#life and stories are more complicated than that
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FOR YOUR LOVE , masterlist
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( nam gyu x reader (rockstar au), thanos x reader )
warnings: to be consistent with the plot reader is danish, smut, drugs, alcohol, explicit content, lots of music, for this story i was inspired exclusively by the discography of måneskin. i was inspired by one of their songs for this story.
plot: you and nam gyu don't get along. never. he is arrogant, prickly, always ready to challenge you with sharp jokes and fiery glances. you, you are exactly like him, a devil incarnate in a woman figure. you must be perfect, as the guitarist of saurer sarg, a rock band on the rise.
on stage you are a shadow moving between sharp riffs and fiery solos, but out of there the real show is your relationship with nam gyu, the drummer. you prick each other relentlessly, always on the edge between rivalry and something more, something neither of you has ever had the courage to really face.
then there is thanos, the charismatic frontman. when you start writing songs with him, the complicity between you becomes obvious. every note, every word seems to bring you closer and closer, and suddenly nam gyu is no longer just the guy you argue with over every musical detail-he's the one who looks at you in silence when you think you don't notice.
but success brings with it the weight of choices. the tour lengthens, tensions rise, and the distance between you becomes deeper than the music can bridge. as the band begins to crumble, you are faced with a question that is not just about the music: who are you when the lights go out? and who do you really want by your side when everything seems to fall apart?
SAURER SARG ( MEMBERS )
— the guitarist,, you
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— the drummer ,, nam gyu
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— the singer ,, choi su bong
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— the bass player ,, se mi
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DISCOGRAPHY ( SONGS )
20 years ( written by thanos )
" i'm twenty years old
and i don't give a shit, i have zero to prove to you
i'm not like you who give your soul to money
from the eyes of the pure you are only cowards "
hate ( written by thanos )
" let's spend the rest of life together tonight
life is being with you in bed, everything else is waiting
we own ourselves only the time we spend together
and to both of us so it fits "
malak ( written by thanos )
" something is moving (euphoria, i'm crazy about you)
it's us against the light (euphoria, i'm crazy about you)
the birth of another venus is you and me "
the essence of the universe ( written by se mi )
" this morning i was on my way to work
i thought i'm not like them
i am a fountain pen
ink on the skin of others, a means of making sense
to the dirt on the hands of those who dig into mental problems "
the man who loved women ( written by you )
" only you, forgetting you is hard
you were a little more
i liked the way you loved
how much of a man you are
if i'm not around
you consume me in a day
waiting for a farewell "
escort ( written by nam gyu )
" come on you are ashamed
we've been here for more than an hour, you get undressed
you don't want to throw your money away
you don't need the eyes excuse anymore
it's not a vice if i do it once in a while
do you mind if i call you once in a while?
i didn't think i liked you so much
if you keep it up I swear i'll have a heart attack "
goodbye ( written by thanos )
" i never really remember how i started
we never really stop when we start
if freedom is a teenager's mistake
to love without asking, to hate without understanding "
i want you ( written by nam gyu )
" you, i feel like you're terrorised
i have a feeling
i feel like telling you now
hey, i feel like love is good
it's such a big deal
i feel like telling you now "
FOR YOUR LOVE ( CHAPTERS )
i. years to grow
new chapters coming soon
#nam gyu x reader#squid game#nam gyu#nam gyu x you#player 124 x reader#player 124#squid game x reader#smut#nam gyu smut#namgyu fanfic#choi su bong#choi su bong x reader#choi su bong x you#namgyu smut#namgyu squid game#thanos x reader#player 230#player 230 x reader#guitarist#rockstar au#rock band#se mi squid game#se mi x park min su#squid game fanfic#squid game season two#masterlist
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How can give a villain a mental illness (specifically BPD and schizophrenia) without demonizing the illness itself?
Hi asker,
For one thing, consider exactly why you are giving your villain these conditions.
Is it because you find them "scary" or because you think the mental illness leads to a logical leap to their villainy? Because those often lead to a character that's not well researched and that in fact demonizes whatever mental illness they have.
For another, in order to not demonize the illness within the text, you have to ensure that not all traits of their villainy are tied to their mental illness. For example, if every single delusion or hallucination your character has causes them to engage in villainous acts (which I am being vague on because stories have different villains who do different things and etc.), that is demonizing the illness.
Make sure that whatever reasons the villain has to be that villain are not just tied to their mental illness. People who are mentally ill have other things that piss them off, too. Personal vendettas, petty things they've hated ever since they were a child, feeling slighted by someone, actually being slighted by someone, wanting to bring the whole tri-state-area down, wanting to get somewhere or become something or obtain something no matter the costs, whatever.
The villain has gotten to where they are because of more than just one reason, because they're a person. People are complicated and don't do things because of 1 reason. They do things because who they are and what they want is cumulative to their whole life.
Another thing you can do that we tend to recommend is to include characters with the same mental illnesses that are not villains. Like, have a character with BPD who's just a Normal Guy or an ally to the hero(es) or their sister or something like that. This can make it clearer within the text that the mental illness, just by being a mental illness, is not what makes the villain.
I recommend you look through our villains with disabilities tag, as well; and since you mention schizophrenia and BPD, our psychotic spectrum representation tag and our personality disorders tag. I have linked them here, but also this post is tagged with all three.
Hope this helps,
mod sparrow
#mod sparrow#mental illness#psychosis spectrum representation#personality disorders#villains with disabilities
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Sometimes I sit back and think about how the IC holds Nesta's "mean words" against her during their time in poverty. A meanness that Feyre herself stated she gave back.
Sometimes I sit back and think about how the IC hates on Tamlin for "ignoring Feyre's needs" despite the BOTH of them deciding to not express too much. Or when they're mad at him for "locking her up" when it was a way to prevent her following him into a ongoing danger that required him to help his people against a direct threat, but she was too stubborn and even refused to take the other options he was presenting to her. Or when he "abused" her due to a magical outburst; ya’know, the same one Feyre had during the HL meeting. Ya'know, the same one Azriel had to protect humans from because Rhysand was mad at Nesta for giving away HER weapon.
The IC, and particularly Rhysand, holds others' actions they view as a slight against Feyre as the worst sin. It doesn't matter the reason. Because "abuse is abuse" and "failure is failure" as many IC stans would probably wholeheartedly agree with and swear before the Mother with that statement.
And then, sometimes I wonder what the IC would do or think if they found out what Rhysand did the Feyre UTM. Because THEY DON'T KNOW. Not once has anyone been told and I find that to be an interesting choice, because why exactly don't they know. The shadow twins were there and literally painted her and yet they didn't inform Azriel? Weird. What's wrong with physically coercing another into a bargain with violence and getting them drunk until the point of blacking out and body being weak? For Feyre to be sexually exposed in front of Amarantha and everyone trapped night after night for 3 months straight? Well, I guess the sexual exposure wouldn't be a big crime for them; I mean, look at the recreation of the scene when they all went to HC and no one bat an eye lid.
All this to say that bad actions, no matter their intentions from other characters are unnecessarily dragged out. But the very bad action of Rhysand in that single moment (nevermind the rest - he has a lot) is never brought up or made public knowledge to his "Family." I'd want them to react. To be disgusted. But whats sad is that they'd probably just excuse it away anyway. I could already predict it. "He had to." "Rhys had a plan." "There was no other choice that could have been made." Know this for certain because look at how they all defended him when it came to knowing that Feyre would literally DIE during pregnancy and how DANGEROUS a non Illyrian carrying an Illyrian child IS. But I bet if they knew about that death pact earlier they'd be more up in arms - because then HIS life would be at risk, Feyre would want to know and should have a CHOICE when more would seem to be at stake. I think she'd risk shifting, ultimately choosing her mate than just willing to risk herself in a "complicated pregnancy."
The IC irritates me. And if someone comes to talk about grey morality, I'd like to remind them that for that to be true, the narrative would treat horrendous behaviour the same across the board. Not try to retcon or openly minimise it in a pointless monologue while simultaneously not giving the same grace to others. All or nothing, baby. Otherwise, I can't take anything presented to be as "right" seriously. Especially when it comes from a hypocritical camp.
He didn't have to do that to Feyre UTM, he chose to. And Feyre wouldn't have died due to infection, because though Tamlin couldn't physically help, he had Lucien do what he couldn't. LUCIEN would have helped Feyre, but Rhysand just got there first and scared her. She agreed to a bargain under duress. Rhysand wanted something to irritate Tamlin with. Not just to "get him angry" (Rhysand's help was not required for that), but to overwhelming punish him over his mother and sister's deaths even he doesn't have the full story of, nor us as readers. Rhysand is petty and didn't care about Feyre at all - he didn't know her to care. They didnt have lovely sit down conversations during the time of her recovering from a drunken stupor night after night to build a beautiful connection they always knew was there, let alone anything to fall in love with, tf. I don't know why SJM has him lie this badly. I don't know why some fans get angry when you point this out.
Anyway, the IC holds everyone else accountable but each other.
#this was longer than intended#sjm critical#acotar#acotar critical#anti rhysand#anti feysand#anti ic#feyre archeron critical#pro tamlin#tamlin#nesta archeron#anti acomaf#anti acowar#pro lucien vanserra
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Devil May Cry Wolf - Matt Murdock x Mutant Reader [Chapter Seventeen]
Masterlist Previous Chapter
Story Synopsis: The first time you jumped, it was 2014 and you were nine years old. You were in the back of your parents’ car — then you were in New York, standing on the street … and it was 1992.
The second time you jumped, it was 1998 and you were fifteen years old. You were heading back home to Saint Agnes after school had ended — and then you were knee-deep in snow, in Russia, in 1970. Outside a Red Room facility.
The third time you jumped, you were twenty-five and had spent ten years training as a Red Room agent. Ten years training your body to use your mutation. Jumping in space was easy — jumping in time was not. But you did it. After ten years, you did it. Now you have to live with the trauma.
Five years later, killing is still the only thing you know how to do, and the only thing you do best. In 2016, a vigilante named Daredevil stops you from killing a man who attacked you. He tells you that you can do better. You think maybe he’s right. But in 2017, Matt Murdock is in the darkest place in his life. When you show up to save him, he’s not exactly grateful. And when he finds out that you’re the best friend he grew up with in Saint Agnes that disappeared almost 20 years ago — things get even more complicated.
You’ll have to drag Matt out of the dark while being jaw-deep in it yourself. And you’ll have to try your best to do better — when Matt is trying his best to do worse.
Chapter Synopsis: You help Matt through his panic attack. You get answers about who sent Russo to kill you.
Part 2 - Chapter Seventeen: In the Crook of Your Shoulder, the Horror Cannot Reach Me A/N: WE ARE SO BACK BABY Turns out I have no idea how to write normal-length chapters anymore. This chapter is over 9k words. Enjoy :) And Happy Valentine's Day!!!
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When the sun finally came up that morning, you decided that sleep was for the best. Matt was injured and needed the rest and God knows you had a traumatic time of it last night.
So you took Matt back to his apartment and put him to sleep in his bed. Then you laid on Matt’s couch, pulled his blanket to your chin, inhaled his smell, and slept better than you had in weeks.
It was the afternoon when you got back to Avengers Tower. You prepared yourself to speak to Steve, but were surprised to see Natasha on the couch in the living room instead. She stood when she saw you enter.
“Hey,” she greeted. There was worry clear on her face. “Steve mentioned something about your friend being hurt? Is he—?”
“He’s okay,” you said. You weighed how much to say. It always felt strange getting close to Natasha — you figured if anyone could see through your lies, it would be her. Her who knew the Red Room just as you did. Her who was taught how to lie just as you were. And yet, with the memory of last night still clear in your mind, you could not stop the words from leaving your mouth, “It was pretty bad, though. He had a collapsed lung. He. . .” The memory of it stole your breath for a moment — Foggy calling you; believing Matt could die with those horrible words being the last thing you said to him; showing up in Matt’s apartment with him gasping for air and Foggy telling you to do something— “. . .He wasn’t breathing.”
You closed your eyes, your breath coming out in shallow gasps, just trying to remember that Matt’s alive Matt’s okay Matt’s alive Matt’s okay
Those horrible words were not the last thing you said to him.
And then something unexpected happened.
Natasha hugged you.
You opened your eyes as you felt her arms around you. Trying to comfort you. Knowing what you knew about both your pasts . . . it felt odd.
“I’m sorry about your friend,” she said.
Briefly, memories of the other girls in the Red Room flashed behind your eyes. And killing. Enemies. Each other.
If you had gone to the Red Room in your present (your present with Matt, that is, in 1998, not the present you grew up in, in 2014 — fucking time travel for the love of fucking God—), instead of 1970, if you had been in the Red Room with Natasha . . . Would you have been friends? Rivals? Would you have killed her in the tundra like you killed Nina? Would she have killed you? Or would you have told her about Matt . . . Would she have comforted you like this after the worst of it . . . after the red room. . .
You felt a connection to her like you hadn’t let yourself feel before. And so you let her hug you, let her rub your back, even wrapped your arms around her, and for a moment . . . you even pretended like she knew everything.
Widow to widow.
But the moment ended when Steve entered the room. The steel trap separating your two lives slammed back down. Maybe Natasha would understand it all but Steve certainly wouldn’t. There was too much bad there. Too much that you had done — you didn’t want him to see you that way. You wanted to start over. You wanted to be seen as someone good. Someone who could be loved by someone good. Steve was good. Steve was safe.
This was what you wanted. So you put the mask back on.
“Y/N,” Steve said with a concerned look on his face as he approached you, and Natasha pulled away from your hug. “How’s Matt, is he okay?”
You nodded, but the memory of it was choking your words again. You took a moment to compose yourself, rubbing your hands over your face as the scene replayed over your eyes.
It was Natasha who took over, “She said he had a collapsed lung, but he’s going to be okay.”
You felt her squeeze your arm, and you opened your eyes again to see Natasha’s sympathetic smile.
Natasha’s phone suddenly buzzed, and she checked it. “Fury wants me; I gotta go.” She looked up at you again. “Hey, you ever need to talk, I’m here, okay?”
You nodded again, feeling oddly warm by her sentiment, and watched her get into the elevator.
Steve gently ushered you to sit down. “What happened?” Something shifted on his face. “Matt didn’t try to. . . Did he?” You understood his question: Did Matt try to kill himself? And again you felt the flash of guilt for having blurted out to the Avengers that Matt was suicidal.
“No, no,” you reassured Steve. “To be honest, Matt’s too Catholic to actually try anything.” Again. “No, it. . .” You built up a lie on the spot. “It was a car accident. Matt was in a taxi . . . Some guy ran a red light. Both drivers were okay but Matt was . . . in pretty bad shape.” You could feel the emotion beginning to overwhelm you again. “I didn’t know if he was gonna be okay.”
Steve hugged you then, and you let him.
After a few moments, you pulled back and said, “I’m sorry I left in the middle of our date.”
Steve shook his head. “You had a good reason. But I’d . . . like to take you out again. If you want.”
You smiled and nodded. “I’d like that.”
You woke in Matt’s apartment.
It had been a couple weeks since that night, the awful night with the awful phone call from Foggy. A couple weeks since you and Matt finally reconciled.
You’d made a habit of sleeping on his couch whenever you got nightmares. The first week, it was every night. You couldn’t escape the sound of Foggy’s voice (“Matt’s not breathing”), the sound of Matt’s short gasps, the image of him lying on the floor trying to take what could have been his last breaths.
The first night after, when the nightmare of him dying had been so real you couldn’t stand it, you’d found yourself in his apartment, your teleportation taking you where you needed to go. You’d laid on his couch and watched the bright billboard outside change colours. Red, yellow, blue. Red again. You’d held Matt’s blanket tightly in your hands, brought it to your nose and inhaled his scent, and reminded yourself that things were okay.
Matt is alive. Matt is alive. Matt is alive.
After however long of staring at the changing colours, Matt came out from his room.
“Y/N?”
Your head turned to him when he said your name, and you sat up on your elbows. “Did I wake you?” You didn’t mean to. You didn’t come here for him to comfort you — you wanted him to get some rest. To heal.
“No,” Matt said softly, padding over to you with some cringing in his face as he did so. He kneeled next to the couch. “Are you okay?”
Rather than answering, you looked outside to the changing lights again. “Do you know that there’s a huge, bright billboard outside your place?”
“I do, that’s why rent is so cheap,” he answered.
“When you bring women back here, how do they sleep with the brightest light in the entire world shining into their eyes?”
“Well, they typically don’t sleep on the couch.” There was a suggestive lit to his tone.
“Touché.”
“Y/N,” Matt breathed, and you finally looked at him again.
You sighed. There was no running from your pain anymore. No avoiding how you were feeling and leaning on drugs and alcohol instead. You had to face it, head on. As hard as that was. You sat up into a sitting position. “I had a nightmare. About what happened,” you admitted.
Gently, Matt took one of your hands and pressed it against his bare chest, over his heart, his hand covering yours. You could feel his heart beating under your palm.
“I’m okay,” he had reminded you.
After a week of sleeping on Matt’s couch every night, it became every other night, then only every few nights. Matt didn’t say anything about it. He’d make the two of you breakfast if you were still around by morning, and a few times the two of you stayed up in the night talking about nothing.
You spent more downtime with Steve over the past couple weeks, and even went on another date with him. It was nice. It made things feel normal. He’d even kissed you at the end of the date. It was . . . nice. Just nice. But maybe that’s what you needed right now.
“When are you going to let me go back out as Daredevil?” Matt’s voice cut through your thoughts. You hadn’t noticed him in the kitchen as you were waking up from sleeping on his couch once again.
After his injuries, you’d made him sit out vigilantism for the next couple weeks while he healed, not unlike the time-out he gave you after you’d been tortured in that parking lot.
Truthfully, if it had been anyone else who’d asked him to take time off from Daredevil, if it had been Karen or Foggy, Matt probably wouldn’t have listened. He was a big boy, and a little injury wasn’t going to stop him from going out and helping people. But he agreed, because it was Y/N who asked. Because he’d once asked her to do the same thing to keep his own sanity, and now he was returning the favour. Because he knew she was still working through being sober and staying sober and he didn’t want to make things more difficult for her.
And it helped that she was still going out and helping people even if he couldn’t.
But it had been long enough now. He’d given her much longer than he took off the last time he had a collapsed lung. He couldn’t sit around and heal forever.
You sat up and rubbed stars into your eyes, trying to clear the awful memory that was brought up once again. “When I stop seeing you almost die every time I close my eyes.”
You heard Matt approach you, then hands closed around your wrists to bring your hands from your eyes. The stars faded after a moment, and you could look at Matt kneeling in front of you.
“Look, I get it,” he said softly. “Do you know what it was like to find you in that parking lot, when all I could smell was your blood, when all I could hear was you trying to breathe through a broken rib?”
You didn’t like to think about how he must have felt, because it made you feel guilty about keeping up appearances. At the time, you didn’t want him to feel worried, because you didn’t think there was anything to worry about. You’d had much worse injuries, you’d gone through much worse things. But after what happened that night . . . you suddenly understood.
“I know you’re scared,” Matt continued. “But this is what we do, right? We get injured like this all the time. Can’t let it stop us.”
You knew he was right. It was just your sobriety that was making it difficult. Your unfiltered eidetic memory that made you relive that night again and again. You sighed. Matt let go of your wrists as you leaned back. “I know.”
“So you’re going to let me come out tonight?”
You slowly loosed another breath. “I got a lead last night. Could use the back-up.” You paused like you were thinking about it. “Wonder if Castle’s available. . .”
“Y/N.”
“Fine,” you gave in. “Daredevil can come.”
Matt gave you a small smile. But before he could stand, you made yourself admit,
“It’s not just that you were injured, you know. Or that you could have died. I know you’ve dealt with worse — I have, too. Close calls are part of the job. I know I can’t make you stop being Daredevil every time it happens. ‘Cause it’s gonna happen.” You paused, trying not to let emotion creep into your voice. You knew you would fail as soon as you opened your mouth again, “It’s that you could have died when the last thing I said to you. . .”
You couldn’t even continue, the sadness and guilt of it cutting off your voice.
“I know,” Matt said gently.
You sniffed and wiped away a stray tear, opting to change the subject. The two of you had spoken enough about it already. “There’s a cargo shipment going down at the docks again tonight.”
“You’re thinking it’s—?”
“Yeah.” Kids. It was the first tip you’d gotten on the child traffickers in the past few weeks. Whoever their boss was, they must’ve been making an effort to be more careful now that you and Matt were looking into it.
“Okay,” Matt said with a definitive nod. “Then we’ll go take care of it.”
You were outnumbered.
You didn’t expect the ambush that awaited you at the docks. It wasn’t a trap exactly — you didn’t think they knew you were coming, but it was a heavily fortified operation. Designed to protect against any vigilantes coming along.
You used one of Daredevil’s batons to knock out a goon who had Matt pinned in a slog of punches, and helped support him to his feet.
“Still think you missed doing this?” you quipped to him.
He gave you a bloody grin. “Definitely.”
“We need to switch tactics,” you said as you fought a guy off.
Matt kneed another in the face. “What do you suggest?”
“The shipping container with the kids, can you hear them?”
You protected Matt as he took a moment to tilt his head, listening. Then his head turned. “Left.”
You grabbed Matt and teleported in that direction, tugging him along as you began to run. After a moment, Matt began leading the way — You had to pause and fight off some goons as they kept popping up — But eventually Matt stopped at a padlocked container.
“This one.”
You held onto him and teleported the both of you inside. It was pitch black, but the scuffling and crying around you told you you were in the right place.
“How many?” you asked Matt.
“Must be about fifty or so.”
Fuck.
The crying was starting to get to you, too. Memories of trafficking children for the Red Room began flashing behind your eyes—
You took a breath. Another. You were here to save them, not take them away. You weren’t the villain here.
And you never would be again.
Voices outside. You had to hurry.
“I’m going to start teleporting them out,” you said to Matt. “If they open that door, you need to buy me some time, alright?”
“Do it. Go.”
You unfortunately didn’t have time to comfort or prepare any of the children for what was about to happen. You felt your way in the dark, picking up the first child you came into contact with, then teleported to the nearest police station.
You didn’t have time to pay attention to the surprise on the cops’ faces before you were gone again, back in the shipping container, feeling for the next child, picking them up and teleporting them out. And again. And again. By the sixth or seventh child, there was a crack of light in the container as the men had unlocked the doors but Matt struggled to keep them closed. You teleported in and out as fast as you could manage — but by the time half of the kids were saved, the doors were wide open and Matt was fighting to keep the goons out of the container.
But this was the Devil of Hell’s Kitchen they were fighting against. He wouldn’t go down so easily.
The last child was finally out and at the police station and you teleported back to the container to help Matt — The effort of teleporting so many others at once had your ears ringing but you needed one last jump — You reached for Matt to teleport the both of you out in retreat—
And nothing.
The pause allowed a goon to kick you in the stomach — you slammed back into the metal wall of the shipping container, then onto the ground, where the teleportation exhaustion overtook you and black encased your vision.
Matt’s whole body hurt.
He slowly swam back to consciousness after the beating he took. They were outnumbered a ridiculous amount, and after Y/N got knocked out, he soon followed.
At least all of the kids were safe.
Y/N’s scent filled his nose. His head was next to hers — was he lying on top of her?
Matt pushed himself up to get off — and banged his head on something above him. Panic struck him suddenly as his senses got a sharp wake-up call — The sounds he was making were confined around him — He put out his hands to the sides to find walls— Walls— Box— They were trapped in a box.
Matt’s breathing quickened, memories of the Midland Circle building collapsing on him filling his mind—
He couldn’t do this, he couldn’t be here, he couldn’t be in such a tiny confined space again— He had to get out, he had to get out—
He couldn’t breathe—
You woke with a heavy weight on top of you, the sounds of heavy, quick breathing filling your ears. When you opened your eyes, you found yourself in a small, enclosed rectangle, barely big enough for two people — and Matt was above you, panicking, pressing on the walls at your sides and above your head.
“Matt.”
“Get us out of here!”
“I can’t; I’m all out of juice.” You just needed to wait. Wait until your powers returned to you. You’d done this before. Lying in a small box and digging yourself out of a grave was one of the many fun exercises the Red Room made you practice. Any sense of claustrophobia was drilled out of you — But not him. “Matt, you have to calm down.”
“I can’t—” His breathing was too quick. “I can’t — breathe—”
You took off your helmet-mask, then took off Matt’s. You held his face in your hands, as if you could will away his panic-stricken expression. “Yes you can. Yes you can. Just — listen to my voice, okay? Focus on my voice. Focus on my breathing. Try to breathe with me.” You made a show of breathing through your nose and out your mouth a few times. “Remember the breathing you taught me? In for four, hold for seven, out for eight. C’mon, one, two. . .”
He tried to follow her counting, he tried — but the panic overtook him, was overwhelming him— He banged violently against the wall of the box as if he could break through it but it wasn’t working—
You wished you could just tell him to close his eyes and pretend like he wasn’t here but that could never work for him. It didn’t matter if he couldn’t see where they were, he knew it — all of his senses were telling him he was trapped and you knew he couldn’t just turn them off.
“Matt,” you breathed. “Focus on me. Just focus on me.” You pulled his head forward, urging him to press his face into the crook of your shoulder. You felt his stubble at your neck as you threaded your fingers into his hair; you pulled his arm from where his hand pressed against the wall and instead put it by your side; you gripped his shoulder and squeezed his body where he was lying between your thighs — you tried to engage all his senses, to distract him from this nightmare he had no way to escape.
And although he was a heavy weight on top of you, you didn’t mind. You had plenty of experience learning how to breathe this way — and it was Matt. The pressure was more comforting than it was suffocating.
“I’ll be okay. It’ll be okay.”
Pressing his face to Y/N’s neck, Matt tried to do what she said. He focused on her voice. On her breathing. He listened to her heart beat. He inhaled her scent — sweat and blood and something so distinctly her underneath all of that. He felt her fingers tangle into his hair, the slight scrap of her fingernails over his scalp, the grip of it; he felt the pressure of her hand on his shoulder and her thighs squeezing against his sides. He breathed hot breaths against her neck and felt her body shiver. She spoke, telling a story, something about a thing that happened when they were kids — he couldn’t pay attention to the details, only to the cadence of her voice and the vibrations coming from her throat.
(He always did like the sound of her voice. He used to think it was his favourite sound.)
(Maybe it still was.)
And Matt narrowed all his senses to her, just her. The sound of her voice, breath, heartbeat. The feel of her body wrapped around his. The scent of her at the crook of her neck. Even the taste of her skin — his mouth close enough that his heightened senses could pick it up. Salty. Metallic. Sweet.
You were glad when Matt’s breath began to slow. Although the tension did not leave his body, at least he wasn’t having a full-blown panic attack anymore. You continued to talk, just saying whatever, first telling him a shared story about your time together at Saint Agnes, then moving on to some embellished tales of historical figures and events you meddled with. And every minute you kept checking back to your power.
You weren’t sure how long it took, but finally something in you was recharged. You made sure to grab hold of both helmets, then you teleported the both of you out.
Familiar.
This scent is familiar.
The air around Matt was suddenly less heavy; the material below him, below Y/N, was no longer hard metal but now squishy leather.
“Matt,” Y/N breathed, her voice still at a whisper. “We’re home; we’re in your apartment.”
He lifted the top half of his body, angling his head. He gave an experimental push upwards, and found nothing restricting him. When he pushed to the left, he found more squishy leather. The couch. He squeezed it with his hand. She was right. They were back in his apartment.
Matt felt Y/N’s hands cup his face. “Are you okay?” she asked softly.
And the relief Matt felt suddenly was overwhelming — all the adrenaline from the panic had exhausted his strength, and his body felt so very heavy and tired.
He exhaled and let his body press onto Y/N’s again, tucking his face back in her neck. He just needed a moment. He just needed a moment to breathe.
You let Matt rest his heavy weight on top of you again, his body relaxing of tension. This time, he wrapped his arms under you, holding you as he breathed into your neck.
You felt goosebumps raise on your skin. When did you become this . . . sensitive to touch? It hadn’t always felt this way, had it? Like your mind was zeroed in on every movement of him against you.
You had spent years mentally numbing yourself to touch. And then years physically numbing yourself with any substance you could get your hands on. Did touch ever feel this . . . good? You’d had plenty of sex over the years, even sex that you wanted and enjoyed, but when was the last time that you were touched like this? Physical intimacy without sex. You’d been physical with Matt and never given it a second thought before. Touching his face, touching his chest, even sitting in his lap — nothing.
But now.
There was nothing numbing you now.
It felt. . .
It felt.
Ringing.
Y/N’s phone.
Matt lifted his body from Y/N’s embrace and leaned back on the couch to allow her to answer her phone. Only sitting back did he realize . . . how physically intimate that was.
Probably best not to think about that too hard.
“Castle?” Y/N spoke into the phone. That must have been the name on the Caller ID.
“I’ve got Russo,” came Frank’s voice from the other end.
“Where?”
He said an address. “You should get here if you want your answers.”
Matt could tell Y/N’s attention was on him. He heard her mouth, Round Two?
He nodded.
“We’ll be there.” Then Y/N hung up the phone. “. . .Are you sure you’re okay to go?”
“Yeah,” Matt breathed. “. . .Thank you.”
She nodded with a small smile on her face. Then she leaned down and grabbed his helmet from the floor. Handed it to him.
He took it and put it on. “Let’s go get some answers.”
Russo was bloody and tied to a chair by the time you and Matt arrived. It was on the rooftop of an empty building. Secluded. No one around to hear him scream.
You didn’t hesitate to approach and grab the back of Russo’s hair, pulling his face up to look at you. “You look like shit.”
He stared daggers at you, unfazed by your grip. “Ditto.”
“Who hired you to kill me?”
The daggers remained. “Go fuck yourself.”
You met his hard stare, then you reached for one of your knives and plunged it into his leg.
Russo cried in pain and doubled over — You pulled out your knife and gripped the back of his head once again. “Do you know how many languages I speak?” you asked, your tone on the edge of a snarl, dragging the tip of your knife over his chest. The material of his shirt was the only thing separating steel from skin. “Because English doesn’t have to be the only language carved into your chest. And I’ve just been looking for an excuse to hear those screams again. Oh, I’m beggin’ you, Russo. I’m beggin’ you to stay silent.”
The anger you felt here was different from before. It had always been strong, but there was no numbness now. Now the anger felt like a righteous burning pyre and it felt good, it felt good to burn and burn and burn everything with you — You’d understood why Matt did this, but now you really understood why he fed his anger and let it fuel him. There was an energy about it, and intensity, a purity. If I must consume, then I will consume everything in my path. And those in my path will be the ones that deserve it.
There was a flicker of fear in Russo’s eyes, and you knew what he was seeing. Not you who had made the promise not to kill. You the soldier, you the monster covered in blood, you who killed and liked it, you who put the laughter in slaughter and did so with sharp teeth.
“I don’t know who hired me,” Russo answered slowly. But before you could threaten him again, he added, “He wore a mask and used a voice-changer. He wasn’t stupid.”
That description itched something in the back of your mind. Something like dread gnawed on the back of your neck. “What. Kind of mask.”
“Some kind of animal.”
The dread bit down hard but you refused to flinch, not until you knew for sure. “What. Animal.”
Russo paused like he was thinking about it. Then he finally said, “Fox.”
The floor dropped out beneath you.
Your knife clattered to the ground as you stumbled back, the little word having pulled all the air out of your lungs.
Fox.
Fox.
The Fox sent Russo to kill you. For going after the trafficking ring? No. This was much more personal than that.
The Fox had your knife.
The knife you lost months before you and Matt discovered the ring.
The Fox has been following you.
The Fox has been following you.
You didn’t realize you were doubled over, heaving sharp breaths into your lungs, until you felt Matt’s hands on your shoulders and heard Russo’s loud bark of laughter.
You turned your head to look at him, his form blurred with tears.
“I’ve never seen you scared before,” Russo sneered.
Then Castle kicked Russo square in the chest, knocking the chair over and leaving Russo to laugh on the ground.
You felt Castle usher you and Matt inside to the stairwell. Your vision swam with tears and panic and you couldn’t get enough air down—
“Hey, hey.” You felt Matt’s hands cupping your face. He had taken off his helmet in the hall, his expression pleading with you. “Breathe.”
You responded with a hiccupping sob, the fear overwhelming you too much—
There’s a fox following you
There’s a fox following you
There’s a fox following you
Matt slid his hand to cup the back of your neck and brought your face into the crook of his shoulder, keeping you there. You wrapped your arms around him and found purchase in the grooves of his suit, holding so tightly it hurt your hands but fearing you’d be swept away if you let go. You inhaled the leather of his suit covering his shoulder, but when you turned your head, you could nose the bareness of his neck under his ear. Press your cheek against his. His stubble was prickly but not uncomfortable, and his mouth was right next to your ear to reassure you, “It’s okay. You’re okay.”
You let the touch anchor you as your sobs subsided and your breath became yours again.
You finally felt secure enough to pull back, and Matt’s hand slid down to hold your wrist, a silent reminder of his presence and support. You looked over at Castle, who seemed to be uncomfortably looking away, but looked back when you calmed.
“I’m getting you know the guy he’s talking about?” he asked.
“Not exactly,” you admitted. “But this . . . Fox Mask guy is the same guy heading the child trafficking ring.”
Something like anger and absolution flickered over Castle’s face. This was no longer just about you, and you knew he wanted the trafficking ring taken down as much as you did. “You think that’s why he wants you dead?”
“I don’t think so,” you said, slowly, still trying to process all of this. “Something about this is personal. If he sent Russo after me, it’s ‘cause he knows our relationship.”
“Guys like this make it personal when you fuck with their business,” Castle reasoned.
You shook your head. “This is different. He gave Russo my knife to kill me. My knife. The one that I lost months before we found out about the ring. This isn’t about us fucking with him, this . . . this is something else.”
“You think it could be one of the guys in our unit?”
“I don’t know. It’s one thing to want me dead — lots of people do, I’m sure you had your fair share of wanting to kill me as well.” Castle’s expression twitched and you continued, “It’s another thing to run a fucking child trafficking ring. I’m not sure any of the guys in Cerberus Squad are capable of that.”
“I didn’t think Russo was capable of killing my family but he still did it,” Castle argued. You had to give him that. “I’ll look into the guys. See what I can pull up.”
You nodded. “Thank you.” You looked to the door, planning on heading back outside to interrogate the fuck out of Russo and see what else you could find out about the Fox Mask — when Castle interrupted,
“What are you not telling me?”
You looked back at him.
“Russo was right,” Castle said. “I’ve never seen you that scared before. Shit, Wolf, I didn’t even know you could feel fear.”
You gave him a look like Hardy har.
“What’s going on?”
You weighed telling him the truth. While you decided, you began with, “Well, I’m sober. I’m sober now when I haven’t been sober in a long time. And it’s harder to be brave without a swig of whiskey and a side of Percocet.”
Castle took this in, nodding. “Good for you.”
“Thank you.” You studied his face. And you decided, if Castle was going to help you take down this guy, then you needed to let him in on what was going on. Which also meant telling him the truth about you. You took a breath. “Look, I know you think I’m a pathological liar — which, actually, probably a little bit. But for the most part, the majority of the things I said while we were serving together . . . were true.”
Castle chuckled a bit. “Even the part about you being KGB?”
“. . .Yeah, especially that part.”
His amused expression dropped. “What the fuck, Wolf? What do you mean? You were working for the Russians?”
“I got out before I joined the military, don’t worry, okay, relax,” you said evenly. “And if you want to ask me more about that time in my life, then maybe we can talk about it later, but for now— The point is, the reason I was telling the truth about all that crazy shit is because I’m a mutant. One with a particular set of skills. I can teleport . . . and I can time travel.”
You watched the gears turning in his mind as the words left your mouth. Watched the realization hit him.
You speak before he can, “Don’t ask me. I can’t.”
“Wolf—”
“You don’t know what will change if I go back and save your family,” you told him slowly. “You wouldn’t have become the Punisher. All those people you saved? Wouldn’t be saved.”
There was something wild in Castle’s expression. Desperate. “I’d trade all of that to get them back. Hell, Red said he could do a better job saving all those people without killing, right?” He glanced at Matt, then back to you. “Let him save them. If you can give me my family back, I want them back.”
You took a step closer to him, meeting his eyes, needing him to understand. “One of the people you saved was Matt, Frank,” you said slowly, clearly. Matt had told you about Frank saving him on that rooftop with Elektra. “He is someone that I care about. He is my family. And I won’t trade his life to save yours, I’m sorry.”
Suddenly Frank’s hands are on Y/N, shoving her into the wall. Matt didn’t hesitate — he wrapped his arms around Frank’s neck from behind, putting him in a chokehold and pulling him from Y/N.
“Let go of me, Red!” Frank shouted, anguish clear in the gravel of his voice.
Matt knew Frank would never stop. If it was about his family, if it was a chance to get them back, only a grave six feet under would stop him. Maybe not even then. But he also knew Y/N. Knew how stubborn she was. Knew the lengths she had gone to keep him alive, whether or not Matt deserved it.
An unstoppable force and an immovable object. This wouldn’t end without blood.
But as luck would have it, Matt also knew exactly what button to press. “Think of all the times you saved Karen,” he gritted out as Frank fought against his hold. “She’d be dead if it wasn’t for you.”
Frank spit out a growl, not giving up. “She was in a lot of those situations because of me. She’d be just fine if she had never met me.”
“Are you willing to bet her life on that?”
You didn’t know that Karen had some kind of relationship with Frank. But clearly it meant something to him — you watched the war within his mind, the fight between the family he’d lost and this person in his life that still lived.
He stopped struggling against Matt’s hold, and Matt let go. Frank took a few steps down the stairs.
He shouted, something painful and broken that dug at your heart. He slammed his fist into the wall, then slid down and held his head in his hands.
You got it. What an impossible choice this was. You wondered what you would do if you were put in a comparable position. What if your parents had died instead of losing them to time? What if saving them meant losing Matt? Family against family. What a terrible choice to make.
After a few moments, Frank finally looked up again. “What does this have to do with the Fox Mask guy?”
“When I was a kid,” you began to explain, “I was walking home when I saw two people in the alley next to Saint Agnes. I don’t know if they were arguing or fighting or what. But one of them wore a fox mask. And the other one?” You reached to your side, where your wolf helmet-mask was clipped to your belt. You unclipped and handed Frank the helmet. “Wore this mask.”
He took the helmet from your hands. Studied it. “A wolf.” He looked up at you again.
“At some point in my future, I am going to travel back in time to that moment with Fox Mask,” you said slowly. “I don’t know why. I don’t know who he is, or what he wants with me. And that—” You cut yourself off, struggling against the open vulnerability of those words. It felt uncomfortable, letting anyone else other than Matt see it. The chinks in your armour. The truth that the fearless, bloody beast was only a front. But you took a breath anyway, fought through the discomfort, and let yourself continue, “That scares me. The not knowing.”
Frank sighed, like he didn’t expect the vulnerability from you, either. He was quiet for a moment, then said, “We can’t let this guy get away with hurting these kids. I’ll help you. But understand. If I find him before you do, I’m not putting him in jail.”
You looked to Matt. He didn’t look happy, but he didn’t say anything, either. So you looked back at Frank, and nodded.
You took another moment or two to collect yourself, then headed back outside. Matt put his helmet back on and headed out behind you.
Back on the roof, Castle wrenched Russo’s chair back on its legs. Russo’s eyes held you unflinchingly, his smile smug.
“Look at you, Wolf,” he sneered. “Not so scary anymore. Like a fox took out your teeth.”
Like the flip of a switch, the Matt who had comforted you and whispered gentle words into your ear was gone, and in his place was the Devil and his rage. Daredevil grabbed the back of Russo’s chair and pulled it until it was at the edge of the roof, hauled the chair up so the legs would straddle the edge wall, then tipped Russo back. Only Daredevil’s fists gripping Russo’s clothes kept him from falling into the abyss below.
Like so many times before, Matt let his anger loose. Let the Devil out — let Daredevil take the reins.
This Russo had hurt his friend. His family. Tried to kill her. And what Matt knew was worse, Russo betrayed the closest thing Y/N could give to trust. He knew what that meant to her. Daredevil wasn’t going to let that slide.
“You’re going to tell me everything you know about the man who hired you,” Daredevil said slowly, evenly, with a voice like ice. “If you lie to me, I will know. And I will drop you.”
Russo seemed unphased by his threat. “You’re Daredevil, right? I heard you don’t kill.”
“Lying in a coma, breathing through a tube? Isn’t dead,” Daredevil continued in his icy calm.
He sensed Russo’s expression falter. There was a pause of silence, then, “I don’t know anything.”
Daredevil punched Russo hard in the face.
Blood spurted from his nose and a roar of pain and anger ripped from his mouth. “I wasn’t lying!”
And in that quiet, rageful calm, Daredevil said, “I know.” He punched Russo again. “But you hurt my friend—” This time, anger dripped into his voice, and again he bloodied his fist with Russo’s face. “You betrayed her trust—” Each punch was more satisfying than the last. “You tried to kill her.”
The violence was a different kind of comfort. Watching Daredevil, watching Matt, beat Russo’s face into a pulp, for you, was. . .
There was something you liked about it. There was something you liked about it a lot.
To be defended mercilessly. . . To have blood drawn in your name. . . It should have felt wrong but it didn’t.
Russo’s scarred face was barely recognizable now through the blood and swelling. Daredevil, breathing hard, gripped Russo with two hands once more, bringing his face to his. “You’ll find no forgiveness from the Devil.”
And he let go.
You knew Matt had weighed the odds. The fall wouldn’t kill Russo. But it was satisfying as hell knowing Russo would suffer that much more for everything he’d done, not just to you but to Frank and his family. His kids.
Matt finally stalked back over to you, his body still tense with anger. He took your hand in his, and it didn’t bother you that his hand stained yours with blood. “Let’s go home.”
“I’m guessin’ he’s not dead,” Frank said, sounding disappointed.
Matt’s head tilted. Listening. “No.”
“You expect me to clean that up?”
“He’s no use to us now,” you said. Russo didn’t have any more information about Fox Mask. “You decide what you want to do with him.”
Frank took a deep breath through his nose and looked thoroughly annoyed but didn’t say anything else.
“See you around, Frank,” you said as way of goodbye.
“Yeah. . . I’ll tell Liebermann to keep an eye out for the Fox Mask.”
“Thank you.”
He nodded. “I’ll see you around, Y/N. Red.”
Matt nodded back. “Frank.”
You gave Frank a parting grin. “You wanna see a magic trick?” And you snapped your fingers, and for the first time before Frank Castle’s eyes, you disappeared.
As soon as you were back in Matt’s apartment, you collapsed into his couch and leaned your head back. You stared up into his ceiling. You felt defeated. You felt terrified. You wanted to scream, cry, hit something. But exhaustion weighed down your body. You didn’t know what to do.
You felt hands on your thighs and lifted your head to find Matt kneeling between your legs. You leaned forward into his space.
“I’m tired, Matt.”
“I know,” Matt breathed. He knew because he felt it, too. He was scared of what this meant. Why Fox Mask was after her — why he wanted her dead. Why Y/N took them back in time. He wasn’t sure how they were going to fix this. But what he did know was that one of them needed to be strong enough to hold them both up. When Matt was in the darkest place of his life, Y/N did that for him. And he could do that for her, now. “We’ll find a way to take him down; we will.”
“How?”
A small smile crossed Matt’s face. “You trust me?”
You sighed through your nose. “You know that I do.”
“Then it’ll work out.”
That wasn’t the answer you wanted. You leaned back again on the couch, dimly aware of Matt’s thumbs stroking comforting patterns into the insides of your thighs. “Boundless optimism? That’s what you’ve got?”
His smile widened. “Well it could always be worse.”
“Yeah?”
“You could be blind.”
You shook your head, tampering amusement on your face and refusing to laugh at his dumb joke. You leaned forward again as you said, “Y’know you think you're cute when you make your little jokes but really you’re just annoying.”
He just continued to smile at you, and so you sighed and let your head fall forward onto his shoulder. Your groan was muffled by the fabric of his suit.
“It’s been a long night,” Matt said. “For both of us.”
Getting trapped in that box felt like forever ago now. Shit. With all the adrenaline from the panic, you’d forgotten how much your body hurt from the fight earlier.
And it occurred to you now that Matt was probably in worse shape than you. You lifted your head. “Take off your suit.”
His eyebrows pulled together for a second in confusion. “You take off yours.” Like a child saying, No you.
“Buy me a drink fir— Ah. That joke doesn’t work anymore.” You backtracked. “I mean I need to check your injuries. You took a pretty bad beating back there; I need to make sure you don’t need stitches.”
Matt complied. He stood, then peeled off his suit, leaving him in only his boxers.
Nakedness didn’t bother you anymore. It hadn’t for years. You had drilled into your mind that they were only bodies. There was nothing special about looking at someone naked and there was nothing special about being naked in front of someone. If Matt hadn’t been wearing boxers, you don’t think you would have even blinked.
You stood and began scanning over Matt’s body. He was covered in new red splotches that complimented fading bruises of purple and yellow amongst old scars cutting lines into his canvas.
There was beauty in it. It wasn’t the first time you had had this thought.
A violent beauty, yes, but beauty nonetheless.
Your hand ghosted over the nasty bruise on his side. You pressed it gingerly and heard Matt stifle a groan. “No broken ribs,” you reported, something like relief washing over you. It had been a broken rib that had caused his collapsed lung the last time. You knew something like this could happen again, and indeed it had been Matt’s second time getting one, but you just . . . Not this time. Not his first night back. Just for your own sanity . . . you were thankful.
Maybe it was weird that it didn’t feel weird that Y/N was looking over Matt like this, half naked in his apartment. This was just the nature of their relationship now. Vigilante to vigilante. Old friend to old friend. He used to get Claire to do this kind of thing, anyway, and that wasn’t weird. It wasn’t about anything else other than making sure he was patched up. Ready to go out the next night.
“Your hands are cold,” Matt commented after Y/N had finished pressing his side.
Not a second later, Matt could feel two cold hands pressing flat onto his abdomen. He inhaled a sharp breath at the sensation, and was reminded of a memory of her doing something similar when they were kids. Although that had been her hands on his bare arm and not her hands on his bare torso, which was a slightly more . . . adult choice of real estate for her cold hands.
“You’re a child,” he said with a staggered exhale.
He heard her laugh, so at odds with the sobbing panic attack she’d had not even half an hour earlier. It relaxed something in him. And it . . . stirred up a vivid memory for him. Of her laugh when they were young.
It sounded the same. He couldn’t remember the last time he’d heard her laugh like that. Not since before she disappeared. She’d come close these past weeks, since getting sober, but this was the first time Matt heard her laugh and was suddenly thrown back into a younger version of himself, goofing around with his best friend.
He’d missed her. He’d missed her so badly it hurt. For a long, long time.
It didn’t hurt anymore.
Matt felt Y/N’s hands leave him. “No stitches needed. Although those bruises are gonna hurt you worse in the morning.”
“Always do.” Matt tugged gently on her shirt. “Your turn.”
“You know you’re always welcome to use your unseeing eyes to look at my frankly ridonculous body, but I don’t think it’s going to accomplish much here.”
Her use of the word ‘ridonculous’ told Matt that she was spending far too much time with Foggy. “I have hands,” he reminded her.
Mm, yes you do.
You were surprised when the comment came to your mind but did not leave your mouth. You’d never stopped yourself from saying such comments before. They never meant anything. But your eyes had dipped down to his hands, admired their size, the long slender fingers, the red bruises atop his knuckles with the same beauty as his chest and abdomen and back — and the thought came but was unvoiced.
You tried not to think too hard about that.
So you complied with Matt’s request and you stripped down to your underwear and sports bra. Again, it meant nothing. You were just a body. You weren’t even fully naked. You were unfazed.
Matt’s hands (warm, unlike yours) began sliding over your abdomen, gently feeling for injuries. One hand brushed your side and—
Oh. An involuntary shiver. That was— You were just ticklish there, that’s all.
His hands slid up between the valley of your covered breasts, moving over your chest and collarbone and neck and—
Your eyes fluttered closed. Maybe not as unfazed as you thought.
It was that sensation again, like what you’d felt before when Matt was on top of you, recovering from his panic attack. It had been a long time since you’d been touched unnumbed. It— Had you ever? Been touched like this unnumbed?
Maybe there was something to this whole sobriety thing. A secret perk no one had ever thought to tell you. You wondered if sex would feel different now. More intense. And a small part of that idea was . . . kind of scary. Maybe intimidating was a better word.
Matt heard Y/N’s breath hitch slightly as his hands brushed over her neck. His mouth quirked in amusement. “What are you, ticklish?”
He felt her pause. “No, uh. . . Touch feels different, now that I’m sober. Is that weird?”
The amusement faded from Matt’s face and he pulled his hands back, somewhat concerned. “Do you want me to stop?”
She shook her head. “No, it’s not. . . No. It’s okay. You can keep going.”
But Matt paused, thinking over what she said. “Different how?”
“I don’t know,” she replied. She thought about it for a moment. “Less numb, I guess.”
“That’s good, right?”
“It’ll certainly make sex more interesting.”
Matt blew a laugh through his nose, then reached up to continue checking the back of her head for injuries. “I get it, kind of. You know after my accident all my other senses got turned up to eleven. Touch was one of the things I had to get used to. I mean, it’s not the same, but. . .”
“Yeah.”
A comfortable silence followed. After checking the back of your head, Matt moved onto your back — but instead of walking around to your back, he stayed at your front and felt your back from there, flushing your bodies chest to chest. You lifted your arms and rested your hands on his shoulders to give him better access. Pain spiked from his gentle prodding and you winced. You knew there’d be a nasty bruise from slamming into the metal wall of the shipping container.
He suddenly pressed harder than before and you gasped, digging your nails into his skin and pressing your face into his bare shoulder.
“Sorry,” he breathed. “I thought there might be a fracture.”
Matt felt her open mouth on his shoulder as she breathed through the slight shock of pain he’d given her.
“Good news is you don’t need stitches,” he told her. “Bad news is you might want to sleep on your stomach the next few days. Oh, one last thing.” He braced his hands on her sides, over her ribs. “Take a deep breath for me?”
His hands on your sides elicited a sensitive sensation, but you took a deep breath as told. This time, there was no sharp pain in your side. No broken ribs for you, either.
“Good.”
The word was a dismissal, but you didn’t move. Some of the fear from before was leaking back in. You just needed something. Something to hold on to when everything else was so uncertain.
“Promise me we’ll find this guy,” you said, your voice barely a whisper. You wrapped your arms around his back and pressed your cheek against his neck. “Promise me we’ll beat him. Even if it’s a lie. Promise me.”
You heard Matt take a breath. Hesitating. Then,
“I promise.”
And Matt silently promised something else.
For her he’d make it not a lie.
The figure observed the lot of children through the window of a viewing room up above. Their head tilted.
“There are fifty missing.”
The minion next to them fidgeted. “Is there?”
“Are you insulting my memory?”
The minion cleared his throat. “It was Daredevil and that Wolf of Hell’s Kitchen again. But don’t worry, boss, we got ‘em. Put ‘em in a box and buried ‘em six feet under. They won’t be bothering us no more.”
Daredevil. Such a nuisance. The figure would kill him, but they simply couldn’t be bothered. Maybe if there was a good reason to.
There would always be more kids.
“Did you check if they’re still there?” the figure asked.
The minion gave them a confused look. “What?”
Then the figure swiftly took the gun from the minion’s holster and unloaded a single round into his head. The BANG reverberated in the small viewing room, blood splattering the window.
The figure handed the smoking gun to the minion standing at their other side. “Congratulations, you’ve been promoted. Don’t fuck it up.”
The door to the viewing room suddenly slammed open and there was a little shriek of fear that followed it. The figure looked over to find a small girl frozen at the entrance, staring at the dead man on the floor. A minion soon followed behind her and roughly grabbed her by the collar of her shirt.
“There you are, you little—”
“I’ll handle it.” The figure approached the little girl.
The minion blanched a little. “Sorry, boss, she just got away from me, I can—”
“Just go clean that up.”
“Yes, sir.” The minion let go of the girl and passed the figure to take care of the bloody mess behind them.
The little girl stayed frozen in place, staring up at the figure. The figure knew what frightened her. The mask they wore was very intimidating.
The figure led the girl out into the hall and shut the door behind them. Then the figure took off their mask and crouched next to her.
“What’s your name?”
The little girl relaxed a bit at the sight of the figure’s real face and the sound of the figure’s real voice. “Amelia,” she answered. She rubbed tears from her eyes. “I want to go home.”
“I know,” the figure said. They reached out and curled a lock of hair behind her ear. “It’ll be okay.”
Tag List: @stupidiout100 @coff3e-and-biscuits @caswinchester2000 @waywardsister1111 @ummvengers @asongofmarvelanddc @1971marauders @krazy-katt-lady @flowercrowns3438 @takethee @lov3vivian @burn-crash-rqmance @readers-posts
#daredevil#matt murdock#matt murdock x reader#daredevil x reader#matt murdock imagine#daredevil imagine#matt murdock x you#daredevil x you#devil may cry wolf
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i'm the same anon who asked abt the tattoo, so. you can be as controversial as you want, but could i ask why taivan is not as prominent/noticeable in comparison to shaunahat, or fanon ships? like, your opinion. because, genuinely, as much as i see their scenes and ppl cheering for them, idk, it's not as HARD and LOUD if that makes sense. thank you in advance!
I dunno about controversial--I'm never actively trying to be a shit-starter, I just. My honest take is twofold. One, people are definitely being steered by racism. I mean, I see that just in the way Jasmin is constantly under fire no matter what she does or says. This is a biracial Black queer person (noticed recently she's operating with she/they pronouns, playing in the gender sandbox, and good for them) who is clearly always working so hard to better their world and be a voice for the various minority groups she inhabits, and I feel like I'm just constantly seeing people be awful to and about them. Like, constantly finding excuses to set her aside, or send her the worst messages in the world, and I'm just like. Let this person live, for the love of Christ. The inability to not take unearned ownership of someone else's journey is...insane to me, but I feel like I see it constantly with her. So to have Taissa be this incredibly complex Black woman who is not always likeable, not soft and sweet and constantly striving for other people's approval--yeah, I'm not surprised the fandom ignores her. Furious! Always furious about it! But not surprised.
Van, too, gets set aside an awful lot, and that's obviously not about racism (although the interracial couple aspect is there). I think people are...so volatile about Van in ways that will never make sense to me. Half the time people are calling her a villain, the other half they're calling her boring, and in both cases, those people are just not watching the same show I am. Liv's performance is so nuanced and so carefully escalated, and Lauren is following suit; there is so much going on with this character, with Taissa's character, with their growth together and apart, and...yeah, I dunno, man. I think it's a lot of what Tai says onscreen in season one. They're not what people expect, or what people want them to be, so they get written off as "boring" or less appealing than the noncanon ships. Some of it is the racism, some is the complicated nature of gender and Van's butch qualities, and none of it makes sense to me because those aspects are so much of what I love about Taivan as a ship. Like. They are so real, so multifaceted, so good and so toxic for one another at the same time, and they are played by 3/4ths (at least, I don't know Ambrose's life) openly, proudly queer actors. DUDE. For me, that's the fucking dream.
THAT SAID. My other thought is a lot simpler. And that's just: what happens in canon belongs to the writers, and we get to share it. What happens in fanon belongs solely to fandom. The fanon interpretations of characters can be worlds away from the actuality of those characters onscreen, and I think there's a freedom there that a lot of people really love. Subtext has been the bread and butter of queer audiences for so long that I think a lot of viewers just naturally feel more comfortable in that space, reading between lines and making up the necessary filler as they go. It doesn't hurt that a lot of these characters are white and/or conventionally attractive, but I think it's more to do with...not needing to put the canon of it all at the forefront. Like I love Jackie/Shauna, I love Lottie/Nat, I live for Shauna/Lottie--but they're all subtextual relationships, to various degrees, and so I can just sort of...do whatever with them in stories, so long as I'm feeling the characters out. I personally have a preference for writing fic as close as I can to existing character profile/voice, but that's not for everyone, and I've noticed a lot of the fanon-born ships are...not simpler, necessarily, but simplified. Which, in turn, makes them more palatable. I dunno. I get it! I do. But I will never understand throwing aside the canon queer ship in favor of subtext. That just...ain't my bag.
And then I guess there's a third, less prominent idea of like. Who's the main character of the show? If you had to boil it all down, it's Shauna. She's the POV character, if we have one, from the start. So not only do you have the freedom of fan interpretation, but she's front and center a lot of the time just by the nature of the narrative. And then Natalie is probably the next "main" character, so...that speaks for a lot of the louder ships, I suppose. I'd really love to see more attention on Taissa for the same reason, since she's been at the front from the beginning, but...see above, i guess.
#ask#yellowjackets#yj meta#yj spoilers#for clarity i would never shit on any of these ships#this fandom is so passionate and so vocal about what they love and i love that#but i really do get...sad. when taivan is shunted aside or when even just the ACTORS for those characters are ignored#because they are doing such. good. work.#work i would have KILLED to see as a teenager#this is one of those on-screen relationships that would have been life-changing for me as a kid#and while fanon is great and subtext is wonderful and i love whatever is going on with shauna#there is just something about these two very queer characters played by VERY queer actors#getting to grow up despite abject trauma#having their queerness not be the source of their pain. being instead the source of whatever freedom and joy they can find#and...yeah. they don't have to be for everyone. lord knows there are queer shows and ships that don't do it for me#but it does rankle when they get booted aside for noncanon ships on the regular#personally. i'm cherishing them as long as they're on my screen.
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im so glad that we never get a clear picture of sophie’s background in leverage & i hope we never do. however i also really like making up various, often conflicting backstories for her in my head. perhaps they’re all backstories for an alias of hers, ones she laid to rest back in season two.
#leverageposting#leverage#sophie devereaux#particularly that one of or both her parents had to move around a lot for work & so she would change herself to fit in at every new school#or new town etc etc. and that whatever original identity she had was dropped due to some kind of really awful event and her bio family think#she’s dead. eg she got into some kind of extreme legal trouble for the first time & she faked her death & everyone she knew as a kid thinks#she’s dead too. like. astrid wasn’t the first person she left to miss/mourn her.#but also that she was a teen runaway at like age ~16 and pretended to be an adult (like. 18/19) cause theres not much you can do by yourself#as a minor like booking flights or renting an apartment. and so began her first proper alias. and she was a pickpocket until she could fund#her life fully through grifting & cons.#or alternatively her parents died when she was a teen & she was old enough to become an emancipated minor (everyone in lev is an orphan)#and she kind of just fell into crime from there bc she had no one#or perhaps she got married at 17 and realised how fucked it all was and stashed money until she could run away & leave it all behind. that’s#bc of a single vague sentence on john rogers’ blog saying she was married at 17 and in context it was quite possibly a joke or random#hypothetical example but i was like what if???? What If???????#i also like the hc that she’s trans which i’ve seen a few times#in some versions in my mind her parents were okay and in some versions they were awful and in some versions it was so complicated.#i think tara has heard one story and parker or hardison have heard another and nate has never heard any story. he’s never asked.#she is here now and that’s all that needs knowing. and sophie devereaux is her real name in any way it matters.#eliot has also never asked and she asked if he was curious once and he just asked if she was curious about What He Did and that was answer#enough for the both of them. just a mutual agreement not to ask and it actually solidified their bond.#i think she struggled for a long time about whether to tell her new family The Real Story but in much the same way we never hear her birth#name bc it’s not Her anymore… she never gives The Real Story. bc it no longer defines who she is. she’s so much more than whatever happened.#lvg
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I'm working on that spirit of spring thing and its got me curious about something
#Like. Obviously i always call Fawn Fawn and use she/her when talking about her#but for like 80% of her story her name is Erasyl and he uses he/him for himself#so it Feels weird to talk about pre egg cracking Fawn with the masculine set. but it also feels weird to talk about her at that point#in her life using the feminine set bc like. Her relationship with gender is a lot more like.#like she doesn't see herself as having never been a man or like she isnt a man anymore now that shes transitioned.#She would usually describe herself as having always been both at the same time but preferring to be seen as a woman at this#point in her life.#idk if you downloaded all of 2024 english language gender talk into her head shed describe herself as a bigender transfem#but shes from old timey fantasy land and also has like. a war and an extremely complicated interspecies alliance to think about#Ladys busy. she doesn't have time to put that much thought into gender outside of 'its nice when my friends and family#refer to me as a woman and i like presenting as one a lot more than i liked presenting as a man even if i didn't find presenting as a man#that distressing. '
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in the years ive been off tumblr ive done a lot of traditional work so here's one of my favorites <3 it's titled "the epilogue"
oil painting & stitching on canvas, february 2024 (words by me!)
#click for better quality idk why tumblr did that to me#nart#art#this was probably the piece i was most proud of from my exhibition#mostly bc i had literally no time to make it and still managed to hand stitch all of it#hand stitching#oil painting#i might share my other oil paintings bc i usually work on a much larger scale and theyre my babies#the theme of this one is that after becoming an adult life doesnt end essentially#my entire exhibition was focused on how growing up feels like a 'narrative' because i have autism#and see life through narratives or people through story archetypes which isnt entirely healthy#and how by growing up i have to grow out of those understandings of the world bc life is more complicated than tv tropes#i also found the stitching super fun so yeah i just enjoy this one
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crazy take: aside from actual lesbian romance stories, obviously, nothing passes the bechdel test better than moe "cute girls doing cute things" anime. its always just a group of girls, few to no named male characters, boys and dating are hardly ever brought up beyond the abstract, if at all. like we're focusing on the girls hanging out rn, we dont need to worry abt that shit. mugi just ate mio's strawberry.
#this doesnt mean i think all ''cute girls doing cute things'' anime is feminist btw#thats not my take. the test itself isnt a metric for feminism#im just saying if you take the rules purely at face value. that type of show kills it#but also no the genre isnt for the male gaze! everyone go watch 'a place further than the universe' and develop some emotions#even k on which i joked abt in the post- its actually a bit complicated bc of the way the anime deviates from the manga#but the short of it is the further it gets away from its source and becomes its own thing the more it becomes abt the girls#s2 being all original was the strongest. its a great story about the fleeting nature of youth and lasting friendships actually#ppl dont give it enough credit. yes its slice of life ofc but its really good#also not to mention bocchi. everyone loved bocchi. in that show they literally have a joke where they dont show the dads face#bc no male characters LOL#the acceptation being that one club owner who is meant to be more feminine? manga readers know more abt that tho
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I dare not speak it in the tag because I value my energy but no one has the correct opinions about nosferatu 2024 except for me
#Everyone has opinions about which parts of nosferatu are the problematic parts and everyone is wrong#Like!!!! I would love to talk about the potential implications of a story#Of a vulnerable young woman taken advantage of by an older more powerful man in her youth#And the lasting impact it has on her life and her relationships especially in the constraints of an 1800’s upper-class society#And how she believes herself “unclean” for her new husband because of it#And how said husband very firmly says “no you are not unclean or lesser for what was done to you and I love you no matter what”#And how ALL THOSE IMPLICATIONS feel tragically undermined#by the end of the story essentially saying that she HAS to have sex with the older man (and then die) to resolve the problems#And that’s just. Never challenged really.#There’s no twist to it not even some attempt at an angle of empowerment or reclamation of her sexuality or something#yknow that trope of how if we the audience are told the protagonist squads plan that plan is bound to go wrong#We are told the plan and it just happens#No the mustache guy having a breakdown and going to his wife’s crypt does not count as the plan going wrong#Because we got told the REAL plan that the van helsing stand in and Ellen had behind Thomas’ back#And THAT goes off without a hitch!#The ending just. Happens! And it’s bad that it just happens I think!#But then I go in the tag and there’s people like “it’s bad cuz they showed tiddy”#Like guys pls it’s more complicated than that#I was just reminded of the line “I do not need redemption” from Ellen and like YES THATS SO RIGHT#but then the story says “the only way to stop the count is for you to die”#And like there’s also something there about how how much she hates when Thomas gets her flowers at the beginning because they’re dead#And then at the end the professor scatters cut flowers around her body when she can’t tell him no#and like! That’s something! I can almost FEEL this movie trying to make its point but it just falls short#You cannot have it both ways you cannot be condemning this unfair treatment of Ellen but also leaving it completely unexamined#“goddamn you see that shit? That was fucking crazy. Anyway I’m Robert Eggers”
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cr3 is gonna end and the pc’s still feel like the same people to me :|
(crcritical content in the tags feel free to skip)
#cr spoilers#cr critical#the pacing of this campaign was shot to shit from the start and i really hope mercer learns from this and takes it into account for cr4#i actually think they need to do mini seasons like d20 does. not in the way that they’re all completely separate from one another but#the way the unsleeping city had multiple seasons or a crown of candy or fantasy high. connected arcs in a bigger story#it would give mercer more time to plan and pace things and would give both cast and crew more time to prepare things#bc this campaign was. frantic. just full speed ahead with no breathing room. it’s a marathon sprint#i still feel like the initial assault on the key was like. maybe a few months ago#IT WAS A YEAR!!!!#what do you MEAN this campaign took place over five months!!! these people don’t know each other!!!! I don’t know them!!!!!!#VM knew each other for YEARS TM9 traveled for a YEAR together#CR3 viewers have been talking about a time skip happening as though it’s a guarantee!!! TM9 didn’t end with a time skip and guess what!!#It was a good ending!!! Maybe a few loose threads but they were easily touched upon later with no issues#like idk ppl are allowed to like or even love cr3 i have no issue with that. i just think that from a storytelling perspective it’s just#so poorly paced and i think both fans and players deserve better than to be thrown into world ending stakes immediately#the initial assault on the malleus key felt like an endgame event and it was like fifty episodes in. Tm9 got to xhorhas around episode 50#characters deserve time to marinate. cr3 is a pressure cooker#don’t even get me started on braius’ inclusion. sam i’m sure your character is cool and complicated but he’s been here for like 20 eps#i dont know this man#also i feel like shorter seasons/separate arcs woven together would account more for people’s personal lives and any medical issues#like what happened with sam. ppl were hounding him asking for his return meanwhile he was being treated for CANCER like I can’t imagine#dealing with that kind of pressure. players deserve privacy however they can get it.#(also fgc’s death is to me the only narratively satisfying thing to happen in cr3 i’m not kidding#fucking perfect setup and execution. exquisitely done on mr riegel’s part#laudna has also had some great story beats along with imogen but i think matt fucked up making delilah come back i really do)#anyway all the love to the cr crew and cast if you see this ily and your stories i just think pacing needs to be taken into account#“they’re just friends sitting at a table playing dnd” i don’t think they are anymore actually#obviously they’re still friends playing dnd but like. cr3 feels so produced and i dont mean that in a good way :[ it feels so corporate#off topic i am SO FUCKING EXCITED for the switch to daggerheart! I think it’ll really breathe some new light and life into exandria!!!
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Since I'm going all Lacanian on you anyway.
Every time I get asked whether I think that Childe is going to die, I think of this quote:
"I am not pessimistic. Nothing is going to happen. For the simple reason that man is a good-for-nothing, not even capable of destroying himself. "
In other words, I hope that our boy is so pathetic that he'll fail everything. He'll fail his heroic death. He'll fail bringing about the apocalypse.
He'll glitch through a corruption arc especially spectacularly and will continue to live his silly life none the wiser.
#childe#tartaglia#the abyss is just lacanian Real#if abyss be thy name I pledge to you my loyalty#not a shitpost#this is my genuine hope#he's someone who wanted to be a hero#and is failing to be a hero because life is more complicated than the meaning we try to impose on it#but that's also what will save him in the end#I want to see a story like that#there's a crack in everything#that's how the light gets in
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loki/william rufus fic, where bill explains that as the second son he has inherited england while big brother bob only got the duchy of normandy, ha ha ha.
#no offence to normandy of course i'm sure it's a fine duchy with many things to recommend it.#oh but wait! England Son then dies in a “Hunting Accident” and the next brother heads for the capital ASAP!#where is Bob? idk i think he was on crusade or something. BUT! he'll get to stay in england when henry keeps him captive for life <3#apparently robert got very into welsh poetry while imprisoned for being the older brother so maybe that made up for it all?#PLOT TWIST: henry the first of england leaves no legitimate sons and england ends up having a civil war when he dies.#btw it still throws me a bit that post-conquest kings have names like william and robert while the pre-1066 dudes are all named Aethelthing#*whispers* i kind of feel like asgard should be on a atheling system like pre-conquest england but i don't want to complicate things.#though this would explain why Thor 1 treats a Loki succession as a real possibility and thinks aptitude for kingship in any way matters.#whereas the later movies all assume it works on primogeniture (and none of us in fandom really absorbed the fact that when hela shows up#thor instantly accepts that she's ahead of him in the line of succession and objects to her evilness rather than her sex/gender.#so clearly if thor and loki have an older sister the OLDER matters more than the SISTER. right? yet sif is the only female warrior.#and while i think the 'kings NEED to go into battle!' thing was overstated by the past and by modern observers we do all go along with that#in the context of these films don't we? loki is unsuitable due to his *checks notes* weak fragile feminine form.#*looks at him and experiences a brief moment of cognitive dissonance before moving on*#and that's a story more of us want to tell (or i assume that's what's up) so we all just ignore The Hela Evidence don't we?)#(i can explain my own reasons if anyone asks but nobody will so i won't bother doing it in these tags.)#btw a friend once made a william the conqueror joke about passing the duchy on the left hand side which was FANSTASTIC#but explaining it would take far too long so i won't do that either. BUT IT WAS RLY FUNNY U GUYS (gender-neutral)!#history shitposting#plus the mcu because of course
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When I was about 14/15, we had a school assembly where the police and head teacher talked about some graffiti artist and asked anybody with information about their identity to come forward.
Now I, despite being an absolute nerd, was no snitch so I obviously wasn't going to tell anyone. But I got asked a bunch of times by other students if I knew who did it. And obviously I didn't, but it was so weird that students were asking me.
And thinking about it now, I think it's because my mum complained about this teacher everyone fucking hated showing us movies rated 15 when I was only 14 and then they implemented a rule that teachers weren't allowed to show films in class anymore.
I told a friend that my mum did this, who then told other people and everyone in my year knew it was me who ruined the fun. So I had to start a misinformation campaign by convincing everyone I was a chronic liar and that's why I said my mum had done that.
This veered wildly off topic. Anyway, I didn't know who this artist was but I was about 70% sure it was either the kid I had a "crush" on or one of his friends so I told people I knew who it was and I wasn't going to tell anyone.
I don't actually think the chronic liar thing was a lie.
#teenage me made their life way more complicated than it needed to be#like just shut the fuck up#teenage Addi did not know how to shut the fuck up#story time#I prefer chronic story teller#look guys I told my friends I was frequently contacted by time travellers one of which was my distant descendent#at that point it's on you for believing me
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lemme tell you im starting to get a little sick of when im complaining about when a show or movie is writing a major female character with not as much depth as her male cohorts or she's written oddly plot device-like for a main character and people always tell me "oh but it's intentional, we're seeing her through the eyes of the male main character and he has a crush on her so he doesnt see her flaws" because like
FIRST of all yeah i get it but its hard to write that trope interestingly to me at this point without a lot of work put into subversion so intentionality doesnt make it any less boring
SECONDLY half the time people say this about ensemble cast stuff and like why is the random dude suddenly designated as the most perspective of all perspective characters when it comes to this specific woman. why dont we get to see the other characters perspectives on her too?
AND THIRDLY do people view women they have crushes on as bland plot devices without lives of their own enough irl that this is so universal in writing? isnt the point of having a crush wanting to hang out and know more about your crush, know about their likes and dislikes and all that. am i missing something here
#im gonna sound insane for what im about to say. but i grew up watching way to much harem anime for a 10 year old#and im gonna be honest. maybe that spoiled me? those things were not without their flaws but at least the 5 different magical giant#goddess demon vampire women with multicoloured hair inexplicably in love with random normal guy at least had like. inner lives#like thats why the guy is so normal and bland. because the focus is on the magical women and their pink hair and their complicated#backstories and familial lives and whatever outside of the main character#like theyre still big boobied colourful haired fantasies but at least they showed me something about em#when it comes to these other stories where a woman is treated like a plot device love interest and written like a dead wife in an#action movie but like. alive. i cant help but feel like. are you holding out on me? i want to know her. show me her LIFE i want to SEE IT#grabs writers by the collar ARE YOU HOLDING OUT ON ME???#its nuts because sometimes you see the bones of a really cool character but the writers are more interested in what she can do for the main#male character and how he sees her than whats going on in her head. i dunno im just getting annoyed. i think u can do this trope well#like how i think you can write basically any trope well. but i see intentionality used an excuse so often so i wanna see you do#SOMETHING interesting with this trope if ur gonna do it at least. subvert it in cool ways i dunno just do ANYTHING hfjdkjfkd
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Im so sorry i played Our Life: beginnings and always and not only has it sucker punched me with bittersweet feelings of life and change and relationships but its also thrown me into brain rot hell of it. Im sorry if ocean boy cove floods your feed get it? Its a pun
#t-n talks#personal#our life: beginnings & always#olba#i love him so much i love them all so much i need to replay with all the dlcs and get shiloh to come to our wedding#because i named a fosh after him in like step 2 or 3 and i missed him and i dont care if he lied to us im sorry shiloh#come baaack#but also baxter what happened baxter we missed you so much youre important to us youre important to meeeeeee#everyones my friend now how do i have jeremy at my wedding but not shiloh? jeremy you should have made shiloh suffer tooooo#im so glad i got jeremy though god i felt for him so bad like genuinely what was wrong while he was mean to us#i just wanted to be nice and friends but also dont be mean to cove and im so glad hes mellowed out a bit hes really a good kid sometimes#i love them all so much dereeeekkkkk hes such a good friend god hes SUCH A GOOD FRIEND im screaming#and baxter baxter baxter baxter sometimes i dont think hes in love with us but in love with our relationship but also like#i wouldnt mind us three being closer because youre fucking important to me baxter just like jeremy#youre all part of this found family gay as shit now if i can be adopted then that means i can adopt you too!!!#god but seriously? like i expected to cry because of relationship love drama at first not because i was having#complicated feelings about being adopted and my relatiinship with my sister god ive never had an older sister really#and my siblings and i arent super close but im adopted and i dont think ive ever wanted something more than this family#this game man i just god my fiance was like “i dont think this game was meant to be so deep/intense” but like its a visual novel#novels are meant to invoke feelings and thoughts and discussion and reflection at least thats what i believe every story has a purpose#its up to us to figure out what its purpose is maybe not in general but to us what can we take away from it and god#it makes me want to hold onto my friendships tightly and reach out to everyone i knew/know#i have too many tags on here because of brain rot but i love this game and im so excited for the next one and i would love to download#like my log of the entire game so that i can recap everything at like my leisure#just cause im not gonna remember all my choices and stuff
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