#like I'm not saying you have to like any given character god knows there are certain ones who I Do Not

[madameevil]

These are just my own thoughts, I'm not here to try and prove anything is right one way or another.

"Elgar’nan and Ghilan’nain are our villains. And they are your typical evil for evil’s sake villains."

Those two didn't come across that way to me. Elgar'nan started out as a general of the army against the Titans. He didn't relinquish the power he obtained after that because he believed the Elven people needed guidance ("stern leadership") and that his strength could protect them from future threats. Mythal agreed in the sense that they needed leader to unite their people.

Elves being, as far as we're aware, the first spirits to take on a mortal form were not aware of the potential corruption that would occur. We know this occurs when they can't fulfill their initial purpose. Through this Elgar'nan grows to be a tyrant when he's unable to abide by his initial purpose. What was his initial purpose? Hard to say. Emmrich calls him a "Manifestation of Tyranny." We'd probably have to look into exactly how the spirit corrupted to then deduce what he was prior.

Ghilan'nain was the only (?) mortal elf brought into the pantheon. She used to create living wonders. After she was brought into the pantheon, we know that she grew to be more twisted. She sought to push the boundaries of creation further. Since she was mortal first, I don't think her corruption to "villainy" is like Elgar'nan's. Given the dialogue she has with Solas in one of the memories, I interpreted her need to keep pushing as "I have to continue to prove myself." / "Prove to the others that I actually belong here." because she doesn't have the distinction of being a first-born and immortal.

Now we take these character flaws and we add a dash of blight to them...

The blight comes from the compressed anger and suffering of the titans. It's anger and corruption seeps into the individual and slowly consumes them. So the blight would them amplify any anger those two had pushing them to the extremes. With the codex entries we get featuring letters, Solas's memories with the wolf statues, or his memories in the crossroads that we play through...or even the way Elgar'nan talks to. I wouldn't put them as "evil for evil's sake" villains. I think their character flaws or corruption they faced was simply amplified by the blight. The blight they thought they could control. Which leads me to "A God's Arrogance"

"For some reason. This guy can move a satellite!? And he just let Rook walk away in previous encounters… twice. Ok. Sure."

I think the concept of "A God's Arrogance" explains this fine. They're two individuals who still view themselves as Gods. If they viewed the far more advanced ancient elves as well beneath them then modern elves or any other beings are even lower. If ancient elves were cattle, modern creatures are ants. Why would a God ever think that an ant could be a problem? Why would a God ever think that an army of ants be a problem? From a more "evil" God perspective: If that's not enough then why kill something when you can try to break them down? Why kill them when you can relish in their squirming? And better yet, this one is a pawn to the only being you actually still view as a threat. So why not make them watch you break down their piece slowly?

Now if Elgar'nan and Ghilan'nain were actually Gods then perhaps they would have just stepped on the ant and moved on. But they're not. They're pretending to be Gods. They're acting how they think Gods would act. It's honestly a difficult thing to write. Writing Gods in general is hard because we're physically incapable of putting ourselves in the shoes of a being with so much power. Writing someone who is acting like how they think Gods should act and then adding in thousands of years of isolated torture and corruption, is another thing.

"they want to unleash the full force of the Blight onto the world. Because they are evil. And they were thwarted last time they tried to Blight the entire world. Why do they think Blighting the world is a good idea? What’s the point of ruling a world if everyone is dead?"

This also relates to "A God's Arrogance." When we play through Solas's memories in the Crossroads we hear Ghilan'nain claim she can control the blight. That she is somehow stronger and can hone it into something more than just a mindless raging plague. Elgar'nan then continuously reassures her of this fact if you eavesdrop on their conversations at the golden tree thing at the start of the Crossroads. Ghilan'nain believes she can take the blight and control it to not end up with everything/everyone dead. She believes this is the next step in evolution and it's a gift to receive it from her. This isn't "Because they are evil" , to me that is a gross oversimplification of their motivations.

Whether those motivations strike you as compelling is your choice.

"This reveal will surely throw the Andrastian religion into chaos! This puts the very existence of the Maker into question! The Evanuris are a lie; it’s only fair Catholicism—oh, I mean—the Chantry is a lie too. We briefly touch on that in Veilguard… then it is quietly discarded."

The companions do discuss it. The reason they choose not to bring it up is because of how they believe it would impact the elves and there's nothing to gain by throwing the world into further chaos than it already is. The Elves are already discriminated against, then two of their Gods emerge and cause an apocalyptic situation, so why would they then choose to add another target on their back by challenging the chantry? I agreed with the characters here. I don't think it's the right time. I would love to see this lead to a gradual change in future games though!

Whether this reasoning is enough for you, is your choice.

"We never really learn why Solas wants to tear the Veil down, or why he thinks it will help anyone. “The Veil is a wound inflicted upon this world. It must be healed,” he says. And that’s basically all he says about it in Veilguard. [...] His only motivation now seems to be he’s too deep in his sunk-cost fallacy. [...] His role in this tale was over before ours began, and he really is just some relic from a long-past age. He has no role, no purpose in this story. He is here to be thwarted. [...]Solas is never given any nuance or complexity to his actions. Nuance and complexity have actively been taken away. Both him and the Veil are looking like they are the worst things to be in a story: pointless. Why introduce the Veil if it’s just going to remain unchanged? Why introduce a character like Solas, bother humanizing him (for lack of a better term), giving us his backstory, setting him up as a cunning antagonist, only to make him look stupid, then put him on a shelf until the last ten minutes of your game?"

I think there are far more eloquent people who can talk about Solas's role in the story and his motivations. His actions seem heavily based in both The Cycle of Abuse and Survivors Guilt. These are powerful motivators. These motivators also parallel the individual companion stories.

Lucanis has suffered abuse at the hands of his grandmother and family members. Lucanis also has survivors guilt when he believes his grandmother was killed. He tries to avoid it but you hear about it in his mind prison.

Davrin has suffered from institutional abuse. He's convinced his sole purpose in life is to die now. He brings it up constantly. He also suffers from survivors guilt after Weisshaupt. You can talk to him about it when he presents to you the wood carvings of his friends who didn't survive. He even shouts out, something along the lines of "why am I still here when they're not?"

Neve has survivors guilt about what happened to Rana's partner. She talks to you about how everyone around her dies or gets hurt.

Emmrich has survivors guilt about what happened to his parents that leads into his fear of dying. If you choose not to save Manfred, he's heard crying in his room and struggling to accept it.

Bellara has survivors guilt about what happened to her brother. She blames herself for it. She hopes that she can do enough that she'll be able to forgive herself.

I think Taash's story relates to Solas's predicament in a different way. I think their theme of struggling between two worlds whether that be culturally or with their gender can relate to Solas's struggle between the ancient culture he was born into and the modern elven culture he finds himself in. Since I'm not part of the nonbinary community or diaspora community, I can't talk in detail about this from their perspective and won't try to.

With all this in mind, I do think these comparisons help place Solas as a "foil character." Solas's reaction however is DRASTICALLY different from our protagonists (plural for companions included) but also offers a contrast to Rook (our protagonist) who inherits Varric's vision.

With all that though, I don't think his purpose in the narrative is "nothing." Whether making him a foil character was what he should have been or what was desired is up to you.

As for why he wants to tear down the Veil, a lot of it is hidden in subtext. "People are always dying. It's what they do." And it's his fault they are. Solas often always speaks in riddles and literally veils the true meaning. Every time he talks to Rook there's a hidden purpose and meaning behind it. If you analyze it, which others much better at literary analysis than me have, you may find more motivation, complexity, and reasoning. I think picking apart his words adds a good amount of nuance to it as well.

"It really felt like this was the setup they were going for. Solas causes the death of Mythal, and this is his catalyst for creating the Veil, which ushers in a world without magic."

Is that not what happened? Her death was a catalyst to spur his rebellion against the Evanuris. It's her death and service that binds him and why she's required to get the good ending. She has to release him.

"I was expecting a few remaining Titans to wake and join the fight. But we don’t get any of that."

Would have been cool, but since all that seems left of them is the blighted part and that's thoroughly severed, I don't think it would have worked. Without some possession that helps sooth the anger, it's so maddened that it's not quite coherent. I didn't really ever expect them to wake up. I did expect to learn more about them from the Descent DLC in DAI and I did get to learn a lot more! So I was satisfied with that.

"The Veil felt like Chekov’s gun to me. Chekov’s Veil, if you will. It’s been here from the beginning of our tale, the spectre hanging over our protagonists’ heads for multiple games."

To me the Veil was more like a key aspect of World Building. You need to know about it to understand the religions, how magic works, how spirits and possession work, etc. So it makes sense to introduce it as a concept in each game. It takes a beating in the games and we see the effects of that. So in this game, it ending with it being fully repaired. It did have a role, could it have been bigger? Sure.

"It just ends, and everything is the same. I got to the end of Veilguard… and everything was more or less the same as it was at the start of Origins."

I don't know how it is the same. Elves have to reconcile the differences between what they believed and what they now know. They've uncovered ancient artifacts and have a grasp on the Eluvians now which they certainly didn't have in Origins. The blight is forever changed with the Veil fully repaired. There's no more small leak. The Calling is implied to be gone due to this. It's implied that the blight can be cured or slowly die away instead of lingering. Which brings me to this...

"The Veil isn’t even a permanent solution. It wasn’t to begin with. It was some duct tape wrapped around a broken pipe, and we’ve just slapped an extra piece of tape on it. It’s still leaking. It is still unnatural, and will fall eventually one way or another.

It feels like keeping the Veil up just pushed a big problem onto Thedas’ future generations. We’ll keep slapping bandaids on it until it all falls apart. Someone else can deal with the fallout, but we’ll be dead by then, so who cares."

It is fully repaired now though. It's reinforced. It's not us slapping duct tape on it like we did with elven relics in DAI. The ending tells us this. Now this doesn't stop people from doing what the magisters did and poking holes in it in the future, but we also don't know how Solas (and possibly Inky) presence will affect it. Will it help prevent holes? Will it help ease the blight even more? There's a lot of room to expand on these, but it'll take time for the world to change. So I expect any consequences in future games - not immediate.

"For some reason, this game seemed terrified of letting us think about anything for more than two seconds. It shied away from complexity or nuance at every turn."

I actually think the game had a lot of complexity and nuance just perhaps, not in the way many went in expecting. There was complexity in the companions and their stories, how it intertwined with the overarching narrative and Solas's. How grief and regret shape a person. How all the propaganda the South had been feeding us for years wasn't always accurate. It's different from "moral complexity" of previous games but if I'm being honest, I never found the previous games to be morally complex. There was a clear cut "good" option and a clear cut "bad" option. Literally some choices people gush about boils down to "Is slavery bad? Yes or No?" ... it's bad guys. It's not complex. It's bad. "Is forced imprisonment from childhood bad? Yes or No?.... yes. Imprisoning children in a tower with police brutality is bad. It's not complex. It's always been pretty black or white. The complexity typically came from the factions we interacted with. The Wardens portrayed as glorious heroes have a darker side to them. We saw it in Origins. We see it in DAI. We see it in DAV with the Griffons. This organization isn't all white. It's more of a grey.

Meanwhile the opposite occurs with the crows. We get horrendous portrayals of them in DAO, DAII, and a little bit in DAI and yet we interact with a different family and we see, no this organization isn't actually all black. It's more of a grey.

All of that is still present and emphasized in DAV. I think the game just decided not to shove it in your face like it did in other games. It's more subtle but to me it's still there.

"The game is called The Veilguard—ironically, that word is never uttered in the game—but we are given no real motive for guarding the Veil. We’re unquestionably the hero. The villains are uncomplicatedly evil. Save the world… never wonder what you are doing or why."

I honestly don't know why they would ever utter the phrase "Veilguard" specifically and why that should be a bad thing that they don't. It would just feel like an "Avengers Assemble" moment or forced in. Further more and relating to this piece:

"I wanted the game to make me question if the Veil staying up or coming down was the right choice. I needed to be given a real counter argument. Convince me the alternative would actually be better or worse, because as I mentioned…"

I don't think the game was ever going to be that. You are picked by Varric. Varric who watched what the Kirkwall companions did. Who watched what happened to the Inquisition. Varric who was going to go try and stop this friend from making a mistake when he couldn't in the past. The person Varric brought on the team wasn't going to be evil. They weren't going to disagree with his vision. They weren't going to go against him. They were going to be his second in command and by into what he told them. He is after all a famous storyteller. Viewing it as Rook is an extension of Varric and tasked with carrying on Varric's role...it limits the characters available. I don't necessarily mind this, but I think it's a big reason why people go so far as to say "it's not an RPG" which is honestly just disgusting. It is an RPG. You can't call Monster Hunter or FF that have little to no story or choice impact RPGs but not this.

In addition to that and to talk about this:

"They are surprisingly patient while Rook fixes all their companions’ problems…"

Which is talking about our two escaped gods again, it's just QoL for the Game. It's a game first and foremost. Would you prefer everything be on a timer? Maybe you would, but many wouldn't. Many gamers actively hate timed quests. So this isn't a narrative reason so much as a gameplay reason. They want to give you time to do the quests. The same thing happens in all the other games. "Ah god we have to get to the top of the tower! ASAP!" - yea yea hold on I have to loot all 5 of these bodies and all these crates over here and do one last glance over. OR "Oh dear the empress is going to be assassinated we have to move quickly!" - Uh huh yea I get that but let me spend about 10 more hours in the Hinterlands trying to kill this fucking dragon. Not ever decision in the game is a narrative one. This one isn't.

How does this relate to the choice of the Veil coming down or staying up? This was never going to be a choice. The impact it would have would be too drastically different that there'd be no way to reconcile it in future games. You'd have to make two completely different games for that choice. So they were going to choose one or the other. In the end they chose this. Would the opposite have been cool? Maybe! Or it could have been the end of the world like that one proposed ending in the Artbook where everything is obliterated. I mean people are already pissed that "their world state is destroyed in the south" imagine the outcry if the whole world was wiped with the veil coming down. There just doesn't seem a good way to make this work for everyone or keep it a choice. Unfortunately.

Now that that's all done. These are just my thoughts and how I interpreted it. Part of the beauty of art and games by extension is that they should be open to multiple interpretations. There should be discussions surrounding the narrative that aren't just masked bigotry. And with that, Ima log off Tumblr since this too me way to long...and no I'm not going to reread it to make sure it's coherent. Ima just send it.

Castles in the Fade, or What Was the Point of the Veil Anyway

Something that will now haunt me until the end of time is why was the concept of the Veil ever introduced into this series.

We’ve been hearing about it since the very first game. There’s a codex entry about tears in the Veil in Origins. Tamlen mentions a thin spot in the Veil if you play a Dalish elf. Sandal has a prophecy in Dragon Age 2: “One day the magic will come back—all of it. Everyone will be just like they were. The shadows will part and the skies will open wide. When he rises, everyone will see.” Admittedly, this is just one line said by a character who often says odd things, but it hinted to the fact they were planning to do something with the Veil from the very beginning. The state of the Veil is repeatedly brought up. It all had to mean something! Or so I thought. 

When I saw “The Dread Wolf Rises” quest in Veilguard, I said, “Oh, here we go!” The Veil is coming down, magic is coming back, and it’s going to set up such an interesting story for the next game. 

Alas, no. 

I hadn’t really enjoyed my time playing Veilguard up until this point. It felt like the game was ducking and dodging every bit of world building and lore that could possibly bring nuance or complexity to the story. Every returning character or faction was a cardboard cutout of themself. They shoved Solas is a time-out box and gave him nothing to do. They refused to let him have any impact or influence on the story when he had been set up to be our main antagonist back in Trespasser. This game used to be called Dreadwolf! And while we learn about his past… we never talk to him about it. In the present, he’s in stasis.

Elgar’nan and Ghilan’nain are our villains. And they are your typical evil for evil’s sake villains. They are mad, bad, and only as dangerous as the narrative will allow as to not give Rook and co too much trouble. They are surprisingly patient while Rook fixes all their companions’ problems… until Elgar’nan moves the moon to cause an eclipse. A vital component in making his own lyrium dagger. For some reason. This guy can move a satellite!? And he just let Rook walk away in previous encounters… twice. Ok. Sure.

The Evil Duo need their own dagger ostensibly to tear down the Veil, because they want to unleash the full force of the Blight onto the world. Because they are evil. And they were thwarted last time they tried to Blight the entire world. Why do they think Blighting the world is a good idea? What’s the point of ruling a world if everyone is dead? I guess they haven’t thought that through, because of the madness and the evilness.

Ok, I thought. Perhaps the gods will be the one to tear down the Veil. Or maybe we’ll have a choice to let Solas do it his way before they can, which will be less chaotic and less full of Blight. Because the Veil has to be coming down one way or another? Why introduce the concept of the Veil, especially a Veil that has been thinning and failing since the series began, if it’s just going to… stay.

There is a principle in storytelling called Chekov’s gun. If something is mentioned in a story, it must have a purpose. If you keeping mentioning that gun hanging on the wall over the fireplace, it’s because at some point in the story, someone is going to take it down and use it. The Veil felt like Chekov’s gun to me. Chekov’s Veil, if you will. It’s been here from the beginning of our tale, the spectre hanging over our protagonists’ heads for multiple games.

The Veil has been a character unto itself. It was the central focus of the third game, and its dissolution was set up to be the core conflict of the fourth game. We learn everything we thought we knew about the Veil was a lie. It was not created by the Maker to separate the Fade from this world because of jealous spirits, it was created by a guy named Solas to trap the elven gods and the Blight from destroying the world. Also, the elven gods were never gods, and they are also evil.

This reveal will surely throw the Andrastian religion into chaos! This puts the very existence of the Maker into question! The Evanuris are a lie; it’s only fair Catholicism—oh, I mean—the Chantry is a lie too. We briefly touch on that in Veilguard… then it is quietly discarded. Religious crisis averted.

But I digress.

When the title of the fourth game was changed from Dreadwolf to Veilguard, I started to see the writing on the wall. Still, I held out hope the Veil would have some greater purpose in the story. That its introduction as a concept was for a reason. That something in this world would change.

Instead, from the get-go, the question of the Veil is no question at all. We only get Solas and Varric making oblique or catastrophizing statements about it. Solas says little beyond he has a plan. If I ever wanted to hear a villain monologue about their plan, it was now! Varric, on the other hand, decries Solas’s plan. He warns that should the Veil fall, it will destroy the world and drown it in demons. And that’s that.

We never really learn why Solas wants to tear the Veil down, or why he thinks it will help anyone. “The Veil is a wound inflicted upon this world. It must be healed,” he says. And that’s basically all he says about it in Veilguard. In Inquisition and Trespasser, we learn it took the immortality from the elves. It cut most of magic off from the world. Spirits are trapped and are being corrupted into demons, and most of what we know about spirits and demons is wrong. There are ancient elves possibly asleep? That part is left vague, but ancient elves are still about. We meet some in Mythal’s temple. There seems to have been some merit in bringing it down, because elves were flocking to Solas’s cause at the end of Trespasser. He had agents working for him already. What do they know that we don’t know?

Apparently nothing, because by the time Veilguard rolls around, there are no mention of agents. He is working alone. His only motivation now seems to be he’s too deep in his sunk-cost fallacy. The Veil is unnatural, so it must be removed—consequences be damned. We are never given any reason to think Solas has a leg to stand on in his pursuit of tearing down the Veil. We never hear any kind of counter argument from anyone, not even Solas, as to why the Veil should come down. We are only told it will destroy the world. It will drown the world in demons. This is all Solas’s fault.

There is no nuance. No complexity. No moral quandary to mull over. The game gives us vague warnings with no explanation as to what exactly is so world-annihilating about the Veil coming down. We must take Varric’s word at face value. We’re the heroes; Solas is the villain. Stop him.

It makes me wonder why Solas was ever a companion in Inquisition, let alone a romance option. Solas was presented to us as a complicated character in Inquisition. We had the potential throughout the game to make him see the value of this world, to help him realize he was wrong about it. “We aren’t even people to you,” the Inquisitor says in Trespasser. Solas replies, “Not at first. You showed me that I was wrong...again.” He began the third game viewing the world as tranquil, seeing the people in it as nothing more than figments in a nightmare, just as we saw our companions in the In Hushed Whispers quest. He ends the game having made friends, having recognized he was mistaken. He might have even fallen in love. (Or he may still seen no merit in this world if the Inquisitor antagonized him the entirety of their time together.) But something makes him continue with his plan to tear down the Veil, despite recognizing this world is real. He must know something we don’t. Something we’ll learn about in the next game.

We’ve been hearing about the Veil for three games now. We’ve set up our complex antivillain for the next installment, and he’s going to tear the Veil down. We swear to stop him or save him. But it has to be more complex than that. It can’t be so straightforward. Uncomplicated. Simple. Boring. Right? Right?

Nope. He really is just the villain, mustache-twirling and all. He apparently had no greater motivation, no as of yet unrevealed knowledge that would put this whole Veil thing into a new context. It was really as simple as the Veil falling will destroy the world, so Solas must be stopped. There is no new information that is revealed which makes us question what we are doing. Solas is never given any nuance or complexity to his actions. Nuance and complexity have actively been taken away. Both him and the Veil are looking like they are the worst things to be in a story: pointless. Why introduce the Veil if it’s just going to remain unchanged? Why introduce a character like Solas, bother humanizing him (for lack of a better term), giving us his backstory, setting him up as a cunning antagonist, only to make him look stupid, then put him on a shelf until the last ten minutes of your game?

Solas was the trickster archetype of this tale. He was our version of Loki from Norse mythology. What is the role of the trickster archetype? To challenge the status quo. To bring about events of extreme change, like say, the tearing down of a Veil that holds back all of magic. Loki is a huge contributing factor in Ragnarök. Through his manipulation, he causes the death of the beloved god, Baldr. This ushers in a long winter, which signifies the beginning of the end. Loki is imprisoned for this crime. When the final battle between gods and giants begins, the sun and moon are swallowed, plunging the earth into darkness. The earth shakes and Loki is freed to fight on the side of the giants. The world burns in raw chaos, falls beneath the sea, and is reborn. The world is remade, and a new realm of the gods and a new, better earth is formed.

It really felt like this was the setup they were going for. Solas causes the death of Mythal, and this is his catalyst for creating the Veil, which ushers in a world without magic. This could be seen as equivalent to the long winter. Solas falls asleep, trapped in dreams. He wakes and sets in motion bringing about the apocalypse. It’s not a perfect one to one, but it’s there if you squint. We have a war against the gods in Veilguard. I was expecting a few remaining Titans to wake and join the fight. But we don’t get any of that. There is a final battle, but it does not end in the end of the world. Or a better world. It just ends, and everything is the same.

It seems our trickster god caused his apocalypse thousands of years before our story started, when he created the Veil. His role in this tale was over before ours began, and he really is just some relic from a long-past age. He has no role, no purpose in this story. He is here to be thwarted. He is no Loki at all.

If you can’t tell, I wanted the Veil to come down. Did I think the Veil coming down would be painless? Have no negative consequences? No. Of course not. But keeping it up has negative consequences too. And it made for an interesting story. Or at least it could have. But we never explore that. The game presents no counter argument to having the Veil stay up, which, again, begs the question: what was the point of introducing the concept of the Veil at all?

Did I think the Veil coming down was actually the best solution to help Thedas become a better place? I don’t know, and I never will, because the game never argues for it one way or another. It just tells you to want it in place and to stop asking questions. In real life, a catastrophic event is not the best way to solve any of the world’s problems. But this is the realm of fiction. We have gods and monsters, magic and myth. We have introduced the status quo of Thedas, recognized it needs to change, then our trickster god appears ready to fulfill his role in the narrative. 

Instead, it all comes to nothing.

I got to the end of Veilguard… and everything was more or less the same as it was at the start of Origins. Veilguard actually tries its hardest to pretend any previously mentioned problems don’t exist, so of course the Veil coming down has no merit. There are no problems to solve in this world, apparently. Solas is just stuck in the past and can’t get with the times. Silly Solas.

The Veil isn’t even a permanent solution. It wasn’t to begin with. It was some duct tape wrapped around a broken pipe, and we’ve just slapped an extra piece of tape on it. It’s still leaking. It is still unnatural, and will fall eventually one way or another. Large amounts of bloodshed weaken it, so I guess Thedas better achieve world peace real quick to avoid any battles. There were seven super-powered mages holding it together… now there is just one. Ironically, the Veil was going to fall after two more Blights anyway. The Wardens were doing Solas’s work for him! It would also have released the full force of the Blight at that time… which Solas was trying to avoid, I presume.

It feels like keeping the Veil up just pushed a big problem onto Thedas’ future generations. We’ll keep slapping bandaids on it until it all falls apart. Someone else can deal with the fallout, but we’ll be dead by then, so who cares.

Primarily, I wanted the Veil to come down from a storytelling perspective. The Veil was an interesting concept and I wanted the story to do something interesting with it. Conflict is what makes stories stories and the Veil coming down could create so much compelling and complex conflict. And the Fade is weird, and I like weird. Stories are also about change, and I wanted to see Thedas change. Yet, Veilguard is over, and barely anything has changed. Instead of magic coming back being a conflict for the next game, they went with Fantasy Illuminati. Oh.

The Veil turned out to be a nothing-burger, and no problems in this world are even close to being solved. Slavery is still rampant in Tevinter. The elven people are still oppressed everywhere. Mages have no more rights in the South than they did in Origins. Spirits are still trapped and being corrupted. The Calling still exists, though might be different somehow now? They don’t really get into that. The Chantry’s validity is still not allowed to be questioned. The Blight still exists in some form, but again it’s vague. Oh, and we learn the dwarves have been gravely wronged, and the Titans are still tranquil. At least if you redeem Solas and a romanced Lavellan joins him, they can work together on healing the Blight and helping the Titans. Oh, good. One problem is being acknowledged and some action will be taken. Offscreen. Hurray? Solas doesn’t have a really great track record of fixing problems, so Lavellan is definitely going to need to be there to make sure he doesn’t fuck it up.

For some reason, this game seemed terrified of letting us think about anything for more than two seconds. It shied away from complexity or nuance at every turn. The game is called The Veilguard—ironically, that word is never uttered in the game—but we are given no real motive for guarding the Veil. We’re unquestionably the hero. The villains are uncomplicatedly evil. Save the world… never wonder what you are doing or why.

I wanted the game to make me question if the Veil staying up or coming down was the right choice. I needed to be given a real counter argument. Convince me the alternative would actually be better or worse, because as I mentioned… things suck quite a bit in Thedas already for a lot of people right now. Let the Veil’s fate be a difficult choice to make. If the conflict cannot be what to do about the Veil, it should be am I doing the right thing about the Veil. If the heart of your game is so thin on motive, everything else falls apart around it.

I hoped they were setting up a complex, Thedas-sized existential conflict for this game in Trespasser, but no. I wanted something to happen, but nothing did. 

I want to feel challenged and changed by a story, not left feeling empty. I’m tired of superficial entertainment. I want to sink my teeth into a narrative that doesn’t paint the world in broad strokes of black and white, good and evil, heroes and villains.

Ultimately, I think my issue is why even introduce a concept like The Veil if you’re not going to do anything interesting with it. Or anything at all. What I thought was Chekov’s Veil turned out to just be a MacGuffin. And that’s disappointing.

[welcometogrouchland]

Noticing that TV and film will often have a character either have had an abortion in the past that isn't showcased on screen (and just used as part of the character's ~fucked up and twisted backstory~) OR contemplate getting an abortion in the present day but not to through with it. Just once I want to see someone delete that fetus within the events of the plot and not be like. Extremely majorly punished for it and/or be in the wrong

[timetravellingkitty]

.

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

[endless-ineffabilities]

chemical override

Ewan Mitchell x actress!reader

a/n: i caved and did an actual Ewan fic! Given that the lad is more of a public persona nowadays, I reckon it's fine (?) This is pure self-indulgence for all my Ewan loves. May have a continuation but idk for now, enjoy!!

series masterlist ▪︎ main masterlist

The reader and Ewan are paired for press interviews. Despite barely having any scenes together and only knowing each other in passing on set, the chemistry they share cannot be denied...

Your first round of press takes place in a primped up hotel suite in Paris, thanks to the team at HBO.

You are an up and coming actress, much like some of your costars in the show, but the pressure is heavier on you because you were entering in season two, whereas everyone was already well-acquainted with one another.

Your few scenes were mostly with Jace and Baela, so you grew close to Harry and Bethany.

However, the media team decided to pair you up with Ewan for the day. A little fun initiative was set by the team that a character from the Blacks would be do press with a counterpart from the Greens - hence, yourself and Ewan.

You're nervous as you walk down the hallway, unable to fully pay attention to the instructions your lovely assistant gives you.

She tells you about the different interviewers for the day, bloggers and magazine writers from all over the world. She reminds you that each one will only be for a maximum of 5 minutes, so it shouldn't be too complicated. She smiles and eagerly says, "Take a deep breath, you got this!", as you reach the suite doors.

But in your mind, all you can recall is your first interaction with Ewan, almost a year ago right after the table read. You had nervously blurted out to him that Aemond is your favourite character, after he just asked, "How are you?". He laughed, said thank you, before he was pulled away in conversation by Tom.

You pray to the fictional Westerosi gods that things will fare better today. That you won't get all tongue-tied when those steel blue eyes land on you.

Upon entering the room, the team is quick to fuss over you. Sometimes you forget that you're actually an actress now. A celebrity, some might say. It all feels surreal and you have a inkling it won't ever stop being this way.

Ewan is already seated in front of the camera, and he stands to give you a hug as you finally walk over.

"Hey there, how are you?" he smiles widely, smelling like cigarettes and something muskier as he wraps his arms around you.

Unroll your tongue. Rework your brain. Calm down.

"Hey, Ewan!" you respond. "I'm doing great, happy to see you again."

"Well, I only wish we could have had more time together on set." Ever the gentleman, he gestures for you to take your seat before he does the same. "But next season perhaps? Who knows?"

"Oh, sure." You settle in, pleased by the fact that your chairs are only about a foot apart. "We can both look forward to my character giving Aemond the arse kicking he deserves."

He laughs, eyes glinting with mischief. "Come on now, I was thinking our characters are actually quite compatible, no?"

"Well, I sure wouldn't want to step on Alys' shoes. She'd probably curse my character all the way to Yi Ti."

"Hmm," he hums, biting his lip. You can't help but hear Aemond when he does that. "I say you can always count on Aemond and Vhagar to come to the rescue of a beautiful maiden such as yourself."

Well, you'll be damned. Ewan, while still an introvert of his own sort, is as charming as can be. If he's turning it on to get himself hyped for the press, it's working.

It's definitely working on you, to say the least.

The media manager gives the signal for the first interview to begin, and a reporter walks in, all ready with prepared script in hand.

"Here we go," you mutter, facing forward.

"Good luck," Ewan replies.

You both shake the reporter's hand, and he introduces himself as Jared.

"So guys," Jared begins. "Why don't we start with you telling me a little bit about what we can expect from your characters this season?"

The question is easy, and it doesn't take long for you and Ewan to think it through. Jared asks a few more basic questions, before drawing the attention more to you.

"When you watched season one, did you have a favourite character?" he asks you.

You smile, "Oh, I mean, I have to say - and Ewan already knows this, by the way - that Aemond was my favourite character."

"Was?" Ewan says, feigning shock. "Unacceptable."

"Was... Is... " you shrug, rolling your eyes playfully, earning a laugh from Jared. "I think I might be more a Daemon girl now."

"Oh!" Jared exclaims happily. "Does Matt know about this?"

"I'll be sure to tell him - "

Ewan interjects, shaking his head at you, "There's no need to tell him, because I'll convert her back to Team Aemond in no time, trust me."

"Daemon is awesome, though," you say to him, smiling.

"Sure." Ewan makes a face like that fact doesn't matter. Wasn't he the one who said that Daemon would be the character he would most like to play if not Aemond?

"And Caraxes is my favourite dragon." You share a look with Jared, hoping he would agree.

"Yes!" Jared says. "Caraxes is the best dragon in the show, in my opinion."

"Ah, you're both wrong," Ewan says. "My Vhagar is the oldest and baddest dragon in all of the land."

"My Vhagar, he says," you joke. "Seems like someone still hasn't shed Aemond for this press tour."

"And I never will, darling." His gaze is intense when he turns to you, and you clear your throat to fight the warmth rushing to your cheeks.

"Alright, they're giving me the wrap-up," Jared thankfully breaks the tension. "It was a pleasure talking to you guys, congratulations on the new season!"

One interview down, and your nerves have already considerably subsided. Ewan tapping your arm to start up a conversation once more surely helps in distracting you.

In the best damn way possible.

"How do you think we did? That wasn't too bad, was it?"

"I think we did quite well," you casually offer a high five, but your heart skips a beat when Ewan interlaces your suspended hands for just a moment.

"I'm glad they paired me with you," Ewan says, after releasing your hand. You hold on to the armrests to keep your fingers from twitching.

"I am, too," you admit. "I am a fan of you, after all, but I think you already know that."

He blushes, "Well, that's not a bad thing. I think you're a fantastic actress. I must have seen your first film a good ten times."

"You mean my first and only film," you add humbly. "But thank you."

"Only film for now," he affirms. "No doubt this is only the beginning for you, darling. With your talent and your charisma, I'm sure you have potential scripts piled up already."

"I could say the same for you! Have you seen what your fans say about you online? You're the internet's new boyfriend, Ewan Mitchell."

The media manager announces the next interview, but Ewan follows up with a response for you under his breath, "I have seen some things. But when I have a girlfriend, I'll make sure she won't have to share me at all."

Oh, so apparently he is single. But wait - why is he telling you this?

You don't get to mull over that thought. For the time being, the next interview starts and you make sure you do a good job at what you're paid to do - promoting the series.

Not daydreaming about getting with a costar, for heaven's sake. Stay professional.

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

You feel lightheaded after finishing the seventh - or had it been the eighth? - interview.

Your assistant delivers a coffee to you during the twenty-minute break. Ewan had stepped out to the balcony to have a smoke, leaving you alone with your thoughts.

He certainly is everything you expected him to be, and so much more. Insightful, cheeky, dedicated. An artist, through and through. He was in the business for all the right reasons, passion and respect for the craft.

If he had any flaws, you weren't privy to them yet. If there are any reasons for you not to be attracted to him, you didn't know what those were yet.

And with every flirtatious remark and pointed smile, you can't deny the hope blooming in you.

"Hey," he reappears, pulling you out of your musings. "I hope you don't mind that I smell of smoke."

No, you didn't, not when it's him.

"Don't worry about it," you reassure him. You tilt your head forward to take a sip of your coffee, but a lock of your hair falls in front of your face. Annoyed, you think to reach for it, but Ewan beats you to it, tucking it back in place.

"There you go, darling," he croons, gesturing for you to proceed in drinking.

"Th-thanks." His eyes don't leave yours as you take a slow sip.

"So," you say, desperate to break the silence, "which interview did you enjoy the most so far?"

"How can I possibly choose? I mean, I really liked the one with ComicSociety, the guy that said our characters have a lot of chemistry and should get together next season. He's right, I already told you!"

"Ohhh, sure, that will go down really well with the Blacks and Greens."

He smirks, "I don't see why not?"

"For one, Aemond is ensnared by Alys, and my character will never give up fighting for Rhaenyra. I just don't see it happening, Ewan."

"Right," he mutters thoughtfully, "there is still Alys in the picture."

"Still in the picture? With the amount of steamy scenes you two have lined up for season three, I'd say she will be Aemond's entire picture in and of herself."

"Hmm," he glances at you once, then looks down. Dare you think it, does he look disappointed?

"But hey," you add lightly, "maybe we can talk to Ryan and he can flip the entire script just for our characters."

"Yeah," his cheeky smile resurfaces, "maybe you can take Alys' place."

Take the place of Alys? Of Alys. Is he insinuating...

"Next round of interviews, guys!" The media manager announces to the room.

"Here we go again, darling," Ewan squeezes your hand once, before putting on his professional face once more.

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

By the end of it all, not even caffeine can perk you up. You were exhausted, you and Ewan having finished four full hours of press.

Your assistant comes to your aid, ready to direct you back to your own hotel room.

"This has been such a pleasure, Ewan, really." You stand, this time initiating the hug.

He squeezes you gently, humming in your ear. When you pull apart, he says, "I honestly wouldn't mind trudging through hours and hours of press with you."

That's sweet of him. You're too tired to mask the warmth that rises to your cheeks. "And I feel the same. Today couldn't have gone any better."

"Truly, and listen, maybe we could - "

"Ewan!" The manager approaches. "I'm so sorry to rush with this, but we need to film just a quick soundbite with you for Aemond. Just two to three questions for the Max Tiktok account?"

"Oh, okay - " Ewan is reluctant to turn away from you.

"Perfect! If you could just stand there by the windows please..." The manager already has him by the arm, directing where he has to go.

"We have to go," your assistant says. "Still have to prep for tomorrow."

"I'll see you soon, Ewan!" you call out to him. "Thanks again."

He gives a half-hearted wave, dejected as he watches you walk out of the room.

"That wasn't too bad," you share with your assistant as you enter the elevators. "Not bad at all, actually."

"Oh, you did so well," she compliments. "It definitely helps with the press that you and Mr. Mitchell have such insane natural chemistry."

▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎ ▪︎

In the calm of your hotel room, you get ready for bed.

Just when you're about to finish with your nightly routine, your phone rings from your bedside table. You're quick to rush over, thinking it could be your assistant or your manager, with an urgent update about work.

But no - it's an unknown number. A UK number, as it appears.

Confused, you click answer anyway, putting it to your ear with a tentative, "Hello, who is this?"

"Hi, darling."

"Ewan?"

"Yeah, uhm, I hope I didn't disturb you - "

"Not at all," your answer comes out in a rushed breath.

"I also hope you don't mind that I got my assistant to ask your assistant to give me your number? It's what I wanted to ask you before you left today."

"Oh." You feel fully awake now, by some miracle, butterflies finding home in your stomach. "I don't mind. I... I should have given you my number, anyway. I have most of the cast's, in case I need to get a hold of you guys."

"Hmm, right," he says from the other end. You hear him calmly breathing, the sound strangely comforting, and wonder if he can hear the same from you.

He says, "I just wanted to keep hearing your voice. Didn't get enough of it today," and your heart just about stops.

"Oh. Okay," is all you are able to respond with.

"What are you doing?"

"Just... just getting ready for bed." Phone pressed to your ear, you shuffle around the room, putting some things back in place.

He says nothing for a few seconds, but you still hear his breathing, and some shuffling in the background. It occurs to you that he might just be as nervous as you are now.

Maybe.

"Listen," he finally says, "do you want to hear my pitch to Ryan about why our characters should get together next season?"

A genuine laugh escapes you. He sure is persistent. Playful, sure, but you're definitely willing to play along.

"Let's hear it."

"First," he says, "you have to renounce Daemon as your favourite character - "

"Not a chance."

" - and swear your love for Aemond."

"Keep dreaming."

He laughs, and you can only picture the corners of his eyes crinkling.

"Aww darling," he teases, "don't you love me?"

💌 part two - part three

The OGs will know that the final line is a nod to my first ever Aemond fic! 🖤

Did this slightly delay my series works? Yes, yes it did. Do I regret it? For Ewan frickin Mitchell, I would never ~

[alllgator-blood]

FINISHED THAT ONE COMIC I POSTED ABOUT ALMOST 30 FULL DAYS AGO?? I FINALLY REMEMBERED IT EXISTED AND FINISHED IT. I HAVE SO MUCH I WANT TO SAY ABOUT MY LAMB NOW THAT THEY'RE FINALLY THE MAIN CHARACTER IN A LONG COMIC, BUT it went on forever so I put it below the cut.

While we're above the cut, I have a bunch of REALLy good asks I'll be trying to draw for soon. But keep an eye out for a poll coming up soon...cause now that this is out of the way, I want another big project to have in the background and I have Big Ideas for Big Angst Comics........

OH YOU CLICKED THE THING, NICE. OKAY. SO:

Have I ever talked about how my lamb works?? I need to do more with them but I'm a bishop enjoyer to an obsessive degree. The lamb operates on the same kind of level as kallamar did during the breakdown comic, but on a more permanent, more stable level. After being told to hide for their whole life, to never show their face and not even being given a name......being beheaded by four gods and recruited by a fifth forgotten one who claims they're the Chosen One just made the lamb think "OH! None of this is real. My brain wanted me to feel important before I died, and this is my dying vision. Okay, I'll play along >:)" and now they're the equivalent of when you beat a game and replay it while picking the funniest/worst options to see what'd happen.

USUALLY their decisions are clouded by the assumption that nothing they do actually matters, but they're still......a person who held things dear and had standards while they were alive. So they love hijinx, but aren't like leshy who launches people out of catapults for fun, or kallamar who sees mortals more as lab rats than people living their own lives. They'll do some things for the lolz but their humanity definitely shows through when dealing with someone like shamura.

I think they went into the bishop slaying quest wanting to hate shamura, assuming they were an irredeemable antagonist that deserved to be vanquished. They were told by narinder that shamura was the big bad, so they figured there was nothing to it beyond that. But then they actually MET shamura, who wasn't at all what they were expected to be. Every other bishop is just like "RAHH I'LL KILL YOU" when you meet them, and then shamura is the only person who actually tells you about what happened, speaks to you like a person and not an obstacle, and doesn't seem bothered about the fact they're going to die. So that got them thinking....hmm...perhaps these people are slightly more realistic than I anticipated. Still gonna kill them tho

I'm not sure the lamb hates the bishops, especially after the realization that they're a fucked up family acting out in desperation rather than logic. When you're born into circumstances you know will eventually doom you (like being a sacrificial lamb destined for slaughter) you kinda...lose the ability to care after a while. They don't really *forgive* the bishops for the slaughter of their people, and definitely enjoy bullying them and kicking them around now that they're powerless mortals- but the initial horror of being born to die has subsided. Now that they're presumably in some kind of afterlife, and have better, more fun things to move onto now that they're the ruler of everything- it's not worth it to hate those five forever.

I think *because* the lamb has only been a god very briefly and still remembers mortality well, that's why they're the one god who does things "because they're funny" but also is respectful of people like shamura. It's like when you're playing GTA V and you accidentally drive over a dog while trying to pull over and look at it closer. Is it a real dog?? No but you're still gonna feel bad!! So like I said, in the lamb's mind they have NO reason to care about any of these people or show them mercy, but the fact that they're not as detached from mortality as the bishops were makes them a benevolent god. I'll be doing a comic about this very subject in the future and it WILL be depressing >:)

Also. Unrelated. But if you read this far, I feel the need to justify why heket and leshy suddenly have boobs in this comic. I'm sure it's obvious that I headcanon the gods don't have sex characteristics cause like...why would they need those. I don't want to draw that. But as MORTALS they would probably need to have all their organs intact to function properly, so pour one out for shamura + leshy who probably completely forgot they were transgender until they woke up in mortal bodies. NOT SURE HOW KALLAMAR WOULD REACT, I think they're more just horrified they lost all their tentacles

I debated doing another silly comic about the concept but I don't want this blog to get too raunchy, so instead have this epic ms paint art (I CAN MAKE THESE JOKES, I'M AFAB TRANS I DESERVE THIS ONE THING)

[emphistic]

A/N: this has been in the drafts for too long

Sukuna this, Sukuna that.

People call him irresponsible, stupid, a good-for-nothing piece of shit, a monster, a lunatic, all because of his looks and demeanor. You either love him, or fear him, because bless the scathed hearts of those who hated him. In the end, there was only one thing no one could ever call Ryomen.

Pitiful whimpers and whines came from beyond the door, just as Sukuna felt himself nearing Dreamland.

He cursed beneath his breath, turning around in bed and throwing an arm around your waist. His prayers to God for you to not hear Yuuji's sniffling were to no avail when he felt you slightly shift against him.

"Wha—?" Blinking back the sleep in confusion, you couldn't help but also yawn.

The lit-up red, glaring numbers on Sukuna's alarm clock read a time past three in the morning. You knew only that much, as your eyes took a few moments to adjust to the lighting in your shared bedroom.

"Brotherrrr!" Another cry rang through the apartment, and you — full of worry — turned to face your boyfriend, hoping for an answer.

The pink-haired man rolled his eyes in return, mumbling a small "Yuuji", and that's all you needed to know before you sat up in bed.

You shot Sukuna a reprimanding look, "So you're just going to lay there while your brother's practically clawing at the door for you? It actually surprises me how long Yuuji's survived in your care."

Sukuna propped himself up on an elbow, "Babe, c'mon. It's not that serious; he's just being his normal attention-seeking self. He'll get over it in no time and go scampering back to bed—"

"No, you come on. He's a kid, Ryomen, a toddler for fuck's sake. What if he hurt himself, or—or—or, worse? What if he—?"

Sukuna sighed, having finally given up on it all. The blanket fell to his waist as he sat up, placing a chaste kiss on your forehead before sliding out of bed.

It was a struggle to find his sweats in the dark, and he didn't even try to search for his hoodie, opting to fuck it and go shirtless. Yuuji's cries drastically increased in volume, and Sukuna was really beginning to wonder what was wrong.

Unlike most children his age, Little Yuuji never caused problems when it was his bedtime. All it took for the little boy to get knocked out was a movie. And get this, he never even finished any! Either you or Sukuna would turn on some old Disney film and the kid would be fast asleep usually twenty minutes in.

On the days where Yuuji wasn't interested in gawking at the characters on screen, he was cuddled up in your arms — sometimes Sukuna's, and reading a silly bedtime story until his breathing evened and his eyelids drooped shut.

Tonight wasn't any different. . . Besides the fact that Sukuna may or may not have put on a horror movie instead of the usual princess genre. He had manipulated his innocent brother into thinking horror was the best kind of movie there was, and forced him to watch one. Initially, you had tried to stop him, but then he shoved Yuuji's pouty face in front of you and, how could you turn down a cutie like that?

You had hoped Yuuji would just fall asleep before any scary stuff not suitable for a mere child showed, but no. Yuuji stayed wide awake for it all. Of course, he was sat on your lap the whole time, but there was only so much you could do to shield the little boy from all the terrors playing on the screen.

Sukuna tried to justify his actions, saying, "This'll teach him how to be a man; I'm showing him how cruel the world can be; that's all." But Sukuna could not be farther from the truth.

Immediately after hearing the bedroom door unlock, Yuuji ran — clutching his stuffed animal in hand — right into his older brother, seeking solace. And as Sukuna stood with the little parasite wrapped around his leg, crying into the material of his pants, he couldn't help but pinch the space between his brows. This was a terrible mistake, he thought.

Fortunately, you appeared behind your boyfriend just a few moments later, after having put on an oversized shirt, he noticed.

"Hey there, Yuu. What's wrong?" you asked, in a soft voice, just above a whisper.

You knelt down beside the boy, patting his messy bed hair. One thing these brothers had in common was their absolutely out of control hair, goddamn.

Yuuji, still not letting go of Sukuna's leg, turned to look at you. His tears were starting to come to slow, as they dried on his cheek, but he continued sniffling. His lip trembled as he spoke with hiccups coming within intervals.

"I—I had a bad dweam. Hic, you and bwother left me and—and never came back, hic. . ."

The toddler looked about ready to burst out crying again, but he didn't want to appear lesser of a man than his brother called him. So he stifled his cries as best as he could, bringing his chubby finger up to wipe away one of his tears.

"Aw, Yuuji, you know me and Sukuna would never do that to you. You're too important to us, y'know?" You booped him on the nose, "You're also too cute, and nothing's more manlier than that, Yuuji."

You saw the light return to his eyes, the little boy growing more and more like his usual lively self with every word you spoke. Sukuna took note of that; you were always so lenient and caring with his little brother, never blaming him for doing acts completely normal for his age.

Sukuna only spoke up after you picked Yuuji up in your arms, letting the kid rest his head on your shoulder as you ran your fingers through his hair.

"Lying too much is bad." He turned to you with a knowing look.

"Jealous much?" You smiled, a cheeky look plastered on your face. "Or are you just insecure about not being as manly as Yuuji over here?"

"Oh, please. We both know I'm as manly as it gets," Sukuna scoffed, settling back beneath the covers and beckoning for you to follow.

You walked over to your side of the bed, with a sleeping toddler in your arms. "He's already knocked out," you whispered, placing a kiss on Yuuji's forehead. "Let's let him sleep in in the morning; he seems tired."

Sukuna hummed in agreement, placing Yuuji between you both. "But . . . I'm not too sure I'll be able to go back to sleep now. I dunno, babe, I think I need a good night kiss, as well."

Careful as to not wake the little boy up, you stifled a giggle behind your palm, before planting a wet kiss on Sukuna's cheek. "Mwah!"

It was not a surprise when Sukuna pulled you back for a real, and more ardent, kiss on the lips. Sukuna's boyish laughter, your hushed giggles, and Yuuji's quiet snores were the only sounds audible throughout the apartment.

Sukuna was never one to like kids, having a little sibling and whatnot he was already quite experienced. So when people asked him if he planned on having any children, he never said "yes" (he also never said "no"). Sukuna never had a proper father by his side; he knew he wouldn't be much help with a family of his own. But now, he had you.

You were a good caretaker to Yuuji, and maybe, just maybe, Sukuna could also see you taking care of his own blood and flesh. Little squeals and giggles coming from a child with his pink, unruly hair, and the same grin on their face as so his. It was a dream, it was an idea, it was a want.

Sukuna wasn't a bad brother, would being a father be so different?

[amazinglyashy]

hello, idk if you're open but if you dooo, can you do HC of lads seeing MC being more...brutal? since we all know our mc is badass but kind right, but what if sometimes she slipped and her darkness come forth more than she usually let on? hahahah idk it just after all mc been through she's more than validated to be villain u kno. so yea! thankchuu

Just a heads up, I am ALWAYS open, it's just a matter of when I get to the request, so as long as you're patient, anyone can send in anything anytime!! :D And ooh, this is an interesting one, but something I've definitely thought about haha. MC's been through a lot, and I feel a lot of readers also have too, and there comes a point when you gotta say screw it, I'm mad now. (I'll also say I'm still really grumpy about how little we get regarding MC's grieving during certain points of the story, and the lack of how the Li's all react as well to the news, no matter how little they know about the situation :/) Thank you for the request <3 hope you enjoy!

Love and Deepspace Li's reaction to seeing you finally snap

Rafayel -

He's somehow... not surprised.

But can you blame him?

The amount of rage Rafayel carries in his heart is constantly, constantly threatening to bubble up to the surface and boil over the edges of his last remaining ounces of humanity. The amount of cruelty on the basis of pure rage that he could commit is not a volume that he is proud to carry, but something he carries heavily though.

So seeing you finally snap is... almost cathartic.

He knows what he's been through, hell- he knows a great deal of what you've been through. Even in the distant past. It would be a wonder if you weren't angry. If you weren't seeing things. If you hadn't 't been simmering up to your breaking point from microaggressions and trauma stacking up and up until-

Here you were.

And for him, it feels like you're doing something of your own volition- feeling something that was entirely your own. Devoid of any outside influence or need to be the kindest person in the room. To keep your head down, path straight and narrow.

And despite the sheer amount of power he possesses in comparison to you, he will admit if asked- that he was just a little bit afraid at first. Even if just for a moment.

And damn, he was proud of you.

Zayne -

Calmly, he watches you.

It's out of character, sure, given how you usually are. Even when you're rude or abrasive, it's never anywhere near... something quite like this.

But the other thing is- he has a good grasp on the human psychic, just from his medical knowledge, even though it isn't his main area of study. He knows what it takes to truly make someone snap, both from personal experience and from his findings in research.

He also knows the extent of things you have been through that have been building up, cumulating into this moment before him where you have finally just broken.

Depending on the level of rage and cruelty you reach, he may stop you, or he may let you go. Either way, his actions are calm and calculated, no matter how he might disagree with, agree with, or fear your actions. He knows someone needs to remain levelheaded in this situation, and he's more than capable of taking on that role.

Gods forbid once you calm down that you feel guilty. If what you did was uncalled for or wrong, he'll discuss it with you, but if there was justifications to your actions or experiences and trauma that had led you to your moment, he'll just pull you into a hug slowly, his expression even.

He'll say it if he needs to, but his actions will hopefully tell you that nothing, nothing you do will ever change his love for you.

Xavier -

He's startled.

He himself is used to having complete control over his emotions, to the point where he can disguise them exceedingly well to maintain a calm aura. So seeing you fully snap and head down a warpath, it's... shocking.

But he's not entirely surprised.

Honestly, he would be more surprised if you had never got this angry at all, given the things you had told him under the covers in his bed, after a particularly late night in his apartment watching movies together.

You've been through a lot.

He knows that.

He knows how it hurts.

So when you finally rage, it takes him a few moments for even the thought of stopping you to enter his mind. And even when it does, he first has to have a small battle internally on whether or not letting you go off and have your cathartic moment is better, even at the cost of a little bit of destruction.

He'll stop you if it's particularly dangerous though, even if it means having to wrestle you away from whatever it is that was taking the brunt of your anger.

Otherwise, he'll just let you go.

Whenever you're done though, if you dare try and steal a glance back towards him, afraid that you may have scared him or made him scared or angry with you-

He'll just flash you a small, comforting smile.

Sylus -

Sylus spends the majority of his time in a cesspool of seething rage, backstabbing psychopaths, and fake smiles that take advantage of the weak and needy.

Anger for himself, anger towards others, anger to benefit others who can't seem to get angry themselves-

If anyone knows what fury is, it's him. Whether secondhand, personally, or just being around it for so long, he knows the emotion intimately well and every single shape or form that it could possibly take.

Still, seeing you suddenly lose it is... surprising.

He likes it.

Not in a way where he's turned on necessarily (though it is an additional feeling), but the enjoyment stems from constantly seeing you put others before yourself- watching you make yourself small so that the people around you could be big- and now finally watching you take what you deserved in his eyes.

He won't intervene unless you're doing something he knows you'll deeply regret later, instead favoring watching you until you've burnt out and finished to the end.

He's mostly quiet, he knows it's probably not something you want to talk about, like most people wouldn't want to after a particularly vicious outburst in an argument. But he can't help a few small comments.

"I'm surprised. I never thought the kitten had such big claws. You really surprised me, sweetie."

[sm-baby]

Most exciting part of the trailer for the next TADC episode for you?

More so an Analysis rather than things I'm excited about X3

I watched the sneak peek on loop I can process everything! Waahh!! I'm so excited for episode 2 💞 only a few weeks away! 💕

I wanna get this out of the way, I love Lizzie Freeman and Alex Rochon's Improv work on this promo 😭 they were really put in a booth together, were told to say things to promote episode two, and came up with that 😭 Genius.

The environment work is GORGEOUS! I love the look of everything, the world-building, the colors! It looks like a full-fledged movie guys! Absolutely beautiful and WONDEROUS work from the Glitch team-- it's so beautiful for half a year of work??? God damn!!

Haha! As an in-universe creation, Despite his little gags, Caine is genuinely such a good AI to make something so cool!

You'll also notice that Ragatha is taking charge of talking with the princess! That would make sense for such fellow beautiful well-mannered women!

More on them later at the end! :3

Dream sequence theory

Also, we all agree that these ones are all part of a dream right? Pomni is panicked, the strange sort of "slow woozy wobbly" animation exactly like a dream... even the dolly zoom!

Then she is sent to the cellar with a an abstracted arm, but that shouldn't be the case since Caine could easily fix an abstracted arm with a snap of a finger.

And then she wakes up, freaked out!!

Wahaha! Shout out to the Showtime server for pointing this out while we were discussing!

This is either and "end of episode prize" from Caine, or he jumps in mid-episode to hand them a helpful item, ooorr he's telling them that that's their objective for the adventure :3

also!! people have pointed out that Zooble isn't with the carriage with the others! Either this means that Zooble was given a surprise roll in the adventure, or she's off to have a fun solo adventure with Caine! Ohh! How exciting!

Zooble is a favorite character of Goose's, so to learn more about him and why Goose loves them so much would be so exciting!!

Whats up with Jax?

hunched down, writing in the sand, hugging his knees, this topped with Goose's two-word description of the next episode to be "I"m nothing"... Oh Jax is gonna have a MOMENT...

We all know that no one likes the dude and he's going to get worse. I'm unsure if this will make me like the guy, but I'm optimistic!

I'm open to understanding and seeing another side of him that would make me like him! I already quite like how this scene is framed, how lonely he looks, the acting in these few seconds already tells me what kind of guy he is.

...despite one of the gummis being tied up in the corner

If i had to hypothesize, this probably stemmed with Jax acting out, you know, the usual "being a nuisance" to make everyone miserable,

Then It escalates

This gets on Ragatha's nerves, first starting out as a silly "haha cute interaction" between them and it escalates while the episode goes on where Ragatha genuinely gets mad at him and tells him to stay put while they do the work.

Speaking of Ragatha, She seems to be quite fond of the Princess! There is a part of me that wonders if she wants to sort of-- "prove" herself in a way, as a leader or otherwise. Ragatha does give me the "smart yet nice kid in class that everyone copies off of" energy... TwT This poor woman.

I don't know, just the way The Princess bends down and holds her hand, it's sort of sweetly mentorly or motherly in a way. I'm not saying this to infantilize Ragatha, I respect her so much as a mature 30-year-old adult, I say it as a testament to The Princesses' character. Princesses, Queens, and any sort of royalty have been characterized as the sort of "mother/father of all" sort of character type, which is sweet! And would be quite interesting!

I know that people are quick to do the shipping with these two, but I kind of like the idea of Ragatha wanting approval and validation.

BUT THATS JUST A THEORY!! A FILM THEORY!!! ANDDD CUT!!

[ohnoitstbskyen]

PINNED POST, FAQ, INFORMATION

Hi, I'm TBSkyen. I make videos on YouTube sometimes. This is my main tumblr blog, the "brand" blog as it were, where I maintain my Social Media Presence™ on this site.

I use the ironic ™ to signal my personal discomfort with the work of being a minor media personality even while I still do that work and make a living off it.

I have a sideblog called @tbposting, mostly for shitposts and reblogs, and in my opinion I have pretty darn good taste in reblogs, so you can follow that if you want. It's also where I'll do random personal posting, microblogging, etc.

This main blog is primarily for 1) answering asks, and 2) posting my Original Content™, usually my main channel videos, as well as the occasional longer essay or critique. Sometimes I'll reblog an interesting or useful thing, or boost a friend's work, but I try to keep the spam to a minimum.

---

About Me

I am a thirtysomething content creator whose primary expertise is character design.

I have a bachelor's degree in English, never finished my master's, did most of a bachelor's degree in history, and that's it. These are my academic qualifications, no more and no less.

My professional experience is primarily being a freelancer and self-employed creator. I spent the better part of a decade working as a commission artist, running webcomics, drawing fanart, and the occasional animation work and not safe for work commissions, and I have at this point a decade of experience and self-study in the subjects I cover. I have also done online community management for, god help me, almost twenty years, so that's a part of my skillset I'll never escape.

I do not have any particular professional creative industry experience, although given what I hear from my professional friends, sometimes that seems like a blessing.

Please maintain a critical distance when engaging with my work. I am a critic. My work is very rarely meant to be taken as authoritative or didactic, and when it is, I will make it clear in my writing. Just because I speak with confidence doesn't mean I am trying to assert objective truth.

---

TAGS (to follow, or filter)

#tbanswers is the tag for every single ask I answer on this blog

#tb reblog is the tag for reblogs

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#tb recommends is for the occasional recommendation of a video essay or other creator

Yes, I know the spaces are inconsistent. It's not on purpose, I just typed them in haphazardly when I started using them and it's stuck.

---

FAQ (before you ask)

Q: Will you ever do a video about ____ ? A: The answer to this question is almost universally "maybe someday, if I have time, and if I feel I have anything worthwhile to say." And the more realistic answer is "no, because I already have far too much on my plate and I have burned myself out too many times." In general, please don't ask me this question, I will most likely not answer it because I have given the same answer a thousand times, but I still feel guilty about not answering them.

Q: Will you continue your series of videos about ____ ? A: Yes! I will continue the let's plays I started, I will finish the Boss Designs series, I will do another What's the Deal With, I will do more shorts about the subjects I've got going on. The main obstacle is, again, my tendency to overload myself.

Q: Do you have a PO box? Can I send you something? A: Not yet, but I'm looking into it. It may be a while before I get it set up.

Q: Do you have merchandise? A: A little bit, yes, at tbskyen.redbubble.com.

Q: What's your opinion on [game/movie/comic/book/etc]? A: I struggle to answer very open, broad questions like this. Most things I have opinions about, I have multiple opinions, and different ones depending on the perspective and specific element in question. I'm much more likely to answer specific, bounded questions.

Q: Can I send you fanart? A: PLEASE. Askbox, tag me on bluesky, send it to my email! I love seeing every piece of it!

Q: Why do you never appear on camera? A: A forest witch cursed me to look not quite but ALMOST like Paul Giamatti in all photos and videos ever taken of me, and his laywers sent me a cease-and-desist.

Q: Are you gay/straight/bi/other? A: The decision I've made for myself, at least for this period of my life, is that privacy is precious, and once given up can never be reclaimed on the internet. I am open about being aromantic (not asexual), because it's a sometimes invisible and underdiscussed identity, and I know it would have helped me a lot to see someone speak about it when I was younger.

The rest of it is for me to know, and for you to speculate about, although preferably somewhere I can't see it. I accept that this is a part of being a Personality, but it still feels weird, y'know?

Q: Is it weird if I find your voice kinda hot? A: I've put a lot of work into developing this voice and making it nice to listen to, so that's not weird at all and I find it quite complimentary, thank you.

I generally don't mind people doing flirty/thirsty posting about or at me, just so long as we all understand that 1) you should never give a stranger like me information which could be used to harm you. Nicer-seeming YouTubers than me have turned out to be monsters.

And 2) it will never go beyond playful online flirtiness. I like to fluster my live chat, I'll flirt back in an ask or a post maybe, but I am not flirting with you, or inviting any kind of closer intimacy with you, the person I responded to.

Think of me like a comedian doing crowd-work at a show - you can chat to me in the bar after the show, but when I asked you what you do for work I wasn't looking for a personal connection, I was doing my work as an entertainer. Please no sending me nudes, or propositions, or confession letters in my email inbox. We are strangers, and I am always performing a persona in public.

[capslocked]

KINKVEMBER DAY: 6

[prompt: blowjob]

male reader x hyeju

12k words

“I mean, don’t you think,” Hyeju says, wagging a finger at you, “that when you suffer through a bad date, the world ought to owe you something?”

"Like what?" you ask.

"Better taste in women - maybe more orgasms; I dunno, a blowjob?" She shrugs. "The general idea is just that someone gets to cum."

You nearly choke on the air in front of you. "Jesus, Hyeju, warn a guy."

“What? I’m trying to commiserate with you,” Hyeju laughs. “Wouldn’t that be funny? Being able to kiss someone who actually, you know, might love you back, and at the same time. Imagine not hooking-up just to forget a shitty day. Sounds wild, right?"

"Utterly deranged."

"So wild."

-

The first time you hook up with your roommate, it’s because of genetics - though not in the weird, uncontrollable way your body gets rigid and sensitive to any pretty girl who wears nothing but a towel moving between her bedroom and the bathroom, or how her eyes might flick fast from your chest up to yours - or given that the absolute shape of her is a blessing from one god or another (benevolent, clearly). That's not why Hyeju and you find yourselves only a few months later grinding on each other after the clock ticked past midnight, making out on New Year's Eve.

No, it has to do with the fact that Hyeju's nearly failing the nine AM section of molecular genetics because she's spent every lecture doodling stars and planets and planets shaped like asscheeks and planet-ass constellations while everyone else writes notes or doom scrolls twitter or whatever and she is somehow simultaneously the only student who never slept with her face on the lab desk or missed an assigned reading and the only one who absolutely needs a tutor.

It's just cosmic odds that you'd be that one: her roommate, who shouldn't be talking so loudly in the library about sex (in a sort of non-sexy, Mendelian kind of way) or be thinking the kind of things you've started thinking when Hyeju wears one of her more sleepshirt-esque long sleeves, her voice getting lower as you rattle off, "fruit flies and thale cress, definitely, it's just an error of fate or chromosome splitting..." before trailing off into a question.

"This is the worst thing that has ever happened to me," she finally tells you. You listen to her sigh into the binding of her textbook, facedown. "I'm really going to bomb this exam."

You tap her hand twice with your highlighter across the desk. "Then you're pretty damn lucky, if you think about it."

She turns to you, smiles a bit. "Okay, point. The worst thing will be having to retake this stupid fucking class."

"Why didn't you ask for help or go to office hours if you knew you were... failing?"

"Maybe because doing anything more than the bare minimum to get through a class I don't care about is my definition of, failing," she mumbles. "Why didn't anyone tell me a single lab is worth half my grade? Or that the TA is this fucking unreliable? How is this the one thing, really, beyond the basics, that can't be taught by wikipedia, a wikihow article and a youtube video?"

You scoot your seat closer to her. "You really need to relax."

"Fucking tell me about it."

You turn it over in your mind a few times, capping the top of your highlighter.

"Want me to get you off?"

And it’s not like you really mean it, when you say it, which is the strangest thing: you wouldn't actually suggest it, normally, wouldn't mention it in passing and then leave yourself open to the follow up and cross examination; yet there it is, after three, four hours of cramming notes on heterochronicity and the sloshing of gametes - you actually did propose it.

Hyeju jerks up, surprised.

"Are you serious?" She looks around, nearly snorting. "In the library?"

The face you’re giving her makes her scoff.

“You’re absolutely nuts.”

You have character flaws; the inability to admit wrongdoing chief among them. Hell, maybe it's from your mother - or maybe all your brains are just scrambled by the fact that Hyeju's sitting there with her pen against her pretty lips, hair glossier than usual as she scans your face and makes your entire body feel like a reactor core in meltdown.

Maybe you can blame what comes next on that.

"I'm always serious. I'm asking a serious question," you whisper, closing the textbook and resting your elbows on top. You look around quickly, like you're sneaking something in instead of this perfectly reasonable exchange, the perfectly platonic - except maybe not so much - way for friends to help each other.

"And I'm wondering what you're asking." Her cheeks are definitely pinker, you think, or the way it fills out her face, from the bottom up, is just that easy to imagine.

“I’m saying you haven’t gotten laid in months.” Here, you realize, these blocks of mental logic that definitely weren’t there when you blurted it out start to coalesce into something solid as you go on.

And you hadn't been wrong when you thought no one had given Hyeju a helping hand in a long, long time: you've heard through the walls or the floorboards at odd hours of the morning that she spends far too long fingering herself to a mind-numbing, tear-worthy frustration that leaves her knuckle-deep but never, ever sated or satisfied.

"No one's around, you'll feel better. You said it yourself."

Not a work of your imagination here - her ears are fucking burning.

"Wait a minute." She pushes her chair back, away from you and your gleaming offer. It clatters on its back legs, and a librarian waves her finger in warning. You wave back, sheepishly, until she stops and Hyeju stands and moves away from the table to talk, hands crossed over her front.

She turns and asks in a hushed-down-voice, "how did you know - did you hear something last night?"

"You couldn't keep it down even if you wanted to, honestly."

Hyeju turns further and throws a glare at the library doors, because obviously her noisiness and their collective noisemanship, or whatever the hell the word is, is clearly the root of the whole goddamn problem.

"Look - if not, no big deal - but I'm just saying you'll probably get over it and at least think less about sex. Or at least the wrong kind of sex."

You expect her to turn, sigh, and ask if you've lost your mind. Expect her to gather her jacket from the back of her chair, take her books and stomp out the room. Or even burst out laughing at the insanity, before slapping your arm lightly, in playful retaliation - anything other than the serious look she gives you in return, tilting her head, pressing her lips.

She turns up at the ceiling for a moment, contemplating something. And it's cute. It's so very, very cute, how her mouth pouts as she considers the possibility, right up until she says, "okay, fine."

The moderate twist of surprise taking hold in your brow must be visible.

"Oh, don't tell me that was all talk. Get me thinking about the right kind of sex or whatever."

You laugh, which has the librarian staring at both of you - until the librarian stops staring and probably sees Hyeju sliding back into her chair, the full, pent-up weight of her concentration pointed your way, knees inching apart - you, and Hyeju waiting, your knee bumping into her inner thigh, leaning closer as the textbook hits the floor.

"Don't laugh."

"Not laughing, seriously. Not laughing," you stammer. “I just think you’re just full of surprises.”

She spreads her knees further and sits taller, looking right at you.

"So then, surprise me," and then presses her cheek to the crook of your elbow.

You slide your chair right into the space next to hers, nuzzling up into the space under her ear. “Keep studying, Hyeju, you’ve got shit to do.” And then you slide your hand beneath the waist of her sweats, knead the swell of her thigh until you find the seam where her leg meets her body, press your palm down on the place just next to her center, your thumb in the middle. All this perfect pressure.

"Fuck," Hyeju says under a shudder. She's breathing heavier when your hot, open-mouthed kisses start landing at her neck, and she probably tries to read her textbook for about forty-five seconds longer. But there's the clench of her jaw right as your middle finger begins tracing circles beneath the fabric of her panties, and her gaze is blurring until she can't tell the difference between an allele or your fucking name.

"Shh-shh," you quiet her, finger tapping harder, playing with the slick wetness beneath all those layers of thick cotton and pressing two fingers there until her knees part like they’re not interested in resisting at all. Your lips press a kiss to the shell of her ear and she tenses all at once, hand shooting up to cover her mouth.

She simply leans back, closes her eyes, and lets you take care of her.

“Okay, you’re right,” she says, shaky and uneven, “that really did take some of the edge off. Did we ever review - poly- uh, pol-polymers here?"

The sweatshirt sleeve falling off your shoulder is a hindrance to any actual reading; her shifting against the chair isn't helping either, but you manage to push down the thoughts of stripping her down completely and giving her your tongue as yet another distraction.

"What did the syllabus say? I don't know if we need to read too far on 'polymers'," you say, having going through an entire afternoon without considering this once, but as you curl your fingers and take an honest crack at cramming the remaining chapters into her head, the knowledge that no one else is getting her this wet - except for whoever she's got in her mind's eye at three AM - is enough to get you feeling a little dizzy.

-

It’s probably supposed to be weird, given that you’ve never gotten any of your other friends off spontaneously in the library, or there's the fact that you can't really avoid each other afterwards, how she shows up in a silk negligee when you're pouring coffee before sunrise to prep for another day and you have the opportunity to notice - yes, she has amazing taste in underwear, yes, you might not have really appreciated her chest and figure enough before - yes, fuck it. She catches you noticing that first time, after coming downstairs with nothing but one of her cropped t-shirts and her board shorts, and she smirks when she realizes you're still thinking about it that afternoon, when her foot grazes yours while you're both washing dishes, and she dries the plate in her hand with a slow swipe.

And it is weird, actually, to describe what’s going on between you in words. 

A few words, anyway, like a one-word label to describe what it was: friends or roommates-with-benefits, or - fuck buddies - god, it's even worse. Fuck buddies? Fuck friends? Something equally terrible and stupid that still makes sense, like something out of a shitty rom-com: it doesn't capture any of the rest of the myriad ways in which things can feel less or less friendly between two people.

So, friends was never, ever going to cut it. Roommates - although technically correct - is just this side of too clinical. And let's be clear: strangers don't wake up every morning together, walk to the same class, sit close together in the middle seats, secretly flick a strangers' skirt up in an empty lecture hall and get on their knees and work your mouth onto her pussy and watch the legs of the desks shake when her feet arch into the floor.

"The notes you've got are better than mine," is how Hyeju tries to put things, the next day and every time after that, standing in the doorframe, or at the foot of your bed and looking every bit the disheveled and hopeless mess you imagine she might spread out over the sheets of her own.

-

It gets complicated, which isn't really a surprise.

"You think your roommate is going to be home tonight?" is the question that comes up multiple times - from a revolving door of pretty names and faces. Hyeju has at least one opinion, if not more, on each of them.

"Tell Jinsoul I say hi," she says once, watching you get ready for a date, and you nearly bang your knee on the edge of the bathroom vanity. 

It's one of the more harmless comments she's offered.

Another, backhanded: "if you’re just looking for a blowjob everyday between lunch and our physics lab, let Hyunjin or Heejin or whatever-her-name-is know she's easily my favorite," Hyeju says on your way out one morning, still under her covers.

Or,

Hyeju's texted a simple "uh, Chuu? really??" when you mention, once, how much fun you've been having - and what kind, as you make a round of self-conscious and rambling phone calls the next day that land you with only one prospect for the night - but your roommate's also no longer being your roommate by the end of it, bouncing against your thighs in the bathtub and moaning something about please more and fuck or fucking make me cum; the details escape you a bit.

That's what friends are for, probably.

Still, in the same, bare-bones explanation, friends also aren't for falling asleep on you - or letting you hold her - or fucking you awake in the middle of the night. Friends aren't for pushing down your jeans when the early-morning dew settles on the back patio, or jerking you off in the seat beside yours with a sweatshirt over your lap when a group project is due later and you all should probably work on that and instead get yourselves off and leave the mess of what you're doing half-finished. Friends aren't, probably, for offering to watch you rub your palm up and down your cock the night before next semester's exams when you can barely sit in a single chair and you can't think about molecular biology or neurochemical transcriptions when your whole body aches to do the transcribing. (If you can catch that drift.)

The lists of who are and are not good enough for you goes on and on - the latter longer than the former.

So, there's Choerry, who according to Hyeju is 'straight up, a total slut'. Yeojin, who gets mistaken for your little sister enough times that Hyeju refuses to - in good faith - let you keep sleeping with her. Both Heejin and Gowon are apparently too pretty for you. "Kim-lip?" she asks, in the middle of peeling garlic, "is that one name or two?" And laughs into a bottle of beer, loud, while you're telling her to quit being nosey and watch her fingers with the damn knife.

"You have a problem."

"Why, because I asked a few simple questions? I think anyone would be a little curious with the -" she pauses to wave her fingers - "I'd be remiss to not be interested in the very drama that unfolds literally across the hall."

She waggles her eyebrows.

You look up at the ceiling. God save you, you think. "Hyeju."

("Seriously," Hyeju chimes in one evening, arms around you, and a mouthful of the dinner you'd cooked.

"You need better taste in girls. Don't waste time on anyone too dumb, or who drinks the milk straight from the carton, or doesn't wash her socks with the same load of laundry. Oh, and - no one who chews loudly. No one who can't tell you're going to cum. The worst is someone who doesn't know what you like, trust me on that. And remember the last rule: don't do anything with someone who eats at a really slow pace, it's incredibly depressing."

You rest your chin on her shoulder from the spot behind her. "Duly noted, oh Master of all Knowledge."

She sighs into your arm, but in the next moment, her voice gets a lot softer, her hips fidgeting slightly against you. "I just mean you're the kind of person people would want to sleep with again," she says, before turning to say your name and kiss you again and again as your bodies curl inward.

"I wonder what that means, Hyeju," you say.

"Fuck," Hyeju groans as you slide further into her, pushing her back into the sofa - hands on her shoulders, legs bent on her either side, "don't tease me like this.")

-

The first snowfall of the year is mild, a tiny dusting, nothing that sticks on the pavement in the alley or on the sidewalks - or the lintels - or in Hyeju's hair, but by evening, when the snow picks up and everything goes quiet, Hyeju has changed into flannels and wool socks in anticipation, curled up like a cat at one edge of the window ledge as the world begins to go white. It's enough that you even pull on a thicker sweatshirt, open up a book, and join her.

She turns toward you, quiet.

You've reached a point in the semester where this, the silence, doesn't unsettle you anymore. It's the space you fill up with time in-between, where you can see the contours of her body against the orange lamplight of the space heater, or watch her kick off the top half of the duvet at night as you fight over space in her bed and wonder about the bare skin peeking out from her shorts.

"Feeling bored?" She slides her foot a little closer to yours, almost imperceptibly. "Am I keeping you entertained enough?"

Her lips pull up at the corner. You chuckle.

"Oh, no."

She scoffs and puts her hands on her knees, pushes herself closer to the window sill and bumps her elbow into your shoulder. The bare skin of her neck and shoulders and face is getting a little redder as she cranes it forward. "Okay, if not, do you need someone to entertain you, maybe."

Your mouth twists, fighting a smile.

Hyeju is so close to you, you could kiss her really, really easily and not care how she'd feel about that. It's not a habit, not as often as it used to be, but every once and a while - she starts this game. Every once in a while, Hyeju just starts smiling like that, and leans into you like she's daring you to play along, hard round of chicken until it's clear what the two of you are doing with each other; the minutes pass by, one, then two, and then - maybe she pushes first, her leg on yours, or a kiss to your jaw or a palm on your back as she walks behind you - and then you'd turn and kiss her full on the mouth and pull at her clothes like nothing's holding you back.

She cocks a smile, and says, "why don't you go and call what's her name."

"Because."

You glance out at the cold, gray light outside. If you had a better understanding of any of the workings inside you, you could reach forward and tell her everything that's stopped you.

-

You're supposed to meet the girl-of-the-month at a New Year's party. Hyeju looks disgusted within the first ten seconds of the whole story.

"Heejin dumped you once, like, two months ago? For no reason."

"It wasn't a break-up. We talked about what we did wrong and we're doing better," you say, lifting one finger.

She glares, then, tilts her lips into this unamused purse that you can't take seriously at all when she starts walking back and forth across your living room, hands moving emphatically to the sides as she speaks, like she's in the process of unveiling a brilliant argument and is using both palms to guide your eyes toward the unquestionable logic. "God, you're the worst. You're just her easy fuck and you'll still answer her late night calls, really."

She leaves the rest unsaid - that she's just not that into you.

"I don't tell you which boys or girls you can call up," you try, putting on a boot. "If you'd like, I can. Name off the list, and make sure that the right name leaves my mouth this time."

Hyeju doesn't blush when you glance up, which is the surprising thing. No - her cheeks have grown a little more sullen, and she stares down at her socks in contemplation. You're in the middle of fastening up the lace and getting to your feet, waiting, wondering if Hyeju's going to continue this conversation, when Hyeju takes one small step forward.

And her hand goes out to touch your chin, thumb at your lip, fingers holding it in place - like you'll turn if she lets it go - the sharp shock of the sensation like a short circuit, before her knee comes between yours, and your body tingles, at the root and stem. "Hey," she says, eyes meeting yours. The edge of her nail flicking gently as she drags the curve of her thumb downward.

"Hyeju, please - I need to get going."

When you start walking toward your car, she calls out from the window. Something about how you better have the time of your life, fun for the two of you - it’s only fair.

(You feel, somewhere, a certain strange loss.)

"What, are you going to stay up and wait until I come back? Or am I interrupting your session for the night."

You can barely make it out, the smallest look passing over her face. "Maybe," she says, and then: "god, it's fucking cold."

-

New year's parties have this sort of quality of being simultaneously the most thrilling, exciting prospect on earth and the absolute worst fucking event in the history of the planet - depending on the venue, how egregious the racket is for a gin and tonic, the guests - oh, and the company.

Jinsoul and Choerry are both in attendance; in separate corners and in equal states of undress and intoxication, which seems fine by every present party, who are for the most part busy ogling one or the other in the full spirit of the New Year - as you would too, if the stars are aligned and Heejin hasn't already gone upstairs with half the guestlist, her arm wound with someone else's, as per her recent habit; if you haven't been tossed aside for any of the usual, less forgettable prospects and for something bigger, better and certainly much more enjoyable.

Which, if there were any way to track these things down with math, you'd already be reaching for your pen and notebook, as Hyeju would describe this sensation in a phrase she picked up from some podcast. Inevitable means necessary, or something.

"Good party," says Heejin, throwing back another drink.

"Yep. You said that," and you finish yours in one long draw, hissing through your teeth.

Heejin is a goddamn delight, of course, in all the simplest of ways. When she looks up at you - mouth pink, hair framing her face - she is so clearly and completely aware of what she is, and exactly what the world has in store for her, what it has set aside.

"Do you want to know what happened at the other New Year’s party we went to last year?"

"I - yeah. Hit me. Tell me all about (another date you were on) Heejin, that’s exactly what I’d love, let’s hear it."

She throws her head back and laughs, before starting into an overlong recount of her latest, greatest conquest, you on the outside. This is the thing - this is how a pretty face, with just a hint of a flirt, will make you feel for a beautiful, attractive, vivacious - absolutely shameless, raving sex-crazed lunatic of sorts who, apparently, loves to run around town and make a bunch of your closest friends fall in love and heartbroke-er, with every passing notion of her beauty, her charm - just the tilt of her chin, and some poor fucker is lost, absolutely lost.

 Even she knows it's a bad habit of hers. 

But who doesn't have a weakness? You've got plenty of your own - plenty, Heejin can admit - everyone does, in a way, and so Heejin, the other sloppy drunks milling about the party, and Choerry and Jinsoul all agree - someone like her just happens to have the best kind of weakness - so, so many of them, in fact:

"Can you believe how easily a few words get Jinsoul riled up? Or how it only takes a couple drinks for Choerry to pull up the hem of her skirt, not knowing the effect that'll have?"

And as for the last, and arguably worst kind -

"Hyeju, huh? What a great start to the New Year," is her final word. Heejin reaches across and downs your drink. Her expression turns just shy of grave, a pensive look. "Not your smartest idea, the living-together situation. Who in their right mind would put themselves in such a mess?"

"Thanks for the great advice." You wave her off, irritated.

There's another laugh before Heejin leans her face onto the table.

"Though maybe she's onto something, now that I think of it. Who needs anyone for the New Year?" and it's almost convincing the way her mouth, lined up with the rim of the glass, smirks when she drinks. "Mm. All a matter of taste."

-

The snow is halfway up your calves when you realize you need to find a cab at 11:30 PM on New Year's Eve. (Which, categorically, is the worst time to need to find a cab on New Year’s Eve.)

Or just:

11:36 PM and the nearest bus stop is too far away.

11:41 and the temperature feels like its dropped by fifteen degrees, like you should start wondering what hypothermia symptoms look like and what signs to look out for in yourself, your future wife and your children. You try not to think about why, but you get your phone out and immediately call Hyeju, so you're not sure what you think you're denying.

"No party?" she asks. Her voice is distant and sleep-ridden, but Hyeju's quick to pick up, like always.

"It sucked, I'm trying to find a way home early. Happy New Year."

"Happy New Year." There's a long pause, filled in by the squeak of snow beneath your boots. "Get a kiss?"

"Uh, not yet. In the market, I guess."

Hyeju's low hum isn't reassuring, either. "Well, you're kind of missing your window. Bad time to start looking."

"Says you, and here you are - still up for someone to spend the night with. Look at you," you respond, all this snark in your voice that she clearly hears. There's a long sigh.

"Actually," and Hyeju, much to the confusion of you and possibly the whole world, doesn't respond, and for a few seconds, the line goes completely silent, leaving you hanging.

She breathes once and comes out of her sleep with a yawn.

"I actually," she begins. There's a lot less preamble this time - this tone - and when she speaks again it comes through not nearly as sleepy, "was sorta wondering. Are you on your way home?"

"If I don't freeze to death, yeah."

"Yeah - no, yeah," and that's it. That's the sum total of what makes any difference between where you were a moment ago, and where you are right now, head spinning, fingers buzzing. Hyeju waits and there's the wind on the line, snow settling on your hat and in the corners of your face.

"I - sorry. I probably woke you up. Are you expecting someone else," you say, very small. Your foot drags behind the other. The cars whizz by you faster, passing.

"Hm. You're the only one, I guess," and after that - just static and the muffled sounds of her footsteps on creaky floorboards - or the tick of her ceiling fan? You can't make heads or tails of the rest of the background noise. All those words she said.

You bite your tongue to stop whatever curse words start pouring out from the jumble and cross streets, or the pedestrian underpass; snow gets stuck in your lashes and burns, but your chest is like a molten furnace. You consider telling her right there on the line, everything you're feeling - so hot, it feels like fire, Hyeju, I'm not used to getting heated and desperate and impatient - that even if you're not here now - just imagining your face - the sound of your breathing, it feels like I'm on the cusp.

"Yeah. Sure - good - okay, Hyeju."

"I guess, see you soon?"

"In a bit."

(It takes 33 minutes, trudging through cold and wet. It's all very dramatic, you think, and there's no one there to even watch you suffer for it, or - though you try not to think about that particular line - really, no one at all.)

-

You hear the way your key grinds in the lock - it's been like this, jammed since summer, when you pushed the front door in late at night a little too hard and something came undone and made a sound like a small stone tumbling down the world's deepest well. The hinge squeaks, and there's ice on the stoop, on the doormat, on every nook and corner you can see, all the way up your neck.

And your face, too. You shake off your hat, undo the buttons on your jacket, and pull off your boots before hanging them and all the layers to dry.

You can make out the outline of her profile at the edge of the door frame, right in the kitchen - barefoot, hip pressed against the island, pajamas - the dim lights illuminating the shadow of her head, hair over her face -

- but you don't pause. The next layer. There's nothing left to say. You're too cold for excuses, too smart to use the same ones you'd been taught, like: this is a normal, acceptable circumstance; everything, anything, will be perfectly normal if the two of us act as though that's the case; pretend we're both acting within the norms of reason, within our senses and logical thinking and I won't make myself go out in the cold a second more - won't stand for more than five minutes with your eyes looking like they're waiting.

So you move instead toward the kitchen, where the heating is better and she's already pouring coffee. There's a heat radiating out of the oven, and it smells sweet in there, like cinnamon and warm butter, and you wish you weren't still shaking, blood barely thawed, but there it is - her face, watching you - eyes gleaming as you wrap your hands around a mug, steam rising up - a shiver running up your arms; her knees skirting yours when she takes one step back and there's the cabinet door shut, then open again, and then a palm on your back.

Hyeju presses a cup of the fresh coffee, now warm enough to drink, to your chest, and says, softly. "What the fuck happened out there?"

She starts reaching out to wipe the frost and slush from your face. You let her hand hold you still, eyes wide.

"Oh you know," and her palm stays, even though it's obviously - suddenly - gotten warmer, and wetter too, and the longer she stands there and lets her fingers warm the pale bones of your cheeks, her wrist, the base of your forehead and ears, the more expectant the look on her face grows. "The usual."

Her eyes go as narrow as they ever can. For just a moment. "You're gonna die a slow, pathetic death someday, just for the record."

"Don't forget how this starts," you try, and feel your neck go warm, throat and breath tight. And not even when her shoulders shift, her mouth going smug - just looking at you.

“I mean, don’t you think,” Hyeju says, wagging a finger at you, “that when you suffer through a bad date, the world ought to owe you something?”

"Like what?" you ask.

"Better taste in women - maybe more orgasms; I dunno, a blowjob?" She shrugs. "The general idea is just that someone gets to cum."

You nearly choke on the air in front of you. "Jesus, Hyeju, warn a guy."

“What? I’m trying to commiserate with you,” Hyeju laughs. “Wouldn’t that be funny? Being able to kiss someone you actually, you know, might love you back, and at the same time. Imagine not hooking-up just to forget a shitty day. Sounds wild, right?"

"Utterly deranged."

"So wild."

When Hyeju sighs and gives a long, nonchalant hum, leaning her body closer, pressing up until her waist hits the cabinet top and you're pressed together chest-to-chest, she looks at you and her hips settle, the heel of her foot reaching around your calf.

There's that tingle. Again and again. You're not even trying to not think about what it might mean.

But then, you start, silently and unconsciously, trying to answer the question: why don't you, maybe. Why don't you, actually - Hyeju kisses you, pulls on the loop of your jeans and lets your lips brush the corners of hers and pulls away, suddenly, mumbling and head-turning. And just as abruptly, your nose buries in the space between her neck and her shoulder, where it's all warm. And when she puts her palms on your hips and squeezes and twists her knuckles into the fabric there, it seems she wants your hands up her shirt and under the small of her back.

And her hands - they're fidgety tonight, fingers curled up to keep their nails and the chill away, moving lower - one on your ass, while the other comes forward and begins rubbing circles, a handful of times - enough so you're letting a deep, low breath escape into the space just above her collar, your knee working its way between hers.

"That," Hyeju breathes, lips at your ear, hand reaching down to trace the hard curve of your cock pressing in the spot right between you, and there's that small rush again, familiar now, like you've caught a rhythm and she wants to feel it in its fullness: "is how you can make it up to me. For making me stay up. Worrying about you, god knows why. Waiting."

You're still half-frozen in a way, slowly thawing. "Hyeju, I've been trudging through the consequences of my actions this entire night. What am I about to suffer through now?"

"It's no consequence, honestly."

You squint.

"Just an idea, but," she breathes again; your bodies getting closer, and looking up at you, she grins and reaches down to touch the very root of you, her fingers drumming. You make a sound, and at that she says, her voice coming out thick, low:

"Want me to get you off?"

She squeezes again for good measure, just to be clear. Just a slight curl of fingers that's enough to send a flash of heat and the transient thought: why, why, why is she always wearing those fucking shorts, even in the winter?

Your blood thrums through the pulse at the end of your cock. You shake.

"Alright," is the response you let out.

And at that, Hyeju takes your wrist and leads you upstairs.

"There's that look. Don't worry. We'll find a way," is all she says as your feet walk forward, up step-by-step and higher and further up to her room. "After all, isn't that what we've always done?"

"It's usually whatever will make me stop talking."

Hyeju puts her chin on your shoulder. Her eyes follow the lines and shapes in the patterns of wallpaper as you turn onto her side of the apartment, and even through the wall and behind the doorway, her arm still around you, she pulls at your chin until your faces turn and you both can share each other's heat.

"Who, you and your awful habit of talking out-loud in your head while you work through equations?" and she brings her lips to yours, close and warm.

"Hey. Fuck you," and your voice breaks into an odd, low laughter when she kisses you harder.

"Yeah, I know," she whispers as her hand dives past the band of your boxers, palm sliding easily until she's gripping you fully and letting her fingers rub. She holds you there, in her room, her arm looped through yours, another arm resting at your belly.

And she stops there. She stays like that: holding your gaze.

"Look, Hyeju," you say, unable to not, though this can hardly count for anything; this, what you're about to admit, is nothing new. You swallow. "The thing is - you shouldn't."

"Don't want me to touch you?" she says, finger to your lips.

"Well, that's different. Maybe. Is there - maybe it's not the best thing to ask you right now."

Hyeju considers for a brief moment and tuts under her breath. "Can you at least do me the decency of waiting until I'm done wringing you dry before you say shit like that."

And she moves then, toward the bed.

So:

No. Yes. Maybe. Who knows, you tell yourself. Maybe, but only because you'll do anything if it makes you feel less sick, like a creature standing over its own skeleton - an abandoned shell; a relic, something to be feared and disgusted, as you let her go between your thighs, kneel beside the bed.

"I mean - since when - have you felt," is just as far as you're allowed to go before Hyeju presses her nose into you and pulls you out of the thin, cold fabric - palm, thumb, all those slender fingers swiping over your head - and now there's just the smell of her room and the shock, the buzz that runs down your spine and settles somewhere, somewhere inside the small and desperate movement of your hips and the tension building just below.

And god, fuck, Hyeju’s lips.

These soft, wet, pouty fucking things that could suck you straight off if you were feeling any less stupid or inexperienced or sentimental - if she wasn't solely intent on teasing it out of you first; a slow drag of the tongue up the underside; the tip of it poking, tracing the rim, like she's figured you out, just where to lead you. She's ready to smoke you out - always - until you're not taking in a breath every ten seconds but starting to close your eyes to the overwhelming, needling pleasure, too sharp, the way she knows you like best.

"Now you're finally - mm - starting to sound hot," and that smirk comes back to the corner of her mouth, teasing the sensitive belly of your cock and tracing her tongue everywhere. "With the voice and -"

You're losing track, her thumb and fingers circling the whole length of you - just, one after the other - mouth a hair-breadth away, her breath hovering like a promise.

"- that face."

"Don't, fucking tease me-"

The sound of your cock going in is like nothing else.

Wet and filthy in all the right ways.

Just the suction in her throat has your eyes nearly roll back into your head - Hyeju's gaze calmly watching the terrible sort of helplessness that washes over you like this: her lips wrapped around, bobbing - her hair falling into the wet mess of her mouth and sticking there. Hyeju likes being a little sloppy, likes feeling that spark run up the length of her tongue when she slides. It's the wet and the heat that gives everything away.

"I don't have much of a choice -" her jaw and chin is smudged when she pulls back off of your cock, mouth glossy and glistening, "and honestly, wouldn't it be a better use of our time, or my talents if I actually do that thing?"

“Which is?”

She looks up for a bit and sighs, the flush blooming pink to the tip of her ears and into the rounds of her cheeks and all across her neck. "Since, as far as I can see, what you really like - is, oh I'm just spit-balling here," and she stops just to bite her tongue and look into your eyes, "it's letting the girls take care of you? Isn't that right?"

You want to tell her, no, not always, that it's not as though you enjoy giving control completely - that that would be completely and unarguably, the opposite of true -

That most of the time you love it when the person you're with is a little bossy, a little crazy for you. You know some guys really get off on a strong woman and maybe, maybe if a girl's pretty and dressed up, and - sure - a little wet, but that's hardly -

“You know I’m right,” she says, a flicker of mischief skittering across her features. “These walls are paper thin.”

You want to tell her, perhaps remind her, that she likes someone in charge just as much as you do - to be taken care of, told what to do - to have a hand curled up around her throat and the other at her tits while a guy fucks her the right way and takes the reigns when she needs. So who are you, when it comes to knowing her better? And who, really, are you fooling?

But before you can get any words in: Hyeju dips, lips parting where the head of your cock throbs, and then disappears; and the hot wet warmth, enveloping all around your shaft and back; the curve of her throat contracting.

You moan - a lot, and louder this time - into the whole feeling. The way her fingers work the distance from the base, twisting and twisting and twisting into the pout of her lips; or how the sound is like nothing - a whimpering, messy sound - almost a whine and definitely not a slurp as your cock sinks further and further, until it's all one big, heavy throb.

And it's like Hyeju can read your thoughts, the visual you have of her lips screwed tight around your shaft - cum leaking from the corners, and her eyes scrunched up tight, as she looks up to watch your face unravel - this perfect image of her taking you, all of you, swallowing each drop as your hips start rutting up into her and - and - and.

Or else she gets impatient, because then Hyeju gives one long pull off the tip of your cock - saliva mixed in the precum there, and that shiny string of fluid hanging, caught in the middle between your bodies - a disgusting and irresistible sight. Her jaw slack, lips swollen and full, and her mouth gone wide open, wanting.

"Fuck - that's good. Don't stop," you start to whimper, desperate, at the sight, the smell. Her hot breath coming quick over the red wanting wetness left behind - then touched by the cold air - fuck -

She slaps your cock to the corner of her lips as she speaks.

"Can you believe what's going on down here?"

"God, can you -"

"And to think most guys wanna jump straight in. That or fuck a load out between my tits."

"Hyeju, shit, come on -"

She kisses the soft tip, right where it’s most sensitive, rolls it along her lip. Then, back down the length of your shaft where she's generous with her mouth inch after inch - lapping, licking, laving - and Hyeju begins working her way down and downward, nestling in at the edge of the bed and between your thighs.

Your eyes blow up the first time she dips low enough to put your balls in her mouth. 

“Mmhm,” she hums.

It’s killing you and she knows it; it’s killing you and she can feel the pre-cum leaking from your slit - the thumb she has moored there, keeping everything right where she wants it, running circles up the length with such little intention - she could bring you to the end just like this. 

"Am I supposed to believe it?” she asks out from beneath the shadow of your cock, looking up at you with her eyes all wide and brilliant - pupils dark as sin. “That not a single one of those girls ever did you proper?"

You curse under your breath. Hyeju seems amused, at least, like she can't help but love doing that to you, which is almost worse and honestly the sexiest thing a girl can be. You groan - wanton, raw and desperate and feeling exactly what she wants you to feel when her nails drag along the dip of your hip bones.

"Did they not leave you fucked-up the right way?"

Her wrist flicks out these twists and turns, making your spine bend to her control. Like even when you're sure to be bundling her hair in your fingers and fucking the whole length of your cock down her throat, all of this is the worst kind of power-trip for her - not the other way around.

Her tongue runs through the tangle of your balls, slowly, lasciviously, as though the plan is to memorize and map every detail. 

And the worst part is, how much it's making you desperate for the warmth of her mouth - where she'll run her tongue up and down and over and around and inside - before sucking you off nice and slow.

"Or maybe," she laughs; another flick to the top and then suddenly her hand goes faster and the fist pumping the rest of you tightens. "They left you so needy you're resorting to having the bestie suck you off so that you won't be desperate the next time you date. Oh my god-" 

Hyeju breaks into this fit of laughter, and you're nearly cross-eyed at the feeling of your entire existence - not just your cock - so wholly held within her mercy, and her pity, and you're breathing so shallow now you'd think this is the real reason people have died and will die - this exact moment where you're choking and stuttering at the edges, so very close to cumming and going absolutely bonkers with how good Hyeju is with her hands, her tongue, her mouth - everything - how much she's wrecking you, and your jaw drops, wide open, her name dripping like molasses off your lower lip.

"Are you going to cum?" she asks, curiously. All as if she can't see you nodding, collapsing under pressure, and then and there: "should we make it official?"

Her nose tickles the seam of your balls. And your toes begin to curl and uncurl - all this anticipatory, coiling pleasure burning from her throat, shooting from the pit of your stomach; the tightening spiral, twinging and stretching every nerve - as her lips enclose around the end of your cock, softly.

And oh, just excruciatingly slowly.

You watch the irresistible shape of her mouth travel down until her throat feels so incredibly, beautifully, and unbelievably tight, and then, just like that - Hyeju starts fucking herself onto you; pushing forward and down the full, rigid length of you, hard and fast - each time hitting deeper inside her - all that sticky, messy, wet squelching.

"Unh-unh, yeah. Unh. Mm-!" you say, or moan, or some animal version of that, maybe, it’s incoherent.

But regardless:

It's messy and your hands scramble for purchase in the sheets of her bed when you feel that snap, the tightening of a trigger; when your balls roll up and it builds, and builds, and it comes faster - harder and -

"Hyeju," you pant, and it sounds so, so filthy. "I'm gonna cum, if you - gonna cum-"

Hyeju pulls you free from her lips, quite possibly at the most final of final moments, to rub the base up and down, just right, between her fingers. Your cock is resting right on her cheek when it all happens. When she squeezes her fingers around your balls just enough to hear you wheeze and make a sound no sane man should have the right to. And fuck, you're cumming all over her face - or just one side of it - which is already just -

Okay, fuck.

She makes a startled sound and her fist closes tightly around your shaft when you pump another fresh load of white up onto her eyebrow.

"I'm, ah-shit," your mouth moves faster than the blood in your veins - and now the shame - oh god, the humiliation, it's pulsing right behind you. "Hyeju," you apologize.

Only, Hyeju has no interest in any of it. She doesn't seem offended or disappointed in proportion to how you're ruining her pretty face: "no, just do it, cum wherever you fucking like."

Which isn't what you're expecting at all, because Hyeju makes no effort to close her lips, let alone avoid any of it; nor is she making a fuss about the sticky mess in her hair, her mouth, nor as another stream of cum throbs from your cock, all tangled up in the long dark eyelashes that sweep down across her cheek.

It’s fucking filthy: you're cumming all over her and she's just kneeling there, telling you, "good boy."

See, she pushes through it, languidly - all those filthy sounds, and those watery little tears gathering at the edge of her eye and all of that, mixing up together until you're rolling your head back with your orgasm, shuddering, feeling weak - drained dry -

Except,

Hyeju's pushing a finger to your chest, kneeling up tall from the side of the bed. She turns her body toward the center of the bed and wipes a bit of the cum on her knuckles into the sheets. Here you feel like you've done something terrible or at least regrettable, like that last round at the bar when you have a test the next morning; a dick move, all of the sort that requires apology.

"You gotta give me a minute, if you're thinking about hopping on."

"Hmm. Sounds like a lot to ask."

"Wait," you grab her arm. Hyeju grins and there's nothing stopping the shake of your knees now, that weakness between your thighs: "let me get you a drink."

"Or."

"Or?"

Her tongue peeks out, running along her upper lip. Her eyes drop again, hands dipping below, beneath the hem of her shorts and oh. She slips a hand past her bra. The whole outline of it. And you -

"Mm, I could show you what that actually means." She lowers her chest, her breasts, and a lot of skin to the mattress while keeping your cock firmly in her hands. "That look tells me you wanna stick around a bit. Stay up past New Year’s, you know?"

You're almost unable to parse her words, there is so much to look at: the jutting curve of her chest, cleavage pressing into the mattress as her body settles between your knees. A soft chuckle; a sigh: "you are seriously the best lay, no-one else can get hard the minute after they just fucking exploded all over me-"

"Fuck, watch it," you hiss, because there's oversensitivity - and then there's Hyeju's mouth on the line of your cock, polishing you clean.

And it’s not that she isn’t trying to prove a point. Or that she's not trying to tease - that's an inherent quality of her character: a naturally dominant position with a high appetite for your lust. That much, Hyeju gets from you, whether you've got your head down between her thighs or the other way, too, so that her neck is arched around and her ass pushed up high in the air, legs open, and if she had any idea you would spend the next twenty minutes or more just going down on her, licking into her creaming cunt while two fingers work over her aching clit, then really, Hyeju would only encourage it - maybe get on top, force you to gag - and so you don't know where it comes from - how and why you want nothing more than to drive your fingers inside her and work her until she's a wet, squelching mess, not when this was always Hyeju's role of being the aggressor; and yes, sure, even the aggressed.

Surely not because you came so hard, still somewhat shivering with the remnants of a rather abrupt, painful, sudden and all-consuming orgasm.

"We're not doing anything else," she says, lips pulled up into a smirk right at the crown of your cockhead. But before you can respond she pushes a hot open kiss, and goes lower. She presses the flat of her tongue to the seam, just below the head. Licks a line right up to the tip and finishes with a tender flick that sends you fisting the bedspread in your fingers and leaning back as your mind begins to disintegrate -

"I'm not going to ride you yet, or going to get my hips in your hands so you can fuck my pussy real hard until I cry and pass out. Nothing of that sort is gonna happen." She licks one long drag of her tongue. Then, the other way. "I want to make this very clear: this isn't some huge favor - and if you want it - want it so bad, you can stay there and I'm going to do everything for you. We will get there - together," and with her voice shaking as she brings the wet, glistening skin of your cock just inside her mouth, she looks up. "We'll get each other off, just like this," and it's the deep, dark, throated moan that makes your thighs and all the nerves in between stiffen and buck when she swallows you again.

Hyeju's hands tug, pull her whole body closer still as it slowly bends, curves - her ass raised, her stomach lying on the bed. Her mouth takes you another few inches, until the tip of her nose is barely visible, but when she pauses to lick the cum still left over - the cum that's starting to leak out again - to breathe through it, then squeeze her palm and bob her mouth down, take another inch, until the sides are stuffed and emptying out again, that's when she finally has something to say: "got anything left? I'm a little starved."

"I. Christ, yes-" you whine, which doesn't help your case at all: the image, the image of you lying flat - back with Hyeju's head tucked between your knees, her hand pulling out your cock.

Sloppy, slimy-wet.

She presses an innocent, not-at-all-innocent kiss right to your tip, puckering - 

"You know what I did learn in that genetics class?" she muses, tongue flicking over her lips. Hyeju's about ready for a second helping - you're losing it. "When I first saw that DNA diagram - the double helix and all those little base pairs, and everything - it made me think of your cock. Your cock and me. Specifically our DNA. Did you know-"

She presses her palm over the head and rolls it - teases and strokes her palm - her knuckles - her fist - the whole nine. "When I hold your big fucking cock, mm, and just get it right - up in here, rubbing all along my walls - so deep, it gets me in my fucking ribs, makes me choke like I never been choked before, ah-mm," and it's this thought sliding toward the front of your mind, this perfect picture: Hyeju, getting fucked hard and open and stuffed full and stuffed good and stupid; you’ve got more than a few inches on her, can make her feel small and delicate; you know how to do her right.

But here you have Hyeju stroking the shaft - holding her hand tightly up near the head, rolling and twisting and sliding down and pushing her whole body right into the side of your legs: the soft, solid length, warm flesh and curves everywhere pressing into you.

You sit back, and just watch Hyeju with her eyes cool and composed, like half of her fucking face isn't streaked with your cum, mouth wrapped and looking fucking satisfied to be a total, gorgeous mess. She makes a dramatic display of kissing the tip again, just before telling you words you probably dreamt up at some point - either sleep deprived, or, during three AM jackoff, fantasizing. "Sometimes, just from riding your cock, I can't sit up straight."

"Fuck," and you feel your whole body run rigid, because apparently that's something you’ve been aching to hear.

You're covering her mouth again. White streaking onto her lips - where she's catching it in the well beneath her tongue and letting it spill out of the corner of her mouth. Into the crook of your thumb, which catches a drip here and there and rubs it down the length - down the curve - and pushes it back between Hyeju's pert little pout.

"Doesn't count, mister, just more pre-cum," she says, all with the audacity of a wink and smile; her words are a little garbled around the head of your cock between her teeth. And when you nod and realize just how painfully your jaw hurts, your throat becomes tight and raw, a knot pulling the underside from the center. Hyeju slides her lips lower, lower down, to the hilt and stays there, just like that - one hand holding down the flat of your belly to keep your hips still, her chin hanging - bobbing-as she feels every pulse, every twitching shift. You curl one hand around the side of her face, over the sharp edge of her jaw; rub a thumb into the delicate skin of her throat.

She shifts. You start to tell her what you like: how hot the rush comes when a girl puts her tongue against the slit at the very tip, and licks at the precum in nice, quick circles, soft and fluttering. And how her fingers shouldn't hesitate either, Hyeju's not even struggling to give it to you - god - just giving and -

She jerks her head up, swallowing down her next breath like it's one of her last. "I'm serious, if you're going to fuck a hole, start with my mouth - we can move onto everything else after."

"You're ridiculous -"

She meets her lips to your head, kissing once. Again. Kissing every inch, letting her mouth wrap around and then just - staying, just - staying like that and humming, with you, enjoying the fullness, the smell of you, the taste, the shape, just the weight and size and you.

There is spit fucking everywhere.

And if it's not clear what you're supposed to be doing - her fingers weave through yours, squeezing hard at the wrist and you can imagine: pulling her forward by her hair and holding her down while she chokes on your cock. "Fuck, Hyeju," you say, and your voice comes out way shakier than you'd like, "when, how did it get like this, huh? You always - always did, shit, always want your mouth filled."

"Never figured you to be someone who'd get turned on watching their friend sucking their cock like this."

"Doesn't everybody love the sight of their cock in a pretty girl's mouth?

"You were really convinced they weren't lining up behind you? Or anyone in the queue who can't keep their eyes off of this thing. Tell me, and try not to lie, try not to bullshit this one out: how many girls have you come home and fucked and creamed their brains out - then asked for the sloppiest, most -"

"Honestly."

"- Filthiest, nasty, ball-busting, gut-wrenching blowjob ever to make them think - to make them really start wondering what the hell it was you did - like it's gotta be something that leaves them so ruined, they can't ever not compare - can't ever not compare this moment, right here. Ever. When you give them the hardest fucking of their life, compared to any other guy - can't not, because no-one, literally no-one's cock can fuck like you do-"

"Fuck-"

"Any harder. Come on, seriously, tell me it isn't true. Come on."

Her voice - her fucking words, the tone she uses and how her words roll: honey-warm and soaking with sweet, thick degradation - she talks like sex, and that's exactly what gets you harder, like it’s something else; like it’s nothing, like it’s less, so much worse - you feel this guilty-dirty heat pool at your tailbone and push down the hard press of you throbbing all the way to her nose. And Hyeju smiles as much as she's capable around the fat, round stretch, humming around the warm taste of you, before opening wide and sinking her throat on it.

There's nothing like it.

You've got two fists in her hair; she's so tight and wet around every god-damn inch. Her cheeks flush - hot to the touch; her tongue laving in slow, long drags, slicking your shaft nice and warm until you're balls-deep and pushing her further: a small shift to the hips, a push here, a harder, faster pull, and Hyeju's feet behind her go curling like an angry cat, wanting the tug.

A long, satisfied breath slips from the hollows of her throat.

There are tears threatening, thickening her lashes, and though she doesn't choke - you're just afraid. Every sound that she pulls out, her eyes blinking up to you as if it's only natural to love getting used by her friend's cock, like the very premise of it - swallowing down the very shape of you, dragged over her tongue and brushing cum into the back of her throat - is something she can’t go without.

But this is nothing compared to the noises from where her lips are pressed tight around you, where you're hearing and even feeling:

That gluck, gluck - where her chest spasms just the slightest when her nose gets nuzzled right into your belly and you remember how much she likes to hear you talk dirty, how fucking wet it gets her. The heavy, deep breaths, gasps; the strangled moans when your hips just buck - the heat and the thrill, and this is better than every other time because there's just something in this moment -

"I'm not gonna come again, not like this. Not in your mouth. You can’t-"

But Hyeju refuses to hear a word; just pumps your shaft faster, feeling it's familiar hardness grow and throb and ache and retch, all her effort paying off: you're slick with precum and spit, hard and straining, the whole shaft begging for release - all because of her. And Hyeju won't stop, she pushes her cheek onto your thigh and then taps a hand there to pull your hips. The motion drives your cock further still inside her. Until it’s bathed in her spit, your cum, all this mess.

Until it's reaching, choking her, and the muffled sounds she's making are filthy and wet and so incredulously hot.

But god. Hyeju has something of a temper and a habit, too: with those big beautiful eyes and the perfect plump of her pouting lips, her tits swelling up around, when your grip slips on her shoulder, and her mouth goes tighter - how the pleasure begins to make you unbearably cruel and you push her away from you, only for a second -

She doesn't wait or seem to care; Hyeju follows the cock with her whole head and whimpers so hotly in her throat when it plops right back on her tongue. "That's more - more like - fuck, oh, there we go," her nose and fingers prodding.

You groan through a high, strangled whimper, a helpless shiver that turns into an uncontrollable roll of the hips - you can't believe it: she's already so thoroughly debauched and defaced; just fucking painted with it. Your cum dripping off her chin and rolling down her neck.

"Fuck - gonna make me - ah, Jesus -"

When Hyeju seems to have reached her fill, the feeling, you're cumming - pumping the length of your shaft. And the moment she feels you twitch and throb and that first hot spill lands in the bend of her mouth, it's as if she understands and holds herself tight - her legs going stock-still while your eyes blow up behind her, your cock spewing another and then another thick, milky load into her mouth, over her tongue: all along the topography of her throat - sticky cum landing in every ridge and valley -

Hyeju catches as much as she can. What little she can. You cum and pump and gush so much that when you're finally finished - done - every last drop spent and given - your cock throbs soft between her fingers; her chin is a complete and utter mess and her chest heaves with the sound of her catching her own breath. Hyeju groans softly and just swishes the load around in her mouth for a bit as if wanting to remember its feel and weight before lifting her eyes to look into yours. You can just barely see the color.

"Jesus, Hyeju-"

The entire bit of it, slick and shining-wet. With a small moan, a sound from the back of her throat: one swallow and the cum is gone, disappeared, vanished. She smiles like she didn't just ruin your entire goddamn life and, with her body limp and exhausted beside you - her gentle hand rubbing a flat stroke over your thigh before yours slips up to meet her chin.

"You," you curse and roll your eyes, catching the mess at the edge of her jaw, the very little left in the corners of her lips. You feed the cum over her bottom lip - her chin, her throat - watching your friend: Hyeju's throat, bobbing. "Really didn't have to," you start, but you realize just how useless a point it is to make.

She's smiling and biting and showing you what's left between the tips of her canines. "Do you always do this to the people who suck you off?"

"That's an awful habit. A pretty girl's lips aren't meant to get that messy," you reply.

"Oh." She frowns. "Well, I do a lot of things I shouldn't."

"God, seriously," and you think there's no greater hell, no sweeter pain than whatever's lingering in these little aftershocks - this fizzling and dying sort of pain, where the body is buzzed with all you're aching for. It's impossible to stop this train of thoughts, is the fucking feeling of her-

But just then, Hyeju rises to her knees, a new spark in her eyes, as she grabs ahold of your wrist and tugs you off the sheets, a few inches closer.

"And you," she purrs as she drags the palm of your hand across her neck and collarbone, collecting what remains and making the perfect image, "well - you are going to help clean me up, like you said before." She sits tall; the arch of her spine is pronounced - her back, so, very, slightly tapering, to where your hand slips right off the last of it: the wide flare of her hips. "Now isn't that the gentleman's thing to do?" she asks.

"Of course." You sigh, resigned and in desperate need of water. "Of course," you add and smirk a little and slip your hand lower, toward where her skin is getting hot, and her body, "let's get you clean."

"Mm." She's already grinning. "You know what wasn't in those textbooks?"

"Oh, I can only guess." You bite your cheek and start to lower yourself back. "Give it a try."

Hyeju drags you by the wrist toward the hall, the bathroom, ostensibly the shower -

"There's no way in hell you don't want to put a baby in me, like, right fucking now."

"Is that what we're doing?"

Hyeju makes a face like you're stupid - she might've grabbed a towel on the way out. She wipes her chin a little while walking - the corner of her mouth where, well - where it looks like a little dribble has somehow remained. "No. But you’re going to fuck me like it is."

-

(There's got so much on her mind. 

The door of the shower rattling in its frame as she struggles standing up against it. Getting fucked so fast and full, the feeling of both your hands cupped beneath the weight of her breasts. It's not the fact of where you are and your situation, per say - more about the immediate, the imperative nature. About fucking you. She was already feeling herself like, leaking the moment the door shut, so all that waiting, all that patience, really - and it's what drove her insane when you were, well: like that, after she put her mouth around your cock, made a right and proper mess of herself, and sucked you off.

Though there's less on her mind, clearly, when she cums all over your cock.

She's crying with her tits up onto the glass, your palm holding her ribs. Your cum-slick cock working itself hard again as it slips, back and forth, as you're fucking her open, spread apart. It's your finger in her asshole. That's what's on her mind then. How the press of your knuckle lights her entire fucking spine on fire - how the other hand finds her clit in all this, too, when you're no longer supporting the both of you but rather Hyeju is folding on her bent knee and trusting, on shaking and shivering, raw nerves, that you're not going to collapse.

"Fucking. God, please-"

There's the harsh slap of flesh - skin on wet skin, your palms against the sides of her ass and the curve of the breast. But otherwise - it's you, sighing - soft and gentle, like you can't get over the feel of her. "Hyeju, oh-fucking, god, fucking," is what you're saying, and it doesn't end up really mattering which one of you came last because she can feel you twitching, squelching in and out with how badly you're wanting to explode inside, but also you can feel her cunt absolutely begging, this fucking fluttering and clamping down on every thrust and the moment you manage to grind this angle she loses her ability to speak properly because you're not just, like - fucking her-

Just, absolutely, completely pounding her pussy, stretching her insides, dragging and sliding along the walls; each rough rub and thrust makes her knees quiver until her body is trembling and falling. But mostly her voice, the sharp gasp that shakes into her, how her nails are scraping the walls of the shower stall and she's saying - telling, crying and asking and wondering and pleading - just utterly astounded:

"Amazing," she huffs, breathes coming out cloudy and true onto the pane of glass, "you - it’s, fucking amazing.")

-

“And I am… Ironman.”

Your eyes flicker awake, hazy, as Tony Stark snaps his fingers, killing himself alongside Thanos’ army in the process.

The TV's long been running on background noise, though not as ambient. Its characters now bickering between the rubble and ruins and being picked up for the end credits. In the dark of the screen, you see Hyeju had nodded off and slumped over the side of your body. A new year means new beginning means resolutions and diets and gym routines -

Maybe no sooner than the sun can come up, apparently.

You lean over to grab your phone from the table: 4:14 A.M.

There's a lot of things you want to say, even more you want to hear, but your mind has begun to settle a bit - a lazy and dreamy thing that fills you with this sort of, tired kind of - not sad, or empty - no, of course not. That's hardly fitting; not after tonight. You want to wrap this in an idealistic sort of sentiment - maybe hold Hyeju close and let the hour carry you and the comfort be enough to forgive whatever there is to miss: like the fact, it's still really dark, so dark even outside. The moon reflecting off the sheet of snow on the street. And not even a distant dog barking, or car driving by or someone playing loud music in the early hours of the new year.

As the film drifts off into another set of commercials, you slip into an easy sleep that feels effortless. Your head drops, landing on the cushion by the arm of the couch, where Hyeju's hand begins to slip mindlessly across your belly, tickling your waist and causing you to slightly squirm - things are cooling down, but still a little agitated.

"Don't tell me you're waking me up, cause I just -"

She kisses the pulse at your throat and answers, mumbling half-words into the spot below your ear. "A kiss for a new year."

And maybe the world doesn't owe you anything at all.

Maybe it just gave you more than enough.

[zhongrin]

bound matriarch

© zhongrin | 2024 ✼  [✘] no repost・translations・plagiarism of any kind・ai data mining. [✓] rebloggers get a free cup of tea ♡

✼ characters ┈ zhongli

✼ tags ┈ yandere, fem!pronouns ('wife', 'matriarch', 'goddess' used), zhongli as morax/rex lapis, set right after archon war

✼ a/n ┈ i have to be out all day today so i'm not sure if i'll be at home when this goes out but let me just say FINALLY I CAN RELEASE THIS. THIS HAS BEEN ON MY DRAFTS FOR SO LONG (i'd also like to silently thank jessamine bc their comments on my posts were the main catalyst for me to finish this little blurb sobsob)

ᴏᴜʀ ꜰᴜʟʟ ᴍᴇɴᴜ (ᴍᴀꜱᴛᴇʀʟɪꜱᴛ)  ✼ ᴍᴇᴍʙᴇʀꜱʜɪᴘ (ᴛᴀɢʟɪꜱᴛ)

oh, what a dream it is to be the spouse of the strongest archon in teyvat, whom he wed right after archon war ended. some might see the celebratory wedding as something uncouth; an utter disrespect to the lives lost at war and the bereaved families, but the lord of geo disagrees. what could be a better reassurance to ensure the people of liyue would start believing in and striving for a brighter future, than the joyous union of the new geo archon who defended them throughout the arduously long war and the prosperity goddess who has the power to bless the land and its people?

you're draped in gold and red as you sign the oath in blood; sealing your matrimony amidst the cheers of the mortals and immortals alike. the ruby reds on your lips are plush and soft against their god's own, the gossamer thread of embroidered gold of your clothing matching your now-husband's attire. even the bright blue sky seemed to celebrate such a joyous occasion, casting its warm rays upon the now-peaceful land of liyue to offer you its blessing.

they do not know that one certain party was most ardently unwilling to take the vow under one of the most sacred contracts of all.

they need not know that the marriage was a desperate attempt to shackle you to him and erase your individual worth as a goddess; to ensure you are remembered as rex lapis' beloved wife, the matriarch of liyue. they need not know, for just as no one questioned why the god of freedom was not invited into the banquet, no one questioned why a sheer veil covered the lower part of your unsmiling face, or the fact that countless shackles cor petrae accessories heavily rested against your neck and limbs.

what they do know is that this is your prison home ー he is your captor home and you will never belong anywhere else.

and perhaps given a few eons, you shall learn it too. worry not, your husband is a patient god. but you best remember that a god's patience, too, has its limits.

✼ ᴍᴇᴍʙᴇʀꜱʜɪᴘ (ᴛᴀɢʟɪꜱᴛ) ┈

@abyssmal-skies ! @hamdehlesmis ! @sunnshineflxwer ! @queen-belial ! @silentmoths

@dustofthedailylife ! @marina-and-the-memes ! @mixed-kester ! @lordbugs ! @anonymousficreader

@irethepotato ! @sassy-cat-in-town ! @syrenkitsune ! @smokipoki ! @cakeboxie

@crystalflygeo ! @ciexuvia ! @illaasya ! @celestewritestoomuch ! @pams-comfortzone

@spidermanluvr444 ! @ourstrawberryclouds ! @ryuryuryuyurboat ! @hrts4hanniehae ! @fiannee

@frosts-intuition ! @florapocalypses ! @genshin-impacts-me ! @scarasmood ! @hellcatinnc

@beloved-brynn ! @malachitemischief101 ! @average-yandere-enjoyer

[crockersbian]

none of you have seen Akira

VRISKA SERKET ( Homestuck ) vs. TETSUO SHIMA ( Akira )

[anneapocalypse]

On Wuk Lamat, and Female Characters in FFXIV

The Thing with Wuk Lamat is you can tell me you think she had too much screentime; you can give me numbers on how many lines she had or how many scenes she's in relative to other characters or other expacs; you can prove to me "objectively" that she gets more focus than other main NPCs; you're simply not going to convince me that this is something I should be unhappy about. And not just because it's silly to think you can use numbers to prove a story is good or bad and make someone else go, "Wow, you're right, let me just throw away all the joy I experienced with this story and revise my opinion because you've scientifically proven to me that I'm wrong."

Because while I love Final Fantasy XIV and I have greatly enjoyed its story in so many ways, fundamentally one of my biggest beefs with this game has been how much female characters have been denied complex character arcs and growth and agency and interiority.

Minfilia gets treated as a sacrificial vessel who lives for everyone but herself and doesn't even get to have feelings about her own death because that entire arc is focused on a male character's angst about it instead. The game tells us in the Heavensward patches that Krile sees Minfilia as her best friend and then just forgets about that later and never follows up on what that loss must have meant to her. Ysayle is basically right about most of what she's fighting for but harboring a bit of self-delusion is apparently such a terrible sin that she has to pay for it with her life, while her male foil is deemed so worthy of salvation that there's a whole plot point about how important it is that we risk our lives and others' lives to save him. Y'shtola is a major character who's been around since the beginning, and the game keeps dropping maddeningly interesting things about her (apprenticed to a cranky old witch in a cave! saved her own life and the lives of her friends with an illegal and dangerous spell and it worked! reserved and undemonstrative yet regularly through her actions reveals herself to be deeply caring! disabled!) and then shows complete disinterest in following up on any of those things with the kind of depth and care shown to male characters with complex arcs like Urianger.

In general there is also a repeated thread of female characters being portrayed as weak or overly emotional: Minfilia is weak because she doesn't fight and needs to be eaten by a god in order to gain "a strength long sought." Krile is portrayed as not being able to pull her weight with the Scions (despite the fact that she actively keeps five of them from dying in Shadowbringers) and the only thing they could think of for her to do in Endwalker was be yet another vessel for Hydaelyn (hmm, that sounds familiar) and it's not until Dawntrail that she gets much actual character development in the main story and even that has to come alongside "Look, she can fight now so that means she's useful." (And I love Picto!Krile, I'm just saying, there's a pattern.) Alisaie, despite having very good reasons for needing to find her own path apart from her brother, is portrayed as having to prove herself when she returns, that she's "not the girl she once was," and "will not be a burden" (while Alphinaud is repeatedly given the benefit of the doubt and reassurance and affirmation from other characters even after he takes on responsibilities he isn't ready for and fucks up big time).

And if you follow me you know I adore Urianger, and I love Alphinaud and Thancred and Estinien too, so please don't misunderstand what I'm saying here! I'm not knocking those characters, or saying we shouldn't also love them. I just use them as a comparison to demonstrate how the female characters have been neglected.

Lyse has some of the stronger character development among the female Scions, and while she's still kind of portrayed as being too emotional and hotheaded in early Stormblood, I think it's actually explored in more depth in a way that I like; Lyse has good reasons for wanting to fight for her nation's freedom, but having been away from Ala Mhigo for several years now, she needs to understand the stakes for the people who've been there fighting for years, what they've lost and still have to lose. She grows as a person and rises to the challenge of leadership, and I'm even okay with the fact that she leaves the Scions afterward because it feels right for her to stay in Ala Mhigo, and at least she doesn't die.

And by all accounts she was, like Wuk Lamat, widely hated when her expansion came out.

Unironically I think the other female Scion with the strongest character arc is Tataru. She tries to take up a combat job, finds that it's not for her, and decides to focus on where her strengths are instead. In doing so, she both holds the Scions together as an organization in the absence of a leader by capably managing their finances, and also comes into her own as a businesswoman and makes international connections that benefit both the Scions and her personally. In contrast to Minfilia, she's not portrayed as weak because she doesn't fight, and is actually allowed to be an important character who's good for more than being sacrificed. Tataru is still distinctly in a supporting role for the player character, however, and her character arc happens as a side story that takes up a relatively small amount of screentime over several expansions, which I think is probably why she doesn't evoke such a negative reaction.

But there is a pattern of the game's writing showing disinterest in the interior lives of female characters generally, and in making their growth the focus of a story.

So yeah, I'm going to be happy about Wuk Lamat! I'm going to enjoy and celebrate every moment of her character arc, of her personal growth, of watching her put the lessons she's learned into action. I'm going to love and treasure every moment when she gets to be silly, embarrassing, emotional, scared, grieving, confused, upset, seasick, impulsive, and still deemed worthy of growing into a hero and a leader. I will love her with all of my soul and you simply will not convince me that it wasn't worth the screentime after such a profound imbalance for basically the entirety of the game. We've never had a major female character get such a strong arc with this much love and attention put into it and that means more to me than I can truly say. The backlash to it is disheartening, as this kind of thing always is, but I'm not going to let it ruin the wonderful experience I had playing it and how much joy it continues to bring me.

And for those of you who don't want any of that for a female character, thank goodness you have Heavensward and Shadowbringers and Endwalker and no one can take those away from you.

(And if you follow me you know that I love Shadowbringers and Endwalker and have very fond memories of Heavensward despite some issues with it, so not only can I not take that from you, I am not trying to!)

Some of us have been real hungry for a character like this with an arc like this, so, I think, y'know, maybe we can have that. As a treat.

[python333]

task force 141 reacting to [reader] giving them a 'happy father's day' card — python333

— — — —

synopsis you give the tf141 boys some happy father's day cards!!

relationships platonic!taskforce 141 & younger!reader.

characters cap. price, soap, ghost.

warnings 2nd person pov [you/yours/yourself], usage of c/n [code name/call sign], reader is intended to be around 16/17-20/21 but can be interpreted as older as long as they're below 24 (just so that the headcanons make more sense), maybe ooc?

note i'm so sorry but there's no gaz in this one BUT i can explain why!! i was doing my research (going through three different tumblr posts) to figure out the actual age of each character and gaz is apparently 24?? in new updates or whatever?? anyway, even before i found that out, i could only ever imagine writing him as an older brother, simply because he doesn't feel fatherly to me but still has those protecive-familial vibes so if yall want me to write something on him being ur older brother then feel free to request/reply/comment or whatever and i will! :3 this is all comfort no hurt and pure fluff so enjoy!!

JOHN “BRAVO SIX” PRICE

➥ OH GOD.

➥ man i don’t even have daddy issues and i’m crying.

➥ gives you that one dad smile he has—y’all know the one. don’t pretend you don’t—and thanks you for it.

➥ gives you a lil hug too because why not?

➥ tears up just the tiniest bit but it’s pretty unnoticeable but i need you to know that it’s there.

➥ either keeps it propped up on his desk, in one of the drawers of his desk, or puts it in a small frame and puts that on or in his desk.

➥ definitely reads it at least once a week.

➥ he’s so genuinely flattered by it i think that after you leave his office he’d tear up a bit.

➥ you thought he was acting as a father figure to you before?

➥ be prepared for him to take it to a whole nother level.

➥ starts getting you cheesy birthday cards after you start giving him father’s day cards.

➥ is he a father biologically? no. is he one mentally, emotionally, and spiritually? absolutely.

—

You were reasonably pretty nervous.

It wasn’t ever really a secret that you and Price had some sort of father-child-like relationship, what with the amount of hair ruffles, head pats, shoulder pats, etc. that you’d received from him and the swatting at his hand with your own that you had given back. But none of that took away the nervousness you had when you gave Price a father’s day card for the first time.

It’s not that you thought that he would be weirded out by it, you just had a small habit of overthinking things, and this happened to be one of those things. The card didn’t say too much inside of it, a simple ‘happy father’s day!’ and a sentence you wrote that mentioned that you were grateful to know him. That’s it. That’s all it was. And yet, your hand shook as you held it, the other hand knocking on the door of Price’s office.

He nodded in greeting and opened it, and stepped out of the way to let you walk in and sit in front of his desk. He sat at his usual seat after shutting the door, and you set the card in your lap, not wanting him to see it just yet.

“Is there any particular reason why you wanted to come into my office?” Price asked, breaking the silence. You took a deep breath and nodded before you quickly handed over the card, slipping it onto his side of the desk. He took a good look at it for a moment, reading the ‘happy father’s day!’ on the front and looking over the cheesy illustration on the cover. You anxiously waited for him to say something as he simply stared at it, before he picked it up and opened it, reading the short few words that were written on the inside.

You watched as his expression melted into a softer one, and he stared at the card for another moment before wordlessly getting up. Before you could say anything, or question anything, he knelt down to the level of the chair you were sitting in and hugged you. You were frozen with surprise before you hugged him back, loosely wrapping your arms over his shoulders, a little confused by the hug but appreciating the embrace nonetheless. He rubbed your back for a quick moment before standing back up straight and patting your shoulder.

”Thank you,” He said, smiling down at you. “I really appreciated that, kiddo.”

Oh, wow. I don’t know why, but I think I might start crying. “Yeah—yeah, of course,” You’d replied, quickly getting up and giving Price a quick hug before swiftly walking to the door, “I’ll just, uh, I’ll be in my room. Or, actually, no, I’m gonna go—I’m gonna go bother Soap in his office, so if you need me I’ll be in there okaybyeCaptainI’llseeyoulater!” You rushed out, not looking back as you closed the door behind you.

Price had blinked at the door for a moment before huffing out a small laugh and sitting back down in his chair, looking at the card you’d given him one last time before sighing and letting himself tear up a bit. Eventually, after just sitting there and staring at the card, he unlocked one of the few locked drawers at the bottom of his desk and put the card there, for safekeeping.

—

JOHN “SOAP” MACTAVISH

➥ he’s so excited when he reads that card.

➥ he’s so flattered?? and is so happy?? and oh my god he might pass out?? from all the positive emotions he feels??

➥ be careful with what you say because you might break him beyond repair.

➥ it’s like you’ve given a puppy it’s first treat, honestly.

➥ won’t cry but is very close to!!

➥ will definitely show off the card to everyone.

➥ when i say everyone i mean EVERYONE.

➥ he will talk everyone’s ear off about it, no matter who they are or what they’re doing, hell, the man could be pissing with his dick out at the urinals and everything and he’ll still be ranting to the poor soul in the bathroom about what a sweetheart you are and how you gave him a father’s day card.

➥ he starts calling you ‘lamb’ and ‘duckie’ after the whole ordeal.

➥ no i didn’t ask chatgpt for terms of endearment scottish parents use for their children haha!!

➥ he buys a corkboard just to pin the card to in his office.

➥ like it’s literally just in the middle, nothing else on the corkboard, just that singular father’s day card.

➥ the whole thing is just reserved for father’s day cards tbh. he hopes to fill it up with as many cards as you’ll give him, and if you only give him the one, then damn it, the corkboard’s only gonna have one thing on it and whoever questions it can mind their damn business.

—

You didn’t really know what to expect with Soap when you gave him the card.

You felt pretty confident giving it to him, knowing the guy could probably receive a rock with googly eyes on it from you and still cry tears of joy knowing you gave it to him of all people, so giving this card to him was no big deal, right?

You found him in the recreational center, lounging on the couch, reading a book—shocking, I know—and quietly reading the words out loud to himself. The moment you had entered the center, though, he looked up from his book and nodded in greeting at you with a smile on his face and watched as you walked over to him.

Before he could say anything, you quickly put the card in his lap and watched as he looked up at you, a surprised and amused expression on his face.

“What’s this?” He asked, not looking down at the card just yet.

“Read it,” You’d insisted, gesturing towards the card in his lap. He blinked at you for a moment before muttering, “Alright, then,” under his breath and looking down at the card. He picked it up and read the three short words on the front and looked over the illustration on the cover, and the moment the words registered in his brain, his face broke out into a grin and he looked up at you.

“Aww, this is sae sweet,” Soap gushed, “Thank ye!”

He got up before you could talk and hugged you tightly, lifting you off the ground a bit, cooing, “Ye're jist the sweetest, ma God, when did ye get the card?”

“I got it a while ago,” You had admitted, “Decided to give it to you now.”

Soap set you down and put both of his hands on your shoulders, gently rubbing circles into them with his thumb, looking down at you with an elated grin, "I'm gonnae hang this up in ma office—I'll get a corkboard an' everything, jist for this."

You looked up at him with a confused, but amused look on your face, asking, “And you’re just gonna hang that card on there?”

He nodded in confirmation and responded, “Aye, it'll be deid center, naething else on there."

—

SIMON “GHOST” RILEY

➥ oh my goodness.

➥ the moment you hand him the card, it’s like he already knows what it is without reading it.

➥ probably thinks it’s a joke at first.

➥ when he realizes that you’re serious he straight up tears up.

➥ like in front of you and everything he’ll tear up.

➥ “... Are you crying?” ghost, tearing up and literally about to start sobbing, "No.”

➥ he treasures that thing and would literally cease to exist if he ever lost it or if it got destroyed.

➥ won’t flaunt it at all, instead he keeps it in the pocket of a jacket he never wears anymore.

➥ if you ever give him more cards, he’ll consider getting a box to keep them in.

➥ he’s always called you ‘kid’ but after this he starts calling you ‘kiddo’.

➥ THERE’S A DIFFERENCE. I CANNOT TELL YOU WHAT IT IS BUT THERE IS A DIFFERENCE.

➥ listen kiddo is more affectionate and its softer and its not as playful as kid its more personal and and and [explodes]

➥ the others notice the small change in behavior he has towards you (being more lighthearted with his teasing, generally being less cold with you, etc.) and will tease him endlessly about it.

➥ by others i mean soap and gaz. those two team up and tease him to death.

➥ he could care less though!! he tells himself that they’re idiots anyway and that his behavior hasn’t changed that much.

➥ he’s in denial and i think that him and me are the same fr.

—

You had practically searched every corner, crevice, nook, and cranny of the base searching for Ghost. When you finally found him, he was in the armory and weapons room cleaning the barrel of his rifle, hyperfocused on wiping away the gunk on the gun. You stopped by the door, hesitating in giving him the card. It really shouldn’t be that hard, You thought, What’s the worst that could happen?

You were aware that there were many things that could happen, most of which were bad, but you ignored them for the sake of building up your confidence to give him the card. You stood there for a while, just sort of staring at him, before he—not even looking up from his gun—called out to you with a simple yet firm, “Do you need something?”

You probably could’ve died right there, his firm voice almost completely shattering your confidence for reasons you couldn’t specify, but you instead cleared your throat and walked out of the doorway and completely into the room. You walked over to him and before he could ask any further questions you held the card out to him, your hand having a small tremble to it, an uncomfortably visible display of your nervousness.

He stared at the card for a moment before setting down the cloth he was using to clean his gun and grabbing it, reading the front for a moment before huffing out a small laugh and looking up at you to tease you for it. He was going to tell you what a ‘funny’ joke it was, to tell you to just go do whatever work you’re probably skipping out on when he sees the look on your face that tells him that you’re pretty serious about the card.

He looked back down at the card and read it again, the words ‘happy father’s day’ echoing through his mind as he opened it. He read the few short words on the inside of the card and the shitty drawing of a ghost right next to one that was scribbled out—because of course you had to use pen and weren’t satisfied with the first ghost you drew even though Ghost could make out through the scribbles that they practically looked the same.

You were pretty nervous the longer the silence stretched out, and you were about to take back the card and go jump off a cliff to avoid ever looking at Ghost again when suddenly you hear a sniffle.

“Are you… are you crying?” You’d asked, more confused than nervous now, watching as Ghost shook his head negatively and continued to stare at the inside of the card.

“No,” He answered, sniffling again.

“... You sure?” You’d asked again, far less nervous now, your tone becoming more teasing.

“Positive.” Ghost said firmly, though his voice had wavered a bit. He looked up at you and reached his hand up to give you a pat on the shoulder, muttering, “Thank you for that, kiddo.”

"Yeah, no problem," You had said back, smiling down at Ghost before taking a step back, "I'll leave you to keep cleaning your gun, or whatever."

Ghost had simply nodded and looked back at the table where your card and his gun laid, and you didn't stay long enough to watch him tear up all over again at the sight of the letter.

[absolutebl]

This Week in BL - So Many GREAT Kisses!

Organized, in each category, with ones I'm enjoying most at the top.

(Please notice I am now using 6 dots in all ellipses because according to Taiwanese BL that's how we queers roll. Who am I to argue?)

Sept 2024 Week 3

Ongoing Series - Thai

Jack & Joker (Thai Mon IQIYI) ep 2 of 12 - A most excellent glow up. And it’s still a great show. And I cannot wait to see the many different faces of War. Bring on the Leverage of One action-packed mess. I'm waiting.  

Monster Next Door (Thai Thurs Gaga ) ep 9 of 12 - I’m gonna say this because it drives me crazy. Why are boys in BL, when out and about the countryside, always dressed inappropriately for Thailand? If it’s hot, takeoff your damn jacket. I don’t mean to be crass or crazy or whatever. But don’t wear a jacket when it’s 90° with 90% humidity. In Thailand, jackets are for malls. Meanwhile, I’m an extrovert and that still seemed like an exhausting trip. Although, I suppose they didn’t show all the drive time in the van, when everyone is asleep.

Meanwhile, why are the sides so frustrating in this show? Authentic friends-to-lovers is always a slog. Finally a kiss! And a decent one.

New character? Aw! Hi Yu!!!! Gosh Putter is so cute.

Where were we? Oh yes, Beer is now heartbroken. Always the great fear in F2L that the friendship will be destroyed as a result. And it’s a decent fear. 

On a completely different note, I cannot help but wonder when somebody’s chue len is Beer, if that is because beer was involved in their conception. Like, it’s the name you give your "oops baby" from that drunken night at the club. Don’t mind me. I’m just over here in the corner being crass.

Battle of the Writers (Sun YT) ep 8 of 12 - That was one of the cutest wake up sequences ever depicted. Utterly adorable. And now he’s blind again? Oh my God this is such a soap opera, I can’t even. Meanwhile, wicked ice prince finally made his move. Gah! Why aren’t we getting more of this couple? I always love the sides best with this production house.

I Saw You in My Dream (Weds Gaga) ep 10 of 12 - I love a hard fraught game of badminton. Even though we actually didn’t see play. YoIng claiming was so cute!!! And their shower kiss was v hot. Yay little show! Also cute use of the punishment trope!

Kidnap (Fri YT) ep 3 of 12 - The weight upon the shoulders of our idiot good guy kidnapper continues to pile up. So does the affection. The dude playing Q has sanpaku eyes. Cool. He’s not a particularly good actor though. Rough because everyone around him is giving their very best.

The problem is. I'm noticing. I shouldn't be noticing all the talent trying so hard. That usually means there is something wrong with the story, or there was something wrong on the set.

I don't know what to say at this juncture except I have the sinking suspicion this might not actually be a good show. (Covers head and cowers. Don't hate me.) I'd loved to be proved wrong, but my faith is GMMTV is only about 50% these days. And it probably should be lower.

Addicted Heroin (Thai Tues WeTV) ep 6 of 10 - I was so confused by how we suddenly got on a trip together, that I went back and re-watched the previous installment. And it still isn’t explained. So I have no idea why our leads are on a trip but apparently that’s the next trope to hit. I also have no idea how they're suddenly boyfriends. I’m just generally confused by this episode. It’s like an alt reality. We skipped over all of the stuff where they actually got into a relationship. In general I wasn’t wild about this episode.

The Trainee (Sun YT) ep 12fin - The most realistic thing about this show is that everybody is everybody else’s ex on any given set. I feel that in my bones. Or do I mean boner?

Frankly, both actors look better after a glow up and I guess pretending to be more their actual ages suits them? Considering what was actually done to invoke youth (a lot of the shine and gloss) aging them was an anti-glow up. A great mattification? Well...... this was a somewhat lackluster finale. (Thank you, thank you, the pun was unplanned. It's a gift.)

I don’t know. I guess I wanted to see Jane suffer? Work HARD to get the kid he abandoned back? I would’ve liked to have seen Ryan a little bit more competent and capable and his job. Maybe dating someone else. But I also do not want any more episodes. This was more than enough. So instead no separation, just boyfriends and a montage of their lives together, getting new and better jobs, moving in together, being supportive and sweet, etc... LOOK: It’s never a good sign when I immediately want to rewrite the show that I just saw.

In conclusion:

A story about a group of interns at a commercial video production company. While I genuinely love OffGun, I’m not convinced this was a good vehicle for them. Is it terrible for me to say, I miss their PickRome days? I don’t think they’ve ever had rolls that suited them better. Still, theirs was the best storyline in this ensemble piece masquerading as a BL, although they still fumbled the ending. Thus, I enjoyed about a 1/3 of it as much as possible, and 2/3 of it less than conceivable. 7/10 and I seriously considered dropping it to a 6/10 so don't push me.

Love Sick 2024 (Thai Sun iQIYI) ep 1 of 15 - Not gonna lie I was very skeptical. But I like it fine. Better than I expected because it’s been changed just enough. But it does need to stay changed. I don’t know what I’m trying to articulate here but…... I guess we’ll see.

Live in Love (Sun Gaga) ep 3 of 5 - It’s cute in a weird disjointed way. I’m enjoying it enough, I guess. I do like how forthright and direct Kla is. 

Bad Guy My Boss (Thai Sun Gaga) ep 1 of 10 - Ah. Bully romance. My old frenemy. Of course making this office based means +10 for workplace harassment. Well well well. This will be red flag party town I see. How VERY old school yaoi. It’s all very Cdrama CEO = dudes in suits walking on parquet (minus all the gay sex of course.) The jumping around between times and unfinished scenes is very strange. Is this Starhunter chaos only applied to a timeline?

Imma say this so they hear it at the back. YOU HAVE TO CHANGE THE HAIR. If you do time jumps: change. the. hair. It's the easiest and best clue if you aren't going to apply a filter or other cinematography tricks. JUST CHANGE THE DAMN HAIR STYLE.

Ongoing Series - Not Thai

The On1y One (Taiwan Thurs Gaga) eps 9-10 of 12 - And now we all start using six dots in our……? A new coded way to indicate that one is into BL? I did think we were in a slight mire with ep 9, too much teacher filler. Not enough time spent with our boys. Meanwhile, sports day. Pouty Baby utilizing the power of Ge, in front of all of the classmates who do not realize how hard he is flirting and activating babygirl = one of the greatest things ever to happen on my screen. Essentially this was a version of the claiming trope, only nobody knew it but the two of them. Fucking genius. Yes, I watched it multiple times. Then babygirl is injured, the carrying and the flirting!!!! Gah!

I don’t mean to trivialize the show, but this is me and I can trivialize everything even something as brilliant as this. But that conversation about history at the beginning of ep 10...... Was that about topping and bottoming? Because it sure seemed that way.

And then...... Possibly the best only one bed trope twist ever?

This show is so fucking amazing.

And I am so worried about the end.

Sugar Dog Life (Japan Sun grey) ep 7 of 10 - I love the kinkyness of our baby boy’s fantasy. Where he is the gift and his boyfriend is in uniform. Very nice. Thank you Japan. Never one to let kinky dogs lie. Also, the premise continues: one half thinks that they are already boyfriends and acts like it, and the other half is still trying to become a boyfriend. It’s absurd in that way that only Japanese miscommunication extraordinaire can be absurd. Also could Kyosuke be any more under his boy’s thumb? 

Love is Like a Poison AKA Doku Koi: Doku mo Sugireba Koi to Naru (Japan Tues Netflix?) 1-2 of 10 eps - Shiba is a top lawyer, angular aggressive bespectacled workaholic cat-type (Kitten? Babygirl? Tsundere? Some unholy combination of all 3?) I am reminded I should be more considerate of my potted plants. OMG the teasing and the little tongue sticking out. Haruto is such a flirt. I love this dynamic. What fun! Manic pixie dream boy but MAKE HIM EVIL! Or very high? Or a grifter? I have absolutely no idea what’s going on. But I’m enjoying it. It’s very...... very

First Note Of Love (Taiwan Mon Gaga) ep 7 of 12 - Oh! Good kiss. Smart to have the younger character initiate. I also like that he put a stop to it and then went and had a long conversation with a friend about it. Cautious boy. Also shows how in control of the situation Sea is becoming. It works for this BL since he has the stronger personality. I don't care what the characters say, this is about Sea becoming a rock for Neil.

But the secondary couple is actually winning this show. I want so much more of them. 

Seoul Blues (Korea Fri? YouTube) ep 8fin - I’m not sure that blackmailing and entrapment, especially of your ex, necessarily justifies cheating. Plus I never like it when it’s gays against gays. But what did I expect from this show? This whole series was basically Korea’s version of messy gay. If you liked Only Friends you’ll probably enjoy this bullshit. And they were quite pretty. I, however, am monumentally displeased. 4/10 FATALLY FLAWED but still, basically, BL, however…... do we want to support this kind of behavior?

KOREA PLEASE GIVE US A NEW PROPER BL!! WHERE ARE YOU? WE ARE SAD AND LOST WITHOUT YOU.

It's like now they discovered boys can kiss they can't be happy.

It's airing but...

The Hidden Moon (Sat WeTV) ep 1 of 10 - This is a supernatural romance (my ghost boyfriend trope) by Violet Rain (I Feel You Linger). A man is hired to write an article about an old mansion in Chiang Mai being converted into a café. He sees the ghosts of people who died at the mansion, falls in love with one of them. Was substantially recast. I loved IFYLITA except the ending so I think I'll let this one run it's course you can tell me if it's work tracking down... if they managed to land it. I have my doubts.

Happy of the End (Japan Tues Gaga) - A boy is disowned for being gay, dumped by his boyfriend, and ends up in a dysfunctional co-dependant relationship with his would-be kidnapper. We were due for another messy JBL and it's exactly as expected. I do not like it at all. And ya know what? There is plenty airing. DNF 

In case you missed it

I FINISHED Meet You at the Blossom (China). I ate crow, binged the fucker, and live blogged the experience. I enjoyed it a lot and got quite witty (I think) there are also puns (warning). But if you don't wanna slog though it, here are my final thoughts:

This was undeniably a wuxia and most definitely a BL. Evil stunning princely Cheekbones meets and falls in love with the bisexual disaster Dimples of his dreams. There’s a lot of floaty fighting, tangled plot, and overworked emotions. From start to finish it is exactly as it claims to be, including more than the expected amount of sexual claiming (dubious conscent to the point of rape). I’m not wild about the wuxia genre, but I will tell you what I do like: Very pretty men in flowing robes + eye makeup + hair ribbons wafting about stabbing and kissing each other plus ridiculous soap opera machinations. I also like cheekbones and dimples. AND I love a stupid gay sleeve, okay? There was also truly epic levels of stink-eye, and that too is to be lauded. This show left me grinning like crazy. Was it great? Not really, but it was a great experience and I enjoyed it immensely. 8/10

4 Minutes (Gaga) Ended - Spies reported in to say the ending was not-exactly-unhappy and mostly lackluster. I'm torn over whether to watch. My natural disinclination to binge, meets my dissatisfaction with wishy-washy, is going up against my love of high heat and pretty men. Oh the age old struggle between art and lust.

Mitsuya-sensei no keimakutekina ezuke finished and it’s reported to be solid. Age gap treated with respect. I'm curious, so I'll check it out if I can get hold of non-G-drive subs.

Next Week Looks Like This:

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

Still Coming Sept 2024:

9/28 Teenager Judge (Vietnam Sat YouTube) ?? eps - oh I don't know just Ba Vinh doing his thing with pretty boys again.

THIS WEEK’S BEST MOMENTS

I love love love this execution of the punishment trope. What's Ai going to do to you, Yu? Ride you to death?

I Saw You in My Dream indeed.

Sigh. This show. (Addicted Heroin)

All praise one of BL's best-in-show glow-ups. Nicely done, Jack.

James, on the other hand. Never needs a glow-up. Still the prettiest. Has been since Oxygen. (Battle of the Writers)

He's playing the role of Saint in this show, thank you very much. Speaking of which, wouldn’t that be just the most gorgeous pairing in the entire universe? Saint and James? I’ll be in my bunk. 

Taiwan giving us a boop! Reminds me of Be Loved In House I Do, right up there with TharnType as chronic boopers.

Why is he SO GOOD in this show?

All Frist Note.

(Last week)

Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are a pain.

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @sunflower-positiiivity @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @mestizashinrin @bl-bam-beyond @small-dark-and-delicious @saezurumurmurs

Sigh, Tumblr in its infinite wisdom doesn't like too many at-ings.