#let her fight some people
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fayzday · 10 months ago
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Sabine, after she's found by Fenn Rau's crew on Concord Dawn
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idolomantises · 6 months ago
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Rewatching Adventure Time, I can't help but think so much Princess Bubblegum discourse would be non-existent if people actually watched the show to completion instead of randomly hyperfocusing on some of PB's bad deeds.
There's a very bizarre and commonly held belief that Princess Bubblegum did terrible things and got away with it, that nobody held her accountable. When the show makes a point, repeatedly, that Princess Bubblegum is well meaning but deeply flawed, and to some characters, straight up evil.
I see fans point to "The Cooler" a lot as proof that PB is an irredeemable character, and while it is her worst act in the entire show.... I think people forgot that that was the point. Near the end of the episode she stops spying on people in Ooo because it was an invasion of privacy. In another episode she's called out for exploiting some aliens and lets them go. She feels ashamed that her own people are terrified of her. She loses her entire kingdom, and realizes she needs to get her shit together.
I'm pretty critical of shows that are way too lenient on flawed female characters but Princess Bubblegum isn't one of them. She's awesome, and heavily misunderstood.
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turtledotjpeg · 5 months ago
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girls who go 🧍
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kacievvbbbb · 9 days ago
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Just one of the many great tragedies of Mishanks' relationship is that sometimes Shanks wants to feel wanted just as he is, that even beyond the strength he is worth the effort he is worth being loved and unfortunately that just isn't something Mihawk can over him it's just not something he can do, not as he is now at least. That's a level of emotional maturity that he just does not possess to be able to disentangle the strength from the man that makes no sense to him. Strength is all there is. Shanks is a person, has a life outside of his strength, his power is just another aspect of who he is but for Mihawk strength is his whole person, if he is not strong then he is nothing. If shanks is not strong well then....he's nothing to him.
And God that's a lonely way to live.
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shorthaltsjester · 1 year ago
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free my complex female character, she did the same thing as complex male characters but the fandom takes Any analysis of her actions/choices/motivations that doesn’t strip her of all of her agency in bad faith and claims that only misogynists would dare to critique the things that they’ve noticed in her character because she’s a woman, completely ignoring the over-presence of discourse about similarly traited male characters in their fandom.
#exhausted by people categorizing CRITIQUE. not even genuine hate just literally basic analysis of imogen’s character#as a) hate at all but b) misogynistic simply because… they assume the person like caleb and percy uncritically like#i love imogen and i love her because she’s riddled with complexity that gives reason for her to be unlikeable#the shit ashton says makes me want to tear out my hair and i could write analysis on why but they’re still one of my favourite characters#i enjoy caleb but watching him infuriated me because of his self interest which is a coherent trait of his but is a tiring one#similarly with percy of love his pretentious Smartest In The Room shit but sometimes it meant he treated others more poorly than necessary#but i’m not unpacking all of that just so i have some fandom mandated right to say that i think there’s an aspect of a female character#that is imperfect in the human sense#because like. i will continue to call imogen’s self interested until the world burns and the moon shatters. because she is.#the only reason her choice to do good is compelling at all is because the choice to do otherwise is so tangible#it isn’t a Mistake or Fault that she’s self interested. it’s by design#like. she reaches towards the storm in curiosity in her sleep. but then she fights back when she’s awake#that’s it#that’s the dynamic. that’s what’s compelling#but no ur right fandom. let’s instead all agree that imogen is actually just intrinsically good#and take away all agency and complexity and humanity from her#and instead slap a sticker of Morally Good and enjoy the caricature of her where she’s made to fit into the imagine of#the latest aesthetic ad for diarrhoea medication#imogen temult#critical role#inspired as always by dumbass twitter posts that i’m subjected to because of school n work#the worst part is i do like the laudna n imogen dynamic in the stagnancy where it is but so much of that fandom is so clear in their erosion#of both characters actuality to suit the picture of Ship Tropes#like fuckin. so much of imogen’s fanart in imodna making her fat which as a fat person great love to see it#not so much when it’s clearly to make her short n stout against laundas tall n lanky.#anyway
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greenerteacups · 3 months ago
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oooh please someday tell us what you think of GOT
oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.
SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)
so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!
so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.
the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!
now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.
here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.
but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.
so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.
anyway, that's what I think went wrong with game of thrones.
#using the tags as a footnote system here but in order:#1. quentin MAY not be dead according to some theories but in the text he is a charred corpse#2. arianne is great and i love her but to be honest. my girl is kinda dumb. just 2 b real.#3. faegon is totally a blackfyre i think it's so obvious it may well be text at this point#it's almost r+l = j level man like it's kind of just reading comprehension at this point#4. relatedly there are some characters i think GRRM has endings picked out for and some i think he specifically does NOT#i think stannis melisandre jon and daenerys all will end up the same. jon and dany war crimes => murder/banishment arc is just classic GRRM#but i think jon's reasoning will be different and it'll be better-written.#im sorry but babygirl shireen IS getting flambeed. in response stannis will commit epic battle suicide killing all boltons i hope#brienne will live but in some tragic 'stay awhile horatio' capacity. likely she will try to die defending her liege and fail#faegon will die there's zero chance blackfyres win ever#now jaime/cersei I do NOT think he knows. my brothers in christ i don't think this motherfucker knows who the valonqar is!!#same with tyrion i think that the author in GRRM wants to do a nasty corruption arc + kill him off but the person in him loves him too much#sansa i have no goddamn idea what's going to happen. we just don't know enough about the northern conspiracy to tell#w/ arya i think he has... ideas. i don't think she's going to sail off to Explore i am almost certain that the show doing that was a cover#because the actual idea he gave them was unsavory or nonviable for some reason. bc like.#why would arya leave bran and jon and sansa? the family she's just spent her whole life fighting to come back to and avenge?#this is suspicious this does not feel like arya this does not feel right#bran will not be king or if he is it'll be in a VERY different way not the dumbfuck 'let's vote' bullshit#i personally think bran is going to go full corruption arc and become possessed by the 3 eyed raven. but that could be a pipe dream#the thing is he's way too OP in the show so the books have to nerf him and i think GRRM is still trying to work out#a way to actually do that.#i don't think he told them what happened with littlefinger or sansa. i think sansa's story is vaguely similar#(stark restoration through the female line etc)#but the queen in the north shit is way too contrived frankly. and selfishly i hope she gets something different#being a monarch in ASOIAF is not a happy ending. we know this from the moment we meet robert baratheon in AGOT#and we learn exactly what GRRM thinks of the people who 'win' these endless wars of succession#and they are not heroes#they are not celebrated#and they are neither safe nor happy
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bestworstcase · 2 months ago
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your point about team rwby being the maidens’ liberators made me think - do you think blake is going to have a special connection to the summer maiden? I noticed that she’s the only one who hasn’t been close to a maiden yet
i think gillian asturias is the summer maiden (and this post is hysterical in hindsight. at the time i wrote it, the full-length v9 epilogue hadn’t been released yet so we’d only seen qrow’s section and about half of winter’s – hence my pausing to lay out the argument for salem going to vale next and making a pretense of hedging my bets on the crown being narratively central in v10. lol)
now! with regard to blake and the summer maiden, the common thinking here seems to mostly run along the lines of “…and that’s why summer maiden ilia,” or the more general speculation that the summer maiden will be a faunus character.
to this i say:
it’s a fallacy to conflate “blake will probably have a strong narrative connection to the summer maiden” with “the summer maiden necessarily is or will be blake’s old friend,” and the argument for ilia being due for maidenhood is quite thin otherwise, and
blake can and does have important narrative connections to characters who aren’t faunus, and it’s a weird to presume that in order for the summer maiden to have a meaningful tie to blake, she must be a faunus herself.
to expand on that first point, let’s consider the personal relationships between each of the maidens so far and ruby / weiss / yang:
pyrrha -> ruby’s friend
cinder -> ruby’s personal enemy
raven -> yang’s estranged mother
penny -> ruby’s friend
winter -> weiss’s beloved sister
the takeaway here – other than that if you’re ruby’s friend and someone offers you to become a maiden you should refuse – is half the relations between maidens and members of team rwby are antagonistic. (raven seems likely to at least try making amends with yang in v10, but as it stands in the narrative right now things between them are very fraught.)
it is just as likely that blake’s narrative connection to the summer maiden might develop through a personal conflict between them, rather than friendship. yes?
and, if i’m right about gill being the summer maiden, well—stop me if you’ve heard this one: a girl with a driving, passionate ambition to uplift her people from the ashes of centuries of conquest and subjugation is radicalized by a boy she loves who pulls them both deeper and deeper into violent, spiteful extremism that ultimately harms the very people they claim to fight for, until he finally crosses a line she can’t accept and she says no i will not.
that’s blake and adam but it’s also gillian and her brother. the difference between them is that blake’s red line was adam glibly revealing that the train heist was actually intended to be a massacre whereas gillian’s was jax stating his intention to commit suicide rather than retreat and live to fight another day; she helped yatsu subdue him specifically to save jax’s life, not because she had a crisis of conscience about their movement.
(there is a certain—really irritating—contingent of CFVY novel readers who project their own dislike of jax onto gill and insist that she turned against him because he demanded she ‘sacrifice her life’ to save him, which 1. he didn’t, he asked her to give him all her aura and then bodily shielded her because he’s physically bigger than she is so this was at worst a “if we’re going down together, i’ll make them go through me first,” 2. if gill only wanted to save her own neck all she had to do was rip her aura out of him and bounce, and 3. she explicitly says that the reason she did what she did is because he’s her brother, she loves him, and she couldn’t let him die.)
the point being, gill is still a radical; her soft betrayal of jax revealed her priorities in that she loves her brother more than The Cause, but in no way did it represent a break from her belief in the cause. if the epilogue is any indication, she’s just as committed to overthrowing shade academy as before. (and i think there’s a real chance that her actions will have improved her relationship with jax to some degree, because he believed she didn’t care about him at all! he thought she only stuck with him because his semblance compelled her to do so! and then gillian exploded his mind by revealing that his semblance straight up doesn’t work on her and she just loves him. which, if the twins are on the same page now, cuts down on the internal tension and likely makes them more dangerous adversaries to the coalition.)
but her history, the way she became like this, is eerily similar to blake’s radicalization in the white fang, and i think blake would certainly be able to piece that together. she’s also by far the member of team rwby i would say is most likely to recognize and relate to the genuine pain at the heart of the crown’s movement—vacuo has suffered.
vacuo wasn’t even a state until the end of the great war. it was a mistrali territory. its people were enslaved and worked to death in a systematic and horrifyingly effective project to extract every last speck of valuable resources from the region, and then even statehood was a slap in the face because they were left to fend for themselves in a barren wasteland whose ecosystem had been completely and utterly destroyed.
the crown is a mirror held up to the white fang; blake is insightful and empathetic enough to realize these similarities and see herself and her past mistakes reflected in gillian, but this time she’s an outsider to the movement—she can’t effect change from within or reclaim the true, important work from the vengeful extremists. so she’s limited in what she can do, practically, even as it’s going to be painfully clear to her that the crown is falling into the same trap adam did.
and at the same time, the new white fang will in all likelihood either be in vacuo or show up to join the coalition in v10, so blake’s part in her own movement, her place in her community, can be directly juxtaposed with her opposition to/empathy for the crown.
v9 sets up for this with blake’s advocacy for the afterans—v7-8 do as well to a lesser extent, because blake is still dealing with the personal fallout of v4-6 and thus is quieter about mantle than say, nora is, but like. blake draws a comparison between her experiences in the white fang and with adam and the moral compromises ironwood starts making after the election. it just seems… pretty clear to me that the narrative has been setting up blake to play a pivotal role in relation to the crown since at least v4 if not earlier, depending on how granular the vacuo outline was during v1-3.
so this is a narrative connection i very much expect blake to have with gillian regardless, but… if gill is the maiden…
well, she’s certainly not trapped inside ozpin’s vault/key maiden paradigm! so in that case what does it look like for a member of team rwby to fulfill this narrative role of liberation? probably something like de-radicalizing her and her brother by convincing them there is a better way forward than their divisive, violent, paranoid ideology. and blake is unquestionably the member of team rwby best equipped to get the ball rolling there.
further, blake’s semblance is a really strong counter to gill’s – that’s true of ruby and weiss as well, because gillian has to touch a person in order to steal aura and so agile, fast opponents are going to be tougher for her in general. but blake has two more things going for her beyond the basic mobility advantage, vis-a-vis making it personal:
the illusionary aspect of blake’s semblance will allow her to create decoys, which is a very powerful tactical advantage against an opponent who really wants to grab her, and
blake’s girlfriend is a hand-to-hand fighter, and an incredibly brave one with an intense protective instinct at that.
clears throat. we all remember yang getting possessed in rwby x jl part 2, yes? and blake clocking it instantly? well.
if blake and gillian are meant to be not just foils but personal adversaries in the vein of ruby and cinder—yang’s gonna get got. agile though she is, as a hand-to-hand combatant yang is unavoidably much more vulnerable to the twins’ contact-based semblances than the rest of her team, her personality will make it very hard for her to play it safe and stay back if it comes to an open fight, and there is nothing the narrative could do to lock in that personal enmity that would be punchier than yang being compromised.
even if gill as a personal adversary to blake isn’t in the cards i expect yang to get got anyway because, let’s be honest: do we really expect crwby to set themselves up with a golden opportunity to do a climactic love-overcomes-mind-control scene with the bees in v10 and then not take it? with how nuts the entire creative team goes for these two? after the climactic battle in ice queendom hingeing on yang being able to free blake from a nightmare with the mere lesser power of unrealized lesbianism? do we reeeally believe they would pass that up? lol.
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loptrcoptr · 8 months ago
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The blue eye samurai fandom, for some reason
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dailykugisaki · 8 months ago
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Day 159 | id in alt
Long overdue feast.
(Bears have absolutely no care if their prey is still alive whilst they eat, but they have a tendency to crush the lungs and bones of their prey while they're alive.)
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daeneryseastar · 9 months ago
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“alicent making homophobic remarks the night of laena’s funeral isn’t cool considering laenor was shown to be heavily grieving his sister and didn’t deserve to be attacked during it (not to mention it was an obvious ploy on alicent’s part to divert attention from her committing literal treason).”
“b-bUT WHAT ABOUT DAEMON AND RHAENYRA FUCKING-“
i’m not gonna lie i don’t particularly care that they had sex that night. was it disrespectful? for sure. did it harm anyone for them to do it? it, in fact, did not. two consenting adults having sex away from prying eyes and keeping to themselves < an entitled boy purposely calling a girl at her mother’s funeral (whom he had never interacted with before) a pig and ridiculing her grief. laena’s storyline was cut short because the writers decided she wasn’t important enough to make into a proper character that isn’t at the mercy of other characters (it’s something i’m forever going to be salty about, daemon and rhaenyra loved her with all their hearts and were absolutely devastated when she passed) but out of those two scenarios who do you think she would be more upset with?
the people who bring this up in retaliation cannot handle alicent taking any criticism whatsoever. in all honesty i wouldn’t even care if her fans would just say ‘yeah, it was shitty. don’t really care though.’ it would at least save me the time of reading think piece after think piece on why alicent deserved to get her lick back against rhaenyra for her lot in life (caused by otto and viserys) by focusing on her pain rather than her son’s. these are the same people who try to claim that most of rhaenyra’s children and step children secretly hate her, due to wanting ‘complex and nuanced relationships’ to occur (they actually also can’t handle that rhaenyra was a great mom all around to all of her kids, and that maybe they need to be focusing those feelings on the green kids with their parents instead). let’s be serious for just one moment: it makes more sense that the children who were neglected by one parent and abused by the other having complicated familial feelings than children who were (for the most part) raised in a relatively stable and loving environment.
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mc-critical · 15 days ago
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1.06 / 2.09 (33)
#the way they both cling to their families while in distress#their families are their most cherished people that they somehow can't reach#Hürrem has literally lost them long ago#while Ibrahim has reunited with them and has placed them close to him due to his own love for them and his position in the castle#but it's precisely that same position that distances him from them and *will* distance him from them even *more* down the line#the reactions here also reveal how Hürrem and Ibrahim view death#Hürrem embraces it because she's lost so much already#they always want to separate her from the family she has and the family she's built in some way#and it's like they succeeded here - it has already happened - she's taken from Süleiman the only other person she could latch onto and from#her child she was going to have from SS that would show that she was actually going to keep on that she can't be separated from her family#*this time* not so easily but it's over it's done it seems so let her go to her mother and father at least let her return to them#let her reunite with them that's all she can have after she's already dead#after she's failed and the evil in the palace has seemingly taken over - in her E01 dream it was *they* who made her push forward#in order to commemorate them in the first place; she doesn't mention her sister tho even though she was there in the dream too#and I think that's because at this point Hürrem searches for protection for *help* and her parental figures can provide that to her#more than anyone else; namely they guided her in her dream mainly her mother so she goes first#it all also goes to show how her latching onto SS is a gradual process as she calls him only later#Ibrahim clings to life as embracing death would indeed mean losing absolutely everything completely#*fully* separating from his family he returned to found and reunited with after he wasn't sure about whether it's even possible#and what's more he has both his past and current family in front of him in the present; he can't let that go he *won't* let that go#so he urges his father and Niko not to leave him as in not to let him give up to help him in the fight he thinks he can still win#but he doesn't mention his mother namely because she isn't there in that picture she's fully gone and already symbolizes#a more distant past that wounds Ibrahim too much and he comes to want to evade as this ep is soon after#his scandal with Hatice; no wonder she appears in E44 and urges him to go home thus to go back as he wants to move on so badly#more subconsciously than even the usual#magnificent century#muhteşem yüzyıl#muhtesem yuzyil#hurrem sultan#ibrahim pasha
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jonathanbyersphd · 1 month ago
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Nancy should've gotten to break more laws in s4
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funeralprocessor · 2 months ago
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I feel like the existence of the skirmishers (and everything from Chimera Squad) make XCOM come across as massive pricks wrt the aliens. Like the game goes out of its way to dehumanize the aliens (exclusively referring to them as it, saying their all brainwashed and mind controlled, etc) but then turn around and have ex-Advent be people who were at least aware during their time as drones, vipers and sectoids and mutons being obviously sentient and having their own culture, hell, the Ethereals are clearly people too. And then Chimera Squad shows us a future where they're actually treated as such and nobody makes as big a deal about it as I think they should.
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n0bluev · 4 months ago
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@fushiglow hmm….wonder who i’d draw this for all of a sudden and why… 🤔🤔
#your reblog surprised me#THREE BUNS SUGURU (STAR WARS ER JUST FOR YOU!)#theyre covering riko or smt and smuggling her places (??)#drawing this i was like ‘oh suguru’s curses in a star wars environment should be robots and stuff#so this suguru is a mecanic (he makes them from scrappy parts people have thrown out#and trash materials (and hard work 😎)#diy pokemon#because what is the cursed energy people are letting out if not junk theyre letting go of#so yeah ; basic geto takes shit and turns it useful#i do realise thats already very generic for star wars (junk robots junk robots!) but like. yknow. this guy takes shit people wouldnt bother#trying to sell. miam. junk of the junk. geto my favourite recycling bin you were designed for a luxurious lifestyle clearly (gege not me!)#(and stuff…………. but im lazy to put my vision in words rn hah..)#gojo’s probably a princess#(let’s not lie. hes basically a prince already (clan heir is a different look on him))#this made me want to write ?.??#problem is i dont remember much about star wars (watched it as a kid (we have the cds) appart from the very basic storyline… i forgot 😔#then theres the jawa’s first appearance cuz for some reason they scared me and i am marked for life (THEYRE JUST SILLY LITTLE GUYS 😭😭))#thankfully i lowkey want to rewatch everything so these issues can be fixed#(unthankfully either way the chance of me writing anything is very slim BUT WE NEVER KNOW RIGHT)#(hashtag diverging your attention from that other older post is it working /j/j)#omg glo ​i still didnt read balance (i think of it from time to time but im intimidated to read it because i know its right up my alley and#that i will love it and lately idk why but i need to ready myself emotionally to read peak fiction (this is so dumb but its true 😭😭))#my bad im rambling lol#WAIT FUCK SAME THING FOR BUNNY’S RECENT THINGY THAT GOT IN MY AO3 UPDATE MAIL#A LOVE STORY TOLD THROUGH THE LENS OF A THIRD PARTY MY BELOVED#(itsg ive searchef for these types of stories in advanced search before#AND NOW THAT I HAVE SOME BY AUTHORS I ALREADY ADORE .. IM- I SEE THEM BUT. THEIR CONTENTS STAY A MYSTERY. IS THIS MY BODY SUBCONSCIOUSLY FI#FIGHTING THE TEAR LOSS I WOULD GET??? IS THIS MFING [BALLING-MY-EYES-OUT] PREVENTION !? WITHOUT MY PERMISSION..!? TCH!)#my bad. ramble again o7 — see ya glo !#wip
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imidori-ya · 8 months ago
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Been thinking about Nico Robin again (when am I not tbh) and I don’t think Oda is using her to her full fucked up body horror potential. This woman can spawn any body part from anywhere. Show me bone swords! Have her line her arms in teeth like a goddamn leiomano! I want to see her trap people in literal rib cages! I’m begging you, Oda. Robin is a body horror queen she deserves better. Junji Ito would know what to do with her.
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pennedinblood · 2 months ago
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as of ten minutes ago we are officially Jobless™️. my sign to retire early and devote the remainder of my existence to writing toxic old man yaoi
#pennforyourthoughts#personal#someone rb this with silly tags i feel it deserves some levity#warning: novel-length tags lmfao#THEY TOLD ME TODAY MY LAST DAY IS FRIDAY? that's only two whole workdays for me HELLO??#knew it was coming bc they let my friend go two weeks ago and he had more seniority than me but jfc#at least let me ride out the contract till november. WHY. i JUST went back to uni i need money goddamn it#full disclosure tho i haven't been able to stop laughing bc so much of the surrounding circumstances are insanely funny to me#1) i was LITERALLY at a job fair yesterday and I almost considered not going bc I was so damn tired#surprisingly made some really great connections so ty universe now i have people to poke in the coming months#2) i switched from part time to ft course load at the last second and have been regretting it ever since but if im to be unemployed then#MAYBE now I can actually handle the uni workload :D#3) when my boss called me she asked how ive been and i told her i was sooo sick last week and got into a car accident#that same day omw back from uni (universal karma for skipping class for my health ig)#THE WAY SHE PAUSED ON CALL IS SO FUNNY IN RETROSPECT. was prolly thinking fuck. now i have to add to this#she literally went “omg im so sorry...anyways i have bad news”#im not even lying when i say i was GIGGLING through that whole call she was so concerned#love her bc she genuinely tried to fight for me and is the reason i wasn't let go two weeks ago but man. the timing is impeccable#also don't think i get any unemployment benefits bc i was temp contract and my situation as a whole is a bit complicated so YAY :DDD#the way i ran to my bestie to spill the tea & we're over here like 🤝 fired buddies 🤝 time to speed run job interviews while juggling uni
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