#life truly lived

[lebuc]

life truly lived

* a life truly lived will give you the right

to say 'pah' to the privileged, ah - to the underrepresented’s plight;

it grants some perspective, poise & elan, an upscale of game, hipness to the con

beneath the invectives, drama & grift & unlike the Keef, ix-nay to mischief.

you sense a perceiver behind the facade, transversed family curses, your iditarod;

no dope to the slippery sloping of hope that has fools in its grip like the inverse of soap

in hands that demand ever more grand delusions, effusive praise to the whores of confusion.

when one's truly lived, it makes one thing clear, there's no magic carpet to fly you 'there' from right here;

you'll have to have foresight, a modicum of luck & reverence to more than just making a buck

good goals worth your while, some stops 'long the way to assess your progress, largess to parlay

in smiles by the kilo, or a couple of miles; if'n you do it right, you may retire in style. * 8/21 - 2/25 - lebuc - life truly lived

[datcravat]

SCIENCE BEGETS TRUTH✨

[slow--spark]

[pokeberry5]

Hi for doodle request, can I see Tim showing Damian pictures he took before being Robin?

i got carried away thinking about them

the reality lol:

i think it'd be funny if what finally brought them together is damian gaining a grudging respect for tim when he learns about the obsessive lengths tim went to in the lead up to his assumption of the robin title and tim realizing he's found a fellow devoted dick grayson admirer (just-nightwing admirers and dick-grayson-friends don't count)

bonus:

they're both fanatics

the panel is from new titans #60

[flwrkid14]

Eternal Bonds: Tim and Danny’s Infinite Realms Marriage

In the Infinite Realms, marriage is an unparalleled commitment. Unlike the mortal world, where love can be fleeting and easily undone, marriage in the Realms is something far more sacred. It’s not just about vows or ceremonies—it’s about merging souls, creating a bond that not even the vast stretches of time can sever. The very idea of marriage in the Realms is rare, almost mythical, because it requires two beings to love each other so profoundly that they’re willing to bind their very existence to one another.

For the ghosts and entities that reside in this realm, eternity isn’t just a poetic idea—it’s a reality. Time is meaningless when you’re no longer alive, when your very essence is bound to the afterlife. And because of this, relationships are viewed through a different lens. There’s no such thing as divorce, no “time apart.” Once a couple is bound, their souls are intertwined forever. To dedicate your entire being—past, present, and future—to another means accepting that their joys, sorrows, triumphs, and failures will be yours too. It’s a partnership where breaking the bond is simply impossible.

It’s why marriage is such a rare occurrence in the Realms. The ghosts, who have already lived one life and often seen the frailty of mortal promises, don’t enter into this kind of bond lightly. It’s only for the strongest of loves, for the most steadfast of commitments. Because once you marry in the Infinite Realms, that bond holds through eternity itself.

And yet, despite the gravity of it all, Tim and Danny find themselves willing to make that very commitment. Tim, a mortal tied to a world where things end, where nothing lasts forever, steps into the unknown. His love for Danny is so deep, so unshakable, that he agrees to a traditional Infinite Realms marriage. He knows full well the weight of it—he’s not just vowing to love Danny in this life, but in every life after. In swearing to this bond, Tim is offering his entire being to Danny, for now and all of eternity.

For Danny, this choice means even more. As a halfa, he exists between two worlds, knowing both the mortality of the living and the permanence of the ghostly afterlife. His love for Tim is powerful enough that he’s willing to make this eternal commitment, knowing that there’s no one else in any world—mortal, ghostly, or beyond—he would rather be tied to. For Danny, the bond is as natural as breathing. It’s a connection that deepens their relationship in a way that transcends the limitations of their two worlds.

Their marriage isn’t just a declaration of love—it’s a merging of souls, a binding that makes them two parts of the same whole. It overwhelms them with the sense of safety and belonging that they’ve both craved in their lives. In each other, they find the kind of love that doesn’t just endure life’s difficulties but thrives beyond them. Their bond ties them together forever in a way that no one else could understand, but to Tim and Danny, it’s everything.

They are each other’s home. And in the Infinite Realms, there is no greater honor, no stronger connection, than to be bound by love for all of eternity.

[leclercskiesahead]

Paul Mescal hosting C2 Challenge oh my god

[eddiesmustache]

[quicksilversnails]

Took some notes from the Wild Life retrospective episode of the Imp & Skizz podcast featuring Grian because I thought the behind the scenes info was really interesting!

(3:15) The wild cards were all kept totally secret from the players (apart from Grian), with the exception of the superpowers and finale (as they required the players to set keybinds)

(3:45) The players were given files containing the required mods each week, which were named things like "creeper rain" to throw them off

(4:12) Wild cards were a combination of data packs and mods

(4:38) Grian told them not to read the folder name to avoid spoilers (which is kind of impossible), so everyone fully believed there would be creeper rain lol. Grian was saying it in jest but everyone took it seriously and were apologetic about having seen it, to which Grian told them not to worry

(6:58) Grian originally contacted a data pack dev called Brace for help with programming the wild cards. Some, like the shrinking/growing could be achieved with minecraft attributes, but the snails were too janky and unusable. Grian still liked the idea though, so he reached out to mod developers Henkelmax and Breadloaf, who designed the pathfinding/behaviour from scratch

(8:49) They had a debugging mode used to test the pathfinding of the snails, shown in the podcast and in Grian's credits

(10:09) Grian wants most of the credit to go to the development team and artists, as he was mostly in charge of ideas & organization!

(10:39) Grian's only regret with the snails was that they were too fast in session 3, leading to unexpectedly many deaths. They were apparently not so difficult to get away from during testing, but perhaps the testers were more used to them than the players were

(11:44) Grian: "We did develop to the lowest common denominator" ie. prioritizing how players would struggle over how worrying about if players would do too well

(12:56) Oli's voice for the snails was iconic. It cost Impulse a life because he intentionally stayed closer to it to hear the voice lol

(13:42) Danny was in charge of the snail models and animations

(14:11) During testing, the snails just sounded like Oli, which made it feel weird. They pitched up his voice so that it'd be less immediately recognizable

(15:18) The snails' jumping attack was meant to be clearly telegraphed: they would stop, wiggle, make a "ooeee" sound before jumping. Many players had their friendly creatures volume turned very low/off (as cows and other mobs are loud), which made this attack much less obvious for them

(16:57) The growing/shrinking had the least testing done for it, as it was the simplest conceptually and to program. This meant that the falling off of blocks due to the shrinking hitboxes wasn't anticipated

(17:55) Before the 1st session, Grian told them that he didn't think anyone would die to the wild card. Pearl's death made Grian pretty nervous, as he didn't want everyone dying too early in the season

(19:29) 6 lives were given, knowing that many of the death to the wild cards were unexpected/unfair. The intent was for ~3 lives to be allocated for wild cards, and ~3 for PvP.

(21:13) The developers were all fans of the Life Series!

(22:43) The shrinking/growing was intentionally pretty simple to ease players/viewers into the concept and build up toward more dramatic wild cards like the snails

(25:38) In the hunger episode, Grian didn't know which foods would be good

(25:58) Grian thinks that "it's unfair that Grian already knows everything" is valid criticism, but that it's important for him to be involved with the ideas. Having someone else do that is like having someone else record his videos: Life Series is his brainchild

(26:35) Well before the season began, while they were still developing the concept, Grian asked the other players for wild card ideas that would meet a few criteria. All of them ended up being unused for one reason or another. Impulse thinks his ideas were very "inside the box" because he was viewing things through what was possible in vanilla Minecraft. His idea was to have a scavenger hunt where the players would search to find a relic. The first person to find it would get a buff. Skizz's idea was for every player to turn into a random passive mob for every given interval of time. They would have to find every other player of the same mob type as them or else the whole group loses a life.

(29:44) The food qualities were weighted by the rarity of the item, so very common blocks like dirt and cobblestone would never give anything good. The other items were randomly selected

(30:23) Regular blocks/items cannot be made edible normally, so they had to circumvent that and custom code a fix for items not stacking correctly

(32:41) While a lot of players do want to win, the main priority is creating entertainment, which prioritizes playing recklessly

(33:20) The food wild card wasn't included in the finale because it would've felt like "too much". There was a higher risk of technical issues since it changed the data values of items, and Grian didn't want someone's last death to be because they ate their sword. In his mind, it was a good and fun wild card, but didn't need to be repeated in the finale. Impulse points out that they all would have collected more rare items by that point, removing the incentive to search for blocks to eat

(33:46) The wild cards in the finale were nerfed from their original sessions. The shrinking/growing had a smaller height range, the snails moved slower, etc.

(36:21) The personalized snail skins were a late addition by Danny, who made 18 skins very quickly

(36:49) Grian did not anticipate the snails becoming as popular with fans as they were. After the session released, they had the idea to release the snail merchandise, which directly funded the rest of the season

(39:20) Grian spent what "felt like every day" testing with the developers. They'd record the sessions on Tuesdays, meet up with the dev team, talk about what need to be done, testing, bugs, etc, edit and upload on Saturday, and would get a few days grace before starting again

(40:01) After the snail session, Grian was worried that the season would be very short due to all the deaths. They were considering toning down the later wild cards but ultimately didn't change them too much

(40:36) The time wild card was carefully balanced. If it had gone even a little faster, many players likely would have died because they wouldn't have time to react to threats like baby zombies or creepers.

(40:57) While sessions normally run for a variable amount of time, session 4 was hardcoded at 2 hours. Grian ended the session ~10 minutes early, just after they hit max speed, because he felt like things were getting dicey

(42:46) When the wild card first activates, it looks a lot like the server had frozen or crashed. Grian told the players before the session started that it would look like the game was broken, but that it isn't broken. Skizz tabbed out anyway and missed the beginning 😔

(43:30) Having the rain start just as the wild card began was a good visual indicator of time slowing down. This was a suggestion from the dev team (probably Brace)

(44:41) Impulse and Grian "cheesed" the end of the session by going branch mining. Grian wanted players to take advantage of the wild cards (eg. mining quickly, helping to kill someone), and not have them just be an annoyance.

(45:30) Keeping the client and server-side time stay in sync was challenging. The sky's motion was changed to be smoother on client-side. The players were also not as fast as the server (around 2x faster), the server was going faster than that, and the time of day was even faster

(46:56) The sounds were pitched up/down based on the speed to add to the effect

(27:46) In testing, if the players were made 7x faster, it would be basically unplayable, which was why it was capped at 2x speed. This made mobs very dangerous, as they were now faster than players and could catch up to you and kill you easily

(49:01) On several occasions, they had to extend the fuse duration of creepers to make them more fair. In the time session, their speed was only increased by ~10%

(49:39) Usually, Grian was the one to test the wild cards and notice when things like creeper speed would be an issue, since he was the one with experience making videos

(50:50) A challenge with balancing wild cards is accounting for the playstyles of so many players: reckless players like Scar and Skizz, "kind and gentle" players like Bigb who would stay off to the sides, and "the sweat squad" (Scott, Impulse) who play very cautiously

(52:48) Trivia Bot was the only wild card that was not planned in advance. Grian was struggling to come up with a wild card for that episode, and wanted to have a wild card available that could give people lives in case many people died to early wild cards without it feeling cheap.

(53:33) Trivia seemed a little boring on its face, so presentation was essential

(54:34) This one made Grian the most stressed due to all the moving parts involved in making it (coding and pathfinding mostly by Henkelmax, visuals by Hoffen, audio/music, questions)

(55:08) Trivia Bot's design was based on Grumbot and Mettaton from Undertale. Hoffen drew concept art shown in the video

(58:32) They show Trivia Bot's custom animation for becoming a snail and it's really cool

(59:12) The music was the most stressful part of the project. Grian spent 2-3 days looking through Epidemic Sounds for a Trivia Bot theme song and couldn't find anything good. He commissioned Zera @hopepetal for a theme song, which is played in the podcast. However, Grian realized he needed a full audio package, so he commissioned Oli late in development, who created the final soundtrack and many audio variations

(1:01:38) Grian wants to send appreciation for everyone who worked on the project, even if their work ultimately went unused

(1:02:58) Skizz was happy to give back however he could by staying on standby in the final episode as a zombie, as the players were able to "reap all the benefits" of the hard work of the development team

(1:05:21) Grian didn't know any of the trivia questions beforehand, which were done by fans of the series. The goal was for ~50% of the questions to be answered correctly, which was approximately met

(1:07:11) Players couldn't get questions about themselves because it would be too easy. This would encourage players to leave their bot, allowing other players to mess with them

(1:07:57) Grian felt a little left out from the discovery element of the wild cards, and decided to mess with Scar by hiding his bot. He wasn't expecting Scar to die from it, and could tell that he was genuinely a little upset by it. Grian felt bad about it, which led to a genuine in-game alliance between them

(1:12:32) Grian was very close to letting Trivia Bot give lives as rewards, but decided it would feel too cheap

(1:14:38) Mob swap was slightly toned down, with more camels and sniffers spawning

(1:15:07) Evokers didn't drop totems anymore. Instead, there was a minuscule chance a warden or wither would spawn, which would drop a totem if killed. Grian was a little disappointed that the warden got cheesed in the end

(1:17:45) Having the mobs start passive and turn hostile was mostly for the presentation, building anticipation, and so players could predict where mobs would spawn and react accordingly, making things feel less unfair

(1:20:32) There was no superpower made for Skizz (or Mumbo presumably)

(1:20:38) The superpowers were another late addition. There was a large design doc where Grian created all the powers, which were handed over to Henkelmax and completed over 4 days

(1:21:42) Grian avoided superpowers involving strength, that could cause someone to die easily. Most of the powers were social or movement-based, which couldn't be used for offence as easily

(1:22:25) Some powers were randomly assigned, others weren't. Impulse's was random. Cleo's, Bigb's, Lizzie's, Grian's were assigned.

(1:24:25) Grian gave himself the mimic because it could easily backfire (like in Grian's fall damage death), and because it would've been confusing for a player who wasn't aware of the other powers. They likely would've spent the episode just figuring out how everything worked and not actually using the power to its best ability

Lots of discussion about the superpowers and how they interacted in the episode itself, go watch if you're interested :)

(1:33:38) Talk on how the series "standard" rules evolved since 3rd Life. There was no keep inventory, and no restrictions on enchanting levels or potions, which created slow or unbalanced fights

(1:36:23) 3rd Life was designed to be an experimental series, which made Grian eager to improve it. For example, some people just weren't dying in 3L, leading to the boogeyman in LL, and so on

(1:37:17) The goal with the seasons isn't to one-up the previous one, but to create a different experience every time, which keeps things engaging for the creators

(1:38:31) At the end of each session, Grian would ask the group if they had fun and how they felt about the wild cards. According the Skizz, the answer was "a resounding yes"

(1:39:08) Grian had moments throughout the season where he personally felt like things didn't go well for him, and was anxious for the rest of the group's episodes. Things worked out while editing the raw footage, though. His issues were never with the wild cards themselves, but his own actions (traps not working, spending too long branch mining), but would always find funny moments in his footage

(1:43:41) Everyone in the Life Series cast genuinely likes and genuinely respects everybody else in the group. This allows them to make the show and get mad at each other, because they know it's all just in-character

(1:44:50) It'd be hard to top Wild Life in spectacle, and Grian doesn't want to start an arms race with himself. The next season could potentially be closer to 3rd Life, but Grian's not sure yet. For Grian, Wild Life was the most enjoyable

(1:45:20) Grian: "As long as people keep enjoying [the Life Series] then I'd love to keep doing it"

(1:49:35) With the finale, Grian knew how the wild cards played out the previous sessions and was able to adjust them

(1:49:56) Grian's goal was to create safe chaos where everyone knew what was happening and wouldn't die to them, which didn't go entirely to plan. The snails were 60% of their original speed and people still died

(1:51:03) Grian made a precise timeline of when each wild card would start/stop, it wasn't randomized.

(1:54:16) All the superpowers were randomized, with Bdubs' power being removed from circulation because it didn't have much use in a finale setting

(1:56:10) It was important for Grian that in the final moments, the wild cards were removed, so there were no interruptions. The timing worked out well because there were a few people left and it ended within ~10 minutes (this implies that the change wasn't based on # of players alive, as people had speculated based on Gem's death)

(1:58:48) The players all randomly switched to zombie skins throughout the session to mess with people on NameMC. Well-played :)

[sicklyseraphnsuch]

Okay. But. Kinger can only have memories when he's in the dark. So *not* actively breathing (which they dont need to do - which they can forget to do) means Kinger lights up like a little lamp

By being a lightsource himself, he can never have darkness.

Which means, Kinger actively (and never forgets) to keep breathing - keep maintaining the illusion of life - because if he allows himself to truly truly forget, he will lose the only way he can keep his memories...

DO YOU UNDERSTAND???? GRIEF IS THE ONLY WAY TO LIVE!!!

[pastanest]

can never understand the “I miss s1 spencer before he was traumatised ☹️” comments - sorry, the s1 spencer whose father walked out on him and left him with his mentally unstable mother? the s1 spencer who practically had to raise himself and sacrifice his childhood to care for his mother? the s1 spencer who blocked out so much of his childhood he had to consider his own father having molested him? the s1 spencer who, as a child, was approached by a predator to play chess? the s1 spencer w memories so traumatic he blocked them out and would need hypnosis to uncover them? the s1 spencer who was in college from age 12 in a social environment filled with only people much older than him, leaving him completely isolated from all the experiences most share during college? the s1 spencer who was mercilessly bullied w physical violence and general cruelty like when he was stripped naked and tied to a pole by kids we can assume were much older than him due to how quickly he progressed through school? the s1 spencer who has felt like an outcast his entire life through no fault of his own? the s1 spencer who is afraid to visit his mother in her facility bc he knows how distressed she can become and it hurts him too much? the s1 spencer who has never had a single person (from what we’ve seen) truly enjoy his company without becoming irritated by his ramblings of relevant trivia, apart from his mother? - THAT “un-traumatised” s1 spencer ????????????

the implication that he wasn’t traumatised until he joined the BAU erases how hard he worked to get that job and WHY. his career is the result of his childhood trauma and who that turned him into; what he grew up learning and observing, the understanding he had that he could use to help other mentally unstable people from hurting themselves/others. we’ve NEVER SEEN an “un-traumatised” spencer and we never will. he’s not some untainted baby fresh out the womb in season 1. he’s notably LESS traumatised than in later seasons, but he still has A LOT of trauma.

highly doubt he’d compare getting kidnapped to having to institutionalise his own mother as soon as he was of the legal age to do so.

[hyunpic]

[sausage-rolll]

I always find it super weird in the new doctor who seasons whenever they try to push the idea that the doctor has never settled down in one place for an extended period of time because… well he has. Quite a lot actually.

Just off the top of my head I can think of quite a few.

The weeks its implied that 11 spends with the Ponds in ‘The power of three’

The unknown amount of time he spends grieving in the sky of 1980’s London in ‘the snowmen’

The centuries he spent protecting Trenzalore in ‘the time of the doctor’

12’s 24 years living alongside River on Darillium in ‘the husbands of River Song’

And 12’s retired life as a professor watching over Missy in his final season

It’s not overly common but it happens just enough that it always makes me raise an eyebrow whenever they try to do the “the one adventure you’ve never had before” stuff again. Like, some of these are incredibly important to the doctor’s story and it’s always weird when they try to pretend they never happened.

[kirianthedivorce]

I don’t think this is going to end with Gemma being completely alive and back to normal and everything’s happy but like, I am a little baffled by people’s insistence that mark trying to get her back is unhealthy

Like. If you think your wife dies but then it turns out she appears to be alive and being held hostage in a basement somewhere, presumably stolen just before death by the deeply unethical medical company who has contacts and influence in just about every organisation in your area (including the hospital and the morgue), and you happen to have access to some parts of said basement then doing what you can to get her out of there isn’t an unhealthy refusal to move on. That’s like. A relatively normal response to an insane situation.

Like is the healthy option to just leave your seemingly alive and well wife in the basement of the evil medical company to be experimented on? Mark doesn’t even know she can’t remember anything (and to be honest, neither do we. We’ve only seen her innie. We have no idea what her ‘outie’ is like. I doubt it’s normal regular Gemma, but we don’t know). The experimental brain surgery is unideal but the desire to rescue her is like. The only normal response to that information

[patron-saint-of-lesbeans]

Please pray for all those going to the March for Life this week, that they put their trust in God and not in princes.

[htlbellamuerte]

hey if anyone is going to the chicago mcr date and hears a loud, bloodcurdling scream akin to that of someone being violently murdered in response to the band potentially playing emily or not that kind of girl live, that’s just me. my friend will drag my body out of the stadium don’t worry

[carmen-berzattos]

I'm sure there is something really intelligent and so very witty to say about this album. It's so meaty, and so stunning, and you can sink your teeth into each song and be so rewarded for the second, third, tenth, millionth listen. But the one thought that I'm struck by right now is just this joy, this absolute pleasure at seeing Hozier's maturation and evolution as an artist, at witnessting him step into his talent and claim his little niche of the world with confidence. There's so much stark clarity about this album that leaves me in awe, simply glad that the man who said "we tried the world, good god, it wasn't for us" is allowing himself to be a part of the world, and in turn letting us into his own little corner of it. What a gift. What an honor