#like I agree with bringing the story to a conclusion

[veilkeeper]

The Sacrifice of Souls, Part 1

alt title: the completely surmountable issue of dying

welcome to my 2-part essay about the conclusion of emmrich's story line. this part will focus on the actual quest(s) involved and analyze the decisions we make. part two will be about the effects on the romance, particularly as i am approaching it with my rook, corentin.

spoilers ahead! beware that both essays are going to assume you have completed The Sacrifice of Souls and at least one of the follow up quests, Heir to the Dead or Will and Testament. if you have not, i suggest returning to this later and playing it out yourself.

so what are we even talking about?

for my purposes, about 90% of the sacrifice of souls is irrelevant. here are the important bits: hezenkoss puppets a giant skeleton monster powered by the gloaming lantern, manfred sacrifices himself to rip it out of the thing's chest, and emmrich risks his life to free the souls trapped inside, symbolically overcoming his fear of death (for the moment).

when manfred's beautiful skeleton body is brought before the lich lords in the necropolis to ask if his spirit can be recovered, the lich lords give an ultimatum: they will allow emmrich to bring manfred back, but it will remove his candidacy for lichdom.

"how many exceptions 'til tyranny?" they say. if emmrich is to become a lich, he must be able to accept that people he cares about will die as he lives on.

emmrich is obviously extremely conflicted. he's being forced to choose between his life's work or having his pseudo-child back; he is torn because he at once wishes to spare himself the pain of losing someone, while also wanting to "honour death and let him rest."

from there, the choice is given to the player: encourage emmrich to bring manfred back, or encourage him to pursue his life's work and become a lich.

if you save manfred, it starts heir to the dead. you accompany emmrich to the necropolis, reminisce about manfred, and summon his wisp back to his body. he shows a newfound knack for magic and becomes an apprentice, while emmrich gets to go full dad-mode and commit to preparing manfred for the now inevitable future where, one day, emmrich will pass on. but when asked how he feels about that, emmrich simply says that though he will always wonder about what could have been, he "would not trade this for anything."

it's been brought to my attention that most people have probably picked the manfred ending without really thinking about it. which makes sense, everyone wants to save emmrich's (and if you're romancing him, your) skeleton son. but it does mean you haven't seen the lich ending, which is kind of a shame because it's also really good.

first, it does take a little convincing. it's not enough to simply say "but this is your life's work!" emmrich expresses that he wasn't prepared for the reality of what it actually meant to have people he cared about die (which is an interesting thing, because even though he is an orphan, his parents died when he was quite young. this may be the first time someone as important to him as manfred is has passed away while he was an adult who was able to fully process what that feels like). rook goes on to tell emmrich that it's enough to just remember those who have passed—while acknowledging that one day, they too will count among that number.

with that encouragement, emmrich agrees that he has to let manfred go, and he decides to begin preparation for his final rites into lichdom, starting the quest will and testament. like before, you accompany him to the necropolis, only this time you will be acting as his chosen witness as he enters the chambers beyond to have his soul measured by the dead and, if successful, will emerge as a lich.

as an aside, even if you have no intention to play the rest of the game with lich!emmrich, i highly recommend playing far enough to see the conclusion of this quest. there's a weight to it all, particularly if you've romanced him, and the cinematic is quite beautiful. you very much get the sense that you're sending your friend/lover away to potentially die.

when he emerges, it is as a lich—exactly as he said he would be. skeletal, but still in complete "possession of himself." it transitions to a short scene where he informs the rest of his friends of his transformation, and after receiving a response of support, his quest line is concluded.

okay, so why are you talking about this?

well, because it makes me insane, if you can't tell already by the fact that we're 600+ words into the first of two essays on the topic. but why does it make me insane?

the first answer to that, and perhaps the most important, is that the writing is really good. i'm going to say some critical things after this, so i want to be clear up-front that the writing is really good. sylvia feketekuty has managed to make a decision that otherwise would feel like a very black and white "good end" vs "bad end" feel like two viable, valid endings that just have different pros and cons lists.

and it's also just ludonarratively extremely good. all of the endings for our companions are meant to translate into a more support focused or a more combat focused "hero of the veilguard" ability, and for emmrich's these mesh extremely well with the conclusion of his story. an emmrich that has accepted a role as a caretaker for manfred is more supportive on the field, and an emmrich that has accepted a role as a powerful defender of the necropolis is more effective while fighting. it's by far the least important aspect of all this, but i enjoyed it and it's useful for something i'm going to say next so i wanted to put it here.

the second reason this makes me insane is that we are making two completely separate choices at the same time. we are answering two vastly different questions ("should you save manfred?" and "should you become a lich?") with a single dialogue option.

i understand why. combining these two choices and making them interdependent on each other raises the stakes. it's a really clever way to complicate what would otherwise be a wildly easy decision. it also, as said before, creates two extremely distinct endings for emmrich (see, i do these things for a reason), which is important not just for replayability but also for narrative satisfaction. endings that are extremely similar or that have no stakes make your choices as a player feel irrelevant, which is something that you don't want in an RPG. a non-lich emmrich without manfred is not going to feel like a significantly different ending than what emmrich had been doing before these quests concluded, and thus would not be satisfying. likewise, lich!emmrich with manfred would mean that emmrich would have everything he ever wanted with zero sacrifice, which is boring.

however... making these two choices at once puts us in a sticky spot, because they're contradictory. emmrich's arc has largely been about his inability to accept mortality—and not just his own. if you bring him along on blood of arlathan, you can overhear him responding to elgar'nan's attempts to entice him with the promise of being able to bring back the dead. despite being a Mourn Watcher, he just hasn't been able to bring himself to accept that people die, and you shouldn't be able to do anything about that (remember that big, bold lich lord quote up near the top?).

so when the climax for his arc comes along, you get to tell him to accept his death but not manfred's, or to accept manfred's death but not his own.

do you see the contradiction? nowhere in there are we truly encouraging him to accept the natural, inevitable cycle of life and death (as a Watcher probably should). we're just telling him which death he should accept as natural.

conclusion...?

i'm not saying either ending is unsatisfying, nor am i saying that there wasn't good reasons to write the endings as they are. for the purposes of this game, feketekuty did an amazing job with emmrich. she managed to take a character that i think in any other game would have been written off as boring and make his story extremely compelling.

but in a way, looking at it holistically and outside of the context of what bioware's writers were required to do, it feels like there's this massive gap there, where we've failed to properly address the actual underlying issue that made this choice so difficult for emmrich. and his brief bout of bravery at the end of the sacrifice of souls is forgotten, when it could have been potent fuel for an argument against lichdom as proof that he can face death when he has something to fight for (or even as an argument for lichdom; facing his death head-on like that may have only intensified his fear of his own fragility), but instead it just goes unaddressed.

additionally, by combining the choice to save manfred and the choice to become a lich, it removes the possibility for us as the player (and rook as a character) to voice concerns about what lichdom means and represents. to be fair, other characters largely handle this in banter (lucanis in particular has excellent banter about the cost of immortality, which i have briefly discussed before), but not being able to voice concerns, especially as emmrich's lover, feels like a missed opportunity.

in the most ideal world, we as the player would have been able to discuss lichdom, mourning and grief, our thoughts and feelings on death, etc with emmrich over multiple conversations, and through a tally of our expression of opinion on the topic, emmrich would come to a decision on lichdom and saving manfred himself. but due to the constraints of this being a video game, for obvious reasons that is not the case.

again, i cannot stress enough that i actually loved this quest line. regardless of your decision, emmrich ends up in a place he can find satisfaction, and his journey feels earned. i fully recommend trying out both endings in replays, because i think you might be surprised by how well they both work. i just think there's a little bit left on the table still.

which gives me something to play with. stay tuned for part 2 on the romance stuff. we're going to need a scalpel for the gutting we're doing.

(link to part 2)

[marvelyningreen]

Once again, an Andy character is asked to make a case for himself, his perspective, and why the world is worth saving. And once again, his answer moves me to tears.

[prokopetz]

Honestly it's weird that roleplaying as we know it evolved from historical wargaming.

Like for example DBA rules contain some suggestions for running campaigns with narrative and "propaganda" so I wouldn't say that it's something incompatible, and 0E looks way more like wargames than say PbtA games do, but storytelling games were a feature of artistic salons for way longer and they appear much closer to roleplaying than rulesets for reenacting ancient battles on tabletop.

Salon games didn't have skill checks but neither did wargames and it's strange that nobody came up with simplistic skill checks to add uncertainty and realism to the game

I think the line is a lot clearer when the role of dice and rules in tabletop roleplaying games is correctly understood.

"Uncertainty" and "realism" are, at best, secondary to what the dice are actually doing. Even most tabletop RPGs get it wrong when they try to explain themselves – they'll talk about the rules as something to fall back on to prevent schoolyard arguments (i.e., "yes I did!/no you didn't!") from derailing the story, when in fact it's the exact opposite.

If we look at freeform roleplaying as an illustrative parallel, we see that, while newly formed groups may in fact fall to bickering when a consensus can't be reached about what ought to happen next, mature and well-established groups tend instead to fall prey to excessive consensus-seeking: the impulse to always find an outcome that isn't necessarily one which everybody at the table can be happy with, but at the very least one which everybody at the table can agree is reasonable – and that's a lot more constraining than one might think.

In this sense, the role of picking up the dice isn't to build consensus, but to break it – to allow for the possibility of outcomes which nobody at the table wanted or expected. It's the "well, this is happening now" factor that prevents the table's dynamic from ossifying into endless consensus-seeking about what reasonably ought to happen next.

Looking to the history of wargames, this is precisely the innovation they bring to the table. Early historical wargames tended to be diceless affairs which decided outcomes by deferring to the judgment of a referee or other subject matter expert, but the use of randomisers increasingly came to be favoured because referees would tend to favour the most reasonable course, precluding upsets and rendering the outcomes of entire battles a foregone conclusion. This goes all the way back to the roots of tabletop wargaming – people were literally having "rules versus rulings" arguments two hundred years ago!

(This isn't the only facet of tabletop roleplaying culture which has its roots in wargaming culure, of course. For example, you can draw a direct line from the preoccupation of early tabletop RPGs with punishing the use of out-of-character knowledge to historical wargaming's gentleperson's agreement to refrain from making decisions based on information that one's side's commanders couldn't possibly have possessed when re-creating historical battles.)

To be clear, I don't necessarily disagree that salon games could have yielded something like modern tabletop RPGs. However, first they'd have had to arrive at the paired insights that a. excessive consensus-seeking is poison to building an interesting narrative; and b. randomisers can be used to force the breaking of consensus, and historical wargames had a substantial head start because they'd figured all that out a century earlier.

[koolades-world]

Do you think the brothers would try to feed MC gold hearing that humans can eat gold not knowing that we can only eat gold flakers?

omg yes 100%

i can see it going a little something like this...

Gold?

When you entered the dining room after being called down for dinner, you were immediately suspicious of the brothers. Rather than being seated in their respective chairs, they were crowded around foot of the table.

"What are you guys doing?" You put your hands on your hips, standing in the center of the room.

The way each brother reacted only gave them away even more. While Satan and Belphie would look indifferent to the untrained eye, you could tell there was a hint of a smile on their faces. Lucifer looked exhausted, as if he'd been dragged into this plan against his will. He never allowed that to happen unless you were involved somehow. Levi seemed apprehensive, but eager. Asmo was visibly pleased with himself, and Beel looked hungry. However, the most telling was your first man himself. Mammon looked excited. He beamed at you as soon as you entered the room. While typically he did look happy to see you, the look in his eye told a different story. That was the face he made when he knew there was pure gold nearby.

"We have a surprise for you!" Mammon could barely contain his overflowing emotions. You were very on edge. Usually that meant he had some scheme at play.

“… what?” You initially didn’t want to get closer to whatever was in the center to the brothers, but Mammon started dragging you. You saw that you were being dragged towards a cloche, which was hiding Diavolo knows what.

“So we heard that this was a delicacy in the human world, and wanted to treat you! Hope you're hungry, sweetie!” Asmo leant forward and dramatically lifted lid of the cloche. On there silver platter sat a bar of gold.

You stood still and silent, half hoping they'd all start laughing. But you knew they wouldn't. You let your head hang because you couldn't bring yourself to see their excitement leave their faces, nor could you face them looking disappointed but amused at the same time. You had a million questions, such as where that gold came from, or why every brother agreed to be part of such a plan.

"I think we need to have a talk about what a trustworthy source is, and the importance of not jumping to conclusions."

[azulpitlane]

i wish you would I ln4

pairings: lando norris x reader, exbf! mason mount x reader summary: part two of got love struck notes: kinda dragged making this but finals are finally over so send me some requests pls🤸‍♀️ this ones kinda angsty and there's lots of miscommunication sorry hehe part three, masterlist

yourusername posted a story 2h ago

The night was full of partying, drinking and dancing as you celebrated your best friend's 23rd birthday. The night quickly turned into a mess when you went to the bar to get everyone more drinks. When you came back your friends were nowhere to be seen, you assumed they were in the dance floor but when you went to check, they weren't there either. To make matters worse, you had put your phone in your friend's purse for safe keeping so you had no way to contact them. The panic quickly sobered you up as you looked everywhere for them but instead you found different a familiar face.

"Mason?"

"Y/n! Hey, I didn't realize you were here."

Your ex-boyfriend went for a hug as he greeted you. You and Mason ended your relationship over a year ago, and though you felt no animosity towards the football player, the breakup had been hard as everybody on the internet seemed to have an opinion on it. It was mutual breakup, you both were in different stages in your life and it just seemed like it wasn't your time.

"Yeah, I was celebrating y/bff/n's birthday with a few other girls, but I have no idea where they are and they have my cell." You were starting to get frustrated as you felt like they left without you.

"Oh no, I would help you look but I'm about to head out. Let me give you a ride home, I would hate for you to be here by yourself."

You knew if somebody saw you and Mason alone it would cause chaos all over again, but you had no other choice at the moment and you just wanted to go to bed. You agreed and as you left you both were oblivious to the cameras taking pictures of you leaving through the back door together.

As you pulled up to your hotel you smiled at Mason and thanked him.

"You're a lifesaver Mase seriously, I don't know what I would've done if I never found them or you."

"You don't have to thank me y/n. I will always look out for you even if we're broken up. I still care for you."

"You're a great friend, I'll always look out for you too."

"And um I have to ask,"

You could tell he was nervous as he scratched the back of his neck and his cheeks flushed slightly.

"What is it Mase?"

"Do you love him?"

You were surprised by the question, not expecting him to bring up Lando.

"Um yeah-yes. I love him so much, I can't even find the words to describe it to be honest. I don't think any song I write can even measure to how strong my love is for him."

"That's good, yeah, that's great. I just, I'm happy you found your person y/n. You know, I thought that person would be me, but if you're happy, than I am too. I guess we just weren't meant to be."

"Mase, you're one of the most amazing people I've met, seriously. I don't think it was ever in the cards for us, but you've taught me so much and you'll always have a special place in my heart. You will find your person one day, I promise."

You smiled at Mason as you spoke, not realizing you had given him the closure he had been needing for a year.

Lando was freaking out.

He had been sent the article of you and Mason over 5 times already and you hadn't answered your phone in over 2 hours. His mind was reeling as he was thinking about what you could possibly be doing right now. Even though he trusted you more than anything, he couldn't help but let it get to him. Why aren't you answering?

He knew your phone was charged and turned on considering he can still see your location. As he checked it again, he realized you were no longer at the club. You were at someone's apartment. Why weren't you at your hotel? Who's apartment was this?

Before he let himself jump to conclusions, he called y/bff/n knowing you two went out together.

"LANDOOOO! HI."

"Y/bff/n, hey is y/n with you?"

"Y/n? Oh nooooo. Aw I miss her Lan, is she with you?"

"What? No, how could she be with me? I'm in Monaco right now."

"Oh. Then I'm not so sure."

Lando could feel himself getting frustrated as he spoke with the clearly intoxicated girl.

"Okay, did she go home with you? With anyone else?"

"I don't know, you should probably call her or something."

"I did, over 10 times in the past hour."

"Oh maybe she's busy! Let me know how it goes, bye!"

"Wait-"

She hung up. Lando was going to throw up. He was never considered himself as an insecure guy, but he couldn't help but feel there was something going on. He's seen those tweets and comments saying how much everyone loved you and Mason together. What if those comments made you realize they were right? What if you were with Mason right now? Lando wanted to cry, scream and throw up all at once.

Three loud knocks woke you up from your beauty sleep. You were still in last night's clothes as you were too tired to even change after the nights disaster. You opened the door and your best friend ran in and hugged you.

"Y/N! I'm so so sorry for leaving you all by yourself. I was completely blacked out and I guess I was acting sloppy because y/f/n said we got kicked out of the club! I was acting too drunk and they got mad im so so sorry, this is all my fault and we tried to tell security to get you but they were so mean and-"

"Y/bff/n stop. It's fine, it was your birthday, you deserved to act a little crazy."

"Still babe, I'm sorry. Now that article is being spread like crazy and it's all because of me."

"What are you talking about? What article?"

"Shit. I forgot, here's your phone. But I have to warn you, people saw you leaving the club with Mason last night and the rumors have already begun. Im sorry hun."

Oh god.

Lando🧡 15 missed calls 5 unread messages

YourPublicist 2 missed calls 1 unread message

Danny Ric🤠 2 unread messages

Y/f/n 8 unread messages

The notifications were endless as you scrolled through your phone but there was only one that you really cared about. You immediately called Lando, afraid he was angry at you for this mess.

"Lan, baby, I'm so sorry for worrying you. I just opened your messages, y/bff/n had my phone all night." You immediately gave him a run down of the night as you knew what it was like to be in his position. The media has circulated so many rumors about your relationship overnight and you knew how hard that was. You had dealt with it all throughout your career and you were heartbroken it was happening to Lando because of you.

"That's weird because I actually called y/bff/n last night and she did not mention she had your phone."

"She was so out of it last night, she probably forgot she even had it. Oh god, she was downing shots I'm honestly not even surprised she got kicked out, she was so crazy-"

"Y/n, you don't understand, I have not slept all night. I was worried and everyone is talking about this. I look like an idiot in this situation."

You knew Lando was going to be upset but after your explanation, you didn't expect for him to still be angry at you.

"I know, the night was a mess, but nothing happened with Mason. He just dropped me off and I'm grateful it was him and not some random taxi."

"You're grateful it was him? You're grateful these pictures are all over the internet?"

"That's not what I meant! I meant he was the safest option at that moment, I had nobody else."

"Yeah. Half of the internet is happy it was him. People are actually celebrating thinking you guys are back together."

"Don't listen to them Lan, me and Mase are never getting back together. People will accept it over time and this will blow over."

"Why are you being so casual about this? Do you even know how I felt last night when you weren't answering. I was going to be sick thinking what you could possibly be doing with him."

"Lan, I told you nothing happened. Why aren't you believing me?"

"This is just all too much." Lando knew he was overreacting a bit. Your story made sense and it all lined up, but he had spent the entire night overthinking and reading the rumors about you two that he couldn't get them out of his mind. He loved you so much and last night made him realize how easily he can lose you and that thought terrified him. You were everything to him, but did you really feel the same way?

"Are you breaking up with me? Seriously? Over a stupid tabloid, I can't believe this." You felt betrayed. Did he not trust you?

"I dont know, it's just hard for me wrap my head around this right now."

"Lan, my flight to Monaco leaves in a few hours, how about we just talk about this in person when our heads are clear?"

Lando was getting angrier as the call went on. He knew his insecurities were getting the best of him right now but he felt like you weren't listening to him. You were trying to brush this off when the whole world was going against you two right now.

"Wow Y/n. My heads pretty fucking clear right now. You know what? Maybe it's best if you don't come, yeah?"

"Yeah, okay."

one week later

liked by user 1, user 2, masonmount and 3,593,304 others

yourusername life atm. p.s all new music released from now on is coming from the comfort of my own bed <3

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yourbff love u. coming over rn🏃‍♀️

yourusername pls dont forget snacks

taylorswift need this new album right now

danielricciardo ❤️‍🩹

liked by user1, user2 and 231,583 others

dailymail Singer Y/n Y/l/n spotted once again with Manchester United star, Mason Mount, leaving a restaurant with a few other football players. Are the two officially back together? Rumors of her breakup with Formula One driver, Lando Norris have been circulating for over a week now after Y/l/n and Mount were seen leaving a club together. Read more on this new love triangle in our article linked in our bio.

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user1 im so excited for this album HAHAHA

user2 team mason idc

user3 funny how the last song she dropped was titled slut, if the shoe fits :)

user4 slut shaming in 2023? disgusting.

user5 i refuse to believe her and lando broke up sorry

user6 delulu is the solulu atp😁

notes: another cliffhanger!!!🤸‍♀️also this isn't proofread at all my bad heh

tags: @jayrami3 @whoselly @roseseraj @saturnbloom77 @landowecanbewc

[jonsnowunemploymentera]

The thing about Jon that a lot of people forget is that he is actually a rather well known figure all around Westeros. I don’t think it’s incorrect to say that he’s Ned’s most famous kid by a large margin, and perhaps even one of the more famous teens in Westeros; especially now that he has become Lord Commander of the Night’s Watch and his reputation has began to stretch to a different continent. Because of his very unusual origin - being honorable Ned Stark’s bastard son by an unknown woman - his name has been passed around in noble houses across the entire continent. He’s not some random kid from the North that no one has heard of. The majority of people may not have seen him, but they have at the very least heard of him.

I bring this up because people tend to act as if Jon would be automatically scoffed away by just about everyone if his true parentage ever came to light. After all, they say, why would anyone believe that some random kid from the north is a Targaryen prince? But this is not really true. Jon is not a random kid. His father was one of the most powerful men in the entire land. And not only that, but Ned’s reputation as an honorable man with no fault ensured that the scandal of begetting a bastard was known by everyone who is someone. The thing is, readers tend to ignore a very large gaping hole in the story when it comes to public perception of Jon’s parentage. People all over Westeros have been talking about Ned and his bastard, but no one can agree on the mother - this is actually important!

Most people would not have questioned Ned to his face, but they too want to know who Jon’s mother was, even if it’s just for a little bit of gossip among nobles. Jon’s parentage is a mysterious puzzle that a lot of people have tried to solve themselves. Catelyn hears one answer in Winterfell, but Davos hears another on his way to White Harbor. Edric Dayne from Dorne says a different name to Arya, while Cersei and Robert (who both live in KL) hear different things. That there’s so much variation all around Westeros is actually proof that a lot of people are talking about this one issue. And Ned’s refusal to name a woman may actually end up having unexpected consequences when someone finally mentions the name “Lyanna Stark”.

So I would like to push back on the belief that no one in Westeros would care about the R+L=J reveal or that they would immediately write Jon off. GRRM deciding to keep Jon’s mother an in universe mystery that is the topic of constant conversation will have major payoff. While I could see some being incredulous, it’s absolutely not a foregone conclusion that most people will choose not to believe it. And it’s not a foregone conclusion that this reveal will only matter to the Stark kids and no one else. Sure GRRM is playing with fantasy tropes, and Jon squarely falls under the hidden prince/king. But something that makes Jon quite different from a lot of his genre counterparts is that he’s not an unknown figure who shows up at the last minute to claim the crown. Jon is not an unknown entity. He is well known, it’s just that very few people have dared to think too deeply about the very large elephant in the room regarding his origin. But I’d imagine that if R+L=J was to be revealed, it wouldn’t be too shocking for a lot of people. It’s not so far fetched that honorable Ned Stark actually chose to protect his sister’s son.

And in regards to GRRM playing with fantasy tropes, Young Griff always comes up in conversation as Jon’s foil. People say that he will be the one to be believed because he looks the part of a Targaryen, whereas a random kid from the North won’t be believed because of his brown hair and grey eyes. Jon doesn’t look like some random unrecognizable Northman. He very specifically looks like a Stark! And anyway, is Jon’s story - that Ned took him in after his sister died and raised him as his own under the protective banner of House Stark - any less believable than Young Griff’s - that Varys had the foresight to save him and whisk him off to Essos before the Mountain bashed his head in? Until now, people have never heard of Young Griff so they’ve never had the opportunity to ruminate over and gossip about his origin story. But they know Jon. And they know about Rhaegar and Lyanna. And Jon looking so very undeniably like a Stark (like Lyanna Stark!) could perhaps work in his favor.

[felassan]

From Game Informer:

Solas plays an important role in the game as a central figure and significant character, but the game is not about Solas, hence the title change

Rather than focusing on a specific individual, the focus and centerpiece of the game is Rook's team, stopping the end of the world with this group of specialists

"I think you could argue [these companions] are the best the franchise has ever seen". We will have the opportunity to interact with them in a way that both shapes their story and also influences the main story, including having the opportunity to impact their fate

"Arguably, this game has kind of, in a way, been called Dreadwolf to some degree since its earlier days"

Excerpt:

"When I ask about Solas' role in the story after I learn his namesake is no longer in the game title, Darrah says Veilguard is still taking the Elven God's narrative in a good direction. He adds, "It allows us to, hopefully, give a good conclusion to all the varied attitudes toward Solas that are going to be coming from people who love Solas, who agree with Solas, who hate Solas, people who want to kick Solas off of a building – I think that we give you the opportunity to bring that to a close, but then tell a greater story about The Veilguard and about the world as a whole." Talking to Epler, I learn more about how Solas isn't exactly the big bad I expected before seeing the opening hours of Veilguard. There's a lot more nuance to everyone's favorite bald elf.  "The most interesting villains to myself, and honestly most people, are not just straight up, 'I want to end the world.' To them, they are the heroes of the story, and Solas is no exception," Epler tells me. "Solas always feels that he is a tragic hero but a hero nonetheless, so he's coming into this believing firmly that what he did, that which you stopped him from doing, was the right thing – that you made a mistake. But now he's trapped and can't reach out and actively affect [Thedas], so he needs to work with you. "That allows us to provide a lot of nuance to that relationship," Epler says."

Solas is literally trapped in the Fade after the game's prologue. Rook and co stop his attempt to destroy the Veil. Rook passes out and wakes up in a dream-like landscape to Solas' voice. He explains that he was trying to move Elgar'nan and Ghilan'nain to a new prison because the old one wasn't containing them properly anymore. The two blighted gods are now free and roaming Thedas. Rook has to stop them, but it seems that they will have to work with Solas ("or at least listen to his guidance and advice") to do so

Excerpt:

""So one of the principles we took to when we were building the story of The Veilguard early on was we wanted the beginning of the game to feel like the final chapter of an earlier story and you're coming in right at the end, you're coming in as if you've been chasing Solas – the [Solas at the end of Dragon Age: Inquisition's Trespasser DLC] who said he was going to end the world and tear down the Veil," Epler adds.  Epler says players will see early on (and as the narrative develops across Veilguard) that Solas sees much of himself in you, the player-controlled Rook, especially "the parts that maybe he doesn't like to face." As a result, there's an interesting push and pull between Solas and Rook. He says players can define the relationship between these two characters with their choices in dialogue.  "You can continue to be suspicious and hostile towards him, or you can start to see him and find that common ground, that connection between the two of you, and really develop a different relationship over the course of the story," Epler says."

[source]

[sunboki]

WHEN SKZ REALIZE THEY WANT TO MARRY YOU

including; ot8

notes; in conclusion, this is a collection of things i’ve daydreamed abt in class.. enjoy

*lowercase intended

BANGCHAN’s favrorite thing is when you cuddle him. that’s it. just kidding. perhaps it’s the way you look at him, eyes filled with so much love. he usually has to look away in order to maintain his sanity, which doesn’t last long anyway. “you’re so pretty Chan.” your voice, soft and saccharine sweet as you admire—gently holding his cheeks in your hands. he giggles like a lovestruck kid, the tips of his ears flushing a pretty pink. then his mind wanders. wanders to what he would give to experience this with you every day, wake up next to you every day, listen to your voice every day. he wouldn’t be surprised if one of these days he explodes from all the torture his heart puts up with because of your antics. it floors him. no less Hannah teases him about how whipped he is on FaceTime and continuously tells you that she would treat you better. jokingly, of course. or..?

MINHO bids you goodbye, already missing your presence even though you’re simply getting snacks from the supermarket down the street. he’d never admit it, as always. that is until the gentle lull of rain greets him from outside. then it hits him. it’s raining? you don’t have an umbrella with you, do you? cue a worried Minho racing through the downpour in search of you, the last thing he wanted is for you to catch a cold. it’s straight out a kdrama when you step from the entryway with your bags in each hand, gazing at your exhausted boyfriend drenched in rain. without a care you skip towards him, ignoring his obvious distress whilst he shouts a warning to wait for him under the awning. “Baby.. i was gonna bring the umbrella to you. you better not catch a cold.” he scolds, quickly opening the umbrella currently sheltering you two. “you’re so cute Min.” you kiss his nose thoughtfully. he’s blushing red.

CHANGBIN lives for your happiness. he’s accepted his role in life wholeheartedly or whole-chestedly without complaint. the story goes all the way back with Changbin, back when you’d just began dating and he was nervous wreck. before he’d shove his socks in your face just to get playfully slapped, giggling regardless. at the time you sat in their recording studio, listening to a few in-progress tracks 3racha was testing out. but it was when he was recording live, composing in front of you. he was beyond anxious that you wouldn’t like his rapping; until he made eye contact with you. that look. he can’t describe it. was it admiration, awe? whatever it was, he loved it. no, he’d die for you to look at him like that—look at anything like that for the record. such pure and raw happiness he treasured so deeply. that’s when Seo Changbin’s mind flipped a switch to a ‘i need to be with you forever’ mode.

HYUNJIN took you ice skating. not the sweet and romantic ice skating where it looks like you’re both floating on ice, hand in hand. but the ice skating where you’re basically clawing down him like a disoriented cat. granted, Hyunjin isn’t the best skater either, but you make him look like a pro. “tell me why i ever agreed to this.” you grumble, cursing your balance. “hold onto me, love.” your boyfriend instructs, mitten clad hands holding your own with a reassuring squeeze you can’t help but feebly return. slowly but surely he maneuvers you along the ice, guiding your movements oh so carefully. having Hyunjin beside you makes ice skating not as miserable. “i’m gonna be so bruised later.” you mumbled from the bench, watching him untie your skates calmly. and when he looks up to respond? bang. his heart shattered. your face is hidden in his red scarf, cheeks and nose a rosy pink and toboggan adding to the sweetness. he’s gone. oh to tattoo this adorable moment into his eyelids. easily clarification he wants your hand in marriage.

HAN sits on the windowsill. the soft thrum of raindrops hum against the pane, creating a peaceful ambience. he hears you move from your place snuggled in bed, searching for his absent presence. but for the busy Quokka, this is his napping time. he’d arrived home at an ungodly hour last night from the studio, gaze heavy from sleep deprivation as he stumbled into your sheets—still exhausted into the morning. as if for a moment his mind drifted elsewhere, subtly relaxing till his eyes snap back open from a minty smell wafting beside him. there you stood; his big t-shirt that hung off your shoulder lopsidedly, holding two mugs of warm mint tea. taking the cup happily, you watched him stare at you, apparently waiting for something. “c’mere, i’ll always sing lullabies for you.” you laugh at his pout, ushering him to lay down. that saturday he plopped his head onto your lap, listening to you hum him a quiet lullaby like a child. he’d never make it without this, without you. he preferred it that way.

FELIX had been chasing you down the street for 20 minutes, well, because of his own doing. why you were running? because you’d both made a bet that whoever got to the playground down the street from the convenience store faster got $20, and Felix was not one to back down. running as fast as his legs could take him, he just barely stepped foot into the sand when you screamed “i won!” which led to a very begrudging $20 being slapped in your hand. “not fair.” your boyfriend huffed, flopping onto one of the swings nearby to watch you dance around. “or maybe..” you got closer, leaning in with a menacing smile, “—not fast enough.” being sure to wave the crisp bill right in front of his face. “yah.. stop rubbing it in.” he dramatically deflated, hunching over. “ahh i’m just kidding.” you giggled, sitting beside him now as you reached your hand out for him to take the money. “buy us something with it, something fun.” and of course the ginormous rubber duck in the mall had came home with him the next day. something he called the “most fun in his life.” with freckles basically twinkling.. how could you resist.

SEUNGMIN peered over your shoulder, watching the numerous words be typed up on the screen. being the nice guy he was, Seungmin decided to help work on your paper with you. “this?” you pointed to the screen, then glanced back in his direction—not expecting your boyfriend to be wearing his glasses and all. you had to admit, it was beyond charming. he nodded quickly in reply, appearing more focused than you. however, the way your shoulders trembled with laughter didn’t go unnoticed, Seungmin cocking a playful brow. “what?” he teasingly hovered in front of your screen, dissolving you into louder a fit of laughter. “you’re just so handsome with glasses, Mr. Seungmin.” the title earned a snort from him, shaking his head. “or should i say, my husband.” the room got quiet. “..are we engaged?” another burst of giggles from you, he was so serious and it was breaking you. “no, but one day.” you promised softly, watching a big smile tug at his lips. so pretty now that he didn’t conceal that beautiful smile. “one day.”

JEONGIN didn’t waste time when he heard the smash of glass against your tile flooring echo along the halls. “i’m okay!” you call out quickly, but Jeongin was already there. and despite your assurance, you still had multiple cuts scattered along your now bloodied hands. “Don’t move.” your boyfriend gently instructed, carefully maneuvering around the glass to scoop you off your feet with ease—funny that the ‘baby’ of the group was so much stronger than expected, sitting you on the bathroom counter to patch up. “you shouldn’t just tell me you’re okay, you could’ve gotten really hurt.“ his knitted brows and jutting lip told you he was worried, and it utterly melted your heart. “let me take care of you sometimes. i love to take care of you.” he lied. he wanted to take care of you all the time, not just sometimes. to be the one putting bandaids on for you and sitting by your bedside when you were sick to kiss your forehead. god, did he mention you’d look stunning in wedding attire?

taglist — @starlostseungmin

all rights reserved for @sunboki

[charliemwrites]

Three to Flee

Commission from the very sweet @ignoreprotocol

Someone leaves the door open and the pets get out.

Content Warning: Established kidnapping situation, unhealthy relationships, collaring

Author's Note: This does not mean Keeper/Kept is back. As far as I'm concerned, that story is finished, but this was a special case.

Shockingly, it’s not Feral that brings it up first.

The girls are having a little picnic at the edge of Johnny and Shy Thing’s yard, shaded by the tall trees. The men are chatting on the porch, sharing cigars and whiskey, far from earshot. Good behavior has earned them this bit of privacy, and so far, they’ve just used it to exchange keeper notes and offer bedroom advice.

“I can’t believe you don’t even have a fence,” Good Girl muses, glancing at the forest beyond. Her own yard is well fortified. It’s not just the sturdy, unclimbable fence, but also the monitors and floodlights connected to it.

Shy Thing sheepishly mentions a failed escape attempt several months earlier, a mad dash through the woods that ended with her dirty and disciplined. That prompts Good Girl to confess her own ill-fated getaway, a midnight attempt at sneaking out that resulted in a bruised ass.

Feral listens with her head cocked, nibbling at her apple slices. When their eyes turn to her, she shrugs.

“I haven’t tried to leave in a while,” she admits, “but I don’t think it would go well.”

Good Girl frowns. “How do you know if you haven’t tried?”

Feral snorts. “You’ve met Simon, haven’t you?”

All eyes turn to the boys on the porch. And there’s Simon, watching. Feral makes a rude gesture his way and they can see his shoulders shaking with a chuckle.

“Besides… it’s not so bad,” she muses. “Most of the time.”

Good Girl sits back, expression twisting. “I don’t want it to be ‘not so bad,’ I want it to be good. And I want it that way all the time.”

Shy Thing shifts. “What’s so wrong with John…?”

Good Girl huffs and begins picking at threads in the blanket. “He’s… fine. I mean, he would be if I could just leave. Don’t you miss being free?”

Feral hums.

“I… I miss going to the store when I wanted… or just… walking around town,” Shy Thing admits slowly. “I miss coffee shops and parks.”

Good Girl groans in agreement. “I miss the internet. It’s like being a fucking teenager again, having all my activity monitored.”

With a little more momentum now, Shy Things continues, “I haven’t been alone in months. Just… by myself. Doing whatever I want.”

“And not having rules,” Good Girl adds, sipping at the mojito John put in a little travel cup for her. “Fucking… sick of having a bedtime and chores and a fucking collar. Aren’t you sick of it?”

It’s directed at both of them, but Shy Thing nods, hands fidgeting.

“It gets to be a lot sometimes,” she mumbles, “I think I warmed up to Johnny out of pure exhaustion.”

Good Girl huffs again, worked into a proper fuss now. “And they’re so smug about it. Like we’re just these good, trained pets.”

Feral pipes up, “We could leave together.”

Both girls swivel to her with varying degrees of shock, hope, and disbelief.

“You said you didn’t think you could get past Simon,” Good Girl says.

Feral snorts and stretches out on her stomach in a mottled patch of sunlight creeping through the leaves.

“Yeah, I couldn’t on my own,” she explains, “but between the three of us…”

It’s uncomfortably simple when it happens. They just need to wait until the next big mission.

All three of them beg (or in Feral’s case, demand) to spend that time together while the keepers are away. It’s not unusual for the creatures to meet up when one or more of the men are gone. With all three off on a mission this time, they sniffle about being lonely and wanting company. That their houses feel too big and empty, that cooking for one is depressing.

Johnny caves instantly; John agrees on the stipulation that Good Girl is on her best behavior before he leaves. Simon, of course, is a foregone conclusion.

They go to Simon’s house. It’s the safest of the three homes and has the most space. Not to mention the girls will have some sort of access to the outside with the enclosed sunporch.

On the day of the mission, Good Girl and Shy Thing show up with fully packed bags, ready for their extended “sleepover” with Feral. The pets see their boys off, behave as normal for the cameras until Shy Thing gets the “heading out” message from Johnny. That’s the greenlight.

Feral has her own bag of things that she packs quickly and expertly. They fill a fourth bag with nonperishable provisions, just in case. Each of them has cash that they filched last minute from their keepers’ wallets – knowing they wouldn’t check them just before a classified mission.

The girls know it’ll be a day or two before anyone checks on them. Even Kyle is away with the team this time.

And then it all comes down to walking out the door.

The front door is, of course, locked. All the windows have alarms on them, and so does the garage door. But the sunporch…

“He didn’t lock the door,” Feral realizes as it swings open. And the alarm only engages when it’s locked.

All three of them take a single step out into the open air. And stop. Stare at each other a little moon-eyed.

They just left.

They stride at a quick clip around the side of the house and down the road. It’ll be an hour-long walk into town, but they have thick coats and each other for company. They chatter as they follow the pavement, just within the tree line out of caution. Pretend its giddy celebration at their escape and not a distraction from the creeping mix of dread and uncertainty beginning to simmer within each of them.

When they reach town, they blend into the crowds, weaving through the streets until they find a low-end hotel. It won’t be anything fancy, but at least it seems clean enough. Good Girl does all the talking with the receptionist (also a lady, thank god) since Feral and Shy Thing are jittery from so many people. They get a one-bed room with easy access to the fire exit.

 It’s only after they’re inside that reality sinks its claws in.

They’re free. For the first time in months, they’re outside with no one standing behind their shoulders or holding their arms. No one to appease, nothing to behave for.

And Shy Thing throws up in the toilet.

“This is scary,” she wheezes, eyes watering. “I’m scared. I want—”

Though she stops, the other two know what the end of that sentence was. Good Girl rubs her back.

“Don’t worry, they’re not going to find us,” she soothes like she doesn’t know why Shy Thing is really scared.

Neither Shy Thing nor Feral reply. The answer hangs in the air, unspoken. We want them to.

Feral, feeling restless, goes back into the main room and begins rummaging through her bag.

“What are you doing?” Good Girl asks, giving Shy Thing privacy to clean up.

“Looking for something to cut that off with.” Feral nods to Good Girl’s collar. “It’s probably chipped or something. We should have taken it off at home.”

She stops as the blood drains from her fellow creature’s face. They stare at each other across the tiny motel room, the weight of their successful plan pressing heavier and heavier with each passing second.

“I…” Good Girl rasps, “I…”

“You don’t want to.”

Her eyes well with tears. “No.”

Feral drops her bag and crumples to the ground, tugging her knees up to her chest.

“Why don’t I want to?” Good Girl whispers, curling her arms around herself. “This… this was my idea. I complain all the time. Why do I miss him already?”

Shy Thing appears in the doorway, sniffling. “I-I don’t know if I can do this. I can’t imagine life without Johnny. I… I don’t know if I want to have a life without Johnny.”

And Feral, still on the floor and trembling all over, just looks at them with huge tears running down her face.

Needless to say, when three rather miffed keepers in full combat gear throw the door open at 3am, they are not expecting armfuls of distraught creatures sobbing into their chests.

[sokkastyles]

Thinking again about how Katara is portrayed in "Ember Island Players" and how a lot of her objections to the play have to do with how it portrays her as an overly emotional damsel who needs Aang to save her from her wretched existence, and the disrespect of her entire culture and people that is used to portray her as someone who needs a man to rescue her.

Which on one level you can interpret as Fire Nation propaganda, but it's also a meta commentary on the series itself, because Katara does rely on Aang as a savior figure and there are certain scenes that are specifically designed to damsel her so that Aang can be a hero.

It's interesting that the show chose to portray Katara watching herself in that position and specifically show that she doesn't like it, in the same episode that they have the real Aang act like them getting together is a foregone conclusion.

In contrast, although the play changes Katara's relationship to Zuko into something romantic and lurid, they do get one thing right about it.

And that's that Katara is the one making the choices.

Of course they also ramp up the sexuality in a way that is gross, especially considering the context of this being a FN play meant to disparage the other nations, but on a meta level it's also meant to make us, the audience, feel disgusted by a woman who makes overt sexual overtures.

I've seen people (who are anti zutara) say that the play is showing Katara as the colonized woman who falls for the colonizer, but that's not what's happening here. Zuko is not portrayed as dominant by the play, and it wouldn't make sense for the FN to portray him that way, either, since one of the purposes of the play is to portray him as a weak and ridiculous traitor who is ultimately defeated. So the joke, both in-story and the one Bryke want to make at a meta level, seems to be about Katara being more dominant than Zuko. In the play, Katara says that she felt attracted to Zuko from the moment he captured her, yet Zuko is shown shrinking from her overtures. And I just have to find it interesting that this is the joke the show wants to make in an episode where the major conflict is Aang making a pushy overture towards Katara and her rejecting it.

Zutarians frequently talk about how zutara focuses on Katara's agency. I have to agree, and I don't know what the conversations about this were at the time, but I do find it suspect that the show seems to recognize this, but decided to make fun of it at the same time. The episode posits the threat that Katara might choose someone other than Aang as a major conflict in the story, shows us a Katara who feels trapped by her role as Aang's damsel, and then makes fun of her for it and expects us to root for her and Aang to get together.

Meanwhile, we also see the real Katara and Zuko get closer in a way that feels real and organic, we see them exchange banter, we see Katara confident and able to best Zuko verbally but also able to comfort him over his fears about the play, which again focuses on her as the main actor in the relationship. Although Zuko and Katara do have that one scene of them moving away from each other in reaction to being portrayed as a couple by the play, overall their relationship remains unplagued by the insecurity that the play brings out in Katara and Aang, which seems to indicate that the problems in their relationship go beyond the play's parodies and that there is actually some truth there, that Katara really does feel like she has less choice in her relationship with Aang and that Aang seems to fear her choices.

It's really not hard to see why zutara becomes appealing in that context.

[pessimisticpigeonsworld]

I hate those Daenerys is going to sacrifice herself/die theories so much it genuinely makes me tweak and I have never been the type of person to get upset at all over fiction or any type of media, but this irks me so bad because not only is Daenerys my absolute favorite character of all time, it’s upsetting how the female character is always the one who has to die for others sakes and never achieve anything for herself. Yes, it’s her destiny as AA to fight the Others, but that doesn’t mean that she has to die doing it. Like, seriously, after we got F&B and saw how many Targaryen women struggled with misogyny and being passed over for the throne, it feels upsetting to me if the one who is supposed to break the wheel will never have a chance to do so. I do love Bran but I do not see him fit to sit on the throne, not to mention how young he is and will be at the series end unless George does a massive timeskip, and after the whole world is in shambles after the Long Night, who is more fitting to sit on the throne and help mend things and lead the people forward? A well experienced ruler and fighter who will bring along a new age of change, or a child with no such experience? Perhaps it’s just me being salty but I just really want the best for my favorite character who I believe deserves to have her shot at having a home and being able to rule and change the world together with the other characters. Especially after the end of GoT, which no I don’t ever believe that George will go that route, but with how everything happened in the show, it looked like Westeros was a completely and utter mess and there was nobody capable left to pick up the pieces, Bran’s ascension to the throne was so random too and didn’t even feel satisfying or like a good conclusion (not that those two incapable idiots could ever produce a satisfying ending, but yeah). What are your thoughts on this? I just feel sad that fellow Dany fans are literally enthusiastically waiting for her death in the upcoming books as if there isn’t a better destiny for her :( The female character who managed to rise to power and become a ruler in her own right dying or giving that up to the men in order to “settle down” leaves such a bad taste in my mouth and doesn’t look like the subversion George has done with her character at all.

I definitely agree with you anon, Dany dying/sacrificing herself really doesn't seem to fit with her story. Yes, Dany certainly would be willing to die to save the world, but that doesn't seem to be where GRRM is writing her.

Dany's story is saturated with life; which is pretty ironic since she's been called "Daughter of Death". She's closely tied to themes of fertility (mother of dragons, helloo), rebirth (Azor Ahai, entering the pyre), and survival/endurance.

Dany's story shares very little similarities to characters who have been set up for death. For example, Robb. Dany may share some superficial similarities to Robb, but the signs of Robb's impending death are not shared at all. GRRM always sets up the deaths of his major characters from their introductions. That hasn't happened with Dany; if anything we see a set up to her surviving.

You're so right about how people are foaming at the mouth for Dany's death. Her dying after everything she's been through and everything she stands for is just...no. It feels so gross and has some really concerning undertones.

The woman who actually fought for change and made a massive upheaval in the status quo, who genuinely cares for all her people, who understands the responsibility of ruling, who demonstrates incredible wisdom, who only wants to make the world better dying for the sake of the story is just wow.

[absolutelynotsanebaby]

Okay, so I've seen a lot of posts on the "should Morro have stayed dead or should he have been given a redemption arc" and all that and I just kind of wanted to share my thoughts on the topic. I don't think his canon ending is bad, in fact there's a lot I like about it. It's a tragedy and a very good one at that. The way it ends with him and Wu, and with the whole "you can only save those who wish to be saved" quote? That's poignant, that has narrative weight. I think to say that it's bad is to ignore a lot of what makes Morro a good character. He's a reflection of Wu as a teacher, his teachings, and he's a foil to Kai specifically. He shows us why Wu works better now, and why he teaches the way he does. A large component of what makes his story have depth isn't just that he died young and was traumatized it's that he continued a cycle of trauma on with Lloyd (and Cole, if you considered that he dies indirectly due to Morro's actions but that's another topic). He's a bad person, he did really bad things, that's part of who he is. But, I think it's a misstep to call him irredeemable. I think that misses the point of his character entirely actually, like severely. Morro isn't irredeemable, he shows that he's capable of growth in the very scene he dies in! That's part of the tragedy too! It's not a 'hot-take' to miss the point of a character because it's the cool fandom opinion of the month actually. I know people are frustrated at the fandom misogyny in how people talk about Morro vs. Harumi and I agree, it is frustrating, but y'all are just spreading around just plain bad takes and that's getting frustrating.

On the topic of missteps, as much as I do like it, I also think it was a misstep in how DOTD handled Morro. In general DOTD has some interesting ideas and concepts but is overall flat and under-cooked. Morro's part in it isn't excluded from that. DOTD brings him back, it shows that he is extremely capable of change and growth, and understanding (which is something you guys like to ignore too, actually). Then, it has him just leave again, die and I understand why but I think it's very genuinely sad in a way I don't think was intended, or well done. I think it backtracks on the narrative weight his conclusion in Possessed had. Possessions' ending for him is sad but it has depth and weight. DOTD just brings him back for fan service, and again, just has him die, and it's because he wants to. I understand they were going for a "at peace" kind of approach with him but it just falls flat in my opinion. If they were going to bring him back, and I know this is kind of a debated topic, I think they should've just kept him. And everyone who says that he wouldn't be capable of change for that is dead-wrong, the show proves it, and just because you don't like it doesn't make it bad. In terms of how it's handled in fanon, I think it's a mixed bag. Some people do it really well, faithful to his character but other times I think he just gets hit with the fanonization beam really hard. Sometimes you see his woobification of him based on the trauma and death he went through, and that erases what makes him and any sort of possible redemption or relationships with him interesting. I think people tend to miss the idea that a redemption is both not something a character has to 'deserve' (because redemption doesn't equal forgiveness) and also something a character has to work towards. The idea a redemption has to be deserved (as a moral concept not a narrative concept), instead of something worked towards by the character presents in people downplaying his actions and effects, but also in people acting like redemption is inherently reductive to his character because he's bad guys, he's a bad guy guys. Bad guys don't deserve redemption guys (/sarcastic). To be entirely real, I do think redemption can and does have a place in his writing. You can't look at how he acted at the end of possession and DOTD and tell me otherwise. Redemption in fiction at the end of the day is a narrative device and trope, and how a character is written informs their development. Additionally, I think some of you guys take his "you can only save those who want to be saved" way way too literally. That, too, is tragic and it's not because it's right. When characters speak, nine times out of ten, you're not supposed to baselessly accept and internalize what they say as correct and true. Was it true when Cole said he wasn't a ninja after dying in the same season? Was it true when Kai said he deserves to be the green ninja, just because he said it? Come on. Also, just, I think sometimes this fandom needs to accept different people find different things appealing and cathartic. It's okay to prefer a tragedy, but it's also okay to prefer the idea of him redeeming himself (because it takes work) and healing. There's this whole argument about whether or not saying he should've gotten a redemption arc (kind of a stupid question to begin with, in my opinion) but at the end of the day, it's already done. Also, both ends of the spectrum can have the most frustrating takes on him, and yeah I'm going to be annoyed and salty about it if you couldn't already tell. Anyways, there's no proper point to this because it's really just be ranting about several things I find really frustrating about how people handle this topic, so take it as you will. You can disagree, but I'm not saying his ending is bad nor that his tragedy is bad. In fact if you disagree I encourage that this fandom is way too prone to just parroting each others (mostly bigger blogs) opinions and not their own personal ones, so yeah.

[heyclickadee]

So, here’s the thing. The finale is weird. Yes, I’m hurt by the fact that Tech didn’t come back and that a character that’s very near and dear to my heart was badly handled, and that will never sit right with me. But even apart from that, the finale fundamentally does not function as a piece of storytelling or as the end to this story. I’m glad that people are enjoying it, and I will never tell anyone not to. But I don’t think it works. (I get very negative about the TBB finale under the cut.)

It’s not just the Tech stuff or the CX-2 stuff (which may very well have been the same stuff) that got dropped. It’s *everything*. Every theme, Every narrative thread besides retrieving Omega, every character arc except marginally Omega’s, Echo’s (also marginal), and Emerie’s, which was the shortest and gets wrapped up by her deciding to help Echo rescue the kids. It all stops. It makes everything that came before seem cheap and pointless if you take it into account. And this is so, so frustrating for me, because the entire show was driving towards this incredibly rich payoff, it could have been immaculate, and then it whiffed the ball so bad in the last episode that it didn’t just miss, it managed to knock over the bleachers and set the entire court on fire.

Some examples:

1. This season had a really interesting exploration of Crosshair’s PTSD via his hand tremor and how it was something he can learn to manage, but not something that would ever fully go away. Aaaaand then his hand gets chopped off. One, that was stupid. I’ve seen some excellent posts (here’s one by @the-bi-space-ace) detailing why that was a terrible way to handle Crosshair’s lingering trauma, and others talking about how the idea there was that Crosshair needed to move on and it was severing his last ties with the empire. The former, I agree with; the latter, I don’t, because not only—not only!—does this episode stop dealing with Crosshair’s trauma, it doesn’t even deal with having cut off his hand! It just sort of occurs. No one reacts to it, no one says anything about it, there’s no follow up or commentary, nothing happens as a result—it’s an event which occurs with no results coming after it. It may as well be an animation error. You can say it was about Crosshair needing to let go and move on, but that’s something you have to project on to the text, not something that’s actually offered by it. It’s empty.

2. Crosshair again: We also have the lingering issue of Crosshair’s guilt and the fact that he never seems to get to a point where it’s resolved. There’s set up for a resolution. We have that, “Sure you have,” like about Crosshair from Rampart. We also have Crosshair saying he deserves whatever happens to him in Tantiss. And then…no pushback. No resolution. No moment of Crosshair realizing that he doesn’t need to carry that burden. Nothing that says he didn’t deserve what happened to him. He had all this character development this season, but he needed - last little push to forgive himself—and we never get any indication that he does. It, like his trauma, gets dropped like a rock.

3. Hey! More Crosshair! A good chunk of Crosshair’s arc this season was about learning that anyone can change, first, and that no one is beyond saving. Eeexcept that goes no where.

4. Which brings me to my next point: There is set up for the CXs to be saved. Even if we’re laboring under the conclusion that CX-2 was never intended to be Tech at any point in the writing process (I have. Doubts. Yes, I’m calling the creative team liars, here, but with the understanding that they have contracts that may require them to lie), we do have the set up where we learn the electrocyanide zappers can be removed, and with Rex offering forgiveness to CX-1. “Whatever they did to you, whatever you’ve done, you’re still one of us.” CX-Tech or no, Crosshair’s arc was tied up with the CX plot, and because he’s the one the CXs tend to react to—or, at least, understands what was done to them—the set up was there for him to help save and maybe rehab the CXs. At the least, there was an indication that they could be saved. Eeexcept nope! That gets dropped like a rock, too, and they’re not going to deal with it. Time for maximum carnage.

5. Hunter’s arc actually takes a step backwards. Sure, he gets a technically happy ending, but because the squad is basically in the same place they were in “Pabu” back in season two (down a member but successfully hiding from the Empire in a safe place), it negates Hunter’s development towards actually taking action—and actually hurts Echo’s arc, too.

There’s been this tension all through the show between just sitting things out on the one hand (Hunter’s way) and taking direct action despite the futility on the other (Echo’s way), but instead of finding some kind of middle ground or third road, it sort of comes back around to saying that, actually, Hunter was right, they should have just gone to Idaflor back in episode three and never left even though the Pabu invasion said that no, you can’t just hide, and even Hunter’s development was moving in the opposite direction. And this also means that Echo never reaches a point where he feels like he can walk away and that he doesn’t have to get himself killed doing this. Despite development otherwise they both end up back at that conversation in “Tipping Point” without any move in either direction or resolution of that tension.

6. Omega. Okay, Omega probably comes out the best after the finale, and, conceptually, I actually love the idea of Omega becoming a pilot even if the epilogue falls a little flat for me. But stuff with Omega still got dropped, including:

- The force stuff. We have two episodes dealing with m-count (after learning in episode three what Omega was created to do). We also have Ventress telling Omega that she doesn’t have a high m-count as far as she can see, Crosshair immediately calling Ventress out for lying, and then Ventress basically saying, “Yeah, no shit, but if she has force potential she’d have to leave you behind, and it doesn’t matter what your opinion on that is, so I’m not dealing with that.” Aaaand then,m. That. Goes nowhere. Despite a bit of set up for Omega connecting to the force as early as episode one, and some more set up in Tribe, and that whole subplot of her learning how to meditate, and so on.

Now, I don’t think that it was ever going to turn out that Omega did actually have a high m-count or that she had a particularly powerful natural connection to the force. I think she’s probably got a low or baseline m-count. What I do think, however, is that we were going to see Omega connect anyway as a refutation of Palpatine’s and Hemlock’s entire scheme. Their goal (based off of the ST) was to create extremely force sensitive clones as a way for Palpatine to jump bodies without having to waste time re-learning how to connect to the force. You know—dark side, quick and easy path, focus on eugenics and raw power, etc. Had Omega connected anyway because of her big heart and desire to protect, it would have not only paid off that set up, it would have also refuted Palpatine’s and Hemlock’s entire goal. It would have worked so well thematically and the set up was THERE.

- branching off of that, I think the Omega force stuff was probably tied to the Zillo beast. We also had a through-line of Omega being good with animals and taking the time to calm them instead of responding with violence. The first time we see this is in “Replacements,” where she realizes that the ordo moon dragon (also an electrophage—I don’t know what to call these things—like the zillo beast) is just scared and hungry. This is all conjectural, but it still fits with what was set up.

- Moving on from the force stuff, we also had a through-line that started way back in episode two of the series, but which was really emphasized this season, about Omega feeling like she’s the cause of the bad things that happen to the people she loves. This is why she gives herself up during the Pabu invasion in the first place. This is never resolved! We get Omega’s confidence boost when she realizes she has the force kids to take care of, but we never get a moment where Omega realizes that she has no reason to feel guilty. She’s the glue that holds the family together! But nope! Also dropped!

- But wait! There’s more! The first two season finales have Omega watching someone she loves fall away while she’s helpless to do anything to save them. That’s perfect set up to put Omega in the same situation, but be able to save them, because she’s finally come into her own. Instead we just end up with her needing to be rescued again.

- Omega has this big speech in Shadows of Tantiss about spending her life stuck in one place or another against her will, and how she refuses to be confined like that. I don’t think Omega would have been happy just staying on Pabu for the entire rest of her childhood and young adult life, even if I think she’d want to use it on a home base. But! Dropped!

7. I still can’t get over the fact that the zillo beast is on screen for about two minutes and then just. Walks away. It’s a large beastie that’s been locked in confinement for a while and is probably hungry. And somehow it didn’t go straight to the reactors for some delicious energy smoothies. Like. It. Did. The. Last. Time. Someone. Let. It. Out. But no, that would have required it sticking around for something that was probably dropped sooooo ZILLO BEAST EXIT STAGE RIGHT I GUESS. (Edit: I have been reminded that Hemlock does say to turn off the generators once the zillo beast is out, so that at least makes sense. I still think the zillo beast should have stuck around to do something.)

8. You notice how there are a ton of commandos around Tantiss, even up through “Flash Strike?” And how they kind of largely cease to exist? And how Echo says that there are far more clones imprisoned in Tantiss than anyone thought? And then how they rescue, like, a dozen guys? Because we never find our way back to those cells Crosshair was held in during season two? And how Tarkin does mention not wanting to allow clone dissidence to turn into an uprising back in “The Summit?” Because I did. This show was never going to be about a clone rebellion, that wasn’t the point, buuut I do think the set up was there for an uprising at Tantiss itself. Begin the series with clones losing their agency en masse, end the series with some of the most subdued clones taking it back. Except nope, dropped, soooo we gotta pretend the commandos don’t exist and murder the hell out of poor Scorch.

9. SPEAKING OF. The batch does kill clones sometimes, that does happen, but they do at least usually make some kind of effort to be non-lethal even when they’re not using stun, and times when they do resort to lethal tactics are usually born out of extreme circumstances. Not here, though!! NO HESITATION MAXIMUM CARNAGE. For. Reasons I guess.

10. There’s one point IN THE FINALE where Echo mentions signaling for Rex. This never comes up again. Rex does not show up. In fact, despite being called, “The Cavalry Has Arrived,” the cavalry does not in fact arrive. There is no cavalry. Yes, I know it’s a reference to Wrecker’s first line. But I’m sorry if you call an episode that YOU HAD BETTER HAVE A CAVALRY SHOW UP. Especially when you have a one about calling them in! But that also!! Got dropped like a rock!!

11. One positive: the moment Crosshair and Hunter leaning on each other to make that shot was nice.

12. Sorry, but Hemlock’s death was deeply unsatisfying. Let’s do something more than just shoot him multiple times, okay?

13. Rampart’s death, on the other hand, was incredibly satisfying. That said, the conversation about project necromancer? I’m dying. It’s actually hilarious, because it basically goes like:

“Tell me about project necromancer.”

“Wow! How interesting!”

I’m.

Are you serious?

I’m going to become the Joker.

Yes, I know we know what project necromancer is because of a different show. That’s not the point, the POINT. Is that any pay off for project necromancer in this show got dropped. And that’s deeply frustrating from a narrative perspective.

14. Speaking of, we never find out anything more regarding that partially successful m-count transfer from episode three.

15. We also never do anything with those medical records!

16. And Omega has a whole crossbow she never actually shoots despite the fact that her role on the team was as a sharpshooter after Crosshair left, and despite her getting advice from Crosshair on how to be a sniper. The literal chekov’s gun never goes off. I’m going to go eat gravel.

17. AZI, likewise, got toted around for three seasons for no reason. Probably could have helped with the medical records. Given that he was a Kaminoan medical droid. Oh, and that Omega was Nala Se’s medical assistant. So. Hmm.

18. You can cut everything in the season past episode five and skip straight to the epilogue and end up in the same place. This is not because the other episodes are filler. Far from it! The other episodes are great and deliver some amazing set up. But, because the finale does nothing with that set up, it doesn’t go anywhere.

19. And you know what else? From a narrative perspective, there’s no reason for Hunter, Wrecker, and Crosshair to be in these episodes at all. They don’t accomplish anything and make everyone else’s job harder. Omega was doing fine, she would have gotten out with the kids with just Echo and Emerie, and Tarkin was coming to cut off Hemlock’s funding and shut everything down once Hemlock lost control of the facility anyway. I can only suppose that the whole reason they were in this episode ended up getting dropped, too.

20. CX-2. Listen, the answer we get about CX-2 isn’t that he’s not Tech. It’s, “Maybe, maybe not—you don’t get to know.” Because. He’s the only CX whose mask never comes off. After a season and a half worth of buildup of unmasking CXs and people pressing them to learn their names. It’s not a no, it’s a non-answer, which is far less satisfying.

And finally:

21: CX-Tech. I’ve seen some people speculating that there was a planned CX-Tech reveal that got scrapped at the last minute—dropped, along with the other points I’ve already laid out. And, honestly? I have to agree. Despite what the creative team says, because even their denials kind of come out weird (like the Kiners saying that the large brass chord in “Battle of the Snipers” was just a nice sounding brass chord and not a reference to “Plan 99.” They also basically say that the sacrifice theme from “Plan 99” is Tech’s leitmotif. Which. Is all over “Battle of the Snipers.” That theme. Not Crosshair’s. In a scene. Where he’s supposed to be fighting a shadow of himself who Totally Isn’t Tech but we put Tech’s leitmotif here and layered it in Techno music but nooo that was never supposed to be him. Nope. I mean, come on. I’m not stupid).This post is already long enough, so here are some posts by @apocalyp-tech-a pointing out the reasons why I think this was the case, and one by @eriexplosion pointing out why CX-2 as Crosshair’s shadow and only that doesn’t quite work. I don’t need to go over the trail that was laid out again. Up to the finale this was a character that had more screen time—and far more solo screen time—than Echo. Some people will not stop yelling that there was no evidence, and. No. I’m sorry, there was. I can’t agree.

And some people might say, well, okay, the show misdirected you guys and pulled off a twist by having CX-2 be no one, and well, I can’t agree with that either. Twists only function if the twist is more satisfying than the conclusion to which the story seems to be leading. And I’m sorry, you can’t tell me that a season and a half of CX building and three seasons (because I can find set up all the way back in episode one of the show) for Tech survival culminating in what amounts to a boss fight is more satisfying than getting to see Omega have her big brother back. You can’t.

The reason I bring this up last is because, yes, I think CX-Tech was a plot dropped at the last minute, but because I also think that it’s the dropped plot that ripped everything else apart. CX-Tech was an incredibly efficient way to tie up most of the lingering plot threads and dropped character development.

-Crosshair’s guilt? Okay, he faces down the end result of his decision to stay with the empire and possibly something he knew about (Tech would be in this situation because of Crosshair, and were given hints that Crosshair knew) and is finally able to forgive himself because they’re able to save him.

- Hunter’s decision to finally take action and be proactive rather than reactive is validated, because it’s the thing that finally gets him his entire family back.

- Echo saves someone the same way he was saved, and maybe he realizes that it is enough and that he doesn’t have to be a soldier forever.

- Wrecker’s efforts to keep the family together and keep Hunter sane finally pay off.

- Omega is able to protect the people she charges about and finally, finally has all of her brothers.

- Thematically, it rounds off each member of the batch (Omega included) traumatically losing and then taking back their agency in a way that correlates directly to who and how they are as people.

- It also rounds out the OG batchers each being haunted by a failure that has to do with the thing that makes them special.

- You get pushback against “Clone Force 99 died with Tech! We’re not that squad anymore!” because no, it didn’t, and they’re more than a squad, they’re a family.

- It comes around and closes the wound opened in Aftermath and ripped back open by Return to Kamino: they go in for Omega and lose someone, but here, they go in for Omega and get someone back.

- Would allow Tech to close off his lingering threads and finish his character development BECAUSE THOSE REMAINED UNFINISHED.

- Completely subverts the “bury your disabled” trope by making sure we know the character whose disability was explored the most’s life is more important than his death. Seems like an important thing to do in a show that is kind of about disability. Just saying.

- Makes the lack of closure and little mentions of Tech make sense from a storytelling POV because the necessarily catharsis would come from his return.

- And it would actually add some triumph to the ending. Yes, this little family survived. They outlived the war. They’re together, despite every effort to rip them apart. They made it, despite the dark times, despite the Empire, despite what they were made to do and be. They defied all of that. That would have been so, so satisfying.

As is, without Tech, without that CX-Tech reveal, we sort of end up in this weird place where all the themes are half-baked. They are more than soldiers…except Tech, who had to fall out of the story as a soldier (despite us getting the clearest glimpse of what his life outside of soldiering could have been). They get to live how they want…except Tech. They don’t leave their own behind, except Tech that one time. They should value their own lives a little…except Tech. They’re more than a squad, they’re a family…except Tech, the only one besides Omega to say that’s what they are, doesn’t get to see it, and they don’t get to have him around. We begin the series with a broken family and end it with a family broken differently. That’s not dynamic.

So there’s no really punch to the ending. It’s sort of…well, okay, we tortured a family for three seasons I guess. Relieved that the survivors are doing okay, but that’s kind of it.

22. The finale in general is just sort of a bunch of events which happen, but which don’t lead into one other. It’s weird. It’s not that too much happens, it’s that almost nothing happens. Nothing of substance, in a way. The finale is, in a word, the only true filler episode in the entire show.

TL;DR: I think a lot of stuff got dropped from the finale. I don’t know why. I suspect that it might have to do with the strikes—basically, the script was done, most everything was recorded and boarded, and then when the finale was in production they got sudden drastic budget cuts (this was during a time when the studios were disappearing entire completed shows and movies as tax write-offs), had to gut what they had planned, and couldn’t bring the writers or even showrunners in to smooth over what was gutted or to even pick what got taken out. They wouldn’t have gotten to choose or compress things. They were on strike (because the studios wouldn’t negotiate), and whoever did choose ended up just ripping out the stuff that would actually take any time or budget to deal with (so, basically everything I laid out), killing it (literally), and using the remains of what they already had recorded. And who knows how they had to fill in gaps.

But I don’t know for sure. Maybe it was that. Maybe it was a last minute decision to take certain plot points and put them in a different show. Maybe it was executive mandate. Maybe the creative team just sucked the whole time (that’s one I have a hard time buying—we have four other shows and most of this one that tell me that they’re better at their jobs than this). Maybe everyone said screw it, who even cares anymore at the same time.

Maybe nothing happened. Who knows? I strongly suspect something bad did happen behind the scenes that was out of the creative team’s hands—I really do, because that’s the only way I can make sense of this—but until we can get someone talking without six layers of PR and NDAs, we won’t know for sure. All I know is that The Bad Batch is an amazing show with 46 episodes that range from “fine-but-clunky” to “IMMACULATE,” with more leaning towards immaculate than not, and some incredible set up, and one episode so nonsensically bad it makes me want to eat drywall.

It’s just that the one terrible episode comes right at the end.

I love The Bad Batch. I love every single episode and all the things that were set up, but…eh, I think I’ll be ignoring the finale until further notice.

[fandomfixationstation]

Asexual Reader x TWST Characters: Part One! Rewritten

This is a rewrite of earlier posts I once wrote on a different blog. I am revisiting this and trying to improve on what I wrote and once again doing this for myself and other asexuals who lack the content and kindness others get. Writing this for every fanfic I've read where the character breaks up with the reader for being asexual and doing better. 

That said, Everything will be entirely my headcanons and you aren’t required to agree with my interpretations of the characters and story.

Vil Schoenheit

Vil will give you a fond smile, because honestly he’s just happy you are willing to tell him, and that you feel safe enough to do so. He’ll treat you no differently than he has, still being a caring and considerate boyfriend. Since boundaries are the most important thing in any relationship he’s probably going to make sure that he understands your boundaries and make sure that none have changed for you. Or if some boundaries have changed to make sure he understands them and to make mental notes. After all, he knows very well what it’s like to have someone cross boundaries, he absolutely would not want to cross his significant others boundaries and be the source of their discomfort.

Vil has always been one to find different ways to show affection, some more traditional than others. Gifting flowers, brushing your hair, doing each other's nails, greeting you with a kiss to the back of your hand, Taps on the shoulder or wrist to say I love you, holding pinkies, or even pinkie promises. He absolutely cherishes forehead kisses above all else, he’d even lean down for one if requested. He’d find any way to bring a smile to your face because that’s all he really wants, is for you to be happy.

Honestly, I think the longer the relationship goes on, and more specifically as his understanding of asexuality develops. I think Vil slowly comes to the conclusion that all too well describes himself. He comes to enjoy quality time, and other gestures of intimacy that he finds more enriching and cherish worthy. In fact he learns the value of words of affirmation and learns to appreciate them in a new light with his significant other. Because giving sincere compliments and affirmations to someone he cares about deeply feels beautiful and receiving them from the same person ? even more so.

At the end of the day, He’ll always make sure you're comfortable with what he is doing. If you ask him to stop, he’ll listen and stop and make sure you're okay. He mostly just wants someone he can trust and spend his spare time relaxing with. Considering the rest of his time is spent being busy and stressed. So being able to make each other comfortable and spend time resting and relaxing, making each other smile is more than enough for him.

Jamil Viper

Jamil at first might not completely understand, however he is a fantastic listener, so he will let you explain and ask questions to make sure he understands completely. He is very calm and understanding throughout the whole thing. He’ll make sure to ask what is acceptable and what is completely off the table. Regardless of whatever those boundaries may look like he is bothered because at the end of the day he just wants you to be comfortable and happy. To him it's rather simple like that. Because he values your boundaries and your comfort. Much like he wants his significant other to understand and respect his own.

He most certainly shows love in less physical ways, touch isn’t something he is particularly good at. However, he is quite fond of gifting his significant other two things, flowers and food. The flowers are specifically chosen with care, they always have a hidden meaning of their own, and he often doesn’t enjoy cooking for others, for his significant other it is different. He wants to make sure they are well fed and taken care of.

More importantly he is just a sucker for quality time, especially since he is also a busy person. So if you guys are just in the same room spending time together he is very appreciative of that time together. Sometimes that may look like cuddling together and not doing anything for about 30 or 40 minutes. Sometimes that looks like him doing whatever chores he has to get done while talking to you while you do something completely different. Whatever works for the two of you that day or that moment.

Jamil values communication significantly, so i’ll always be communicating what he is doing or what he plans to do, and if you voice your discomfort or disinterest he will absolutely understand and respect that. Especially if you do the same in kind for him when he isn’t comfortable with something. Needless to say he’ll always make sure that the two of you are on the same page.

Floyd Leech

As I once stated before, This to Floyd, Has changed absolutely nothing about your relationship with him. He still gets cuddles? Perfect. He still gets hugs? Even better. He does apologize whenever he does cross a boundary and learns to make up for it and not do it again. He does enjoy physical contact but that doesn’t mean he’s going to cross your boundaries, besides there are different ways to do so. He quite enjoys even the most subtle of touch.

Though, there might be some questions farther down the line that he might have, however that is something he will talk about with his significant other and the two will decide on how you both will handle things moving forward. Because he is considerate about his significant others' wants and thoughts on important and trivial matters. Especially considering how much damage he would create in the hypothetical of someone just being disrespectful towards his significant other, for any reason.

That said, Floyd is more than happy to just spend time with you. That may be pulling you along to pull some prank, go on an adventure of some kind, scare the daylights out of younger students, or maybe just being a cuddle puddle on the floor, either watching something together or talking endlessly about anything and everything. You’d be surprised how philosophical and down to earth Floyd can get sometimes. Oftentimes talks can go for hours and feel very cathartic.

Honestly as long as you enjoy supporting him in whatever he is doing whether that's on the sports team or whatever antics he gets up to he doesn’t mind or care. As long as you are both happy and enjoying life to the fullest. He, far more cares about being able to dance with you under the moonlight and having thought provoking conversation at late hours that ends with you telling him to shut up and go to bed because it's 3 am.

Azul Ashengrotto

The first thing that comes to mind while rewriting this for Azul is that I think he would honestly be relieved. Clears the air for him and removes a lot of self placed expectations from himself. Honestly makes him feel better and helps him relax a little bit in the relationship. Big heart to heart conversation about wants, needs, expectations and boundaries that should leave you both feeling better and more confident with each other.

He will do his best to set aside time to spend time with you, and when he has to cancel plans he often will get you something to make up for it. Not that it’ll solve the problem but he usually does it so he can give it to you in person and spend time with you anyway. Its usually something that you had mentioned needing or wanting or needing a replacement of something. He wants his gifts to be thoughtful, practical and helpful.

Even when it comes to simply cuddling on the couch he’ll make sure you're comfortable and make sure you're okay with where his hands are resting. He enjoys quiet peaceful relaxing time with his significant other. Nothing has to be happening, maybe the radio is on, or the tv. Maybe you're both doing your own things, but just getting to be in each other's presence with no expectation of the other is nice.

Post it note messages. He won't admit how soft he gets when he sees a note you left him. Not to mention he’ll find ways to slip you notes in return. They will always be unapologetically sweet and sappy. Not to mention he’ll find ways to just let you know that he was thinking of you and that he loves and cares about you. Even if it is just a short message saying I love you.

Lilila Vanrouge

Previously I had said Lilia was Asexual, today I say he is still Asexual and very much so polyamorous, No I won’t elaborate on how or why. He is a hopeless romantic by nature and that manifests in many different ways. He will be the most understanding and accommodating and will continue to fall head over heels for you. He’d do many things for those he cares and loves oh so dearly, and you will be able to feel his affections on an emotional level.

Poetry, Love letters, cheesy pickup lines, flowers, cute or thoughtful gifts, he’d even serenade you outside your bedroom window if you let the man. Most of the ways he shows love aren’t very physical to the touch, they are actions of love. Doing laundry for you, or getting you coffee while you're busy. Bringing you something to help you fall asleep on a sleepless night. Telling a story to make you laugh or maybe feel better. He’ll literally sweep you off your feet if you let him.

Consider him inviting you over for afternoon tea on a day off, a harp and piano playing a soft melody as the two of you dance in the gardens peacefully. Honestly he’d probably pull this off at any time of day for as long as it felt magical and enchanting for you. Because at the end of the day he just wants his significant other to feel loved. Ideally the goal for him is for you both to continue to fall in love over and over again.

Cold winter nights will be spent drinking your favorite warm or winter drink of choice, cuddled up together by the fireplace. Lilia softly humming a melody of unknown or forgotten origin. Curled up in more handmade blankets than you can count. This could also apply to cold rainy days.

[sexy-sapphic-sorcerer]

1: Magic is a Metaphor < 2: Morgana is a Lesbian < 3: Merlin is Gay < 4: Arthur is Bi

Do you remember when you were bullied in middle school? Because if you're reading this, I think it's fair to assume that you were. And your parents would say to you, 'that boy is just being mean to you because he likes you'. That's what this is.

Arthur is just so repressed. He has really bad daddy issues, and he doesn't know how to express his emotions, and he's really uncomfortable with physical intimacy, especially with other men, especially with Merlin. And this isn't me trying to psychoanalyse away his heterosexuality. It is a very evident part of his character.

And another big part of his character is that he has inherited all of these bigoted ideas about magic from his father that he has to work to overcome. Because, of course, Arthur himself is born of magic, but his dad is so ashamed of it that he hides the true circumstances of his birth from Arthur. Honestly, I don't know exactly how that would fit into this whole metaphor. I do have a half-formed theory that it could be interpreted as an allegory for intersex identity, I know that a lot of people headcanon Arthur as trans, so idk there could be something there. But regardless, it is only through his relationship with Merlin that he is able to overcome this magicphobia, because he realises: how could it be wrong when everything about Merlin is so right. And I just feel like there's a metaphor in there somewhere.

Of course, I have to mention this iconic quote from the audio commentary of the final episode: when the executive producer refers to Arthur taking off his royal seal to give back to Guinevere as passing over "the last vestige of his heterosexu- oh sorry, I mean his marriage." So, they knew exactly what they were doing.

I also thought I would just draw your attention to the fact that at one point Arthur says, "I only care about my men, they're more than friends, more than brothers." Now, I think we can all agree that out of context, that is a very gay thing to say, and yet somehow the context is even gayer, because Arthur is pretending to be talking about the Knights of the Round Table, but he's actually talking about Merlin, how Merlin is the only person he cares about, more than a friend. And then Merlin responds, "I understand. I wish I didn't, but I do." It's barely subtext at that point. This of course, brings me to my final argument:

Arthur risked his life to save Merlin at least eight times. It could be more than that, I genuinely lost count. And you have to keep in mind that Arthur is the King of Camelot and he doesn't have any heirs. It is quite important that he stays alive. And yet anytime that Merlin is in the slightest bit of danger, he will just drop everything to protect him.

And it's really only in those moments where he's faced with the thought of losing Merlin that he shows him genuine emotion. Such as in this scene (which was cut out of 4x02 purely because it was too gay) where Arthur is planning to sacrifice himself to protect Merlin, again, and he gives Merlin his mother's sigil, the only thing he has left of his dead mum and he wants Merlin to have it as something to remember him by. Also, apparently in medieval times giving someone your family crest was basically a marriage proposal, so that's pretty gay.

You know what else is pretty gay? Telepathically communicating with Merlin and then immediately leaving Gwen in the middle of an active war. This is literally the last time that Arthur and Gwen ever see each other. Poor Gwen.

In conclusion, Merlin is the story of gay sorcerers and bisexual knights getting into love triangles. Everyone in this show is queer and you cannot tell me otherwise.

[imfineitsfineeverythingsfine]

Communication and a Question for the Fandom

I started this off thinking I would end up with one conclusion and I actually found myself changing it by the end. I’ve read a lot frustration with the ineffable husbands and their lack of communication. “You don’t ever talk to each other" and "You never say what you’re really thinking.”

Now, that may be true. But also, throughout both seasons, we have seen repeatedly how they have been under surveillance too. 

Not just visual

But audio as well… Sign in Hell: Be Careful What You Say. But there’s more to the sign itself. I just can’t make it out. It’s not a sign that’s featured in the extras either, which is also interesting. 

What I could find though, in the The Devil in the Details X-Ray video was a little more of the sign, but I still can’t make out what the rest of it says:

Which brings in my Question for the Fandom. If anyone else is able to make out rest of this, I’d be interested. (This was around the 2:05 timestamp)

Moving on, that’s not the only *Clue* about their surveillance either. We know about Hell using electronics as a means of communication. They just cut in to whatever happens to be playing at the time, right? Radio, tv, Saturday Morning Funtime… so it would make sense that they’d use it to listen too. Is the Bookshop any safer, being an embassy for Heaven and all?

And it’s hard to pinpoint exactly how either side is listening in. We all remember this interaction but really… played as a joke but what if it wasn’t? Or maybe they just hadn’t figured out the specifics yet at that point.

Maybe there are certain “trigger words.” We see the reactions when Crowley is called “nice.” 

Crowley tells Aziraphale to “shut up” numerous times. We hear both them say “don’t say that” a lot. 

But also…

Closed captioning capitalized it just like that. Interesting. (If you haven’t watched the show with cc on, I recommend it)

What does this all mean? They just don’t talk to each other? Well, no. Not necessarily. We’ve also seen them find ways around directly speaking too.

Writing it down. (Which was promptly burned)

Aziraphale mouthing “Trust Me” during the bullet catch. Could they have had other short hands or code words? Emergency contingency plans? I personally imagine so. Side note: could they have also been using alcohol (laudanum) as cover for plausible deniability? 

“Safe spaces”? The backroom in the Bookshop that they kept going to for private conversations. We know they had alternative rendezvous locations in the first season too – the old bandstand, the number 19 bus, and the British Museum café. 

The Final Fifteen. I don’t want to take away from the emotion of the scene and I think Season 3 (come on Prime!) give us the rest of the story. I have faith in Neil Gaiman (pun sort of intended). But I will propose that the kiss may have been not only Crowley’s plead but also a misdirect or signal or other way to communicate between the two that we have yet to understand. In the end, Aziraphale was able to get the Metatron to break and divulge that the next step of the Great Plan was the Second Coming…before even leaving Earth…which was pretty impressive in itself. Was Aziraphale then able to relay anything to Crowley before the elevator? Sendarya’s video here does a great job with that very question (and others).

Most experts agree that 70-93% of communication is nonverbal and when communicating emotions, applying the 7-38-55 rule. Meaning only 7% through spoken word, 38% tone of voice, and 55% through body language. So maybe they’re not doing so bad after all. Those are just my thoughts and we’ll just have to wait and see and hope.