#lestat i love you

[prouvaireafterdark]

listen I know it's heartbreaking that Claudia dies and it's understandable to wish she didn't, but let's please not accuse the writers of fridging her. to do so is a fundamental misunderstanding of the story and is frankly insulting to the intelligence and skill of the writers of the show.

Claudia's death, and the overwhelming grief and regret her parents experience because of it, is quite literally the point of the entire story. she dies because Anne's daughter Michele died of leukemia when she was five years old and there was nothing she or her husband could do to prevent it.

writing IWTV was how Anne coped with the unimaginable loss of a parent losing her child. she created a story about a little girl that could not die and then killed her anyway. Claudia's death is a senseless, unavoidable tragedy, just like Michele's was. the grief that haunts Louis and Lestat for the rest of their lives is the same grief that haunted Anne and her husband.

so when you're accusing people of killing Claudia off to benefit a story about two men, please remember that in real life sometimes parents lose their children. please remember Michele Rice.

she's the reason Claudia exists.

she's also the reason Claudia cannot be saved.

[northseas]

sitting outside at a cafe drinking my coffee looking all “that girl” high literature-ing but little do they know the booking a pulpy silly vampire book

[petrowriting]

the revelation that claudia’s rebirth was such a twisted and horrible moment, with louis dragging her like she was a thing, a stranger who neither of them knew but he kept saying over and over “our daughter, our beautiful little daughter” to lestat, really solidified the way she was never the main character of her own story. she was always an accessory to some or the other of louis’ whims: his guilt, his loneliness, his conflict of being a killer, his rocky relationship with lestat. there was love there, love from both her fathers, but it was never enough. lestat saw her too much as a wretched mirror held up to his own self, and louis was always too steeped in his own feelings to care enough about hers. claudia’s story truly was the greatest tragedy in this tale, treated horribly by every man around her, even her fathers, relentlessly exploited and brutally ignored, always second and never first. the only one who loved her the way she deserved to be loved was madeleine, and the moment she truly had her, her happiness was torn from her. and just before she died, she got to see someone actually choose her in her entirety, not for what she can be but for who she is, and it still wasn’t enough. she still burned alive in the sunlight. the love was there, but it wasn’t enough to save her.

[tuserlivia]

“Listen to me. And listen very carefully, my infant death. It was never you.”

[lizardkingeliot]

That can’t be all there is.

[platoapproved]

armand + laws, customs, & rituals

[shelfperson]

okay but WHYYY is no one talking about louis and daniel WHYYYYYYYYYY is no one talking about the greatest grandpa4grandpa relationship known to man and i don’t even mean romantically i mean in the most basic human platonic level their relationship is FASCINATING.

like louis SAUGHT HIM OUT after FIFTY YEARS he FOUND HIS BOY, this horrible infant who DID NOT UNDERSTAND A THING HE TOLD HIM, who saw his raw, decades-old pain and wanted in on it, AND HE GOES BACK FOR HIM BECAUSE HE KNOWS HE’S CHANGED. he can understand now. he can help him find the truth.

and like, they’re both absolutely terrified by each other because they’re both uniquely skilled at getting under each other’s skin and finding that truth (and also because… louis could just up and eat daniel anytime but shhhh…) and it’s because they UNDERSTAND EACH OTHER. louis’s interviewing daniel as much as daniel’s interviewing him, just. pulling teeth from each other’s head, trying to pull out all the rot with such violence and cruelty (from both of them!! daniel is a cockwallop!!) but they want to help each other they CARE ABOUT EACH OTHER.

LIKE THIS????

THIS FUCKING SHIT?????

GAGGED ME. RUINED ME. I HAD TO STOP AND TAKE A WALK AROUND THE ROOM.

(the gifs are from @loumands account btw. great work my guy)

[creativelycomplex]

Beautiful works of art, and some paintings too

[in-a-continuous-daydream]

I can’t get over Armand asking, in all seriousness , to the boy he is torturing, if he thinks he is boring, with this face 😔

Like, dude, my guy, why are you telling a random man who met your boyfriend ten hours ago, while high, that said boyfriend finds you boring and then proceed to ask him, this poor man who has no idea who you are, if he finds you boring

[aquarines]

lestat saying that he broke a vampiric law so he should be punished as well

[wlwarhammer]

[moonyackertarg]

oh wow

thanks to @weather-mood, we discovered Interview With the Vampire Season 2 Soundtrack which is yet to be released! The tracklist contains major spoilers so beware! The tracklist details and short samples for free listening is at the end of this post

Imagine Never Being Able To Dream

2. She Could Dream, Thank You

(Synchron Stage Orchestra, Bernhard Melbye Voss)

3. The Whole World Was Ready To Return

(Synchron Stage Orchestra, Bernhard Melbye Voss)

4. Paris Sucks

(Daniel Hart, Evan Smith, Synchron Stage Orchestra, Bernhard Melbye Voss)

5. Who Are The Young Men

(Daniel Hart, Evan Smith, Marc Osterer, Synchron Stage Orchestra, Bernhard Melbye Voss)

6. Armand For You

(Synchron Stage Orchestra, Bernhard Melbye Voss)

7. Raglan James

(Daniel Hart, Damir Orascanin, Synchron Stage Orchestra, Bernhard Melbye Voss)

8. The Fourth Great Law

(Synchron Stage Orchestra, Bernhard Melbye Voss)

9. A Vein Winding Through The Heart Of Paris

(Daniel Hart, Veronika Vitazkova, Anna Frisanova, Synchron Stage Orchestra, Bernhard Melbye Voss)

10. I Don't Like Windows When They're Closed

(Daniel Hart, Alina Cherone, Synchron Stage Orchestra, Bernhard Melbye Voss)

11. Amadeo

(Daniel Hart, Eleanor Tinlin)

12. Madeleine

(Shruti Kumar, Synchron Stage Orchestra, Bernhard Melbye Voss)

13. Abducted

(Synchron Stage Orchestra, Bernhard Melbye Voss)

14. Take As Many With Me As I Could

(Daniel Hart, Bobak Lotfipour, Synchron Stage Orchestra, Bernhard Melbye Voss)

15. Hello Francis, Goodbye Francis

(Daniel Hart, Evan Smith, Synchron Stage Orchestra, Bernhard Melbye Voss)

16. First Time In New Orleans

(Shruti Kumar, Synchron Stage Orchestra, Bernhard Melbye Voss

17. I Didn't Know It Was A Gift

(Synchron Stage Orchestra, Bernhard Melbye Voss)

18. Ladies And Gentlemen

(Daniel Hart, Bobak Lotfipour, Hideaki Aomori)

19. Jardin De Satan

(Daniel Hart, Hideaki Aomori)

20. Come To Me Again

(Daniel Hart, Sam Reid)

21. Annika

(Daniel Hart, Iosua Dascal, Damir Orascanin, Synchron Stage Orchestra, Bernhard Melbye Voss)

22. Le Bucheron

(Daniel Hart, Damir Orascanin, Synchron Stage Orchestra, Bernhard Melbye Voss)

23. Flirty Salesman Shuffle

(Daniel Hart, Bobak Lotfipour, Evan Smith)

24. Woodcutter

25. The Five Great Laws

26. Baby Lu

(Synchron Stage Orchestra, Bernhard Melbye Voss)

27. Je N'Aime Pas Fenêtres Quand Fermée

(Daniel Hart, Alina Cherone)

28. For A Young Violinist Again

29. Love Wronged

30. In Nomine Magni

31. Followed Closely By My Madness

(Synchron Stage Orchestra, Bernhard Melbye Voss)

32. Vien À Moi Encore

(Synchron Stage Orchestra, Bernhard Melbye Voss)

33. Come To Me On Rue Royale

Soundtrack details and samples: https://www.prestomusic.com/classical/products/9625720--interview-with-the-vampire-season-2-original-television-series-soundtrack

[superkitty21]

Anne Rice will write the most loving, nuanced, sympathetic portrayal of a complex messy character and you'll find out she hated them. Like what the hell.

[moonlight-nat]

“I couldn’t persuade him to return my affections. I couldn’t force him to love me.” oh……

[seancefemme]

would you tell me if you want me, cause I can’t move until you show me

[lizardkingeliot]

You're not here, I'm just fucked in the head. Quite fucked.