#like 18th century through the end of WWII

[thedawningofthehour]

Ok I have a lot of questions and I have to break this down into parts.

Actually, on the revealed page of the new comic, you can see Casey jr in one of the panels, and he looks the same as he does in the movie, which would confirm that the deaths of donnie and Raph were actually recent.

Wait, what's going on with the gay laws in china? Last I heard, china was actually tightening their laws regarding anything remotely queer, because of that many danmei (chinese gay genre) productions who already had experience working around censorship were having problems to the point where they didn't know if they could release. Even the genshin impact company was having problems over there, because one of their male characters was too feminine for their standards.

Aw, I got the impression from Casey Jr that he had never met Raph. He was really comfortable with Donnie and April, but much stiffer with Splinter and Raph. I always took that to mean Raph and Splinter either died before he was born or when he was too young to remember much. And you know Raph would have dadded any child that displayed even the slightest need for dadly guidance.

The way I have the order of death plotted out in my own headcanonical world, the death order went: Raph on invasion day -> Bella dying to save Donnie -> Splinter doing something stupid in a 'it needs to be done and it might as well be him' scenario -> Cass doing something unimaginably badass and cool and probably screaming "WITNESS ME" -> Donnie sacrificing his life to take out the Technodrome -> Draxum going on a suicide mission to destroy one of the main three Krangs -> Big Mama and April as we see their bodies at the beginning of the movie.

I will not be amending this whatsoever in light of the canonical material.

No but for real, I kind of enjoyed that the fandom had so much leeway to really do whatever we wanted with the post-apocalypse storyline. And I'm going to admit it now, I don't like Donnie's overalls. I like the ones other people have drawn on him and maybe it's because the sketch we saw was pretty low quality, but it doesn't do anything for me.

I said Chinese attitudes, which...in retrospect, means a lot less than it really should. Jesus Christ, I literally said that on the 35th anniversary of the Tiananmen Square massacre.

My understanding of what goes on in China is-well, for one, it's just not something I'm super informed on, I had literally one semester of world history in high school and we didn't even really get to east Asia, we started with Africa and moved east but got stuck in the Arab world because this was 2011. (use your imagination on what was said there) Literally, everything else was American history with the occasional Ancient Greece unit thrown in. No shit, I am literally Raph, I didn't know the Holy Roman Empire was a separate thing from the original Roman Empire until I was an adult. (I also thought nobody was Jewish anymore until I read 'Are You There God? It's Me Margaret' and realized that the Jews didn't all convert in Jesus' time) And what we did learn about modern China, we learned it through a...very anti-red lens. Which isn't to say communism good and all criticism of China is red scare propaganda, but educating yourself post-indoctrination involves actively challenging and unlearning the shit you were indoctrinated with, which can interfere with actually learning about shit with an open mind.

What was I talking about? Right, gay stuff in China. There's been little victories on that front, but from what I've read they've mostly been pretty performative without real underlying change, like with women's rights in Saudi Arabia. Which is its own problem, but progress is progress? But yeah, the censorship is getting worse. Which is worrisome.

Maybe it's kind of wishful thinking on my part, but I also think a shift in official attitudes would be the most logical thing for China right now. A lot of Chinese people support LGBT rights, and that number is only going to swell as older, more conservative people die off and young people enter adulthood. (and people get exposed to pro-LGBT viewpoints and content and realize homophobia is dumb) And the rest of the world is becoming more and more gay-friendly, the only exceptions really being Russia and a few Islamic states, and, uh. China is not really...endearing itself to the Islamic world right now. We'll leave it at that. It's going to get to a point where the UN is pressuring them and their own people are pressuring them, and either they give in on that issue or it comes to conflict. That's how it works.

I'm hopeful that things will change in China in my lifetime. I'm just very worried about how much blood it will take.

[wrishwrosh]

hey, i find your posts about historical fiction pretty interesting, do you have any recs?

anon this is the most beautiful and validating ask i have ever received. absolutely of COURSE I have recs. not gonna be a lot of deep cuts on this list but i love all of these books and occasionally books do receive awards and acclaim because they are good. in no particular order:

the cromwell trilogy by hilary mantel. of course i gotta start with the og. it’s 40 million pages on the tudor court and the english reformation and it will fundamentally change you as a person and a reader

(sub rec: the giant, o’brien by hilary mantel. in many ways a much shorter thematic companion to the cromwell trilogy imo. about stories and death and embodiment and the historical record and 18th century ireland. if you loved the trilogy, read this to experience hils playing with her own theories about historical fiction. if you are intimidated by the trilogy, read this first to get a taste of her prose style and her approach to the genre. either way please read all four novels ok thanks)

lincoln in the bardo by george saunders. the book that got me back into historical fiction as an adult. american history as narrated by a bunch of weird ghosts and abraham lincoln. chaotic and lovely and morbid.

the everlasting by katy simpson smith. rome through the ages as seen by a medici princess, a gay death-obsessed monk, and an early christian martyr. really historically grounded writing about religion and power, and also narrated with interjections from god’s ex boyfriend satan. smith is a trained historian and her prose slaps

(sub rec: free men by katy simpson smith. only a sub rec bc i read it a long time ago and my memory of it is imperfect but i loved it in 2017ish. about three men in the woods in the post revolutionary american south and by virtue of being about masculinity is actually about women. smith did her phd in antebellum southern femininity and motherhood iirc so this book is LOCKED IN to those perspectives)

a mercy by toni morrison. explores the dissolution of a household in 17th century new york. very different place and time than a lot of morrison’s bigger novels but just as mean and beautiful

(sub rec: beloved by toni morrison. a sub rec bc im pretty sure everyone has already read beloved but perhaps consider reading it again? histfic ghost story abt how the past is always here and will never go away and loves you and hates you and is trying to kill you)

an artist of the floating world by kazuo ishiguro. my bestie sir kazuo likes to explore the past through characters who, for one reason or another (amnesia, dementia, being a little baby robot who was just born yesterday, etc), are unable to fully comprehend their surroundings. this one is about post-wwii japan as understood by an elderly supporter of the imperial regime

(sub rec: remains of the day by kazuo ishiguro. same conceit as above except this time the elderly collaborator is incapable of reckoning with the slow collapse of the system that sheltered him due to britishness.)

the pull of the stars by emma donoghue. donoghue is a strong researcher and all of her novels are super grounded in their place and time without getting so caught up in it they turn into textbooks. i picked this one bc it is a wwi lesbian love story about childbirth that made me cry so hard i almost threw up on a plane but i recommend all her histfic published after 2010. before that she was still finding her stride.

days without end by sebastian barry. this one is hard to read and to rec bc it is about the us army’s policy of genocide against native americans in the 19th century west as told by an irish cavalry soldier. it is grim and violent and miserable and also so beautiful it makes me cry about every three pages. first time i read it i was genuinely inconsolable for two days afterwards.

this post is long as hell so HONORABLE MENTIONS: the amazing adventures of kavalier & clay by michael chabon, the western wind by samantha harvey, golden hill by frances spufford, barkskins by annie proulx, postcards by annie proulx, most things annie proulx has written but i feel like i talk about her too much, the view from castle rock by alice munro, the name of the rose by umberto eco, tracks by louise erdrich

[stirringwinds]

Do you think Alfred is insecure about being young? Like I know that there’s countries younger or closer to age to Alfred, but the people Alfred hangs out with the most, has more economic ties, and has military alliances with are way older than Alfred (ex literally all of Europe and Asia). So I was wondering if you think Alfred, being always around people with way more experience than him, feels insecure about being so young and ‘inexperienced’ maybe that’s why he wears glasseS

Interesting question! As I see it, yes and no. 

Yes—in the 18th century, when he was much younger, and rebelling against Arthur. Going hat in hand to the other Old World empires and nations like Francis and Antonio for money was a pretty intimidating experience. So it was with Gilbert, coming to whip his ass into shape in Valley Forge. Even with other nations where he wasn't asking for major favours to fund his rebellion but more like 'hey recognise me? please? can my ships come to your ports?' like Morocco or Yao, during the Old China Trade (uhhhhh ive been banned from all the usual trading posts all across my father's empire...and I heard you guys like otter pelt and ginseng?).

No, because from the 19th century onwards, he's very much growing into a world power. I see Alfred as being quite a zealous idealist who sees potential for improving the world (not always in the best way, but from his POV it is), and this is the period where his mindset is increasingly one of brazen, youthful self-confidence. To him, his age is an asset. He's casting a pretty jaundiced eye on the Old World as a whole—perceiving them as being full of religious feuds, outdated monarchies and straitjacketed by nonsensical traditions: they’re ossified fucks who ought to realise the glory of republican civilisation and everything else he's got grand ideas about. Like, one contrast is really how much more intimidated I see him being going to China during the Old China Trade in the late 1700s—versus the brazen gunboat diplomacy of the Perry expedition to Japan in 1853. Like, the contrast with how the Americans behaved themselves when they had no navy and their ships were so small the Chinese traders thought they were tenders from larger vessels and not ocean going ships (lmao) and the Perry expedition is huge. 18th century Alfred would’ve been more intimidated around a nation who beheaded Kublai Khan’s emissaries and fought in more battles long before he was born—19th century Alfred isn’t. 

And even less so in the 20th century—especially during WWII. There’s no victory unless he puts his thumb on the scale, and even Sir Lord Arthur Kirkland is openly begging for it. If people had any remaining thought of him as the young, ambitious crown prince somewhat walking in the shadow of his father, all that is gone in WWII. He steals the fire of the gods and literally makes it shine brighter than a thousand suns in all its terror and awe. Other nations can get under his skin, especially in the dynamics of a rivalry (Arthur, in their power struggle over influence, Kiku, as a duelling Pacific empire in the late 1800s—1945 and then also Ivan). But older Alfred is far less likely to be insecure solely on account of them being older than him. It’s more if he perceives they’re challenging his dominance and hegemony—or if they’re questioning his idealism and principles. Like Antonio at the end of the Spanish-American War—oh, you really are your father’s son. I can see moments of vulnerability where his youth and inexperience shines through (such as the American Civil War), but older Alfred’s insecurities tend to dig on faultlines regarding: challenges to his hegemony and principles because unlike Lord Father (tm), I think he’s far more of an idealist. He wants to be great and good, but greatness often is in direct conflict with the latter. 

[tomfooleryprime]

In school, I learned U.S. history through a shallow, carefully constructed narrative that was more concerned with instilling patriotism than it was with imparting contextualized, factual accounts and records of times that came before. What I learned is America started when England was trying to tax us to pay for their imperialism and foreign wars and we didn’t like that, so we fought a revolution and then we didn’t have to have a king anymore and we were free. Most of us. Next up in the timeline was slavery, which was bad, but we fought the Civil War and then didn’t have slavery any more, which was good. 

Around that time, the country was expanding and we couldn’t share the land with the native peoples, so we forced them west, which was sad. And then we never talked about them again, except a casual mention about the trouble they made on our road to achieve Manifest Destiny. There was the Industrial Revolution and the Gilded Age and people got tired of working all the time in dangerous conditions, so then there were some strikes or whatever and now we have weekends. We even allowed former slaves and women to vote: good job, America! 

Then there was WWI, which got botched somehow so we had to do WWII. Hitler was bad and we beat his ass, and we also locked up Japanese Americans but that belongs in our blooper reel and we were sorry for that. Later. Kind of. Then it turned out maybe all the problems of racial inequality actually weren’t solved by the Civil War, so we had the Civil Rights movement and then things were basically fine. 

Then came Vietnam and some stuff about communism, a hand wave through the later decades of the 20th century, then the War on Terror, the Great Recession, and now here we are in 2023, paying taxes to put more money into our military than most other developed nations combined because, you know...we love imperialism and foreign wars when we’re doing it, but shame on 18th century England for doing the same. Those assholes. Anyway, the best storytelling always comes full circle without beating you over the head with the symbolism and irony. 

And that is how U.S. history was taught to many modern inheritors of this great experiment in democracy even before the culture wars got involved and people clutched their pearls over equity, diversity, and inclusion training, critical race theory, and the 1619 Project. But whatever you think about telling kids that most of the founding fathers owned slaves or that maybe Jim Crow didn’t end as much as it was transformed into the industrial prison complex, consider the inevitable fate of the Covid-19 pandemic in our history books. 

It seems strange to think of events from three years ago as history, because we were there. It feels almost like a foregone conclusion that decades from now, chroniclers will reflect on the start of the 2020s as a time the nation, no, the world, was blindsided by an unseen enemy but how we all came together to fight back. They’ll tell about how science raced to develop treatments and vaccines in record time. There might even be pictures of the parades for healthcare workers and people singing to each other from NYC balconies. 

But the stories about people who didn’t believe it was real, even as they gasped their last breaths in hospital beds, will disappear. So will the stories of the abuse frontline workers faced every day just for asking people to wear a mask. The stories about hoarding toilet paper and hand sanitizer and affordable housing and those who sold it at exorbitant markups will fade into the background, as will the reality that millions of people refused the very vaccines that the history books will tout as marvels of modern medicine and the American can-do spirit.

U.S. history books might note how more than 1 million Americans ultimately died—no mention about all the lives that were maimed by long Covid or the loss of a parent, partner, or breadwinner—but as Stalin once said, one death is a tragedy, a million is a statistic. 9/11 was a tragedy that killed 3,000 people and permanently altered the social and political landscape. To this day, I still can’t board a plane without taking off my shoes. But when that many were dying every day during some of the pandemic’s peaks, we had other people demanding we re-open restaurants and movie theaters and concerts because “we can’t live in fear.” The uglier parts will inevitably get left out of our story because they aren’t conducive to national pride.

I’ve learned a lot of things about American history since leaving school. It broke my heart to learn just how many Americans in the 1930s thought Hitler made some good points about Jews. To learn Lincoln wasn’t really opposed to slavery so much as he was the expansion of it. To learn just how pervasive lynching was in the American south or how relentlessly coordinated the genocide of the Native Americans was for more than a century. And I have a feeling that around the time I’m ready to breathe my last, I’ll hear young people insisting that while the pandemic was terrible, it was a unifying, equalizing force that brought out the best in us. 

Never mind it only brought out the best in some of us. It brought out the worst in just as many others. Because to tell the story of everyone who resisted every single measure to slow or stop the pandemic with the dedication and ferocity of suicide bombers takes the “we’re all in this together” version of events and turns it into a disjointed narrative. That isn’t good storytelling. That isn’t good history worthy of an American classroom.

[lazaruspiss]

Lower Gotham: Part One

Cobblepot Steel: The Cobblepot Steel company is one of the oldest corporations in Gotham City. It has been involved in the creation of many of the city's biggest buildings, like Wayne Tower. The company's headquarters have been occupying Lower Gotham since the 1920s. It provides supplies for construction, shipbuilding, trains, and electrical appliances. There's a good chance that every household in Gotham City has something that was manufactured with Cobblepot steel. After being released from prison and going legit, Oswald tried to get involved in the business, but despite his criminal connections and influence, his uncle refused. He didn't want to risk the controversy that usually accompanies his nephew. So, Oswald instead purchased the Iceberg Lounge and has been conducting all his business from there, though not all of it is legal.

Dixon Docks: Port Adams was Gotham Town's original 18th century docklands and went through some modest expansions over the years to continue operation. It lost some of its clientele when the Dixon Docks were built at the end of the century to accommodate bigger boats and cargo. During WWII, the Wayne family had the docks reinforced in case of attacks. Because of the amount of cargo that passes through every day, the Dixon Docks have become a regular stomping ground for the criminal gangs of the city. Shipments often go missing while contraband somehow makes it through. I've done my best to drive back the gangs, but they always come back. The Dixon Docks are too lucrative to abandon. Notes: Contact at the Docks has been invaluable. Stopped three more weapon shipments from entering the city thanks to him.

Fei Hong Supermarket: The Fei Hong supermarket is one of the most important community locales of the Cauldron, if not the whole city. People from all over Gotham City visit the store and it has become an unofficial meeting space for various communities. It's often visited during mayoral campaigns for that very reason. The owner is well known and liked by the community and is a member of both the Gotham City Store Owners' Association and the Cauldron Civic Association. He has spearheaded many projects and I'm glad to say he is a voice of reason and tolerance in the neighborhood. I've cooperated with him a few times to organize events around the neighborhood, which were all great successes. I honestly don't know what the district would be like without him.

Giverny Paint: Giverny Paint was established in Gotham City in the early 1930s and has been a frequent collaborator of Wayne Enterprises. We often use their paint for aircrafts and ships as well as for commercial real estate. During the last heat wave, the company had to completely destroy their supply of paint after learning Bane had snuck in and inserted Venom toxin inside the barrels which were supposed to be used to revamp the Knightsdome Sporting Complex. He was hoping the fumes from the new paint would enter the athletes' blood stream, which Bane would have used as an army of super soldiers. Giverny Paint agreed to destroy the contaminated barrels, even if it meant bankruptcy. Which is exactly what would have happened had it not been for a generous donation from the Wayne Foundation. Since that day, the owner has been sending monthly shipments of paint to the children's center as a thank you.

[votivecandleholder]

Exploring the Elegance of Vintage French Wall Lighting

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Exploring the Elegance of Vintage French Wall Lighting

Ah, the enchanting glow of vintage wall sconces, with brilliance that transcends time, weaving a tapestry of elegance and historical charm. In the realm of home decor, few elements exude sophistication and timeless allure quite like antique French wall sconces. The mere mention of these luminescent gems conjures images of opulent chateaus, Parisian salons, and a bygone era dripping with grace and refinement.

Join me on a vintage illumination journey through the radiant corridors of French lighting history as we unravel the craftsmanship, styles, and stories behind these antique treasures.

Table of Contents

1 Historical Background

1.1 Vintage French Wall Sconces

2 Characteristics of Vintage French Wall Sconces

3 Integrating Vintage Elegance into Modern Spaces

4 Where to Find Vintage French Wall Sconces

Historical Background

Let’s set the stage with a glance into the fascinating tapestry of French heritage illuminators—a captivating tale of innovation, artistic expression, and the evolution of antique wall lighting. It all began with the grandeur of Versailles, where Louis XIV turned light into opulent art. In the 19th century, gaslit charm adorned bourgeois homes. The 20th century brought Art Nouveau’s organic allure and Art Deco’s sleek sophistication.

Antique French Wall Sconces Pair

Vintage French Wall Sconces

Post-WWII, mid-century modernism took center stage. Lighting became a symbol of status and a canvas for design movements. Today, from antique chandeliers to modern sconces, vintage French sconces is a symphony of design, functionality, and cultural significance.

Characteristics of Vintage French Wall Sconces

Let’s delve into the heart of these radiant wonders—illuminating French craftsmanship. Picture skilled artisans pouring their passion into every curve, every flourish of these wall sconces. The result? A historical light design that doubles as works of art. Crafted with meticulous precision, these wall sconces are a testament to the mastery of materials and techniques.

Pair Antique Rustic Country French Wall Sconces

Now, let’s dive into a kaleidoscope of vintage wall sconce styles that showcase breathtaking diversity. The Rococo extravagance flaunts ornate scrolls and floral motifs, evoking the glamour of the 18th-century French courts. Transition to Art Deco‘s sleek lines and geometric precision, a celebration of modernity in the 1920s and ’30s. Mid-century modernism follows, embracing simplicity and functionality. Each style brings its unique charm to the wall, crafting an intricate narrative that transcends time and seamlessly integrates into any space.

Antique French Floral Wooden Wall Sconces

Let’s not forget the materials—a crucial element contributing to the old-world allure of wall lighting. Imagine the appeal of gilded brass, casting a warm and luxurious glow that embodies opulence. Wrought iron, with its graceful curves and strength, adds a touch of timeless sophistication. Hand-blown glass shades, delicate and ethereal, play with the dance of light. It’s in the meticulous selection of these materials that the very essence of French design elegance is crafted.

Integrating Vintage Elegance into Modern Spaces

But our adventure doesn’t end in the past, it’s time to bring this elegance into the present. Bringing the charm of antique French wall sconces into your contemporary space is a delicate dance of old-world elegance and modern flair. Start by contrasting sophisticated wall sconces with sleek, modern furniture—a visual symphony that strikes the perfect balance. Treat these decorative wall fixtures as artistic gems, strategically placing them to accentuate architectural features or create captivating focal points. Embrace the unexpected by mixing and matching styles, allowing the sconces to seamlessly weave into your design narrative.

Vintage Antique French Wall Sconces

Go for neutral tones to effortlessly blend with contemporary color palettes, and utilize dimmers to control the intensity, allowing you to create various moods in your space. Consider unconventional placements for a touch of surprise—these vintage lighting fixtures aren’t confined to tradition. Let the texture of wrought iron and aged brass add depth to your space, framing mirrors or artwork to enhance their impact. Curate a gallery wall that tells a story of both past and present, transforming your home into a timeless masterpiece.

Where to Find Vintage French Wall Sconces

Looking for authentic vintage French sconces? Fear not, for a treasure trove awaits. First, equip yourself with knowledge—understand styles and eras to spot authentic craftsmanship. Seek reputable antique dealers known for their commitment to authenticity, preserving the rich history woven into each antique lighting treasure, and don’t shy away from asking for certificates or provenance documentation. Reputable online platforms offer curated selections, ensuring quality and historical value. Auction houses, antique fairs, and local antique shops occasionally feature French vintage lighting gems, adding an element of excitement to your acquisition. For a more personal touch, engage with experts, whether through online forums or local dealers, for valuable insights about the origin of each piece.

Antique French Sconces

Dive into the details; quality is in the meticulous finishes and intricate designs. Embrace the character of aged patina but be wary of excessive damage. Establish a budget to focus your search, and above all, trust your instincts. The perfect vintage-inspired wall light is not just a purchase; it’s a personal discovery waiting to illuminate your space with history and style.

Finally

As our exploration concludes, learn to embrace the allure, the craftsmanship, and the timeless beauty of wall sconces. Integrating these timeless fixtures into contemporary spaces involves a delicate balance of old-world charm lighting and modern design. Seek authenticity from reputable sources, and employ expert tips to discover gems in the market. As you delve into the historical significance and styles, envision the perfect antique French wall sconce illuminating your space with a blend of history and contemporary allure.

[pseudoscience-crasher]

Chateau de la Roche-Guyon : an alternative Dimitrescu’s castle?

Let assume for a moment that our beloved MILF vampire and her daughters managd to survive the event of RE8. Lady Dimitrescu is a woman of many talents and sin ; avarice is not one of them. Centuries of revenue from her family’s winery allowed her to invest and diversify her assets. Therefore, she had plenty of time and money to buy secondary estates across the world. She would have obviously a taste for old european castle. So let’s review a castle in France that might be to her liking.

The castle of Roche Guyon

Located 80km away from Paris, the castle is built against chalk cliffs sitting on the Seine’s valley. It underwent several extensions through centuries ; a fortress sitting on top of the cliff by the 10th Century, residences by the Renaissance, and significant additions and changes during the 18th Century.

The main entrance is already quite intimidating. 

The Hall of Honour.

After climbing flight of stairs and passing through several corridors, we are led to tunnels carved in the cliff. Upon the request of their owner -La Rochefoucauld, several chapels are built.

With its  circle shape and its ornament, it reminds me heavily of that hall in Castle DImitrescu leading to the dungeons. 

The exit corridor of the tunnels. The statue and the backlight give a mystical vibe.

Walking downstairs after a while, we enter the main corridor of the building.

I estimate the ceiling’s height to be above 3,5 meters ; way enough to fit Lady D. The dining room is located on the right.

After crossing exhibition halls, chinese tapestry and the library, we arrive at the castle’s inner courtyard.

At the end of the courtyard, the path lead to an underground access. During WWII,  the castle was occupied by the General Rommel’s headquarter. The cave was used by the German forces to store anti-aircraft ammunitions.

Creepy... 

Choose your path wisely...

After walking a while, we leave the caves and are back to the main courtyard of the castle. Overall, it was an interesting castle to visit. It has a  Lovecraftian vibe I haven’t felt in the few other castles I visited around Paris. I think it’s quite suited in a Resident Evil environment, with its thousand years old building, its strange ornament, the creepy caves and tunnels, combined with the more magnificent 18th Century interior. The castle is faced by a French Style (geometrical pattern) garden, in front of the Seine River. With some work, it can be repurposed as a maze, perfect to hunt man-things during the summer. So here is my review : Pros : -Large 18th Century interiors, waiting to be magnificent again

-Network of caves and tunnels to perform shady experiments and torture people

-Otherwordly decorations

-Nazi backstory

-A ruined fortress for a dramatic boss fight

Cons : -No wineyard. Even if climate change could warm the region up, I don’t think chalk is a proper soil for grapes. 😁

-No enclosing walls. The castle is embedded within the village. I guess a remote estate is a better fit to not arouse neighbours’ suspicion when a swarm of flies goes for hunting.

-The garden is too small for a proper hunt. Could be converted into a maze instead.

-Unfurnished. The DImitrescu would have to bring their furnitures. There are many castles in France. Perhaps some other might be a better match for Lady D. 😉

[szalacsi]

history

“I’m from Malaysia. 

China has traded with Malaysia for 2000 years. In those years, they had been the world’s biggest powers many times. Never once they sent troops to take our land. 

Admiral Zhenghe came to Malacca five times, in gigantic fleets, and a flagship eight times the size of Christopher Columbus’ flagship, Santa Maria. He could have seized Malacca easily, but he did not. 

In 1511, the Portuguese came. 

In 1642, the Dutch came. 

In the 18th century the British came. 

We were colonised by each, one after another. 

When China wanted spices from India, they traded with the Indians. When they wanted gems, they traded with the Persian. They didn’t take lands. The only time China expanded beyond their current borders was in Yuan Dynasty, when Genghis and his descendants Ogedei Khan, Guyuk Khan & Kublai Khan concurred China, Mid Asia and Eastern Europe. Yuan Dynasty, although being based in China, was a part of the Mongolian Empire. 

Then came the Century of Humiliation. Britain smuggled opium into China to dope the population, a strategy to turn the trade deficit around, after the British could not find enough silver to pay the Qing Dynasty in their tea and porcelain trades. 

After the opium warehouses were burned down and ports were closed by the Chinese in ordered to curb opium, the British started the Opium War I, which China lost. Hong Kong was forced to be surrendered to the British in a peace talk (Nanjing Treaty). 

The British owned 90% of the opium market in China, during that time, Queen Victoria was the world’s biggest drug baron. The remaining 10% was owned by American merchants from Boston. Many of Boston’s institutions were built with profit from opium. 

After 12 years of Nanjing Treaty, the West started getting really really greedy. The British wanted the Qing government: 

 1. To open the borders of China to allow goods coming in and out freely, and tax free. 

 2. Make opium legal in China. Insane requests, Qing government said no. 

The British and French (with supports from the US), started Opium War II with China, which again, China lost. 

The Anglo-French military raided the Summer Palace, and threatened to burn down the Imperial Palace, the Qing government was forced to pay with ports, free business zones, 300,000 kilograms of silver and Kowloon was taken. 

Since then, China’s resources flew out freely through these business zones and ports. In the subsequent amendment to the treaties, Chinese people were sold overseas to serve as labor. 

In 1900, China suffered attacks by the 8-National Alliance (Empire of Japan, Russian Empire, British Empire (including India), France, USA, Germany, Italy, Austria-Hungary). 

Innocent Chinese civilians in Peking (Beijing now) were murdered, buildings were destroyed & women were raped. The Imperial Palace was raided, and treasures ended up in museums like the British Museum in London and the Louvre in Paris. 

In late 1930s China was occupied by the Japanese in WWII. Millions of Chinese died during the occupancy. 300,000 Chinese died in Nanjing Massacre alone. Mao brought China together again from the shambles. There were peace and unity for some time. But Mao’s later reign saw sufferings and deaths from famine and power struggles. 

Then came Deng Xiao Ping and his infamous 'black-cat and white-cat' story. His preference in pragmatism than ideologies has transformed China. This thinking allowed China to evolve all the time to adapt to the actual needs in the country, instead of rigidly bounded to ideologies. It also signified the death of Communism in actually practice in China. 

The current Socialism+Meritocracy+Market Economy model fits the Chinese like gloves, and it propels the uprise of China. Singapore has a similar model, and has been arguably more successful than Hong Kong, because Hong Kong being gateway to China, was riding on the economic boom in China, while Singapore had no one to gain from. 

In just 30 years, the CPC have moved 800 millions of people out from poverty. The rate of growth is unprecedented in human history. They have built the biggest mobile network, by far the biggest high speed rail network in the world, and they have become a behemoth in infrastructure. They made a fishing village called Shenzhen into the world’s second largest technological centre after the Silicon Valley. 

They are growing into a technological power house. It has the most elaborate e-commerce and cashless payment system in the world. They have launched exploration to Mars. The Chinese are living a good life and China has become one of the safest countries in the world. 

The level of patriotism in the country has reached an unprecedented height. For all of the achievements, the West has nothing good to say about it. China suffers from intense anti-China propagandas from the West. Western Media used the keyword “Communist” to instil fear and hatred towards China.

Everything China does is negatively reported. They claimed China used slave labor in making iPhones. The truth was, Apple was the most profitable company in the world, it took most of the profit, leave some to Foxconn (a Taiwanese company) and little to the labor. 

They claimed China was inhuman with one-child policy. At the same time, they accused China of polluting the earth with its huge population. The fact is the Chinese consume just 30% of energy per capita compared to the US. 

They claimed China underwent ethnic cleansing in Xinjiang. The fact is China has a policy which priorities ethnic minorities. For a long time, the ethnic minorities were allowed to have two children and the majority Han only allowed one. The minorities are allowed a lower score for university intakes. There are 39,000 mosque in China, and 2100 in the US. 

China has about 3 times more mosque per muslim than the US. When terrorist attacks happened in Xinjiang, China had two choices: 

1. Re-educate the Uighur (CENSUDED by Youtube) before they turned (CENSUDED by Youtube). (**Here I could not copy the exact word, since today it is censored by YouTube if I write it next to the indicated ethnicity. It is the one used to identify those crazy people who are killing people thinking that by doing this they will be able to go to paradise**). 

2. Let them be, after they launch attacks and killed innocent people, bomb their homes. China chose 1 to solve problem from the root and not to do killing. 

How the US solve terrorism? Fire missiles from battleships, drop bombs from the sky. 

During the pandemic, When China took extreme measures to lockdown the people, they were accused of being inhuman. 

When China recovered swiftly because of the extreme measures, they were accused of lying about the actual numbers. 

When China’s cases became so low that they could provide medical support to other countries, they were accused of politically motivated. Western Media always have reasons to bash China. Just like any country, there are irresponsible individuals from China which do bad things, but the China government overall has done very well. 

But I hear this comment over and over by people from the West: I like Chinese people, but the CPC is evil. What they really want is the Chinese to change the government, because the current one is too good. 

Fortunately China is not a multi-party democratic country, otherwise the opposition party in China will be supported by notorious NGOs (Non-Government Organization) of the USA, like the NED (National Endowment for Democracy), to topple the ruling party. 

The US and the British couldn’t crack Mainland China, so they work on Hong Kong. Of all the ex-British colonial countries, only the Hong Kongers were offered BNOs by the British. Because the UK would like the Hong Kongers to think they are British citizens, not Chinese. 

A divide-and-conquer strategy, which they often used in Color Revolutions around the world. They resort to low dirty tricks like detaining Huawei’s CFO & banning Huawei. They raised a silly trade war which benefits no one. Trade deficit always exist between a developing and a developed country. 

USA is like a luxury car seller who ask a farmer: why am I always buying your vegetables and you haven’t bought any of my cars? When the Chinese were making socks for the world 30 years ago, the world let it be. 

But when Chinese started to make high technology products, like Huawei and DJI, it caused red-alert. Because when Western and Japanese products are equal to Chinese in technologies, they could never match the Chinese in prices. 

First world countries want China to continue in making socks. Instead of stepping up themselves, they want to pull China down. The recent movement by the US against China has a very important background. 

When Libya, Iran, and China decided to ditch the US dollar in oil trades, Gaddafi’s was killed by the US, Iran was being sanctioned by the US, and now it’s China’s turn. The US has been printing money out of nothing. The only reason why the US Dollar is still widely accepted, is because it’s the only currency which oil is allowed to be traded with. 

The US has an agreement with Saudi that oil must be traded in US dollar ONLY. Without the petrol-dollar status, the US dollars will sink, and America will fall. 

Therefore anyone trying to disobey this order will be eliminated. China will soon use a gold-backed crypto-currency, the alarms in the White House go off like mad. 

 China’s achievement has been by hard work. Not by looting the world. I have deep sympathy for China for all the suffering, but now I feel happy for them. China is not rising, they are going back to where they belong. Good luck China.”

[metaborderlines]

In this crazy world at least there’s fan fic

“I hope your dogs are quick with a rifle.” When WWII-era Claire teases 18th century-Jamie [he came through the stones] about his attempt to keep to ye olde ways of protecting the sheep at Lallybroch, I laughed out loud and not in that cynical LOL way. The line from “Saorsa” cheered me no end. Just writing to say thanks to the writer, @scapegrace-74. I suppose I could send this to her “ask,” but Tumblr, eh, what’s with the word limitations? “Saorsa” is one of those comfort fics you can read over and over. You laugh—Jamie’s dogs guarding the sheep from wolves which, Claire finally tells him, haven’t been seen in the British Isles since the 18th century. You cry, over Jamie’s astute summary of the absurdity of war when Claire tries to explain the latest version in 1942, ““But why, Sassenach?  What cause unites Germany, the Turks and Japan, and pits them against Britain, France and Russia?  Millions have died, ye say, but for what end?”” Indeed. At that was “the good war.” [don’t come at me, I know, Hitler. But as Gandhi said, things needed to change before Hitler].

So many good moments in “Saorsa”, it’s like sunshine on a cloudy day.

[justforbooks]

The Best Spy Novels to Read While Stuck at Home

Forty, page-turning spy novels, to Keep you on the edge of your seat. Marked by an exhilarating pace, plenty of dramatic twists, and richly drawn complex protagonists, spy novels are about as riveting as it gets in the library. And while all the excitement of double agents and espionage keeps you at the edge of your seat, these books also offer insight into fascinating and troubling historical periods.

In the name of thrilling reading, no matter what time of year and to wrestle with larger philosophical questions of betrayal, human connection, and the legacy of international conflict, I rounded up 40 of the best spy novels around, to read while stuck at home. Written by former CIA and other intelligence agents and some of the most prolific literary minds of all time, get to know the best spy novels below.

Here are my picks for the best spy novels you have to read while stuck at home.

Rosalie Knecht, Who Is Vera Kelly?

1962 in New York City's Greenwich Village and Argentina. A radio show host is struggling to make ends meet and fit into the underground gay scene when she gets recruited by the CIA to wiretap a crooked congressman in Argentina, and works her way into a radical group of students planning a coup. Think coming-of-age meets historical fiction with a strong female protagonist.

Jason Matthews, Red Sparrow

Modern-day Russia. Dominika Egorova is forced into becoming a secret agent that uses her sultry beauty to seduce an American CIA officer. When she develops genuine feelings for him, her loyalties begin to shift and the plot thickens.

Gina Apostol, Gun Dealer's Daughter

1980s Marcos-era Philippines and modern-day America. Though this book doesn't follow a linear chronology, it reflects Sol's fragmented memory and trauma. As a young woman limited by the comfort of her wealth, she seeks to overthrow the Marcos regime. Spying on the American generals and Philippine elite from her own fancy dinner table, Sol's loyalties struggle between her family, homeland, and her insurgent student friends. Politically charged, lyrical, and eye-opening, this is a must-read.

Helen MacInnes, Agent in Place

New York, Washington, D.C., and the French Riviera during the Cold War. When a Russian spy who's expertly infiltrated Washington society gets his hands on a top-secret NATO memorandum, a high-profile CIA officer's cover is blown in Moscow. Now, everyone is racing against time to uncover who the Russian spy actually is.

Viet Thanh Nguyen, The Sympathizer

1975 Vietnam and Los Angeles, A half-French, half-Vietnamese double agent relocates to America after the fall of Saigon, and betrayal, both personal and political, ensues. At once a love story and a spy novel about the legacy and evils of colonialism, the Vietnam War, and ensuing refugee experience in the U.S. you won't soon forget The Sympathizer. It's satirical, sharp, suspenseful, and poignant.

Joseph Kanon, Leaving Berlin

Post-WWII Berlin, Germany. Alex Meier is a young German Jew who fled to America at the onset of WWII to escape Nazi persecution. But with the Cold War underway, it's the peak of the McCarthy era, and he's pigeon-holed into working undercover in East Berlin for the CIA. It's the only way he won't be deported. But when he gets there, he finds out that his target is the woman he loved and left behind before the war. It's a thought-provoking and action-packed love story.

Joseph Conrad, The Secret Agent

London, late 1800s. A shop-owner gets wrapped up in an anarchist scheme to bomb the Greenwich Observatory, but the plan goes wrong and throws his life into chaos. It raises philosophical questions and is a literary masterpiece, but that doesn't keep it from being a thrilling, entertaining read.

John Le Carré, Tinker Tailor Soldier Spy

Post-WWII Britain. Unhappily retired after a failed mission, an aging officer sets out to catch a traitor who has worked their way into the highest ranks of British intelligence. Full of political and social commentary with a fast-paced plot, there's a reason this is such a classic.

Ian McEwan, The Innocent

Berlin, 1955. A young Englishman living in American-occupied Berlin is commissioned to install the tape recorders that that will wiretap Russians in Soviet-occupied East Berlin. He begins spying on the Americans for the Brits while helping the Americans spy on the Russians. But, he fails as a spy, and the plot becomes more complicated when he falls in love with an older German with a violent, possessive ex-husband.

Lauren Wilkinson, American Spy

Burkina Faso. In the FBI, Marie Mitchell sticks out as a young black woman. In American Spy, Marie wades through a sea of a mostly white male intelligence community, and an assignment to Burkina Faso, where she meets Thomas Sankara, revolutionary president of the landlocked, West African country.

John le Carré, The Spy Who Came in From the Cold

Cold War-era Germany. British intelligence agent Alec Leamas should be on his way back to London, but one more job—an undercover mission to topple East German intelligence, leads Leamas back into dangerous territory. In an interview with Electric Literature, author Lauren Wilkinson (author of American Spy) calls this spy novel "terrific."

Susan Hasler, Intelligence

Post-9/11 America, during an election year. Intelligence trails Maddie James, a CIA counterterrorism analyst as she pursues an al-Qaida operation with an eccentric team. Meanwhile, the Administration is more interested in maintaining the message that America is winning the war on terror. According to author Susan Hasler, a former member of the CIA, writing the novel was a way to cope with residual 9/11 period anger.

Valerie Plame, Blowback

Cyprus. Young, blonde CIA operative Vanessa Pierson assumes the identify of a financial adviser in Cyprus on a reconnaissance mission. Her target: An international arms dealer, Bhoot, who is believed to be aiding Iran to bolster its nuclear activities. With an assassin on her trail, Blowback is full of fast-paced action scenes, as well as intimate details that the Washington Post describes "might elude a male writer." Blowback is co-authored by former CIA agent Valerie Plame, and Sarah Lovett.

Stella Rimington, At Risk

Britain. British intelligence taps Liz Carlyle, a scrappy counter terror agent to stop a terrorist attack. And the person of interest is traveling under a British passport, an "invisible." Author Stella Rimington relies on her former life as a high-ranking spy to author At Risk, Rimington's debut novel.

Patricia Wentworth, Hue and Cry

London. Before Mally Lee's wedding in six months, she accepts a position as governess to a shipping magnate's young daughter. Upon entering the Peterson grounds, however, Lee will be accused of being a thief and spy. Mally flees, leaving her fiancé in emotional shambles and private investigators in hot pursuit. What has Mally stumbled into?

Irène Némirovsky, The Courilof Affair

18th century Russia. Léon M, son of Russian revolutionaries, is tasked with assassinating the ruthless Valerian Alexandrovitch Courilof, Russian Minister of Education. Fronting as Courilof's personal physician, Léon M works his way into Courilof's summer house, and as his relationship with Courilof grows, learns things are more complicated than they seem.

Stephenie Meyer, The Chemist

United States. A page-turning tale of an ex-agent on the run from her former employer (a clandestine, unnamed agency). To clear her name, she accepts one more job that will put her in an even more precarious position. But, the job goes south. What now?

Jennifer Chiaverini, The Spymistress

Civil War-era America. Elizabeth Van Lew is a Union loyalist living in the Confederacy, and she will risk it all to help build the Richmond underground, break free inmates from Confederate Libby Prison, and gather military intelligence under the pretense of humanitarian aid. In this historical novel inspired by a true story, Van Lew's contributions during the Civil War comes alive.

John Buchan, The Thirty-Nine Steps

Over a century old, and Buchan’s adventure novel still passes muster. The first of five novels featuring an all-action hero with a stiff upper lip, Richard Hannay, this is unpredictable, exciting fare – and will keep you guessing until the last page.

Graham Greene, The Quiet American

A novel depicting French colonialism being uprooted in Vietnam may not sound like the most thrilling you’ve ever heard, but in the hands of English literary giant Graham Greene, anything is possible. Featuring British journalism, undercover CIA agents, illegitimate marriage and a light smattering of car bombs, there is action balanced with considered philosophy – and the book is all the better for it.

Frederick Forsyth, The Day of the Jackal

Telling the tale of a professional assassin – tasked by a French dissident organisation to kill the President of France – Forsyth’s novel was met with praise when it was first published, and remains so to this day. Of course, the 1973 film adaptation starring the suave Edward Fox did nothing to help with the stories success...

Robert Ludlum, The Bourne Identity

We all know Matt Damon’s award-winning portrayal of Ludlum’s most famous character, but how many of us have read the novels? If not, you’ll be glad to know that these tales of amnesia, backstabbing and action are just as thrilling on the page – and that Eric Van Lustbader has added to the cannon, with an additional 11 Bourne books available to read.

Tom Clancy, The Hunt for Red October

Tom Clancy’s debut novel remains his best. Introducing Jack Ryan, the CIA analyst throw into the field, it one again tackles Soviet themes and the adventures of a group of US Navy officers taking possession of a nuclear submarine. It’s thrilling fare, and Clancy’s talent to bring the appeal of classic espionage into modern-day storytelling is impressive to say the least.

Len Deighton, The IPCRESS File

Len Deighton’s first spy novel, like Tom Clancy’s, is also his best. More famous for the Michael Caine-fronted film spun from its pages, this original novel involves Cold War brainwashing, a United State atomic weapons test and an extended sequence in Lebanon – and makes use of spy novel trope to be employed for years to come: that of the nameless protagonist.

John le Carré, The Tailor of Panama

He is Harry Pendel: Exclusive tailor to Panama’s most powerful men. Informant to British Intelligence. The perfect spy in a country rife with corruption and revolution. What his “handlers” don’t realize is that Harry has a hidden agenda of his own. Deceiving his friends, his wife, and practically himself, he’ll weave a plot so fabulous it exceeds his own vivid imagination. But when events start to spin out of control, Harry is suddenly in over his head—thrown into a lethal maze of politics and espionage, with unthinkable consequences...

Eric Ambler, A Coffin for Dimitrios

A chance encounter with a Turkish colonel leads Charles Latimer, the author of a handful of successful mysteries, into a world of sinister political and criminal maneuvers. At first merely curious to reconstruct the career of the notorious Dimitrios, whose body has been identified in an Istanbul morgue, Latimer soon finds himself caught up in a shadowy web of assassination, espionage, drugs, and treachery that spans the Balkans.

Ken Follett, Eye of the Needle

“His code name was “The Needle.” He was a German aristocrat of extraordinary intelligence—a master spy with a legacy of violence in his blood, and the object of the most desperate manhunt in history... But his fate lay in the hands of a young and vulnerable English woman, whose loyalty, if swayed, would assure his freedom—and win the war for the Nazis...“

Olen Steinhauer, The Tourist

Milo Weaver has tried to leave his old life of secrets and lies behind by giving up his job as a “tourist” for the CIA―an undercover agent with no home, no identity. Now he’s working a desk at the agency’s New York headquarters. But when the arrest of a long-sought-after assassin sets off an investigation into a colleague, exposing new layers of intrigue in his old cases, he has no choice but to go back undercover and find out who’s been behind it all from the very beginning.

Graham Greene, Our Man in Havana

MI6’s man in Havana is Wormold, a former vacuum-cleaner salesman turned reluctant secret agent out of economic necessity. To keep his job, he files bogus reports based on Charles Lamb’s Tales from Shakespeare and dreams up military installations from vacuum-cleaner designs. Then his stories start coming disturbingly true...

Erskine Childers, The Riddle of the Sands

The classic spy novel by Erskine Childers, credited as the first work of modern espionage fiction. Set in pre-World War I Europe, two British subject, Carruthers and Davies, uncover secret German activity suggesting a prelude to war.

Tom Bradby, Secret Service

What if your next national leader was secretly a Russian spy? Kate Henderson is a high-ranking officer of England's MI6—and a recent undercover operation has revealed explosive intel. Russia has infiltrated the upper levels of UK politics by co-opting a senior politician. To make matters worse, there may be a mole moving through the halls of England's Secret Intelligence Service. With an election looming, Kate is in a race to expose the double agents and save those she holds dear. But who can be trusted? Acclaimed British author and journalist Tom Bradby excels at crafting pulse-pounding narratives set against the backdrop of true-life events. In Secret Service, the author delivers a tense and timely spy thriller where the greatest threat comes from within.

James Grady, Condor: The Short Takes

In this novella, the iconic CIA operative Condor is back in a series of new adventures. New York Times-bestselling author James Grady brings back his famous spy but in a surprising setting. Six Days of the Condor was popular during the paranoid era of the 1970s as Condor was a spy in his prime who ruthlessly and heroically deals with a conspiracy within the United States government. In Condor: The Short Takes, Grady presents an aged Condor who finds himself in a modern setting and with 21st century threats. The original framework is present but the stories are far more intimate and less straightforward. Condor finds himself involved in cyber threats and the 9/11 aftermath; perhaps an even bigger scandal than the Cold War. The master of intrigue brings you six stories that are sure to leave you on the edge of your seat; can Condor soar over the obstacles or will he falter and fall? This is perfect for any fans of the hit original series, Condor!

John Lawton, A Little White Death

A social and sexual revolution was had throughout most of the world during the 1960s, and England was no exception. John Lawton's novel implants remnants of this revolution into the third book of his Inspector Troy series. This novel follows Inspector Troy—despite many career set-backs—as he rises to the head of CID at Scotland Yard. However, before the chief detective can celebrate, he finds himself deep into a scandal reminiscent of the Profumo affair. Troy becomes entangled in a web as he attempts to battle illness, police politics, and the Establishment. He must focus on protecting those affected by the aftermath of the scandal and discover who murdered the two key players in the scandal.

Brian Freemantle, Charlie M

Charlie Muffin came into the British secret service in the early 1950s, when the desperate government was in search of more foot soldiers in the impending Cold War. They decided to look into the middle class for the first time and found what they were looking for in Charlie. Even though he is a working-class, state-educated man from Manchester, Charlie has been one of the most effective agents of the secret service. However, times are changing as Cambridge and Oxford graduates are ready to take over again. They have decided it's time to sacrifice Charlie, but he won't go down easy. This exhilarating novel of double-crossing is excellent for fans of le Carre or Deighton!

Patricia Wentworth, Dead or Alive

In this suspenseful tale by British crime author Patricia Wentworth, Meg O'Hara's husband Robin disappears on the day she plans to divorce him. A year after the presumed body of her dead husband is found, someone breaks into her apartment to leave a shocking message. Now Meg is left to uncover if her husband is dead or alive. As more cryptic messages appear, Meg is certain that someone—maybe even her husband—is trying to get to her...but no one takes her seriously. Well, except for Bill Coverdale. For years Bill has been deeply in love with Meg, so he sets out to get to the bottom of things. Together, they find themselves embroiled in blackmail, forgery, and murder all while facing an unstoppable criminal mastermind.

John Altman, A Game of Spies

In preparation of Germany's invasion of France, England needs to gather classified information on Germany...and there's only one highly skilled spy who can get the job done: Agent William Hobbs. During the bleak winter of 1940, Hobbs meets the naive Eva Bernhardt and seduces her into working for the British secret service. Smitten with Agent Hobbs and disenchanted by Hitler, Eva agrees to seek information from the Führer’s inner circle. As Hobbs and Eva plunge into the world of espionage, intrigue, and deception, Eva quickly transforms into a tough and cynical operative, using her feminine guile and manipulative skills to obtain crucial knowledge. A Game of Spies is a thrilling tale with an even more electrifying conclusion as Eva holds her future, and the future of the entire war, in her hands.

John Lawton, Then We Take Berlin

Meet Joe Wilderness, orphaned by World War II - and certain that this fact will allow him to operate outside of society's bounds and rules for the rest of his life. But when he gets recruited into MI6, he discovers a fast-paced life in Berlin that will force him to go to extremes to accomplish his missions. This stylish thriller is a beloved read, best for fans of Eric Ambler.

Helen MacInnes, The Salzburg Connection

MacInnes may be best known for her first novel, Above Suspicion, but in The Salzburg Connection, written over 20 years later, she had become an expert in espionage beyond compare. In this spy vs spy vs lawyer tale, Richard Bryant, British agent, is one of the few who knows about a secret cache of Nazi information. When he’s found dead, an American lawyer gets caught up in the quest to find the information, before it gets in the wrong hands.

Gayle Lynds, Masquerade

Lynds became popular thanks to a collaborative series with Robert Ludlum, Covert-One, but she had been honing her craft long before The Altman Code’s debut. Like Jason Bourne, Liz Sansborough wakes up one morning to discover that she no longer remembers her life as a CIA agent. Luckily, her lover, Gordon, is there to explain what she has forgotten. But can Gordon–or the world–be trusted? There’s an international assassin after Liz, and she’ll need to figure out whom she can trust quickly.

Chris Pavone, The Travelers

A more recent addition, but one worthy of the list, The Travelers by Chris Pavone sees travel writer Will Rhodes is on assignment for Travelers magazine in the wine region of Argentina when a beautiful woman makes him an offer he can’t refuse. Drawn into a tangled web of international intrigue – like so many thriller protagonists before him – this is a standout in a modern world of throwaway poolside paperbacks.

Daily inspiration. Discover more photos at http://justforbooks.tumblr.com

[stirringwinds]

Though they probably wouldn’t admit it do you think Al and Arthur love and relatively care about each other? Like deep down they struggle with the fact that they want to see the other get hurt but they don’t at the same time? Or is a father/son relationship to complex for the countries to really grasp, especially with their history and of course modern politics?

nah, i don’t see familial ties as being beyond hetalia nations’ contemplation. despite their eldritchy natures. ngl i love centering the father-son relationship in interpreting arthur and alfred through the ages. they may be pretty dysfunctional in my interpretation but at the same time...that’s also very human. sons who grow up to be like the fathers they hate. the politics of it all feels analogous to all those royal families where politics is personal and everyone’s plotting against their own relatives. arthur is the old king, alfred is the young prince.

the way i see it, they mellow more with the 20th century. part of that is with the end of arthur’s empire...they’re no longer quite so much direct rivals as in the 19th century or before WWII. there’s fewer venues for them to be directly in conflict (fewer incidents like the suez crisis), more room for collaboration except arthur of course has to get used to his son calling the shots. the cold war kind of helps. if ivan is a bigger threat, well, it’s fortunate alfred is so terribly strong, isn’t it? the geopolitical realignment also attenuates quite a bit of enmity. post-imperial afterlife for arthur. alfred is still his favourite son after all this time, and part of that is because of how similar they can be underneath their seemingly very different dispositions: that pride and ambition. alfred would snort if he had to talk about love and Father™ in the same sentence, but i’d say he shows it more with actions. he no longer seriously thinks of going to war against the old man, and as i’ve mentioned—yep, throws him a lifeline with Lend Lease even if outwardly he does go ‘it’s not my problem.’

before that, in the late 18th and early 19th century i do see alfred’s relationship with arthur being pretty bad. and it’s also at a point where arthur seems far more powerful. alfred definitely wished him ill. the mighty british empire. because father seems invincible—and wishing God ill seems immaterial doesn’t it? hurl a curse at the Almighty, what does it do? for arthur; i think his feelings were a little bit more restrained once he calmed the fuck down. he’s older than alfred, and treason or not, shit it’s his eldest son. more of a ‘that fool will realise how it is without my protection. he’ll have to learn the hard way, then.’ but he couldn’t resist always having one eye on how the wretched firstborn was doing during that time, all the same. alfred’s like ‘haha the old man hates me most of all’ to his siblings and y’know, they know it isn’t quite so. 

[ladyfl4me]

what other writing inspires you? like other fics or stories?

Hmmmm. I haven’t been doing much new reading lately, outside of stuff I do for my coursework. That being said, there are a lot of works I like to return to. (Sorry about this long, long infodump on my favorite works, but boy howdy do I love these. I’m probably forgetting about five million other things, but those are the ones that come to mind right away.)

As far as fic goes, I used to read a lot of MCU stuff; I even wrote a few in my day, before mainstream fandom got too exhausting/the franchise went to shit and I was swept up by TAZ. I always cite @miamaroo​‘s Northern Migration as the fic that inspired me to take the leap into long-form intricate TAZ AUs. I also adore Seven Raptors by DragonWrites. If I hadn’t discovered these two stories while on a Balance fic binge last year, I definitely wouldn’t have written The Moth who Came In from the Cold. @morganeashton​‘s fic Running Home is also a stunning work that I regret not reading sooner. The chapters are short, but each one blew me away. Morgie paid incredibly close attention to even the most minor characters, fleshing them out in quick brushstrokes of dialogue and action that made me fall in love with the characters in brand new ways. I highly recommend reading it.

Outside of fic, there are three books that I always keep on my desk when I’m looking for inspiration, or just trying to find something to model/use as a guide:

American Gods by Neil Gaiman. This is a big one. I keep a copy of it on my desk to page through when I have trouble with dialogue, and balancing inner character monologues with external events. It’s also a good book for me to read while trying to work out The Children of Sylvain; I have a lot of moving parts in it, much like American Gods does.

Salamander by Thomas Wharton. I read this one and was like, you can do that?? With words???? Damn, son. It’s about a 18th century book printer who makes novelty books; he gets hired by a duke who’s obsessed with puzzles, to the point that he rigged his entire castle to rearrange its own fucking floor plan like an architectural Rubik’s cube. I’m talking beds leaving their rooms to zip around the castle on rails, in the middle of the night; moving walls; entire bookshelves leaving the library to make loops around the building. Some serious steampunk shit. This duke hires the printer to make a book that never ends, and this quest leads him on a journey across the world to gather the materials to print and bind his book. It is not as boring as it sounds, I promise. I mostly remember it for the lesbian pirate who liberates slave ships, but also for the really good prose, which is one of the reasons why I keep it on the desk for reference.

Sabriel by Garth Nix. Amazing worldbuilding, excellent prose, great characters and relationships, an incredibly compelling narrative and a protagonist on the front cover (of my edition) that I’m very gay for. 

[ID: the cover of the book Sabriel, by Garth Nix. The cover art shows a young white woman, from about the knees up. Her eyes are hooded and pensive. She wears a flowing blue overcoat with white trim, patterned with silver keys. Twelve small bells in protective leather pouches hang from a bandolier across her chest. A scabbard hangs from a belt around her waist; across the bottom of the picture, just barely visible, she holds an unsheathed sword with arcane symbols carved into it. She holds one small bell in her hand. A blurred, formless black shadow with glowing orange slits for eyes reaches towards her shoulder with a gnarled hand. The woman looks slightly over her shoulder, eyes hooded and pensive. End ID.]

The titular protagonist is part of a divine line of necromancers sworn to make sure the dead stay dead. She’s forced to journey from her current residence - a country like WWII-era Europe, except everyone can do magic and has a sword - across the border into the Old Kingdom, when her father goes missing and dead things everywhere start rising. I keep this one around for help with basically everything.

Other passive sources of inspiration for me include:

Lord of the Rings. My first fandom and one I’ll always return to. It informs so, so much of how I structure arcs and characters. It’s a good thing that most of the friends I bounce things off of/write for aren’t super familiar with it, because they’d be able to guess the plot of TCOS in like 5 minutes if they did.

TAZ, of course

the MCU, before the franchise went to shit and I developed critical thinking skills

the Pendragon series by D.J. MacHale (more of an elementary-middle school inspiration for me, which convinced me to take a leap into novel writing. I still have 3 or 4 of the books from this 10-book monolith)

video games:

999: 9 Hours, 9 Persons, 9 Doors

Beyond Good and Evil

Myst, games 1-3

I’m also subscribed to the Poetry Foundation’s poem of the day newsletter, which often sends me something that fucking Gets Me. At the moment, I’ve been really taken with the poems of Catherine Pierce; she came to do a reading at my college recently, and we read her collection The Tornado is the World for my poetry workshop course. I can’t recommend her enough. She’s got a gift for saying a lot in a frank, arresting way. Here’s an excerpt from “The Mother Warns the Tornado,” which is from that book (time to see if tumblr fucks up the formatting):

I will heed the warning

protocol, I will cover him with my body, I will

wait with mattress and flashlight,

but know this: If you come down here—if you splinter your way through our pines,

if you suck the roof off this red-doored ranch,

if you reach out a smoky arm for my child—

I will turn hacksaw. I will turn grenade.

I will invent for you a throat and choke you.

I will find your stupid wicked whirling

head and cut it off. Do not test me.

If you come down here, I will teach you about

greed and hunger. I will slice you into palm-

sized gusts. Then I will feed you to yourself.

Good shit. Reminds me a lot of Mama. I highly recommend giving The Tornado is the World a read! Not every poem in the book is quite as visceral as “The Mother Warns the Tornado;” some are melancholy, some are brash and cocky, some are sad, some are sinister, some are overcome with joy. It’s a beautiful anthology, and I found it very easy to read and relate to. I annotated my copy to hell and back and I’m definitely keeping it for years to come.

I’m going to regret this later, probably, but! If anyone has any recommendations for books, TV shows, podcasts, whatever, send me an ask! I’ll make a list. Or, knowing me, a spreadsheet. Have at thee!

[itcameuponamidnightqueer]

a happier 2019 wrap-up

every year for new year’s, my mom gets everyone one-a-day calendars tailored to their interests. for 2020, she got me a calendar of funny/stupid answers people have written on tests. 

but for 2019, she gave me a calendar with a different trivia question every day. i had two rules for this calendar: 1) i had to write down an answer for each question, even if what i wrote down was the dumbest shit in the world, and 2) i wasn’t allowed to look at the answer until the day after. 

i saved up all of the ones that i got right bc i like to quantify things, so if nothing else, i know 93 things—

january 18: many musicians have recorded and performed the song “hallelujah.” who wrote it?

january 29: thurl ravenscroft was an accomplished voice actor who sang “you’re a mean one, mr. grinch.” however, ravenscroft was best known for voicing which TV commercial icon?

february 7: who was the first african american appointed to the US supreme court?

february 12: mount rushmore features the giant carved faces of george washington, abraham lincoln, thomas jefferson, and which other US president? 

february 13: what is ninjitsu? 

february 26: mae c. jemison went into space in 1992 aboard the endeavor, earning her what distinction?

february 27: who wrote and first recorded the song “big yellow taxi”?

march 2: what is the longest running show in broadway history?

march 5: what is the largest library in the world?

march 8: what two novels did the lesser-known brontë sister, anne, write?

march 12: which reptile can breathe through its rear end?

march 16: the winner of best picture at the 2017 oscars was moonlight—but, in an historic mix-up, the announcers initially declared which other nominee to be the winner?

march 21: which is the smallest planet in our solar system?

march 22: why is a pound cake called a pound cake? 

march 23: the hit musical wicked is based on a 1995 novel by which author?

march 24: billy eichner, comedian and host of billy on the street, once had a role on which beloved NBC sitcom?

march 27: name the star who plays offred in the hulu series the handmaid’s tale?

april 6: the 2015 song “fourfiveseconds” was a collaboration between rihanna, kanye west, and which other legendary musician?

april 8: why do apples turn brown when sliced?

april 16: what is a pooh-bah?

april 19: what is the belgian town of duffel’s claim to fame?

april 29: what ancient babylonian king created a compendium of 282 laws to guide society in 18th century BCE?

may 2: what is the name for the condition in which a dog’s feet smell like corn chips? 

may 5: in mary shelley’s frankenstein, which character is named frankenstein?

may 7: name the australian pop star whose debut studio album blue neighborhood included hits “youth” and “wild”.

may 10: which superhero did british actor benedict cumberbatch play in a 2016 film?

may 16: which american film tradition began this day in 1929?

may 17: in science, what does “triple point” refer to?

may 26: what function do cats’ whiskers serve?

may 27: where is the tomb of the unknown soldier located?

june 1: which cult classic film popularized the red swingline stapler? 

june 3: who is barbie (the doll) named after? 

june 4: eid al-fitr is an annual muslim festival that marks the end of what?

june 10: which actor was offered a role on the o.c. but turned it down for a role on one tree hill?

june 11: the sport that americans call soccer is known as football in many other countries. where did the term “soccer” originate?

june 17: there is a species of horsefly known as bootylicious. which celebrity inspired the nickname?

june 18: the amc series the walking dead is based on a series of comic books penned by which accomplished writer?

june 24: which actress played wonder woman in the 2017 film of the same name?

june 27: what makes chili peppers hot? 

june 28: which architectural engineering feat allowed the ancient incans to cross canyons and rivers with ease?

june 29: the word “scuba” is an acronym. what does it stand for? 

july 3: who is the bestselling fiction writer ever? 

july 5: which animated film was the first to be nominated for best picture at the oscars? 

july 9: which item did women living in the dust bowl during the great depression commonly fashion into clothing? 

july 16: in nintendo’s mario video games, the nefarious wario is mario’s foil. who is luigi’s foil and archrival? 

july 18: pop stars taylor swift and zayn malik teamed up to record the song “i don’t want to live forever” for which 2017 film soundtrack? 

july 22: which is the only letter that doesn’t appear on the periodic table? 

july 23: which novel is considered frank herbert’s masterpiece? 

july 25: name the three women who were cast in the first season of SNL in 1975. 

july 26: during which years did the olympics award official medals for the arts, including painting, architecture, sculpture, music, and literature?

july 28: what are the ingredients of a moscow mule?

august 2: which “luxury” music festival was supposed to take place in the bahamas in april 2017 but dissolved into chaos and was eventually canceled after attendees began to arrive?

august 3: what is the claim to fame of anchor bar in buffalo, NY? 

august 8: the la brea tar pits are a popular tourist attraction and fossil excavation site. what does “la brea” mean in spanish? 

august 9: the popular board game clue goes by which other name in the UK, where it was invented?

august 11: what is earth’s largest ocean? 

august 12: who wrote johnny cash’s “a boy named sue”?

august 13: what were the original 3 pokemon that players could choose from at the start of pokemon red and pokemon blue, the first pokemon video games released internationally?

august 14: what kind of music did katy perry release as a teenager before she became a pop star? 

august 20: philip k. dick’s novel do androids dream of electric sheep? inspired which 1982 film with a different title?

august 30: batman is to gotham city as superman is to what? 

september 6: what is the hottest planet in the solar system? 

september 9: the first book of the “his dark materials” trilogy is known as the golden compass in the US, and what in the UK? 

september 15: one of the classic monopoly player tokens is a dog. what breed is it?

september 16: why are spiders technically not considered insects?

september 22: on her debut album, lily allen included a song called “alfie” about her little brother. alfie allen is best known now for his role on which TV show?

october 2: a killer whale isn’t technically a whale. what is it?

october 8: name the breed of large domestic cats native to new england 

october 10: which company uses the slogan “because we’re worth it”?

october 12: which female pop star had a brief stint in an R&B group called basic instinct in the 1990s?

october 16: if you ordered a berliner in a cafe in wisconsin, what would they serve you?

october 21: in 1943, when many NFL players were drafted for service in WWII, which two teams combined forces and formed a team called the steagles?

october 25: virginia was the birthplace of 8 US presidents. which state follows close on virginia’s heels as the birthplace of 7 US presidents?

october 28: bram stoker’s legendary vampire dracula is widely thought to be inspired by which real-life romanian prince?

october 30: in european folklore, what is a familiar? 

november 1: what does nanowrimo stand for?

november 13: name the movie that imagines how playwright j.m. barrie came to write peter pan.

november 14: which US state has the smallest population?

november 16: who technically owns all of the unmarked swans in england?

november 19: which entertainment icon was offered the role of phoebe in friends but turned it down?

november 22: robert louis stevenson’s novel treasure island features a cast of colorful characters, including the infamous long john silver. what is the name of the novel’s young protagonist, an innkeeper’s son who ends up serving as a cabin boy on a sea adventure?

november 23: where is dollywood?

november 28: not surprisingly, americans eat more food on thanksgiving than they do on any other day of the year. which day boasts the second-highest food consumption?

november 29: “swish swish”, a song on katy perry’s 2017 album witness, was rumored to be a diss track about which other pop star?

november 30: which actor wore a hairpiece every time he played james bond?

december 2: in greek mythology, perspehone was the goddess of the underworld and the wife of hades. who were persephone’s parents?

december 3: which prominent magazine declined to run an excerpt of the catcher in the rye on the grounds that the characters were unbelievable and the writing was “show-offy”? 

december 12: which comic book series featured batman’s first appearance? 

december 14: what was elvis presley’s natural hair color?

december 21: a 16th century da Vinci manuscript known as the codex leicester sold for over $30 million. who was the wealthy buyer?

december 23: ancient egyptian queen cleopatra had relationships with both julius caesar and mark antony. which of the two men was she buried next to?

december 27: which of the following hollywood stars did not get their start on the disney channel—shia labeouf, hayden panettiere, keri russell, ellen page, ryan gosling

december 29: technically, peanuts aren’t nuts. what are they?

[kylendooleydesigns]

Hazbin Hotel and My Thoughts on Feminism

This review is in no way aimed at any one specific group or ideology. These are mere opinions that people can choose to agree or not agree with. I am no way trying to sway the minds of anyone who chooses to read this review, people have their own opinions and have the right to express them. Thank you.

First, let me begin with my thoughts on the "modern feminist", I'll get to what I mean by that in a moment. For now, let's start with what the definition of feminism is; Merriam-Webster defines feminism as the theory of the political, economic, and social equality of the sexes and the organized activity on behalf of women's rights and interests.

Now, with that said, I'd for everyone to pay attention to the word "equality". Feminism's roots can be traced all the way back to Plato and his classic Republic, where he advocated that women had the "natural capacities" that were equal to that of men for governing and defending Ancient Greece. (Olson, John, History.com) Ever since Plato's advocation for women's equal standing to men, women have been protesting and fighting for their rights to stand at the same political and economic point as their male counterparts. It wasn't until the late 18th and early 19th centuries when women were finally given their right to vote, New Zealand being the first sovereign state to give these rights to their women. After this revolutionary change, women joined in the war efforts of WWII, the Civil Rights movements, and began the Equal Pay Act of 1963, which still continues to this day.

Now, while I admit that the idea that the Equal Pay Act was created in 1963 and we are still dealing with the unfair distribution of pay between men and women, I'd like to bring up a personal point. My mother, who was born in 1963 mind you, has been working since her teenage years. She joined the military, got married, had a kid, divorced, remarried, and had another kid after her time in the military had come to an end, she fighting in the Gulf War before then. With only a military background and no college degree, my mom continued and still continues to work for the government through checking military helicopters for cracks to keep them from falling apart from atmospheric pressure. She's worked like this for over thirty years, seeing people come and go, men getting laid off or getting paid more than her fellow female co-workers. With that said, my mom actually gets paid more than most the men she works with, not only because she's the only one at her workplace who has the qualifications to do her line of work, but because she rarely ever takes time off. In fact, while she was pregnant with me, my mom refused to take maternity leave and went on working in this hazardous workplace despite the many objections of her male co-workers all the way up to my birth, my dad having to travel back and forth to see both my mom and me while he got our current house ready, meaning he wasn't always there to take care of her.

Years later, a female co-worker of hers got pregnant, took her maternity leave and when she got back, she found out a male co-worker had gotten paid more than her since her time away. She of course went off on her supervisor, but here's the thing: because she had taken her maternity leave and was unable to work, her male co-worker had to basically take on a double-shift and do the work she was in charge of, thus receiving pay for doing so.

Growing up in an environment with a mother who was a strong, independent woman after her divorce with a daughter and having to fight in an actual war that may or may not have lead to her sleep apnea and a dad who supported my mom from a different state while she was pregnant, I never saw there being that big an issue with the equality of men and women.

Now, I will say the unequal pay issue does get under my skin; however, the thing about equal pay and equal rights, is that women have to put in as much work and as much effort in their workplace as their male co-workers. Like I said, my mom worked while she was pregnant, thus getting the pay she deserved for the work she put in and her female co-worker who took  her maternity leave and got mad for the work she didn't do went to her male co-worker. I can only imagine how she'd feel about it if the co-worker was a fellow woman.

This brings up my issue with the modern day feminist. Back in the day during the early growth of feminism, the issue was about equality. Now a days, it seems that "equality" is being replaced by "superiority". Here's an example of what I mean, I have more guy friends than girl friends, and most my guy friends are huge gentlemen, always wanting to support and keep us women's spirits up, meaning they enjoy paying for their food and opening doors for them. One such friend was sweet enough to open a door for a complete stranger who happened to be an older woman. Instead of thanking him for his kindness, with no real care that she was a woman, she went off on him and told him that just because she was a woman didn't mean he had the right to treat her like some delicate flower. He was, rightfully so, very confused and a tad hurt. I, Original Fox, a woman, upon hearing this story, called her a "bitch". Here's the thing ladies, people who are nice and do things out of the kindness of their hearts do it because their cool people, they're not doing it to make fun of our physical differences.

With that said, my conclusion to the feminist movement is that I believe in equality, equality meaning we are all treated, act, and do things as equal beings, not one being above the other. I don't care who you are, what you identify by, what your background is, how you handle a situation as a person, or what issues you're dealing with, if you put in the time, effort, strengths, and fight to do what you think you deserve without blaming a certain group: men, women, religion, politics, whatever, I'm rooting for you. Don't listen to the racists, sexists, and closed minded people who want to bring your personal views down and prove to them without putting yourself at the top of the advocate pillar and saying you deserve better without even proving it.

Now, on with the review of Hazbin Hotel.

For those who don't know, Hazbin Hotel is a pilot two years in the making created by YouTube Animator Vivziepop or Vivienne Medrano, who is best known for her Die Young music video by Kesha using her Zoophobia werewolf character Jay Jay. The story centers around Charlie Magne, the princess of Hell, and her hopes to open a hotel for rehabilitating demons and sinners. This plan contrasts with that of the yearly "cleansing" where non-angelic looking angels come and slaughter the inhabitants of Hell to make room for more sinners. Wanting to find a less violent way of hindering this overpopulation, Charlie, along with her manager/girlfriend, Vaggie, and their first client, porn star, Angel Dust, must prove their cause will work in order to keep the Happy Hotel running.

When I heard of this, I was excited and had high hopes. I had been a fan of Vivziepop's work for a long while, enjoying her animations and loving her now on hiatus, Zoophobia webcomic, and when I heard a project she had a huge passion for was going to air a pilot with the help a whole production team, voice actors, and some genuine talent, I was at the edge of my seat and had anticipated the pilot being aired. Does it live up to all the hype? Let's find out!

Well, off the bat, I wasn't all too crazy about the opening. I had been, admittedly, overly excited for the pilot and was expecting something... Different. The opening is your basic musical opening where the main character sings while images of what the world is like moves about around them, which wouldn't be so bad, if the musical number was original. The opening song "I'm Always Chasing Rainbows" was written by Joseph McCarthy and was first performed by Dolly Sisters in the musical Oh, Look! When I found this out, I was a little disappointed. I was probably expecting way too much from this pilot, but at the very least, I was expecting a more original musical number written by the team Vivziepop worked with in bringing this pilot to life. But that's probably just a nit-pick on my part, like I said, I was expecting a little too much from these people.

After the opening, we're immediately introduced to everyone's favorite, slutty spider, Angel Dust and his sassy attitude toward people who want to slut shame him. What follows is what I can only describe as being a story on crack. Everything is shown to us super fast with little time to breathe and explore the setting we are in, which I can understand with Sir Pentious and maybe Cherri Bomb, but with just getting out of the musical number of Charlie singing about how her world isn't the way she wants it to be and being introduced to Angel through a "don't slut shame, because it's their body and no one else's", it just seems like everything happens way to fast and everything is thrown at us without really letting us appreciate what we're looking at, the news scene being no better as they zip through the report of the fight going on and the introduction of Charlie and her "passion project". Again, that may be a little nit-picky as I did have higher expectations.

It's here that I also would have liked to know what the two little demons that help Charlie with her second musical number were and what role they play in her life. I mean, they must be either her mom or dad's henchmen or "help" wherever Charlie's used to live, but I would have preferred they played a bigger role than just singing and playing their instruments.

The third issue I have at this point is the use of sound effects. Again, a little nit-picky, BUT, I feel the use of sound effects with every movement and moment a character is on screen is a little too much. It doesn't help that the soundtrack never shuts up. Music or a sound is always playing, never allowing for us to take in what the character is saying on a more complex or understanding level. The only parts that are quiet are the limo scene and the Charlie calling her mom scene, which are honestly two of my three favorite parts because we get to see and meet these characters, understanding them and their personalities, as well the relationships they have with each other. Except maybe Charlie and Vaggie's, but I'll get to that later.

I enjoy the relationship Charlie does have with Katie Killjoy (in fact I enjoy Katie's relationship with Tom as well), the only critique I have here is Katie's "I don't touch the gays. I have standards." This just seems to be an add-on to make us despise Katie as a character, because of her views on the gay community, basically saying homophobia is a bad trait of a person and makes a character more of a villain, which I've known homophobes. They're not evil, they've just been raised in an environment where being gay isn't the norm and, in a strict background, "the gays" is a mental illness that can be easily taken care of through the proper therapy. As for Katie's "standards", again, this doesn't mean she's a terrible character. In fact, look at it like this, it's an adult cartoon and the jokes are meant to make you laugh, not judge a certain group in a cold and harsh way.

However, Charlie's relationship with the people of Hell as their princess and heir to the throne, I find a little off pudding. I'm sure there's some kind of hidden meaning to how the royal family is treated as celebrities over that of rulers of a certain area, but for now, I'm just gonna nit-pick a little more. My opinion on princesses in the media is at a bit of an all time low. Ever since the birth of the Disney Princess Trope, the views of a princess in any form in the media has been to hate being a princess, sing about how much it sucks to be a princess, remain princess when it's obvious they're no longer a princess and should take the title of Queen. Charlie is sadly part of this trope, the only good part of this being that no one but her girlfriend takes pity on her. What I mean by this is that Charlie shows signs that her father has high expectations of her becoming the heir to Hell and taking rule in his place as the future queen, making her status something to sing about how much that sucks, of course her dreams contrast with that of her father's expectations, like most Disney Princesses. That being said, I'm not exactly sure I see the purpose of her being the princess of Hell when no one treats her as one nor do they seem to care that Lucifer is her father, other than to make her relationship with her father strained, which isn't bad don't get me wrong, but there are other ways to work that subplot in without adding the title of princess to her name.

After the whole fight scene, we get the scene where Vaggie goes off on Angel for making the hotel look like a joke. This coincides with my issue with the whole feminist aspect and her and Charlie's relationship, so I'll get to that later. But I like this part because of the quiet moment we get, so there we go for whatever that was.

When the trio gets home, I do like how we see a subtle hint to the fact that Angel does want to reform and go to Heaven and escape his abusive sugar daddy by how he makes a crack at the lack of food to feed all of the non-existent souls and immediately feels bad. Of course, you can't force change on someone in the blink of an eye, so I give him a pat on the shoulder for not knowing how to apologize for his assholiness.

This then leads us to the calling mom scene where we see Charlie struggling to prove her father wrong and asking her mom for advice for feeling this way. From what I can assume either her folks are divorced, her father is dead and Lilith is in charge of Hell, or Lucifer left that part of his family to marry Narissa from Zoophobia and had Damian. I mean in the opening we see a shadow of Lucifer taking the shape of Zoophobia's version of the Devil, so that's my fan theory and I'm sticking to it! And before people say that's impossible, if that's the case, then Charlies is no longer the heir to the throne, but here's my response to that: Charlie was born first and is the daughter of Lilith, who I'm not gonna get into, because this isn't part of the review, therefore making her take the throne before Damian by political standards. Anyway, this scene was fine, I wish there was more info on exactly what her relationship is with both her parents, seeing as they never make a real appearance in the pilot to show their personalities, but I'd also like it if there was a main character whose relationship with their parents isn't severed because of the character's dreams, a strict family, or dead.

And then HE comes into the picture. THE one character I lost my mind over. Alastor, the Radio Demon!!! I LOVE this character! While I'm sure most fans find Angel to be their favorite character and don't get me wrong Angel is awesome, Alastor is what has me hooked to the show. To compare him to Charlie, Vaggie, or Angel, Alastor, in my opinion, is an optimistic pessimist, something I find myself as being on a daily basis as I too find good entertainment in the destruction of others as they fall into the fiery pits of failure. Not only that, but each moment he's on screen there's this mysterious vibe about him with his permanent smile and his end goal in helping Charlie, something I find rather attractive of my demon... I mean... Men. His interactions with the other characters is fun, he's got a classy excitement to him, wanting to provide and receive entertainment in the most morbid and old times of places. His version of "Inside of Every Demon is a Rainbow" is a hilarious change to Charlie's cheery, uplifting view of her people, his version being a look at the souls in Hell as lost causes, their punishments being eternal, there being no escape except for the life they've lived before and the agony they have to face now is bliss. His take down of Sir Pentious was like a huge "bitch please" which was absolutely wonderful, from his power to his facial expression in the end.

With that said, is this pilot flawless...? No, absolutely not, far from it. There's some things, like the soundtrack, the opening song, and the sound effects I'd think about doubling down on and allow us to take in the world we're being introduced in to. If someone came into this show completely blind, they'd probably be a tad confused as to what's happening and why. Fans already know Charlie is an overly optimistic demon spawn, Vaggie is a pessimistic feminist with no care for men, Angel Dust is a cross-dressing spider who enjoys being the "bad boy", and Alastor is a deer with a need for endless entertainment. People who don't know VivziePop and her work, won't know/care much about these characters going straight in and will most likely like to explore the world and its why.

And now, the coup-de-gras: my one issue with this pilot and what it seems to be shoving down pessimistic people like me's throat. Women rule and straight men suck. Do NOT quote me on this. I do not know Vivienne or the people she worked with to make this pilot. This is MY opinion after having watching the pilot, listening, reading, and following the creation of this show from the beginning. They can correct me on this in future episodes or deeper dives in to characters and development.

So, off the bat, we're introduced to a male gay character who dresses like a woman and is slut shamed by everyone except his friends who have similar views as he does. In my opinion, this doesn't work for me. I get wanting to "represent the minority"; however, the depiction of straight, heterosexual characters slut shaming or having sexual encounter/feelings toward said character with cruel intentions to bring someone down isn't something I see as a good representation. Granted, there are several people out there who will make a person feel like shit for having views that do not conform to what society deems as normal, but in today's world, where media and the children of today are exposed to these views, the "minority" becomes the majority. I get it, life sucks, oh darn, well then fight for equality, don't fight to make straight cisgender community seen as the closed minded community that doesn't give a damn. There are plenty of cisgender heterosexuals who support the LGBTQ+ community and have no problem with anyone who doesn't fit the old views of the world. It just seems, from what I've experienced, that if you're a straight, cisgender human being that has no real tie to the Pride Movement, you're a homophobic monster who takes the side of all the haters. That's not true, we just aren't playing for the same teams nor do we believe we were born in the wrong body.

Next is Charlie and Vaggie's relationship. Don't get me wrong, having a gay lead is no skin off my nose, if anything, I don't give a damn what their attracted to. If their a good character and have good development and don't let their sexual identity get in the way of their goals, I'm good. But when it comes to Vaggie and Charlie, there's just something I personally find "off". For one, VivziePop actually brought this up in a Tumblr post in response to another about how they didn't like the idea of Charlie and Vaggie being a canon couple because it'd just be another way of representing the gay community through the media's abuse of showing how open minded they are, to this VivziePop revealed that Vaggie and Charlie are indeed a couple, but she'd rather not focus on their relationship and instead focus on the story. But upon the pilot's release, their relationship is already put a slight focus on from Katie's "I don't touch the gays" afterwards touching Charlie who Vivzie revealed may be a Bisexual characters having dating a male character in the past and to the overly cutesy peppy girl and her overly protective, pessimistic girlfriend. I honestly don't care about whatever relationship these two have, so long as it doesn't effect the plot in a negative way, one example being that they fight, break up, and get back together through some TV show bullshit that has little to do with the rest of the show's running. This show is about getting demons into Heaven, it's not an after school soap opera.

This brings me to Vaggie's character as a whole and to her views affecting that of the central tone of the show itself. Vaggie is clearly a feminist, this being brought up when Angel reminds her that she doesn't seem to trust any man, any men... Men. She punches a guy who calls her girl a bitch, gets angry at Angel only when Charlie screwed up too by both singing and getting in a fight with Katie when Vaggie specifically told her not to sing as what they were doing was serious, refuses to trust Alastor without allowing him a second chance, something she is helping Charlie to achieve and support despite Charlie herself being open to helping Alastor understand where she's coming from, and calls the hotel a "man cave" just because Husk gets a bar in order to keep him working at the hotel. I get it, alcohol is somehow a sin to the hotel, most likely because it can lead to drunkenness or sloth and gluttony, but that doesn't make it a brothel or a man cave. In fact, she doesn't seem to argue having Nifty, a female character as part of the staff as she just zips around cleaning, but here's the thing about Nifty: it's clear she's straight and how they portray how straight she is contrasts with the other female main characters. Nifty is boy crazy and a clean freak, being confused as to why the hotel is such a dump when everyone living there is ladies, not knowing Angel on a personal level yet and wonders where all the men are. This to me, is a stereotypical straight cisgender female: wanting to clean, make new friends, and meet some men. Being a cisgender, straight, female myself, I can tell you, that's not who I and I hope some other girls are. I've never been much of a clean freak or boy crazy, in fact I'm a bit of a slob and don't really give two shits about men; I've honestly got more important things to concern myself with than over getting a boyfriend. Nifty is a fun character and I enjoy her place in the show, but I would have liked it if Vaggie immediately wanted her out of the hotel as she did with Husk and Alastor, showing some God damned equality as a feminist and if Nifty was a little less concerned about gender roles and having men around. Depicting feminism is fine in media, but don't go overboard with it. Make some straight, cisgender males actually great people who support the ideals of women and don't want to see them fail, show the equality we as women fought so hard to achieve, by making the roles of men and women equal, not one gender being better than the other morally. Alastor is a great character, but he did slap Vaggie's ass, which was unneeded, but I'll admit I found that hilarious. I can only hope Alastor is only fucking with Vaggie and her views on men and turns to a pretty awesome guy who, while not believing in her cause, supports Charlie anyway he can.

All in all, I loved this pilot and see great things coming its way, I just think things could be tweaked and lessened down to be less of a huge middle finger to certain groups of people and less of an Ed, Edd, and Eddy soundtrack of unnecessary sound effects. I'd recommend this pilot to anyone with a passion for animation and wanting to put something you've worked years for to give them that jolt of ambition. If you're bothered by too many loud moments, less quiet moments, too many jabs at the heterosexual cisgender community, and lots and lots of sex jokes, this probably isn't for you. Check it out on YouTube and give it a try.

P.S. to those of the religious community, me being part of it, if the version of this Hell is off pudding and isn't how it should be depicted in comparison to that of the biblical version and it offends you, I suggest either ignoring the pilot completely and its growth, or you can see the horrifying reality behind it... It's... An... Adult... Cartoon!!! *collective gasps* for more information please check Family Guy, South Park, and, I know I'm dating myself here, but literally every episode of the Simpsons ever.

I hope I didn't offend anyone with this rant/review. These are just my personal views and should be taken with a grain of salt.

Eat chocolate.

Imma take a nap!

[luciemiddleford]

On Fics I'll most probably never write but have ideas for: Outlander/PJO crossover

Main points would be:

* Claire has Fae ancestry on her mom's side (I'm imagining it somewhat distant, like her grandfather or something, not directly per se).

* Claire would be a child of Poseidon (mostly because bloodbending could be GOOD damn it and I rarely see it treated as anything but evil).

* "Uncle Lamb" was her mother's younger brother, who ended up giving her the family surname and getting it all hushed up when said sister died in childbirth.

* Claire being a demigod child of Poseidon works well with her never quite being able to spend much time anywhere, and Lamb constantly moving them all over the world (maybe he realized his niece was being hunted by monsters and that's why he didn't leave her in a boarding school?).

* Part of the reason Claire was hard-ish to track even being a child of the Big Three is because she was constantly surrounded by prominent smells (the collective sweat of the other archeologists in the digs, spices, herbs, tobacco, etc.)

* Maybe her fae grandpa helped to keep her demigod presence subdued as a favour to either Lamb or his sister (Julia? I think it's sorta accepted Claire's mom was called Julia?).

* This was admittedly inspired by me reading @ofswordsandpens 's 7 Seas of Rhye fic and pondering how pre-WWII children of the Big Three were.

* This also comes from an e-mail rant I sent my best pal NickelTheRed about this very thing some days ago, in which I'll quote myself: "I guess I'm just hit again by the impact of the World Wars. What they meant, for the world, for history, for those who thought they had it all in the 20s to have their world come crashing down after 1933 and onwards, while Germany starved and raged and slowly moved towards the horror that followed."

Like, I imagine Claire, like at the start of Outlander (show, I mean, haven't read the books) thought that she would finally be able to make a permanent home with Frank, to settle, just to have that dream crashing with the start of the WWII and after, not only the way that war changed them both, but also how she was whisked away basically right after.

* The fae heritage is my way of rationalizing the faery stones and Claire being able to travel through them. Since after the oath of the Big Three Zeus seems to have moved right to murder whatever children of Poseidon and Hades that happened to survive the war (i.e. Bianca and Nico being so obviously targeted via lightning bolt to their hotel).

Other quotes of my e-mail rant 'cause I think I worded it well there:

"And I keep imagining Claire, asides from the show and the books, as the young woman she was at the start (and boy does the fact that she and her uncle kept moving CONSTANTLY never truly settling anywhere make sense if she was a demigod of the Big Three, especially hunted by every monster in the vicinity and very hard to keep hidden/disguised even before her awareness of her powers makes her even more visible to her hunters), thinking that AT LAST she'll be able to have a HOME to call hers, somewhere to settle and just... enjoy life, when WWII happens and her every hope of having a normal happy life with Frank is torn to shreds and stepped on.

And maybe part of her knows it, that the War will break them forever, even if she won't dare to admit it till she finds herself in the 18th century. Maybe part of her feels her divine heritage calling her to action, inexorably, inevitably.

Because children of Poseidon have control over fluids [I'm taking Percy as a model here sorta], and because I've always interested in bloodbending and sad that asides from his temporary sadistic snap Percy didn't get to expand on it and explore it... because part of me is mad af that bloodbending and any type of blood magic is by default considered bad or evil with no conscience of how much good it could bring...

I imagine that when Claire at last starts being unable to ignore the "magic" in her, the something-more that has always been kept hidden underwraps due to her uncle's loving diligent efforts, is so near the frontlines she can't seem to get the smell of battle off her nose.

With a dying man at her fingertips, desperately needing to STOP BLEEDING and the doctors too overwhelmed to help her patient. Her, a nurse with definitely not enough training to fix his arteries (because oh gods, there was so little time when the world finally exploded, it was there and staring at them, the ticking bomb, but they ignored it too long and there was no time to prepare by the time it did, they couldn't do that anymore). So she's desperate.

There are so many corpses, she's seen so many dead, and not being able to help, to save them so often has broken down her barriers, broken her to the bone.

So she shatters, inside, and then she feels it. Like suddenly being aware of something that had been staring at her face the whole time, veiled till just about then. Her eyes go from honey whisky to sea green, and the blood stops flowing from her patient.

And Claire doesn't know how, or why, but the blood has stopped flowing out and she just wants the damage to be repaired, for fucks shake.

And it is. It IS, and if there are more monsters going after her she doesn't know or doesn't notice, because she's already in the middle of hell and the enemies are endless anyway.

Everywhere, all the time, barely able to rest and breathe, taking every moment of respite like the miracle it is, because tomorrow there may be none.

Seeing Frank maybe once in two years, but being too sunk in her newfound nature - She can save them! More! More! Soldiers keep finding life under her fingertips, and the harried doctors praise her and trust her more, because this girl-woman is EFFECTIVE and in war that's all that matters, and she learns more from them than she had before, while fully aware that her way of healing is intrinsecally different, but works better the better she knows human bodies and how they're supposed to work, to heal - and the endless madness that is WWII takes her full attention.

And maybe her dreams get weirder, and she keeps seeing this imposing, handsome man with a trident that tries to talk to her but she's incased in blood and nothing quite reaches her beyond her name, but she thinks it may be a fuzzy memory of her long dead father.

And one day a stranger with sea green eyes, an american soldier for sure, finds her trapped in a ditch where she thought her days would end - the bomb came so suddenly, there were German soldiers nearby, she could hear them shooting down other survivors but she's trapped beneath at least two corpses and that may have just saved her life. This stranger feels familiar, and yet not, and for maybe the first time she wonders if anyone on her father's mysterious family just happened to live in America, didn't her uncle once say that her father had moved there before meeting her mom?

(It's one of her brothers, but she'll never know that. He dies not two days later in another bomb attack and she can't help but cry like a madwoman over his corpse for hours on end)"

Aka: I need more magical Claire. And demigods. And good bloodbending.

[convivialcamera]

What inspired you to write On Deadline? It is so tight and perfect. I'm in love, and would die to hear your process.

“On Deadline” is very much about my biggest obsessions: Outlander, journalism, and dating your coworkers [yes, I met my partner at work]. I came up with the premise when I was finishing up “The Time Before,” and it was almost like a bolt of lightning. I’ve always found the mystery of what happened to Alex MacGregor to be compelling in the books, and while we know very broad strokes a lot is still ambiguous. And, it was such an obvious case of official overreach, I was sure I could easily translate it into a case of police abuse that would have a lot of legs for a story. 

So, then I started picking out roles for everyone. I set it at a local newspaper, which are truly the engines of all journalism (they do the bulk of the reporting you see on TV and radio and on Buzzfeed, so PSA: Subscribe to your local newspaper!). Then I decided the best way to get that Fresh-To-Leoch feel Jamie has in “Outlander” was to make him the rookie reporter. Claire was tougher to place, and I actually went through a few roles for her, but came to the conclusion that a photojournalist would be the most Claire-like, in that they're action-oriented, always in the middle of things, attracted to danger and, of course, skilled in specialized equipment. 

After that, everyone else was easy: Dougal makes the perfect editor, to ride roughshod over Jamie and everyone else. Colum hasn’t made an appearance yet, but it’s mentioned he’s the publisher, and the publisher/editor relationship can have some strong laird/war chief dynamics. Popping Angus and Rupert in the story as seasoned features reporters felt right -- they bring the unprofessionalism of a newsroom to life. Mrs. Fitz is OF COURSE the city editor, she’s the hands-on manager that supervises the entire newsroom and basically runs the whole damn place. Making Geillis another photojournalist emphasizes her kinship with Claire, although I think I’ve underutilized her so far, and Laoghaire as the intern, well, I feel that explains itself.

As far as the storyline, I’m inspired by the beats in “Outlander,” to an extent, with a huge amount of modernizing and centering of the Alex MacGregor mystery plot. I gave Claire a huge secret backstory because, for one, she carries around a huge secret in “Outlander,” and two, because I wanted Claire to be, in essence, a war veteran. One of my pet theories is that Claire loves the 18th century so much because she was practically on the front lines of WWII, which was in some ways very traumatizing. Her decision to stay in the past is as much about Jamie, to me, as it is a reaction to her war experiences. So, I wanted Claire’s time in Libya to give her that same drive. 

I absolutely have an end-game plotted out, and maybe I should start writing it because I am fucking stuck now that I’m through the first act of the story. I feel like I’ve written myself in to a bit of corner, and now I have to write myself out. But I do think I’ve started making inroads, mostly trying to get Gellis a bit front and center, because I do love that crazy bitch. And I think Claire and Jamie need to go on a real date, not just a pizza/work thing. So, we’ll see! I’m still humping away, honest!