how much Lucifer wanted to talk to him. He knew exactly what it was going to be about and he was not going to be offered anything.

So he avoided him until he couldn't anymore. Lucifer finally found him and he had the biggest smile as he tried to give him Forbidden Fruit. He could even see some of the black on his wrists. Couldn't he see how he was poisoning himself and how wanted to do the same to Adam?!

Adam couldn't help it. All the patience he had for this shit stain was coming to a head and he couldn't help but growl.

Lucifer flinched. "Adam?"

It was sudden, and Adam honestly should have thought it out, but he was far too angry. He grabbed the little angel by the throat and slammed him to the floor. Lucifer coughed in surprise; there was no way Adam could actually hurt him and knelt before the smaller creature.

"Damn you, little shit!" Adam cried out as he forced the robe Lucifer was wearing over his crotch. Adam smirked as Lucifer blushed in surprise and embarrassment when he noticed Adam looking at his privates. It was so small compared to Adam's, and he couldn't help but flick it harshly.

"I'll teach you to try and trick me!" 

"Wah! Adam!" Lucifer cried as he was spread, hands gripping his thighs so Adam could see what he was working with.

"You need to be taught a lesson."

Lucifer's eyes widened when he saw just how big Adam was compared to him. And now, with it fully erect, he could see just how truly big he was. Adam...couldn't be putting that in him...right?

But Adam was grinning in a way that made Lucifer shiver. He had never seen the First Man like this. What happened to the Adam who was innocent and sweet? This Adam was grinning feral-like at him and it was causing Lucifer to blush.

"Okay, bitch. You're only getting a little prep. More than you deserve."

Prep? What? Lucifer squeaked when Adam spit onto his hole before two fingers entered him. It was tight and Lucifer squirmed in discomfort.

Now, Lucifer did have the power to throw him off if he needed to but...the Archangel wanted, no, needed, to see where this goes. Adam stretched him for a few minutes before growling, "times up, bitch. Bark for me." Lucifer howled when Adam entered him at a brutal pace but not out of pain.

It was one of pleasure. Pleasure he hadn't known even with Lilith. He cried in ecstasy as Adam pounded into him, smirking all the while.

"Adam! P-please! S-slow down!" He cried, not wanting to finish so early. But Adam was on a roll and he would not be deterred. "Take what I give you, bitch!" 

They did this several times in several positions, and each time Lucifer felt more full and satisfied. Adam picked him up after their fourth romp and shook his face a little. "Still with me?" Adam taunted. Lucifer nodded lazily. "Yes, Adam...."

"Call me Master," Adam practically purred with the biggest smirk. Lucifer didn't know why but he repeated it without question. "Yes, Master..."

Lucifer was suddenly brought to his knees, Adam's still leaking dick brought to his face. Lucifer didn't know what he wanted for a second until the head of his appendage was wiped all over his lips. "Open wide, slut." Lucifer didn't know that word but it sounded degrading and Lucifer shivered in pleasure.

Lucifer opened his mouth obediently and Adam shoved his way inside roughly, making him moan. Adam was so rough and dominant...he couldn't help but love it. Lilith could be dominant of course but this was nothing she had ever done. She had nothing on Adam.

I'm not going back to Heaven, am I?

Lucifer thought as he was throat fucked, his eyes rolling as he felt Adam go deeper until his nose was brushing Adam's crotch.

He didn't care. Not if Adam gave him this all the time. He would gladly give his halo up for this. Suddenly, Adam ripped the long thick appendage from his throat and Lucifer whined at the loss.

The First Man chuckled. "Hold still." And Lucifer yelped as his face was covered in Adam's release. He blinked, whimpering a bit as he looked at Adam with tears in his eyes. He gasped as the First Man looked at him, his eyes holding a soft look that he remembered so clearly...

"Hm...looking cute, my pretty duck." Lucifer blushed heavily, Adam's semen dripping off his face and out of his ass. The First Man picked up the fruit that Lucifer had tried offering him and then picked up the angel by his robe.

"Find some other sucker to trick, Ducky." And then he placed the fruit into Lucifer's mouth, making sure he bit down. Lucifer was dropped onto the floor and the First Man left with a laugh.

Lucifer still felt dazed, the fruit spat out as he shakily got to his feet. He should clean the semen out of his ass but...he somehow didn't want to. He wobbled away and out of the Garden, towards Lilith but he only had one thing on his mind now that no one could possibly satisfy.

Lilith was horrified at his state, his arms,  hands, and legs now a dark black. "What happened?!" Lucifer could only smile in a daze as he looked at Lilith. How can he explain perfection without sounding mad?

Lilith fingered the bite mark on Lucifer's neck...what had happened? Did they fight? Then she saw the dry semen on his legs and she realized what happened. Lucifer didn't seem hurt...he seemed satisfied. More than anything they had ever done when they mated.

The next few dozen suns that passed only made Lucifer's newfound obsession set in deeper. He needed Adam like he breathed air. And he began to stalk him for long hours, just to get a glimpse of him.

Finding new ways to see Adam was hard. Especially since it was clear he kept avoiding him. But that didn't stop him from trying.

When he finally caught Adam it was by surprise as he was bathing. The First Man jumped when he felt something hug his torso in a death grip. Turing around with a scowl, he glared down at Lucifer as he held on with the biggest grin on his face.

"Are you fucking serious? Let go!" Adam demanded but Lucifer was determined. "Please, Adam! Don't leave! Can't we do what did last time?! Can't we mate?! I promise I'll be good!" Lucifer begged, his eyes big and bright but the grip on Adam was unrelenting.

Adam blinked, tilting his head before realization brought a slow smirk across his face. He grabbed Lucifer by the hair and brought him closer. "So...you need Master again, hm?" Lucifer's eyes closed and he nodded, gold staining his cheeks. 

"Let go and we can have a quickie since you're so desperate."

Adam was true to his word. The First Man had other stuff to do and fucking the angel into a purring mess certainly hadn’t been on that list. But he'd be lying if he wasn't tempted to fuck THE Lucifer Morningstar into his place again.

He was fast and rough, just how the angel wanted. Lucifer moaned, high and needy as he ripped grass at the roots from how hard he was clenching the ground. Adam only grinned and slapped his ass.

He finished their romp with Adam cumming inside Lucifer three times while the angel could only sob his name. After, Adam sat back and admired Lucifer's gold, bruised and dripping ass, finding he didn’t mind in admitting to himself just how much he’d enjoyed it. The black markings on Lucifer’s hands, starting from plucking the forbidden fruit, had already spread to his wrists.

Lucifer didn't even seem to notice nor care as the inky blackness tainted more and more of his white skin.

Adam honestly didn't care either. So what if Lucifer's body was falling into corruption? That's not his problem. He left Lucifer to clean himself up.

Adam knew he should have cut it off. Left whatever they had going on that day die by the lake he was bathing in. But...he couldn't. Lucifer kept coming back for more and he was persistent in what he wanted. Sex from the Dick Master himself.

Adam should have been flattered, and some part of him was since he was sticking it to Lilith, but another part was concerned. Just slightly. Every time they had sex...Lucifer kept looking worse and worse. His once angelic appearance turning into something dark and twisted. Demonic.

What really hit the nail on the head was when the small idiot was giving him a blow job. He was smiling in that soft silly way that made Adam know he was stuck in his own head space. He looked cute getting drunk off his must and pre-cum. But what really had his attention was the little tips poking out of Lucifer’s forehead. It didn't take a genius to know it was horns.

And it looked painful, ripping through his skin and little beads of angelic blood dripping and staining his hair. Lucifer seemed blissfully uncaring of this, happy to drink up Adam's cum as he came in his mouth.

That's when he started noticing other differences as well. His once slender fingers looked like claws, leaving deep grooves in the ground. His moans sounded...demonic. and his feathers. His beautiful blue feathers looked like they were falling out and growing new red ones in it's place.

When they were done, Lucifer wobbled away. Some of it was because he had been on his knees for over an hour, but the way he walked...like he had broken legs.

Adam knew he had to quit what they were doing. As much as he told himself that he didn't care...a small part of him did. A small part that didn't want to see such a painfull-looking transformation happen right in front of him.

Adam was done. This wasn't fun anymore. And good thing too...they were making him his wife. Adam was a lot of things but unfaithful wasn't one of them.

——

Next:

[crivalsduo]

yo hey tell me more about the double-dream hh!au how do the dreams get along? do they get jealous of each other over techno before they realise he has two hands? how does techno handle a double cheek-smooch attack?

new!dream is... angry.

he comes in and sees himself pretending to be a woman which is already kinda rough but also 'rabbit', on the surface, seems fine! there's no mutilation, no missing fingers, no half torn ear. the visible scarring isn't that bad. hh!dream is wearing soft clothes and has a bed and new!dream doesn't know what he went through, of course, so he's judging by the surface, right?

so he's angry because he spent almost two years being brutalized in the prison and as far as he can tell, this other version of him is... fine.

which we know isn't true. hh!dream is extremely messed up and mentally broken. it's just not something you can really see right away and again, new!dream was just, finally, broken out of prison, only to be seemingly abandoned in a horrific state.

and he's dealing with a lot of trauma because while he wasn't sold like hh!dream was, imagine all the things that happened to hh!dream in the prison but for longer and with more physical violence. they've both suffered, a lot.

neither of them say anything to techno, though, at first because new!dream is afraid of looking crazy and hh!dream is afraid of, well, being dream. there's a moment when new!dream kinda confronts hh!dream and is basically just going off on him for.... existing how he is and in the middle of it, new!dream says something about c!sam having fucked him and hh!dream is like 'oh, you too?' which takes the wind right out of new!dream's sails. that's kinda all hh!dream says, though, and techno does explain to new!dream what happened to 'rabbit'.

after that, they get along really well, honestly. it's easier to be vulnerable when the other person is you and also deeply messed up. techno is a little wary at first but he helped clean up and heal new!dream and he's not stupid. he saw some shit. not dream's face, though. he kept the mask on but techno has some, uh, suspicions.

so techno is very much on 'team protect dream at all costs' which like i've said, makes 'rabbit' feel a lot better. new!dream even mentions in passing that it seems like 'rabbit' doesn't really jive with the whole she/her thing and techno goes along with it. he has even more suspicions but also like. 'this is the same person' is not the first conclusion you jump to so techno kinda thinks they're related somehow? or dream had a twin and that's how he seemed to show up everywhere.

anyway, he does figure it out and his reaction to them is basically like 'okay this complicates things mostly what the heck do i call you?? dream one and dream two?? but don't worry, alright, i've got you.' and mentally, he has a very brief thought of '....nice' until he guilts himself out of it.

neither of them are really jealous? mostly because techno is very good at holding himself back. the first night hh!dream can't sleep in his little room and new!dream leads him into techno's bed and techno just kinda, pulls both of them into bed and does his best to cuddle them, it's nice and kinda sparks something.

techno absolutely loves double cheek kisses, though. the only person he's ever really crushed on is dream and now he's got TWO of him which is pretty great even if it means putting up with two people being awfully unhinged at certain points. at least now he can stop pretending the whole dream taking off his pants thing actually bothers him.....

[raisinyr]

I don't know about this actually. As somebody who's been very invested in Dan and Phil both before they came out and after, if you're not against all RPF just as a rule, I don't see why you would draw the line at celebrating Phan.

What the above leaves out is that they've also said since then that the queer-positive environment their fans created was what ultimately made them feel safe enough to come out. Which is pretty big!

Additionally, the scrutiny, the invasive speculation was one thing, especially back when they were more prominent in the media, but they've always expressed support for phanfiction, even when they were trying to hide the most.

Idk it's just that they're both out now and so happy and so much more open and comfortable with their fans and really do not seem to be bothered about the shipping. Both in the past and the present. Is that unreasonable of me to think?? It would be totally fair if they were, but they've been writing their own phanfiction (again) and joking about their relationship status and setting boundaries where necessary and getting on stage every night and mashing together dolls of themselves in dioramas of their old bedrooms and then going on to talk about their history on YouTube, from having to step back, to coming out, to coming back, and how important fan support was in all of that. All while brutally making fun of their fans as they please! Like trust me, they have been pulling no punches when calling us out.

I mean, they're queer, they're happy, they're acknowledging their history and celebrating their fans. Including the RPF that is still happening. It really doesn't seem like celebrating the RPF ship Phan in a tumblr poll tournament is in such bad taste.

Best RPF Ship - Round 6 Match 1

[marchofmistria]

Hey I saw your requests were open and wanted to ask you if you could a do how would the bachelor's react to reader's/farmer's fuck ass haircut? I just cut my own bangs and it's all crooked and need some comfort 🥺

Hey I'm so sorry this has been in my inbox for so long!! Thank you very much for sending, this was so funny to think about. Hope your bangs have grown out since :') 

March

You already know March would be brutal. He's not good at expressing himself and, especially before you're an actual couple and he starts to put effort into not hurting your feelings, he wouldn't think twice about insulting your haircut.

If you came up to him after ruining your hair, he wouldn't be able to hide his confused scowl and ask "what did you do to your hair?" 

If you find it funny and laugh, he'll probably laugh as well and continue teasing you. He'd probably say something like, you shouldn't be allowed to smelt hot metal if you can't even cut your bangs correctly. 

He would laugh if you met him where he was and teased him back, especially about how he can't dye his own hair so he shouldn't be talking. 

If you had a different reaction, however, and got upset or embarrassed and walked away, he'd probably reflect on how you were likely feeling pretty self-conscious and realize that was a low blow.

He'd apologize next time he saw you, rolling his eyes and attempting to fix his comment a bit by saying "at least hair grows back." 

Ryis

Ryis would probably notice it right away. He pays close attention to you, and he can likely tell you're feeling self-conscious. 

He'd try to preserve your feelings the best he could. He'd ask about it lightly and casually. "Hey Y/N, did you get a new haircut? I like it."

You'd definitely blush and get super embarrassed, saying that you know the haircut sucks. Even though Ryis might secretly agree that it's not exactly the best look, he definitely would not agree to you putting yourself down like that. 

"What are you talking about, it's fine! You always look nice, so your haircut doesn't really matter, anyways."

If you're truly upset about it, he'd continue to reassure you and tell you that you look beautiful regardless. But thankfully hair does grow back if you truly don't like it!

He'll continue to compliment you as it grows back so you don't doubt whether he still finds you attractive. 

Eiland

Eiland is a sweetheart and would try to calm you down if you were upset about the haircut you gave yourself. A lot of reassurance about your beauty and his love for you regardless. 

He'd probably start telling you some interesting facts about historical hairstyles of Aldaria or something, as a way to distract you. You may or may not find it annoying in the moment. 

If you're still feeling unhappy, he'd offer to pay to get your hair fixed by Vera or some other expensive hairstylist in the Capital. 

He'd continue to attempt to reassure you that you look very pretty regardless and this sort of thing happened to everyone! In fact, he read on an Alda-period stone tablet that a woman once cut her own hair and....

Balor

It's rare that Balor loses his cool charm, but you see it waver in his face for a moment when you first see each other after the haircut. 

He'd try to deny it and turn the charm all the way up to compensate, telling you that you look absolutely radiant today (even though you look beautiful every day!). You'd see through it right away and call him out on it. 

He may try to deny it at first, but eventually agrees that it's not the best haircut. He does emphasize, however, that even something like a bad haircut couldn't detract from your beauty at all and you do still look lovely.

He'd hold back a bit of a laugh when you give him a blank stare from behind your crooked bangs, though. 

He just happens to generously gift you a set of beautiful gold hairpins from the Capital. Perfect timing. He'll tell you the hairpins compliment your eyes very well once he's no longer distracted by the funny-looking fringe. 

Hayden

Hayden wouldn't even notice honestly. He always thinks you look beautiful and wouldn't sweat small details like that. 

If you came to him and showed him how you messed up your hair, he'd probably laugh and tell you not to think anything of it!

"I cut my own hair all the time, Y/N. It's probably a mess but that's just fine by me!" He likes you however you are, with whatever you decide to do with your appearance.

If you were to tell him that you thought you looked unattractive or that you were embarrassed and didn't want anyone to look at you, he'd get genuinely upset. He truly doesn't understand how you don't see yourself as beautiful, and especially over such a small thing!

He'd continue to tell you not to pay it any mind, that hair grows back, and that no one would even notice. He genuinely thinks the latter because he wouldn't have noticed it had you not pointed it out. 

He'd lend you one of his big hats to cover your hair with while you wait for it to grow out, if you wanted. 

[hangingslothcentral]

Today is the fourth anniversary of the day I launched Spirit Box Radio, and it's also the last day of trans awareness week.

I have a lot of big feelings about SBR. If you've listened to the show, you'll know that I was medically transitioning through its release. I went on T at the show's midpoint, in the middle of S2, and my voice was changing throughout the rest of the show's run. I got top surgery two months after the show ended, almost exactly to the day.

Now. We're all big enough and daft enough to be able to have a grown up conversation about this, I think. So here's some stuff about that experience I haven't really talked about before.

1. I wish there had been media which had trans creators transitioning alongside a character who is transitioning when I was younger. The main reason for this is that it would have been representation of trans people, but honestly? The main thing I wanted was to see someone transitioning over a long period of time. So often, transition seems to happen behind closed doors. Unless you are lucky enough to have lots of trans people around you (I grew up in semi-rural Wales so no luck for me there) you just do not see it happening. People, understandably, want to hide the length of the process, the messy in between stages.

2. Transitioning and playing Sam transitioning simultaneous to me was one of the most mentally challenging and emotionally vulnerable things I've ever done. I do not say this lightly; I'm a survivor of abuse and I've seen a lot of shit in my life. I've come out as nonbinary at a corporate job and argued with a university about changing my name on my graduation certificate. As much as I loved it, and still love it, and I'm intensely proud of it and SO glad it exists, making SBR was fucking brutal. Hours of editing my own voice through a period where it sounded different on a near-weekly basis. Having no idea how I sounded anymore and posting episodes anyway. Dealing with the emotional fallout of people responding weirdly to me in my real, actual life whilst portraying a character who is outcast, isolated, and terrified of himself? Challenging as fuck.

3. Many people need to examine the way they're talking about trans men. The conversations around Sam shifted very violently as my voice dropped. This is in part due to the arc this character follows, but it's hard not to notice a shift in language as dramatic as this. It started as soon as the show came back from its S2 midseason break and my voice had shifted down a bit. People talked less about Sam being cute, and for the first time, I started to see people talking about him like he was sexy. These things aren't mutually exclusive, but it was very noticeable to me, especially in contrast to conversations about Oliver, Sam's hot, cis gender, florist boyfriend, who was categorised as sexy from the off. Before my voice dropped, even though they were using the right pronouns for them, people talked about Sam with very feminine, infantilising language, and this almost entirely stopped when my voice dropped.

4. I am so fucking glad I did this. Yes, it was brutal, emotional, and I really struggled through a lot of this process, and I am so glad I did this. I will have the immense privilege of medically transitioning in the way I have over the last few years exactly once in my life. I am glad I took that vulnerable moment and made art with it. I'm glad that my transition is captured and mirrored by this thing I was making at the time it was happening. I'm glad that thousands of other trans people have listened to the show and have heard me doing this as they are doing it, or before they do it, or after, or as they're deciding not to, or finding out they can't, or realising they'll never have the chance, or any one of the myriad experiences of transness that exist. I am, frankly, honoured to have been a part of such a vulnerable aspect in the lives of so many people.

Thank you for reading this. Thank you for listening to the show, if indeed you already have. If you enjoy my work, I would love to be able to pay my bills and be able to keep making it. I have never made even minimum wage for the work I do on my shows. Please consider becoming a member.

[dogsplayingpoker]

Ok weird it wasn't letting me reblog this properly. Anways hiiiii

I did read it (over a year ago when i reblogged this) and that isn't what I said, or my criticism of his point and, overall, the neo-liberal ancient-contemporary comparative perspective that Devereaux is routinely writing these articles in. It would be silly to be fully Pro-Rome, sure, but I'm not really accusing him of that persay. I do still think his general perspective is a silly and factually inaccurate one and disagree with it, so I therefor disagree with the arguments he makes starting from this perspective. In particular, I think that no matter how much he claims to actively be against it, Devereaux and the many historians that follow his same playbook end up: 1. romanticizing (I previously said "admiring," which may have been where we got mixed up) Rome by claiming it was a ghastly horrific slave state (true) while also being unable to help from looking to "the good parts" with a kind of breathless nostalgia, and here, overtly for guidance. This is of course a pretty common issue for classicists, unfortunately, including professors of mine that I've generally really respected. Usually the "good parts" = freedom of religion in occupied territories, civil rights afforded to slaves (+the way that pre-Race slavery functioned differently in general), and exactly what Devereaux says in the title of the article, i.e. their "Notion of authority" being likened, often, to a gentle but firm father figure who knows whats best for his children. It is absolutely hilarious to me how often historians, even ones that claim to have left-wing values, can believe in the noble pater familias rule of the romans with a smile and a tear in their eye. Does anyone else here remember 'the white man's burden'? Did anyone see that weird tucker carlson speech where he talks about daddy coming to spank the disobedient little girl that (assumably?) was supposed to be the Biden government? Anyways. Writers try to isolate only that there was religious self determination (in occupied territories of an expansionist empire), that they Ruled the horrible violent imperial war machine Fairly, and then don't even hide the fumble when they get to the slavery part, proudly saying YEAH, they were ENSLAVED, sure, and that's BAD, BUT........ This all ties into issue two, or the underlying issue:

2. Devereaux is a liberal American historian that is either unable to appreciate the full context of the country he lives in OR is actively obfuscating it AND/OR accepts it and thinks its just peachy outside of a few stubborn issues like police brutality and the like which he thinks can be handled in a vacuum by throwing enough good old fashioned liberal values at them. He fails to view issues from a systemic lens and therefor thinks anything he doesn't like is a weird flaw coming from some outside source. In that article (and I can't find this specific article again on Foreign Policy to pull examples from, I'm sorry) he was trying to 'learn from rome' for the sake of America. Even if he's saying Rome was a heavily flawed society, he is saying our empire can still learn a good thing from their empire. I disagree with that. I disagree with the empires staying empires in the first place, or that empires are things worth saving, or that they're even possible to save. My argument is also that we should actually definitely not look to Ancient Rome for advice on law enforcement, or indeed any of our policies point blank period. I personally think this kind of Rome-USA compare and contrast exercise is always fnny because the writer also never seems to reckon with how much we already, fundamentally, ARE Rome-- in all the worst ways, and in the ways he's claiming we can 'learn' from them. We already have. We've been romanticizing and following in their footsteps very intentionally the whole time, just as others were inspired to follow in ours in a horrific timeline of gore and human atrocities. Devereaux, per his website, is really into classical liberalism, liberal democracies, private property, free-market capitalism, and John Locke. (https://acoup.blog/2024/07/05/collections-the-philosophy-of-liberty-on-liberalism/). We simply have really different perspectives on politics that also inform how we view and would choose to write about things as historians.

I think this quote from that blog post on liberalism is especially funny in context: "And of course Cicero himself never fully absorbs the implications of his philosophy: a wealthy Roman slave-holder, it never occurs to Cicero that perhaps he daily violates the natural law by keeping people in bondage." Devereaux himself never fully absorbs the implications of his philosophy: a white well-to-do professor in an elite seat within American Academia, it never occurs to Devereaux that perhaps he daily violates the individual freedoms of liberalism by rationalizing and hiding away the dark parts of a fundamentally unjust empire relying on the slave labor of prisoners, the indentured servitude of sweatshop workers worldwide, the slaughter and subjugation of millions of in the global south and the underclasses within the empire itself, and the theft and hoarding of the world's resources. But okay. Cicero bad, John Locke good. Got it. My argument would of course be that they are both bad, both equally ignoring the reality of the society they lived in and their places within it. Devereaux is starting his argument from an already catastrophically flawed point of view that forces him to look past things like 'context' whenever it becomes inconvenient. He has to say in the post multiple times that like yeah, sure, Locke's view of who counted as a "person" worthy of having things like "rights" was, um...narrower than ours today, but he was still correct because I like him (and it's totally different from how other people cited, like Cicero, were incorrect hypocrites). Ignore the slavery and colonialism, same old same old, it is still correct and not at all laughable to claim that the United States was a nation formed on a defining principle of inalienable freedoms for every single person. He mentions that those things were obviously bad but doesn't see them as truly conflicting, more as growing pains. He even says the founding father's misogyny and racism (towards the enslaved specifically: indigenous people, and therefore the ACTUAL founding principles of the US colonial empire, go completely unmentioned) "[...] represented betrayals of the principles that otherwise document: the crime was common, the hypocrisy was special." American exceptionalism who? Obviously if he was saying we should instate a more 1:1 ancient roman government that would also be ridiculous. But my point is that he's asking the wrong questions about the society we have and what's wrong with it in the first place. He is often wrong about Rome and near-universally wrong about America.

Despite Sparta’s reputation for superior fighting, Spartan armies were as likely to lose battles as to win them, especially against peer opponents such as other Greek city-states. Sparta defeated Athens in the Peloponnesian War—but only by accepting Persian money to do it, reopening the door to Persian influence in the Aegean, which Greek victories at Plataea and Salamis nearly a century early had closed. Famous Spartan victories at Plataea and Mantinea were matched by consequential defeats at Pylos, Arginusae, and ultimately Leuctra. That last defeat at Leuctra, delivered by Thebes a mere 33 years after Sparta’s triumph over Athens, broke the back of Spartan power permanently, reducing Sparta to the status of a second-class power from which it never recovered. Sparta was one of the largest Greek city-states in the classical period, yet it struggled to achieve meaningful political objectives; the result of Spartan arms abroad was mostly failure. Sparta was particularly poor at logistics; while Athens could maintain armies across the Eastern Mediterranean, Sparta repeatedly struggled to keep an army in the field even within Greece. Indeed, Sparta spent the entirety of the initial phase of the Peloponnesian War, the Archidamian War (431-421 B.C.), failing to solve the basic logistical problem of operating long term in Attica, less than 150 miles overland from Sparta and just a few days on foot from the nearest friendly major port and market, Corinth. The Spartans were at best tactically and strategically uncreative. Tactically, Sparta employed the phalanx, a close-order shield and spear formation. But while elements of the hoplite phalanx are often presented in popular culture as uniquely Spartan, the formation and its equipment were common among the Greeks from at least the early fifth century, if not earlier. And beyond the phalanx, the Spartans were not innovators, slow to experiment with new tactics, combined arms, and naval operations. Instead, Spartan leaders consistently tried to solve their military problems with pitched hoplite battles. Spartan efforts to compel friendship by hoplite battle were particularly unsuccessful, as with the failed Spartan efforts to compel Corinth to rejoin the Spartan-led Peloponnesian League by force during the Corinthian War. Sparta’s military mediocrity seems inexplicable given the city-state’s popular reputation as a highly militarized society, but modern scholarship has shown that this, too, is mostly a mirage. The agoge, Sparta’s rearing system for citizen boys, frequently represented in popular culture as akin to an intense military bootcamp, in fact included no arms training or military drills and was primarily designed to instill obedience and conformity rather than skill at arms or tactics. In order to instill that obedience, the older boys were encouraged to police the younger boys with violence, with the result that even in adulthood Spartan citizens were liable to settle disputes with their fists, a tendency that predictably made them poor diplomats. But while Sparta’s military performance was merely mediocre, no better or worse than its Greek neighbors, Spartan politics makes it an exceptionally bad example for citizens or soldiers in a modern free society. Modern scholars continue to debate the degree to which ancient Sparta exercised a unique tyranny of the state over the lives of individual Spartan citizens. However, the Spartan citizenry represented only a tiny minority of people in Sparta, likely never more than 15 percent, including women of citizen status (who could not vote or hold office). Instead, the vast majority of people in Sparta, between 65 and 85 percent, were enslaved helots. (The remainder of the population was confined to Sparta’s bewildering array of noncitizen underclasses.) The figure is staggering, far higher than any other ancient Mediterranean state or, for instance, the antebellum American South, rightly termed a slave society with a third of its people enslaved.

[bloodykora]

This, lu-dao-writes wrote a Sol spider thing and this is very much inspired by it but with my own twist. This is also very short considering I don't think anyone would read me going into great detail on what female hawk wasps do to tarantulas.

MDNI This is an 18+ game therefore you should not be interacting with it's content or fandom. Warning: Stalking. yandere, paralyzed Sol, impending doom ending for Sol, mc is just as crazy as Sol. Also very heavy metaphor of bugs used in this

No use of y/n, no description actually of reader at all tbh. I just use the pronoun 'you'. TKATB List

Something about Sol being a spider, a tarantula if you will. A beautiful Mexican red knee,  to match his peering eyes. Setting up his burrow of pretty lies to lure in the poor bug that happens to pass his path whether that be a cricket or roach or any plain old insect. He’s not very good at seeing, spiders are not known for their eyesight but rather vibration. When you hit the ground in front of him, he had assumed you were something like a locust. Taking a break from being in the sky, resting your tiny little wings. So he stalked and began to prey upon you. 

But he can’t see how bright your wings are, he can’t tell that you are just roughly the same size as him. He doesn’t even notice how dark your head, legs and body are, most locusts have some form of green on them yet you don’t even have a splotch. He’s cocky. He thinks he’s lured in you enough to go for the kill. It’s a surprise to him when it’s his body to go limp, losing all control down from the tips of his toes to pretty much the eyes in his head. He would be admiring the fit of strength you possess if it wasn’t his body you were dragging, pulling his dead weight back into his home. 

To his own fault, he has now come to the realization you were never locust. But a hawk wasp about to end his life in the most brutal and brain eating finale of the encounter.

[newkatzkafe2023]

@lara-legomonkiekid

(Genderbend) What if Y/N's being harassed by a bunch of demons? But Y/N doesn't want to worry his wife about it?

You wife's enemies are your enemies as well but to think their dumb enough to mess with you😑

(Lmk Wukong) Ohhhhhhhhhh no your wife maybe be a bit of an air head, but she's more observant then she lets on. She can feel that their is something your keeping from her and she's gonna find out what, so she followed you to your outing and she was quick to find the truth. You were currently fighting these demon thugs who have been messing with you for a good few weeks at best, and the second one of them punched your face. She flew into a murderous rage and soon you both were surrounded by dead bodies, now you'll have to deal with you wife's Interrogation.

(MKR Wukong) Again,THEY WILL BE A BLOODSTAIN ON THE GRASS WHEN SHE'S DONE WITH THEM!!👿 you felt that you never had to tell your wife about the bullying and harassment. After all, you know how to take care of yourself in battle, but also, these guys were bothering you because they knew that they would die if they messed with her. So when Wukong noticed that you came back with some bruises she immediately saw red and demanded to know what happened. You sighed and told your wife about your problems with these guys that was bothering you and well let's just say, their was a large of mystery meat after words.

(HIB Wukong) Hmmm well this is very bad for the other people involved, ever since your wife got her powers back she became extra protective of everyone in the family including you. So when she finds that you were being bullied by some low-life demons and you refrain from telling her because, she's already stressed out. Though one day you came home with a black eye and Luier immediately freaked out and told Wukong what happened

(NR Wukong) Ohhhhhhhhhh nooooooooo people constantly forget how crazy dangerous she actually is, like seriously you would find her dragging a dead body every other week!😧😰 so you think people would stay clear of you as much as they do your wife, but we always have that one arrogant moron and one day they got the jump on you and messed up your clothes and face. You never got a chance to tell Wukong about the harassment because apparently she knew already, because when you came home you found her roasting a very familiar demon head and you put two and two together and now you mildly fear her.

(Netflix Wukong) Ohhhhhhhhhh nooo 🙅‍♀️ this is bad, those clowns picked the wrong ones because you're both equally violent. Since you're both Fiercely protective of each other, you're both quick to neutralize each other's enemies and problems. Which is why you were open to tell her that you were assault and injured but fought them all back and told your wife about it, but the second you saw those Wrathful red eyes....well you both about to catch a bunch of bodies. 😈

(BMW Wukong) INSTA KILL ENOUGH SAID!!! Nobody messes with her darling husband and gets away with it. Also I advise that you don't even bother to hide your harassment from her because she gonna find out either way. So when she finds the bastards who dare to lay a fearful claw on your sweet handsome face, she totally went Nuclear she totally ripped their faces off. Even worse then ever, she took full brutal revenge and made them an example to never f*ck with you ever again.

(Destined one) The destined one may be calm and collected out of the monkey woman, but she can be just as lethal when provoked as well. The best way to get on her bad side literally attacks her husband. You knew this which is why you avoid telling her about any of you minor issues not seeing it as a big deal, It was until you received an severe injury there is absolutely no way you can hide from her. You finally came clean to her about the whole assault, and told her not to worry about it, but she just kissed your wounds and left. After all that, you haven't seen those guys ever again, infact Nobody has ever seen them again...........It was like they disappeared of the face of the earth. You wonder what happened?😈

FEEL FREE TO REBLOG

[vidavalor]

Love reading your thoughts, @masnadies! Have some in return on the shop metaphor and why I think Aziraphale does attempt sleep at times, if you or anyone else is interested. No pressure. 😊

Cute excuse, too, for one of my favorites of @mimisempai's correctly "incorrect" gifs 😊

<<If we can be bookshops (and honestly, I can't think of much I'd rather be), then all the mementos are memories, and all the books are what? knowledge? also memories? ideas? Intriguing, in any case, as the bookshop is full of clutter and rare, valuable books, none of that cheap stuff but it's everywhere all mixed up and nobody can figure it out. All of that is lovely for metaphor of Aziraphale.>>

I can't think of anything I'd rather be than a bookshop, either. 😊 i think Aziraphale is the bookshop on two, different-but-interconnected levels, I think. One is the metaphorical one we're talking about here; the other is the characters' sexually euphemistic one, which I think exists in the dialogue, in part, to help us see the metaphorical use of the bookshop for Aziraphale. It makes it more interesting, though, because Aziraphale using the bookshop as a stand-in for himself in innuendo means that he and Crowley are self-aware of the metaphor, which allows the characters themselves to be seen playing with it as metaphor and not just as innuendo as well.

So, we have the innuendo-laden things like "Just as that bookshop, technically, is my shop, but we both get plenty of use out of it, don't we?" and the "you like waiting inside" and the "get thee behind me, foul fiend-- after you!"... but we also have Crowley and Aziraphale aware that what is, technically, each their own, is also one another's, because they are a couple. So, The Bentley is Aziraphale's and the bookshop is Crowley's, and that means that it's "Fells' Bookshop" and "no more old bookshops" and "you can't leave this bookshop", etc..

I think that there is a slight difference in understanding between the main characters on this. Not when it comes to the innuendo-- they both get that. It's actually more in how Crowley uses it sometimes and it comes down to how they each see Aziraphale. Aziraphale sees the bookshop like how he sees himself-- not good enough, a compromise when Crowley deserves more-- while Crowley sees the bookshop as clever and safe and home. The same thing that Aziraphale sees as the best he could offer Crowley when he wants to give him more is something that Crowley sees as the most romantic of gestures and evocative of their love for each other and the life they're trying to make together. Aziraphale has still not fully seen this, I don't think. It's the root of the confusion of "you can't leave this bookshop" in 2.06. I think we can all see that Crowley means that Aziraphale can't leave him and their life together but, ironically, Aziraphale had spent the whole season low key trying to figure out how to get them the fuck out of the damn bookshop lol.

Crowley had been struggling to feel safe in there since the fire and why even run it anymore when Heaven hadn't shown up in years and Aziraphale never wanted to run a bookshop? I think he was struggling to figure out whether or not he had an obligation to keep the embassy open or if he could just pack it in and tell Crowley about the cottage and just go live like normal people. He didn't know how to handle that with threats of Heaven and Hell and Armageddon still looming-- The Finale'll solve the rest of that-- but he was circling asking Crowley to go with him to the South Downs. So, when Crowley is all "you can't leave this bookshop" and means him and their life, he thinks Aziraphale was breaking up with him when Aziraphale replies with that (brutal lol) "oh, Crowley, nothing lasts forever." Because Aziraphale thinks they're talking about the actual bookshop because, like The Baby Swap was in S1, The Final 15 is a series of miscommunications based around how no one can understand each other because they're all too in their own heads when it comes to what they're thinking/worrying about to fully recognize what the other person is saying.

I think that all of the Whickber Street Shopkeepers & Traders represent different things in the story based on their personalities and on what kind of businesses they run but, running under all of that, is the fact that Aziraphale actually has two businesses on Whickber Street. He's also a landlord. He owns the land and many of the buildings on and in which the people on Whickber Street are working/living, which means that, metaphorically-speaking? They're all Aziraphale's businesses, too. Aziraphale and Crowley's because they're both the bookshop and Whickber Street. The shopkeepers and traders exist in their own rights but they also exist to highlight stuff about Crowley and Aziraphale and their story.

The two angels who come into the shop in S2-- Gabriel and Muriel-- help further define the books metaphor, imho. Muriel, established to be really lonely, asks Crowley at the end if they can "take a book" with them because "books are like people, only portable." Gabriel spends the season trying to rearrange the books in what winds up being metaphorical for how he sees people. He doesn't need categories or labels or genres and he doesn't judge by their covers-- it's just open up the book, read what it's saying, and group it alongside others by its words. Yes, it gets you some wild bookshelves and possibly the inability to ever find any book ever again lol but, if we're talking about people? It's a great idea. Gabriel and Muriel see books as people because that's who wrote them-- they're the ideas of other living beings and represent their lives. Aziraphale being an avid collector of books and protective of them and careful in preserving their history is, to me, reflecting how much he loves humanity and his ongoing quest to understand life-- pretty much in the same way that us humans love books.

Agreed on the clutter and the million desks and everything in the shop being symbolic of Aziraphale's inner state. I'd also say that it's actually also symbolic of Crowley's, too-- more than it might appear at first to be. He was never really safe in his Hell-owned flat in S1. The bookshop is his home, too--and also, I'd wager, why he never got another flat after Shax took his old one. He could have just gotten another flat or we could have seen him living in a hotel or something in S2. Instead, he's fooling Hell into thinking that he's living entirely in his car while he's really only there for a couple of hours in the morning because it also serves to make it look like he's saying "look at poor me here in my car! I'm definitely not living with the angel!" 😂 I think it's also why Aziraphale never notices that Crowley lost his flat. Why would he when Crowley just basically lives in the shop most nights, all Romeo sneaking out of Juliet's bed before dawn (one of the things which "no nightingales" references being that bit of Shakespeare's play, likely really written by one of them, probably Aziraphale)?

Crowley stays most of the night and goes out the side door before the sun comes up to avoid them getting caught. Those are basically "the rules" of their relationship that Aziraphale refers to in Lockdown, I think. If we go back up to the pictures of the bookshop that the OP was kind enough to provide, we can see that side door on the right-- built in as part of Aziraphale's design in the part of the shop that opens into the alleyway, not on Whickber Street. The bookshop was likely built on an angle just for that purpose. The bookshop's side door is directly opposite Mrs. Sandwich's building and that's probably how she and Crowley became friendly-- they ran into each other in the alley at night. It's a bit of sleight-of-hand from our no-stranger-to-the-art-of-prestidigitation magician. Anyone watching Aziraphale would be looking at the front door of the bookshop and be far less likely to notice Crowley slip out the side door in the dark. No Bentley parked in front of the shop when Crowley's staying past business hours, as well, as what else could scream "totally fucking" more than Crowley's ridiculously recognizable car on the curb in front of the shop at 3am?

Also why/how Crowley was in his car on a side street a fast two minute drive away from the bookshop first thing in the morning in 2.01. The way these two just want to wake up together and have breakfast in peace... 😢

<<It also works with the fire and the reconstitution of the bookshop going with the discorporation and re-constitution via Adam of Aziraphale and the book shop (and the Bentley, that is interesting as Crowley did not die, hmm, further thought perhaps there for me)>>

Yes! That's what I think, too. The Bentley burning is interesting because Crowley's kind of going through a paralleling kind of thing but maybe not quite the same thing. The Bentley goes on fire because Crowley drives it through the ring of fire around the M-25, right? As he's about to, we flashback and see that Crowley influenced the building of the M-25--so, the highway is symbolic of Crowley having made his own mess and him having to get himself out of it. If he didn't, it would have eventually consumed him because he was literally trapped inside it. He's breaking free of his own stuff versus Aziraphale getting kind of accidentally caught in his own web a bit.

The bookshop is Aziraphale's M-25-- it's the "same daily round" that he's stuck in, like the horoscope God read. I'm sure he didn't want it to burn entirely. It is his home and he loves his books and all of his things and wouldn't have wanted to have lost all of them but you know that scene for which they made that concept art but then cut out of the end of 2.02? The one where the bookshop is the only thing that's survived an apocalypse and was supposed to be someone's dream?

Yeah, I bet that was going to be Aziraphale's dream. His nightmare, really. He's seen so many horrors in the whole history of Earth and remained past so much death and his nightmare would be having to see Earth destroyed so the bookshop kind of representing him there in the dream in that way, maybe? But also a nightmare in the sense that Aziraphale feels like he cannot get the hell out of the bookshop. He feels trapped in it because of how it represents how he tries to balance all the different facets of his life. His whole breakdown comes about as a result of basically just being like fuck this, I can't take it anymore-- everyone come on in at once, we're having a party! and then promptly, understandably, having an anxiety attack over exactly that. It's the angel who is going too fast in S2, not the demon.

<<but I also like to believe he doesn't sleep, in my opinion due to trauma, and I can't quite figure that bit out yet. Is it lazy writing or did he exaggerate or have pyjamas for show?>>

I'll agree with you that I don't think that Aziraphale sleeps well a lot of the time. I can definitely see that and for the same trauma-related reasons you mentioned. He has problems sleeping at times-- nightmares, etc.. Like a lot of people, he also likely doesn't sleep or sleep very well when in one of his fasting (actually: depression) periods.

I believe the main thing that causes people to believe that Aziraphale doesn't sleep at all is the bit from the book where he's talking about how he and Crowley don't "need sleep" but... just read it again below and look at how Crowley phrases the last line of his reply:

Aziraphale didn’t rise to it. “What are we going to do now?”

“Try and get some sleep.”

“You don’t need sleep. I don’t need sleep. Evil never sleeps, and Virtue is ever-vigilant.”

“Evil in general, maybe. This specific part of it has got into the habit of getting its head down occasionally.”

I can practically hear Aziraphale's flirty/teasing tone here and the idea that that is what's happening is reinforced by the last line of Crowley's reply above. It's more common in most places, even if it sometimes happens in Britain, to say "laying your head down" to refer to sleep, as opposed to saying "getting [your] head down." If you lay your head down, you're going to sleep. If you get your head down, you're simply moving your head down to a lower position... do you see where I'm going with this? 😂

Now, add into it that he also uses in the sentence the word habit, which isn't just something one does consistently but the head covering of a nun... and now take a little trip around things like how we say that people who are lovers are "sleeping together" and sleep being phrased as to "rest your head" while still also the head being not just the place where the brain is stored but the tip of the penis and getting that "down" would be to satisfy an erection and "to get/give head" being slang for oral sex and we're circling what the sleep paragraph in the book is really more about than just actual sleep.

Crowley does sleep but he's referring more to the fact that he's "gotten in the habit" of "getting his head down"-- aka going down on Aziraphale. That's the kind of rest he's suggesting they have, beyond some actual shut-eye-- probably a bit of both.

Crowley also uses the word occasionally here-- a word that comes from the Latin cadere, which means... to fall. If you were a pair of wordplay-happy supernatural entities who ushered in the so-called Fall of Man together-- and one of you is a fallen angel and the other is called Mr. Fell and you both fell in love with one another a long time ago-- you'd absolutely love flirting using words that link to the verb meaning to fall as euphemistic for making love, particularly for falling/going down on one another.

As such, when Crowley uses occasionally in this part of the book, it doesn't mean 'every once in a while' so much as it means 'as the occasion calls for it' and there's plenty of reason to assume that it there are plenty of occasions...

This word is also in the series. It's in Aziraphale's innuendo-laden, verbally italicized use of "special occasions" in 1.01:

Around the 14th and 15th centuries, special actually meant a person's lover or romantic partner. It's really only sort-of survived into today in use of the phrase "special someone" and that is slightly different than calling someone your "special", the way it was apparently done in those earlier centuries. A "special occasion", in Ineffable Husbands Speak, would definitely be a reason to celebrate outside of the usual ones, yes, but it also appears to be going down on your sweetheart, which is what Aziraphale is expressing interesting in doing in that 1.01 scene.

Here's where we can just say now after S2 that the above "special occasions" scene is even funnier because Aziraphale isn't telling Crowley anything about the wine that he doesn't already know, as he and Aziraphale were drinking from that stash of Chateauneuf-de-Pape back in 1941, Part 2. Aziraphale was likely bringing it up in that 1.01 moment, in part, so he can say the words around it. How many cases did Aziraphale pick up for his "occasions" with his special? A "sleep"-relevant number: a dozen. 😂 That joke has apparently grown on him since when Crowley made it in 1601...

This also all gets even funnier when you add in the other, descriptive passage about Crowley and sleep from the book, which has lines like: Crowley likes sleep, it was one of the pleasures of the world. True of both sleep and sex and the rest of the paragraph talks about sleep but using sentences the word choice for which makes them alternately appear to be about sleep and sex or worded in such a way as to be applicable both at once, all reinforcing the idea of sleep having an euphemistic layer to it.

Aziraphale's response to Crowley's suggestion that they "try to get some sleep" in the book is often taken really literally, I think, when the tone is actually kind of light and flirty. It's basically the same tone as this, similar scene from the series:

In the book, it's more clever use of puns. Virtue-- Aziraphale, here-- is a word that just originally a human man and "manliness" and then came to mean good moral character. Virtue, says Aziraphale with tongue-in-cheek, is "ever-vigilant." Vigilant means-- literally-- to be awake. Virtue is a word used in religious circles with a nod towards chastity and "purity"-- the opposite of "sin", like that of Adam and Eve-- so Aziraphale seems to be dryly saying that, as an angel, he's supposed to be Virtue itself-- the epitome of virtuosity-- but he's more of the word's original definition of a human man... one who might supposed to be "ever-vigilant"-- always awake, so, euphemistically, never getting any wink wink sleep-- but they both know that's not true because, as we've learned, Crowley's gotten in the habit of getting his head down on frequent occasions.

Adding to the Adam and Eve/Fall of Man & "occasionally" meaning to fall theme is that they're prompted by Aziraphale using the idiom "evil never sleeps" as a joke about Crowley-- referencing Eve in there. Evil sounding phonetically like "Eve-il". Another, similar joke in which they are paralleling themselves to Adam & Eve is them going off to have lunch (and "lunch") at the end of 1.06, with Crowley referring to them going to have food and sex together by saying: "Time to leave The Garden. Let me tempt you to a spot of lunch?"

So, anyway, the bit of the book that people use to justify the idea that Aziraphale doesn't sleep isn't really saying that he doesn't, imho, and there's nothing in the tv series that suggests that, either. Sleep-- and I'm just talking about sleep now here lol-- is obviously restorative and it can be peaceful. Technically, Aziraphale is correct that they don't "need" it. They could, theoretically, probably survive for all of eternity without ever sleeping a wink, etc.... but that's what they'd be doing-- just surviving. There's a big difference between living and just not dying. Being able to subsist without having something is not the same thing as not needing it.

What I think Crowley and Aziraphale have discovered in living on Earth for all this time is that their their human bodies like and need what other a lot of human bodies like and/or need. Even if they can, technically, survive without these things, they also realize that doing so is not actually healthy or pleasurable or really living. If they didn't have the capacity to need and enjoy living like humans, they wouldn't have human bodies. The things that exist for the humans and are necessary for them exist for them, too. Their bodies work better and they feel better when they breathe and eat and sleep and talk with one another. They need nature and art and companionship the same way that the humans do. Like some humans do, they both enjoy sex and feel romantic love. They could, technically, remain alive without all of these things but being alive is not the same thing as living.

Aziraphale knows that he needs to eat to feel healthy-- that food can affect how his mind and body feel and perform-- as much as he just enjoys eating. I think sleep might be the same thing for him. He struggles with it a lot in ways similar to any person who has been through traumatic events and has related mental health issues but I think he does try to sleep. I honestly cannot imagine being completely awake for over six millennia without a break from the world. Aziraphale is also an introvert so I think he might find the idea of taking a rest from people for awhile extra-appealing, even if he might have felt guilty about wanting to sometimes. I think he probably didn't sleep for the first couple of thousand years, though-- if he hadn't tried food until 2500 B.C., it's probably likely that he hadn't allowed himself to try to sleep prior to that either. He might have needed Crowley to show him how or at least help him give himself permission to try it at some point.

Aziraphale also likes to eat and drink and fuck and there's a certain threshold of those activities that, when crossed, requires at least a nap lol. There's also maybe just Crowley's sleeping habits as a potential suggestion of Aziraphale's. When Aziraphale comes back from Edinburgh in S2, Crowley tells him that he didn't sleep at all the prior night while Aziraphale was gone.

This is suggestive of what other things, like Lockdown, suggest, which is that Crowley has a human sleep routine, more or less. He can survive without a night's sleep probably better than any of us can but he does feel the effects of it if he doesn't sleep. So, this being who technically doesn't need sleep--or has been told to think such a thing is true, anyway-- knows he really does and goes to bed at night most nights the same way that we do. It's also healthy for him to at least try to do so. He has PTSD and an anxiety disorder-- he needs sleep to manage that, even if sleep is often the first thing to be disturbed by it, which is basically what Crowley says happened while Aziraphale was in Edinburgh. (How much of the reason why Crowley couldn't sleep was Gabriel-related anxiety and how much was Crowley having trouble sleeping without Aziraphale is debatable...)

So, if we go with the idea that Crowley basically lives in the bookshop at night until before dawn and that he has been doing that most nights for awhile now and if we add in that he also canonically sleeps for a bit at night each night, then Crowley goes to bed like a human at some point each night in the bookshop. It seems likely that Aziraphale goes to bed with him. They both would inevitably sleep better with one another nearby.

Aziraphale staying in that bed after Crowley leaves in the early morning, though, is probably another story. I tend to think that he struggles with the bed if Crowley's not there and will get up after he's gone and have tea or go to Give Me Coffee or do basically anything to try to distract himself from the misery of his Crowley-free mornings.

I'm sure what had him reject Crowley hunkering down during the lockdowns was just that he didn't think he could handle having Crowley there in the mornings, only to have to go back to him leaving after the lockdowns were over. I'm still not totally sure that they didn't actually wind up maybe doing that anyway-- at minimum, I think Crowley apparated over after the phone call, but I don't know that he stayed-- but, either way, this is why they just need to get to the South Downs Cottage, dammit.

Speaking of the bookshop, theories on what could be upstairs?

ooooo the BIG QUESTION.

so we can see a bit of the second floor in all these pics:

basically all we know for sure is there are A LOT MORE BOOKS, both stacked around the railing and on the circle of shelves. neil has decided not to comment on what else might be there (YET 👀) but he’s confirmed that much.

apart from that, we can see from the outside that there are six windows on the second floor:

i’m going to assume they’re part of the shop because they’re Very On Fire when the rest of the shop is on fire. SO. taking all that into account, you end up with something like this:

where the thin grey circle is the railing and the brown one is the bookshelves (as you can see in the first pic, it doesn’t circle all the way around!)

the rest is a complete mystery. i mean i’m sure the actual set was empty because they didn’t need to fill it, but in theory there’s room for some interesting stuff! with the first floor for scale i can imagine a whole flat built around that circle of shelves — a bed aziraphale never sleeps in, comfy chairs, every other angel knick-knack he’s encountered in his life. in my personal headcanon it’s all books and hoarded items covered in dust, which he leaves for authenticity.

thank you for asking!! i’d love to hear other people’s thoughts if they want to share :)

[centuryberry]

I need you to tell me more about the Detoxify AU Shadowpeach relationship, like how does Wukong react when Macaque gets revived? How does Macaque react to the Wukong is so traumatized that he doesn't like touch anymore? I am consumed with these questions and more and I need answers

Ps: hope you have an amazing day

Of course! I love talking about my AUs!

So. To summarize, Detoxify!Shadowpeach is tragic and broken by things beyond their control. Their relationship is actually the center of Wukong’s trauma (I.e. him brutally murdering Macaque while under the influence of the love poison.) When Macaque comes back to life and reunites with Wukong, Wukong just…breaks. All of his guilt rushes back at the sight of the one he has wronged the most and he’s on his hands and knees, begging for forgiveness. No matter how many times Macaque insists that it wasn’t his fault, Wukong doesn’t believe him. When Macaque tries to comfort him with a hug, Wukong has a complete breakdown. He’s both too scared that his touch would hurt Macaque again and triggered by the gentle touch.

Macaque doesn’t know what to do. He’s helpless and angry (at Azure) and has no idea what to do. This wasn’t how he had imagined their reunion to be. He’s so, so heartbroken at the state of his king. Wukong, who used to cling and hug and love so freely was now a broken shell of his past self. Wukong pushes Macaque away and flees.

Now, MK is there since the Macaque episode plays out in a similar way except it’s Macaque wanting to surprise Wukong and it going super wrong. This is what pushes MK to encourage therapy for his mentor. Macaque stays in the Shame Temple and keeps his distance for Wukong’s sake until the other is ready to face and talk to him.

RinRin is a whole ‘nother can of worms. Wukong freaks out when he sees her too. She’s currently roomies with Macaque as they seethe at what Azure did to Wukong.

(Thank you for the well wishes ❤️)

[shywhumpauthor]

Hi, Coal! This is anonymous from the Whumpuary question

There's no need to respond to this, lol-

I really just wanted to say thank you for taking the time to respond to my previous question :))

(I enjoyed reading the dragged out version of your response, lol- better for my brain to process and take in for sum reason)

I'm good with whatever decision you make. I was honestly just curious because I do enjoy your stories and writing style, so there's that-

(#love Noah)

And, I get where you're coming from with writing series and all, so like- yeah

Regardless of your decision, as long as you don't stress yourself out about it, I'll be fine with whatever

So, uh, yeah- thanks for responding and– take care :)

I am so bad with responses but I wanted to say something just to lyk that I appreciate that you read the long response and then also took the time to reply. That sounds so stiff and insincere written out like this, but I promise it’s not lmao

You as well! Happy new year!

(#love hurting noah)

[bonefall]

I understand being upset by the moonpaw dog post but i dont think talking about some random teen publicly (on a pretty big fandom blog) as opposed to like, dming them about it, is a very nice thing to do? Would recommend keeping that kinda gossip in dms going forward personally.

??????? "That kinda gossip???"

Saying that it's fucked up that a publicly posted incest joke about how deformed she should look went to the top of the Warrior Cats and Moonpaw tags, is gossip???

TRENDING TAGS?? GOSSIP?

I'm not talking about "some random teen," I have not even dropped a username and been VERY clear I don't want harassment of anyone. During this discussion about wider ableism against Moonpaw, I've directly answered two anons about the contents of a post that was/IS extremely popular to the tune of nearly a thousand notes.

One of those two asks was an anon who only stumbled in to say that the post was funny in a display of SHOCKING tonedeafness, while I was talking about how shitty it is to compare people who are the products of incest to unethical dog breeds, especially in the context of WC. The other was an actual XX/XY chimera who expressed that the extremely popular post hurt their feelings, and when they tried to express discomfort to someone, got told they "probably killed their twin in the womb."

It's not just one rando weenie little blog the minute half of the Tumblr space is openly laughing at a joke about deformed incest kids and hoping Moonpaw dies because she's so "gross." Not nice?? Your feelings are hurt? OTHER people's feelings were ALREADY hurt.

NOTHING about this was "nice" to begin with!

Difference is, when YOU cry me a river, you can build me a bridge, and get right the fuck over it. A person who's the product of incest cries and has to go right back to every shitty banjo-hunchback-hapsburg joke they've heard before, just feeling more unsafe about a space that PRETENDS to care about the abuse they experienced. If you feel guilty about that, maybe you should!

If you were under the impression I was ever "nice" about bigotry, you were mistaken. I don't appreciate calls for ME to be more polite when I'm at a trend of fandom ableism and calling it fucked up. I've named NO names. Sounds like what you ACTUALLY want is for people like me who have a platform to shut up.