#like ... what do you expect lol

[shopwitchvamp]

An interesting observation I need to report to you all from when I was out touching grass last month (hiking/camping): People in the real world seem to consistently react to me saying that tumblr is my primary social media by going "Isn't that a dating app????"

[fauvester]

THE KING OF THE NORTHERN DESERT... AND THE LITTLE CROWN PRINCE OF THE NORTHERN DESERT!

i like to think that demon children are naturally very self sufficient and feral and after birth their parents just sort of. throw them to the wilds to raise themselves. but shang qinghua isn't going to let MBJ pass up on being a boydad god damn it

[homielander]

like yeah of course tom thinks shiv is a scorpion because he doesn't know she compromised her position and sacrificed her brother so he wouldn't go to prison. he doesn't know she refused to divulge any information about cruises to gil in season 1 before she was certain tom would walk away unscathed. he doesn't know she shut down her brothers' offer to fire him, doesn't know she ensured he'd have a place in the company post-acquisition, doesn't know that the first time she indelicately interrogated matsson about whether she'd have any power and influence at waystar gojo was literally immediately after matsson brought up the idea of firing tom. and it's her fault he doesn't know that she's protected him at nearly every turn because she won't tell him. and it's looking more likely with every passing episode that he'll never know 😔🔫

[fumifooms]

Chilchuck analysis speedrun: As a hardworking half-foot who grew up poor and discriminated against and had his gullibility taken advantage of multiple times in his early adventuring days, Chilchuck thinks optimism is a dangerous flaw. He’s stressed and strict all the time because his job is noticing details like traps that could get everyone killed before anyone knows it, he takes the lives of everyone to be on his shoulders, and with the way he speaks about it that probably partly reflects how he felt about taking it upon himself to provide for his family too. His life’s always been pretty centered around work and has become even moreso now that his wife left and everyone is independent, and due to past events he’s very iffy with bonding with coworkers. He thinks feelings and job are a disaster mix. Like with his wife or with parties hiring him as sacrifice, being open or having good faith is vulnerability which can get you hurt, so he processes and shows all his stress as anger instead of worry. Doing strict dieting probably isn’t helping the irritability what with hunger, and on top of being a hunger suppressant alcohol might be the main stress reliever he has.

His grey hairs are so earned

[liauditore]

Equally Invalid

[unproduciblesmackdown]

always enjoyed the Chess Set In The Foreground perspective framing used here

now also noting like, huh, a chess set in a general store just visited by marigold competitors who killed one of their guys and are now on the way back from their rendezvous point w/suppliers

[bisexualfbiagents]

Do you believe that my sister Samantha was abducted by aliens? Have you ever believed that? No. So what do you think happened to her?

THE X FILES | FOX MULDER in Paper Hearts (4.10) Happy Birthday @samanthamulder🎉

[ilkkawhat]

[omaano]

If Anakin gets his Vader shadow, then Maul deserves a reminder of Lotho Minor as a treat (to me) for the Hades AU

[starrysharks]

a buncha weirdos draw themselves

[lilidawnonthemoon]

[ganondoodle]

sometimes i wish i was one of those artist that make people go "this is a PAINTING???" or "with WHAT programm/medium???" but its just not what i can do or find fun :/

[vynnyal]

Turns out Sunlit Trail isn't quite done just yet, so after all that they just send you to a dead end 😂

[lovesickeros]

☆ love; heretical and divine

{☆} characters tsaritsa {☆} notes cult au, yandere, drabble, gender neutral reader {☆} warnings blood {☆} word count 0.8k

To love a God is heretical. It is an act of blasphemy– it is to drag them down from their throne of hollow gold, to topple the pedestal the worshipers uphold on their shoulders like lambs at the herders heel. It is the act of forcing them to their knees and ripping that beating heart of glorious gold and beautiful, cruel divinity from their chest, so pure it burns.

To love a God is to make them sin. To make them painfully, horribly human.

To love a God is to sin.

The love of a worshiper is no love at all, brilliant in its raw purity, untainted by sin. It is fear and obedience masked by adoration so overpowering it corrupts. It makes the lamb so unquestioning in it's faith it will never question the knife that cuts, the teeth that rip, the claws that tear. If the Creator deemed them unworthy of the very life crafted by their hands, then they must have committed a sin so grave there lay no salvation for their horrid soul.

But she is no worshiper– her lips speak of heresy as easily as she breathes, her words nothing but lies, cold and cruel like the ice that crawls along her skin like webs.

She loves a God like a lover should.

A damned sinner reaching longingly for the heavens.

She loves a God in the subtle brush of their lips, their muffled voices behind closed doors as they indulge in curiosity untamed. She is a sinner through and through, but she feels herself fall further with every brush of her hand across their cheeks, every touch she bestows upon them like a lover. She memorizes the imperfections of their body like memorizing a map– every scar, every mark, every line drawn on their body like a canvas, her touch the brush that stains the pristine white.

No devoted lamb shall ever see the painting they create in these stolen moments– it is for the eyes of a heretic so vile it makes them shudder, their body dirtied by the love of a woman so vile even their divinity is obscured by the ice.

The lambs may be satisfied with fleeting glimpses of gold and empty words from lips that guide them to the jaws of the wolves, but she is not. Her hands crave them like a starving hound, aching to touch that imperfect skin hidden by the veil of gold that obscures the painfully human body beneath. She longs to free them from the golden cage that binds them– to see their wings blot out the sky, their divinity tainted by sin and making them all the more beautiful for it.

It is a longing that leaves a festering wound that cannot heal, will not heal. Even if it could, she would not let it.

For as much as she tries, deny it as she may, she is no better then the blind lambs following the herder who holds a blade in their hand, glittering like gold in the sun, stained by dull red.

She is a fool, and what a fool they make of her with the touch of their hands against her skin– so cold it leaves frost on their fingertips. Yet they do not fear the cold, mapping out every inch of her imperfections, carved into her body by her own hands.

She has always been a heretic, cursing the divine until she could speak no more, but if divinity can be found in them – in this love that consumes, that burns her hands and her lips – then she is a Saint, praying at the altar until her throat bled.

But in the end, she has and will always be a cold woman with hands stained with blood. Until it is all she can taste, until it is all she can smell, until it is all she can feel. These hands of hers, heretical and divine, will bleed the God from their veins– she will become the wolf to their lamb until the rivers of Teyvat run gold with their ichor, until the gold bleeds into red, the taste of their divinity on her tongue.

Until she drags a God from their lofty throne and makes of them a monster.

There is no greater triumph to the heretic then to love a God into sin. To make a God sin to love.

To love is to be human, and they are no God.

Even if she must tear the gold from their very being until all that's left is something human. Even if Teyvat crumbles and decays, even if it begins over and over again..

She will do it again and again, until the gold can bleed no longer. Until her sins grow too great for Teyvat to contain.

To love a God is to devour, and be devoured. An endless cycle of sin that dulls the glow of gold into something new– something horrifying and divine, in it's own right. Something just as horrid as her, just as divinely corrupted by the sins she carries on her shoulders like a trophy, as gold as the sun and as cold as ice.

Divinity, carved into something human by love all consuming, until it all bleeds away and they begin their dance anew, for as many cycles as it takes.

An eternity, if she must, of dooming this world of theirs to fire and decay for a glimpse of the being snared by their golden shackles.

[theprinceandthewitch]

See... part of me actually wants to know what Dana's thought process was with Luz's and Hunter's relationship.

Like... why did she decide to make Luz's type of boy "angsty warrior princes" even though Luz's type of boy could have been literally anything else?

Why was Luz's relationship with a prince highlighted as important since WBW? Even going to far as to make Luz write a romantic scene between her and a prince in Sense and Insensitivity. Hunter would not make his debut until season two, but they felt the need to bring him up in SAI.

Why wasn't there more of an effort to make sure Willow was there for all of Hunter's important moments?

Why did they keep hammering in the Lunter = Caleb/Evelyn parallels, even when Luz was dating Amity? If you want to argue Luz had to be there for all of Hunter's moments because she's the protagonist, it doesn't explain why they wrote these parallels. Especially the ones that came up in Hollow Mind and Thanks to Them.

Why is Luz honest with Hunter in Thanks to Them when she has never been honest with how she feels with any other character -- not even her girlfriend? What makes Hunter different from anyone else? She could have just kept how she actually feels to herself and it would have changed nothing. It's not like Hunter wouldn't have given his speech to Luz if she didn't tell him how she feels... cuz she literally tells everyone how she feels after Hunter comes back to life. This decision is strange and unbelievably haunting... because Thanks to Them brought up the Caleb/Evelyn lore in an episode where Luz's relationship with Hunter was the focus... oh okay... i guess this is nbd then. Like I'm just supposed to not make a big deal abt Luz being honest without having the truth forced out of her... okay. I guess i also shouldn't make a big deal about the other choice to have Hunter know Luz's secret in Hollow Mind.

You really just did that for reasons that are toooootally not shippy, huh? Mhm, okay! Sure, I believe you! [this is sarcasm, btw]

Why did WAD make Willow stand in front of Flapjack's grave with Hunter, even though the only other character with significant ties to Flapjack is Luz? WAD even made it clear Luz feels guilty about Flapjacks death... but she still isn't shown to pay respects to Flapjack post timeskip... WAD is gaslighting me into thinking Willow has significant thematic ties with Flapjack... as if she has a deeper relationship with that bird than Luz did. And just to make it even worse, they give EVERYONE Flapjack tattoos even though no other characters besides Luz and Hunter are tied to Flapjack. Especially Amity... like girlies first and last conversation with Hunter was when he made her feel bad about her relationship with Luz in Eclipse Lake... but the show is gaslighting me into thinking Amity and Hunter are friends or something. TOH LOVES tricking me into thinking certain character relationships exist...

I'm not going to ask why Hunter is unconcerned with Luz not coming through the portal right away in FTF because I already know the answer. This episode exists almost exclusively to make sure Hunter's arc ends with him holding pinkies with Willow. FTF is really funny for pulling this little stunt at the beginning because it's completely out of character for Hunter LMAO. Not sure why they've made such a big deal about Luz's and Hunter's relationship, just to pretend like it doesn't exist in FTF; only to then bring it up in WAD by having Hunter and Amity guide Luz out of the illusion... nightmare thing. They just cant stop bringing up Luz's relationship with Hunter even when both of them are dating someone else, it's so crazy.

[the-cat-and-the-birdie]

About Miguel taking the place of Gabriella's father -

BACK AT IT AGAIN WITH THE MILD MIGUEL -

I know we say ooooohhhh Miguel is a psychopath, he's evil for taking her dads place. that's so creepy

and yeah, it is creepy. horror movie shit

But Question:

If you saw a child, a child belonging to another you, going through a deep pain, alone. Wouldn't you step in?

If you knew that a child was about to experience a traumatic event - and you were the only person in the universe with the ability to help.

Would you? Like you, personally. Or would you turn the other way and let fate take it's course?

Would you even have the strength to do that?

When Gwen lost her father in front of Jess, Jess felt like someone had to step in. WE felt like someone had to step in.

When Gabriella lost her father in front of Miguel - wouldn't he feel it too? Wouldn't you?

He did. He stepped in. And he tried to change it. And he killed her.

When Miguel and Jess are both faced with a young girl, on the verse of losing her father in an abrupt and traumatic way, they probably both thought the same -

'Someone has to do something. I have to do something.'

So with that in mind - can we imagine that Miguel felt that same way when looking at Gabriella? A girl who just lost her father abruptly? In a violent, permanent way?

Looking at her father and knowing that...eventually - Gabby is going to know something is wrong. Her father isn't coming home. And very soon - she's going to start getting scared.

Knowing that from this day forward her life will chance in a very big and very painful way.

Or it couldn't.

Or, he could step in. Or, he could head 'home'. He can tuck Gabby in like nothing happened. She could go on like she lived everyday - normal, happy, safe, and with a dad that loves her. Nothing has to change. No funeral. No death anniversaries. No empty space. All he has to do is step in. Or, he can look the other way and let fate take it's course. And let Gabriella end up wherever the universe decides.

What would you do? Can you even decide that?

Look, Do I think what Miguel did was right - taking her father's place? I don't know. Does it matter? Either way - Gabriella suffered.

But do I think Miguel is a psychopath? Do I think he was obsessed, and scheming? No. I don't at all. I think he, like Jess, saw a kid in need. I think he's normal. He's Just Miguel. I think he was monitoring the universe for other Miguels, the same way they monitor all universes for anomalies or recruits. And when Lyla told him about the death - about Gabby - he was faced with a very hard decision -

I don't believe Miguel - at his baseline - is an intentionally malicious person. In any capacity.

I think he's a dude, like Jess - who saw a little girl in need. And now he's in way too deep, and people are dying, and he doesn't know how to stop it no matter how hard he tries and everything he does seems to make it even worse

And when he's trying - when he pulling out all the stops, finding all the best, watching universes day & night - nothing helps. Anomalies keep happening.

Even after all that, after making a whole society - he can't stop it. People are still dying.

And the moment he realizes this - the moment Miles breaks free and escapes. He realized once again - the universe is in control. He was never going to fix it. He never could.

All the efforts he put into The Society can't stop Spot - and they can't stop Miles.

And now, because Miguel isn't good enough to catch him, people are going to die, on his watch AGAIN.

Or..at least that's how Miguel sees it.

Miguel didn't sign up for this. He didn't sign up to be a boss holding all of existence together with duct tape and silly string.

He signed up to be a dad. He just wanted to help a little girl.

And now people are dying, Gabriellas dead, People's universes are on the edge of collapse, and now Miles is coming into play, and he's gonna lose HIS dad and Hobie's finally gone AWOL knowing it was gonna come eventually -

And Yes, he snapped. (lol not in the cvnty way)

Between those moments he went from this -

To this. The emotional deterioration is sudden. Everyone around him is stunned he's capable of this.

Does Miguel even know he's capable of this?

I don't know.

I just know this is us seeing a Miguel with reasoning - and a Miguel without it. A Miguel who is being conscious about what he's doing and the words he's picking, to a Miguel running on pure rage and fury and desperation alone.

There's no planning here. There's no stopping to think. He can't and he won't. He wants everyone in the field now.

This is Miguel not being normal. And he got to this point -

All because he wanted to help a little girl. The same way we wanted to help Gwen.

I don't think Miguel's story is about an unhinged man using trauma as an excuse to rule with an iron fist.

I don't think that's what this is. Miguel's story is the same as Jess story is the same as Peter's story.

He wanted to help this kid who needed him. And it backfired.

I think Miguel's story is a reminder that sometimes our help can hurt.

And I think his story is a reminder that Yes, even normal people can reach Miguel's level of rage.

Even normal people can be pushed to the point total powerlessness, of feeling like everything you do makes everything worse. To total desperation - just to make anything better some way, some how. To just get any sense of control back when you're on a ride you didn't ask for and can't get off of.

No - I don't think anybody would go mauling children, but I do think there is a point where it does get to much. When literally nothing in the universe is going how you want it to, and you're angry. At it, and everyone in it, anyone that goes along with it-

Anybody can snap.

At this point..I'm not trying to justify what he did - I never was.

I guess I'm just saying I admire Miguel and his character depth for making a very difficult choice. And I hope Gabriella enjoyed the time she had left with Miguel.

Not because he deserved it.

Because she didn't deserve anything that happened to her. She deserved a loving and happy dad. And I hope that's what he gave her. I hope she didn't have to know about all this terrible shit, or why her dad had to wear that watch ALL THE TIME now.

I hope Miguel did what he came to do in the time he had to do it and everything else sucks.

But back to the question.

You see a scared child about to lose their parents. Do you help them?

If that child was technically your child, if they looked like you and laughed like you, - if you knew no one else in the universe could make this better BUT YOU - would you help them? Or no? No judgement, I'm just curious. Because honestly...I don't know what I'd do. At the very least, I don't think Miguel malicious. I don't think he was scheming. In fact, maybe he didn't even think twice.

Who knows.

But looking back, I think everything - everything we see happen in ATSV - was solidified the moment he stepped into Gabriella's world. I don't think there was ever really a point where Miguel would be allowed to say 'I'm in over my head and I need out.'

He was never going to fix it. He never could. We know it. Maybe he knows it too.

But that doesn't mean he can stop trying.

Miguel was never gonna fix it. He was always bound to snap.

I guess what I'm saying is I feel bad for Miguel. Shoot me. Call it a brick and a hard place. But also don't maul kids.

I think he's just Miguel. And he's in way too deep, because he wanted to help. Some Mild Miguel. But anyway -

If you were Miguel: Would you have helped Gabriella?

BONUS QUESTION: If you knew you were going to be leaving behind an orphan child- and you knew your other self would love your child like their own and take your place without the kid enduring the pain - would you want them to step in, or no? Would you rather your kid know you're dead, and then let the system and proceedures play out as fate makes it?