#like I really do I love her character so so deeply the storyline her flaws her relationships her intelligence the very way shes incorporated

[kassandradetroia]

Bawling over that frostbite studios annabeth video AGAIN ……

FUCK HASNT SHE GIVEN ENOUGH NO WONDER SHE HAS SUCH ABANDONMENT ISSUES SHE JUST WANTED HER FAMILY BACK HOW COULD LUKE GIVE IT ALL UP THE PLACE THAT RAISED THEM AFTER IT ALL AND WANT TO KILL THEM ALL GET ALL THOSE PEOPLE KILLED ALL FOR REVENGE AND SHE CANNOT CHANGE HIM WHEN ALL SHE WANTED WAS FAMILY I CANT TAKE THIS ANYMORE

[jonathanrogersartist]

How 'The Acolyte' Disappointed Me, and Why the Themes of 'Star Wars' Matter

Someone recently commented on my 'On the Dark Side, the Jedi and the Moral Decay of Star Wars' essay with these words: 

"A lot of words for saying 'I don't like the newer media, but I won't get into specifics as to why.'"

Okay! I shall then finally clarify those specifics....

That first essay has, so far, been my biggest success on this blog, and it's attracted a number of interesting responses. Full disclosure: I wrote that fresh off the heels of feeling depressed over how the Acolyte ended, and after reading/listening to several of Leslye Headland's interviews, where she went into great detail about her ideas behind the show's choices, the themes she's trying to get across, and what personal baggage she brings to Star Wars. 

Why was I depressed?

Because the show's finale ended with the deeply problematic implication that Osha, by killing Sol and joining Qimir, has achieved true self-actualization. As Leslye herself put it, it's a 'positive corruption arc.' Interesting way to phrase it. 

Furthermore, Vernestra's actions that frame Sol for several murders, all to protect her own reputation, and to avoid oversight by the Senate, confirmed one of the things that I was really worried this show would do as soon as we began learning plot details, which is that it's leaning into this very persistent edgelord take that the Jedi are actually big ol' bastards not worth seeing as heroes. 

It's the Dave Filoni gospel of the Jedi Order as a morally broken and fundamentally hypocritical institution, a decaying monument to religious hubris, who brought about their own destruction with their arrogance and so-called rejection of emotion making them lack empathy. 

This is, as many of my followers know already, a giant misreading of George's storyline in the prequels, and what he was actually telling us about the Jedi's philosophy and code. And in my experience, it gets us some vicious pushback when we try to inform fans of it, even if we back it up with proof of George's words. 

George really did intend the Jedi to be the ultimate example of what a brave, wise, and all-loving hero should be, and are very specifically inspired by Buddhist monks. They do not 'repress emotions': they learn to regulate their emotions, so as to not let the negative ones feed the Dark Side, and they have the moral fortitude to focus on their spiritual duty. They're professionals that have dedicated themselves to a higher calling, and who still feel and display the same emotions we all feel, unless I watched very different movies from everyone else. We see that Jedi characters can still crack jokes, cry when they are sad, become scared or anxious, feel strong love and loyalty to their peers, and can even be righteously angry in some situations BUT always knowing when to pull back.

The Jedi of the prequels were victims of manipulation by Palpatine, and were caught in between a rock-and-a-hard-place with the Clone War, and they were ultimately destroyed not by their own actions, but by the treachery of Anakin Skywalker, who failed to overcome his own flaws because he refused to really follow the Jedi teachings, and was gaslit by Palpatine for decades on top of that. 

Leslye's take on Star Wars, based on how she wrote the story of the Acolyte, is that "yup, the Jedi were doomed to destroy themselves by being hypocritical and tone-deaf space cops," and she also outright compared them to the Catholic Church (this reeks of Western bias and misunderstanding of Eastern religions). The one that really stunned me, was when she said she designed Qimir to be her own mouthpiece for the experience of being queer and suppressed, who isn't allowed to just be her authentic self in a restrictive world. Which, to me, implies that Leslye wanted to depict the Dark Side as actually a misunderstood path to self-actualization that the Jedi, in keeping with their dogma of repressing emotions, only smear as 'evil.' 

Let me remind you all: Qimir is officially referred to as a Sith Lord, by Manny Jacinto, by Leslye, etc. And what are the Sith, exactly? 

Space fascists. Intergalactic superpowered terrorists. Dark wizard Nazi-coded wannabe dictators, whose ideology is of might-makes-right, survival of the fittest, and the pursuit of power for power's sake. To depict followers of this creed as an analogy for marginalized people who have literally been targeted and murdered throughout history BY the real-life inspirations for the Sith.... I find revolting and tone-deaf by Leslye. 

SO.... seeing how that show ended, and reading up on how Leslye intended it to be interpreted (Osha's 'triumph' over the 'toxic paternalism' of Sol/the Jedi in general), really put me in a funk, because deep down, I could just sense that this was not at all compatible with the ethos of Star Wars. It made me go on a deep-dive into the BTS of the writing of the prequels and George's ideas about the Jedi, and it's how I discovered the truth that Dave Filoni has been pretty egregiously misrepresenting George's themes for several years now, usurping George's words with his own personal fanfic about the motivations of characters like Anakin, or Qui-Gon, or the Jedi Council, etc. 

His influence on the franchise has caused this completely baseless take on the Jedi to become so widespread as to rewrite history for modern fans. Who are utterly convinced now that this anti-Jedi messaging WAS George's vision all along, and they get real mad at you if you show them actual proof of that being a lie. 

And the Acolyte is perpetuating this twisting of the very core of Star Wars. This is what I meant by the 'moral decay of Star Wars.' 

The Star Wars saga was made by George Lucas in 1977 to accomplish these specific tasks: 

To remind people of what it really means to be good.

What evil actually looks like, and how it comes from our fears and greed.

To teach kids how to grow up and choose the right path that will make them loving, brave, honest people that stand up to tyrants.

To give the world a story that returns to classic mythological motifs and is fundamentally idealistic, to defy the uptick in cynical and nihilistic storytelling after the scandals of Vietnam and Watergate broke Americans' belief in there being such a thing as actual heroes anymore. 

THAT is the soul of Star Wars. That is what George meant for this remarkably creative universe to say with its storytelling. But I sincerely think that what the Acolyte told, was that morality is relative, the heroes of this saga are actually bastards, the fascist death-cult is misunderstood, and a young woman being gaslit into joining said death-cult is a triumphant girlboss moment. When it actually comes across as the tragedy of a broken person choosing the wrong path that will only make her miserable, full of hatred and powerlust, and hurt innocent people along the way. 

The Acolyte betrayed one of George's most critical lessons: that the Dark Side ruins people, and if you want to truly become your best self, you must choose the path of Light, and the Jedi are the ones who have best mastered that path. So if the future of Star Wars is to continue framing the Jedi and their teachings as some corrupt and immoral system that is making the galaxy worse, then I would rather stick to rewatching the classic scripture of Episode 1-6. George wrote a complete and satisfying story, that is thematically consistent, and in my opinion should have been allowed to rest. 

I will not hate on new fans that love the new material, but I will pity them if they really think any of this is actually faithful to George's vision (they may very well simply not care, either, which troubles me too), and I am afraid of a show like Acolyte teaching young people to see the Jedi's philosophy as wrong, and the Sith as having a point. 

(P.S. I have a moral duty to clarify this, given the discourse around the show: No, this is not a problem with 'wokeness,' or diversity, or representation; that side of the fandom is very sick in the head and not to be taken seriously. 

It's a problem with Leslye's themes and tastes as a storyteller, being fundamentally against the ethos of Star Wars and how it soured the entire show in hindsight for me... a show that I was actually really liking, before the finale dropped its thematic nuke.)

[lazypapers]

do you have any HCs about how Arthur reacted to John being distant to Abigail when Jack was born? /how Arthur reacted when John showed up after a year

Oh definitely, my HC is similar to Roger Clark (the actor for Arthur). I think Arthur resented John for being distant and leaving her and his baby for a year. I imagine a couple years before Jack was born that's when he lost Isaac and that tragedy never left him and deeply effected him. He hated John for running away and taking things for granted from the very thing Arthur always sought and wanted. So when John returns, Arthur is just livid and their relationship is broken.

Arthur seemed like a character who wanted to be loved and belong in a family. He tried that with Mary, but I felt like Mary toyed with his feelings in the most wishy washy way (I get it. Like what future would you have with an outlaw). Obviously Eliza was a rebound from him breaking up with Mary. And that one night stand led to the conception of Isaac. He still chose to stay with Dutch's gang cause that was his family and he wasn't gonna stay with a girl he barely knew and didn't love. He probably tried to bring her along but she most likely didn't want to. I have this headcanon that their relationship was getting better and had potential to work. Arthur would have wanted to stay with them more often as his son got older with each visit. I would say maybe his son was like 4-5 years old the last time he saw him (since it's hinted in the game he taught a little boy fishing during the Jack fishing mission). However, this is when Dutch would manipulate Arthur severely.

He likely pressured Arthur to choose his loyalty to him and the gang over Arthur's son and Eliza. Think about it. When Hosea left to make a life with Bessie, Dutch got really messed up about it. Which explains his disgruntlement with John's loyalty and Abigail. For a bit he lost his family unit and control. He wasn't going to lose Arthur through the same thing. So he starts tightening that leash around Arthur through his low self-esteem and self-worth. He didn't want to lose his best dog. Definitely a red flag, that a lot of the gang members felt obligated that they owed Dutch just because he saved their asses (weird savior complex going on there 😬🙄).

As for why, he didn't seem all that bothered that John left. Maybe he kind of learned from his mistake with Arthur. Under his manipulation, Arthur completely broke when Isaac died (I feel like Arthur never fully recovered from that and Dutch noticed that he wasn't the "same" anymore). So not wanting to break his 2nd Golden Boy he loosened the leash. I'm pretty sure Dutch cared deeply about Arthur and John, and he isn't this evil selfish guy the way I'm describing him. That would be later in RDR1 😆, Dutch is complete bonkers in 1911. He is just incredibly flawed and super weird and a messed up way of showing he cares in 1899 prior.

Anyways I want to draw a storyline focused on the year John left and returned in the Golden Hour. Since the Golden Hour comics are basically about the close bond and eventual collapse of the gang. It would be fun to explore that part of the era of the gang. But once my wrist stops hurting and I have more time. All I can do is talk about it instead of drawing it.

[twitteringthings]

Yoneda-Sensei

Just some thoughts…

In order to craft a story as rich and as layered as saezuru, you have to be a person who really gets humans. You know? And in order to make characters this realistic and this tragic, you truly have to understand the motivations and deeply rooted traumas that drive the human spirit. Along with the truths they bury so that they may move forward. In order to create a story like this, these primal and honest human traits must imbue every action and thought process of each character. And at this, Yoneda is a genius.

Many other stories or manga that I’ve read present the reader with a characture of what a person is. Their ideals too manufactured, and understating of life too naive. I find this leads to stagnant protagonists, cliche character archetypes, pseudo-conflicts, and a predictable/flat storyline. This is especially why I love how the characters are actual adults and not some cliche teenagers. They’ve lived through much and are aware of the true nature of the world they live in.

Saezuru is unlike anything I’ve read if I’m being honest. The core of what makes this story so successful and passionately loved is that Yoneda-Sensei allows these characters - these people - to control their own narrative. It’s their love story after all. Do you know how easy it would be to say “okay, it’s been 12 years, I think it’s time to wrap this up and give the people what they want. I’m tired.” This is the very idea she rejects. I know she is probably wanting to work on a new series and that we are nearing the rising action/climax, but I am so glad she isn’t rushing it. She simply refuses to - that sex scene could have been five pages, but they needed to do what THEY NEEDED TO DO! It is so cool to see an author allow her characters to develop at their own pace. She’s spent all these years truly getting to know them herself and so, she tells their story with integrity.

It is their own motivations, flaws, and decisions that drive the story, Yoneda doesn’t impose her own will onto them. She doesn’t allow her own idea of what the plot should be control the characters actions (if that makes sense - this is getting kinda meta lol). The story purely responds to the decisions of the men who it follows, whether they are born from greed, jealousy, lust, anger, Yashiro’s explosive temper tantrums, or love. Sometimes the characters don’t even know why they do the things they do - because that is real life! And I cannot express how well it allows the story to flow. I’ve also noticed that this allows for the story to mimic real life under the context of “Nothing is truly black or white.” In traditional storytellings, there is obvious right and wrong, blatant heroes and villains. But in Saezuru these lines are sometimes blurred, what can I say…true art mimics life. And that is why you must pay attention to every nuance or you’ll miss a core theme.

The topics of childhood trauma, rape, assault, sexual abuse, being thrown into a world of ruthless men, parentless children, homosexuality amongst wolves, fearing one’s own feminity, self-hatred, lovelessness, hopelessness, shame, grief, guilt, being hurt by and hurting the ones you love, and the true nature of love as paradox are all topics needing to be dealt with using the highest sensitivity and empathy. And Yoneda-Sensei has proved that she is an author who can handle these nuanced and difficult topics with grace. And it’s so cool that she trusts us readers to empathetically understand these characters as well!

As Yashiro says, “People are full of contradictions. They’re lonely and then they’re not, they’re missed and then they’re not.” So simply put. This very understanding of the human condition is what makes Yoneda-Sensei an amazing storyteller in my book.

This story could play out for another five years and I wouldn’t mind.

Thanks for reading!

<3

[catgirl-valeria]

“Ohhh Hope’s overpowered, she’s such a mary sue, how could she beat a god and doom” okay i’m gonna break this down as simply as i can

hope fortnite is not a mary sue you guys are just mean

in this essay i will defend my bbg because i get her better than yall. my credentials are that i love literary analysis and i think im at least half decent at it, and Ive been paying attention to Hope’s story since chapter 5 season 1.

Okay so. First things first, I don’t believe that being a ‘mary sue’ is a bad thing inherently. Anakin Skywalker is the fucking most powerful guy in the entire star wars universe for no reason other than his blood said he is and he is one of the most beloved characters in that franchise. his son luke destroyed a bazillion dollar monument to the military industrial complex on his first flight in an X-Wing. neither of these characters get shit from anyone (hm i wonder what one thing these two have in common that hope doesn’t. hmm)

Secondly. Hope has a character. She has motivations. From the moment we as an audience are introduced to her, we are told that she is anti-authority (she is described as a rebel in almost every bit of content associated with her during season one, and she directly fights against the literal symbol of authority in The Society.) This is the same drive that causes her to fight against Zeus, as what is more authoritarian than a literal God-King. She also cares greatly about freedom and choice. Go back and listen to her dialogue during the Mysterio quest-line, it is the angriest we ever hear her. She is deeply, deeply offended that this fucking guy has brainwashed half the island, that he would strip people of their liberties.

I think people forget. How Zeus and Doom were defeated. Hope didn’t just waltz up there, punch em once, and boom. Done. No, the Loopers beat Zeus and Doom. It was an island-wide effort, spurred on by Hope. She is a leader, that is her role in the story. (also; the Greek God’s powers in fortnite are very ill-defined, considering the Society fought against Zeus directly and lived seemingly unharmed. So.)

People also say Hope has no flaws. And that’s just. Wrong. Granted, her most apparent flaw isn’t clear until Season 4, but it’s Impostor Syndrome. There’s a big difference between being a rebel leader, and being the Prophesied Hero of Fate, granted powers by Pandora and the fucking Oracle of Delphi, and that really gets to her! That’s her arc across the entire season is dealing with this feeling of not being Good Enough to be the hero the island needs. But in the end, she’s able to do what she does best and be a light bright enough to rally the entire island together to fight and defeat Doom.

I get not liking characters, but honestly. a lotta the hate for Hope comes off as just kinda baseless to me. I don’t want to pull the misogyny card against individuals and i’m not going to but i do believe that she would have been received far better if she was a man. Maybe im just a little bit too invested in this storyline but. eh.

[lightdancer1]

Since I feel like lighting a firebomb under the fandom today:

One of the things that shows you exactly why the events of Season 6 at least to a point were almost guaranteed to happen is one of the most heartwarming moments of the entire series. In particular because as written Willow Rosenberg alternates between extremes, and her love for her SOs is very much in that category. it's a Platonic ideal where she gives selflessly, and where she needs to be devoted to someone else like this to feel like parts of her life have meaning.

In the case of Family it was clear that Tara spent about half the sum total of their relationship lying to her. She did so as a cult survivor, a victim of both emotional abuse and gaslighting and at least some physical abuse from her brother and likely from her father as well. She spent that time under the view that she was a demon, that her magic was rooted in an innately evil source and never once bothered to note to her magically empowered girlfriend that in taking those lessons from someone doomed to disappear or become an evil monster she might be taking a very big risk. Nor did she trust that her girlfriend and her friends would accept her WELL after getting to be friends with Anya, who is never quiet about the ex-demon thing, or Spike.

That's not a criticism of her, that's how deeply rooted that cult survivor trauma was. Willow is also a human being whose girlfriend lied to her for the entirety of their relationship thus far and at least some residual anger over that would have shown she had more of her own views of her own worth outside magic and outside the relationship with the person she adored and put on a pedestal.

The Scoobies collectively forgiving a magic misfire that unlike all of Willow's to this point almost turned lethal for all of them is also not surprising, the Scoobies all get a pass for at least once trying to kill one of the other of them or all of them, LOL. Willow not even admitting to herself that no matter how justified her reactions Tara's actions were worth at least some anger shows an unhealthy set of expectations of herself and Tara.

And that in turn meant that some form of rough patch is inevitable not least because nobody human can measure up to those expectations, and it would have been a very necessary part of both of them growing as people. Add to this what Buffyverse magic is really capable of, with episodes like Superstar showing just how horrifyingly powerful it can be in the right contexts, and with Willow's own darker elements manifesting in a control streak exacerbated by power over reality to make its tenets objectively and not subjectively true, something akin to what happened with the memory spell was a fixed point in time.

Other people in real life might imagine something like that or mistake their imagination for reality, in the Buffyverse magic enables people who wield it to make that imagination real. As adorable and necessary as the fluffier fics are, it doesn't do these characters justice to note that their reality, like everyone else in the show, is conditioned by having all the usual issues of people in high school and college figuring out what to do when they have very literal 'pissed me off, now you're a frog' power that can make that process much messier.

Pedestaling people is dangerous IRL and has had no shortage of dangerous effects and is an understated element of putting unhealthy expectations on people. Add to that literal reality warping sorcery and the realization that the pedestaled person and oneself are merely flawed humans after all, and well.....

Of course it also doesn't help that Tara's living the normal life of a Buffyverse witch with the magic family that knows magic is real and Willow is unknown to her Jean Grey careening to her version of the Dark Phoenix Saga, with the most X-Men derived storyline of a main character in a series that Whedon himself admitted has some inspiration from those comics. But that's a somewhat bigger discussion, LOL.

[jackwhiteprophetic]

My controversial 9-1-1 opinion is that Buck is one of the least interesting characters on the show. Don’t get me wrong, he is complex and interesting but the type of character he is and oftentimes reduced to (sunshine golden retriever boy, abandonment issues, humour to cope and uses false confidence and cockiness to hide the fact he’s deeply insecure) is common and you can find at least one character in almost any media who pretty much matches that description. Usually those characters are also a fandom favourite and you can never escape them.

The clear favouritism for Buck in the fandom also undermines a lot of the incredible things this show has done for representation. “Omg the white guy kissed another white guy! This is revolutionary and the greatest thing to happen on the show!” (Ik I’m simplifying it).

That’s cool, personally I think one of the greatest things to happen on the show is the representation of an abusive relationship and how that trauma impacts a person for years and isn’t fixed in a night after finding the perfect guy. I also think representing postpartum depression was also quite revolutionary and made my mum feel comfortable enough to open up to me about how she had postpartum depression after my sister was born. Like my mum is 50 years old and this silly firefighter show made her feel seen. THAT’S what representation is for.

Regarding LGBTQ+ representation, I think the HAPPILY MARRIED BLACK LESBIAN COUPLE WITH CHILDREN (Mara we’re getting you home) is something never seen in mainstream media, firstly because there are hardly any sapphic relationships and secondly because those sapphic relationships hardly include women of colour.

This is an ensemble and I feel like a lot of people forget that. I’m also still annoyed that when Buck was confirmed bisexual, major article companies acted like this was the first time 9-1-1 had established 1) a queer character and 2) a queer couple.

Henren ran so BT could stumble around and fall flat on its face.

Interesting... We definitely share some of the same views on things, but I do find Buck really interesting as a character now!!! I find Buck and Eddie soooo interesting mainly because I have read probably millions of words of character study on them. Also when I first watched I didn't find Buck suuuper interesting up until the saviour baby arc, which adds so many layers of complexity to his behaviour across all seasons!!!

I really hope there is a greater focus on Maddie next season!!!! Also I think one of the major flaws with S7, because it was written very quickly and they knew they would have to move scenes across episodes is that they didn't really mix storylines massively, so it wasn't very cohesive and we didn't really get to see the 118 as a whole family properly. The pairings we had were Buck and Eddie, Henren and Madney and Bobby and Athena, and that was kind of consistent throughout. Next season I'm really hoping that they can switch up dynamics at least for a few storylines, BC I miss when we would see scenes of like Buck and Chim, or Athena and Hen, which they stopped doing as much once Bathena happened, because they no longer needed Hen as a link between Athena and the 118. WHICH IS SO SAD! I LOVE THEM SO MUCH.

ALSO SORRY THIS ISNT VERY WELL STRUCTURED BUT CAN THEY LET HENREN BE HAPPY PLEASE!!!! Kind of sick of their storylines being "oh no someone is threatening our family" because it just paints their family as unstable and they don't deserve that!!! I want silly storylines PLEASE!

But yes the centering of Buck (and sometimes the other guy who I will not name BC I don't wanna piss ppl off) by SOME people in the fandom ANGERS ME GREATLY. ESPECIALLY with the whole Gerrard thing, where the comments on the IG post were FLOODED with people talking about Tommy (named him here oh well). And people talking about how everyone is gonna defend Buck because if Gerrard even looks at Buck they're gonna throw hands! I'M SORRY WHY THE FUCK ARE YOU MORE DEFENSIVE OVER BUCK THAN CHIMNEY OR HEN, WHO HAVE ALREADY BOTH BEEN TARGETED AND HARASSED AND BULLIED BY GERRARD? WHY ARE YOU MORE DEFENSIVE OVER TOMMY THAN CHIM OR HEN? It fucking disgusts me. The way that Tommy literally was introduced in S2 as a PLOT DEVICE to show how 'bystanders' (he was barely a bystander, more an active participant) in workplace racism and bullying are still so fucking dangerous and disgusting and wrong. And he was so fucking disgusting to both Hen and Chim, bear in mind they have a fucking dangerous job, if CHIM had been in that building Tommy would have absolutely left him to die. WORKPLACE RACISM IN LIFE OR DEATH JOBS LEADS TO PEOPLE BEING FUCKING LEFT TO DIE. And people are more defensive over Tommy being potentially harassed by Gerrard and than they ever were over Hen or Chim. As a white person I am so fucking sorry, this fandom has not lately been a safe space for pocs and the fucking lengths people go to to justify both the character and the actor are so fucking strange. White queer people should do fucking better than this. It is the bare fucking minimum to not be racist or not have been publicly racist in the past. Why not ask for a better fucking standard? ALSO with the actor, if you're trying to fucking argue that he's not like that any more, SHOW ME that he is a fucking anti racist and that he is fucking defending minority groups and that he understands the weight of his actions. SHOW ME how he understands his privilege and uses his platform and the money he is given to donate to and fund the protection of these groups. It is fucking sickening that people have decided they can defend or ignore or tolerate this man and it DISGUSTS ME that they have happily created an environment where people can't feel fucking safe or supported or heard.

The focus on that character is so fucking weird given the lack of screen time he has had, I'm really gonna stop talking about him at all soon because it gives him way too much weight. But it's disgusting. The way some people have to find a way to write Eddie and Chris out of Buck's life and rewrite over canon to bring more focus onto this man astounds me.

As a (lesbian? Idk not currently sure but kinda) queer person, Henren are such beautiful representation and I love them so much and ALSO the foundation of the whole show is basically found family. If you want to only focus on Buck then that's fine I guess, but it is literally written into canon that the family around him mean FUCKING EVERYTHING TO HIM so it's weird that people barely fucking look at it at all.

Anyway sorry I greatly appreciated your message and idk if all of this is related or relevant and it is not well structured but I was just feeling ranty and was inspired by you! I love you and I hope you have a brilliant day!

[kvetchinglyneurotic]

Roy and Jamie's relationship is one of my favourite parts of TL, but the period between 2x10-3x04 when they're not antagonistic anymore but also not really friends, and their interactions mostly consist of Roy threatening to kill Jamie and slapping food out of his hands, is near the top of my list of writing decisions I did not like.

It's not that I think the two of them should have immediately started getting along post-Wembley or that I think Jamie necessarily should have found those moments triggering — it would have been a perfectly legitimate choice if the writers had gone that route, but given that James seems to be able to put on a friendly(ish) front based on what we know from the Amsterdam story, I could see how Jamie might find how upfront Roy is about his anger reassuring — but because it does a disservice to Roy as a character.

You have this man who's so painfully aware of his flaws, who cares so deeply about the people he loves but is afraid he'll drag them down and infect them with the worst parts of himself, who steps up to take care of his former rival — someone who embodies everything he once was and never will be again — when he's vulnerable and terrified after being abused by his father in front of the whole team. And then a couple of episodes later he threatens to knock Jamie's teeth down his throat.

Fundamentally, I think it's a matter of blending comedy with serious storylines, which TL generally does well, especially in the first two seasons. But I don't think a serious storyline and its comedy counterpart can effectively coexist in the same show. You can't show a character being threatened and assaulted by his father and then turn around and have another character do the same but it's a joke, this time, without undermining one of those storylines. It's the same with Beard and Jane: one of the main character arcs is Rebecca's difficult, painful healing process after the end of her abusive marriage, but at the same time there's a running gag about a couple that's written like they were playing bingo with the Wikipedia page for domestic abuse.

[danielsarmand]

i'm getting used to the idea that my opinions in this fandom will often be the opposite of whatever the general public seems to think, but i thought human nature and family of blood were just... okay. they're very... charming episodes, to be sure, the storyline is novel and the sets, cinematography, costumes and acting are great, i just feel like it left me feeling bitter more than it left me thinking ‘oh, that's a nice episode!’

this, of course, mostly resides in how martha was treated as a character. after two episodes which, more or less, seemed to highlight her qualities and actions and existence beside her feelings for the doctor, we're back at it. and i'm tired of martha being sandboxed in them. and i know that's the whole thing with her storyline, but it's so hurtful to witness over and over how she'll basically never be enough for the doctor, no matter the universe—mostly because so little of it rings true to me. i do not believe ten would never look at her twice. i do not believe there is no way he could fall for her. i do not believe he doesn't like her. he surely likes her enough to flirt with her, and the writers have such fun planting all those little innuendos in his dialogue toward (or regarding) her, but it's like they take some sort of perverse pleasure out of then shutting the door in her face and trying to make the audience believe that's rightful and that she has no reason to be hurt by it. it's exhausting.

martha does have the single most important role here, as she does in quite the number of episodes in her run as the companion. i always joke that the doctor would have regenerated 53 million times if it wasn't for martha, but that's actually not much of a joke. she's saved him so many times. and when, at the beginning, the doctor asks her whether she trusts him, what he really should've done is he should've told her “i trust you”, because the whole thing boiled down to martha having to fix his mess and the doctor 100% believing she would. at least he said something about everything being in her hands, which could be counted as implicit admission of trust, but yeah. the dialogue implying she is the one to have to trust that the doctor will come back to her, despite having to be the one to make him come back, is just...

i adore ten. he is the reason i started watching the show—well, tennant is—and i felt his absence so much during these two episodes that when john smith briefly spoke in the tenth doctor way of speaking my heart grew three sizes, but there's something deeply... off with his characterization at times. or maybe it isn't off, as such, just his flaws are highlighted a lot more than other doctors'—which is fine, per se, he's a 900+ old alien i don't want, need nor expect him to be perfect. it's just, coupled with the questionable general arc of this season with martha and him always in this wobbly, awkward spot between friendship and something else, and the way they seem to use martha as a cushion to fall back onto and punch when the doctor fucks up, it leaves a bad aftertaste in my mouth i guess. specifically because i think too much, and i often think about how so many people dislike martha for things that have so little to do with her and so much to do with the absence of rose, the faults of the doctor and the disservice the writers did to what could've been—and has been, if you look at her—an amazing character. a widely beloved one.

you know what, the episode would have been fine. john smith wasn't the doctor, he had this thing with the nurse or whatever, fine. part of the plot, i guess, was that of course he wouldn't have wanted to give humanity up, and what better reason not to want that than to feel love while trapped as a human? fine. but what i don't really get, and what makes me feel a little sick to my stomach actually, is the ending. where he goes back and talks to joan and asks her, or really, when you think about it, tries to manipulate her into coming with him. that's nothing new, the doctor is pretty manipulative and always has been, but he usually uses the allure of space-time travel and breathtaking sights and incredible adventures to basically kidnap his companions like some sort of old ass peter pan, and he's honest with it. he does genuinely think, every time, that what he'll offer the people he takes with him is so much better than whatever they might be thinking of doing with their lives that they will ultimately be happy they followed him. and they are, until they aren't, because that's the tragedy in doctor who for you, but here. here, he uses feelings. he uses joan's feelings for john and somehow promises her he's still capable of whatever john was, including falling for her. and why would he do that. that's just mean. to joan, to martha, hell, even to himself. i really have absolutely no clue what they were trying to do with this scene except, as i said, highlighting his flaws. because he knows damn well. he knows damn well that, even if he were to fall for her, she'd have to leave or die and it would break both of their hearts. that's the whole theme with him, isn't it? i thought it was. he's just experienced that with rose and he's keeping everyone at arms-length because he doesn't want it to happen again, and that's understandable. but then he goes and does this. i don't know. i simply don't know. there's also the whole thing where joan tells him she wants nothing to do with him, because she's in love with john—not some doctor—and he, the doctor, has caused so much harm choosing that specific place in space-time to hide. and the thing is, he's so creepy in that whole scene. when he speaks to her, the things he says, how he says them, how he looks at her when she calls him out. amazing acting, but there's something so dark about him in these episodes that i can't help but want to crawl out of my skin.

one might argue that he tried to get her to come with him because he remembered what john felt for her, or at least what happened between them. and that's further sustained by them hinting at him remembering what martha said to him about him being everything, and her loving him to bits. but that just makes it feel more gratuitously mean to everyone involved (so, ten as well), and steeps the two episodes in this... bitterness, which takes from the overall enjoyment. for me, at least.

there's also other things i disliked about the ep, like when in the video the doctor tells martha ‘you. don't make me leave you behind’ which kind of sounds like he was expecting he would? same way as he was expecting he'd hurt people because that's what humans do, which i agree with, but why underline the fact that he was potentially going to leave her? of course she would have stayed close in order to make him turn back to himself, i don't think that really needed saying. that's just one of the little jabs to martha the writers love to insert in scripts. thing is, i despise them! anyway, the post is long as it is, just—if there's one thing i loved (and it wasn't nearly enough to make up for the rest, but,), it was the way ten hugs martha after he tells her ‘thanks for looking after me’. with his eyes closed and that genuine, childlike smile. engulfing her completely. i so wish things had gone differently between them.

[unfortunatesal]

The Teal Mask DLC for Pokemon Scarlet & Violet fucking rules

So, I haven't mentioned this here, but I genuinely do like Pokemon Scarlet & Violet. It's... deeply flawed for sure. The game is a buggy mess, the level scaling (or lack thereof) is atrocious, the way random encounters are handled fucking sucks with you running into shit constantly and it's just. not very challenging.

But it has a huge, huge plus that to me, makes up for all of that, and it's one that I'm strongly biased towards. Though... it's technically two: the plot, and the characters.

Now, Pokemon has never been bad at character design, really. The characters are always endearing and cool and whatnot. But besides some exceptions like N and Bianca, they're never all that interesting, at least to me. They're not much more than pleasant. But Scarlet & Violet has *great* characters, it's by far its strongest suit. The gym leaders aren't anything deep, but they do have such distinct and memorable personalities that they just... stick with you. Maybe it's recency bias, but I could tell you that Katy is a sweet old lady, Brassuis is a massive theatre kid, Iono is an energetic vtuber, Kofu is a goofy uncle, Larry is a depressed businessman, Ryme is... I guess a rapper, honestly Ryme isn't that interesting imo, Tulip has extremely bad vibes and I do not want to be near her, and Grusha is a jaded cynical twink with PTSD. These are all great!

And those are characters from the "bad" storyline, the one with little to no narrative merit! The Team Star storyline absolutely rules and is just, genuinely really good and the way it slowly unpacks an unflods the actual reality of what Team Star is and what happened with them is just, wonderful. I love the direction it goes in and the message it conveys. And the herba mystica storyline is! Okay! It's fine! People seem to love it but I just think it's kind of okay. I will say that Arven's storyline is general is great, but it only really reached that point when you get to Area Zero which is a whole other thing and is also just, great.

And the rivals, or rival-like characters, are fantastic. I especially love Nemona who is an austistic yandere icon (but only yandere in the Pokemon sense, where Pokemon battles are everything and are considered an almost intimate experience at times in Scarlet & Violet as a whole???)

Nemona is absolutely my favourite rival, or *was*, until the Teal Mask DLC came along and introduced two rivals that, ahem, rivaled her. Both are just massive, massive hits in my book, and... I want to talk about why, because they have been living rent-free in my head and the yare 2 of the 3 elements that make the Teal Mask DLC so great, the third being Ogerpon herself, which I will get to later.

OH BY THE WAY I WILL BE SPOILING THE TEAL MASK DLC SO IF YOU'RE INTERESTED IN IT, DO NOT READ

So, the first notable rival is Carmine. And she definitely acts like a Pokemon rival in the classic, Gary / Silver, huge asshole kind of way. As soon as you meet her, she tells you to get the fuck out of her village and challenges you to a battle. She's kind of a dark Nemona in a sense, in that she takes the tsundere approach instead of the yandere approach. She totally doesn't love battling you or spending time with you or anything, obviously not! There is so much romantic tension between you and every single Scarlet & Violet rival and it fucking rules, especially since it manifests so differently for all 3 of them.

But... eventually, Carmen warms up to you, and you start getting along with her. She helps you out and becomes a reliable partner, and ends up having absolutely no qualms being friendly with you. The thing is, though... Carmen never stops being an asshole. She continues to be kind of a bitch throughout the entire story! She just becomes a bitch in a very endearing and likeable way, and directs that bitchiness in a productive, fun, and even helpful ways, and that's just wonderful. She's pretentious, quick to anger, looks down on everything and everyone, and I love her so fucking much

And then, there's Kieran, Carmen's litle brother and also my precious son. Kieran is kind of the opposite of Carmen. He doesn't seem like a rival at all. He's just a shy and nervous kid who clearly likes you a lot and wants to be friends and get along with you. Just a sweet little kid with anxiety! Extremely likeable, extremely endearing, you can't not love the kid

But then you learn he has a huge fixation with Ogerpon and other creatures that are demonized and treated as outcasts. Still endearing, but gives him a lot of depth! And, oh god, my boy has the BPD and he is absolutely FPing Ogerpon. He gets increasingly upset and incomfortable with you getting close to Ogerpon when he isn't able to, and starts sulking and running off, and man, I've been there. I know what it's like and I feel for Kieran so much.

This all comes to a head when you catch Ogerpon, and add her to your party, thus preventing Kieran from being close to the creature he loves and admires so much. After that, he starts to lose it, and becomes an extremely compelling rival who straddles the line between friend and antagonist. The cliffhanger ending suggests that he'll continue to spiral out of control for the next DLC and god, I am so here for it. I love his story arc so, so fucking much and I cannot wait to see what they do with it

And then, there's Ogerpon. Ogerpon is a precious little creature who was deeply wronged by the village, deomized and cast aside from the start. The mian antagonists of the arc, the Loyal 3, took advantage of her status as an outcast to kill her only friend and steal what was most precious to them, causing her to fight back, and be cast as the villain for centuries as a result. And. Fuck. I love Ogerpon so much. I love her story, I love the way it's resolved, I love how it ties into Kieran's character and the final fight against Ogerpon herself. I used to not know what to say when people told me what my favourite Pokemon is. Now, I know, and I'm so grateful fto the Teal Mask DLC for that.

[theredhairedmonkey]

Posting my reply to @kuno-chan’s post separately here as I’m not going to reblog slander disparaging me or others.

Also, since these are just all the same talking points lifted from elsewhere in the fandom, there’s no need to go line by line. Nevertheless, I’ve given this plenty of time and thought, and will break my take down into four parts:

Callum and Rayla

No, Callum is not obsessed with Rayla. Sorry, but one brief evening of him mourning the anniversary of Rayla leaving isn’t a constant obsession lol. This scene shows he still has feelings for her, but it does not constitute a constant preoccupation. For the vast majority of time in s4 before she returned, he hardly acknowledged her. Even when she returned and left again in 4x03, he did not have a any reaction at all, and went along with his day.

Callum is a deeply caring person who would do anything for those he loves, including Ezran, Soren, and Amaya (Yes, even Soren, as Callum was about to fight Elmer to defend him despite being injured himself). This fierce loyalty is part of his nature, not evidence of obsession over one person. His willingness to fight for others can be both a strength and a flaw at times.

At the same time, as Finnegrin points out to Callum in 5x08, his friends are also willing to do anything for him too. It’s a two-way street.

Meanwhile, Rayla seems more singularly focused on Callum, calling him the "best thing I ever had" and clearly pining for him constantly. Her moral compass now revolves around Callum and protecting Callum specifically. So between the two, she displays more obsessive tendencies regarding their relationship. To the point that I have mentioned before it’s a little disconcerting that most of her character arc in s4 seems to just be about getting back together with him.

Speaking of which, even after they reconcile, the lead writer dropped the bombshell that they’re actually not currently dating:

Which really begs the question, if Rayla is so eager to resume their relationship, why haven’t they? If Callum is so obsessed with her, why hasn’t he taken her back yet?

This doesn’t mean Callum doesn’t care deeply about her. He absolutely does. But if Callum were truly obsessed, he likely would have immediately resumed the relationship. The fact that he has not suggests he has set healthy boundaries and is not driven by obsession.

But that’s just the relationship angle. There’s also the issue with assigning Rayla’s traits (flaws specifically) to Callum. Callum is indeed loyal, and to his detriment sometimes, but loyalty and devotion aren’t the main driver for his actions. They’re Rayla’s. You don’t even have to take my word for it, it’s spelled out in Tales of Xadia:

Callum’s most important value is Freedom/Liberty, once again spelled out in Tales of Xadia:

And this distinction is crucial, as it’s the crux of his storyline in s5: is he really free to choose not to do dark magic (or free to make any choice for that matter), and what does it mean to have unlimited potential, and whether that unlimited potential can lead to a very dark place. Once again, flat out stated by the lead writer of the show:

Notice how Devon explained Callum’s motivation without ever mentioning “Rayla”?

Chalking up his motivation to just an obsession for Rayla that he’ll always have, that he’s just That Way and nothing else, deprives him of this arc and reduces him to a two dimensional sidepiece for Rayla. It strips him of the complexity of his season 5 arc, where he struggles with the meaning of unlimited potential and the darkness that could engender. His inner conflicts go far beyond his feelings for Rayla. Suggesting otherwise diminishes his character development, and it's beyond me why anyone would want that.

Callum and Morality

As I’ve said before, I enjoy Callum’s dark side immensely. I really do. But the point of the Ocean Arcanum, as I've mentioned before, is that everyone has a dark side:

Thus, Callum isn’t any more particularly morally dubious than anyone else. Sorry, but a single use of dark magic, with already-dead ingredients, in an extremely controlled setting for the very narrow purpose of setting himself free, doesn’t make Callum morally dubious. And I’m sure the average person could see the VAST chasm of difference between using One Bad Spell and dooming the world for Rayla’s sake that the story has no chance of bridging in just two seasons.

He refrained from using the snake chain spell offensively against people, as we've seen it used before (in 2x03). It was narrowly employed just to free himself, after which he immediately returned to primal magic. And in that sense, I haven’t seen a single person argue this one act was unjustifiable.

And, as he gives Finnegrin the wrong list of ingredients, that’s basically the only real act of moral ambiguity Callum has displayed. Because for everything else, you have to hold Callum to a unique (and impossible) standard that applies to no one else. For instance, it's not considered morally dubious when Amaya punched Karim, yet Callum punching Finnegrin supposedly is? Callum is dubious for forgiving Rayla of her crimes (in a show that’s centered on forgiveness and trust as sources of true strength), yet Rayla isn’t dubious for actually committing those crimes? Like, Rayla actually lies, steals, and abandons her friends, yet Callum is viewed as more dubious simply for forgiving her?

Seriously, why am I supposed to think Callum is dubious for saving his friend at the cost of a snake’s tail, yet Rayla is merely “complex” for what she's done?

To be clear, while Rayla has certainly done morally questionable things, that does not make her a bad person or even a morally dubious person overall. But the same must also apply to Callum - his singular use of dark magic for escape does not negate his generally good and principled nature. Very few people would consider his actions in that scene truly unjustifiable.

Callum and Viren

As I’ve said before here, Callum and Viren are indeed foils, and perhaps the most important foil relationship in the series. But the point of foil characters is showing each other’s opposing traits:

And yea, it should be pretty obvious that Callum and Viren are dramatically different from one another. Callum protects those close to him and tries to do the right thing, while Viren seeks to amass as much power for himself as he can.

This is even clear from their parallel shots that Viren and Callum are extremely different, for good and bad reasons. When opening the door to greet the guard, Viren appears self-important while Callum seems nice and humble. When he confronts Soren on the battlements, Callum is aggressive and angry where Viren was calm and calculated. These are not the same person.

That doesn’t mean Viren and Callum are opposites in every way; some minor similarities are there to humanize Viren, not equate him with Callum. For instance, the moment he parallels Callum and the group’s “I’d do anything for you” was to show that Viren isn’t just a power hungry tyrant but also a devoted and desperate father. However the fact that this is a sympathetic moment undercuts the supposed dubiousness of Callum.

Viren's devotion to his children parallels Callum's loyalty to his friends, making Viren sympathetic rather than wholly evil. But this does not make Callum dubious by association - if anything, it suggests Viren has glimmers of goodness akin to Callum's steadfast decency. If Viren is portrayed as good to the extent that he’s similar to Callum, what does that say about Callum himself?

So while they have a couple superficial similarities, their core character traits and motivations remain opposites. It is unreasonable to equate them based on scant common ground when their differences are so pronounced. If parallels to Callum humanize Viren, that reflects well on Callum, not poorly.

It’s also pretty telling that the same people downplay Callum's explicit and canonical similarities to the moral exemplar Amaya, while overstating negligible common ground with the villainous Viren...

Fandom Toxicity:

While I can be blunt or harsh about takes I disagree with or think are poorly thought out, I never attack the people holdings those views or suggest that they’re terrible people. I would never, for instance, suggest that people who don’t subscribe to my view of Callum to be incels, or who don’t subscribe to my view of Rayla to be mysoginists, or who don’t subscribe to my view of Ezran to be racists.

It’s not just toxic and offensive behavior, but it’s also inconsistent. When you ask “why is it so bad that some people believe Callum is dubious,” it kinda falls flat when you turn around and call people "incels" for having a different take on Callum.

I’m not going to comment much more on this as I think it speaks for itself, but I also deal with enough bullying and harassment as it is, so this will probably be it for me. I see no reason to continue when you are arguing with such bad faith.

Postscript

The argument here is basically “since Callum was willing to squish a snake’s tail and risk his life for Rayla, then it’s reasonable he’d be willing to risk the entire world for her.” I’m sorry, but I’m of the opinion that this doesn’t follow and is kinda far fetched. That isn’t a personal attack, just my personal take.

It’s fine to want Callum to be morally dubious. You’d be pushing an open door with me if you think it would be cool headcanon. Completely unsubstantiated by canon, but still cool.

But for whatever reason, the favor is not returned. It should be fine to think Callum has a moral code, that he has a life outside of Rayla, and that he’ll probably rise above his weaknesses and flaws by the end of the saga. Yet the namecalling and mudslinging that this is responded with is just WILD.

I don’t deal well with insults, or namecalling, or the insinuation that I am in denial subconsciously, or I don’t really mean it when I discuss Callum’s dark side. Nor will I entertain it. This type of bad faith dealing barely deserved a response, much less several paragraphs worth, but now that this is all on a page, I’m going to do both of us a favor and say that we’re done.

[strawberrytalia]

omg! i wanna do a few:

top 5 dc characters!

top 5 comic series!

top 5 animals!

OMG hi ella!!! 🫶 OH THESE ARE HARD

Top 5 dc characters (omg I feel bad ranking them)

Duke Thomas - who’s surprised 😭 no but he’s without a doubt my fave bat. i think there are just so many inspiring things about him, and he represents the aspect of comics I love most - stepping up and doing what’s right even when all odds are against you

Carol Ferris - I used to talk about her 24/7 when I was heavy in my GL phase, but I never stopped loving her. I love that she’s deeply flawed and angry and passionate, and she gets to be messy. Also she influenced me to be more comfortable expressing myself femininely which was hard as a brown girl ngl anyways carol <333

Ollie Queen - LMAO idk why but I feel so cliche putting him, but he’s my favorite Arrow and he always has been. I relate to him a lot. He’s really introverted, in his own head despite being is outspoken, he loves nature, cares deeply, and he isolates when he’s sad. I also like his very black-and-white thinking, esp when it gets challenged. live laugh love ollie queen

Talia Al Ghul - I won’t say much about her lmao bc talia stans are like sharks here, but she is also very important to me. Like you ever get that character that just seizes your heart???? Yeah that’s Talia for me 🥺 i don’t post abt her often either, but i love her sm

Khalid Nassour - it’s hell being his fan, but i’ll do it anyways 😭 so Khalid is rlly interesting bc i read his “cool” appearances first then read Dr Fate 2015 where he was more of an annoying 22 yr old. And it was so satisfying watching him grow from someone who was more narrow-minded and whitewashed to an intelligent, capable, and enlightened person. I really enjoy his character’s spin on what fate means in regards to one’s identity, heritage, lifestyle, and faith.

Top 5 comic series (THIS IS ALSO HARD OMG)

Day of Vengeance - this is the one currently living rent free in my head rn bc it’s so FUNNY and random, but also a really interesting storyline in regards to magic in the DCU. It’s just so enjoyable watching this group of mystics handle the hugest threat ever and barely get along, and they’re all weird, and then Lori joins and she’s like the group teenager and it’s so funny

We Are Robin - I honestly wish it was longer ngl but I really wanted to see more of the group together and their stories, especially Izzy and Dre. The premise and duration of this story is SO dear to me bc ofc Duke, but also I love watching kids band together against authorities bc they love their city sm.

Batman: Son of the Demon - as a Talia and sometimes Brutalia fan, how can I not 😭 It’s so sad and actually heartwrenching how happiness was so close to them but taken away, and how much Bruce and Talia sacrificed for each other because they are both loving people, they just love in the wrong way

Green Arrow: The Longbow Hunters - perfect Ollie. Perfect depiction of his mind. Really good storytelling. SHADOOOOO she served cunt and dc didn’t like that so they ruined her. Her initial appearance was so charming i literally made it my header. I like ethical dilemmas and the one in this story is so good. Also shoutout to Eddie fr

Green Lantern: Blackest Night - OKAY THIS IS THE ONE I WAS AFRAID OF SHARING 😭 I’m SORRY i love this for so many reasons, nostalgia mostly bc I re-read it over and over again at the peak of my hal obsession era idk why, I like the giant white entity, I like when all the Corps leaders have to team up and they’re all side-eyeing each other sm, and I also love when random heroes get involved and help save the day like Mera, Ray, Barry, Diana, Grant, watching them all try to survive it while battling grief in front of them. It is NOT THE BEST GL COMIC EVER but it’s one of my faves.

Top 5 animals (I love this question!!!!)

CATS 🫶 I used to have a cat when I lived in the states!! his name was austin, he was 8 years old, and he was the cutest thing ever. we had to give him away when we moved 😭 i still hate that my mom did that sm

SEALS!!!!!!! 🦭

Orcas 🐋🐋🐋 I like them a lot, they’re so adorable

Otters!!! 🦦

Flamingos 🦩 (hehe my username for a reason) they’re pink and i like all things pink also they’re so pretty

[lesbianwyllravengard]

the ask you sent was so fun so you KNOW i gotta send one back

it's been a while since i was into dbh, but i remember seeing alice n kara and loving them both. do you have any thoughts on them? it can be either of them individually, their relationship, or just how they're treated in the fandom

ok ok thank you bye !!

Oh my GODDDD YES. THANK YOU😭

Kara is my absolute favourite character. No one does it like her. She's just incredible, plus Valorie is insanely talented and she outperformed, making Kara more loveable.

Kara and Alice's storyline is not my favourite to play but it is my favourite as a whole, because of the found family element. That shit's my favourite. I hate d*vid c*ge, I despise how he shoved Kara into a stereotypical Mother role just because she's the only playable woman, ESPECIALLY since this game is only possible because of her. I hate how he used domestic abuse to make her storyline more "thriller" (because the only way he can imagine women feeling fear is if a man is beating them), and I hate how she is the only one who can die so early on and has less chapters than the other two male leads. But, I love Kara tremendously and her story is like a breath of fresh air from Connor's, and a relief when Markus's stresses me out lol.

I really disliked the "Alice is an android" plottwist. Not only was it dumb and predictable, but the way it was handled was sooooo lame and insulting to Kara's character. "she just chose not to remember" because they couldn't reveal it to the audience too soon. Like what kinda explanation is that. There's just so many inconsistencies the "plottwist" created in the story. And it felt entirely tasteless considering Kara was meant to be a bridge between androids and humanity, being an android who so deeply cares for and loves a human child enough to take care of her at any cost. That meaningfulness dies as soon as Alice is no longer human.

But I will defend Alice any time. I do love her. So much of this fandom complains about her being a numb child which is INSANE to me because we all saw her being abused by Todd. Like ffs. Complaining about her "I'm cold", she's a goddamn kid and she's cold, you want her to suck it up? After everything she's been through? God.

Also I'd argue, and have argued before, that Kara is the closest example we have to how a hypothetical ai gaining sentience and emotions would look. Again it's entirely theoretical and not possible in real life, but we actively see her gaining true emotion, we see how she rewrites her programming to suit her, and I wish we had more of it in the game. She's the only character whose emotional responses can be irrational, and therefore are genuine emotional responses. She even says, regarding Alice, "I can't be happy if she's not". That's not rational at all, but it IS a very common emotional response to caring about someone. We know she genuinely cares for Alice because of this. Kara is a beautiful character and I fucking wish the fandom acknowledged her more.

I could rant for days on how they're both mistreated by the fandom but I won't right now. They're both girls, I'm sure you can imagine what they go through at the hands of the fandom and how utterly undeserved and misogynistic it all is.

Ultimately when I ignore the context of the director and writer I am able to fully enjoy their story and their characters. But as soon as I think about DC I fume lol. As is MOST if not ALL things in this game. I honestly feel the only thing I truly enjoy about the game is the characters, and Kara and Alice are great characters. Well written despite the game's overall writing flaws, and very easy to love and understand. I love how passionate and stubborn and caring Kara is. I love how wonderful and loving and compassionate Alice is. I love and miss them both so much

[demcnsinmymind]

On a scale of 1 to making a fanart interpretation of Klimt's the kiss as your phone background and starting a drawing of themTM after 4 years of not doing anything artsy, how rotten has your brain gotten over a new fandom you slipped in. And just how unhinged have you become over the perfect depiction of aromantic, flawed characters who love and feel so deeply

Me: yes

John: No. My friendship saved me. My connection to this man. My love for Arthur. Saved. Me.

John to Arthur: I struggled a long time to figure out what I am. Which I am to be. But I know now. I cannot fit into your version of what you think I must be. But I can and I will let go of what no longer serves me. I am entirely my own. I have been and will always be. And when given the choice, I choose hope. I choose you. To be a part of you. Together, we are whole. And I think you know that, too.

Arthur to John: About how you dealt with her and what she told you (murdering the witch for killing Arthur, mutilating his corpse and saying he didn't matter) and what it taught you about yourself. You know that I love you, too. And that I couldn't do this without you.

John: I know.

Arthur: But I don't recall if I ever told you. How proud I am of you. For finding your way. Without me. Without anyone. It must have been difficult. To fight for who you were. For who you are.

Like disco couldn't say it any better

And I love Harlan for explicitly stating that this is not romantic love or being against male shipping at all, it's just a fact that there's so much more love out there that's just as strong and important as romantic love and hetero- or homoromantic relationships and this is exactly what he wants to depict with them. And which is why I love it soo soo much that the whole Arthur-Bella storyline and being married was depicted as just not working for them both and how unhappy it made them, just because society expected them both to be in a heteronormative relationship.

The way Malev depicts humanity and identity, being entirely your own person and discovering who you are and what fits and in return accepting the very same thing in another person, that they are not and should never be your interpretation and idea of them yet at the same time being capable of loving them, unconditionally and in whatever way, for who they are. That kind of trust and unconditional devotion. Just UGH.

John's monolog really hit me so deeply. Because it's so similar to me figuring out I'm aro and having to explain that just because I do not desire a marriage or even a relationship the way most people do in my family and friendship circle, that does not make me a heartless monster and that this does not mean I am not capable of feeling deep love. I simply don't fit into your version and view of love and I don't have to, and that does not make me any less of a person.

[andrigyn]

I’ve git inspired by the hp anon: what are your favorite acotar ships? or any ship you do not like at all as well!

OK LETS GET INTO IT! I’ll try and briefly explain why as well. When I say I “like” a ship, I mean that I actively seek content for it or would rb it if it came up on my dash.

SHIPS I LIKE:

- Neris: We all know my feelings on this one! This is what should have been.

- Nezriel: Didn’t quite get it until I read Nesta vs the Buffer by ladyofbloodshed, but it really does work. At the end of the day I want Nesta to be cared for and protected as she heals, and canon Cassian wasn’t doing it.

- Azris: They are both SO messed up but they’d be a power couple.

- Gwynlain: This is just a good wholesome ship. Every time I see art of them I’m reblogging it, but I haven’t read any fics of them.

- Tamsand: Childhood friends to lovers to enemies… need I say more?

- Rhysta: This is the wokest acotar ship, and they would be SO TOXIC but in a sexy way.

- Tamcien: They were living together for a long time, you can’t convince me it didn’t happen at least once. There is also clearly a lot of love between them, at least in TAR.

- Elucien: This pairing has so much potential it’s insane… not even just in terms of the characters just where the plot can take them (Autumn, Day, and beyond). If I don’t get to read Lucien as a love interest in canon, I’m done with these books fr

- Helion x LoA: I just want her to be happy 😭

- Lucnes: They would help each other heal, they have SO MUCH in common. SJM was wrong when she said they would tear each other apart!!

- Nesta x The Mercenary: This ship embodies what I like about nessian, but gay. We need to let Nesta be an intellectual with a muscular guard dog type character.

- Emerie x Balthazar: I love Balthazar and he needs to be brought back. I’m also intrigued by the idea of a ship that is between two Illyrians like maybe we can finally get a nuanced view of their culture.

- Gwynriel: Azriel is a total mess so he needs to shape up before he’s deserving of Gwyn, but the potential here is crazy.

- Neslin: Two deeply flawed and broken people. I like the idea of Nesta finding refuge in Spring, and helping Tam rebuild his court. She has a flair for politics that Feyre doesn’t, and from her upbringing would know how to conduct herself as a noblewoman.

- Nesta x Mor: I know I don’t like Mor, but this would be hot. Both of them would soften up as soon as they got to know each other more.

- Cassian x Rhys: Another one where you can’t tell me this didn’t happen at least once.

- Elriel: I came around to this one recently. Do I like it as much as elucien? No, but the forbidden aspect does appeal to me.

- Nesta x Jurian: thank you ladyofbloodshed for putting this in my brain. It’s just so… 🥰🥰

SHIPS I EITHER DISLIKE OR HAVE COMPLEX FEELINGS ABOUT

- Canon Nessian: i mean where do I even begin with this… ACOSF has been discussed to death. However I do indulge in some nessian fanfic from time to time, and the talented people on here know how to correct the dynamic so it’s something we can all enjoy.

- Feysand: I was all in on feysand until the baby thing happened in SF. However, there is really good feysand fanfic out there that I will read from time to time.

- Emorie: Mor is really not my favorite character, I can’t lie. However, I could come around to this if I read a good fic or if we get a sympathetic storyline from her in a future book.

- Feycien: Idk, this just doesn’t work for me. I can’t explain why I’m not feeling it, but I’m not.

- Feylin: I see why people loved it in TAR, but it’s not something I will seek out bc it’s just been nuked so much by canon. I prefer them with other people.

- Tamlain: Their personalities would not work together. I’m also too elucien brained to even consider this.

- Amren x Varian: After Amren and Nesta fell out, I was not vibing with her. But even beyond that, this pairing makes no sense.

- Moriel or Mor x Cassian: NO. JUST NO.

- Lucien x Vassa: I don’t like ships where one party is mortal, especially with Lucien bc he has been through enough as it is.

[littleroaes]

fic authors self rec!

when you get this, reply with your favorite five fics that you've written, then pass on to other writers you know. let's spread some self-love! 💛

thanks for the ask anon! <3333 extra note is that all my works are written in 3rd person pov and uses she/ her pronouns! ( aside from love4eva ig )

To any lovers left alive ( 恋人たち ‘The Lovers’ ) : not my most popular fic, but i do truly think it’s one of my best stories ever written! i really wanted it to be fluffy and romantic, but also this undeniable melancholy throughout it. i’m really happy with the relationship i was able to create between juyeon, reader and eric! reader starts to love together in their little apartment after telling her secret! the original idea was way more slice of life, but it turned into a emotional piece about human love. it resonates very deeply with me because it’s about learning and growing as a person in cause of your environment and people you love. reflections about our actions and how it eventually returns after circling the ecosystem of beings. find the reason we’re alive, really!

do you want somebody? ( like i want somebody ) : i think i really got the ambience for this fic! i love hurt/ comfort, it’s the trope i read to heal my little heart lol. it’s based on the newjeans song, ditto. the characters have deep mutual pining for each other, but reader can’t comfortably express themselves in a verbal sense. but juyeon doesn’t care! he’s so patient my heart hurts. i think its a very comforting fic. we all can feel like outsiders to some degree and stare at our undesirable traits, but i do truly believe that we all can be loved nonetheless. that despite our flaws we’re worthy of love.

boys in cats clothing : my first fic on tumblr! i hadn’t written in a while when working on this piece; so i wanted to give myself something easy! it’s so fluffy! that’s why i love it! i love sulky juyeon lol, he’s such a cutie in this. also catboy juyeon! that’s my agenda lol he’s such a catlike person! i love catboy juyeon so much that the fic im working on right now also has to do with cats in his storyline lol. the plot is not anything special but im weirdly sentimental over it