#lights in the dark [ anima verse ]
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tresradiossolis · 2 years ago
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Babygirl
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tresradiossolis · 2 years ago
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If Elio could do anything but smile, their face locked in a permanent grin, she still would've given her the same smile she was now. Her eyes did however squint somewhat, reminiscent of when a particularly wide grin caused your cheeks to push up closer to your eyes.
"Don't worry about it friend.. do you have a guardian who can help you out? Maybe get you some ice for it?"
tresradiossolis​:
Elio was built for tending to lost children, but not really to patch them up. She did however have the ability to judge and tell how badly they were injured, and by the looks of it, Abigail didn’t need any bandaid at least. Perhaps something cool could ease the aching though?
The little bot reaches out his hand to her chin, cold plastic softly touching the redness.
“It’s okay if it does, everyone get hurt every now and then..”
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Abigail lightly flinches when she sees the hand, a habit she can’t help, but is quick to relax once she knows no harm was meant. One last small sniffle as the cold hand does its job well. A very shy and small smile on her tiny little face as she looks to the animatronic.
“Th-Thank you.”
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black-arcana · 6 months ago
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Simone Simons ➢ Aeterna
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[Verse 1] Now the ending is in sight In my heart of hearts I know As I bleed my final starlight Life is born as i let go
[Pre-Chorus] From the moment we arrive Love endures, beyond our fleeting years (Mysteries of life) Unseen forces unite We are one On stardust we ride
[Chorus] Amor, ira aeterna Fulgor, fatum, incendium Sensus omnes profundi Universo coniuncti sunt
[Verse 2] I release my final breath As my atom split the skies Through the endless and forever I am еchoed in your eyes
[Pre-Chorus] Feel thе universe inside Dark and light living deep within our hearts (Duality of life) Ageless forces unite We are one In starlight we shine
[Chorus] Amor, ira aeterna Fulgor, fatum, incendium Sensus omnes profundi Universo coniuncti sunt
[Bridge] Illa - lux Illa - lux Illa - lux Specta - et Specta - et Illa - vis aeterna infinita Lux - vigot mundi in anima Illa - penetravit in spiritum Lux - perobscura sed illustrat Specta - praeterita et futurum Et - posterum est superius Specta - mentem nostram altissimam Et - indivisam in tempore Illa
[Pre-Chorus] From the moment we arrive Love endures, beyond our fleeting years (Mysteries of time) Unseen forces unite We are one On stardust we ride
[Chorus] Amor, ira aeterna Fulgor, fatum, incendium
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speaker-of-the-void-cats · 6 months ago
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"You must learn to tease apart the hues of your own heart." —Parables of the Allspring.
Hey all! I'm a Warlock main named Matt and I've been posting my scattershot Destiny musings, ramblings, and theories since Lightfall's release. In that time, I've really enjoyed exploring the mysteries of the lore and honing my thoughts on Destiny's story through various posting styles. Particularly, I've loved exploring topics like the nature of the Darkness and the Veil, and their place in the story, as well as the generally rhyming, looping, spiraling structure of the game's narrative. I also love Eris, Drifter, Savathûn, and Osiris!
Sometimes I get a little all over, especially in those early posts, with big leaps and a lot of my own writing connecting the dots in an attempt to see a bit into the future. You'll have to pardon some of them, as I'm sure a few have aged pretty poorly or are just straight up bad. But as we've gone through the seasons and learned more, I've tried a sort of variation on web-weaving and assemblage by using lore entries, images, video, and sometimes song lyrics and poetry in a particular order and context to evoke specific moods or convey big, hard to articulate ideas and speculation. Sometimes, I just explore a theme or specific lore nook that fascinates me. It's a weird little practice in meaning-making I really like and the process has helped me unearth possible connections between things I've never considered in my many years following the lore.
As we move through The Final Shape, I wanted to finally compile a list of links to all my posts. Pardon the amount of repetition and, probably, off-the-wall speculation, but I hope you find something interesting if you decide to check them out! Also, keep an eye out for links. Sometimes it's simply the source text on Ishtar, other times.... something more. Please keep in mind that all these are products of the moment in time they were posted in, so topics I explored in early ones may have questions answered in the seasons since, or theories may have been proven unequivocally wrong. The list will largely go from earliest to most recent, and I'll put a * next to my favorites!
The Veil, Nezarec, and Jakob Bohme
Seeing the murals above the Veil enclosure
EMBRACE THE DARKNESS
Thank You, Verse 154i:4 - Call the Thrall
MCXLLII-I, forthcoming.
The EDZ saw paracausal conflict long before the Collapse
Pattern is system and system is sequence, but what is sequence?
Forsaken Lightfall
Deterministic Chaos
Eight
SALVAGE THE TRUTH
Aren't they beautiful?
"What is this feeling? I do not want it."
"They desired meaning. A Winnower to shape the garden."*
"How many legends of katabasis do we have, Ikora?"*
The Sundial
The Dreaming Cities
Not Light, not Dark: Power.*
Chiasmus*
Conspiracy Theory-D
The Truth in the Darkness...
Have you ever been afraid of your own Shadow?*
[I could be wrong. Is it possible the Black Heart will beat again?]*
©0RrUptIôN.*
Prismatic Hearts*
"We are unique emanations of the same shared Light."
Kugelblitz
Final attempts to understand before the Shape is unveiled*
[The following posts contain entries, imagery, and spoilers for the Final Shape and Echoes]
Paradrome
Speaker's Sight — Study the voice. Gaze into the heart.
"Focus. The Pyramid distracts. Nothing more."
It all means one thing
DECRYPTION KEY: 3136664202-777
Ruinous Effigy
There is only SUFFERING
SPOILER ALERT
Hope for the Future
It's not over
Echoing
Echoes of Deep Hidden Truth
Solipsism
Anima Mundi
Caught up in a web
II. Theory**
Gardener|ɿɘwonniW**
Cipher**
Eclipse**
"What is 'OXA,' and who was 'MSund12'?"
I know you're not afraid of a little dark...
How do I live?
Half-Truths**
!lettinggo*
Abyssus abyssum invocat***
THE POINT***
Eyes up, Guardian
"The road ahead is unknown, but time tells us many things. The moments that become past in turn become blueprints for the future. In this space, there is no right or wrong. "We find a contemporaneous merging of what is known and what is unknown here. Somewhere between the knowns and unknowns lies the real. The tangible. "There is a weight to it; a feeling that tells you what you hold is true. "But what if the truth hasn't been told? What if the truth is a lie? "New paths present themselves. Blueprints change. We walk the line of truth every day. "But now, the line that holds the gentle balance has been crossed. "The truth is, this won't be the last time."
—Excerpt from the Symmetry pamphlet, "A Place Between"
Reading for world-building is a skill. I have seen brilliant people, laureates, inventors, Ph.D.s, try to read fiction with deep world-building and fail completely, looping back, rereading, never following events, trapped in a sense of muddled wandering. Reading for world-building requires retaining information without context: a term, a place, a coin, a category comes up once and we know what that is—a puzzle piece—and that our task is to gather up these pieces as the author drops them, and to slowly assemble the whole. This is not easy. Human memory needs hooks for facts: a mnemonic, a story, context, something; grueling textbook rote-learning fades quickly, but a story of the statesman or the king, that's what makes knowledge stay. To retain puzzle pieces that don't connect, dropped without context, is a skill that not all have. All had it once: it is how children read, every book, poster, and headline a stream of unknown terms, far too many to ask about them all, but the child retains them, trusting that they will connect to something someday. Kids collect Earth's puzzle pieces every time they read, but as we move to grown-up books they all use the same picture, and define immediately those terms they fear a reader may not know. Thus the skill of keeping puzzle pieces fades, unless we read books set in other worlds, new puzzle pictures which make us retain the skill, as frogs sometimes retain their tadpole tails into adulthood. This—many have observed—is why most F&SF readers come to the genre young, it's hard to start in adulthood when one's puzzle memory skill has sat atrophied. We find dozens of other puzzle pieces—creatures, buried engines, monstrous plants—but they don't connect either, no explanations, no recurrences. We trust. We ponder. We wade through the clutter of clashing technologies, tales of degeneration, glories lost, but there's no fall-of-space-Rome story to connect it up. We can guess at one, as we can guess the missing end of the story of the strange plants, as we can guess at several ways rats could gain language if time passed and—click—we see it. These puzzle pieces do not fit together—rather this puzzle-maker trusts that we are puzzle-masters and know the archetypes that must fill in between (a rise, an age, a destined king.) So we spread our disconnected puzzle pieces out, not assuming that the strange creatures come from one origin, the ruins from one era, and as we spread out, looking not for direct connections but for fragments of arcs and colors, our 100 puzzle pieces let us glimpse an image so vast it would take 100,000—an image large enough to capture true Deep Future, years numbered in millions, where contours that do connect do so at scales which make the layers of Freud's Rome appear shallow as coats of paint.
—Excerpts from The Path of the New Sun by Ada Palmer, introduction to The Book of the New Sun by Gene Wolfe
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blossomtide · 7 months ago
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( ahn hyoseop, cis male, he/him) — one day the sea will sing of CYRUS MIHALIS, the thirty one year old priest from the town of cynefin. there will be verses about bloodied knuckles and torn skin, yellowing bruises next to new ones / faint light at the end of dark, long tunnel / an empty chapel with sunlight streaming in through the windows, a lone figure kneeling down with head bowed in silence / a hug so tight that it knocked air out of your lungs, desperate and remorseful enough it felt like you’ll never part again for another lifetime / a childhood memory of careful, gentle hands picking you up from the sofa as you sleep and carrying you to bed in the hums of their hymn, about a person who is trained in the magic of khemia. the land will know them as someone caring and attentive, but perhaps, you’ll hear the old crones hiss that they are stubborn and secretive. only the shadows of the ocean floor will bear witness to the truth. ╱ rae, 26, any pronouns, gmt +7.
Profile.
FULL NAME Cyrus Mihalis AGE Thirty-One BIRTH DATE August 1st GENDER & PRONOUNS He/Him ORIENTATION Demiromantic/sexual RELATIONSHIP STATUS Married
KHEMIA Anima OCCUPATION Priest (New Faith) CURRENT RESIDENCE Cynefin, Clwyd-isle
PARENTS Unknown SIBLINGS Unknown PARTNER Sion Lee (husband, alive) CHILDREN Ahri Lee (daughter, alive); Yuri Lee (daughter, alive)
HEIGHT 188cm / 6’2” WEIGHT 72kg / 159 lbs EYE COLOR Dark Brown HAIR COLOR Black SCARS Various scars all over his body. Usually wears long sleeved clothes to cover the ones on his arms
FACECLAIM Ahn Hyoseop CHARACTER INSPO Shiro Fujimoto (Blue Exorcist), Ja’far ( Magi), Kaeya (Genshin Impact), Qifrey (Witch Hat Atelier), Jesse Venetian/Jung Yuseo (When the Third Wheel Strikes Back)
Summary.
TW: mentions of violence.
- Started life as a street urchin/war orphan, was taken in by Sion Lee’s family when he was around 8 or so (probably, no one knew his real birthdate). Then they got separated a few years later. 
- Cyrus tried to find them and traveled to different regions, often earning money through mugging/pickpocketing and even entered street fighting rings in one region due to decent prize money for each win. It became a steady income for him that he thought of staying in that region for a while until he gathered decent funding to continue his search. 
- The local ringleader wasn't too pleased with him due to certain things and told their underlings to cripple him as he was tossed into some alley and left to die. A wandering pilgrim happened to pass by and saved him from the brink of death and took him in. 
- Years later he officially became a priest and was sent to Cynefin about 6 or 7 years ago. He’s not actually that devout but he knows better than to say this out loud. Cyrus is an agnostic but he’s not going to trample on those who have more specific belief, he’s come to terms that if some people can find comfort and hope in prayers, they should be allowed to do that in peace as long as it doesn’t harm themselves or others.  
- The pilgrim who saved him became his adoptive parent and they probably could guess his line of thought hence why Cyrus was sent to Cynefin. A person who’s flexible in his belief is probably more suited with the people there, though Cyrus (jokingly) thinks he’s just being demoted.
- Ends up reuniting with Sion Lee in Cynefin and they get married not long after with their twin daughters born in the following year. 
- Uses a prosthetic leg that his husband specifically made for him. Before he used one given by his adoptive parent but that old one was a lot more limiting than the one Sion made for him as he constantly tinkers with it to make it more comfortable for Cyrus. 
Personality.
- The Cyrus Mihalis of today is known by those around him as an amiable individual who wouldn’t hesitate to lend his help to those in need. He has a mild temperament, appearing to be a harmless clergyman who manages a small private orchard in his family home as his hobby. He can be found greeting people he meets with a gentle smile. His eyes become a lot livelier whenever he talks about his little family of four or when gardening comes up as a conversational topic. 
- He often uses his anima magic to aid those plagued with anxiety. He’d hold their hands and ask them to tell him their worries. As he listens to their woes, Cyrus would use his magic to help them to calm down and encourage them to find logical solutions together.
- Although he also cherishes his friends and neighbors, no one really knows what the young priest is truly like as Cyrus often tries to maintain a respectable distance between himself and other people.
Connections.
Tba.
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sciatu · 1 year ago
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Mi sono chiuso dentro i miei pensieri come un pauroso cavaliere dentro il suo castello e vivo dei miei ricordi stantii, armato di silenzi e rimpianti. Così, la mia anima è un castello dalle spesse mura, una lussuosa prigione dove ho chiuso i miei sogni e simulando una felicità inutile e vago di camera in camera dicendomi che ho bisogno di me stesso, che i miei silenzi hanno quanto mi manca e che negli angoli bui delle stanze, vivono i miei desideri. Non è cosi, lo so per istinto. Le stanze sono solo abitate da fantasmi, ombre senza volto, vestiti senza corpo, perché ho fermato il fluire della vita ed essa ristagna nella mia anima imputridendo. Oltre le mura il mare si gonfia con il maestrale o si acquieta con lo scirocco, il vento passa tra i filari di uva portando loro il gusto dell’ebrezza, stelle nel cielo si accendono di note e si vestono d’azzurro di giorno nascondendosi nella loro stessa luce; deserti infiniti divorano carovane e migranti uccisi dalla speranza, bombe esplodono e foreste si accendono di nuove gemme, nuvole portano vita, altre la portano via, tutto è un continuo essere e cambiare, mutare e rinascere. Ma io resto chiuso nelle mie stanze silenziose ed immobili, incerto, insicuro, a tutto vulnerabile e di tutto annoiato. Dimentico i colori dei boschi in autunno, il canto vetroso della lava nel suo infuocato scorrere, la luce della schiuma del mare illuminata dal sole, il profumo delle olive schiacciate, quello del pane appena sfornato, dimentico ogni parte del mondo che racchiude un mio ricordo- I miei ricordi diventano sottili ed invisibili e come le vecchie ragnatele fermano solo la polvere. Non bisognerebbe mai far morire un amore, mai non si dovrebbe mai scrivere la propria anima sulla pelle di chi si ama descrivendola con versi carnali scritti per una provvisoria eternità, non si dovrebbe mai nascondere nei sogni i propri giorni e domani se poi li si affida al vento che muore sul mare.
I locked myself inside my thoughts like a fearful knight inside his castle and I live on my stale memories, armed with silences and regrets. Thus, my soul is a castle with thick walls, a luxurious prison where I have closed my dreams and, simulating a useless happiness, I wander from room to room telling myself that I need myself, that my silences have what I miss and that in the dark corners of the rooms, my desires live. It's not like that, I know instinctively. The rooms are inhabited only by ghosts, faceless shadows, clothes without bodies, because I have stopped the flow of life and it stagnates in my soul rotting away. Beyond the walls the sea swells with the mistral or calms down with the sirocco, the wind passes between the rows of grapes bringing them the taste of inebriation, stars in the sky light up with notes and dress in blue by day, hiding in the their own light; infinite deserts devour caravans and migrants killed by hope, bombs explode and forests light up with new gems, clouds bring life, others take it away, everything is a continuous being and changing, mutating and being reborn. But I remain closed in my silent and motionless rooms, uncertain, insecure, vulnerable to everything and bored with everything. I forget the colors of the woods in autumn, the glassy song of the lava in its fiery flow, the light of the sea foam illuminated by the sun, the scent of crushed olives, that of freshly baked bread, I forget every part of the world that contains a memory of mine - My memories become thin and invisible and like old cobwebs they only stop the dust. A man should never let a love die, a man should never write his soul soul on the skin of who  he loves describing it with carnal verses written for a temporary eternity, a man should never hide his days in dreams and tomorrow if one entrusts them to the wind that dies on the sea.
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yezielmoore · 2 years ago
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4. Extra Credit
Today Lahabrea decided he wanted to talk so he highjacked the day. This is still setted in Athene's verse, even if she's only there in the background.
SPOILERS FOR 6.2
.-,-.
Demeanor
Lahabrea hadn’t paid a great deal of attention when a couple of the lesser ascians under his purview brought with them news that someone was trying to revive the summoning arts. Again. 
Every century or so mortals tried to reinvent the wheel, usually with disastrous results for themselves that nonetheless furthered the conflicts they needed for the Ardor. So Lahabrea swallowed the reflexive rage at seeing his art be turned into a mockery of itself, again, by selfish and greedy mortals grasping for more power. 
It was only natural then, that when a couple of acolytes brought this development to his attention he merely waved it off with orders to keep an eye on it and only bother him if something new or interesting happened. 
And something new and interesting indeed happened in the form of a patsy being burned to a crisp by a phoenix summon. That… should not be possible. There was not a phoenix summon, it didn’t exist (he had made sure of it).
“Who is this summoner?” He demanded harshly through gritted teeth. Plans to catch them and force their secrets form them coalescing in his mind. 
“It’s… uh… the newest Warrior of Light, sir. I…” he looked at his partner in crime. “Did you catch her name?”
“Something with an A,” the second ascian said softly. Always so soft-spoken, that one, but with a spine of adamantite that had never once bent in his presence, no matter how caustic he got. “Anima? No, not that,” he paused. “Alene?”
No. 
All thoughts going through his mind screeched to a halt and derailed any and all possible plans to deal with the summoner, while something very much like dread pooled in his stomach. Dread and hope to accompany the eternal agony that was the wound her death inflicted him. 
Unseen thanks to his robes, Lahabrea clenched his hands into fists, unaware or uncaring of the deep gouges his claws tore in the flesh of his current vessel. 
It couldn’t be. 
“Athena perhaps?” He suggested, making a conscious effort to keep his voice even. Going by the minuscule flinch from the first ascian and the subtle shifting of the one answering his questions, he didn’t succeed.
“Yes,” they nodded after a moment of thought. “Something like that.” There was an awkward pause where no one spoke, the duo out of fear, him lost in thought. Finally, they coughed to get his attention. “What are your orders, Master Lahabrea. Should we… dispose of her?”
“No,” he growled out of reflex. He took a breath. These two were useful, incinerating them would be a waste of time and effort. “Leave her to me, I will test this champion of Hydaelyn myself.” 
He would see for himself if this era’s Champion bore his wife's soul. And then. Then he didn’t know. He knew what he should do, but no matter what had transpired between them under Elpis or what had happened to them after, he would never betray her. 
His minions were both right and wrong. Her name was Athene and perched on her hair was, in fact, a miniature phoenix. And not just any old phoenix, oh no, but Phoenix. The familiar he had created for her and that she had bonded to herself. Seeing it again after such a long time was bittersweet. He had thought it was gone. When it didn’t come to its mistress' defense, he had thought it undone, fused with another helpless person and made into an abomination. Another innocent consumed in the pyre of Athena’s ambitions. 
That it was here, more than 12000 years after Athena’s death… it could only mean that the au ra with hair like fire and dark scales housed his wife's soul. It could only mean she didn’t destroy it. 
What that meant he didn’t dare guess, lest his traitorous heart decided to awaken once more. Not that any of it mattered in the here and now. 
But it mattered, oh, it mattered a lot.
Hephaistos' tragedy and mistakes were a thing of the past, discarded in the rubble of Pandemonium. Lahabrea still had his Duty, that was all he needed. Zodiark and the Star came first and then… Then maybe he could finally rest. 
With one last look at the woman that he once loved…
Loves still. Forever and always, they vowed and he, at least, meant it.
…he teleported away, vowing to only involve himself as far as his duties required, nothing else.
He failed, inexorably drawn to her like not a day had passed since those idyllic days of old.
At first glance, beyond the physical appearance, she was the same.
He could see it in the way she discussed aetherial theories with the white haired miqo’te and the intricacies of languages with the elezen or the Echo with the leader of that merry band. She was passionate and self assured, but not overwhelming. She shared her thoughts and theories while inviting the other party to do the same. Just as they had done, eons ago. 
He could see it in her gestures and preferences, things that had no right to exist in this present day and yet they did. He could see it in the way she started attracting admirers, dazed by her brilliance, quick wit and kindness. He hated that he could understand them. After all, he had been one of them, once upon a time. 
It was unbearable to watch. He couldn’t bear to look away. 
And yet…
Despite all the similarities that felt like knives digging inside an open wound, her demeanor was baffling to him. She discussed theories and wrote papers but didn’t seem to be angling for benefits that would further her objectives, whatever those were. She made… friends and accumulated favors but didn’t do anything with those, didn’t call on any of the debts owed to her (and they were many and growing in number at an alarming rate). In fact, she seemed positively baffled and increasingly uncomfortable with the attention she was getting from every corner.
It was… 
Had she truly changed? He… hadn’t believed it would happen. Not really. Athena had been as stubborn as he was, he hadn’t believed that she would ever let go. Assuming her soul remained intact and that he hadn’t damaged it beyond repair when he tore their bond appart in his grief and heartbreak. 
Now, confronted with this new version of his wife, Lahabrea didn’t know what to think or how to react. So he would observe. A role more fitting for the Emissary than the Speaker but… 
This was better, that was all.
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the-mic-drop · 4 years ago
Audio
Class 1-A Cypher by Rustage
Lyrics below the cut
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Izuku Midoriya - Deku (Performed by Rustage)
Call me Deku, I’m starting out on this cypher
I was quirkless, but by working I’m deserving something higher
It’s my purpose, I’m versing my present, future, and my past
So I’m gonna rock the mic with a Detroit Smash
Taking a second, I’m breaking my limit
Hitting with everything, pain I can feel it
I’m straining my muscles, I tussle with enemies
Better be ready, I’m more than a critic
I spit it, exhibit it all night
I’m killing it, chilling with All-Might
A villain inhibited by my ability
in minutes you’re watching my school fight
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Fumikage Tokoyami - Tsukuyomi (Performed by Shwabadi)
When you cross this bird, you might get to see me wield the talons
So absurd how I’m applying subverse talents
Yes I’m cursed, carry a demon, I’m full of malice
Even worse for you when striking a bitter balance
Dark claws harming the vermin that are below me
Start wars, armed with determination and Oni
Get back, I’ve been endangering those who know me
Jet Black Hero, they’re calling me Tsukuyomi
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Ochaco Uraraka - Uravity (Performed by DaisyBanaisy)
I’ll make you float as I’m messing with zero gravity
Don’t mean to gloat when I’m calculating these strategies
Rapidly climbing casually, my quirk “lacks in lethality”
but actually your apathy will lead straight to your casualty
I’ll happily fight for justice, with all of my capacity
My motive’s money, thankfully that don’t define morality
Reality is I’m just helping others for my family
I’m saving all humanity, don’t you mess with Uravity!
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Tenya Iida - Ingenium (Performed by Dan Bull)
I’ve got many a twitch, that’s the Tenya itch
I’m like my test scores, I got plenty of tics
Academic, educated, but I never skip leg day
Still regretful of the day that I met Stain
Enraged, by what he did to my brother Tensei
I didn’t handle it the best way, I dare say
Left my hand damaged in remembrance of fair play
I’m representing Class 1-A, they’re my best mates
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Tsuyu Asui - Froppy (Performed by Sophia Dere)
Ribbit Ribbit, exhibit a hero’s spirit
I’m in it and so I’ll win it
When I’m swimming, yeah I won’t stop
This frog’s idyllic not a gimmick in a minute
I be launching in to kill it
Like a frog, I’m bringing mad hops
My tongue’s deadly, spitting and I take charge
and then I’m turning invisible with my camoflage
In the water, no villain can dare to stop me
You’re looking sloppy, now you’re facing Froppy
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Hanta Sero - Cellophane (Performed by VideoGameRapBattles)
Lucky 13 of the A-1 team
Kid I spit great mixtapes, stick your team
Wraps so clean,
and I’m sealing all the matches now that Cellophane will bring the pain all wrapped up in a package
Getting shipped with tons of damage, but there’s no send backs
Shut you up with my bind attacks
Get back, ‘cause you know that I’ll be winning
in this sticky situation, so I think you better stick it.
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Mezo Shoji - Tentacole (Performed by Dreaded Yasuke)
You can call me wall that have ears, door that have eyes
Meaning I’m cavalier when it comes to fighting just like a spy
In close combat, my dupli-arms is coming for the harm
and I’m laughing at you if you’re trying disarm
I’ll sacrifice for everybody exhausting my quirk
Even when I’m down for the count, I’m disguising my smirk
You can cut off all of my limbs, I’m still coming in a burst
Class 1-A will always come first
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Kyoka Jiro - Earphone Jack (Performed by Savvy Hyuga)
It’s ya edgy girl, Earphone Jack
Utilizing my quirk in both stealth and combat
I guess I can see how you think I fell flat
but lemme show you how I make up for that
with punk rock attacks
When my earlobes are growing
you know they whippin and probin
an’ now they got you tip-toeing
findin the range that my tone is
It’s not your typical motion n my moves don’t need compression
It’s just another jam session featuring my form of expression
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Denki Kaminari - Chargebolt (Performed by Dizzy Eight)
It’s time to put in work, I got this cypher on lock
I don’t need my quirk when this verse will leave you shocked
Like a battery, I got the juice, so they put me in a box
When my positive means negative, I’m like “so watt?”
You don’t want that static with me homie it’s fatal
I got so much energy, I’m plugged in without the cable
On the low, I’ll leave everybody on the scene disabled
I’m underrated, but in a flash, I’ll leave you endangered
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Shoto Todoroki - Shoto (Performed by None Like Joshua)
It’s Todoroki, I chose to be cold and lonely
Nobody can hold me with the inferno, I’m overloading
From a broken home to known hero I’m going up slowly but surely
and be better than Endeavor whether it’s hot or it’s snowing
Even if I’m behind, I’ll be sure to make Bakugo see
I do it for All of his Might or to stop killer Stain, forget any trophy
So now that you’re immobilized and then frozen in pain, no one can approach me
Put up a wall of my ice or a wall of my flames to build your enclosing
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Rikido Sato - Sugarman (Performed by GameboyJones)
Give me 10 grams of white, then I’m activated (um)
Wait, I’m talking ‘bout the sugar that I took
Got a sweet tooth for taking out these villains ‘cause they’re agitating
Plus the girlies like a guy that can cook
Call me Sato the Macho, I’m saving these streets
Yeah these nachos are not yours, I need me a treat
and this crime fighting’s hard work, it can leave me beat
but like candy and cakes, being me is real sweet
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Mina Ashido - Pinky (Performed by StarGirl)
The corrosive caped crusader, Pinky here to save the day
and end up taking center stage upon these lyrics that I lay up
Easygoing, I’m passionate in battle, I’m not passive
See it flowing I don’t spit fire, I spit acid
Hypnotic fashion sense, I leave you in a trance
I’m good at fighting, my other skills are in dance
Protect my friends, we’re going in on advance
Mina Ashido, you don’t even stand a chance
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Eijiro Kirishima - Red Riot (Performed by NerdOut)
Kirishima’s here, everybody stand down
I’mma activate a quirk and give your chest a hand pound
With these Red Gun Turrets yeah the target is locked
I’m a boulder with a boner, man I’m hard as a rock
I’m unbreakable, cannot penetrate this armor
and I don’t need a little blue pill to get harder
I’m full of energy, enemies looking dead tired
Blood running in the street, you can call it Red Riot
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Koji Koda - Anima (Performed by Connor Rapper)
I’m the quiet type, lying with the wildlife
When I’m on, you wouldn’t even need subtitle lines
Nervous around others, I’m the last one who would yell loud
But to be a hero, then I need to break the shell now
Yo it’s Koda bringing massive noise, flowing with that Ani-Voice
That timid kid with rabbit toys no longer acting coy
Drinking honey tea, facing my fear of bugs and bees
Get a bull stampeding with the words like I’m Douglby
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Yuga Aoyama - Can’t Stop Twinkling (Performed by Zach Boucher)
Never needed fame or money, I can get it later
Even though it hurts my tummy, when I use my navel laser
I have got finesse, snazzier than all the rest
I’m the best, nothing less
being honest, not a flex, I’m a threat
It’s getting harder to stomach, I’ve got the smarts and I love
I’m certainly perfect, it hurts just like the art of seduction
Heart of a Puma, get ready to lose
I’ll be spreading the truth
and y’all are stupid if you choose to fight against the Yuga
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Momo Yaoyorozu - Creati (Performed by HalaCG)
I’ve got the quirk creation and patience to work it
Balancing equations, don’t even need to research it
Sequencing elements, a testament to intelligence
You’d better watch out ‘cause I’m not feeling very benevolent
If a person’s in trouble, just wait and see what I’ll do
I can literally make anything. Overpowered, who?
Overpowered, who?
I meant I’ll overpower you
It’s true, sincerely Class 1-A’s Momo Yaoyorozu
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Minoru Mineta - Grape Juice (Performed by Nux Taku)
Where the ladies at? (ay)
Where the ladies at? (ay)
Mineta’s here to peek at women that I’m gazing at
People thinking that I’m weak, but you know what I say to that
Leave you in a sticky situation with my grape attacks
Underestimating me? You’re lacking information
Incapacitation, when you’re facing me, frustration
Master of flirtation, pretty much the top dog
You ain’t ever coming close when I pop off
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Ojiro Mashirao - Tailman (Performed by Rockit Gaming)
Ojiro, the Tailman, you get what you train for
Master martial artist, black belt on my waist though
Nobody even really understands me
Got intelligence, can’t predict any hit that I’m landing
Classmate you confide in with dignity
You can wear a costume, all I got on is a gi
Noble attitude, that’s my personality
Accept results that I earn with my own abilities
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Toru Hagakure - Invisible Girl (Performed by Outcast Rae)
Take you by surprise, yeah, I can do it easy
Miss me with your eyes, yeah, you can’t even see me
No matter what you try, yeah, you can never beat me
Feels a little cheesy, like a wish from a genie
When it comes to action, my quirk is in light refraction
so it has the side effect of never being a distraction
Sneak up on my enemies, let me be the best assassin
Toru Hagakure, you can feel my passion
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Katsuki Bakugo - Kacchan (Performed by DaddyPhatSnaps)
I don’t think you other heroes are even listenin’
Maybe I should focus your attention with some ‘glycerin
You don’t even get it, there’s really no competition
I’m lighting these rookies up, boi, I’m slaying on every mission
I’ll show them once and for all, little Deku won’t know what hit ‘im
I will get the recognition, exploding the opposition
I will be the greatest hero that ever took the position
So come at me little bitches, I’ll make you wish that you didn’t
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thegnosticdread · 4 years ago
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Adam, Lilith, & Eve
Originally posted on: https://thegnosticdread.com/adam-lilith-eve/
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The story of Adam & Eve is probably one of the most well known stories in history thanks to the widespread influence of Judeo-Christian culture. It’s a tale of the first man and woman whom all of humanity descends from according to the Biblical myth. In this post, I will use the Biblical and Gnostic traditions as well as sources beyond scripture to explain the symbolic significance of each of these characters as well as a character that is less known but has gained more popularity in recent times, Lilith.
Adam
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Adam represents the Divine Masculine and Primordial Man, as well as the entirety of the human race depending on the context. For example, in Genesis 1:26-27 –
“Then God said, “Let us make humankind in our image, after our likeness, so they may rule over the fish of the sea and the birds of the air, over the cattle, and over all the earth, and over all the creatures that move on the earth. God created humankind in his own image, in the image of God he created them, male and female he created them.”
The Hebrew word that is translated to “humankind” above is אָדָם “adam”, showing that Adam in this sense refers to the human race as a whole, both male and female being created together from the beginning. The verse also says that the human race, both men and women, were created in the image of the Divine. Therefore, the Divine must contain both masculine and feminine energies. Perfectly balanced. As all things should be. This verse also confirms that the human race has dominion over all the Earth. Therefore, the logical conclusion is that humanity, both men and women, are indeed God (Goddess) manifested into the physical. This is supported by many traditions including the Qur’an:
“Indeed, I will make upon the earth a successive authority.” – al-Qur’an 2:30 “We said to the angels, “Prostrate before Adam”; so they prostrated…”
– al-Qur’an 2:34
Many use Genesis 1:26-27 as proof that Adam (the first man) indeed had a wife that was created at the same time as him, namely, Lilith in contrast to Eve who was created later from Adam’s rib. However, this is either a misunderstanding or a misrepresentation of the source material. I will explain Lilith’s origin later in her section. For now, we will turn to the Gnostic tradition concerning the origin of Adam.
In the Gnostic scriptures, Adam is a personified principle that existed first within the Pleroma as pure mind distinct from matter and emanating from the Monad. This pure mind represented the human Reason conceived as the World-Soul (Anima mundi). This is similar to the concept of Adam Kadmon in Kabbalah. To summarize the Gnostic myths, they go on to tell about how Yaldabaoth (Yahweh or “God” from the Old Testament) and his Archons desired to create a being in the image of themselves and in the image of the original Adam within the Pleroma. When the formation of the body was complete, it was lifeless, for Yaldabaoth nor the Archons had the power to give the body life on their own. Yaldabaoth then took power he had stolen from his mother Sophia (the principle of Divine Wisdom and the principle of the Divine Feminine) and breathed it into the lifeless shell that they called “Adam”. When they had done this, Adam sprang to life. This caused Yaldabaoth and his Archons to become jealous, for them being born of ignorance, they had not realized that they had surrendered their stolen power to Adam, who was now luminous and more intelligent than them. This caused the Archons to throw Adam into the darkest depths of matter. It would later take Eve to raise Adam up out of darkness.
Lilith
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The Hebrew word
לִּילִית
“lilith” appears only once in the Bible, in the Book of Isaiah 34:14 –
“Wild animals and wild dogs will congregate there; wild goats will bleat to one another. Yes, nocturnal animals will rest there and make for themselves a nest.”
The translators of the New English Translation translate “Lilith” to mean “nocturnal animals” and had this to say in their notes –
“The precise meaning of לִּילִית (lilit) is unclear, though in this context the word certainly refers to some type of wild animal or bird. The word appears to be related to לַיְלָה (laylah, “night”). Some interpret it as the name of a female night demon, on the basis of an apparent Akkadian cognate used as the name of a demon. Later Jewish legends also identified Lilith as a demon.”
It’s true indeed that the Akkadian language did have a similar word to Lilith – “Lilu” – and it is debated if the two words are cognates or related. However, it should be noted that Lilu in the Akkadian language is a masculine word, not feminine, and seems to be a general term for “demon”. In the Sumerian king list, the father of Gilgamesh is said to be a lilu. Referring back to the verse in Isaiah, it would make sense that it is referring to some type of wild animal or bird based on the fact the verses immediately before and following verse 14 are referring to animals –
“Her fortresses will be overgrown with thorns; thickets and weeds will grow in her fortified cities. Jackals will settle there; ostriches will live there.” – Isaiah 34:13 “Owls will make nests and lay eggs there; they will hatch them and protect them. Yes, hawks will gather there, each with its mate. Carefully read the scroll of the Lord! Not one of these creatures will be missing, none will lack a mate. For the Lord has issued the decree, and his own spirit gathers them. He assigns them their allotment; he measures out their assigned place. They will live there permanently; they will settle in it through successive generations.”
– Isaiah 34:15-17
The evidence doesn’t support the idea that Lilith was taken or censored out of the Bible to hide the fact that she was Adam’s first wife, as she does not appear in any Biblical apocrypha works, does not appear in any pseudepigrapha works from the Biblical period, is not mentioned in any of the gospels, and she does not appear in any of the Gnostic text from the Nag Hammadi Library, all text dating from a range of the 7th Century BCE to the 2nd Century CE. In Jewish tradition dating from the 6th century CE, Lilith is mentioned in three places within the Babylonian Talmud. Though she is not mentioned as being the wife of Adam, the text does seem to suggest she was a demon. However, it’s likely this view may have been established centuries later than when any of the previous biblical and deuterocanonical text were written and be based on the idea of the Akkadian word Lilu meaning demon.The earliest text referring to Lilith as the first wife of Adam comes from the medieval text titled The Alphabet of ben Sirach which scholars date as being written anywhere between 700 and 1000 CE. This work however was never understood as or treated as revealed or inspired scripture, rather the work was written and treated as a satire. It is from within this text alone that we are told the story of Lilith being Adam’s first wife who refused to submit to her husband.
“While God created Adam, who was alone, He said, ‘It is not good for man to be alone’ (Genesis 2:18). He also created a woman, from the earth, as He had created Adam himself, and called her Lilith. Adam and Lilith immediately began to fight. She said, ‘I will not lie below,’ and he said, ‘I will not lie beneath you, but only on top. For you are fit only to be in the bottom position, while I am to be the superior one.’ Lilith responded, ‘We are equal to each other inasmuch as we were both created from the earth.’ But they would not listen to one another. When Lilith saw this, she pronounced the Ineffable Name and flew away into the air.”
– The Alphabet of ben Sirach, fifth response to King Nebuchadnezzar.
Because of Lilith refusing to submit to Adam based on the idea that she was his equal, Lilith is sometimes exalted as a women’s empowerment or feminist icon. However, it should be noted and considered that the rest of the text goes on to describe Lilith as a demoness who terrorizes pregnant women, fornicates with demons, and murders infants. The work certainly does not paint a picture of Lilith being an ally to women. As the text is indeed a work of satire, it should also be considered that the text should not be taken too seriously in it’s treatment of Adam and Lilith. To the Gnostics, Adam and his wife Eve were seen as equals, and Eve especially was given high honor as she was responsible for Adam’s awakening.
Eve
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Eve represents the Divine Feminine and is the archetype Mother of all Life. She is also responsible for Adam’s (humanity’s) awakening to their true Divine Self. As the daughter of or even a manifestation of Sophia, it was Eve who brought forth the life giving Light from the upper realms of the Pleroma into the darkness of matter so that Adam (humanity) can see. Upon seeing Adam cast in darkness by the Archons, Sophia sent her daughter Eve (also called Zoe which means “life”) to be a help and instructor to Adam and to reveal to him his true Divine nature and how to ascend back into the Pleroma from where his Spirit (the breath of life that was breathed into him) came. Eve then became hidden within Adam so that Yaldabaoth and his Archons would not be aware of her. While Adam laid dormant in the darkness he was thrown in, Eve spoke to him from within and said “Adam! Come alive! Arise upon the Earth!” Adam then sprang to life once again, and upon seeing the form of Eve said “You shall be called ‘Mother of the Living’. For it is you who have given me life.”While the Biblical text says that Eve was created from the rib of Adam, the Gnostic text demonstrates that this was a lie told in order to suppress the Divine Feminine principle and it’s role.
“Then the authorities were informed that their modeled form was alive and had arisen, and they were greatly troubled. They sent seven archangels to see what had happened. They came to Adam. When they saw Eve talking to him, they said to one another, “What sort of thing is this luminous woman? For she resembles that likeness which appeared to us in the light. Now come, let us lay hold of her and cast her seed into her, so that when she becomes soiled she may not be able to ascend into her light. Rather, those whom she bears will be under our charge. But let us not tell Adam, for he is not one of us. Rather let us bring a deep sleep over him. And let us instruct him in his sleep to the effect that she came from his rib, in order that his wife may obey, and he may be lord over her.”
Then Eve, being a force, laughed at their decision. She put mist into their eyes and secretly left her likeness with Adam.”
– On the Origin of the World
Having slipped away to be alone in the Garden of Eden, Eve was approached by the Serpent, though the exchange in the Gnostic texts is slightly different than the biblical version.
“And when he saw the likeness of their mother Eve he said to her, “What did God say to you? Was it ‘Do not eat from the tree of knowledge’?” She said, “He said not only, ‘Do not eat from it’, but, ‘Do not touch it, lest you die.'” He said to her, “Do not be afraid. In death you shall not die. For he knows that when you eat from it, your intellect will become sober and you will come to be like gods, recognizing the difference that obtains between evil men and good ones. Indeed, it was in jealousy that he said this to you, so that you would not eat from it.” Now Eve had confidence in the words of the instructor. She gazed at the tree and saw that it was beautiful and appetizing, and liked it; she took some of its fruit and ate it; and she gave some also to her husband, and he too ate it. Then their intellect became open. For when they had eaten, the light of knowledge had shone upon them.”
– On the Origin of the World
As you can see, Eve was Adam’s (and therefore, humanity’s) first Teacher, raising Adam up from the darkness of ignorance into the Light of Knowledge. She is also humanity’s first Mother, and therefore embodies the archetype of the Great Matriarch. Eve should never be thought of as being naive, submissive, or the blame for the Fall of Man in the way the Judeo-Christian religions have treated her with their Bible. It’s actually quite the opposite, and she should be honored as the Raising Up of Man. The Gnostics have always felt that we are greatly indebted to the Original Woman, who embodies the archetype of Sophia (Wisdom).To read the Gnostic text for yourself, check out
On the Origin of the World
& The Apocryphon of John
An excerpt of The Alphabet of ben Sirach concerning Lilith is on Wikipedia.
Peace, Love, & Balance
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kat-hawke · 4 years ago
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Preparations - II
(Following [Preparations], and subsequent sub posts.)
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One after another, spaced evenly apart, Kat swung the dagger in wide sweeping arcs. She alternated from Light to Shadow to light again as the energy pulsated from the blade and cleaved the target dummies in two. A handful of the trees behind her home were scared, collateral from the training over the last week of experimenting with various sources of power and combinations, searching for the ideal equilibrium.
Letting the dagger rest at her side Kat pushed the sweaty raven hairs back out of her face, panting as the three-hour-long session came to pause. She plucked the waterskin from the windowsill and inhaled the contents, wiping away the beads of water from her lips with the back of her just as she heard the muttered 'fuck' from within the dagger.
"Three too much?" Kat asked, though hardly concerned. "Are you actually touching the energies, or do they flow through you? I'm not entirely sure how things work for you in there."
"Everything in here is me. Nothing just flows through. It looks like a place, but it's all me. Three is manageable. The Light just hurts."
"Well, I have to alternate," Kat stated, inspecting the damage to the dummies from afar. "I remember the pain. You get used to it."
With a soft thump, the empty water skin dropped to the wooden bench where a few other supplies were sitting. Nimble fingertips found the Azerite crystal next, pulling the stone into the palm as she siphoned off the raw energy to recuperate her strength. The numbing sensation that washed over her mind made her nearly miss Alyssa's next statement.
"It's not the alternation. It's my nature. It repels the Light. I'll get used to it. Keep going."
"No, that's enough of that for now. We found a flow and decent control point." Kat said as she turned to face the clearing, her left-hand coalescing with Void as she reaches out to tear a small hole in the plane of existence.
Pain search from the tips of her fingers to the left shoulder, her body was fighting against the excessive use of the dark magic. Kat grit her teeth and clenched her jaw as the air split open with a tiny portal, a tear into the void. Setting her gaze on the darkness beyond, she uttered a select verse beneath her breath.
"Are you going to tell me why we're doing this training yet?" Alyssa asked again. She did every day but never got an answer.
"This is the endgame." Kat's cryptic monotone offered little to go on as she stared into the vast nothingness as the repulsive voidling lurched itself free from the portal. Her gaze was cast down to the dagger in her hand as the creature gurgled and crawled about. "What did it feel like when I stabbed the Faceless and K'thir?"
"Chaotic. I lost myself for a moment both times...it felt like a moment, could have been longer. N'zoth spoke to me, and I saw the city." Alyssa's answer came with a cautious form of curiosity.
"Mmm, well, N'zoth is dead now, so that shouldn't be a problem." With a shrug, the blade spun around in her hand, gripping the handle and plunging the dagger into the voidling. The engravings upon the blade shift from teal to purple in the blink of an eye, and the shambling creature shriek out in what one could assume to be pain as its body turned to dust.
Running a fingertip across the glowing floral engravings Kat could feel the raw energy of the voidling's life force resonating from the blade, as minor as it was.
"How do you feel?" She probed, subtly searching for signs of danger. Unsure what to expect when directly feeding the woman's soul with the essence of the Void.
After a short and suspenseful pause, Alyssa gurgled her response."Bwixki... amala zal qulllll."
Kat's eye widened, threatening to nearly fall out of her skull as her gut twisted, and her mind began to panic. "I think not," she stated forcefully, tightening her grip on the blades handle to siphon off the power.
"I'm just fucking with you," Alyssa revealed with a mirthful tone. "It's painful but manageable."
Kat's widened eyes immediately narrowed into a severe squint as she stared at the blade's engravings as if the woman within could physically see the amount of annoyance that radiated off her. With her lips pursed to hide the faint snarl of the upper lip, she looked up to the tear in the Void again, reaching out with another uttered phrase. The second creature that was called forth leaped from the portal, a void spawn this time. One she had no control over as it charged at Kat with its bodyless form.
"Well, since you're having so much fun." She spoke in spite as the dagger was driven into the spawns would-be heart, shouting away the pain with her overhead attack.
Just as before, the process repeated, and the void spawn cried out as it's form drained of color until it vanished from sight. The dagger itself was glowing brightly from the engravings and pummel. The deep purple hue flicked off the blade in whisps. As Kat inspected the weapon, she snapped out of her blind rage, knitting brows together in a brief moment of concern.
"Still good in there?"
"Yes," Alyssa answered in a strained voice, "Won't be able to hold this for very long..."
Wanting to avoid an explosion, Kat did not hesitate to siphon off the energy from the dagger. The sheer amount set her soul on fire, and the bracers constricted against her wrists, and they struggled to contain the power. For a moment, her head was foggy, but she regained footing and forced the energy back over the blade with a broad horizontal sweep—the resulting wave of destructing cleaving down several trees and shearing the boulder in the back.
"That's enough for today." Kat conceded, doubling over to plant her palms on the knees, gasping for breath and reeling from the rapid absorption and discharge. Her mind jumped from one thought to the next, concerned that if this resulted from a simple voidling and minor void spawn, then cutting a lesser void lord would be catastrophic.
"You said that ten minutes ago and then stuck me into a void creature." Alyssa sounded doubtful.
"Would you prefer I stick you in the wall? Again?" There was no sense of jest in Kat's tone this time as she fell back onto the bench.
"Well, that doesn't feel like anything. It's just boring," Alyssa said, pausing for a moment before reaching out again. "I had a question, though."
Kat's eyes rolled. "You often do."
"I keep your mind active," Alyssa replies sardonically. "It's about our link, less question more observation. Something about it is different than it was with Riley."
"How so?" Kat entertained the query for now as she leaned back against the cabin wall. Odell slunk forward from the treeline to check on her condition. The huff of disapproval from the beast had been expected.
"It became clear that I could only see Riley's soul when she had the dagger in hand. I can see yours with almost any kind of proximity."
Kat shook her head a bit as she reached out to run her fingers through the massive fox's fur. Even though Alyssa could not see it, she made an expression that showed she was not at all surprised. "And this surprises you?"
"Yes. You sound like you expected this?"
"Well, I don't think Riley is as magically inclined as you and I, if at all for that matter." Unsure of how accurate her statement was, Kat, glanced up at the broken trees, shelving the thought for another time.
"Did you not expect this? I thought you were supposed to be educated in soul related magics? Our emotional entanglement strengthens the link, as you call it. That's one theory. The other, and most probable, is that it is because I made you, in a sense." Kat pauses for only a second before rushing into an explanation to avoid lingering on that subject. 
"You can't just stick a soul into an inanimate object on a whim, not without preparations and conditioning the vessel first. I conducted a small ritual while binding your soul to the blade. There was, of course, a cost. There always is. Physically many see it as just blood, but it's more than that on a deeper level; it's the life force. Mogu texts referred to it as anima, which they used to power golems. The phrase 'I put blood, sweat, and tears' into this dagger is much more literal in this sense. In a way, there is part of me in you, in there. So I would expect the connection to be healthier." "In my hand, the sheath on my thigh, or even just a few inches away on the desk. I can feel and hear you. More than a few inches, and there is nothing."
Fingers scrunched up a few times in Odell's fur before Kat pushed to her feet, allowing a moment of silence for Alyssa to process all the information given as she collected the few things from the bench to head inside.
"I've gotten very good at blocking out the sounds of souls in soul stones, or I'd have gone mad. Maybe I tried to erase in my mind the fact that part of me was in each of them too. It's a sound theory, though. It would make a lot of sense."
"Short of blaming lack of magical inclination, that is." Kat pointed out as she promptly poured herself a glass of whiskey from the home bar.
"I didn't read magic in her soul."
"Well, case and point, then." The drink was knocked back with a single, fluid motion. "I'm sure she loved you poking around her soul."
"I told her what I saw. I didn't poke into it...much..." Alyssa stated dismissively.
Raven brows pushed together again as a second drink was poured. Kat wasn't surprised, but still a bit annoyed and sought a further explanation. "Much?"
"Once I knew more about who she was, I stopped. I had no idea where I was or who she was when she picked up the dagger. I started probing because I needed to start figuring out how to take...her...o..." Alyssa trails off, clamming up. "Doesn't matter, I stopped looking."
"What?" Raw frustration overtook Kat's tone as she slammed the bottle of whiskey back onto the shelf.
"It doesn't matter now." Alyssa eluded.
Without realizing it, Kat's knuckles had gone white from the fist she was clenching in anger. "How to, what, exactly?" Though she knew where Alyssa was going with the thought, she continued to push for an admittance.
"I was considering any possible option to save you, regardless of who got hands on the dagger." Alyssa continued to evade. "That's all. I didn't have to do anything dangerous since Riley found me."
With flared nostrils, Kat let out an agitated huff as she spat, "Right."
"I was just considering that I might be able to hijack a soul." Composedly, Alyssa yielded. "Better not to have to find out, though, right?"
With a clenched jaw, Kat's teeth felt as if they would shatter. The sheer thought and suggestion of her best friend being subject to such a thing made Kat's blood boil. "Mhmm," she hummed out in reply, knocking back another full glass before walking away, abandoning the dagger on the bartop for the rest of the afternoon.
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[ @alyssa-ward​ ] [ Mentioned: @blue-eyedraven​ ]
( [Chapter I] [Chapter II] [Chapter III] [Chapter IV] ) ( [pt.I] [pt.II] [pt.III] [pt.IV] [pt.V] [pt.VI] [pt.VII] )
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ntiromantic · 5 years ago
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i wrote an essay in the comments section of the “suga’s interlude” lyric video & it hurts me too much not to post it here
background: i wrote a comment about the art being deep, people asked why, so this was my response
note: there are probably (definitely) some mistakes because i only casually like psychology and did some googling of stuff & this is my interpretation!!!! pls i’m dumb my last two braincells started napping after the first sentence :(
so the beginning is quite simple, right? (everything i say might not be exact bc i’m not doing an essay) halsey (the purple haired character) is standing under rain, connecting to the lyrics of “i’ve been trying all my life/to separate the time, in between the having it all and giving it up.” basically, having it all being the sun and giving it up being the rain. while you want the sun, you must separate it from getting the rain essentially drowning in that. this rain, however, has positive effects (the orange stuff which later grows flowers). the rain stops when yoongi comes in. in his verse, he basically addresses the rain. his last line is “but never forget the stars you wish for only appear in the dark” and he leaves the frame. it starts to rain again, clouds dark; halsey is now prepared with her umbrella, and flowers start growing (the “stars” yoongi talks about). halsey has separated having it all and giving it up. also, pay attention to the lyric, “i wonder what’s in store/if i don’t love it anymore” because while it does heavily relate to yoongi’s song “shadow,” it connects to near the end. in yoongi’s next verse, people with crowns are drawn. my personal interpretation is that these crowns represent the crown of thorns, with both biblical and jungian references. crowns can also represent royalty/riches, so when halsey and yoongi move to the crowned people, it can represent the media, public, or society. the people with the “crowns” or power; these can also represent friends in the public spotlight as well. there is one in the sky with a blue eye, this can represent sans from undertale (just kidding; i think it represents the company/media that is always watching celebrities’ every move). meanwhile, yoongi’s verse talks about getting lost and moving into things you’re unsure of— like the way yoongi and halsey move into the spotlight together. the sun is back and a rainbow is drawn; this is happiness. as soon as halsey says “if i don’t love it anymore,” however, rain clouds form once again. it rains on the two. it floods, and the two crowned people next to them are crossed off, as well as the flowers, and slowly, so are yoongi and halsey. this can represent the downfall of an artist; the passion is lost, and the public is bored. the rain represents this loss of passion. soon, fans are lost, the media leaves, the good things are no longer. it’s almost as though yoongi and halsey have drowned in their shadow.
according to carl jung, psychologist, a shadow is one of four theories as to the human mind (with persona, anima/animus, and ego). basically, the shadow is the dark, repressed part of a person. it’s where fears and shameful things are hidden. in yoongi’s song “shadow,” he talks about his shadow, which grows bigger the more famous he gets. he talks about his fears of falling from the spotlight (as somewhat depicted in this video). in a bts interview (specifically on the zach sang show) yoongi talks about bts’s new album being about accepting your shadow but not losing yourself in it. so when the rain “drowns” everyone, they’re all enveloped in their shadow. bringing back the crown of thorns, it basically represents sin — shadow. (one must note that one’s shadow is not always inherently evil; see murray stein’s book on carl jung.)
as art is, there are multiple interpretations. one can also interpret this as the crowned figures being shadows looming behind halsey and yoongi as they are shrouded in light/fame, or perhaps the fact that your shadow can overtake you if you don’t acknowledge it and lose yourself in euphoria. simplest of all, one can just interpret this as two artists who’ve lost their passion; everything, all of their art, achievements, and fame is lost, and soon the artists themselves are lost.
art is subjective, though, so understand it however you see fit! i hope this helps :)
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adz · 5 years ago
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hi here is my albums of the year list for 2019. i will also put it below under the break. happy nu year friends
ALBUMS I LOVED
Big Thief - U.F.O.F. & Two Hands This band has something so special. It's almost as enjoyable to hear Lenker, the primary songwriter, talk about her philosophy and her connection to her bandmates as it is to listen to their consistently wonderful and gently boundary-pushing music. I've combined these two albums into one list item because they're flip sides of the same coin: spirit and earth, ethereal and corporeal, unknown and known. If you've heard their earlier two albums, you might be put off a little: there aren't any smash hits like Masterpiece on here, nor any doomed ballads like Shark Smile. These albums are a little blurrier, shadows and gleaming bits of light floating past. At times the songs sound less like early Big Thief than they do Adrianne's solo releases: lyric focused, strange sprawling structures, a bit rougher around the edges. At these records' cores, though, the soul is the same true soul. On U.F.O.F., there are sadness-tinged love songs like Orange and an ode to a dead relationship or dead loved one, Terminal Paradise, recut from Adrienne's solo discography. On Two Hands, rollicking rockers like Forgotten Eyes and the titular track nestle up against the tender and painful Wolf and a live staple for the band, Not, a song that builds momentum and tumbles towards its conclusion like a meteor. Whether you're a devoted fan (and I don't know anyone who listens to Big Thief but doesn't consider themselves one) or a newcomer, it's worthwhile to spend some time close to these records. Let them, and they'll grow on you.
Kim Petras - TURN OFF THE LIGHT Easily the best collection of club pop songs this year began as a Halloween-themed mixtape, which I think gives it a willingness to experiment that I sometimes miss in Petras's more standard stuff. The hooks on tracks like There Will Be Blood, Close Your Eyes, and Tell Me It's a Nightmare are as good as anything in her discography, and the most adventurous moments, like the interlude o m e n and the German verse in In the Next Life, not only pay off but fuck harder than basically anything I've ever heard. I would be remiss if I didn't mention that Dr. Luke was one of this record's producers. The fact that he gets a cut of every stream and sale is a terrible blemish on what would otherwise be a huge favorite of mine.
Sufjan Stevens & Timo Andres - The Decalogue A forceful, sometimes opaque album. Delicate and opinionated piano music for ballet. One moment of particular transcendent beauty: the track V.
Weyes Blood - Titanic Rising A 10/10, perfect, totally wonderful album. A ton of variety and not a single bad song. By turns upbeat, dreamy, contemplative, creepy, explosive. One of the most beautiful and evocative album covers of the year to boot.
Andrew Bird - My Finest Work Yet I appreciate Andrew Bird's esoteric trips and darkly introspective weirdness, so it surprised me how much I enjoyed this: a bouncy, ascerbic, and delightful return to form packed with ironic turns of phrase and endlessly engrossing little musical details. Bloodless is a legit political statement, a State of the Union address that is somehow equal parts ominous and encouraging. Sisyphus is freewheeling and also political, a common thread here. My favorite is Manifest, a disco-inflected ode to fossil fuels. You could blast it and joyfully sing along without ever realizing how apocalyptic it is.
Nivhek - After its own death / Walking in a spiral towards the house Moody, spacious, and minimalist. Lovely and meditative.
M83 - DSVII A world all of its own. Cinematic, strange, and cheesy. I really appreciate M83's willingness to do absolutely whatever they want when they could easily have made a career pandering to fans of Midnight City and selling songs to car companies. DSVII is spacious and upbeat, steeped in the memory of 70s space western epics. Flutes, pianos, and shimmering picked guitars float over crashing post-rock drums and synths ranging from contemplative sweeps (Mirage) and buzzing pads (Colonies) to swelling vox (Taifun Glory) and precise, retro little bleeps (Oh Yes You're There, Everyday). It's wonderful background music, and the choice tracks (Temple of Sorrow, Mirage, Hell Riders) are great fun and even occasionally thrilling. This album is easy to love.
Thom Yorke - Anima Detuned synths lying motionless in a cold desert fading in and out of life
Foxes in Fiction - Trillium Killer A swirling dream-pop masterpiece. I had the privilege of seeing Warren perform some of these songs earlier this year, and I felt totally transported, like I was physically present in the green holographic world of his back-stage projections. These songs are complex and really special, crafted with care and an ear highly attuned to odd harmonies and little additive details. I love the way stories and thoughts weave together across the album. The catchy, gently swelling music is a brilliant compliment for the lyrics, which are often dark and intense, blurring the political and personal on songs like Say Yes to Violence and Antibody. Aesthetically, this album is a delight, but there's so much depth beneath its glimmering surface. What a wonderful addition to Foxes in Fiction's powerful and lovely discography.
Xiu Xiu - Girl with Basket of Fruit Xiu Xiu always makes me smile. This album is dense and abrasive and very lyrics-forward. Jamie Stewart sounds fucking pissed and I love it. The beats are quick and unrelenting: samples of Haitian drummers led by musician Daniel Brevil. I also can't get over the fact that Angela Seo published her favorite and least favorite lyrics from each song. Jamie wrote this about the record's title, which references Caravaggio's painting Boy with a Basket of Fruit: "When this title is a boy it is fey and lovely. When it is a girl is worrisome and rife with danger. Male martyrs are almost always surrounded by nurses, their mothers, adoring angels and other loving disciples wrapping their crushed and holy bodies in strips of herb soaked cloth and weeping rapturously. Female martyrs are almost always depicted having their skin flayed, breasts branded or ripped off with tongs or being stabbed and they are always, always alone save for her murderers. There is never anyone by their sides celebrating their spiritual life, only fiendishly reveling in their torture of her. It is perilous to be a 'girl.'"
Bats - Alter Nature I was shocked to find out these guys have been around for 10 years. This sounds like an album by a young band, which I mean as a compliment: it's energetic and rough and a little uneven in parts in ways that I enjoy. The sound is either especially intense but poppy post-punk or kind of gentle hardcore. I think there's a lot of crossover potential between those two fan bases here. Their attitude is what I love more than anything else. I don't know how to describe it exactly. It feels like the band are willing to go to weird, sarcastic places and then quickly snap back to sincerity and brutality, often multiple times in one song. I'm not much of a hardcore fan, but I almost wish they'd spent a little more time with that sound: my favorite parts on this record are the heavier bits like the end of Current Affairs.
Olivia Neutron-John - Olivia Neutron-John This album sounds like if you trapped a musique concrete artist in a timeless hell with a couple drum machines and synths for a millenium and then poked a hole in the wall and recorded what came out. Really fun and uncomfortable. I do still think the best format to experience ONJ is in her like 20-minute rambling dance tracks, like 2017's Injury Train.
Liturgy - H.A.Q.Q. A lot of people really despise Liturgy, and if that's the case for you, this album probably won't change your mind, but for what it's worth, it's a little more accessible than their synth-horn-heavy black metal midi extravaganza of a previous album The Ark Work. H.A.Q.Q. does contain weird, tonally distinct interludes (the EXACO trio of tracks) between its transcendental metal pillars, but they're the rare interludes that go beyond merely cleansing the palette and setting the mood for whatever follows. EXACT III especially is a bright and emotionally complete unit. What we're really here for is the metal, though, and this album delivers like nothing Liturgy has released before. Composer/singer/guitarist Hendrix's melodies are unique and beautiful, the riffs and blastbeats are tight, and the stuttering glitches that break up dense passages are welcome even when they're really surprising. HAJJ, PASAQALIA, GOD OF LOVE, and HAQQ are all monster tracks, but the whole album is well worth your time. The lead single, GOD OF LOVE, is a great place to start. This is definitely, easily my favorite black metal album of all time, and probably my favorite metal album full stop.
Blood Orange - Angel's Pulse Dev Hynes' mixtape is by turns propulsive and relaxing, softspoken and hardheaded. It's brilliant and beautiful and although it's not too long, each song is given ample room to breathe. I wish other artists were as effective at utilizing guest artists (some tracks here have three guests, and Hynes is able to manage their time well enough that there's no feeling of bloatedness or a lack of cohesion). I love this album. It might be my favorite thing Hynes has ever done. Listen to: Take It Back, Berlin, Dark & Handsome
Toro y Moi - Outer Peace Chaz's album Boo Boo was one of my favorite albums of 2017, but because it wasn't chillwave enough or whatever, people didn't seem to give it a fair shake. That seems to be the case with Outer Peace, too: it's less of a single unit than Boo Boo and contains more danceable content, but it's a little too moody and eccentric to win over fans of Anything In Return, Chaz's basically perfect 2013 opus. (As a side note, his mixtape Soul Trash, which also came out this year, is good fun too.) Anyway, Outer Peace feels kind of like a more accessible extension of Boo Boo. Parts of it still feel like a deranged early-morning exercise program on college radio, which I like. Try some of the lighter stuff first: Fading, Ordinary Pleasure, and Freelance.
Opium Lord - Vore No genre has better subgenre descriptors than metal. This is a black sludge album, and that's pretty much all you need to know.
Mid-Air Thief - Crumbling Okay so this album technically came out in 2018, but it had a wide release this year on Topshelf Records with like four different wax colors, and also I only found out about it early this year, and I need to spread the word about one of the most delightful, fun, and beautiful albums I've ever heard. On Crumbling, organic strums and synthetic trills form a deeply engaging tapestry. I love every second of it. Combining sounds in this way totally qualifies as left-field experimental shit just because It Seems Like Nobody Else Is Doing It For Some Reason (except I guess Floating Points, see SOTY), but the music itself is actually really accessible. This is what pop music should sound like! We have the technology!! Please listen to this album. Dirt and Gameun Deut are my favorites at the moment, but you honestly can't go wrong.
Angel Olsen - All Mirrors Olsen's gotten grander. Her ballads are longer and involve strings and synthesizers and beat machines. The soul feels the same to me, though. Songs like the title track are powerful and emotive and showcase not just her vocal range but a new range of sonic experimentation that I think complements her songwriting really well. For those who aren't on board with the 7-minute ballads, there are also more lighthearted tracks like Too Easy and Spring. I knew that Chance reminded me of a specific song, but I couldn’t think of the name until I read something by a person named Grimelords about how it’s like her version of Sinatra's My Way. That’s exactly what it’s like.
Girl Band - The Talkies Shoulderblades is an ugly, mammoth, multi-part story. Brilliant genreless repetition like in album opener Prolix and at the end of Couch Combover. Amygdela sounds like if early Preoccupations was fronted by someone undergoing torture whilst also muttering at their withdrawal hallucinations. The vibe here is complex. It's a very consistent album, but the collection of sounds and attitudes is really unusual. Caveat is a great example: a simple beat and twitching synth line turns into a lumbering mess of distortion-and back again, whenever it decides to-at will.
0 Stars - Blowing on a Marshmallow in Perpetuity Timid singing, odd titles, and every-instrument-in-the-room textures on this album belie depth and a very warm heart. "even though my dog barked at a baby, i won't tell her 'no' cause that's just the way she deals with being scared and sometimes i get scared too, and it's bad enough without the shame when i mess things up and you don't come over, i go to the kitchen and eat leftovers just because i'm sad doesn't mean it is fair to depend on you when you're sad too"
(Sandy) Alex G - House of Sugar With Gretel—the best song of the year—as its lead single, House of Sugar set an impossibly high expectation. Although Gretel is certainly a high point on the album, there are many more: Hope is inconspicuous but beautiful, honest, and cathartic, SugarHouse is a devastating jam, and Southern Sky whirls comfortingly from a rose-tinted verse into a chorus supposedly inspired by a dream and tinged with sadness. All but one of these songs are under 4 minutes long, but they're packed with conflict between abstract and concrete lyrics, beauty and strangeness. It's Alex G, so don't be surprised by the unexpected and often outright weird electronic flourishes and transitions throughout the record, but if you can handle its irregularities, this is easily one of the most fresh-sounding and enjoyable albums of the year.
Emily Reo - Only You Can See It A bright, fun, and beautiful album full of bouyant vocals and strange twists and turns. Although I deeply love the poppy stuff here (like the anthemic single Strawberry), my faves are the slower, darker, vaguely occultish songs: Ghosting, Counterspell (a shimmering sequel to 2016's Spell, one of the best songs of the year), and In Theaters, which is one of those songs that builds and builds and then has the most satisfying payoff. It might be my favorite ending of any album this year. I hope you check this one out. Emily is the coolest and this album rocks.
Chromatics - Closer To Grey Of course this came out in October. Chromatics is the only band that is allowed to use canned vinyl hiss. The first song on this record is a Sound of Silence cover and it is amazing.
Mizmor - Cairn I try to approach new music without giving too much thought to the circumstances of its creation, but something about the idea of a mythical lone individual painstakingly crafting beautiful layered music appeals to me, whether it's Phil Elverum of Mt. Eerie, Sufjan Stevens, or this: Mizmor, some dude from Portland, OR making sick, dense black metal. Cairn is a slow, doomy, cinematic album, and maybe these qualities make it easier to notice the incredible attention to detail on individual riffs or little instrumental passages. My favorites were Cairn to God and The Narrowing Way
Laura Agnusdei - Laurisilva Lounge music from hell. Twin Peaks-y saxophone glides over squishy synthetic beats. Lungs Dance sounds like a block of jello having a nightmare. In all seriousness, this is an ingenious and very unique album and I enjoy it a lot. A lot of music I listened to this year attempted to merge organic and synthetic sound in a way that emphasises their similarities. Here, synthetic sounds and recognizable voices/samples/sax & flute riffs are juxtaposed, and the rift is never bridged. And it's weirdly comfortable. This is the most acidic of acid jazz. And honestly, I just really like how wet the synths sound.
~~~~~
SONGS I LOVED (singles for albums that i think outshone the album OR songs that were released not as part of an album OR just songs i heard and enjoyed. this will hopefully prevent me from including an album i don't actually love just because i really dug one song on it)
Arthur Russell - You Did It Yourself Iowa Dream is a great collection of Russell's more accessible unreleased work. You Did It Yourself in particular is such a perfectly weird, groovy almost-pop song, a reminder that Russell was as talented a writer of hooks as he was a mastermind of electroacoustic experimentation. To explore his other side, check out another of his posthumous releases from this year, Not Checking Up.
MGMT - In The Afternoon A gothic post-punk masterpiece that sort of follows from their excellent 2018 album Little Dark Age. This is MGMT's best era ever. My most-anticipated-2020 list is basically MGMT and Owen Pallett's Island. And probably one or two more Big Thief records.
Floating Points - Falaise Floating Points' 2019 album Crush consists mostly of Aphex-Twin-y glitch-beat tracks that occasionally push towards something really interesting and unique. It's a great album, but the organic instruments on opener Falaise set you up brilliantly for an organosynthetic payoff that never arrives.
Honey by Drugdealer/Weyes Blood okay, Lonely on the same album is fun, if a little silly. Lost In My Dream is also totally decent, and Fools is kind of a bop... actually, this whole album, while not totally my cup of tea, is great. If you like 70's-disco-inflected (like, Bee Gees) retro rock, sweet vocal harmonies and guitar licks, and a few indulgences (like saxophone), you'll totally dig this record. I'm gonna spend some more time with it. Honey fucks especially though imo
Everything All at Once - G Jones Something about this song just scratches an itch in my brain. The rest of this album is basically dubstep, and it all sandwiches this one beautiful little song. Better not to question life's gifts.
Perfume Genius - Eye in the Wall Sandunes & Landslands - Eleven Eleven James Blake - Barefoot In The Dark new grimes unfortunately Deafheaven - Black Brick
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Honorable Mentions/stuff i like but other people would probably love
Kim Gordon - No Home Record An experimental (but comfortably modern) record by the 66-yr-old Gordon, best known as a multi-instrumentalist/vocalist in Sonic Youth, a band I occasionally appreciate but can't say I love. Parts of No Home Record are noise rock-y, like Murdered Out, and others totally defy comprehension: Paprika Pony seems to have the most buzz surrounding it, which makes sense since it features both a kalimba and a trap beat. Really not a resting-on-laurels type of album. I wish more iconic older musicians made shit like this.
Pharmakon - Devour The rare album that makes me forget about my tinnitus. A dense cloud of distortion and sharply biting microscopic needle creatures that settle around your shoulders and block out all light. Fucking awesome. Listen if you enjoy oppressive painfully pulsing sound textures of industrial noise blanketing completely incoherent screaming.
clipping. - There Existed an Addiction to Blood This is a tough one for me because there are things about this album I can't stand, but many more things I absolutely love. The inventiveness of the production on Run for Your Life, Daveed's absurdly skilled delivery on Blood of the Fang, the harsh noise and musique concrete combining delightfully with rap on songs like La Mala Ordina; all of this is extremely exciting. I really love the last track Piano Burning, an 18-minute recording of, yes, a piano burning. The thing is, clipping.'s lyrical content is more or less the same here as on 2013's Midcity mixtape. It's ultra-violent, filled with graphic descriptions of gang violence and torture, which is fine, but just not something I'm that interested in listening to more than once or twice. They've branched out elsewhere (on their previous album, Splendor & Misery, and on the recent EP The Deep), but to me, it's unfortunate that this super cool and thoughtful album is lyrically (at least, on the surface) just a collection of descriptions of people being murdered. I don't really have any interest in reading more into it than that, because I regret pretty much every time I try to pay close attention, either because it's gross and boring or because it's embarrassing (The Show, for example). I want to emphasize that as horrorcore goes, the writing here is mostly very good. The rhyme patterns like at the beginning of Story 7 are genius. It's just not for me, I guess. I'm gonna keep listening to a few songs, though: Nothing is Safe, La Mala Ordina, Run for Your Life, and Blood of the Fang are excellent.
Field Whispers - Fire-Toolz The Warm-Body is a great song. Hyphen- (and parenthesis-) heavy vapor/pc music/new age/ambient jazzy synth stuff. really nice.
Caroline Polachek - Pang every r/indieheads dude: i like slide guitar now probably the best vocal performance of any album I heard this year, Polachek is just ludicrously good. listen to Insomnia
Danny Brown - uknowhatimsayin¿ When most artists release an album of outsized acclaim, you can with some certainty expect them to mimic its acclaimed qualities later on in an attempt to reach the same level of success. Danny Brown is not most artists, though, and no one who knows him would count on a retreading of the ground covered in Atrocity Exhibition, Danny's nearly perfect 2016 album. uknowhatimsayin¿ is more lighthearted and, I think, a little less ambitious (it's 13 minutes shorter, with more consistent track lengths; there's no "Really Doe"), but not to its detriment. The features are less head-turning than AE (up-and-comers JPEGMAFIA and Obongjayer, the understated genius Blood Orange, and Run the Jewels, the most overrated act in hip hop), but they all fit in neatly. Tracks like Belly of The Beast and Negro Spiritual prove Danny could still rap over a washing machine or musique concrete or fucking whatever. The lyrics are less dense, the beats less experimental and strange, but the lighter energy is kind of nice. Atrocity Exhibition could've lost three or four tracks, but this album feels juuuust right.
HTRK - Over the Rainbow Soft, ambient, moody. Reminds me of William Basinski's Watermusic II, but this album is less repetitive and a little less weird. It's background music for people who hate background music. It's delightful and ignorable. Very nice.
Blarf - Cease & Desist Shockingly decent plunderphonics/noise album from Eric Andre, who it must be pointed out attended one of the most prestigious music colleges in the world.
Ryan Lott - Pentaptych Beautiful, prickly modernist string compositions.
Cereal Killer - The Beginning & End of Cereal Killer Empath - Active Listening: Night on Earth Ithaca - The Language of Injury Mannequin Pussy - Patience Swan's Chamber - Swan's Chamber Avey Tare - Cows on Hourglass Pond Men I Trust - Oncle Jazz Charli XCX - Charli Black Midi - Schlagenheim Michael Kiwanuka - Kiwanuka Methyl Ethyl - Triage Bill Callahan - Shepherd in a Sheepskin Vest Better Oblivion Community Center - Better Oblivion Community Center Twin Peaks - Lookout Low Holly Herndon - Proto Laurel Halo - DJ-Kicks Earl Sweatshirt - Feet of Clay Nihiloxica - Biiri Wet Fruit - Wet Fruit
Best mix: Night Bus 4: Memory of Night Bus by CFCF When Hyperballad hits, you will understand. http://www.gorillavsbear.net/cfcf-drops-night-bus-4-memory-of-night-bus
Best album name:
Gross Net - Gross Net Means Gross Net.
Answers my foremost question immediately.~~~~~
A halfhearted AOTD list, in order this time
1-The Age of Adz
2-Heartland
3-Entrañas
4-The Money Store
5-Channel Orange
6-Planetarium
7-Ontario Gothic
8-Konoyo+Anoyo (this is cheating but whatever)
9-Carrie & Lowell + Greatest Gift (also cheating idc)
10-My Beautiful Dark Twisted Fantasy
thanks for reading. the world is abundant.
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drsilverfish · 6 years ago
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DrSilverfish S14 Meta Masterpost
Well, what a wild ride S14 has been. An extremely rich season for meta, and one of the best seasons of the show, ever (in my view, YMMV). It’s been a blast sharing it with all of you, week by week, on the hoof. Thanks for all the discussion, shared sleuthing and musing, gifs, art, fic, meta and more. 
And thanks also to all the readers of, and commenters on, this blog. Reading the tags and replies on Tumblr is still one of the best things. 
High points? The writers’ room’s use of mythology (Greek, Biblical, folktale) this season has been rich and satisfying, but in particular their borrowing of Jung’s psychological drama of the encounter between the Self and the Shadow-self, and his interpretation of alchemical writing as representative of the journey of the psyche towards self-integration (for the alchemists, the journey of the soul to God) has been really beautifully crafted. 
Also, all the call-backs to previous seasons and episodes of the show, as part of Dabb’s Ouroboros narrative, used to shed light both on the past and the present; even down to matching the call backs numerologically for more snake-swallowing-its-own-tail symmetry. 
Stand out episode for me was 14x14 Ouroboros. Steve Yockey is a kick-ass writer and a master of subtext. Noah Ophis the Queer Gorgon was not only a fabulous queer villain but the call-back to Nick the Siren and 4x14 Sex and Violence really reflected on and demonstrated the show’s evolution, as we near the end of the spiral (it’s ages since any female characters have been called a “bitch” or a “whore” for one thing - phew).
Also a shout-out to Meredith Glynn’s 14x08 Byzantium for its lovely re-encounter re Castiel’s relationship to Heaven, his heart-crushing (and uber fairy-tale romantic) deal with The Shadow, as well as for revisiting the awesome Lily Sunder and adding Anubis to the SPN God-machine! 
And to Davy Perez 14x11 Damaged Goods for the most subtextually obvious but also tragically heart-breaking, reference to the Ma’lak box as the closet, thanks to Dean showering sparks all over Donna’s 1970s cowboy porn poster collection whilst building it. 
Andrew Dabb and Meredith Glynn’s 14x13 Lebanon was excellent too; lovely script, outstanding performances from the original Winchester family, a beautiful little side-meditation on who Castiel would have been, if he hadn’t raised Dean from perdition, and some more alchemical symbolism via the “pearl of great price” (AKA the Philosopher’s Stone). 
Meghan Fitzmartin and Yockey’s 14x15 Peace of Mind, was also stand-out, for its biting satire both of MAGA and Heaven, its hilarious whammied Sam (truly one of Jared’s great performances, up there with his Lucifer in The End) and its lashings of queer subtext (from Dean’s fascination with, and anxiety about,  the “snake”, to Castiel’s mirrored heavy improv involvement with Sunny’s dick-worshiping erotic epistles). 
Finally, Dabb and Sgriccia delivered a gorgeously shot, and epic, finale in 14x20 Moriah, the culmination of Dean’s long and painful encounter with the internalised Ghost of John Winchester in his psyche, as he faced, Ouroboros style, a yellow-eyed “monster” who had (apparently) killed Mary Winchester (again) and THE Father, ordering him to continue his own father’s revenge cycle. Chuck Shurley, avatar of God, ultimate dead-beat Dad and author of the SPN multi-verse, is set up to be the meta villain for the final season, as his characters struggle for true free will. 
Here’s hoping MIRROR UNIVERSE and all those zombies busting out of their graves are indeed a giant neon metaphor for the culminating revenge of SPN’s eternal queer subtext.    
Low-point of the season; re-fridging Mary Winchester as part of the Ouroboros narrative, even though Glynn and Berens handled her “death” episodes (14x17 and 14x18) beautifully. Re-staging the drama of Azazel, fathers and sons, as part of the story spiral was, of course, irresistable, and profound for our male hero characters; I get it. But, as I am still convinced this is a fake-out, Mary is not really dead, and we will see her again (see my meta from 14x17 onwards) I’m willing to wait before I write my final meta on the show’s relationship to the feminine principle (spoiler alert, a load of suckage along the way, with the possiblity for a, somewhat contingent, writers’ room redemption arc!). I am hoping both Amara, as the feminine God-principle, and Mary (they are already fundamentally linked) will return in the culmination of the narrative. Symbolically, even given this is, indelibly, a narrative about men and the bonds between them, that return of/ integration with the feminine would be the alchemical and Jungian culmination of the journey, and I’m hoping that’s what Dabb is going deliver; via Jack (Hermes/ Mercury) as the mediating principle.  
As I’m sure you all are, I’m in equal measure gutted and excited that S15 is to be the final turn of the spiral. 
Look forward to sharing all the highs and the lows, as TFW go up against Chuck Almighty himself, with Death, The Empty and metaphysical key Jack Kline Novak Winchester in the mix.  
All my meta of the season (with thanks to many of you for enlightening and fun discussion) under the cut this time, because there’s a LOT!:
1) Stranger in a Strange Land (14x01)
http://drsilverfish.tumblr.com/post/178991484844/stranger-in-a-strange-land-14x01
2) Queer Gods and Monsters (14x02) 
http://drsilverfish.tumblr.com/post/179226151009/queer-gods-and-monsters-14x02
3) Dramatic Irony and Castiel in 14x02
http://drsilverfish.tumblr.com/post/179277272094/dramatic-irony-and-castiel-in-14x02-gods-and
4) Jack and Killing Dean in 14x02 (parallels with Dean and Killing Jack in 13x02 The Rising Son)
http://drsilverfish.tumblr.com/post/179430025509/spookyboysam-and-that-means-that-dean-dies-too
5) 14x03 The Scar - Dean Confronts Dark!Kaia (Dopplegangers, Mirrors and John Winchester’s Ghost)
http://drsilverfish.tumblr.com/post/179463975289/shirtlesssammy-14x03the-scar-meta-writers 
6) Batman vs Superman: Connection and Conflict in Mint Condition (14x04) (Plus more John Winchester’s Ghost)
http://drsilverfish.tumblr.com/post/179699654684/batman-vs-superman-connection-and-conflict-in
and some added discussion and further meta with @dimples-of-discontent
http://drsilverfish.tumblr.com/post/179735406854/batman-vs-superman-connection-and-conflict-in
7) Nightmare Logic (14x05) The Winchester Family Crypt
http://drsilverfish.tumblr.com/post/179938583519/nightmare-logic-14x05-the-winchester-family
8) Uhmmn... 14x05′s Text Reference Is...? (Nightmare Logic) 
http://drsilverfish.tumblr.com/post/179940786549/uhm-14x05s-text-reference-is 
and some added discussion and further meta (on Dean and the bi-dent) with @paperwhitenarcissus
http://drsilverfish.tumblr.com/post/179975186264/uhm-14x05s-text-reference-is 
9) 14x05 Nightmare Logic and 13x14 Good Intentions - Dean’s Wardrobe Parallels -  a discussion with @postmodernmulticoloredcloak
http://drsilverfish.tumblr.com/post/179943183099/postmodernmulticoloredcloak-do-you-think-its
10) Inside Dean’s Head - 14x03 The Scar and 14x05 Nightmare Logic
http://drsilverfish.tumblr.com/post/179944031049/inside-deans-head 
11) 14x06 Optimism - Cock Meta (end comment on a multi-authored discussion)
http://drsilverfish.tumblr.com/post/180184985249/14x06-cock-a-doodle-doo
12) 14x06 Optimism - a discussion with @postmodernmulticoloredcloak
http://drsilverfish.tumblr.com/post/180201135789/postmodernmulticoloredcloak-drsilverfish
13) 14x08 Byzantium (Castiel’s Relationship with Heaven)
http://drsilverfish.tumblr.com/post/180903052874/byzantium-14x08
14) The Shadow 14x08 (first in a series of meta on the Jungian themes of S14)
http://drsilverfish.tumblr.com/post/180906003584/the-shadow-14x08
15) 14x09 The Spear (wounds, penetrations, scars: Destiel)
http://drsilverfish.tumblr.com/post/181057197034/guysjust-hold-hands-already-protective
16) 14x09 The Spear (Jungian Decoder Ring Edition) (second in a series of meta on the Jungian themes of S14)
http://drsilverfish.tumblr.com/post/181122764984/14x09-the-spear-jungian-decoder-ring-edition
17) 14x09 The Spear: Ode to Joy
http://drsilverfish.tumblr.com/post/181170752319/14x09-the-spear-ode-to-joy
18) The Dean/ Cas Spiral Narrative - S13 and 14 Edition (so far)
http://drsilverfish.tumblr.com/post/181231154654/the-dean-cas-spiral-narrative-s13-and-14-edition
19) Pamela Barnes in Nihilism (14x10)
http://drsilverfish.tumblr.com/post/182118505974/pamela-barnes-in-nihilism
20) AU!Michael and the Closet (14x10)
http://drsilverfish.tumblr.com/post/182120562849/aumichael-and-the-closet
21) Rocky’s Bar: A Closer Look in Dean’s Mind (14x10) 
http://drsilverfish.tumblr.com/post/182142619479/rockys-bar-a-closer-look-in-deans-mind-14x10
22) Are You There, God? It’s Me, Dean Winchester (S11 Parallels - Jungian meta adjacent)
http://drsilverfish.tumblr.com/post/182150404304/are-you-there-god-its-me-dean-winchester
23) Pamela, The Guardian (this is actually @shirtlesssammy ‘s great meta, to which I added something on Pamela as Dean’s psychopomp and anima - Jungian meta adjacent) 
http://drsilverfish.tumblr.com/post/182196788399/pamela-the-guardian-in-14x10
24) What the Light and Shadow Tells Us (some meta on the S14 promo poster and S13 and 14′s use of light and shadow - Jungian meta adjacent)
http://drsilverfish.tumblr.com/post/182257314199/what-the-light-and-shadow-tells-us
25) A Fridge-Locker, An Enochian Puzzle-Box, and the Closet (14x11 Damaged Goods) 
http://drsilverfish.tumblr.com/post/182303909819/a-fridge-locker-an-enochian-puzzle-box-a-malak 
with some additional discussion with @magnificent-winged-beast and @verobatto-angelxhunter on subtext, canon and the show’s own closet:
http://drsilverfish.tumblr.com/post/182375754379/a-fridge-locker-an-enochian-puzzle-box-a-malak
26) Jung and Dean’s Journey Towards Self-Integration in 14x11 Damaged Goods (third in a series of meta on the Jungian themes of S14) 
http://drsilverfish.tumblr.com/post/182299438269/jung-and-deans-journey-towards-self-integration
27) Damaged Goods (14x11) 
http://drsilverfish.tumblr.com/post/182307242539/damaged-goods-14x11
28) Cosmic Order and Entropy: What’s Death’s Game? (14x11) 
http://drsilverfish.tumblr.com/post/182350642244/cosmic-order-and-entropy-whats-deaths-game
and some additional discussion with @emblue-sparks
http://drsilverfish.tumblr.com/post/182380817269/cosmic-order-and-entropy-whats-deaths-game 
29) The Riddle of the Sphinx: 14z12 Prophet and Loss (a guest meta for @metafest ) (including more on the Ghost of John Winchester - Jungian meta adjacent)
http://drsilverfish.tumblr.com/post/182482293379/the-riddle-of-the-sphinx-14x12-prophet-and-loss
and some additional meta and discussion with @verobatto-angelxhunter
http://drsilverfish.tumblr.com/post/182487467794/the-riddle-of-the-sphinx-14x12-prophet-and-loss
and some more with @emblue-sparks
http://drsilverfish.tumblr.com/post/182501242824/the-riddle-of-the-sphinx-14x12-prophet-and-loss
30) Ouroboros in Prophet and Loss (14x12) (fourth in a series of meta on the Jungian themes of S14) 
http://drsilverfish.tumblr.com/post/182486474324/ouroboros-in-prophet-and-loss-14x12
31) Dr. Sexy of the Lord in Prophet and Loss
http://drsilverfish.tumblr.com/post/182501242824/the-riddle-of-the-sphinx-14x12-prophet-and-loss
plus self--reblog with more on the “Dr. Novak” alias
http://drsilverfish.tumblr.com/post/182538453119/dr-sexy-of-the-lord-in-14x12-prophet-and-loss
32) A Pearl of Great Price - 14x13 Lebanon (fifth in a series of meta on the Jungian themes of S14) 
http://drsilverfish.tumblr.com/post/182660472289/a-pearl-of-great-price-14x13-lebanon
with some additional discussion and meta with @mittensmorgul and @paperwhitenarcissus
http://drsilverfish.tumblr.com/post/182667170284/a-pearl-of-great-price-14x13-lebanon
33) 14x13 Lebanon - Some Silent Storytelling Notes on the Pawn-Shop
http://drsilverfish.tumblr.com/post/182666922119/14x13-lebanon-some-silent-storytelling-notes-on
34) The Bruise as a Kiss: Cinematic Queerness and the Violence Between Dean and Cas in 14x13
http://drsilverfish.tumblr.com/post/182669190399/the-bruise-as-a-kiss-cinematic-queerness-and-the
35) An Angel, and Lucifer’s Kid? Queer-Coding and Dean’s “Found Family” in 14x13 Lebanon
http://drsilverfish.tumblr.com/post/182794294534/an-angel-and-lucifers-kid-queer-coding-and
36) Movie Poster Meta for 14x13 (end note to a multi-authored discussion with @paintmeahero @mittensmorgul @shirtlesssammy @justanotheridijiton )
http://drsilverfish.tumblr.com/post/182843848469/paintmeahero-shirtlesssammy-mittensmorgul
37) Old Timey SPN: A Fresh (Queer) Look at 4x06 Yellow Fever
http://drsilverfish.tumblr.com/post/182874642184/old-timey-spn-a-fresh-queer-look-at-4x06
38) 14x14 Ouroboros Promo: Procrustes Greek Myth Meta-Spec (part of a discussion with @mittensmorgul @postmodernmulticoloredcloak - Jungian meta adjacent)
http://drsilverfish.tumblr.com/post/182991822784/mittensmorgul-postmodernmulticoloredcloak 
39) The Man Who Would Be King - Edlund’s Literary Allusion and 6x20
http://drsilverfish.tumblr.com/post/183118270999/the-man-who-would-be-king-edlunds-literary
40) 14x14 Promo Meta Spec (a discussion with @elizabethrobertajones and @hum-bee - started Destiel, became @hum-bee ‘s meta on Castiel’s depression, then mine on the separate, but related, queer subtext narratives for Dean and Cas this season) 
http://drsilverfish.tumblr.com/post/183246356449/dean-is-getting-better-at-communicating
41) The Kiss of the Queer Gorgon in 14x14 Ouroboros
http://drsilverfish.tumblr.com/post/183323000224/the-kiss-of-the-queer-gorgon-in-14x14-ouroboros 
42) The Serpent and the Egg: Snake and Eye Symbology in 14x14 Ouroboros (sixth in a series of meta on the Jungian themes of S14)
http://drsilverfish.tumblr.com/post/183327000184/the-serpent-and-the-egg-snake-and-eye-symbology
43) Perseus, Jack and the Gorgon in 14x14
http://drsilverfish.tumblr.com/post/183337497344/perseus-jack-and-the-gorgon-in-14x14
44) The Siren and the Gorgon 4x14 and 14x14
http://drsilverfish.tumblr.com/post/183342830074/the-siren-and-the-gorgon-4x14-and-14x14
And with an addition:
http://drsilverfish.tumblr.com/post/183368457514/the-siren-and-the-gorgon-4x14-and-14x14
45) Noah Ophis 14x14 (Meanings and the name of the Gorgon)
http://drsilverfish.tumblr.com/post/183363993019/noah-ophis-14x14
And some further discussion with @justanotheridijiton and @mittensmorgul
http://drsilverfish.tumblr.com/post/183370426434/noah-ophis-14x14 
46) Another Alchemical Easter Egg in 14x14 (seventh in a series of meta on the Jungian themes of S14)
http://drsilverfish.tumblr.com/post/183388134889/another-alchemical-easter-egg-in-14x14
Plus additions and discussion with @mittensmorgul  and @trickster-archangel :
http://drsilverfish.tumblr.com/post/183876036674/another-alchemical-easter-egg-in-14x14
47) The Justin Smith/ Dean Smith Ouroboros (14x15 and 4x17)
http://drsilverfish.tumblr.com/post/183497401344/the-justin-smith-dean-sm)ith-ouroboros 
with additional discussion with @mittensmorgul @a-bit-of-influence @verobatto-angelxhunter and @magnificent-winged-beast :
http://drsilverfish.tumblr.com/post/183520934439/the-justin-smith-dean-smith-ouroboros
48) Yellow Fever Redux in 14x15 Peace of Mind
http://drsilverfish.tumblr.com/post/183498528974/yellow-fever-redux-in-peace-of-mind-14x15
and with additional discussion with @magnificent-winged-beast and @verobatto-angelxhunter
http://drsilverfish.tumblr.com/post/183507216399/yellow-fever-redux-in-peace-of-mind-14x15
49) Oranges are not the Only Fruit (part of a multi-authored discussion with @postmodernmulticoloredcloak and @verobatto-angelxhunter )
http://drsilverfish.tumblr.com/post/183505777909/verobatto-angelxhunter-drsilverfish 
50) Do Snakes Like Bacon? (Queer-Coding) (14x15)
http://drsilverfish.tumblr.com/post/183505636319/celestialdean-do-snakes-like-bacon-bacon-and 
51) The Satire in Charming Acres (14x15)
http://drsilverfish.tumblr.com/post/183526003969/the-satire-in-charming-acres-14x15-peace-of-mind 
52) The Book of Life in Donatello’s Kitchen (14x15) with thanks to @postmodernmulticoloredcloak for the heads up!
http://drsilverfish.tumblr.com/post/183528415774/postmodernmulticoloredcloak-look-what-i-found-in
53) “AU” Past Episode References in 14x15 Peace of Mind (and the Theme of Fate vs Free Will)
http://drsilverfish.tumblr.com/post/183549410559/au-past-episode-references-in-14x15-peace-of
and with an addition thanks to @mittensmorgul
http://drsilverfish.tumblr.com/post/183568337094/au-past-episode-references-in-14x15-peace-of 
54) A Call-Back to 4x01 in 14x15 (this is an addition to a meta by @poorreputation about Charming Acres as a Metaphor for Heaven)
http://drsilverfish.tumblr.com/post/183570660759/spn-14x15-peace-of-mind-heaven-and-charming
55) The Bird Represents God (14x15) (an addition/ discussion on bird poop to @verobatto-angelxhunter ‘s S14 meta-spec master-post)
http://drsilverfish.tumblr.com/post/183582551424/my-supernatural-season-14-specs-in-one 
56) Dean Made me Watch the Lost Boys Like 20 Times (14x16 Don’t Go in the Woods)
http://drsilverfish.tumblr.com/post/183635993619/dean-made-me-watch-the-lost-boys-like-20-times
57) The Ghostfacers in 14x16
http://drsilverfish.tumblr.com/post/183638151784/the-ghostfacers-in-14x16
58) The Kohonta, The Wendigo and..... The Winchesters? Cannibalism in 14x16
http://drsilverfish.tumblr.com/post/183640736269/the-kohonta-the-wendigo-and-the-winchesters 
59) More Musings on the Signifiance of Bird Poop in 14x16 with @elizabethrobertajones @mittensmorgul and @neven-ebrez
http://drsilverfish.tumblr.com/post/183648898244/elizabethrobertajones-five-p-m
60) Lucifer Rides Again?.... Games Within Games in 14x17 Game Night
http://drsilverfish.tumblr.com/post/183968888069/lucifer-rides-again-games-within-games
61) A Discussion on Alchemy and the Season’s End with @occamshipper
http://drsilverfish.tumblr.com/post/183972692154/thoughts-for-absencemoriah
62) Sixteenth Century Burmese Blood Rubies (14x17)
http://drsilverfish.tumblr.com/post/183973554064/sixteenth-century-burmese-blood-rubies-14x17
63) Cindy’s Waffle House in 14x17
http://drsilverfish.tumblr.com/post/183990322609/cindys-waffle-house-in-14x17
64) Nick’s Spell in 14x17 (A Bit of Body-Snatching Spec)
http://drsilverfish.tumblr.com/post/183991533929/nicks-spell-in-14x17-a-bit-of-body-snatching
65) Castiel and Food: A Discussion with @bluestar86 and @tinkdw (14x17)
http://drsilverfish.tumblr.com/post/183993473339/this-episode-again-reminding-us-that-angels-can
66) Is Anael in League with Satan?: A Discussion with @postmodernmulticoloredcloak  
http://drsilverfish.tumblr.com/post/184019357044/postmodernmulticoloredcloak
67) The Scapegoat: Speculative Musings on S14′s End (Moriah) (Linked to the Season’s Jungian Themes - Scapegoating and the Unacknowledged Shadow)  (eighth in a series of meta on the Jungian themes of S14)
http://drsilverfish.tumblr.com/post/184045009309/the-scapegoat-speculative-musings-on-s14s-end
with an additional note:
http://drsilverfish.tumblr.com/post/184068368304/the-scapegoat-speculative-musings-on-s14s-end
68) You Can Still Be a Cookie-Baking, Cardigan-Wearing Big Softie Without a Soul (14x17 Game Night)
http://drsilverfish.tumblr.com/post/184063447919/you-can-still-be-a-cookie-baking-cardigan-wearing
69) Dutch Camera Angles in 14x17 - A Discussion with @mittensmorgul
https://drsilverfish.tumblr.com/post/184117004089/mittensmorgul-i-was-just-thinking-of-all-the
70) 14x18 Absence: The Games Continue? (14x18)
https://drsilverfish.tumblr.com/post/184131452324/14x18-absence-the-games-continue 
with additional discussion with @shirtlesssammy
https://drsilverfish.tumblr.com/post/184140015899/14x18-absence-the-games-continue
71) Re-Fridging Mary Winchester: The Ouroboros Narrative Swallows its Origin Story (14x18 Absence)
https://drsilverfish.tumblr.com/post/184188830889/re-fridging-mary-winchester-the-ouroboros
72) Dean Would Never Tell Cas He Was Dead To Him (14x18 - end comment on dramatic irony on a post by @superduperdestiel33 )
https://drsilverfish.tumblr.com/post/184158399039/dean-would-never-tell-cas-that-he-was-dead-to-him
73) Jack, Godstiel and Jesus Parallels - A 14x19 Promo Discussion with @trickster-archangel (Jungian meta adjacent)
https://drsilverfish.tumblr.com/post/184165716364/trickster-archangel-i-was-watching-the-promo
74) A Spec Discussion on the Snake, Chicken and Egg Story (14x14) in Relation to Jack and 14x19 Jack in the Box and 14x20 Moriah with @neven-ebrez and @mittensmorgul
https://drsilverfish.tumblr.com/post/184234111884/neven-ebrez-neven-ebrez-mittensmorgul
75) A Pillar of Salt in 14x19 Jack in the Box
https://drsilverfish.tumblr.com/post/184302344489/a-pillar-of-salt-in-14x19-jack-in-the-box
and with addition discussion with @postmodernmulticoloredcloak
https://drsilverfish.tumblr.com/post/184305778829/a-pillar-of-salt-in-14x19-jack-in-the-box
76) Hallucifer or Lucifer? (14x19 Jack in the Box)
https://drsilverfish.tumblr.com/post/184303628429/hallucifer-or-lucifer-14x19
77) The Wraith at Mary’s Funeral (14x19) (end comment on a discussion with @mittensmorgul and @postmodernmulticoloredcloak )
https://drsilverfish.tumblr.com/post/184305430244/hi-mittens-im-not-understanding-what-the-point 
78) “So, Who’s Ready to Take on The Book of Samuel?” (14x19  Jack in the Box)
https://drsilverfish.tumblr.com/post/184308630909/so-whos-ready-to-take-on-the-book-of-samuel 
79) A Discussion on Dean and Cas and Chuck and Faith (14x19) with @norahastuff
https://drsilverfish.tumblr.com/post/184325713124/norahastuff-drsilverfish-norahastuff-you
80) Mary is Watching Over You.... From a Mirror Universe? (14x20 Moriah)
https://drsilverfish.tumblr.com/post/184458723054/mary-is-watching-over-you-from-a-mirror
81) Fate vs Free Will - “Welcome to the End” (14x20 Moriah)
https://drsilverfish.tumblr.com/post/184462086934/fate-vs-free-will-welcome-to-the-end-14x20
with additional discussion with @emblue-sparks
https://drsilverfish.tumblr.com/post/184465647879/fate-vs-free-will-welcome-to-the-end-14x20
82) More Bird-Poop Meta: A Discussion with @trickster-archangel
https://drsilverfish.tumblr.com/post/184501155254/trickster-archangel-it-just-occurred-to-me
83) “MIrror Universe” Meanings (14x20)
https://drsilverfish.tumblr.com/post/184491569414/mirror-universe-14x20
with additional discussion with @trickster-archangel and @occamshipper 
https://drsilverfish.tumblr.com/post/184508555094/mirror-universe-14x20
84) Dean’s Jungian Shadow Arc in S14: Confronting the Internal Father (2x22 to 14x20 Moriah) (ninth in a series of meta on the Jungian themes of S14)
https://drsilverfish.tumblr.com/post/184507150574/deans-jungian-shadow-arc-in-s14-confronting-the
85) Jack Kline Novak Winchester: Son, TFW Mirror, Trinity and Key; Quaternity, Ouroboros, Caduceus and Harbinger of The End (14x20) (tenth in a series of meta on the Jungian themes of S14)
https://drsilverfish.tumblr.com/post/184542079054/jack-kline-novak-winchester-son-tfw-mirror
86) So Who Has Been Resurrecting Castiel? (Post 14x20 Musings)
https://drsilverfish.tumblr.com/post/184558105759/so-who-has-been-resurrecting-castiel-post-14x20
and with added discussion with @mittensmorgul
https://drsilverfish.tumblr.com/post/184570379724/so-who-has-been-resurrecting-castiel-post-14x20
87) Chuck and Reno (14x20 plus S15 Spec on Chuck and Amara - end comment on a discussion by @tarend and @hi-im-dazey
https://drsilverfish.tumblr.com/post/184580452909/chuck-and-reno
POST-SCRIPT!!!
All My Meta on the Jungian Themes of S14 Collected Together in a 10 Part Series:
1) The Shadow 14x08 
http://drsilverfish.tumblr.com/post/180906003584/the-shadow-14x08
2) 14x09 The Spear (Jungian Decoder Ring Edition) 
http://drsilverfish.tumblr.com/post/181122764984/14x09-the-spear-jungian-decoder-ring-edition
3) Jung and Dean’s Journey Towards Self-Integration in 14x11 Damaged Goods 
http://drsilverfish.tumblr.com/post/182299438269/jung-and-deans-journey-towards-self-integration
4) Ouroboros in Prophet and Loss (14x12) 
http://drsilverfish.tumblr.com/post/182486474324/ouroboros-in-prophet-and-loss-14x12
5) A Pearl of Great Price - 14x13 Lebanon 
 http://drsilverfish.tumblr.com/post/182660472289/a-pearl-of-great-price-14x13-lebanon
6) The Serpent and the Egg: Snake and Eye Symbology in 14x14 Ouroboros 
http://drsilverfish.tumblr.com/post/183327000184/the-serpent-and-the-egg-snake-and-eye-symbology
7) Another Alchemical Easter Egg in 14x14 
http://drsilverfish.tumblr.com/post/183388134889/another-alchemical-easter-egg-in-14x14 
8) The Scapegoat: Speculative Musings on S14′s End (Moriah) (Linked to the Season’s Jungian Themes - Scapegoating and the Unacknowledged Shadow) 
http://drsilverfish.tumblr.com/post/184045009309/the-scapegoat-speculative-musings-on-s14s-end
9) Dean’s Jungian Shadow Arc in S14: Confronting the Internal Father (2x22 to 14x20 Moriah)
https://drsilverfish.tumblr.com/post/184507150574/deans-jungian-shadow-arc-in-s14-confronting-the
10) Jack Kline Novak Winchester: Son, TFW Mirror, Trinity and Key; Quaternity, Ouroboros, Caduceus and Harbinger of The End (14x20) 
https://drsilverfish.tumblr.com/post/184542079054/jack-kline-novak-winchester-son-tfw-mirror
177 notes · View notes
wikitopx · 5 years ago
Link
Here are the top 500 Indian Names!
[toc]
1. Top 500 Indian Names for girls
Abha — Splendor, light
Aditi — Boundless, freedom
Aisha — Alive
Aishwarya — Prosperity, wealth
Akanksha — Desire, wish
Amala — Clean, pure
Amandeep — Peace
Amardeep — Immortal, light
Amarjeet — Immortal, victory
Anima — Minuteness
Anisha — Nightless, sleepless
Anjali — Salutation
Aparajita — Unconquered
Aparna — Leafless
Apurva — New, unpreceded
Aradhana — Worship
Archana — Praisin
Aruna — Reddish brown
Arushi — Hitting, killing
Arya — Aryan, noble
Asha — Wish, desire, hope
Avani — Earth
Azra — Virgin
Bala — Young
Balwinder — Strength, might
Bhavana — Producing, manifesting.
Chanda — Fierce, hot, passionate
Chandra — Moon
Devi — Goddess
Devika — Little goddess.
Diksha — Preparation for a religious ceremony
Dipa — Light, light
Dipali — Row of lamps
Dipti — Brightness, light
Disha — Region, direction
Divya — Divine, heavenly
Diya — lamp, light
Drishti — Sight
Durga — Unattainable
Esha — Desire, wish
Ezhil — Beauty
Fariha — Happy
Gauri — White
Gita — Song
Grishma — Summer
Gul — Flower, rose
Gulbadan — Having a body like a rose
Gulrukh — Rose faced
Gurdeep — Teacher, guru
Gurmeet — Friend
Hema — Golden
Ila — Earth, speech
Inderpal — Protector of Indra
Indira — Beauty
Indrani — Queen of Indra
Indu — Bright drop
Indumathi — Full moon
Isha — Master
Ishani — Ruling, possessing
Ishita — Supremacy
Jaswinder — Fame, praise, glory
Jaya — Victory
Jayashri — Goddess of victory
Jyoti — Light
Jyotsna — Moonlight
Kajal — Lotion for the eyes
Kala — Art form, virtue
Kali — The black one
Kalpana — Imagining, fantasy
Kalyani — Beautiful, lovely, auspicious
Kamakshi — Love, desire
Kamala — Lotus
Kamani — Desirable
Kanchana — Golden
Kanta — Desire, beautiful
Kanti — Beauty
Karishma — Miracle
Kashi — Shining
Kaur — Princess
Kavita — Poem
Khurshid — Shining sun
Khushi — Happiness
Kiran — Dust
Kirtida — One who bestows fame
Laboni — Beauty, loveliness, charm
Lakshmi — Sign, mark
Lalita — Playful, charming, desirable
Lata — Vine, creeping plant
Lavanya — Beauty, grace
Lila — Play, amusement
Lilavati — Amusing, charming, graceful
Lina — Absorbed, united
Madhu — Sweet, honey
Madhur — Sweet
Madhuri — Sweetness
Mala — Necklace
Malati— Jasmine
Malani — Fragrant
Mandeep — Mind, intellect, spirit
Manjeet — Victory, conquering
Manju — Lovely, beautiful
Manjula — Pleasing, beautiful
Manjusha — Small box, small chest
Maya — Illusion
Mina — Fish
Minali — Fish catcher
Mira — Sea, ocean
Mitra — Friend
Mohini — Infatuating
Mridula — Soft, delicate, gentle
Mukta — Liberated, set free
Nalini — Lotus
Namrata — Bowing, humility
Nandita — Joy
Nasim — breeze
Nasrin — Wild rose
Navdeep — New, fresh
Navneet — Eternal
Neha — Love, tenderness
Nida — Call, proclaim
Nikita — House, habitation
Nila — Dark blue
Nirupama — Unequaled, matchless
Nisha — Night
Nishat — Energetic, lively
Nitika — Guidance, moral conduct
Nitya — Always, eternal
Nur — Light
Padma — Lotus
Padmini — Many lotuses
Parvati — Of the mountains
Prachi — Eastern, ancient
Pratibha — Light, splendor, intelligence
Pratima — Image, likeness, reflection
Pritha — The palm of the hand
Priti — Pleasure, joy, love
Priya — Beloved
Priyanka — Agreeable, amiable
Puja — Honor, worship
Purnima — Full moon
Pushpa — Flower
Rachana — Creation, preparation
Radha — Success
Rajani — The dark one
Rajkumari — Princess
Rajni — Queen
Rani — Queen
Rashmi — Ray of sunlight
Rati — Rest, pleasure
Ratna — jewel, treasure
Reshmi — Silk
Reva — One that moves
Richa — Praise, verse, sacred text
Rina — Melted
Ritka — Movement, stream, brass
Ritu — Season, period
Riya — Singer
Roshan — Light, bright
Roshni — Light, brightness
Rupa — Shape, form
Rupinder — Greatest beauty
Sabeen — Follower of another religion
Saira — Traveler
Sakshi — Witness
Sandhya — Twilight
Sanjana — Uniting, joining
Saraswati — Possessing water
Sarita — Flowing
Savitri — Relating to the sun
Shabnam — Dew
Shahnaz — Pride of the king
Shailaja — Daughter of the mountain
Shakti — Power
Shakuntala — Bird
Shanta — Pacified, Calm
Shanti — Quiet, peace, tranquility
Sharmila — Protection, comfort, joy
Shashi — Having a hare
Shikha — Crest, peak
Shila — Conduct, disposition, character
Shivali — Beloved of Shiva
Shobha — Brilliance
Shreya — Superior, best
Shweta — White
Shyama — Dark, black, blue
Siddhi — Accomplishment, success, attainment
Sima — Boundary, limit
Sita — Furrow
Sitara — Star
Sneha — Love, tenderness
Sona — Gold
Sonal — Good color
Sonam — Virtuous
Sukhdeep — Pleasant, happy
Sulabha — Easy, simple, natural
Sultana — Ruler
Suman — Well-disposed
Sumati — Wise, good mind
Sunita — Well-conducted, wise
Suniti — Good conduct
Sushila — Good-tempered, well-disposed
Swapna — Sleep, dream
Swarna — Good color
Tanu — Slender
Tanvi — Slender woman
Tara — Star
Tejal — Brilliance, splendor
Thamarai — Lotus
Trishna — Thirst, desire
Uma — Flax
Upasana — Worship, devotion
Urvi — Wide
Uttara — North
Vaishnavi — Belonging to Vishnu
Varsha — Rain
Vasuda — Granting wealth
Vasudha — Producer of wealth
Vasundhara — Possessor of wealth
Veda — Knowledge
Vidya — Knowledge, science, learning
Vijaya — Victory
2. Top 500 Indian Names for boys
Abbas — Austere
Abdul — Servant of the powerful
Abhay — Fearless
Abhijit — Victorious
Abhilash — Desire, wish
Abhinav — Young, fresh
Abhishek — Anointing
Adil — Fair, honest
Aditya — Belonging to Aditi
Adnan — Settler
Agni — Fire
Ahmad — More commendable
Ajay — Unconquered
Ajit — Invincible
Akash — Open space
Akbar — Greater, greatest
Akhil — Whole, complete
Akshay — Undecaying
Ali — Lofty, sublime
Amandeep — Lamp, light
Amar — Immortal
Amardeep — Immortal
Amarjeet — Victory, conquering
Amin — Truthful
Amir — Commander, prince
Amit — Immeasurable, infinite
Amitabh — Immeasurable splendor
Amrit — Immortal
Anand — Happiness, bliss
Anbu — Love
Anik — Army
Aniket — Homeless
Anil — Air, wind
Aniruddha — Unobstructed, Ungovernable
Anish — Supreme, paramount
Ankit — Marked
Ankur — Sapling
Anuj — Born later, younger
Anup — Watery
Anupam — Incomparable, matchless
Apurva — Upreceded, new
Aravind — Lotus
Arif — Learned, expert
Arijit — Conquering enemies
Aritra — Propelling
Aruna — Reddish brown
Arya — Aryan, noble
Asad — Lion
Ashwin — Possessed of horses
Asim — Boundless, limitless
Aswathi — Sacred fig tree
Avinash — Indestructible
Azad — Free
Azhar — Shining, bright
Aziz — Powerful, respected, beloved
Babur — Tiger
Bala — Young
Balakrishna — Strength, might
Balwinder — Strength, might
Bilal — Wetting, moistening
Chanda — Fierce, hot, passionate
Chandan — Sandalwood
Chandra — Moon
Chandrakant — Beloved by the moon
Chetan — Visible, conscious, soul
Chiranjvi — Long-lived
Darshan — Seeing, observing, understanding
Dayaram — Compassion of Rama
Dev — God
Devadas — Servant of the gods
Dhananjay — Winning wealth
Dharma — Law, duty, virtue
Dhaval — Dazzling white
Durai — Chief, leader
Durga — Unattainable
Eshil — Beauty
Farhan — Happy, cheerful
Farid — Unique, precious
Ghulam — Servant boy
Govinda — Cow finder
Gul — Flower, rose
Gurdeep — Teacher, guru
Gurmeet — Teacher, guru
Hardeep — Lamp, light
Hari — Brown, yellow, tawny
Harsha — Happiness
Harshad — Happiness
Harshal — Happiness
Hasan — Handsome
Hassan — Improver
Imtiyaz — Distinction
Inderpal — Protector of Indra
Indra — Possessing drops of rain
Indrajit — Conquerer of Indra
Isha — Master, lord
Jagit — World, universe
Jahangir — World conqueror
Jaswinder — Fame, praise, glory
Javed — Eternal
Jaya — Victory
Jayanta — Victorious
Jayendra — Lord of victory
Jayesh — Lord of victory
Jaywant — Possessing victory
Jitendra — Conqueror of Indra
Jyoti — Light
Kailash — Crystal
Kali — The black one
Kalyan — Beautiful, lovely, auspicious
Kamala — Lotus
Kanta — Desired, beautiful
Kanti — Beauty
Karan — Clever, skillful
Kavi — Wise man, sage, poet
Khan — King, ruler
Khurshd — Shining sun
Kiran — Dust, thread, sunbeam
Kishor — Colt
Krishna — Black, dark
Kshitij — Born of the earth
Kuldeep — Lamp, light
Lakshmi — Sign, mark
Lal — Boy
Lochan — The eye
Madhu — Sweet, honey
Madhukar — Bee, honey-maker
Madhur — Sweet
Mahendra — Great
Mahmud — Praiseworthy
Mamun — Trustworthy
Manas — Mind, intellect, spirit
Mandeep — Mind, intellect, spirit
Mani — Jewel
Maninder — Mind, intellect, spirit
Manish — Thought, wisdom
Manjeet — Mind, intellect, spirit
Manu — Thinking, wise
Maqsud — Intention, aim
Maruf — Favor, kindness
Mayur — Peacock
Mitra — Friend
Mitul — Measured
Mohandas — Servant of Mohana
Muhammad — Praiseworthy
Mukul — Bud, blossom
Murad — Wish, desire
Murali – Flute
Murugan — Youth
Nadim — Drinking companion
Nagendra — Lord of snakes
Nanda — Joy
Narayana — Path of man
Narendra — Lord of men
Nasim — Breeze
Navdeep — Lamp, light
Navin — New
Navneet — New, fresh
Nikhil — Whole, entire
Nilam — Dark blue, sapphire
Ninad — Sound, hum
Niraj — Water-born
Nirav — Quiet, silent
Nirmal — Clean, pure
Nishant — Night’s end, dawn
Nishat — Energetic, lively
Nitin — Guidance, moral conduct
Nitya — Always, eternal
Nur — Light
Padma — Lotus
Pallav — Budding leaf
Parminder — Highest, best
Partha — Son of Pritha
Prabhat — Shining forth, morning
Prabhu — Mighty, powerful, master
Prabodh — Awakening
Pradip — Light, lantern
Prakash — Light, bright, shining
Pran — Breath
Pranay — Leader, guidance, love
Prasad — Brightness, clearness, graciousness
Prasanna — Clear, bright, tranquil
Prasenjit — Conqueror of an expert army
Pratap — Heat, splendor, glory
Pratik — Look, appearance
Pravin — Skilled
Prem — Love, affection
Punit — Cleaned, purified
Qasim — Share, Divide
Radha — Success
Rafiq — Friend, gentle
Raghu — Swift
Rahul — Able, efficient
Raj — Empire, royalty
Raja — King, ruler
Rajani — The dark one
Rajendra — Lord of kings
Rajesh — Ruler of kings
Rajib — Striped
Rajnish — Lord of the night
Rakesh — Lord of the full moon
Rama — Pleasing, beautiful
Ramachandra — Moon
Rana — King
Ranjit — Colored, pleased, delighted
Rashmi — Ray of sunlight, rope
Ratna — Jewel, treasure
Ravi — Sun
Ravindra — Lord of the sun
Rishi — Sage, poet
Rohan — Ascending
Rohit — Red
Roshan — Light, bright
Rupinder — Greatest beauty
Sachin — True, real
Samir — Wind, air
Sandip — Blazing
Sanjit — Complete victory
Sanjiv — Living, reviving
Saral — Straight
Sardar — Chief, leader
Sarvesh — Ruler of all
Shahid — Witness
Shahjahan — King of the world
Shahnaz — Pride of the king
Shahzad — Prince
Shakti — Power
Shandar — Fabulous
Shantanu — Wholesome
Sharif — Eminent, virtous
Sharma — Protection, comfort, joy
Shashi — Having a hare
Shekar — Crest, peak
Sher — Lion
Shiva — Benign, kind, auspicious
Shresth — Most excellent, best
Shrinivas — The abode of Shri
Shrivatsa — Beloved of Shri
Shyama — Dark, black, blue
Shyamal — Dark, black, blue
Siddhartha — One who has accomplished a goal
Singh — Lion
Sonam — Virtuous
Subhash — Eloquent
Subrahmanya — Good
Sudarshan — Beautiful, good-looking
Sudhir — Good
Suahil — Level, even
Sujay — Great victory
Sukhbir — Pleasant, happy
Sukhdeep — Pleasant, happy
Sultan — Ruler, king
Suman — Well-disposed
Sumantra — Following good advice
Sumit — Well measured
Sunil — Good
Suraj — Sun
Surendra — Lord of gods
Surya — Sun
Sushila — Good-tempered
Swapan — Sleeping, dreaming
Swapnil — Sleep, dream
Swarna — Good color
Tamanna — Wish, desire
Tushar — Cold, frost, snow
Uttara — North
Vasu — Bright, excellent
Vijaya — Victory
Vimal — Clean, pure, spotless
Vinay — Leading, guidance, modesty
Vipin — Forest
Vipul — Large, extensive, plenty
Vishal — Wide, broad, spacious
Vishnu — All-pervasive
Vivek — Wisdom, distinction
Yash — Fame, praise, glory
Yasir — To be rich
Zafar — Victory
Zahid — Pious, devout
Zahir — Helper, supporter
Zaman — Time, age, era
Zawar — Pilgrim, visitor
More ideals for you: Top 100 Korean Names
From : https://wikitopx.com/name-meanings/top-500-indian-names-712009.html
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tresradiossolis · 2 years ago
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Already being on edge, even if the funtime animatronic hadn't intended on scaring him, that was still what happened. At least it wasn't more than a startle... while he let out a yelp of surprise, he didn't go into immediate survival mode. Which he considered to be progress... he used to be unable to even leave the daycare, but now here he was, in this strange new place all on his own, and he didn't even feel like he was going to die from shock!
He wasn't one for praising himself much, but a small smile appeared on his lips when he caught his metaphorical breath. Yay... he did it. And yay, he found the new animatronic!
He clasped his hands together and tilted his disc-like face appropriately to speak to the Very large Freddy.
"Oh! Uhm, hello there! Ah, my name is Sunny, and I wanted to formally welcome you to the pizzaplex..!" He stumbled over his words a bit, but his enthusiasm was genuine. He really did want to give him a proper welcome.. "I am stationed at the Superstar Daycare, since, well, we—I'm the Daycare Attendant there."
Nice save.
"What should I call you.. and what is..." He looked around himself, one hand pulling closer to his lips as he took in the strange place once more, catching his slightly cowering reflection in one of the mirrors, warped to make him look all wobbly, which kind of fit...
"What is this place, exactly?"
tresradiossolis·:
There was a new animatronic in the pizzaplex! A “new old” one, which wouldn’t be the first time an animatronic got sort of… revamped, in a way. Polished and set up like it looked like back in the day… Sunny would know a bit about that kind of thing, since Asterope was something similar to that.
It didn’t really matter what he started off as though. He was New for all Sunny cared, and perhaps that was just the thing that got the usually secluded robot to decide that after hours, he’d do something he rarely ever did; leave the daycare. It was only polite to greet the new addition, and well… maybe he liked the thought of somebody that didn’t know him as someone else before. Somebody that didn’t miss Sun, and was okay with Sunny just being, well, Sunny, now.
When he arrived at the Funhouse attraction however, he couldn’t really make sense of what he was looking at. It reminded him of the play structures in the daycare… hopefully, it’d be as easy to navigate as they were.
But Sunny wasn’t programmed to find his way through this maze. The halls were confusing and really made no sense at all, the wobbling floor caused him to eat shit several times over, and all the mirrors… why were there so many mirrors?? Everywhere he looked he just saw his own confused self, rapidly growing more and more anxious the further in he went. Not only that he didn’t particularly Like staring at his own pathetic reflection (sometimes he saw things that shouldn’t be there anymore), but he started to wonder if he’d ever find the new animatronic like this, or the way out for that matter…
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The  Funhouse  was  more  of  home  than  Circus  Baby’s  Pizza  World,  even  if  Funfred  truly  did  miss  the  mirror  maze  there,  and  the  hide  and  seek  hallway.  He  had  both  and  more  in  this  new  attraction  at  the  plex.  It  beat  being  miles  underground  in  that  dreaded  breaker  room  at  least.  
It  was  cold  and  dingy,  not  to  mention  lonely.  Those  days  are  over  and  now  reigns  a  new  day.  There’s  color  in  his  (figurative)  life  once  more.  Funfred  knew  it  was  better  to  take  the  second  chance  once  given  the  opportunity  for  one.  Though  it  did  nothing  to  quench  his  blood  lust.  
As  new  as  it  was  the  panda  could  spend  hours  just  pacing  back  and  fourth  around  his  new  home.  It  was  more  than  he  could  have  ever  dreamed  of…yet  it  was  still  so  lonely  without…wait.  He  hears  movement.  
A  quick  scan  reveals  that  its  a  guest  not  of  blood.  No  body  heat  detected.    So  it  has  to  be  another  animatronic.  Intriguing.  The  Glamrocks  had  not  taken  much  of  a  shine  to  the  Funtime  animatronic.  His  shamelessly  murderous  behavior  and  general  gruesome  humor  were  something  they  found  distasteful.  Though  the  animatronic  panda  isn’t  all  that  bad.  He  could  be  loyal  and  great  company  under  the  right  circumstances.  
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He  goes  to  say  hi  to  the  new  friend.  Advancing  in  the  shadows  until  his  optics  find  metal  sheets  spiking  out  of  a  circular  shape.  Sunrays  atop  of  the  face  of  the  sun  itself.  He  seemed  skittish  and  lost  within  the  mirror  maze  so  Funfred  creeps  up  behind  him.  He  debates  jumping  out  and  scaring  them  but  ultimately  decides  against  it.  His  voice  would  be  enough. 
✟ Ƒ Ƒ。✟ -   ❝ Haha,  well,  hello!  Aw,  how  nice,  you  came  to  visit  me!  I  don’t  get  many  guests.❞  His  permagrin  somehow  accentuated  by  the  cock  of  his  head  and  the  soft  purples  from  the  lights  painting  his  face.  
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tresradiossolis · 2 years ago
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"Did you ever have a Moon?"
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