#let's go to my tailor

[pynkhues]

#this is only semi-related but i do love that sam was so excited to play swamp creature lestat and rolin was like no the swamp is in the min#sorry we need you hot for the reunion everyone needs to realise the real reason louis fell in love with you#which is that you are a beautiful pathetic theatre kid with no sense of time or place#the fact that it's happened before too in the opposite direction lol#like sam's like can't wait to play beautiful romantic lead leilo#and rolin's like actually you are now the clown here's your little clown suit go spend hours in hair and make-up#and then sam's like can't wait to play lestat as a depressed ugly swamp creature#and rolin was like actually you're going to be like a beautiful unwashed norma desmond in an artfully dilapidated house with a plank of woo

I love all of this so much, I can stop laughing. Do agree that it's hilarious that Sam was so excited and Rolin was like NO YOU ARE MR. PRETTY FACE, WE'LL MAKE YOU KIND OF DRAWN-LOOKING AND WET CAT BUT THAT'S IT, DEAL WITH IT. I can hear Rolin saying "sam, the swamp is in the mind..."

(but yeah, better that Lestat looked, as you put it, like "beautiful unwashed Norma Desmond" -- he did genuinely look pathetic and unwell, but you're still like, I get it Louis. And Louis' there looking like it's Jacob's Vogue cover...

(x)

Hahaha, Rolin saw the dearth of beautiful gothic monsters on TV and he's built the anchor series of a multiverse to fix it, nothing, not even the source material will send him off course!

(Yes! Louis' ready for his close-up while Lestat's needed in hair and make-up. 😞 That works for them though, Louis already had to give Lestat a makeover back in s1, haha).

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

[vaguely-concerned]

more for the garashir fairytale grab bag AU I am never going to actually write: garak knows exactly what would break his curse from the start, he just never tells anyone for the longest time b/c he's so sure it could never happen

(it's asking forgiveness, of course. he thinks it's tain's forgiveness he needs, and tain is fucking dead and knew he would be by the time garak woke up so it seems the perfect unbreakable parting fuck-you revenge curse. and garak would expect nothing less from his father than that, so he's resigned to dwindling away painfully. enter julian bashir and his fierce force-of-nature compassion (and also secret illicit immense magical powers) with a steel chair!!! to go 'OH YEAH??? we'll see about that', as you might expect. oh. OH necromancer-ish julian calling tain's ghost up to ask him about what the hell he did and how to undo it, ala his gambit to go see him the wire? and the knowledge he gains from that is what confirms garak's suspicions as to what is Up with this handsome young healer mage because it could be known only by those long dead. cue east of the sun west of the moon part of the narrative once julian understands his game is up and runs away??

anyway getting some true love's kissing in by the end of it all is just a nice bonus it's not needed like strictly magically for either of their situations lol)

[oozeandgoo-art]

wish this site was like dreamwidth and i could do multiple dropdowns. text below the cut

Haven's monologue:

I hear some of you halfwit morons think you're efficient enough that you're entitled to waste time gossipping about fffucking fashion? It's great to hear that you're all confident enough in your work that you seem to believe that you can have a laugh about your fucking field commander's choice of clothes? It's funny. I thought you were all expendable. You must know something I don't. But maybe you're too stupid to know how to shut your fucking mouths and do your fucking jobs. It happens. Sad but true. You wouldn't be the only shit-sucking idiots I've had work for me. But I thought better of you. So I'm going to offer you a chance to prove yourselves. Go ahead. Say it about me. See what it fucking gets you.

very small text next to the 'shit-sucking idiots' line: Note: It is black-ops. Poor enough judgement is a liability that can mean death, not reassignment. It's a threat.

Erica's paragraph: Has already promised to smash their skulls in with her obuch if she hears one more snide comment, but this will really hammer the point home, so she's not complaining. Plus Haven looks damn good in a dress.

[gulonline]

just figured out how to use athenas and Ava in my bl3 rework, AND fix Maya's characterization, all in one swoop.

Maya isn't on Athenas to train Ava. She's there to rescue Ava.

Ava is the right age to have siren abilities/tattoos manifest after Angel's death [she would've been roughly 8, which i feel is early enough]; kid gets scooped up by the monks, or her parents preemptively dump her at the temple due to believing they're not equipped to handle a magic-wielding child. maybe they're doing it out of love, fear, or perhaps resentment. either way, Ava's still a shithead 15 year old with abandonment issues, but her character would have more depth than just "dead parents" trope.

also, we're ditching the "inherited/passed down powers" shit. the limit of sirens in the world is 6 [7] - not siren ability sets. i could go on a whole rant about how stupid that is, but, 'tis not the point here.

i think Ava's abilities not yet being active, or maybe finicky, is an interesting bit. it puts her at a significant disadvantage against other sirens & anyone with a huge gun, but gives her jussttt enough edge for her to feel like she's a badass. plus, she's a teenager. she's going to do stupid shit with her powers, and get frustrated when she's treated like a kid.

her lack of powers/control could put a lot of pressure on her from the monks - they're trying a different approach than what they did with Maya, going mask off and telling everyone, point blank: "We have a siren in our pocket. Do as we say, or die by her hand." only for said siren's powers to have not even manifested yet. they're needing her powers to come online, soon, and are threatening her with bodily harm in order to facilitate that.

enter Maya, who's heard rumblings about how the Order of the Impending Storm has a new attack dog. she's rightfully pissed about it, and starts a whirlwind attempt at breaking the kid out of there. crimson raiders + the new vaulters could lend a hand in laying a one-man siege to the monastery, be it at Maya's request or their own prerogative.

and here i thought i'd never find a reason for Maya to go back to Athenas lol

[queenerdloser]

reading baldur's gate fic is so funny to me sometimes because almost every single tav i've read is like. a nerd. awkward. stuck in a library/commune/forest and doesn't know How To Do People. combat unready. a wee paper slip of a person. self-doubting and uncertain.

whereas i am out here with my bard who dumped all her stats in charisma and perception and therefore is no longer able to fail a persuasion check. and my personal backstory for her is that she's an insanely well known frontman for a rock band in baldur's gate so literally everyone they meet knows who she is. nonstop flirt. clocks manipulation left and right because seeing through performances is like half of her skillset. oh yeah. and she can fucking oneshot you by being mean in your direction.

[claitea]

You wake up one day and N harmonia, Kris and Susie Deltarune are in your house

What are you doing?

(No I'm not asking for any particular reason, what are you talking about?)

first i'm telling kris and susie they got the wrong green guy

[terranimbus]

OH THIS IS THE THING PEOPLE WERE SAYING U NEED LIKE MOST OF THE LIVES FOR

[zelreedsandwrites]

(( I swear this fic would be so good guys i wish u could see the movie in my head about Them TuT ))

[floorpancakes]

dough water getting ready to go to the club or something and its like a super fucking warm day and doumeki is wearing a full turtleneck under his outfit and watanuki is like ewww you're wearing that to a room of warm sweaty people all night?? maybe you should go easy on the layers or you'll be stinky and gross

and doumeki shoots him a look and takes it off and watanuki is like fuck!!! fuck!!! i walked right into this one!!! put it back on!!! put it back on!!! fuck!!! fuck!!! and doumeki is like no you made a good point actually i should just wear the jacket . u right . while watanuki is like banging his head against a wall at high speeds and turning into a fluorescent tomato

[sieglinde-freud]

if awakening ever gets a remake in the next twenty years or so my number one want is same sex marriage + still having kids but my number TWO want is a scene after lucina’s judgement where whoever is robin’s kid confronts lucina. bc like from a player’s stand point, or really even just from robin as a character, its really easy to understand lucina’s thought process, sympathize with her, and forgive her. but if you’re one of the future kids, you came back in time to save your parents (and the world i GUESS), and your friend decides that your parent, yours specifically, is expendable, thats kinda fucked up!! her thinking is valid and potentially correct from a logical standpoint, but looking at it from like morgan’s perspective, it might feel selfish or unwarranted.

but my other thing is, unless robin’s second kid is lucina (or they dont have one), i think using their other kid over morgan would be more impactful if only because morgan lost their memories of the past and doesnt have as strong of a connection with lucina as say, someone like gerome or cynthia does. if its chrom!morgan then yeah, theres the connection, but otherwise wouldnt it be fucking wild to see the perspective of someone who went back in time with their friend who promised to go back and save the world, only to find them pointing a sword at your fucking dad? literally insane where is this confrontation. number three want is fix chapter two’s map design

[psqqa]

my new job’s internal procedures and communication methods are just different enough in a worse way that it is driving me completely up the wall and adding stress to my day in completely unanticipated situations

[supercantaloupe]

hyping myself up to go to the campus career fair in half an hour cause for the first time in recorded history performing arts employers are gonna be there and one of them is at the top of my list for summer internships and i want to rizz them up. so to speak

[quietwingsinthesky]

they really did have the master run around a landfill like a freak creature eating people and chewing on bones and attacking the doctor. and they did that for me. they did that for me.

[boxoftheskyking]

Might I give some advice:

Not everyone has (or needs to have) the energy to thoughtfully respond to republicans on the Internet. You do not have to do that.

But some people do, and can. And I think we gotta let them.

An example:

I have a former teacher, I'll call her Grace, who is an incredibly kind woman in her 70s. Devout catholic, had voted for various parties over the years, but has been pretty strictly democrat over the past 15-20 because that aligns with her values of kindness and service.

She shared a post about the pope's recent letter and expressed that she agreed with his concerns about how trump is treating immigrants. A friend of hers commented a long paragraph basically saying "dear Grace I care for you but I don't understand how you can be a Christian and a democrat. Blah blah abortion blah blah gender blah blah drugs."

Grace replied "I'm very busy right now but I am going to respond to you soon with my thoughts". When she did it was an incredibly generous, rational monologue that connected with this person's humanity, their shared religious values, and made a beautiful case for why she supports who she does. I didn't agree with a good half of what she said as I am not a Christian, but the result was an expression of values that I think put her on the side of justice and compassion.

The person replied and thanked her and said she had a lot to think about. It was probably the best case scenario for a Facebook politics conversation

You know what came very close to ruining it? A bunch of (mostly younger) people piling on with "fuck you you racist maga pos" and "no one has to explain anything to you, go to hell" etc etc. Even after Grace wrote that she intended to reply herself.

I watched this republican respond to all the easy, quick insults by saying "this is why I don't think any democrats can be Christian, this is how you all speak to me." If Grace hadn't put so much work into writing her response in a way that was tailored to fit this person, I would not be surprised if that person left Facebook doubly certain that Christian nationalism is the way to go.

I'm not saying we can't cuss out jackasses. I'm not saying everyone needs to respond to bad faith arguments like Grace did or use their time like she did.

But this was on Grace's Facebook page, and interrupted the work she already volunteered to do. Just so these individuals could feel like they "did something" and got a shot off at an enemy.

I think that's selfish and childish and unproductive. They could have said anything they wanted in their own space, but they made grace's job harder for no fuckin reason. And then "loved" her reply and said "that was beautiful Grace, thank you for sharing your thoughts"

Like... Buddies. Pals. If someone volunteers to scrub the toilet fucking let them.

[marvelstoriesepic]

I Would Let the World Burn

Pairing: Avenger!Bucky x Non-superhero!Girlfriend!Reader

Summary: You attend a public Avengers event as Bucky’s girlfriend for the first time, but things spiral from nerves to chaos in a matter of seconds. And when you’re caught in the crossfire, Bucky unleashes.

Word Count: 2.4k

Warnings: violence; injury; PTSD elements; emotional distress; explosions; mass panic; allusions to death; protective!Bucky; nobody hurts his girl; seriously, he’s a little feral here

Author’s Note: I need protective Bucky all day and all night omg. Thank you so much, my love, for this absolutely amazing request!! I hope you'll enjoy ♡

2k Drabble Challenge Masterlist | Masterlist

The lights are everywhere.

Glinting off skyscraper windows and camera lenses, bouncing off metallic armor and too-white smiles.

The voices are everywhere. They swarm like bees - the press, the fans, the murmuring of people watching people.

The flash of the cameras is a strobe light stinging the back of your eyes. Reporters shout questions like bullets, flinging them past your ears and into your chest.

You feel your lungs shrinking in your ribcage as if they’ve decided you’ve seen enough. Felt enough. Been too much.

You’re not supposed to be here.

Not in this crowd, not in this dress, not in front of a hundred reporters and their glittering cameras. Not in the spotlight. Not on the arm of the Bucky Barnes.

You tug at the hem of your dress, fingers nervous, breath catching on a sigh you don’t release. Everyone here looks like they belong - as if they were born to walk red carpets and sip sparkling drinks under light that only blinds you. You feel like an ink smudge on a page of golden script.

It’s the first time you’re out in the public with him. The first time the press will capture who’s been speculated to be the former Winter Soldier’s girlfriend.

Bucky spent the night whispering reassurances into your skin, but it seems you should have listened to his words rather than the feeling of his plump lips all over your body.

Your hand is in his, and his thumb traces slow circles against you, metal fingers warm from your skin. His other hand rests lightly on your back. He hasn’t let go of you once.

You look up at him.

And he’s already looking at you.

He looks perfect, tailored, controlled, dangerous in a way that makes people stare too long and then look away even faster.

His hair is swept back tonight, save for one defiant strand that keeps falling across his brow. You keep watching that strand as if it’s a lifeline. Like if you can count how many times it falls, maybe your nerves will shut the hell up.

You know he feels how tense you are.

He frowns, and it’s so soft it nearly breaks your heart. That Bucky Barnes can frown like that. As if you just told him you were fading into dust.

“Hey,” Bucky coos, voice soft, voice low, the world dissolving for a second into nothing but him and you. “You okay, sweetheart?”

You try to nod. But you can’t lie to him. Words jam in your throat, caught somewhere between the beat of your heart and the reality of who he is and who you are not.

“I just-” you manage, but it’s a little shaky, you look around. “I feel out of place.”

Bucky tilts his head, brow still furrowed tightly. “Why?”

You open your mouth, then close it again. Try to explain how it feels to be ordinary in a sea of extraordinary. How it feels to be his, but not one of them. How terrifying it is to not have armor, or training, or anything more than love for a man who could kill with his pinky finger and kindness in his eyes just for you.

Bucky steps in close, crowding the noise out with the breadth of his body, his warmth, the familiarity of his scent - cedar and cold and something quietly him. His nose brushes yours, and it’s stupid how it grounds you.

“I’d rather be anywhere else,” he murmurs, eyes locked on yours. “I’d rather be nowhere. Just me and you. On a rooftop. Under the sheets. In the woods. I don’t care. Just not here. No noise. No cameras. No Stark in a tuxedo with a martini making bad decisions.”

You laugh, and it trembles out of you.

His smile is all softness and secret promises. His eyes are glinting. “But if I have to be here - then I'm glad it’s with you.”

The way he says it - quiet, low, as if it’s something he only ever told the wind - freezes everything inside you and sets it on fire all at once.

You blink, and the fear stutters. Collapses a little. Because it’s not you and the Avengers. It’s you and Bucky.

His lips graze your ear, then your temple, taking his time. He’s not bothered at all by the cameras flashing around you, capturing this moment, capturing the Winter Soldier going soft on his girlfriend.

You want to fall into him. You want to crawl into his chest and live there.

You let out a breath. It’s just beginning to feel okay. The world quiets just for a second.

Then it explodes.

There’s a metallic whine, a rumble like thunder swallowed by stone. The ground jerks beneath your feet as though it’s trying to shake you off. Screams tear through the air. A plume of smoke mushrooms in the sky as fire roars from the far end of the pavilion. People scatter. Glass shatters. Concrete buckles.

You don’t even have time to be shocked when Bucky already reacts.

He pushes you behind him so fast your teeth snap together. He doesn’t look back. His body shields yours, metal arm braced outward, flesh hand pressing you into his back, eyes scanning for threats.

Another explosion cracks through the sky, rips through the atmosphere like an angry god. And right after, the next explosion follows, punched through the sky like a fist made of fire.

You cough, eyes watering. There’s debris. Someone’s car door skitters across the ground like a dead insect. Tony’s suit whirs to life across the square. Natasha’s already sprinting. Sam is in the air.

Bucky is moving, dragging you behind a line of armored cars, his body is coiled with tension, his expression is deadly serious.

“Stay here!” he orders. It’s his soldier voice. Cold steel and no argument. He’s never used this voice on you before.

“Bucky-”

“Y/n, stay down,” he barks sharply, and you nearly flinch. But his tone is not filled with anger. It’s filled with fear. “Do not move until I come back for you.”

Your heart is pounding so hard you think it might break your ribs. Your head is shaking from side to side so fast, you can’t do anything. “No- Bucky-”

He cups your face, his hands stiff, his hold almost rough. He leans in. “Stay. Here,” he growls. “I can’t do this if I’m worried about you.”

His eyes tell you he already is. He will be. But he doesn’t tell you.

He waits for you to nod, although he doesn’t have the time. An almost aggressive kiss is pressed to your mouth, then to your forehead, and he is gone. Thrown into chaos, lost in the smoke and fury and shouts.

You barely register the space he leaves behind. The smoke moves like a creature through the crowd, making people disappear wholly. Somewhere nearby, there’s another explosion. The screams rise again, louder.

You crouch lower, press yourself against the cold steel of the car, try to breathe through the hammer in your chest. You want to do what he said. You try to do what he said.

But the panic moves toward you.

You don’t see where it starts. Just feel it. A shove. A push. Someone collides with your hiding place, someone is behind you and suddenly you’re on the ground. White-hot pain at your side. You fall hard enough to see stars. A sharp ache slices down your shoulder where debris must have caught you. Blood runs hot and slick beneath your dress.

Disoriented, you try to push up on trembling arms but they shake too much, and everything is spinning.

You don’t see the soldier until you turn your head and there’s a flash of metal in his hand. A knife.

“Y/n!”

It’s your name. It’s Bucky’s voice. It’s not a shout. It’s a roar. As if it was ripped out of his chest. As if he’s afraid of what he’ll find when he gets to you.

From fifty yards away, across smoke and bodies and fire, he sees the blood blooming on your sleeve. Sees your fingers twitch as you try to sit up. Sees the man with the knife coming too close.

And he is barreling through the smoke like something unholy, eyes wild, teeth clenched, hands balled to fists. The light behind his eyes just snaps.

He moves as though he’s been set free. No hesitation. No fear. No softness left in him. His face is stone, is fury, is death, is Winter Soldier. His arm gleams under the flames, a ghost of his past resurrected in defense of his present.

Bucky hits the guy with bone-crushing force, enough to send teeth skittering across pavement. A scream echoes once before it’s cut off. Another blow. Another. Fist to face. Elbow to jaw. A crunch that sounds like death and rage all rolled into one. His vibranium hand wraps around the man’s throat, and you swear you see something flash in his eyes - something ancient and broken - before Bucky picks him up and slams him against a crumbling wall. Again. And again.

It’s not strategy. It’s not mercy. It’s pure rage.

Somewhere, Steve yells his name like a warning.

Bucky doesn’t stop.

“Bucky-” you croak, blood warm down your arm. You try to sit up.

In an instant, he turns back to you, easing up on his brutal hold and the soldier crumples to the ground. Bucky’s whole body is tight with adrenaline, his breath sawing in and out as though he ran through a warzone - which he kind of did. For you. His eyes find yours and shatter.

He’s at your side in half a breath.

“Baby,” he whispers, hands on your face, on your shoulder, trembling now. “No, no, no. You weren’t supposed to be- I told you to stay-”

“I tried,” you defend weakly, dizzy. “I didn’t- I’m okay. I think. Just- grazed me, maybe-”

But he’s not hearing you. Not through the panic tearing holes in his composure. His hands flutter, unsure where to land without hurting you more. His voice drops, gravelly and hushed. “I shouldn’t have brought you here. Shit, I should’ve known-”

“Hey.” You grab his wrists. “Bucky.”

He stills, but he won’t meet your eyes. Your thumb brushes the inside of his wrist. “I’m okay.”

But he’s too far in his head.

He wraps you in his arms in seconds, cradles you as if you’re made of moonlight and scripture, as if you’re hallowed and half-broken and held together by threads only he can see.

His metal hand supports your back, curved protectively around your spine. His other hand is pressing your legs into his chest.

The darkening sky is still full of smoke and sirens.

Colors smear across the sky like blood in water. Reds and blues. Shouting and static. Flashing lights and fractured ground. Somewhere nearby, someone is screaming. Somewhere farther, something explodes.

But not for him anymore. He doesn’t seem to hear anything. Doesn’t seem to listen to anything other than your breathing, your pulse.

He walks fast, but carefully. Erratic feet cut through rubble, his jaw is locked so hard, his body so rigid, he surely is in pain from holding all that tension. His eyes are storm-dark and unblinking. No one stops him. Not Steve. Not Tony. Not even the medics who see the look on his face and take a cautious step back as though maybe the devil borrowed his bones tonight.

He never trusted any random medic to look you over. It has to be someone he knows.

You whisper his name.

Soft. Breathless. Almost an apology.

And he almost drops to his knees.

“I’ve got you,” he rasps, hoarse and urgent. “You’re okay. I’ve got you.”

You know you are. But he doesn’t.

Your fingers curl in the collar of his suit jacket. His real name - James - lives on your tongue but never quite makes it out because he’s holding you too close, and perhaps saying his name might crush him completely.

He smells like smoke and ash and steel and blood. Your temple is tucked against the curve of his neck, where his pulse thunders beneath the surface. He’s warm and shaking.

He bursts into the quinjet that brought you here like a man on fire, like a man trying to outpace grief, and he yells something sharp. He lays you down - reluctantly, tenderly, surrendering - onto a stretcher, but his hands don’t stop touching you.

He’s a storm with a purpose, and that purpose is you.

You, safe.

You, whole.

You, alive.

“Bucky,” you try to ease, blinking up at him, face pale under flickering emergency lights. “I told you, baby. It’s not that bad.” Your voice is soft. Slow.

“You were on the ground.” His voice cracks.

“I was on the ground for like two seconds-”

“You’re bleeding.”

“It stopped, baby. Okay? There’s no fresh blood.” You are close to whispering.

Bucky doesn’t seem eased, though. He sits beside you. Big body bent in half, elbows on knees, one trembling hand reaching to gently - so, so gently - brush your hair from your forehead.

And then he says it.

“I would’ve burned the whole goddamn city to get to you.” Quiet. Like a vow. Like a confession. Like faith. Like a truth, he doesn’t know how to carry anymore. “I would’ve torn down buildings with my bare hands if I didn’t see your breathing. I don’t care who saw. I don’t care what they think-” his voice breaks, his breaths spill all over his words. “I can’t be okay without you.”

You stare up at him. Your throat is tight, eyes are stinging. Because he doesn’t say things like that. Not often. Not out loud. You see it in his eyes every day, in the way he looks at you, in the way he treats you. But it’s something else entirely to hear him form those words and let his tongue roll them out.

He presses his forehead to yours. His breath ghosts over your lips. His eyes are closed. His hand cups the back of your head.

He’s holding you so close to him, as if he’s never intending to let go ever again.