#let women get to be percy

[arbitrarygreay]

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Absolute least favorite trope in the fic: inserting new world-building so that the controversial actions that Alder does in canon are all rationalized into woobie-bait. Examples: "Alder was forced into the Biddy bond!" "The Martyrdom was actually a lesser evil!" "Alder felt regret about signing the Accords!" "Alder was forced into doing things by men in power!" Since fucking when has the US military been meaningfully held accountable for anything, or their power (and the military industrial complex) had a reduction in growth? Name me one irl modern general that doesn't believe wholeheartedly in militarism. The nation can do much wrong by the rank and file (including appalling treatment of veterans), but the brass? Hah. And neither do the brass of the MFS military waver in their belief in militarism, either. We know that they could play malicious compliance via things like Tally's dispensation if they wanted to. They don't want to. The "magical enforcement" didn't stop Dodgers from existing, nor did it stop Nicte from deserting. The slow-play of the invasion of the Cession could have just as easily been done in their deployments in other nations, or in their hunting of Dodgers (like Scylla's parents). (Even Anacostia doesn't have a problem with torturing Scylla for information. "Gotta break a few eggs." No one agitates for the closure of GuantanamoSt. Dominique, either. There's no doubt in my mind that MFS's detention centers carry the same controversies as our world's.) No. Alder not only has no regrets about the Accords, she believes in them. She truly believes that all witches under her jurisdiction should serve, and that it is an honor to do so. She believes in the concept of glory in battle, and wishes for her soldiers to, as well. Alder's instinct is to hide inconvenient information from the chain of command and the public, which further proves that if she wanted to commit malicious compliance and covertly get around the wishes of those in power, she could, but she chose not to because she doesn't have a problem with the Accords or the wars she's been in. Most relevantly, Alder maintained the conflict of the Spree as an alternative to nationalist conflict. Letting the Spree propagate was her solution to Liberia. That is how she thinks, not even the smallest inkling that maybe she could modify the Accords and aim for our world's progressive strategy of pushing anti-discrimination policies and full civilian population integration/equality/equity. The idea of de-militarization is borderline anathema to her. She doesn't see conscription as slavery at all, but an honorable duty. Someone who says "I never needed The Hague's approval for my actions. I simply extend the invitation to accept my rulings." has a particular relationship to power. If the director of the CIA said this, we would not pretend that they are laboring under the yoke of anyone. Nah, that's just plain ol' mundane deep state. (Meanwhile, in 3x4 the scene with Alder and the Marshal shows that she definitely did not take on or continue using the Biddy working under duress. She's grateful for it, he's not morally indicted for using it, and they called the exchange "sharing." In fact, that might even imply that the Marshal could have been willing to share the Working without the deal, but Alder negotiated the creation of the Cession as thanks.) These characters are so much more interesting when they are allowed to do women's wrongs, for this show to explore how a world of alternative supremacy means that those alternative figures of power will still commit the same ethical pitfalls with it. Let them commit war crimes, as a treat! The relationships are so much more interesting when they have to grapple with real universal flaws instead of hand-waving them with "[other demographic]'s prejudice made me do it."

[shorthaltsjester]

having thoughts and feelings about perc’ahlia and their could-be-but-would-never-allow-the-other-to-destroy-themselves-enough-to-actually-become-the-briarwoods parallel/foilism. particularly with vex and delilah and potential places this season might go but also just vex’s “it’s like i’m a bad omen” and the fact that like. vex has full awareness of her feelings for percy and alludes to them to him. but then after she has sex with him it is so so compelling to me that vex is like. this is all i can have with him and i’ll take just this even if maybe it’s flying too close to the sun. and something something the shot of delilah embracing sylas after she’s brought him back, looking over his shoulder into a mirror where it looks like she isn’t holding anything at all and just . god. the like oppositional threads of delilah refusing to lose sylas and holding on tight at any cost and vex holding herself so far from percy to deny the pain that would come with losing/hurting him and the like. venn diagram cross over of something is lost anyway.

[daisy-mooon]

"I want Annabeth to be blonde :(" then pick up a PJO book and read it you dumb fuck

[wisebeth]

why does the pjo series have to unnecessarily villainize goddesses (hera & athena) or show them as silly ladies (aphrodite & demeter) BUT posiedon and apollo are somehow shown as the coolest/most likeable gods, even though arguably, they're right after zeus on terms of corruption?

ares shown as the worst god after zeus and hera amuses me. last time i checked, he was the patron god of amazons and literally killed a man for attempting to rape his daughter but guess who cursed women for rejection? apollo. guess who raped women when they said no (aside from zeus)? posiedon.

[ofekma]

.

@Rick Riorden you are SO FREAKING FUNNY, man. SO funny. Why is the show you are the main writer off that's based on your first ever book so gloomy?!

[bvckbiter]

this is actually one of the changes that made me angriest because in the books, luke and thalia take annabeth in for no other reason than compassion and empathy for their shared fates as demigods. SHE WAS THEIR SECOND CHANCE

I know a lot of us have had various complaints about the way the PJO show approached certain things, but one thing I haven’t seen people bring up is the change made to Thalia’s relationship with Annabeth, in which Thalia made Annabeth “earn” her place in the group, instead of Thalia being sympathetic towards a 7 yr. old who was all alone and needed a place to belong.

Now, it’s very possible that Rick and the writers will forget they made that change and things will proceed as normal, but let’s just assume that Thalia and Annabeth’s relationship will actually change.

Am I the only one that doesn’t really like this change? It makes Thalia seem like a massive asshole, and I’m not even entirely sure that it fits her character (assuming we’re still working with the same Thalia; with the way the show’s going, it’s very possible that she’s gonna get a personality shift too). I also wonder what repercussions this is going to have when we get to Titan’s Curse. The show’s version of Annabeth sounded almost resentful regarding her relationship with Thalia, and it sounds like the show’s version of Thalia is the type of person who doesn’t really empathize with people until they prove they deserve it. Does that mean that their relationship in TTC will be awkward and unfriendly? That’s not really the dynamic that those two seem to have.

Idk, man.

[lilislegacy]

You know how we all love to say Percy and Annabeth are everyone’s parents? Well I literally think their friends treat them that way.

You messed up and now a dark force is out to get you and you don’t know how to handle it? Call Mom (Annabeth). She will know exactly what to do and she’s going to bring research. She’s not gonna let anything happen to you.

You need to go to a really scary monster lair and you’re scared of getting ripped to literal shreds? Call Dad (Percy). He will kick its ass and protect you at all costs. He’s not gonna let anything happen to you.

Feeling overwhelmed after moving? Call Mom. Annabeth will bring homemade cookies, unpack everything in an orderly yet efficient fashion, and then sit down with you, listen, give advice, and then help you make a plan.

Got arrested? Call Dad. Percy will want to know what happened and make sure you’re okay, but he’s not gonna judge or scold you. He’ll pay your bail, take you for ice cream, and then tell you his own stories about getting arrested.

When people need advice about men, they call Annabeth. When people need advice about women, they call Percy. Because who better to ask than the couple who’ve been super happily married for what feels like forever (even if they’ve only technically been dating for 6 years or something).

Dating someone new? Mom and Dad do NOT get to meet them yet. Percy and Annabeth are going to be unnecessarily intimidating (in different ways) and scare the person away SO fast. And if the person somehow passes the test, then Percy and Annabeth are going to go back to bickering and flirting and overall just being so embarrassing.

Mom and Dad are a couple of menaces, but they also know how to handle anything and will always come running if you call.

[mask131]

The truth about Medusa and her rape... Mythology breakdown time!

With the recent release of the Percy Jackson television series, Tumblr is bursting with mythological posts, and the apparition of Medusa the Gorgon has been the object of numerous talks throughout this website… Including more and more spreading of misinformation, and more debates about what is the “true” version of Medusa’s backstory.

Already let us make that clear: the idea that Medusa was actually “blessed” or “gifted” by Athena her petrifying gaze/snake-hair curse is to my knowledge not at all part of the Antique world. I still do not know exactly where this comes from, but I am aware of no Greek or Roman texts that talked about this – so it seems definitively a modern invention. After all, the figure of Medusa and her entire myth has been taken part, reinterpreted and modified by numerous modern women, feminist activist, feminist movements or artists engaged in the topic of women’s life and social conditions – most notably Medusa becoming the “symbol of raped women’ wrath and fury”. It is an interesting reading and a fascinating update of the ancient texts, and it is a worthy take on its own time and context – but today we are not talking about the posterity, reinvention and continuity of Medusa as a myth and a symbol. I want to clarify some points about the ACTUAL myth or legend of Medusa – the original tale, as told by the Greeks and then by the Romans.

Most specifically the question: Was Medusa raped?

Step 1: Yes, but no.

The backstory of Medusa you will find very often today, ranging from mythology manuals (vulgarization manuals of course) to Youtube videos, goes as such: Medusa was a priestess of Athena who got raped by Poseidon while in Athena’s temple, and as a result of this, Athena punished Medusa by turning her into the monstrous Gorgon.

Some will go even further claiming Athena’s “curse” wasn’t a punishment but a “gift” or blessing – and again, I don’t know where this comes from and nobody seems to be able to give me any reliable source for that, so… Let’s put this out of there.

Now this backstory – famous and popular enough to get into Riodan’s book series for example – is partially true. There are some elements here very wrong – and by wrong I do mean wrong.

The story of Medusa being raped and turned into a monster due to being raped does indeed exist, and it is the most famous and widespread of all the Medusa stories, the one people remembered for the longest time and wrote and illustrated the most about. Hence why Medusa became in the 20th century this very important cultural symbol tied to rape and the abuse of women and victim-blaming. HOWEVER – the origin of this story is Ovid’s Metamorphoses, from the first century CE or so. Ovid? A Roman poet writing for Roman people. “Metamorphoses”? One of the two fundamental works of Roman literature and one of the two main texts of Roman mythology, alongside Virgil’s Aeneid. This is a purely Roman story belonging to the Roman culture – and not the Greek one. The story of Medusa’s rape does not have Greek precedents to my knowledge, Ovid introduced the element of rape – which is no surprise given Ovid turned half of the romances of Greek mythology into rapes. Note that, on top of all this, Ovid wasn’t even writing for religious purposes, nor was his text an actual mythological effort – he wrote it with pure literary intentions at heart. It is just a piece of poetry and literature taking inspiration from the legends of the Greek world, not some sort of sacred text.

Second big point: The legend I summarized above? It isn’t even the story Ovid wrote, since there are a lot of elements that do not come from Ovid’s retelling of the story (book fourth of the Metamorphoses). For example Ovid never said Medusa was a priestess of Athena – all he said was that she was raped in the temple of Athena. I shouldn’t even be writing Athena since again, this is a Roman text: we are speaking of Minerva here, and of Neptune, not of Athena or Poseidon. Similarly, Minerva’s curse did not involve the petrifying gaze – rather all Ovid wrote about was that Minerva turned Medusa’s hair into snakes, to “punish” her because her hair were very beautiful, and it was what made her have many suitors (none of which she wanted to marry apparently), and it is also implied it is what made Neptune fall in love (or rather fall in lust) with her. I guess it is from this detail that the reading of “Athena’s curse was a gift” comes from – even though this story also clearly does victim-blaming of rape here.

But what is very fascinating is that… we are not definitively sure Neptune raped Medusa in Ovid’s retelling. For sure, the terms used by Ovid in his fourth book of Metamorphoses are clear: this was an action of violating, sexually assaulting, of soiling and corrupting, we are talking about rape. But Ovid refers several other times to Medusa in his other books, sometimes adding details the fourth-book stories does not have (the sixth book for examples evokes how Neptune turned into a bird to seduce Medusa, which is completely absent from the fourth book’s retelling of Medusa’ curse). And in all those other mentions, the terms to designate the relationship between Medusa and Neptune are more ambiguous, evoking seduction and romance rather than physical or sexual assault. (It does not help that Ovid has an habit of constantly confusing consensual and non-consensual sex in his poems, meaning that a rape in one book can turn into a romance in another, or reversal)

But the latter fact makes more sense when you recall that the rape element was invented and added by Ovid. Before, yes Poseidon and Medusa loved each other, but it was a pure romance, or at least a consensual one-night. Heck, if we go back to the oldest records of the love between Poseidon and Medusa, back in Hesiod’s Theogony, we have descriptions of the two of them laying together in a beautiful, flowery meadow – a stereotypical scene of pastoral romances – with no mention of any brutality or violence of any sort. As a result, it makes sense the original “romantic” story would still “leak” or cast a shadow over Ovid’s reinvented and slightly-confused tale.

Step 2: So… no rape?

Well, if we go by Greek texts, no, apparently Medusa was not raped in Greek mythology, and only became a rape victim through Ovid.

The Ancient Greek texts all record Poseidon and Medusa sleeping with each other and having children, but no mention of rape. And the whole “curse of Athena” thing is not present in the oldest records – no temple of Athena soiling, no angry Athena cursing a poor girl… “No curse?” you say “But then how did Medusa got turned into a Gorgon”? Answer: she did not. She was born like that.

As I said before, the oldest record of Medusa’s romance but also of her family comes from Hesiod’s Theogony (Hesiod being one of the two “founding authors” of Greek mythology, alongside Homer – Homer did wrote several times about Medusa, but only as a disembodied head and as a monster already dead, so we don’t have any information about her life). And what do we learn? That Medusa is part of a set of three sisters known as the Gorgons – because oh yes, Ovid did not mention Medusa’s sister now did he? How did Medusa’s sisters ALSO got snake-hair or petrifying-gaze if only Medusa was cursed for sleeping with Neptune? Ovid does not give us any answer because again, it is an “adaptational plot hole”, and the people that try to adapt Ovid’s story have to deal with the slight problem of Stheno and Euryale needing to share their sister’s curse despite seemingly not being involved in the whole Neptune business. Anyway, back to the Greek text.

So, you have those three Gorgon sisters, and Medusa is said to be mortal while her sisters are not. Why is it such a big deal? Because Medusa wasn’t originally some random human or priestess. Oh no! Who were the Gorgons’ parents? Phorcys and Keto/Ceto, aka two sea-gods. Not just two sea-gods – two sea-gods of the ancient, primordial generation of sea-gods, the one that predated Poseidon, and that were cousins to the Titans, the sea-gods born of Gaia mating with Pontos.

So the Gorgons were “divine” of nature – and this is why Medusa being a mortal was considered to be a MASSIVE problem and handicap for her, an abnormal thing for the daughter of two deities. But let’s dig a bit further… Who were Phorcys and Ceto? Long story short: in Greek mythology, they were considered to be sea-equivalents of Typhon and Gaia. They were the parents of many monsters and many sea-horrors: Keto/Ceto herself had her name attributed and equated with any very large creature (like whales) or any terrifying monster (like dragons) from the sea. The Gorgons themselves was a trio of monsters, but their sisters, that directly act as their double in the myth of Perseus? The Graiai – the monstrous trio of old women sharing one eye and one tooth. Hesiod also drops the fact that Ladon (the dragon that guarded the golden apples of the Hesperids), and Echidna (the snake-woman that mated with Typhon and became known as the “mother of monsters”) were also children of Phorcys and Ceto, while other authors will add other monster-related characters such as Scylla (of Charybdis and Scylla fame), the sirens, or Thoosa (the mother of Polyphemus the cyclop). Medusa herself is technically a “mother of monsters” since she birthed both Pegasus the flying horse and Chrysaor, a giant. So here is something very important to get: Medusa, and the Gorgons, were part of a family of monsters. Couple that with the absence of any mention of curses in these ancient texts, and everything is clear.

Originally Medusa was not a woman cursed to become a monster: she was born a monster, part of a group of monster siblings, birthed by monster-creating deities, and she belonged to the world of the “primordial abominations from the sea”, and the pre-Olympian threats, the remnants of the primordial chaos. It is no surprise that the Gorgons were said to live at the edge of the very known world, in the last patch of land before the end of the universe – in the most inhuman, primitive and liminal area possible. They were full-on monsters!

Now you might ask why Poseidon would sleep with a horrible monster, especially when you recall that the Greeks loved to depict the Gorgons as truly bizarre and grotesque. It wasn’t just snake-hair and petrifying gaze: they had boar tusks, and metallic claws, and bloated eyes, and a long tongue that constantly hanged down their bearded chin, and very large heads – some very old depictions even show her with a female centaur body! In fact, the ancient texts imply that it wasn’t so much the Gorgon’s gaze or eyes that had the power to turn people into stone – but that rather the Gorgon was just so hideous and so terrifying to look at people froze in terror – and then literally turned into stone out of fear and disgust. We are talking Lovecraftian level of eldritch horror here. So why would Poseidon, an Olympian god, sleep with one of these horrors? Well… If you know your Poseidon it wouldn’t surprise you too much because Poseidon had a thing for monsters. As a sort of “dark double” of Zeus, whereas Zeus fell in love with beautiful princesses and noble queens and birthed great gods and brave heroes, Poseidon was more about getting freaky with all sorts of unusual and bizarre goddesses, and giving birth to bandits and monsters. A good chunk of the villains of Greek mythology were born out of Poseidon’s loins: Polyphemus, Antaios, Orion, Charybdis, the Aloads… And even his most benevolent offspring has freaky stuff about it – Proteus the shapeshifter or Triton half-man half-fish… So yes, Poseidon sleeping with an abominable Gorgon is not so much out of character.

Step 3: The missing link

Now that we established what Medusa started out as, and what she ended up as… We need to evoke the evolution from point Hesiod to point Ovid, because while people summarized the Medusa debate as “Sea-born monster VS raped and punished woman”, there is a third element needed to understand this whole situation…

Yes Ovid did invent the rape. But he did not invent the idea that Medusa had been cursed by Athena.

The “gorgoneion” – the visual and artistic motif of the Gorgon’s head – was, as I said, a grotesque and monstrous face used to invoke fright into the enemies or to repel any vile influence or wicked spirit by the principle of “What’s the best way to repel bad stuff? Badder stuff”. Your Gorgon was your gargoyle, with all the hideous traits I described before – represented in front (unlike all the other side-portraits of gods and heroes), with the face being very large and flat, a big tongue out of a tusked-mouth, snake-hair, bulging crazy eyes, sometimes a beard or scales… Pure monster. But then… from the fifth century BCE to the second century BCE we see a slow evolution of the “gorgoneion” in art. Slowly the grotesque elements disappear, and the Gorgon’s face becomes… a regular, human face. Even more: it even becomes a pretty woman’s face! But with snakes instead of hair. As such, the idea that Medusa was a gorgeous woman who just had snakes and cursed-eyes DOES come from Ancient Greece – and existed well before Ovid wrote his rape story.

But what was the reason behind this change?

Well, we have to look at the Roman era again. Ovid’s tale of Medusa being cursed for her rape at the hands of Neptune had to rival with another record collected by a Greek author Apollodorus, or Pseudo-Apollodorus, in his Bibliotheca. In this collection of Greek myths, Apollodorus writes that indeed, Medusa was cursed by Athena to have her beautiful hair that seduced everybody be turned into snakes… But it wasn’t because of any rape or forbidden romance, no. It was just because Medusa was a very vain woman who liked to brag about her beauty and hair – and had the foolish idea of saying her hair looked better than Athena’s. (If you recall tales such as Arachne’s or the Judgement of Paris, you will know that despite Athena being wise and clever, one of her main flaws is her vanity).

“Wait a minute,” you are going to tell me, “The Bibliotheca was created in the second century CE! Well after Greece became part of the Roman Empire, and after Ovid’s Metamorphoses became a huge success! It isn’t a true Greek myth, it is just Ovid’s tale being projected here…” And people did agree for a time… Until it was discovered, in the scholias placed around the texts of Apollonios of Rhodes, that an author of the fifth century BCE named Pherecyde HAD recorded in his time a version of Medusa’s legend where she had been cursed into becoming an ugly monster as punishment for her vanity. We apparently do not have the original text of Pherecyde, but the many scholias referring to this lost piece are very clear about this. This means that the story that Apollodorus recorded isn’t a “novelty”, but rather the latest record of an older tradition going back to the fifth century BCE… THE SAME CENTURY THAT THE GORGONEION STARTED LOSING THEIR GROTESQUE, and that the face of Medusa started becoming more human in art.

[EDIT: I also forgot to add that this evolution of Medusa is also proved by strange literary elements, such as Pindar's mention in a poem of his (around 490 BCE) of "fair-cheeked Medusa". A description which seems strange given how Medusa used to be depicted as the epitome of ugliness... But that makes sense if the "cursed beauty" version of the myth had been going around at the time!]

And thus it is all connected and explained. Ovid did invent the rape yes – but he did not invent the idea of Athena cursing Medusa. It pre-existed as the most “recent” and dominating legend in Ancient Greece, having overshadowed by Ovid’s time the oldest Hesiodic records of Medusa being born a monster. So what Ovid did wasn’t completely create a new story out of nowhere, but twist the Greek traditions of Athena cursing Medusa and Medusa having a relationship with Poseidon, so that the two legends would form one and same story. And this explains in retrospect why Ovid focuses so much on describing Medusa’s beautiful hair, and why Ovid’s Minerva would think turning her hair into snake would be a “punishment fit for the crime”: these are leftovers of the Greek tale where Medusa was punished for her boasting and her vanity.

CONCLUSION

Here is the simplified chronology of how Medusa’s evolution went.

A) Primitive Greek myths, Hesiodic tradition: Born a monster out of a family of sea-monsters and monstrous immortals. Is a grotesque, gargoylesque, eldritch abomination. Athena has only an indirect conflict with her, due to being Perseus’ “fairy godmother”. Has a lovely romance with Poseidon.

B) Slow evolution throughout Classical Greece and further: Medusa becomes a beautiful, human-looking girl that was cursed to have snake for hair and petrifying eyes, instead of being a Lovecraftian horror people could not gaze upon. Her conflict with Athena becomes direct, as it is Athena that cursed her due to being offended by her vain boasting. Her punishment is for her vanity and arrogant comparison to the goddess.

C) Ovid comes in: Medusa’s romance with Poseidon becomes a rape, and she is now punished for having been raped inside Athena’s temple.

[As a final note, I want to insist upon the fact that the story of Medusa being raped is not less "worthy" than any other version of the myth. Due to its enormous popularity, how it shaped the figure of Medusa throughout the centuries, and how it still survives today and echoes current-day problems, to try to deny the valid place of this story in the world of myths and legends would be foolish. HOWEVER it is important to place back things in their context, to recognize that it is not the ONLY tale of Medusa, that it was NOT part of Greek mythology, but rather of Roman legends - and let us all always remember this time Poseidon slept with a Lovecraftian horror because my guy is kinky.]

EDIT:

For illustration, I will place here visuals showing how the Ancient art evolved alongside Medusa's story.

Before the 5th century BCE: Medusa is a full-on monster

From the 5th century to the 2nd century BCE: A slow evolution as Medusa goes from a full-on monster to a human turned into a monster. As a result the two depictions of the grotesque and beautiful gorgoneion coexist.

Post 2nd century BCE: Medusa is now a human with snake hair, and just that

[xoxochb]

⋆·˚ ༘ * she was a girl, he was an idiot

warnings: reader on her period, dramatic behavior, that kinda stuff pairing: percy jackson x daughter of hades a/n: here’s this bc I’m on my period and I started crying over percy because he’s percy so… this is also might not be my best work because I’ve got the worst cramps of my life rn

“percy, it’s not fair” you cry, wiping your tears from your cheeks

percy laughs at your saddened state. from the moment you told him you had been on your period he made fun of you for every dramatized action you made

“what’s not fair, sunshine?”

you pinch percy’s arm. “don’t call me that, asshole!”

the nickname was entirely ironic. when you first arrived at camp you had a silent rivalry with percy. he thought he was so cool and you hated him for it. you were later claimed by hades which explained why you were angry at him for no reason. percy hadn’t let the nickname go

“okay, okay, I’m sorry. tell me”

you throw up your copy of little women and more tears fall. “beth! she’s dead, she died and it’s not fair”

“c’mere, angel” percy takes the book out of your hand and places it to the side. he then pulls you into his chest allowing you to cry “beth is fictional”

“she wasn’t to me!” you snap, pulling your head out of percy’s chest “what do you know about beth march?!”

“nothing, angel. I’m sorry”

percy places your head back on his chest. your crying is replaced with love instantly. you nuzzle your head more into percy’s skin, he kisses the top of your head in return

“percy I don’t want to be on my period anymore”

“I can get you pregnant? you’ll get nine whole months free!”

you gasp and sit up again. “perseus! that is not how it works!”

“I’m just joking, relax”

percy wraps his arms around your waist, pulling you back into his chest, and additionally keeping you from sitting up again. one of his hands moves up to run through your hair slowly, calming you instantly. you sigh and let yourself melt into him. the rain outside cabin thirteen taps lightly against the window and soon you find yourself in a deep slumber

[apollosgiftofprophecy]

I think another reason why I get rather annoyed when people hate on ToA Apollo is because how hypocritical their criticisms are.

I just saw a post talking about how great it is that Annabeth gets to show a lot of emotion, especially by crying. I also recall moments where she got frustrated or angry, and I found myself absolutely agreeing!

But then my thoughts turned to Apollo, another character who shows a lot of emotion.

But you know what he’s called for being frustrated, or upset, or for crying?

Whiny. He’s called whiny.

Apollo gets frustrated when he’s unable to perform something (archery) he used to be extremely good at. He’s upset that he can no longer use a bow correctly.

And people call him whiny for that. Apparently, those people have never experienced, let alone heard of The Gifted-Kid, something all Gifted-Kids (hello, tis me, Gifted-Kid since 4th grade RIP) can relate to Apollo over.

You were really good at something but all of a sudden you can no longer perform it as well? You’re not hitting your usual mark?

Well too bad, according to the fan base, you should shut up and not be so awfully whiny! It’s just archery!

(That was obviously in jest but you get my point.)

Additionally, Apollo never complains about important things. He complains about having to walk, but not the injury that’s literally turning him into a zombie and physically tormenting him.

That post really made me think about this, and then I asked myself; “Why? Why are people’s thoughts so different on Annabeth v Apollo showing emotion?”

It became apparent rather quickly, if you ask me.

Annabeth is a woman. Of course she should be able to show emotion! also maybe deep-seated sexism of ‘women are emotional’

Apollo is a man. And God forbid men show emotion I guess smh so also sexism

Because think about it. How many of the RRVerse male protagonists were allowed to cry? To be fully, and undeniably, upset?

I can only remember Frank crying on the plane after his grandmother’s presumed death, and Grover sniffling/getting teary-eyed in PJO. I don’t recall Percy, Jason, Leo, or Nico ever crying, or really having powerful bursts of emotion.

Yes, yes, Percy and Nico have both gotten mad and unleashed their fury upon someone, but that’s not what I’m talking about here.

I’m talking about letting them feel, letting them be emotional.

Not a burst of anger. But real, genuine character-driven emotion.

The fact that I can only name Frank and Grover from the previous two series is truly saddening.

Apollo gets to feel. To let his emotions flow freely. He whines, yes, but he also gets frustrated, he gets upset, and most of all he cries.

That all makes him a real character, someone people can relate to.

I’ll admit I’m a rather emotional person too. I have a quick temper, and more often than not the water-works come on real quick when I get upset. It’s a normal emotional response, but it can be difficult to work with, especially when you’re trying to stay calm.

Apollo is the first RRVerse protagonist to be allowed to have feelings— strong ones, even. And I can relate to that. There’s a reason why Apollo, Reyna, and Annabeth are all favorites of mine, and that’s because I see myself in them.

Annabeth is prideful. I can be too. She gets obsessed over her work. I do that too. Hates spiders? Oh hell yeah.

Reyna gave me someone to connect with over my sexuality. Ignore that Rick mixed what aro and ace are for a moment please She really gave my demiromantic self somebody to relate with, because the lack of aro rep is criminal. and no the Hunters are not aro rep

Apollo is emotional. He’s made mistakes and wants to do better.

Who wouldn’t see themselves in him? I certainly do.

And yet, he gets called whiny for having the literal rug pulled out from under him again and again, and he doesn’t even let himself complain over what he should, absolutely complain about!

Idk. I think there’s a lot to be said about how this fandom treats emotional characters, especially based on gender.

I guess this is all to say don’t judge a fictional character, because you’re judging a real person too.

And real people have feelings, you know.

[percyluvr]

hey babes, could you maybe do like a percy x reader where he gets home from AHS one day and just walk in on his mom and gf just having the ultimate gossip session and being besties, idk i just thought that would be funny

percy jackson x fem!reader summary: percy comes home from a long day at school to find his girlfriend and mother immersed in a juicy gossip session wc: 668

Since the day you'd met Sally Jackson, she'd been your favorite person in the whole world, even surpassing your own boyfriend, who just so happened to be her son. Apparently, being a great person just ran in the Jackson family.

Luckily for you, Sally had also taken an immense liking to you, considering you her own daughter. The two of you bonded over various common interests, as well as your worry about Percy.

At first, Percy had been the main thing the two of you bonded over, but the two of you eventually realized that you had a lot in common, one of these things being your love for gossiping. The two of you gossiped every day without fail, even on the days that the two of you didn't see each other in person. The two of you talked long into the night on the phone, Percy overhearing it whether he was at home or with you, and he always pretended to be jealous that the two of you were 'ignoring' him in favor of talking to each other, to which you and Sally would just laugh and continue talking about people that neither of you really even knew that well.

Today, Percy was tired beyond belief, having a test or quiz in almost all of his classes. He was walking home, the only thoughts on his mind being you and a long nap. Yes, he was a demigod, and yes he fought many hour long battles, one of which being a full day of school, and he was now a sleepy boy who just wanted to cuddle with his girlfriend.

Unfortunately, the gods were not looking favorably at him today, because when he finally made it home, he found his girlfriend and mother sat on the couch, seemingly very immersed in a conversation.

While it wasn't out of the ordinary for you to be at his house before him, what was unusual was the fact that when he walked in the door, near you nor his mother even batted an eye in acknowledgement of his presence.

Typically the two of you would at least give him a small 'hi', but not today.

"Hey, I'm home," he said, thinking that the two of you must not have noticed the door opening.

You and Sally didn't even acknowledge him, opting to continue your gossip session instead.

His mouth opened, but no words came out.

Paul Blofis, Percy's step-dad, let out a small sigh, causing Percy to look over at him and finally notice he was there.

Paul gave him a pained smile. "They've been talking like this since I got home," he stated.

Percy gave an empathetic nod, pulling up a chair next to Paul.

"Let's see how long they talk before realizing we're even here," Percy half-jokes.

"Sounds fun," Paul agreed.

It was, in fact, not fun, because the two boys sat there for around 4 hours before you and Sally even looked in their direction.

It was around 9 pm when you and Sally finally stopped talking and acknowledged the two sitting there nearly dozing off.

You got up and grabbed Percy's hand, leading him to his room and plopping down on the bed. His arms went around your waist as he pulled you close to him.

"What were you and my mom even talking about that was so interesting that you completely ignored me when I said hi?" He asked.

"Percy, Sally and I have gossip sessions daily, and they cannot be interrupted. It's very vital that we get to talk about other people for at least 2 hours a day, otherwise we might die," you joke.

"Really? You two do that every day? How do you not run out of things to talk about?"

"Oh you sweet summer child, you underestimate our ability to find gossip-worthy topics."

Percy realizes that he will not ever understand the two most important women in his life and just hums in acknowledgement of your words before falling soundly asleep.

[ma1dita]

forever falling: luke castellan & his four great loves

a 'partners in crime' installment - luke castellan x dionysus!reader

words: 4.3k

summary: (post-TLT) The one where he falls from grace and still thinks of you. (the four great loves of Luke Castellan’s life and how it will end up killing him) (Luke Castellan x fem!Dionysus!reader)

a/n: i held myself hostage in my car outside the gym until i got this right this morning — listened to forwards, beckon, rebound by adrienne lenker while writing this, thank you for your patience and happy september!

edited, doing taglist when i get back from the gym lmao

—

Falling to his death is taking a lot longer than Luke Castellan thought it would.

For a man with a multitude of regrets, he finds that he can count his biggest ones off the four bloodied fingers that stain his peripherals with every bump and tumble down the jagged rocks of Mount Tamalpais.

What a waste of a life.

Everything he’s ever tried to accomplish has come to this final, humiliating moment of being at someone else’s mercy. Life is so unfair, he thinks, to give everything for love and have it kick you off the side of a fucking mountain that reeks of eucalyptus and regret. Sure, it was wrong to steal the master bolt, to turn his back on camp, poison Thalia’s tree, have his little sister hold up the sky, try to kill Percy Jackson every so often, and cause all this chaos… (I mean you know how this goes) but the pros outweigh the cons here! Promise.

Luke was so sure that they would all see reason—that he was doing this all out of love, no matter how convoluted and backwards his way is compared to theirs, even if he’d never admit that. Change is supposed to be uncomfortable and war was never meant to be pretty. It wasn’t supposed to end like this, really. The gods weren’t meant to win.

But at the end of it all, love must be his greatest weakness. It has to be.

The Fates should be slicing through the fibers of his lifespan by now, ripping through the embroidered memories in his mind. Nothing of his is his own anymore—not his life, nor his love.

Love, if he’s learned anything in the two wretched decades that Hermes himself has cursed his existence with— hurts like a motherfucker. That, or Thalia was definitely wearing steel-toed boots when she kicked his ass off the cliff. He’s given his life for love, dedicating himself to the greater good of protecting his loved ones, and no one, not even the gods could stand in the way of that. A method to his madness or his undeniable naivety, he still can’t tell, but it's gotten him falling deep into an abyss at the hands of a bunch of kids who continually undo his plans to change the world.

Maybe love is little deaths then, and maybe Luke Castellan loves too hard.

There has never been a single moment in his life where he hasn’t gone down fighting—he never lets anything go, holding what’s important to him so close to his chest that it suffocates. Luke believes that after everything he’s been through, he was never meant for mediocrity—not even when it comes to love. Maybe his death would mean something then— maybe that is his glory. To love someone to death, even if it was wrong— if this is his end, maybe his death will bring peace he knows his love never could.

Four names run through his mind like most things do, intense and fleeting. His final thoughts as he plunges toward the earth are his last act of prayer. If the gods have never listened before, well, these thoughts are all he has to comfort him; they feel heavy behind his lips the further he falls.

Could the Fates be wrong?

His fatal flaw manifests itself into the names of four women he knows he could never deserve in this lifetime, but he’d die trying. He is, dying. This fall from grace is proof enough that he was never meant to be a hero. Excessive wrath bleeds from his being until all that’s left is love, and he’s ashamed of it.

Gods, he’s such a fucking loser.

Luke’s neck cracks against stone at the bottom of the cliff, white hot pain crawling up his spine with only one remaining thought clanging around in his brain—he should’ve never fucking come back to San Francisco.

And while we’re talking about regrets—Luke recognizes that the one thing he’s never had control of is love.

So he lets go, feeling the weight of his body crumple against the downhill slope of Mount Tamalpais like a puppet cut from its strings without a single cry of pain because Luke Castellan finally comes to accept the loves and losses of his life. His landing feels softer now, rolling to a stop like the waves on Westport Beach. Then he sinks into the earth with a bated sigh and it feels like gentle hands of loves that once believed in him.

Luke closes his eyes before his world spirals into black—because if these few moments are all he has left, he’d like to take this time to remember them.

MAY CASTELLAN [storgē - στοργή]

Luke Castellan was born into this world half-mortal, half-god, but 100% May Castellan’s son. From the moment he came into this world, he was fully her own. Hermes was a factor, yes—but the manifestation of a demigod is wholly that of the mortal parent in every aspect visible to the naked eye. Blood runs alongside ichor in his veins, but Luke is all hers in every way that matters—from the slope of his nose, his dark velvet curls, and the honey-molten warmth of his eyes. And they were happy together, once upon a time, even if it was mostly just the two of them.

The gods make their half-mortal children in the likeness and image of their human love since their own forms are ever changing. There is nothing permanent about being immortal—leaving their partners with babies that look like them but are vulnerable to the Mist. And when you love a god, the only tangible reminder left behind is one that goes where you cannot follow. Things most can’t understand— speedy baby steps padding down the hall, tiny hands unlocking the pantry door, and a motor mouth able to transmit meaning through toddler gibberish.

But before Luke even knew what love was, his mother made sure he knew hers was stuck to his being—like peanut butter and jelly on the roof of his mouth from all the sandwiches she made. His clothes used to smell like chamomile from her morning brew and his fingers were often stained blue from Kool-Aid powder. May would always let him mix, even if she had to pretend to not see him sipping from the big spoon in the pitcher. Loving a trickster meant she knew how to raise one.

His mother’s love was sugar sweet. It was in the cookies she baked, the kisses she’d press against his broken skin, and in the confectionery words she’d whisper to him before bedtime. As the years passed by, May would end up repeating herself and the ‘i love yous’ were more for her instead of him—like a mantra she needed to remind herself of who she was. But Luke always understood. When her voice would fail and tears would replace it, Luke learned to wipe away what his father left behind for him to take care of.

His identical chocolate irises watched hers turn to emerald, and it was then he knew that too much sugar could make everything rot.

THALIA GRACE [eros-ἔρως]

There was always this intensity whenever he was with Thalia Grace, the daughter of Zeus. And she made sure he always knew it—a static spark igniting between the two of them as soon as their eyes met in the streets of Charleston. Like him, Thalia always made sure to get what she wanted, two north poles of a magnet bullheading through life to get what they’re owed. By that same evening, they were elbow-deep in the golden dust of a dragon that had come home to find two bushy-browed little freaks with arrogance quadruple their size.

Luke and Thalia were a match made in hell—one always trying to outdo the other to get the upper hand when it comes to control. And at 12 years old, it was the first time Luke had ever had anyone fight by his side. But they were both short fuses and she always set him alight—a glint of her father rushing through her glare so hot that it burned blue. He would do anything to keep her attention on him since grabbing devotion by force is all he’s ever known. Moving quickly and being in her face was the only way to remind his mother of her affection so he assumed the same would go with her. That, and he couldn’t help being extra fidgety— being a son of Hermes meant he couldn’t sit still for long.

Though with Thalia’s growing annoyance of Luke, it was established that their dependence on each other was one of necessity to survive the odds stacked against them. She was repelled by what made them so similar, hubris that blinded them from wanting to figure out the difference between surviving and living. There was a poison of hate in their love for one another. A shame in wanting a love that understood the attraction that linked them so early on in life, however innocent.

Both were too alike and were burned the same.

They burned each other. A type of selflessness and selfishness that battled each other for balance, so close but so far away.

There was always something about Thalia that blistered at his confidence. A forbidden part of her he couldn’t bear. It’s why he spit words of acid instead of encouragement once he realized the Furies wanted her the most when they were running for their lives, Luke was always the fastest runner anyway—dragging little Annabeth up Half-Blood Hill and by the time he realized he’d left her for dead she became a hero (he admits now that he could’ve run circles and saved her too; he just didn’t want to).

Thalia Grace gave everything for this love. But she sure as hell never trusted him to do the same for her.

The spark they shared was snuffed out that day. And Luke continued to burn without her.

ANNABETH CHASE [philia- ϕιλία]

Luke Castellan had never been chosen for anything before. Growing up in the mortal world, he was used to watching families eat together through restaurant windows and children playing in parks that he would pass by, taking slower turns around the block so he could imagine what it felt like to be wanted. Luke was never once beckoned to take part, but he accepted long ago that he didn’t really belong anywhere.

It was nice to think about though.

The daughter of Athena doesn’t remember it anymore, something so trivial in that big brain of much more important thoughts—but when she reached her hand out to him instead of Thalia (after almost breaking his skull in with a rusty hammer), it meant everything to him. The kid thought he was a monster at first sight, and she still chose him after everything.

Annabeth Chase grew up idolizing him and he thrived because of it.

Like ambrosia, Luke was strengthened by her faith and it made him feel powerful. Having the daughter of Athena in his life was like being awarded a gold medal. He loved Annabeth like she was his biggest prize, gleaming on a shelf for him to admire when he was feeling down about himself. Both him and Thalia raised her with pride; with little to no material possessions, they learned to make something out of nothing—and they made it golden. He chased that feeling and it made him greedy for her affection—she announced his place in this world of cruelty. The harsh hands of fate were gilded by Midas himself as long as he had Annabeth. And she put him on a pedestal too—an unattainable goal in her mind that the highest form of glory was to be like her older brother and best friend.

Luke Castellan was finally good at something, and he had the proof to show for it in the shape of a small girl with inquisitive eyes. With her, all of his answers were right. To choose each other and be reciprocated with equal fervor helped him idealize what it felt like to win in life.

However Annabeth was not just his best student, but a prodigy that learned to outplay the trickster. An intellect like hers was never meant to corrode in a dusty, dark corner.

YOU [agape- ἀγάπη]

Plato wrote that humans were once created whole— with four arms, four legs, and two faces fused back-to-back for the entirety of their mortal existence. They were at peace, and how could you not be?

With your soulmate at your side, you could face anything, even the gods. And eventually Zeus felt threatened by their power, in knowing that humans could be invincible against any pain, suffering, and doubt as long as their soul was physically and intimately tied with their other half. So he separated humans from their soulmates in a snap of a finger. It was just another thing that jealousy would take away from humankind by immortal beings that would never understand what it means to live with an ending.

There’s a misconception that love is being together in our original state until the gods took it away. But in fact, it was written to be that love is the desire to become whole with someone else, in addition to yourself. Love is the choice to spend your life trying to find your other half—as we are destined to roam until we have someone to share the rest of our time. Humans have long accepted that we don’t know when the end will come—but the act of searching for our person to share it with, that is love.

Love is the ultimate sacrifice to meet your partner wherever they’re at, to make a home out of the rubble of your past and still choose it anyway knowing that the both of you will go hand in hand into the future. It isn’t glory like he’d convinced himself in the past; it’s not accomplishing some heroic feat worth the recognition of the gods—he knows by now that he couldn’t give a single shit about them. The answer had always been right in front of him, unwavering against the test of time with fluttering amethyst eyes and laughter that renders him senseless.

Why go through all that trouble? one might ask. But that is also his answer.

Fate had never cut him loose— tumbling down Mount Tamalpais was one of the many proofs of that, and with nothing else to do, Luke comes to the conclusion that loving you is a lifelong commitment he made to make more time with you.

Shitty deal, he thinks, trying to beat Kronos at his own domain without anyone’s help must have been a waste for it all to end so pathetically.

But loving you was a choice he made every day, even in your absence. It’s his reminder and solemn vow that loving you could never be a waste. Luke laments not being able to take you to meet his mother, or giving you the white house with the big bay windows, but by giving up his life, honor, and whatever glory is still attached to the name Luke Castellan— it must be worth it as long as you’re living the life you deserve.

Even if it means he’s not part of it, he hopes you’re still searching for him too.

—

In the end, even as he falls to his death, he finds himself calling out to his father for the last time. His plea reaches deaf ears of course—but he isn’t begging anymore. Luke Castellan thanks his father for the first and last time in his life and embraces his losses if it meant that he mattered. If not to the gods, then to his mother. To Annabeth. Thalia, even for a short moment, and you.

Especially to you.

Unwavering and without question, to live to the fullest is to have been by your side walking through the woods of Camp Half-Blood and hearing the sound of your cackles through the air, sending animals scattering from something he said.

Because to be loved despite everything he has done, everything he will do— Luke thinks he must be the luckiest man to have ever lived.

Death blankets the weary traveler, and time is an unflinching hand pulling him through a rip in reality. He’s gone in the blink of an eye, falling in reverse to where he needs to be next.

Somewhere, Atropos raises her scissors away from the indelible strand of his life force as she takes a breath and sits back, her sisters unable to do anything else but watch. This boy was becoming more trouble than what even the gods knew he was worth.

Luke Castellan must be lucky, indeed.

—-

Ding.

450, 451, 452, 453…

A wet cough from a satyr next to you disrupts the silence in the elevator up to Olympus; you give him a sideways glance that makes him shift closer to the door with what you hope is a blush and not a fever. It’s warm and stuffy in this 3x4 crystalline box that shoots towards the heavens, and a bit crowded for a weeknight—though you suppose it is the Winter Solstice.

You haven’t been back here since your ex-boyfriend stole the master bolt.

There’s a moment where you wonder if the Fates have ever found your predicament funny, but then the satyr sneezes with a boom.

537, 538, 539, 540…

It’s almost dusk now as clouds roll through the night sky and into the distance. Frost lines the metal frame of the elevator shaft and if you’re flying at the speed of light, it doesn’t seem to be a problem. But this trip is taking much longer than you thought it would for a decision you made on a whim.

You still have a final to take in the morning, and Annabeth wasn’t answering your calls—then her location on Find My iPhone sprung from San Francisco to the middle of Manhattan from the span of your trip on the Long Island Railroad.

Something was up. The sense of something important trickled down your spine like second nature. Can’t this thing go any faster?

It was second nature for you by now to know when something was up, especially with the trio. You’d always make the time for them. Besides, your life has been a little too quiet lately. Being an adult demigod does that; there’s no monsters that bump in the night anymore, just the ones in your head and the ones that make you take finals three days before Christmas.

…600.

Ding.

Weaving through what seems to be a celebration fit for the gods, your glove-clad hands push through the sea of minor godlings, heroes, and Olympians. Aphrodite sends you a wink that makes you feel hot to the touch before you realize Hestia’s eyes are also on you, the both of them clearly whispering about your treacherous love life. You shove your gloves and scarf into your jacket pocket. Bowing your head lightly in greeting, you keep walking further into the grand hall.

It seemed you were always a hot topic up here on Olympus. Great.

The music is so loud you can feel it in your chest, thumping away to the accelerated beat of your heart and by the time you grab a glass of ambrosia-spiked champagne to help with the lump in your throat, you hear the sound of your name in the midst of all the chaos.

A gentle hand grasps your shoulder then, and it’s Percy Jackson adorning a cup of punch and brand new wispy white tendrils that hang across his face. There’s a story that should follow, but he gapes at you like a fish out of water. Looking up at him (this boy grows like a weed!), both of your confused faces mirror each other as you sidle out words he’s still able to hear over the music, “What’s the celebration for? And why have none of you been answering my calls?”

The son of Poseidon swallows hard, until the smell of salt and sea foam surrounds you and you find yourself staring at the god of the sea himself, standing alongside him. With a smile soft like rippling water, he gently says, “I’ll leave you two to it. And I’ll call your father and stepmother over. Good to see you,” Poseidon says your name as he takes his exit. You hoped it was a good thing then, that he knew you.

Percy wondered why he was always left to make the difficult decisions.

He almost sounds like his father when he speaks, calling for your attention again as he clears his throat.

“Listen, I need to tell you something, and I think we should…”

Shaking your head, your eyes are scanning across the room, meeting Annabeth’s as she drops the hand of the minor god she’s dancing with and makes her way over to you. From the other side of the room, Poseidon pushes your father in your direction as he juggles two golden goblets in each hand, led by his wife as they almost float towards you.

“Whatever it is, spit it out Perce. Your audience is growing by the minute.”

“Hey princess, whatcha doing here? Don’t you have a test tomorrow?” You dad grins, nudging your shoulder and handing you one of the goblets. Ariadne presses a kiss against your temple and you smile, taking a sip before hearing Annabeth’s converse squeak to a stop next to you.

“Someone better tell me what’s going on right now,” your eye twitches and then you see Annabeth’s new strands of silver that frame her face as she grabs your arm and nestles against it.

“I…um…” the sandy-haired boy begins, and then your dad groans and you elbow him hard, wine spilling from his lips as his wife giggles like the sound of tinkling bells and you’re about to strangle the teenager on the marble tile he’s planted on.

“Luke’s…”

“Dead.”

Percy’s worried voice intermingles with a new one you haven’t heard before, like a crackling sound that leaves a metallic taste in your mouth, and then a girl shows her face—black eyeliner and silver jewelry clinking against each other as she looks into your eyes and blue meets purple.

So you start laughing. Cackling even, as your head nods slightly, and after they’ve given you a moment to compose yourself you take a big gulp of the drink in your right hand to then chase it with the one on your left.

“You’ve gotta be kidding me. He’s not dead,” you insist, and everyone looks at you like you’re insane, even your father, the god of insanity himself. Ariadne’s hand caresses the nape of your neck as she whispers, “Maybe we should take a seat outside, darling…”

“No…No! I mean it,” you say almost incredulously, a hiccup slipping past your lips when you take in too much air. “That motherfucker doesn’t have the audacity to die and if he did, I would know.”

“This is how we’re letting you know,” Annie murmurs, before Percy sighs and his shoulders fall heavy with what seems to be the weight of the world, “She’s right. He’s not dead.”

A myriad of responses blur in the space around you, all going hazy as you blink and stay focused on Percy.

“It’d be too easy…” you murmur, nodding again like you’re convincing yourself of the fact. Annabeth rubs circles into your forearm and you realize you haven’t breathed since the daughter of Zeus made her entrance, “I’d know if he was dead.”

Thalia Grace looks you up and down thoughtfully, “So you’re the collateral damage.”

“Thalia!”

Annabeth exclaims, her hand tightening around yours and you know deep down she’s rejoicing at the news of Luke’s survival. But for yourself, you were unsure if you felt the same, almost chuckling at the irony of almost all of Luke’s favorite people in the same room as the gods he swore to overthrow, “That’s me. You were a tree the last time I saw you.”

“That’s me. I kicked him off a cliff, thought it would’ve done the job, but he’s always been too stubborn.”

A smile spreads across both your faces. You think about Luke interrupting your date last month by barging into your apartment and how that was tough enough to explain to your roommate, much less if you tried to tell your parents and best friends in the middle of a Christmas party.

You make the choice to keep Luke’s visits a secret. It doesn’t come as difficult as you thought it would.

Hermes bumps into your little group, eyes focused on his caduceus as it pings with different messages. The rest of you go quiet, mirth dimming despite the smile on the messenger god’s face and the kids take that as their cue to exit.

“What’s happening? A group like this, and with you making an appearance,” he nods in your direction, “Must be something special.” He nudges your dad, and you’ve forgotten that they’ve been best friends for millenia.

“Your kid’s not dead. You’d know that if you were nosy in the right places,” Dionysus says through a gulp of wine, turning and walking away nonchalantly, making you smile. Hermes looks at you with his face a mix of shock and appreciation, though you’ve done nothing to earn it. He follows your father with a gust of wind billowing behind his traveling feet.

Those two are more trouble than you and Luke were.

Biting your cheek, you turn to Ariadne and scoff, “So…. Do you think I should tell my dad that the other campers snuck into the party half an hour ago?”

Your stepmother laughs, her eyes following her love across the ballroom, choosing to let everyone enjoy the Winter Solstice for once.

—

“When does a war end? When can I say your name and have it mean only your name and not what you left behind?” - Ocean Vuong

[zomboys-blog]

i only want you to want me.

summary: clarisse refuses to accept the fact that she likes you until her siblings push her to admit it by setting you up on a date with the one and only percy jackson.

pairings: clarisse la rue x fem aphrodite!reader

spoiler: fluff, semi slow burn?, super cute

•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~

it was around 5pm, clarisse sat at the dining hall scraping away after a massive food fight started by luke, it was punishment for the stunt she had pulled at the capture the flag game today, clarisse thought that getting her spear broken was punishment enough but chiron thought differently.

“need any help?” a voice spoke from behind clarisse, scaring her due to the fact clarisse had no clue there was someone behind her, she quickly turned around only to find possibly the most beautiful women she’s ever seen, clarisse felt a weird sensation in her chest.

“who are you?” clarisse spoke softly for once in her life, almost scared that nothing would come out. Oddly enough she felt weird around this mysterious person almost as if she were in a trance.

“im Y/N, from the aphrodite cabin. You must be clarisse? chiron told me, well forced me actually to come out here and help you.” Y/N? a beautiful name was the only thought going through clarisses mind, the next words that came out of clarisses mouth were hoarse, her mouth felt dry but her hands felt sweaty, she knew what this was, ‘charms speak’ the ability only gained if you were a child of aphrodite.

“what’d you do?” clarisse refused to let this power take hold of her and took slow and calm breaths to ease her racing heart.

“to put it simply some kid ran into me back there and i did kind of use my charms speak to get him to steal from chiron..” this surprised clarisse as you had seemed so innocent but she out of all people knew how looks could deceive.

“well are you just going to stand there or pick up a mop and a bucket?” clarisse spoke harshly as she continued to scrub the food on the walls

•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~

“hey is that clari i see?!” Y/N spoke whole heartedly as she ran up to give clarisse a hug, which she quickly put a stop to.

“first don’t call me that and secondly lower your voice.” clarisse had barked out, you knew clarisse had meant her words with the way she chewed the inside of her cheek, since that day, months ago spent cleaning the mess hall, you and clarisse had spent a lot of time together which lead to a lot of things, one a new found hatred for percy jackson and two a new found crush for the one and only clarisse la rue.

“why, what are we doing?” Y/N spoke in a hasty whisper while looking around childishly.

“i wanted to watch percy jackson practice archery, i’m trying to figure out who his father is. There’s no way someone with hermes as there father could beat a minotaur, it’s either he’s lying! or his father is someone of great power and i want to know who.” clarisse spoke as she walked into the archery practice grounds making eye contact with Y/N taking in all her beautiful features until a wild arrow came flying towards Y/N’s eye.

“holy shit Y/N look out!-“ it was mere seconds before the arrow was inches away from Y/N’s face, clarisse reached a hand out to grab it, but her reaction time wasn’t quick enough.

Y/N shut her eyes as quickly as possible waiting to feel a sharp pain on the side of her face but after a minute of pure deafening silence Y/N opened her eyes to see an arrow inches away from her face and a hand gripping it, holding it in place, immediately Y/N looked over to make sure clarisse was undamaged. Clarisse was perfectly fine except for the scowl plastered on her face as she looked at the person holding the arrow.

You looked up to get a good look at the person and to your surprise it’s percy jackson himself, “percy? how the hell did you do that” Y/N quickly forgot about her hatred toward percy and gave him a firm hug, glad to keep both of her eyes.

clarisse glared at this hug that lasted way to long for her liking, she watched as her enemy and her Y/N got chummy with eachother, she watched until she couldn’t take it anymore and stormed off to her cabin.

Y/N now engulfed in her conversation with percy hadn’t noticed that clarisse left.

•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~

“god clarisse just admit it, no one gets upset that much at their ‘friend’ for talking with their enemy, you obviously have feelings for her.” clarisses sibling spoke, annoyed that clarisse had just talked her ear off for hours on end about your conversation with percy, all her sibling wanted was sleep.

“ugh i don’t fucking like Y/N!” clarisse groaned and threw herself onto her bed, wallowing in self pity, it had been months since you first met clarisse and ever since that day she had done nothing but talk on and on about you and her siblings had ENOUGH. They had to put a stop to this absolute bullshit and they knew just how to do it.

•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~

“listen i’ve liked you for a really long time and i know i haven’t communicated it well but i just want you to know that since the day we met i’ve always had my eye on you”

…

silence filled the room.

“what.” Y/N spoke whilst still in her pajamas as her door was slightly creaked open she had a blank stare while looking at percy jackson.

“just go on a date with me is what i’m asking.” percy sighed and handed her a note.

Y/N read it before doing anything else and immediately said yes upon reading the note. “Just give me an hour or two to get ready”

Y/N welcomed percy into her shared dorm and told him to wait on her bed while she took a shower, soon the water started running and about 20 minutes into her shower there was a knock at the cabin door.

“percy do you mind getting it?” she didn’t hear a response back but did hear the door opening.

“Y/N do you want to come with me to the mess hall for breakfast?” clarisse spoke not making eye contact until she smelt the faint scent of cologne, her eyes darted to the door way as her eyes landed on percy jackson, what the hell was he doing in her Y/N’s dorm?

“oh sorry clarisse she’s in the shower right now.” percy spoke softly. The moment clarisse heard this she almost fucking bursted right there, right before she could start screaming obscenities at him, he shut the door, right in her face. If he wasn’t dead before he surely was now.

percy waited patiently for you to get ready and once you did, you looked like the most beautiful girl in the world, he was very lucky to be taking you on a date, and he had it all planned out too, he was going to take you through the flower fields where a picnic was set up, then hand you over a necklace he had bought you and give you a bouquet of flowers, but of course since he had wronged clarisse in every which way possible this wasn’t going to go as planned.

The walk to the picnic, clarisse followed a few feet behind. As they ate on a picnic blanket, three snakes had came up to them. The necklace percy had bought, stolen. The final straw was when the flowers percy had hand picked all morning were found in the bushes, cut up and tossed. Percy was in fact pissed and knew it was all due to clarisse, he also knew she was watching close by so in an attempt to get back at her he grabbed Y/N by the waste and kissed her passionately.

A loud thud was all that could be heard as percy suffered a blow to the stomach and a firm hand yanked your wrist in the opposite direction towards the cabins.

a part of you was worried for percy but the other was also worried about your own safety as due to the darkness you couldn’t see who had grabbed you.

That was until you were forcefully shoved into a cabin and placed on a bunk bed where the light was then turned on, the tension from your body eased up as you saw the curly hair you grew to love so much.

“clarisse whyd you do that?” Y/N spoke in a sweet tone to tell clarisse she wasn’t mad. Clarisse took a seat next to Y/N on her bed and turned to make eye contact with Y/N

“i know my siblings put percy up to this as a way to get back at me and make me realize i have a crush on you or something, i’m not saying i do have a crush on you but it’s not like i wanted to see you date my enemy especially when your the only person i want to myself, well not in a possessive girlfriends way but also in that way? so i guess i do have a crush on you, all i know is i’m really confused and i want nothing more than for you to kiss me inste-“ clarisse was cut off with a pair of lips smashing against hers.

“better? you were rambling so now it’s my turn, i know that they put percy up to this, it was in a note that percy have to me and i had agreed to go on that date knowing that you’d find out and ruin it, my hope was that you’d come out and confess to me but i didn’t think you’d actually punch percy, i guess it doesn’t matter because that was really hot clari” Y/N smiled.

clarisse felt her face heat up as she chose her next words carefully. “this means we can date now right?” clarisse was surprised she wasn’t stuttering as she really didn’t know how to word this, she hadn’t been all that good at expressing how she felt.

“of course we can clarisse” Y/N gave an innocent look before speaking again. “this also means i can do this”

Y/N leaned in to kiss clarisse again, catching clarisse by surprise and then pulling away only a couple inches so clarisse could speak.

“please do that again”

“i’ll do it as many times as you want pretty girl”

•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~•~

The end yaysysyysysy my hands hurt

bye<3

[cntrlnoah]

Time Out

Summary: In which Clarisse’s tiny girlfriend puts her in time out after learning about what she did to Percy.

Pairing: Clarisse La Rue x smaller!coquette!fem!reader

Warning: Percy nearly drowning, mentions of death, mentions of violence, Aphrodite coded girlfriend, use of pet names (buttercup, princess, doll)

A/N: That middle picture tho!! ik Dior is like only 5’6 but I’m going with the book description of Clarisse so she’s 6’1. Mainly b/c I <3 tall women. Also because it’s funnier to have a giant be scolded by someone more then a feet shorter then her.

Clarisse La Rue…Clarisse La Rue, favorite daughter of Ares, a loose canon, someone not to mess with. She doesn’t listen to anyone and doesn’t care, letting her do whatever she wants. But everyone has a soft spot and hers happens to be her little girlfriend who is marching up to her right now.

“La Rue!” she yelled getting the larger girl attention as she marched. She looked visibly upset and rightfully so. “A word with you” she drags her girlfriend by the arm.

“Woah woah. Calm down buttercup,” Clarisse says before the dragging stopped.

“What’s this that I heard of? You nearly drowning a kid in the bathroom yesterday night?” she looks at her girlfriend. “Is it true” she waits for an answer but Clarisse doesn’t respond.

“Maybe I did. Maybe I didn’t.” Clarisse says with a smirk “Whatta gonna do about it buttercup?”

“Well if what was said was true then I guess I’m going to have to put you in time out” she says.

“Really? Time out princess, I’m not a child. That’s the best you could do? Oh I’m so scared that I will be put in time out” Clarisse says mockingly.

“Fine. You left me no choice… I guess your on a kissing ban for a month” you say as a last resort. You know your Clarisse, she hate rules but she hates it more when she can’t have your affection. From your kisses to your hugs to you latching on her like a koala. She’d always act annoyed when you did PDA but deep down she loves the fluffy cheesy affection you have towards her.

This threat worked as the words you say reach her ears. “WHAT!” she exclaims as she heard that she would not get your kisses for a month for nearly drowning Percy, “You can’t be serious. Doll please you’re not serious are you? I didn’t even hurt him. In fact he hurt me and got me soaked in water.” She tries to flip the switch saying she was the victim in the end, but this doesn’t work on you as you only shook your head.

“So now you’re lying to me. I guess two months it is” you say upping your punishment.

“Oh come on buttercup, we both know you can’t handle two months without showing me some love” Clarisse tries to rebut in order to make you back down. Oh how wrong she was as the next words that came out of your mouth where that you uped it to 3 months. Everyone at camp including Clarisse knew that you were the only one who could make her do something and this made her want to do something for your forgiveness.

“Come on doll, now that’s just cruel. 3 months without your kisses” she pouts. “Well I could remove the ban…” this made her eyes light up as she would do anything for your kisses. “You could go apologize to Percy” you said and she huffed at the statement.

“But I don’t want to” she said all grumpy. “Fine I guess it’s 3 kissless months for Clarisse La Rue…” you said nonchalantly. As Clarisse heard this she quickly changed her mind “I’ll go apologize to Percy.”

“There, now wasn’t that easy?” you said to her as she still looked grumpy and rolled her eyes.

“Yeah yeah” she said all annoyed but she became less annoyed after you tiptoed to kissed her cheek.

“There there. After you apologize to Percy I’ll give you a real kiss” you said and this incentive made Clarisse run to find the little demigod. Because there is nothing in this world Clarisse La Rue loves more than her little girlfriend and making her happy. Even if it means making herself look like a fool or softening her mean girl image for her kisses.

[iwannakisskissyoureyesagain]

more percy jackson headcanons

- there’s a small communal kitchen in the big house. it’s usually used for cabin dinners as a bonding activity, but percy and annabeth like to use it when they visit so they can cook and catch up with their friends

- percy loves to cook and he’s really good at it. sally started teaching him in montauk and now he does it whenever he’s stressed. now he’s teaching annabeth so they can do it together. she’s not as good as him, but she’s a fast learner

- nico and hazel like to watch gravity falls together

- reyna is like a sleeper agent when it comes to makeup. she learned a lot on circe’s island, though she doesn’t wear it a lot herself anymore, now that she’s a hunter. it’s not uncommon to find her and some of the aphrodite girls giving each other makeovers whenever she visits camp

- will and piper are both totally obsessed with short & sweet; his favorites are “slim pickins” (unsurprisingly) and “don’t smile,” and hers are “bed chem” and “please please please”

- will keeps trying to convince nico to dress as sabrina and jenna for halloween with him

- almost everyone who interacts with percy at new rome university ends up falling head-over-heels for him. he has no idea until they tell him, and he kindly has to explain that he has a girlfriend. he’s very flustered and confused every time it happens and immediately iris messages annabeth if she’s not with him. she thinks it’s hilarious every time

- annabeth and her roommate manage to hide a stray dog that annabeth found on the street in their college dorm for a week. annabeth cries when her ra finds and confiscates him, until it turns out that his owners have been putting up missing dog signs around new rome and she just kidnapped some poor family’s dog by accident

- piper dyes her hair cherry-cola-red and makes nico, will, annabeth, and percy help her/hang out in the big house bathroom for hours with her. chiron tries to come in and finds five teenagers sitting around a bathroom that literally looks like a murder scene, piper’s hands and neck and nico’s hands and arms splattered with red dye that will’s trying to scrub off, percy sitting on the toilet seat with his legs crossed and clenched because he’s had to pee for the past thirty minutes and no one would let him, and annabeth actually trying to tackle the dye in and around the sink. chiron made an announcement at breakfast the next morning that the big house bathroom was off-limits for hair dye and anything else that stains

- drew is a dress to impress FIEND

- sally watched the waitress proshot when it was in theaters and sobbed

- annabeth and sally carry around emergency spray bottles of water, partly because demigods are always in danger, but mostly because percy is accident-prone and falls off his skateboard or down the stairs on a daily basis

- sally and paul get annabeth a folklore cardigan for christmas and she sobs

- calypso LOVES ethel cain

- frank teaches hazel and ella about wikipedia. no one sees or hears from either of them for the rest of the day

- will is astounded to learn that nico doesn’t wear his seatbelt

- piper has a hat that says “women want me, fish fear me,” percy has one that says “women want me, fish want me too,” and leo has one that says “fish fear me, me fear women”

- percy and hazel like to sit in the stables and gossip with the pegasi whenever hazel visits chb

- meg has a breakdown when she learns that pigeons are considered feral instead of wild because they were domesticated and then abandoned by humans

- when estelle’s old enough to visit montauk, sally and percy take her, annabeth, and paul out there for a week because sally has never taken paul and percy has been saving annabeth’s first trip for when they can take estelle. percy lets estelle bury his legs in the sand and annabeth sculpts him a mermaid tail

pt. 1

pt. 2

[once-upon-an-animation]

Alright PJO fandom. Let’s clear the air on something real quick.

So if you’ve watched the PJO premiere, I’m sure one of the major changes you noticed was Gabe, and how toned down his behavior is compared to the books. There is also a clear change in the dynamic between Gabe and Sally, with Sally being more assertive and snarky with him.

The fandom seems pretty split on this change. Some people hate it and feel that a dark yet important aspect of the narrative has been lost, some people are neutral about it and are wondering if the whole Poker Player Statue bit is getting removed, and some people welcome this change, saying that Sally is more cool, strong, and badass now, and that showing a woman staying in abusive relationship in hopes of protecting her kid is not okay for current audiences.

To the people who are saying that Sally is more cool, badass, and strong now…

…FUCK YOU.

And here’s why.

I cannot even begin to describe how awful and disgusting it is to imply that book-Sally was weaker, less cool, and less strong because she struggled to stand up to her abuser, struggled to balance the need to leave an abusive relationship and the desire to protect her kid, and found herself making difficult choices in an abusive household. I am baffled that people think that this is an okay thing to say in the year of 2023, going on to 2024.

Are all of you shitting me right now? Are you seriously fixing your fingers to imply that book-Sally is inferior to show-Sally because her story reflects an ugly truth about how hard it is for mothers to stand up to their abusers while trying to look out for their children? Are you all fucking joking?

I have never felt so angry to see so many people diminish what book-Sally went through, and claim that it would be bad to depict something like that on TV. I know what Sally goes through is triggering and not fun to watch, but it is the very fact that her story reflects an ugly truth about what many wives go through that I think her struggle with an abusive husband is so fucking important!

Yes, we don’t want to encourage victims to stay in abusive relationships. Yes, we don’t want to make women feel like the only way to be a good, loving mother is to endure bad situations for your kids. Yes, we want to make it clear to mothers that they, under no circumstances, are obligated to endure an abuser. HOWEVER, the ugly and unfortunate reality is that many mothers have such a strong desire to protect their kids that they will find themselves making this unfortunate choice, and that is not a truth we should shy away from. A depiction of difficult choices that victims feel like they have to make is not necessarily an endorsement of that choice, but rather, a realistic reflection of what people go through.

And I will be DAMNED if I sit here quietly and watch so many of you tread into victim-blamey territory, or imply that book-Sally is somehow inferior because she struggled with the courage to leave and accept the risk of Percy not having Gabe’s protective smell. I literally saw a comment on Reddit where someone was trying to defend the change, and they typed out the sentence “You know what’s not badass? Staying in an abusive relationship.”

As if most abuse victims have the full freedom, resources, and support to just pick up and leave whenever. As if every choice that an abuse victim makes isn’t being made in the context of danger, pressure, stress, anxiety, depression, fatigue, and so much more. As if an abused woman’s top priority should be to look “badass” instead of trying to take care of herself.

I am a proud Book-Sally defender, and I will happily fight anyone who dares to imply she isn’t as strong or badass as show-Sally because standing up to her abuser wasn’t easy for her. I am extremely disappointed in this fandom for this ugly language regarding book-Sally in comparison to show-Sally.

And quite frankly? All of you can kiss my ass.