#less character analysis more. character speculation and possibility

[sideblogdotjpeg]

also also also. i dont know if this is ever gonna get really explicitly explored in the show. but.

like. theyve talked pretty minimally i think? about jovyres motivations as an antagonist. and while the main explanation they have gg on right now is the general "power corrupts universally" i also think. with how prominent this theme of sibling conflict has been ....

jovyre is cirillas younger sister. because of this, while cirilla gets to be the queen of the summer court, jovyre is relegated to being the princess of the "lesser" autumn court. an arbitrarily lower status. she had to use magic & trickery in lieu of cirillas' power and armies. her sister got to be a fairytale princess while she was the pragmatic ruler, with a chip on her shoulder. she has to get her hands dirty, "not all of us can be perfect can we". in spite of this, she was the one who stayed in command while her sister had fallen into her own despair. she negotiated her way into the unseelie crown. why should she have to be the one bending the knee to her sister. "i dont believe any of us should be limited by how we were born.... i only want to be her equal".

so its like. even though we havent met her yet. jovyres rise to power was explicitly via the death of the previous unseelie queen. of course she would be paranoid and defensive of her title. and while jovyre is plotting and planning and carefully amassing the army that she had to build herself to defend the crown she had to earn herself. her sister is in the columns of milfred murmurs and partying, all with the crown that she would have lost if not for her. "well some of us value beauty more than others". jovyres second offer to the band of boobs, "the more pragmatic approach", was to kill queen cirilla and bind her followers to someone else (someone more worthy, someone more fit to rule). at the time, jovyre admits that she would rather not take that option, "i dont wish for any harm to come to her". in the intervening 200 years. how many times did she wonder if she had made the right decision then. shes certainly changed her mind now

(and a minor thing ... because i admittedly might have misremembered. while talking to the band of boobs, she tells them that she wants to unite the seelie & unseelie courts. wouldnt it be nice for unseelie to get to experience spring and summer too? if im not wrong ...... the unseelie courts still only experience dusk and night? i might have totally misremembred this BUT if its true . then queen cirilla was also not as easy to negotiate with as jovyre expected)

anyway! all that to say is. given how this campaign has explored sibling relationships that are based around feelings of inadequacy & insecurity against a perfect older sibling. the way that leads to competition and jealousy, the desperate urge to prove that actually i AM better than my sister and im soo going to rub this into her face! well! maybe the story of jovyre and cirilla is not just entirely "power corrupts" and more also about the. "200 years of growing resentment and jealousy that has clouded all my love and protectiveness towards you into hatred, and envy, and havoc". on parallel planes, callie and cyra forgive each other, while jovyre plots her own sisters assassination.

[innaillus]

Drawing Ryōmen Sukuna

Development notes

This post has been in the making since last year, before the manga has reached its current arc. My aim was to respond to comments that pointed out that my version of that time didn't look like the one in the anime. I calculate everything I do and the way I do it. My current goal is to share my thoughts on the development of my take on him - simply because I'm a nerd when it comes to anatomy and I love figuring things out. It involves a lot of thinking, questioning, analysis, dissecting information and building theories. So I totally understand if it's not anyone's cup of tea.

MANGA SPOILER WARNING

The very beginning

I used to have a serious case of lack of self-confidence. My earliest art of Sukuna dates back to 2021, but it always felt like my skills are not worthy of this particular character. I never shared my art. I was also struggling to find my artistic voice. I was obsessed with the idea of semi-realism, but even if I managed to pull it off after weeks of stylisation practices, I didn't like the results.

Due to personal reasons, I stopped trying to draw him for a long time.

The development of "my" version

It was an entirely conscious decision to draw him differently.

The top reasons for the change was that I didn't want to sexualise him in his host, Yuuji, who is a minor. Back then I thought he inflicted the deformation on himself (extra limbs, eyes, etc), for the sake of efficiency, and I was curious what he looked like before that - or what he would look like in a civilised environment.

During the process, I considered a number of factors:

the beauty standard of the other JJK men - I wanted him to fit the lineup - his original appearance made him stand out quite much

in a setting where he adheres to the rules of society, more or less, I believe his MBTI personality type (ENTJ) would dictate a lot of his choices when it comes to appearance, at least to a certain extent. I thought he would choose to have an appearance that fits the beauty standards of the era

I kept his tattoos because it's a very distinguishing feature of him, but I also exercise freedom in the way I draw them, to make them as stylish as possible

Reincarnation

I used to believe once he reincarnates, his proportions would be closer to that of a "normal" human, even if he has some extra limbs. However, his size and features are above and beyond of what we are used to, and even the story emphasises their malformed appearance. So a a whole new era of Sukuna started in my art. I chose my favourite manga panels of him and mix-and-matched the most attractive features into a figure that I consider on the fine edge of monstrosity and unconventional handsomeness.

Even when I draw him with a regular number of limbs, I keep his usual mass and proportions. I dubbed this form "true gains" form.

I also realised that some of the tattoos Yuuji's body displayed was a product of the partial reincarnation stage, like we see it on Tsumiki's forehead.

NOTE: Did anyone notice that Sukuna is getting progressively more and more human/handsome in the manga? When he took over Megumi's body, I also noticed that as the story progressed, he started to look older and more mature. I'm curious of it was a conscious decision.

Twin dilemma and speculations

According to the Japanese wikipedia page, the mythical figure Sukuna could have been a conjoined twin. Despite my extensive digging in the matter, I was shocked by the recent lore drop.

My question: what does Sukuna look like in a universe where he did not absorb his twin in the womb during development?

It hasn't been confirmed, but I find it very possible now that he was born with his extra limbs, eyes and mouth, as well as the deformed, wide features. (...as opposed to my first theory about him altering his own body for the sake of efficiency)

This, however, would mean that in a universe where both him and his brother are born healthily, he would look different. There is the obvious lack of extra arms, eyes and mouth - but I believe he would also be closer to the JJK beauty standard of men, as far as proportions go (eg. more narrow face, anime-esque nose, larger eyes).

At first I was hesitant to accept this idea, as I'm very attached to the 4-arm hulk / "true gains" form now, but then I realised: this would mean that "my"version of him actually has logically explainable place in at least an alternate universe.

Thank you if you got this far.

I may edit this post later. Let's see where the story takes us.

[juststandingthere]

ISTG this game is making me insane, brainrot strong enough for me to make my first analysis post

One thing i love about the narrative is how distorted the characters, relationships and events are from jimmy's pov. Most posts discussing this focus on Anya, and it makes sense bc she's probably the biggest victim of this. She's seen as less than a person, she's an incompetent nurse, she has a meek personality, she'll let anyone(jimmy) step over her and she still follows his orders, despite everything he has done to her. We obviously see, from curly's pov, that she's simply too terrified of her abuser to act any other way, and when she's not with him she's way more confident and competent.

I haven't seen as many people talking about how this "distortion" affects Swansea and Daisuke as well, including the relationship they have with each other.

We see, in the first Curly section, that Swansea is a great mentor to Daisuke (one might even say they have a father-son/uncle-nephew relationship). He takes his time to teach him not just the basics, but also how to do his job as safely as possible. He lets him take notes, he himself writes stuff down for him to remember and even lets him doodle on those notes! Sure he is harsh with him, but he clearly cares about him and wants him to be safe.

And in return Daisuke looks up to him and has great respect for him, as both a mechanic and a man, while he also makes some jokingly offensive comments towards the older man, showing the close bond they have formed.

But that's not what we see when we play as Jimmy.

In his pov we don't see them interacting much, when they do we either see Swansea insulting Daisuke for no apparent reason or, in one occasion, we see him leading the kid down a "bad path" wanting to teach him how to "drink like a man".

When they aren't interacting tho, we do see hints of their actual relationship: Swansea asking where the kid is when he is "partying" in the lounge, confirming that he does not, in fact, hate spending time with him; him looking desperately for something, *anything*, that could help Daisuke with his suffering after he's injured; how whenever Jimmy tries to bring up to Daisuke how "badly" Swansea treats him, or how he "lied" to them about the utility room, Daisuke immediately shuts him down, because he knows what he's saying is completely wrong (i'm pretty sure those are the only times he doubts something Jimmy says), showing once again the trust and respect he has for his mentor.

(this part is kinda speculative but i think it makes sense)

There are two other times where we see them interacting, where we actually see how much Swansea cares for the kid, and coincidentally, neither of them is seen through Jimmy's eyes, but from a third person pov: what Swansea says right before they knock him out with the drink, about how he resents the people that let Daisuke, someone with his whole life ahead of him, with so much optimism and joy, board the ship for a job that would inevitably leave him "mangled" and "smarter in a worse way" (i could make a whole other essay on this part but i won't), and what he says right before mercy killing him. In that scene specifically, as the camera pans out in the corridor as Swansea raises his axe, ready to take the final swing, Jimmy doesn't see the hesitation in his body language, the way his body tenses, the way he comforts the kid, telling him to close his eyes, the heavy breaths (crying?maybe?) right after the act. He only sees the older man as a monster that would take away an innocent life that jimmy would have been able to fix had he been given the time to fucking think.

Hell, now that i think about it, Swansea's final monologue, where we find out that he is in fact a good man who tried his best to better himself, who simply wanted to protect the kid and give him "a chance off this goddamn rock"(implying that the Cryopod was meant for Daisuke all along) is also shown in third person!

A few other things i found interesting:

1-The missing pieces between what happened to Daisuke in the vent and when Swansea started attacking Jimmy. There's a cut from when Daisuke screams to when he's laying on (Swansea's) bed, bloody and in pain; from when Jimmy uses the mouthwash to disinfect him (which only causes him to suffer more) and two hours later; from after the talk the two men have and the moment Jimmy decides to go find the gun, the axe gone from Daisuke's face. What happened in those missing scenes? Was Swansea the one who helped the kid onto his bed, trying to make him as comfortable as possible? Did he try to comfort him, to distract him, and ease his pain as well as he could? What was his reaction when he had to take back the axe off the face of the young man he had started seeing as his own kid, whose life he had hoped he could save but that he ultimately had to take with his own hands?

I personally think those parts are blocked out of Jimmy's mind, as he couldn't fit them in his own narrative, where he was the hero, Swansea the villain and Daisuke the innocent, young man whose life he tried his best to protect from this "monster" that was now going to come after him.

2-Swansea attacking Jimmy with the axe, especially the cemetery scene, and how it can be interpreted in different ways.

We, the viewers, knowing everything that happened, will see it as a desperate man, Swansea, trying to avenge the lives that had been lost on that ship because of Jimmy (wether directly or not), with Daisuke's death being the last straw. But i don't think that's how Jimmy saw it. He saw swansea as a crazed, mad man, a ruthless killer, coming for him after taking an innocent life, Daisuke's photo and mausoleum as a reminder for Jimmy of what the older man had done, and a justification for what he was about to do.

(not to talk about the implication that the fight against swansea was not as intense as we saw it, only confirming the idea that jimmy was looking for a justification for shooting him)

[houseki-no-suffering]

Hey! I found a post of yours (specifically a phos analysis) from a looong while ago. Just curious to hear what your thoughts on the last chapters and the conclusion of the story are!

I recently finished the manga after putting it off for 4 years, and it was an incredible but such a bittersweet read. Maybe it's just me being a sucker for happy endings, but man, it really did not get happier </3

And you probably already know this, but did you know that Ichikawa released the last chapter the same day a comet flew by that looked exactly like the comet from the last chapter? Really cool stuff but I am emotionally destroyed haha

I suppose it was the only kind of happy ending HnK could have, and I don't think I mind it as much as other things that have happened in the last few chapters. It reads more HnK than anything that has happened in the past 1-2 years of serialization.

I appreciate the bittersweet notes (always have) and Ichikawa's words that this is how she wanted the story to end, it doesn't happen to every mangaka. Also, the comet bit is such a nice touch.

As for Phos (I suppose this is the post you meant?), I do believe that they got a happy ending.

If you think about it, instead of becoming a lunarian and being prayed away like the others, Phos' journey gave them the power and knowledge to rise above them. Thanks to their flaws (being brittle, having special inclusions, maybe being the most human of all the gems) they became human, the most flawed of creatures, and basically reverted to the purity of a child, a god, sin-less (even if this is a Buddhist story, so idk if I can actually speak of sin) and therefore free of everything that made humanity always dissatisfied, dangerous and unhappy. The others renounced existence, Phos found a way to reach paradise.

Humanity doesn't come out of this looking like a nice bunch of people to hang out with, and neither do the lunarians (gems included at this point). And yet, there's so much compassion in everything Phos does: a kind child, up until the very end.

I always speculated (and was not alone in this) that Phos' job would become to pray the lunarians/everyone away, find Cinnabar the job to kill them, become a Bodhisattva... in this, I believe, the story remained true to itself. What I believe no one saw coming was how shallow(?) it all seemed in the end.

Everyone came back, making Phos' sacrifices and suffering basically meaningless, everyone started getting along and solving centuries-old problems in seconds. Then, Ichikawa introduced so many new changes abruptly... It felt rushed, lazy and overly simple, when most of us loved HnK for its complexity and depth.

Maybe it was because Ichikawa wanted (or needed to) end the series with ch 108. Usually, when mangaka put a limit to the chapters they want to write, it really damages the story and I wasn't a fan of this even in this situation.

Aside from these issues, I appreciate how Ichikawa seemed to care about the character of Phos.

Maybe this all happened so that Phos could be happy, maybe this was the only possible way for Phos to be happy? It would be a little bit like in Devilman, where the world basically ends only so that Satan can understand love. Idk, little old Phos didn't seem that desperate a case, they just wanted truth, yes, this did cause some... issues, but other than that they're a sweetheart.

This is the leitmotif of the series, after all: Phos is a kind, selfless gem who cultivates a deep sense of self-hatred.

They internalize a pressure and a need to feel useful (coming from gem society) and turn them into a necessity for change (unlike in gem society). Initially, they want to find a job. Then, they want to help Cinnabar find a job, then they want to help Ventricosus, then then want to become a fighter, then they want to help sensei, then the gems, then the lunarians...

Contrary to most of the other gems, Phos loves and loves openly and unconditionally. They start off as a self-less creature who believes that their life isn't worth anything. Therefore, they put it on the line time and time again and, eventually, lose it time and time again as they change form.

It's their journey towards truth and happiness: they change and lose pieces of themselves, forget things, renounce gem-ness in favor of humanity and then humanity for god-hood.

Phos changes until they find the form that makes them happy. Their purest, happiest form. They change so much that they come back to square one almost: they become pure Phosphophyllite, with no inclusions at all. Still fragile, still small, but selfless and cheerful. Carefree.

In a sense, HnK ends with Phos becoming Phos.

[lolomidi]

The Price of Entertainment: An Episode-By-Episode Analysis of Alastor's Facade

I don’t think any character in Hazbin Hotel has been discussed as much as Alastor, and it’s a testament to how much the writers put in his character that the mystery of his intentions, past, and contract have been so debated on.

There are some takes I vehemently disagree with, but something a lot of people seem to have settled on is that Alastor is, behind his massive ego and cool-headed persona, insecure about his place in Hell after his long “sabbatical.” I want to do an episode-by-episode analysis of Alastor’s behavior and how Season 1 shifts our view of him from an unquestionably powerful Overlord to something with more depth, and while I won’t be speculating on who owns his soul and how he’ll break that contract in those post, I will take a guess at the future of his character in a narrative sense. I will also implicitly be addressing my issues with some of the conclusions others have made, or at least playing devil's advocate.

NOTE: I want to clarify that none of this is meant to depict Alastor as some poor woobie. He’s still awful. He’s in Hell for several reasons and being a serial killer is only one of them. Rather, I want to analyze what is shown to us about him, and how those story beats can be used to determine where he’ll end up by the finale of the series.

ALSO NOTE: I haven’t followed all of VivziePop’s comments outside of the show about the characters, and it’s possible that certain details have been changed between the release of the pilot and the show, so take any mentions of what hasn’t been explicitly depicted within the show with a grain of salt.

___

Part 1: Recap Analysis

This section will consist of commentary regarding Alastor's appearance and behavior in the given episodes, with retrospection based on new information given in later episodes if needed.

“Overture”: Alastor is pretty one-to-one with his depiction in the pilot in the first episode. He’s snarky, open about his sadism, but helpful if begrudgingly so. Interestingly, he’s able to put together a well-edited, if tonally awful, commercial, and probably could have done better if he weren’t intentionally being an ass about it. From the finale we know that he and Vox likely used to have a more magnanimous relationship, and it’s likely that he picked up some tools of the digital trade in that time despite or before being turned off completely by it.

“Radio Killed the Video Star”: Vox effectively plays heel for Alastor this episode as we continue that first impression of the Radio Demon. We spend a good time showing off the former’s power and how far his roots have spread throughout Hell’s society, only for Alastor to effortlessly trounce him and steal from his audience, despite being gone for so long and his position in Hell less stable. This indicates that Alastor does still have pull, but at the same time that his position in the hierarchy of Hell is being contested due to the length of his absence. He deals with it easily here, but we’ll see in subsequent episodes that things aren’t as smooth as they first seem.

“Scrambled Eggs”: In terms of the eggs, there’s not much to talk about. He begrudgingly accepts Vaggie’s request to get rid of them “humanely,” but brings them back to the hotel after they prove to be useful spies.

More importantly, we get our first small hint that Alastor’s ego can be bruised when Carmilla doesn’t humor him during the meeting between Overlords. Now, I actually disagree with a lot of the takes on this episode in that I think it indicates that at least some of Alastor’s views and need to prove himself as a powerful Overlord are the result of self-delusion. Yes, he does need to reestablish himself as a person not to be messed with after being gone for so long, but I think it isn’t as bad as some are making it out to be, which makes his behavior in later episodes more strange and excessive if anything.

Carmilla, who mind you is a busy and stressed woman trying to hide the fact that she’s successfully murdered an angel, hits his ego by not caring where he’s been (something he wouldn’t have revealed in the first place), but she also welcomes him back, which is more than you could say to Velvette and by extension the Vees. And minutes before that, Zestial, who’s probably the highest on their totem pole, does go out of his way to meet with Alastor and inquire about where he’s been. Alastor himself gets over the slight pretty quickly and has no issue contributing to the meeting. Overall, he isn’t necessarily terrifying other overlords, but he still has an established place with them and they do seem to get along well enough. He’s “part of the group” unlike the Vees, who are treated more like upstart outsiders.

I also want to point out that despite Zestial likely outranking Alastor in power, they seem to be alright with each other. Alastor is cordial and does not demonstrate a desire to antagonize him like he does Lucifer in the next episode. Speaking of which…

“Dad Beat Dad”: This episode gives us a lot to chew on and is the first major indicator that Alastor’s issues go beyond wanting to be the center of the room. From the very moment Lucifer walks into the hotel*, his eye is twitching and he is visibly pissed. Lucifer undermining him (notably contrasting Zestial, who is polite despite his power) doesn’t help and makes Alastor let loose his first swear in the entire show. Being the petty bitch he is, Alastor, knowing he can’t intimidate Lucifer in any way, immediately goes for his weak point–Charlie–and plays up the role of a caretaker for her and the hotel. It’s a low blow, but it also feels like a defense–he’s signaling to Lucifer that this is his hotel, that things are taken care of already, and that they do not need his assistance, even though they ultimately do in order to get a meeting with Heaven.

But then things get more complicated with the appearance of Mimzy, who, to the surprise of several characters due to his solitary nature, was friends with Alastor all the way back when they were alive, and she carries a load of implications with her. She’s the only crack so far at what a “human” Alastor is like–apparently he’s a heavyweight drinker, a good dancer, and most notably, in Mimzy’s words, a sweet man who "becomes a kitten" when he's drunk. This is a huge departure from the unflappable, egotistical Radio Demon we’ve known up to now, and I think it’s a purposeful choice that we’re hearing this information but not shown it like his early days in Hell just prior. It’s simultaneously left to the imagination but difficult to do so because it contrasts so heavily with everything that has been shown to us beforehand. Another thing is that Mimzy is sure that Alastor will clean up her mess–and apparently this isn’t the first time he has, if Husk is anything to go by. So many people seem to miss this, but Alastor, who hates being tied down or disrespected, has been allowing Mimzy to leech off of him, presumably due to their past friendship making him turn a blind eye.

Alastor is on edge for this entire episode and is already unusually snappy when Husk addresses Mimzy, and pushing the button that was his contract is what sends him over the edge. His temper exploding is a direct result of his feeling that his control over both the hotel (via Lucifer) and his personal life (via Husk’s “doubt” that he can handle everything and that his reputation is what it used to be, plus the reminder of his deal) is being taken away from him. Alastor’s threat to Husk, which seems to not be his usual behavior if Husk’s willingness to show concern and talk back in the first place is anything to go by, is an attempt to remind both of them that he holds the cards, that he’s a powerful Overlord that is not to be trifled with, and he explicitly says as much when he goes out to deal with what Mimzy’s dragged in.

It’s only after he lets his anger out on the mobsters and “proves himself” that he visibly calms down and makes the logical decision to tell Mimzy to leave with a serious attitude, and also doesn’t antagonize anyone for the rest of the episode. It seems like despite his fury earlier, he was listening to Husk, who’s rightfully smug about it. He’s even present when Charlie declares her desire to protect her people, and his smile seems just a tad bit more genuine.

*Note: it’s not impossible that Alastor has some sort of personal grudge against Lucifer which caused his hate-on-first-sight, depending on the circumstances of his disappearance and contract (i.e. if it’s with Lilith).

“Hello Rosie!”: As opposed to Dad Beat Dad, Hello Rosie is arguably where we see Alastor at his most in-his-element. He gives off a lot of conflicting vibes at the beginning, from mocking Charlie’s distress to, in a shockingly honest moment, lecturing her about the importance of a smile to portray strength, a card we’d only been shown due to comments outside of the show. He smugly holds his knowledge over Charlie’s head but is visibly impatient to have her make a blank check of a deal with him, solid enough to benefit him but vague enough so that Charlie won’t feel immediately threatened. He’s clearly been waiting for an opportunity like this since the events of the pilot.

After that, he puts back on his gentleman’s demeanor and introduces Charlie to Rosie, and from here on he’s arguably at his most comfortable in the entire show. He’s relaxed around Rosie and is actually willing to ask for her help (something I can’t see him doing with any other character), casually complains about Susan, is encouraging to and praises Charlie even behind her back, and most notably, gives her his radio cane unprompted. More on that later. He also mentioned wanting to guide Charlie to Rosie specifically, implying that he was being genuine about wanting to act as a mentor to her, though his intentions are probably self-beneficial.

“The Show Must Go On”: The finale is arguably the most revealing episode on what Alastor’s inner world is like, as we see him unmasked several times. For one, his private admission to Niffty, the closest thing he has to a friend within the hotel, that he’s enjoyed watching the other residents connect to each other. This is in direct opposition to his initial (stated) reason for helping the hotel in that he wanted to watch them all fail, and yet he seems content with his initial assumptions being proven wrong. There’s no malice or sarcasm in this moment, he’s relaxed and talking to someone he relatively trusts.

And so he goes into the battle swinging and confident. Then, of course, Adam.

I want to bring up something before we keep going. Yes, fighting Adam without angelic weaponry was a needless risk. Yes, Alastor fell victim to the very sloppiness and arrogance he accused Adam of, and it’s thematically appropriate that he was the only one to lose his battle in that he was fighting for his own ego more than “love.” But also, people seem to forget that Alastor is the only demon in the entire show with a precedent for permakilling without an explicit reliance on angelic weaponry, as the Overlords he toppled in his original rampage seem to have never returned. He’s egotistical, but not stupid. He may have genuinely believed that he had the means to kill Adam himself but didn’t get the chance/couldn’t due to his contract or absence possibly weakening him. But that's speculation for another day.

So, he has to retreat before Adam double-taps his ass and is too injured to return until after the extermination. He makes a grand exit, but not before grabbing the broken pieces of his radio cane. The one he allowed Charlie to use just an episode prior, and presumably is a conduit for his powers, and he grabs it while a murderous angel is inches away from wiping him off the face of Hell.

His portion of “Finale” is the first time we see him singing alone and not playing off someone in a duet. It’s obvious that he’s trying to keep his composure, still speaking to himself in his artificial transatlantic accent (which we now know for a fact he doesn't need to do, seeing as he finally broke character when Adam wrecked his cane) and reassuring himself that he’ll come out on top next time. But here his front shatters and we openly see what the show has been hinting he is for the first time: a deeply paranoid, desperate, and unstable man.

Essentially the worst-case scenario has happened: after a season of interfering with every attempt to capture him on camera, Vox has footage of him at his lowest point for all of Hell to see, and he’ll have “died” a martyr, a weakling, and still in the chains of an unwanted contract. For Alastor, who is so deeply afraid of showing any sign of vulnerability, who wants to be seen as a monstrous Overlord, it’s understandable that this humiliation is enough to send him into a mental spiral and recant any fondness for the hotel in favor of accomplishing his own goals. Worse yet, when we next see him he gives zero indication of any of this even when Charlie and company are simply glad that he's alive, which leaves us to wonder: has he been like this behind the smile from the very beginning?

___

Part 2: Closing Thoughts and Future Speculation

With everything we’ve taken note of above, we can start to piece together a picture of who this guy is, and what the writers are going to do with him.

Alastor is sentimental. It’s not just his attachment to older technology or his love for being the center of everyone's attention. He likes being around people, he has friends, one of which he continuously indulged despite her using him multiple times, and he ultimately was starting to enjoy his time at the hotel before his defeat spooked him. Despite him using her, the fact that he was even willing to let Charlie use his cane (and note that he takes it from her as soon as she’s given a substitute, so that is a significant gesture for him) is an implicit display of trust whose implications don’t become apparent until the finale.

But this is paired with deep insecurity. Alastor, despite being one of the most powerful people in the Pride Ring, has a crippling fear of being seen as vulnerable or “lesser” by others. There could be multiple overlapping reasons for this: the general climate of Hell, whatever happened to him seven years ago, his experiences as a mixed-race human living in Prohibition-era Louisiana, his original death, a natural predisposition, etc.

Regardless, this anxiety of his is so overwhelming that, when paired with the ever-present stress of not owning his own soul, it’s driving him insane. He made a splash in Hell upon entry and now he’s desperately trying to reinvoke that in order to defend himself both physically and mentally. He’s the gifted kid who’s slowly going nuts trying to keep up an impossible momentum as they grow older. He’s an ex-human denying his humanity because he doesn’t want to feel human. Everyone’s out to get him, and anyone who could be an enemy is an enemy unless he has total control over them via a contract, power, or the reassurance of years of close friendship. It’s why he’s cordial to Zestial but takes Carmilla (who wasn't even trying to spite him) and Lucifer’s comments personally, in the same way someone with low self-esteem might want to lash out against an authority figure who they feel is looking down on them.

Worse yet, he can’t/won’t let these feelings out and is bottling them up so that no one will know he feels this way (note how quickly he was able to relax in Dad Beat Dad when he was given an outlet for his stress), because that’s a sign of weakness too. It’s honestly kind of frightening that in his final scene he gives zero indication of being injured or of just having had a meltdown. By all outside accounts, he’s his usual chipper self, and no one at the hotel save for maybe Husk, who can’t say anything Alastor doesn’t want him to, would realize anything is amiss. The reason his part of “Finale” is chilling isn’t just because of the implications that he will become an antagonist in the future–it’s that his mental state is so poor that he is no longer acting rationally, which makes him unpredictable in the worst possible way.

I think Alastor’s character arc isn’t going to be redemption by way of going to Heaven, I don't think that place is his style anyway, but rather redemption of his own self-image. I don’t think the writers would make what is arguably the most popular and well-developed character in the show just to say that he’s hopelessly evil and simply end it at that. We’ve been exposed to multiple facets of his character, and while his deeds and probably his intentions are sinister, his underlying motivation for it all seems to be “freedom,” which decidedly isn’t (unless your name is Eren Jaeger).

I do believe that he’ll have his villain moment where he indulges in his worst impulses, but that ultimately it won’t do anything to fulfill him, because as we see in the official comics before the release of the show (which may no longer be canon but still give a viable “baseline” for the characters), when his desire to be feared and respected is granted, it only isolates him. Like the others, he’ll have to hit rock bottom before he can climb back up.

Pentious, who was successfully redeemed, needed to understand that people weren’t out to get him, which allowed him to make the decision to put his friends before himself and trigger his selfless sacrifice. Angel, who’s well on his way to redemption, needed to realize he wasn’t alone and could rely on others, and his confidence and self-love has grown enormously since then. I think these are both lessons Alastor will need to learn eventually as well. He’s the manager of the hotel, but also undoubtedly a patient. He’s hungry for freedom, but only when he learns these lessons will he be truly free.

Or maybe I’m thinking too much into it idk lmaooooo

[nynyhaha]

Spider Themes: Phantom Troupe and fate (plus Chrollo character song analysis)

THIS is the moment that lead tons of fans to believe that Chrollo is a determinist,or at least a fatalist,believing that certain things cannot be avoided and that people lack the free will to act otherwise.

I haven’t seen any other proof of Chrollo being a determinist and I think it’s not that relevant to his character so this idea being so popular annoys me,and yet,there are lots of time where Chrollo is confronted with the idea of fate.

Why doesn’t he blame Judas?

There are multiple ideas

-his betrayal was bound to happen and he had no free will

-regardless of will,his actions were justified because it resulted in the greater goal being achieved(and Chrollo sees Jesus’ death as as important as his own death in a scenario where the Spiders have to chose.Chrollo would want them to sacrifice him for the Spider,and this scene hints at that)

-anyone willing to betray the organisation for money or fame was never a true member

-Chrollo doesn’t take anything personally and he doesn’t judge other people for their actions because he expects very little of them (we know this isn’t true for his Spiders,but it seems to be that way with Hisoka. He doesn’t blame Hisoka for being what he is)

This point is also illustrated in the flashback chapters where young Chrollo doesn’t get angry at his bullies even once. He’s not mad at Uvo,Phinks or Feitan,he outsmarts them or outruns them,but still sees them as part of his circle and never acts aggressively.

He doesn’t even appear to hate Kurapika or care much for his motives,since he accepted the fact that people will come after him for a multitude of reasons. He doesn’t care how good those reasons are.

The prophecy

Neon’s prophetic ability is meant to help people see the potential future,it’s not presented as being self fulfilling,in which case it would be a scam. The idea is that you can gain knowledge of your potential fate,and chose the course of action accordingly.

Chrollo trusts the ability since he uses it to make important decisions,like whether to stay in yorknew.

If he can use it to his advantage and cheat fate,how could he be a fatalist??

Our will above all else

The phantom troupe is incredibly strong as a group,yet they retain qualities of underdogs. They were born in the most marginalised community possible,in a place that doesn’t officially exist,and yet they’re now feared and infamous.

They won’t allow the world to take from them

They will impose their will on others.

Uvo’s requiem

I will never shut up about it.

It perfectly represents the nature of the Phantom Troupe and Chrollo’s philosophy.

We know Chrollo believes in souls,but does a man who sits in a broken Church and wears upside down crosses believe in any just god? There’s no way Chrollo isn’t a nihilist when it comes to ultimate justice. He expressed those doubts even as a child,and it seems that while he now thinks souls exist,he doesn’t rely on any afterlife.

He never relied on justice from above,he always took matters in his own hands. Believing in souls may mean that he sees death as a change of state,and sees murder as more forgivable since “everyone ends up in the same place anyways”but this is just speculation.

Only he can improve Uvo’s situation.

Uvogin’s soul soon will be gone,who knows where. Chrollo can’t change that,he doesn’t even know if Uvo hears him. But he will fulfil his wish. He will send other souls off in Uvo’s honour. He will show that his life and death mattered. It’s an attempt to reclaim agency,however futile it may be,it seems Chrollo wants to prove something to the universe.

People are the ones who sever ties

Doesn’t this run contrary to his ideas about traitors? It sounds here like he expects loyalty from those close to him. Or does he mean that he himself won’t forget things unless he cuts them off?

He can’t feel less responsible for the deaths of his friends and he can’t forget his place in the world,can’t detach himself from it.

Hi identity is still tied to external things. And it means all of the things he has lost,all of the humanity he has shed were deliberate sacrifices. Like he resigned himself to give up his life for his goals.

It’s very much a show of will.

The coin

It’s a practical way to resolve conflicts. While it’s thrown by a person,and the outcome can be random, therefore unbiased,it could also be them calling to fate to decide who gets his way.

“May happen what is meant to happen”

This leads to no conclusion,but it’s absolutely related to fate so I’ll mention it here.

1/13 analysis

I have no idea how canon this song is,but it’s a great interpretation of the information we have in canon. It touches on many themes crucial to Chrollo and his Troupe. I’m using the translation from the wiki,I don’t know Japanese and honestly I prefer the translation from the YouTube lyric video

This song mentions almost everything I’ve talked about in this post,and even more.

“..From the beginning”

They were doomed from the beginning. Even if they wanted something innocent and simple as dubbing anime,finding purpose in entertaining the masses.

First Chrollo rejects the notion of life,then he goes on to deny fate.

But he also approves them. “As if” The Troupe doesn’t act in accordance with reality and what it has in store for them,they act as if none of those things were real.

Life not existing means it’s meaningless and because of the horrible conditions Chrollo grew up in,he and the others were never given a chance of any life worth living. Life is real,but not for them. It’s something they deny themselves,something they abandon in favour of their duty and goal.

Fate might refer to both,inaction,staying anonymous nobodies,and doing something,surpassing themselves,and then dying a horrible death.

If there is a fate,can they know what it is?

Is Chrollo following his destiny,or acting in spite of it? If only he knew,haha. Maybe it’s not his choice to become a murder,maybe it was meant to be from the beginning. Or maybe he was meant to do nothing and be nothing,yet he refused.

”When we’ve obtained everything,we will disappear without a trace”

Went from actors to phantoms,got it? ;) This line brings in a sense of finality,of inevitability. So he knows they won’t live forever,that there is a limit. Sure,it could be referring to them being impossible to track,but I chose to believe there is more,since Chrollo touches on the possibility of them actually dying.

In that case,should they “separate and face eternity” the Spider’s Soul will live on. Or it must live on! Pretty spiritual, huh.

I love that while everything hints at his views being nihilistic,Chrollo’s spirituality is almost hopeful.

So is his song.It talks both to the enemy (you can’t run from us) and his fellow Spiders. He tells them to just steal,to consult the coin if needed,to trust that the Spider will live on and everything will be fine.

“What is there to fear?” I’m gonna cry,I swear.

This song also has this notion that whatever happens,happens.

“Que sera,sera” and shit. It shows acceptance of things that shouldn’t be accepted. Even his own feelings at the loss of his friends Chrollo acknowledges,and then ignores.

“Can’t be blamed.” He can’t blame himself for still feeling those things,but he just dismisses them. “You will want to sneeze at dust,it’s normal,but hold it in.” = “You will cry at deaths,feel grief and anger. Those reactions are normal,but don’t let it affect you”🗿🧍

What has pride to do with this? I’m genuinely confused. If this mf telling us to be humble? Is it prideful to expect no one to die? Or is this the typical “detach yourself from your feelings”?

Conclusion: Chrollo is seen as a fatalist because of his stoic attitude. The only way (according to HxH fans) to deal with what he goes through,is to tell himself it’s meant to be. I propose that no,he doesn’t think so. He thinks that regardless of fate,he can outsmart it and come out on top. Even if he loses people in the process,in the end it will be worth it. And even if he feels grief at their deaths,that’s just what happens. It didn’t stop him until now. All that just to steal? No,Ofc not. He just doesn’t know how to express his motives.

DO YOU EVEN HAVE CLEAR MOTIVES,CHROLLO? Your journey leads you to nowhere,and we don’t even know where it all went wrong

[fan-goddess]

MY ANALYSIS OF THE SCENE BELOW

Gif and photo credit goes to @barbieaemond

A/N: First of all! I want to say these are personal opinions and ideas I have come up with and discussed further on! None of the things I will say are confirmed! I am merely speculating and debating theories! The start is less on topic but it gets more focused the more I talk.

I didn’t want to bother users by directly tagging but there users are there and in some cases links to their posts are added in bold. I also bolded certain quotes.

Okay, first of all I want to discuss the words they had playing when they showed this scene before we look into the scene itself. When listening to the voiceover I couldn't tell who it was who was saying the quote, but after putting on the captions I found its Larys Strong which is interesting given his character is pretty much the master of whispers. He's the man who knows everything on everyone the man behind the curtains as shown in season 1 when he manipulated Alicent to make her believe she was responsible for Harrenhals fire and therefore make her guilty enough for her to feel the need to keep Larys in kingslanding where hes at his most powerful. Why go back to Harrenhal and trust his birdies to bring him the information while he sits back when he can do the dirty work himself? That is a key aspect of his character which is why it makes the quote so noteworthy.

The quote itself though is this: The enemy without may be fought with swords. The enemy within is more insidious. Even the use of camera shots which are placed while he's saying that have meaning, as when he says the enemy without its showing Rhaenyra who has lost her daughter, her son, her crown and her throne. And when he says may be fought with swords Aegon shows to be possibly mourning the loss of Jaehaerys, and it's known that after finding out about blood and cheese Aegon went on a rampage killing all ratcatchers in the city. This is showing the shots they’re showing in this line have meaning, meaning we need to take into consideration the scenes/words they show next.

The shot saying The enemy within shows Daemon walking down in a dimly torch lit tunnel somewhere underground with no real indication of where he is. Perhaps they'll play around with blood and cheese by having Daemon come with them to show them the tunnels needed to get to Helaenas chambers, but that would not make sense as it's been highly discussed how Dyana (A maid shown in season 1 who had been a victim of Aegon) would be a part of season 2 for a few episodes, so its much more likely she'll be the one guiding blood and cheese to Helaenas chambers. Though I must say I feel Dyana will most likely be punished and killed for this as she has affectively been part of a plot to kill the innocent son of Helaena. I suspect her guilt will show, and maybe Alicent or maybe even Aegon himself can see that she knows something and questions her, leading to Dyanas confession and death.

Though the scene with Aemond as Larys says is more insidious, that is what caught my eye and no doubt brought you here. We can still that the whole line as part of the reasoning for the use of that scene, as I have discussed with @/anjelicawrites and we have thought of the possibility on this being Aemond crumbling down from his usual, "Tis I the younger brother who studies history and philosophy, it is I who trains with the sword, who rides the largest dragon in the world. It is I who should be-" This is a new side of Aemond. A version of him which we beleive is him finally directly suffering for his actions in the war, AKA killing Luke and indirectly causing the death of Jaehaerys. He looks as though he is becoming something that even he said he would never become as he even says to Criston, as Anjelica mentioned to me, that the two of them were people with morals. It's honestly quite an interesting take as by having the usually stoic Aemond break down in front of this woman, the identity of whom I will talk further on later, shows even he is not safe and that no one is truly immune to the grief of war and that sacrifices must be made by all.

Now we do not know the setting in where the photo takes place but if this truly is a brothel then maybe Aemond went back to the place which truly psychologically hurt him in order to enact punishment on himself, as what punishment can really be done after what Aemond has had to go through. Torture is not an option especially since he's already had to suffer through the major damages of loosing an eye which has already permanently damaged not only Aemonds vision but his whole nervous system. There is a post where a lovely individual goes through the medical side of Aemonds injury which I shall link here for those who would like to take a further look. Going to the brothels as well could be a sign of him becoming what he hates most of all. Aegon. Aegon has always been Aemonds biggest jealousy as he has everything Aemond wants. Aegon has the title of first born son, two eyes, a valyrian wife, heirs, even an actual inheritance and yet he throws it all alway and very easily wanted to when Aegon tried to convince Aemond to allow him to board that boat to wherever he was planning to run off too (Probably Lys when you think about all the people there who have silver hair and the violet eyes.) To see Aemond slowly develop into Aegon would be almost strangely poetic to see as he becomes the epitome of what he hates and wanted most, especially when its just the worst side of Aegon he becomes and not the good parts.

Now onto the context of the scene! The way Aemond is laid on the women suggests intimacy, as he has his hair put down naturally, has his sapphire eye on pure display, and most noticeably of all is naked as the day he was born. He also has his back to the person, which to him especially given his lack of vision on his left side, means he trusts them enough to be vulnerable. People are heavily implying that Aemond is in a brothel, but when you think about how Aemond reacted to the brothel owner in the first season, who it turned out to be the woman who SA'd 10 year old him, I do not believe he would go back there willingly with that much sense of vulnerability around those sort of people. But when you think about the idea of him going back there to punish himself for his misdeeds then it cannot be ruled out as a possibility. Though someone mentioned it didn't seem right how Aemond was the one in the nude while the woman he is laying his head on is still fully dressed, which is certainly odd especially when you remember that when we got a first glimpse of the whores they pretty much walked around the room stark naked with very little clothing. Perhaps Aemond walked in with her naked and demanded she dress in clothing that was either laying about or even brought her clothes for her to wear (possibly Helaenas or even his mothers) we will not know until we watch the scene on screen.

When discussing the position Aemond is in with the woman too like I said earlier defenitely gives an idea on intimacy, possibly bordering on motherly. We know that when Aemond returns from storms end and tells his family of what he had done, 'Queen alicent went pale when she heard what he had done, crying "mother have mercy on us all." nor was ser otto pleased. "you only lost one eye" he is reported to have said. "how could you be so blind?" In the books it is said that since Aemond did kill Luke with intention to kill, he was expecting to revieve pretty much a heroes welcome. But since they changed that and make Lukes death accidently Aemond will no doubt go back to kingslanding feeling grief and regret, with maybe some happiness that he finally in his own way got revenge back for Luke taking his eye. Going back to the almost motherly seeming position he is in, I suggested that perhaps Aemond went to the brothel for a sort of motherly comfort for what he has done as Alicent almost certainly will not be giving it to him for what he has done. Perhaps he went there to get comfort from women but not in a sexual way but in an emotional way so he can feel less at fault for what he has done, even when the physical reminder haunts him daily.

Some people have suggested this to be Alicent who he is with, and whilst that makes sense given the intimacy of the position he's in it does not make much sense to me as why would he be naked with his mother. That to me is more of an Aegon move than an Aemond move. Though it was also brought up how she possibly came into his chambers at night whilst he sleeps nudes which very well could be a possibility so I've decided not to rule out that idea.

Another possible idea on who the woman is is the brothel lady from season 1 who I talked about earlier as being the one who SA’d Aemond when he was 10 years old. When looking at how other people have viewed the picture and came across a user named @/scaly-freaks who gave great insight on this topic which I shall leave a link for here. Firstly they mention how of course CSA is a sensitive topic, I want to mention that first. Though what they further talked about what how in some cases a victim can subconsciously find traits of their abusers in romantic partners (which thinking about it may be why he went for Alys given that she was a much older woman similarly to the brothel worker) or they can return to their abuser even at an older age. I won’t discuss these two points further as consideration for those who may feel triggered with this topic and so I will just say to click on the link for the post and read the rest there. Like I said about Alicent, I will not rule out this brothel woman as a possibility especially as it’s supposedly been confirm that she has filmed some nude scenes for season two. We do not know if she will be the woman in the scene, especially since in the picture the woman is seen wearing clothing, she may have filmed some general brothel scenes involving Aegon. I read another user @/lovelykhaleesiii theory about who the woman was and she said it was the brothel women and that it was her, as possibly Aegon may have taken him to the brothel to celebrate Luke’s death as we’re apparently getting scenes of Aegon at the whore house. This would make a lot of sense given the evidence shown and makes it a lot more believable as to why Aemond is in a brothel in the first place as like I had mentioned earlier it’s a more Aegon thing to do not really an Aemond act. Also a user named @/magnificentdelusionr has spoken out about how apparently the woman Aemond is with and the brothel lady share the same scar, so my belief in this being the woman has increased I’ll tell you that now. Though like I said, I will not rule her out as a possibility. The evidence for the brothel is bellow. I think this may be the most likely theory honestly given all the evidence that has been shown for her to be the one Aemond is with.

Now, this third possibility for who the woman is technically unknown as we do not know who she is. The actress from the scenes shown appears to be a dancer and the theory as it shows in the photo shown bellow is that she may have been sent by Mysaria as a distraction for Aemond. But looking at the scenes (pictures of which are shown in the twitter post down bellow) I don’t believe the scene in the top right is of Aemond and her, purely from the fact Aemond does not wear rings and the fact it looks very similar to Daemons ring. Furthermore the woman looks as though to be a younger Aemma purely from her face shape so that is why I’ve decided to rule out this theory. I will admit that it’s a high possibility that Aemond would be seduced by a dragonseed, as in my mind Aemond wants tradition of his culture. If he could’ve he would’ve married Helaena, as those are the ways of his people and the culture he cares for. He also, as was shown in the scene where Driftmarks inheritance was called into question, is seen to have a great admiration for Daemon who has married two women of Valyrian blood and has fathered technically 6 children (two of which did not survive past the womb). Aemond in my mind if the war never happened would’ve 100% been a sort of student under Daemons wing so in my mind it is not hard to imagine Aemond as wanting to mimic Daemon in his own way, that way being bedding a Valyrian woman. Yet even so when looking at the dragonseed people believe to be the woman Aemond was with I believe she plays a different part of season 2, my belief is that her role of season 2 is to be one of the dragonseeds team black or team green hunt down to try and recruit, as it was said team black went around Westeros finding anyone of dragon blood and offering them a chance of a dragon. So I do not think she is who Aemond is with.

Now the final idea on who the woman is is Alys Rivers. I have seen people freaking out over the idea of Alys changing her looks to seduce Daemon, and that is who we see in the scene shown at the top left of the twitter post screenshotted above. But that is not Alys style as there is honestly less of a chance she could get shit done with Daemon. What there is though is a chance she could use Aemond given he was younger, more naive and ultimately more emotional and needing an outlet she is happy to become to ensure her freedom. Though in context with the scene, when discussing the idea about Alys with @/anjelicawrites, she brought up the idea about Alys possibly visiting Aemond in a dream. This lead me to think about her doing this which would ultimately force Aemond to come to Harrenhal and fulfil his ‘duty’ of coming to Alys and giving her a son of pale hair. I spoke to her saying how I like the idea of Alys visiting Aemond in his dreams, as this would further the witch allegations. With the context of the scene though I believe she could put this image of a finally calm Aemond who is finally at peace with himself in his mind and make him crave that part of himself. This would ultimately force him to come to Harrenhal in the future. One thing I do want to bring up is this connection that was brought to my attention by user @/boundlessfantasy. They made the connection about Alys possibility being the woman holding Aemond in a dream since Ewan said in the interview with TGC where they discussed three scenes from season 1, that the process of killing Luke haunts his dreams possibly hinting at a dream aspect of the season. This may end up being just a sarcastic comment, but if this actually a hidden Easter egg then I must applaud Ewan for being so sneaky. There is a screenshot of the interview down bellow with the line also a link to the interview here.

We cannot see the woman’s face therefore we cannot be sure on this woman’s identity, but out of these four main theories on the woman’s identity I think this is most strongest in my opinion. Though us could very well be some random women we’ve never seen in the series before so I very much am not exoecting my theories or anyone else’s to be particularly right. I accept them all (pretty much) but am expecting pretty much for the unexpected.

Some other theories though I would like to take into consideration is the idea it’s Helaena in the picture. I do like that idea as it brings further this idea of Helaemond, a ship I do enjoy personally, especially as they hinted at the idea that Aemond was the father of Helaenas children. The clothing the woman is wearing by the looks of it does seem to be a similar shade of blue that Helaena is usually seen wearing, and there are seem similarities in the hands (this idea was brought to my attention by @/lady-phasma who has talked on this idea on their account) Though I do suggest you click on the photos bellow to see them much more up close as then it’ll be a clearer image. Helaena and Aemond have been shown to be close together so it’s no surprise if he’d want to break down and show weakness with her. It’s a very intimate position as his back is to her showing he in his own way trusts the woman, making it believable this woman could be Helaena. I haven’t made this a main theory as there are some more compelling evidence for the other cases but still I will say this theory is quite strong especially when looking at other theories like the idea the woman is Alicent.

And the final theory on who the person is which I would like to take into consideration is that the person Aemond is with is Aegon. Now I’m sorry to have to break it to the Aegmond shippers but I do believe out of all these 6 theories I’ve talked about this one is least likely. For one it’s clearly a woman who Aemond is with, given the way the body is shaped, even when we cannot see her breasts. I will admit I have seen people though speculating it’s Aegon which is why I’ve decided to mention it and discuss it. One user named @/cyeco13 has done some incredible art of what it would look like if Aegon was the person Aemond was with and I shall link it here for those who wish to go see it (I do recommend it!)

Okay, out of the six Ive decided to rank those that I believe are most believable to be the woman!

1) The brothel madam

2) Helaena + Alys (as I’m tied with these theories not gonna lie)

3) Alicent

4) The unnamed dancing dragonseed woman in the trailer

5) Aegon

This is all I really can say on the matter as there are constant new theories daily and sad to say I cannot directly talk about them all. Still send me your favourite theories I am interested in hearing and if people would like debating them with me.

[avelera]

It’s very funny to me how resistant people on Tumblr are to the possibility that Arcane S2 Act 3 will include a time loop or evil future or dimension hopping (which will explain Jayce’s reason for walking up and killing Viktor as the only option left after he’s tried everything else or seen every alternative) whereas on Twitter, people have more or less accepted that that’s what’s going to happen next to the point where it’s barely even considered speculation.

Like I get tags on my post about it on Tumblr that are like “that would be a cool fanfic” or “I don’t think the writers would do that” or like “I like the idea op but it won’t happen” and it’s like… this is the only site that thinks it’s unlikely and not in fact foreshadowed by everything that’s happened in the show to this point??

My assumption is that it’s because there’s more League of Legends players on Twitter than on Tumblr. Like, between Ekko’s canonical time powers that have been teased but haven’t appeared yet, frame by frame analysis of trailers and video game merch leaks, and just people who are more familiar with League canon in general analyzing the clues, it just feels like the Twitter analysis has already accepted this and it’s so weird that people are so relatively resistant to it here on Tumbkr like it would be some crazy option for a property that takes place in a world with canonical time travel done by a character who will be prominent in upcoming episodes.

[abyssalzones]

Hello! I really love your work in general and your OSDD Ford analysis, I have read it in full at least three times. There’s a line near the end about his different selves possibly becoming more organizing/appearing at different intervals, but you stop there for brevity. Would you care to share any further thoughts? (It’s fine if not.)

Thank you!!

Hi! Really glad to hear you liked it, wait did you say three times? that's nuts. god damn.

I could definitely elaborate, although I want to note that while in part I did stop there for brevity's sake I did also stop there for the sake of making a more unified point- and, importantly, I didn't want to drift too far into the realm of speculation. Or "just making shit up." I often have a hard time positing something if I don't feel it's being elaborated on from a textual basis... which might be kind of goofy when we're talking about a fanbase that was mostly AU content at one point but whatever I've chosen to die on this hill. Anyway.

All my thoughts about OSDD are highly influenced by my experiences with it obviously, therefore my thoughts are probably going to conflict with someone else's, but I think any "organizing" that would happen with separate parts would be heavily influenced by everything in ford's life calming the fuck down and not requiring a rotating cast of coping mechanisms. For example: a good chunk of clarified parts in real DID/OSDD experiences can be classified as introjects. Despite what you commonly see in online subgroups (no judgment, obviously) these introjects are often of real people that might be influential in your life.

repost of funny little comic I drew for effect ^

in my experience these things work on like... the basis of when they're Needed most. if ford is living in a healthy consistent environment with people who love him and can already provide assurances, I think the need to supplement that with any sort of internal coping mechanism would subside. then again, people are vulnerable when they're still trying to settle in a safe space after trauma, it's possible to invent an internal threat to, paradoxically, make circumstances feel more "predictable." coughs loudly. bill already existed functionally in ford's head 90% of the time so it just kind of feels par for the course that a shadow of him is going to stick around. maybe that seems sad or foreboding but I think it's just a normal part of coping with something that haunted you for half of your life. idk.

do I think these mental aspects would manifest outwardly? as in, like, fronting? not really. However I think if anything was noticeable it'd be a difference between like, "panic mode" ford(s) and "normal human citizen on earth" ford. I could definitely see a distinction of perspectives and ability between a self that exists out of pure survival (and probably still thinks he's in sci-fi hell or whatever) and the self that just chills and writes detailed notes on supernatural plants in his journal. there's also something to be said about [the entire fucking thing I wrote about dead alters and the perception of traumatic events as a type of death] and whether or not a part can actually meaningfully "die." sometimes the part of you you thought was a ghost is actually just scared as fuck and when things get less scary they start to come out of hiding. to put it vaguely.

all of these things can be attributed to other aspects of ford as a character: his c-ptsd, potential hallucinations and delusions, broader themes of death and revival irt trauma recovery, etc. but I think of any OSDD analysis I make as like, an extension of all of those things, if that makes sense.

to close off on a meme that nobody has used in years:

[cxtangerina]

k2 is such a funny ship to me, like it's just plausible enough to be kinda sorta realistic if you squint and pray and look at it sideways, not quite a crackship but not able to get off the ground as more than a particularly popular rarepair either. they had, like, one big episode together back in season 3, a handful of major moments over the years that people hold onto with an iron grip, and basically nothing else outside of a plethora of fantastic fancontent and dreams.

i think i like it for the exact opposite reasons that i like kyman, actually, they sorta stand as complementary ships in my mind. where k2 barely has any actual basis in canon & comes heavily from fanworks and speculation about how well the characters would match each other, kyman is practically canonical, at least when it comes to cartman's feelings, and is at least regularly joked about and referenced in-show. personally, i also tend to see k2 as a ship that is kinda miraculously requited, whereas kyman is usually stuck in unrequited hell, which...

...well, this gets into more specific character analysis, but a big part of this is that i tend to see cartman as having very fucked up views of both romance & sexuality that have especially interesting implications when you consider him to have a crush on kyle, specifically.

on the one hand, i think his cupid self is evidence enough that he has a very fairytale, idealized view of romance, based more out of the hollywood movie image of what love is supposed to be rather than anything in reality. south park adults being utter fucking idiots 99% of the time means that most, if not all, of the kids don't have a lot of good role models to base their actions off of. i'm not gonna talk out of my ass about childhood development more than i understand it, but i don't think it's too controversial (?) of a take to claim that kids understand & learn about the world through watching it just as much as interacting with it, particularly when it comes to their own parents.

cartman is a piece of shit, and while a lot of that comes from him and his own bigotry, he's still ultimately a kid in show and you can trace where some of his worst traits originate from in the people around him, even if he makes the personal decision to push it as much as humanly possible. i think the trend in recent seasons for many adults to try and at least appear more pc only makes this more obvious, actually (coughcoughrandy), though talking about that is maybe biting off a little more south park politics than i'm willing to chew for this particular post.

point is, cartman as a character in particular does not have a lot, if anything, to base his idea of what a healthy, happy romantic relationship looks like, which isn't only because liane is single though that may be a major contributing factor. love isn't work to cartman, it isn't about the maintenance of a relationship or communication or all the more realistic and slightly less pleasant parts of loving someone that hollywood doesn't find dramatic or interesting enough to show. rather it's a fantasy, something that happens to people that they have no real control over. i wouldn't be surprised if he believes in soulmates or love at first sight, even if the likelihood of him admitting that out loud isn't especially high.

on the other hand, i think his view of sexuality is greatly influenced by not just liane's sex work, but the way she is slut-shamed and treated like garbage by the rest of the town for it. i tend to view cartman as having a very transactional, cynical view of sex and sexuality, where sex is only used for personal gain (whether that be money or power, likely at the expense of someone else/the submissive party), and sexuality is an inherent character flaw, a weakness that must be overcome unless you are able to twist it and use it for your own (material?) benefit- see the streaming wars & cartman wanting his mom to seduce a rich man for money as a recent example of this.

it's a running gag in TFBW that cartman uses douchebag catching their dad fucking their mom as a tragic backstory, and doesn't seem to understand how reproduction actually works even when kyle basically says it straight to his fucking face. even as a joke, there's still a lot of underlying truth behind why he would believe this. cartman is aware of his mom's sex work, even if he may not want to fully admit/believe it, largely because of situations where he's specifically getting shit for it. he knows he has a father, and that he is (in)directly responsible for said father's horrible death & consumption, but he only really cares about that insofar as it means he's half ginger. sex has only ever been presented through its most vicious power dynamics to him- why would he see it as a good thing, as something that could ever be loving, especially when contrasted against such an idealized, purified view of romance?

(you could also extrapolate from this how cartman associates sexuality & romance with femininity & his brand of sexism to get some particularly delectable transfem cartman ideas, but i digress.)

ANYWAYS. this is all to say that cartman having a crush on kyle (or anyone, really, but kyle is obviously the most emotionally volatile example) instantly pits those two conflicting views against one another, like he wants something that he doesn't even think could ever exist: a happy, healthy romantic relationship, where sex is just a normal thing that they can choose to do or not. this is where a lot of kyman angst comes from for me, with cartman either trying to stuff that round desire back into the square hole of how he views the world, or having his ideals fall ever further apart when the feelings are unrequited. and, on top of that, none of this being actually said out loud because communication is impossible.

this is why i always see kyman as making each other worse, especially if they actually manage to make it into a romantic relationship. i simply Do Not see kyle being a patient enough person to help cartman work through the intricacies of all of his expectations and idealized fantasies and internalized fears surrounding such mutually screwed views of romance & sexuality- on the rare occasions that kyle does show some interest in romantic relationships it's usually pretty centered around himself, and to be frank i only see his interest in romance going down as he gets older.

i've heard some people talk about kyle before like he's the "moral compass" of south park or whatever and while that may be true by the end of the episode, one of the things i like most about him is the fact that he struggles so much to get to the best conclusions. this is kind of getting back into the k2 side of this analysis, but where kenny manages a much more effortless selflessness, even pushing it to the point of being both a strength and a flaw when kenny stops caring about himself for the sake of others, kyle is a lot more self-centered than he cares to admit and it influences a lot of his attempts at being a good person.

this is both my favorite aspect of kyle, that he really has to put in the work to be the good person that he wants to be, and also the primary bad trait that i think cartman brings out of kyle. by being such a notoriously horrible shithead, he gives kyle the perfect target to unleash his annoyance on, getting him so caught up in arguing and proving himself to be the better person that kyle forgets to actually listen to the people that he's supposed to be standing up for. cartman is a fantastic troll and, at least in show, kyle definitely has not learned to stop feeding him argument fodder yet.

sidenote: about kyman entering a romantic relationship... wasn't sure where to add this, but it's for this exact reason that i also see kyman (or this version of kyman where cartman gets worse with age, rather than better) only actually happening in the universes where kyle has lost all other meaningful connections, to the point that feeding a troll to get off on an argument is the best possible option, even if he's old enough to know better. especially if he's old enough to know better.

again, k2 is the opposite of this for me in that i see kyle & kenny as having a lot of potential to bring out the best in each other.

if kyle's worst trait is that he gets too caught up in his own feelings & desires to truly be the good, selfless, thoughtful person that he wants to be to actually do genuine good for the sake of others, kenny's problem is that he skews too far in the opposite direction. i kinda already said this, but to state it outright: kenny's biggest strength and his biggest flaw are the exact same, that he is selfless to a fault, to the point of consistently putting other people's safety and happiness above his own when he thinks it would be of help the majority/the people he loves. this was the key kenny trait that was established by the end of BL&U, and it has only gotten more prominent in the years since with his mysterion persona.

it is in this way that kenny both stands as someone that kyle can look up to & admire for how effortlessly he dedicates himself to the people he cares about the most, but also, simultaneously, as someone that kyle can take care of himself and offer the same help back to. and i don't even think kenny needs to say very much out loud to push kyle towards a lot of these conclusions, he kinda just has to exist and be noticed and kyle has the intelligence to figure it out himself, to recognize the shit that kenny puts himself through and his (usually) quite noble reasons for doing so, and want to offer him the same love and care and dedication that kenny never allows himself to have.

really, the difficult part of this is being noticed at all in the first place. again, i said earlier that k2 is kinda "miraculously requited," in my mind, specifically because the aspect that's missing in the show and almost always must be provided by fan content for k2 is that spark/push forward that gets them close enough to start talking and for kyle to notice kenny in the first place. it's just lucky that's one of my favorite things to figure out and write for those two, hehehe.

[love-takes-work]

What do you think the personality and appearance of Smoky Quartz and Sunstone would look like, being fusions with Rose? I really wanted to see them in the series, just like we saw Rainbow Quartz with Rose and Steven.

I'm not really sure. Despite the fact that I enjoy analysis of characters, I don't usually feel that comfortable with speculation on characters I haven't met, and Rose!Smoky and Rose!Sunstone would definitely be very different people even if we apparently have precedent for expecting them to share some elements (including names). I very much would have wanted to see the original Rose Fusions of those characters, and would have very much wanted to spend time with more of the Steven Fusions (including with a longer build-up and reserved special time with each Fusion).

I don't develop a lot of convictions when it comes to speculating on stuff like this, so consider this pretty loosely held, but if you want to know what I think about this, I'll try!

Smoky 1.0

Appearance-wise: She'd keep the skin color and the freckles/flecks, keep the body type and same facial features, keep the arm arrangement and the weapon. I think her hair would be pink, straight, and longer--maybe in pigtails. She'd get some kind of cute ruffled jumper, I think--like overalls with a fluffy skirt--and have tights and bare feet. She'd kinda be the kid Rose never got to be, and enjoy the "childhood" she always wanted for Amethyst.

Personality-wise: She would have some inadequacy issues but they would be buried deeper and probably would not come out in self-deprecating jokes the way Smoky 2.0's did. She'd have a genuine version of Rose's calculated gregariousness. She'd give love freely in a sillier way than Rose did; she'd want to play around and be rambunctious, maybe a prank here and there. She'd enjoy binge TV with Greg and helping Pearl with tasks (if requested). She'd be good with eating and would probably laugh at burp-and-fart jokes. I think she'd enjoy building sandcastles and knocking them down.

Sunstone 1.0

Appearance-wise: She'd have the same weapon and color scheme and still have four arms, but I think her upper body would be less exaggerated and she'd have four arms all the same thickness, without the broad chest. I think her top section would be more like Garnet's except she'd be wearing something sleeveless. I think her flame hair would be big and curly OR maybe totally round like a perfect ball-shaped afro, with an overall effect of more hair/less head. She'd probably have some kind of flexible shoes with the toes showing. She might have one of those leotard-type outfits with a little ruffle depending on if the figure she's based on was maybe an exercise guru or fitness coach. Given that Sunstone 2.0 is influenced by Steven's conception of PSA-spewing mascot vibes, we would have to figure out what Rose's less childish contemporary-to-her equivalent of that is, and I think it would end up modeled after a motivational speaker or guru who was popular during whatever time period Rose and Garnet first formed her, so the clothing details would depend on that. The alternative to this is if Sunstone 1.0 first formed during the war and Sunstone could have been an extremely charismatic commander, but that would very much change the vibe. I could still see her charging into battle leading Crystal Gems with a flag, all hyped up on pep-talk juice, with Bismuth at her side.

Personality-wise: Rose and Steven are pretty different people but they were both given to "motivational" statements, and Garnet is good at boosting confident delivery of whatever primary elements her Fusions absorb, so Sunstone 1.0 would love hyping people up, dropping philosophical and exciting speeches whenever possible, and encouraging people to be their best selves. She'd be far more forward about it than Rose was. She'd use her fourth-wall-breaking/Future Vision type powers to give people reassurances that they would achieve their dreams if they followed their hearts (and maybe give them little prediction hints to give them hope). She'd be extremely outgoing but never say much about her own feelings, always focusing on others. She'd be loud and kinda give Pearl a headache, but Greg would enjoy the hype in small doses. She would not replicate the sometimes physical comedy Sunstone 2.0 does, but she'd be flexible and willing to do acrobatics, and I think she'd like to go surfing.

[the-cat-and-the-birdie]

'You're reading too much into ATSV.'

[aka meta analysis is good for the soul]

I often get told on this blog that I'm reading too much into plots or scenes or things in general.

And honestly, fair point. I do the most.

And as a writer, I will say that I do it out of pure respect.

[actual photo of me reading the script and going for my 'reading too hard at ATSV notebook']

Movies take years to write.

People spend months of their lives genuinely toiling over these characters, often times creating more work than what can ever be reasonably used. Months of revisions and scraping work.

For weeks, about a dozen people probably went to sleep dreaming or thinking up what Hobie would wear, what Gwen would say, what emotional cues Jess will have.

A lot of people dedicated years of their lives and creative labor into that story.

To me, it isn't at all bizarre to take an hour out of my day to sit and consider the story they spend a lot of time trying to tell.

Compared to the labor they have given me, multiple 40+ hour work weeks for years - an hour or two is literally nothing lol

It's literally the least I can do.

As a writer, I feel like its only right to sit back and look deeper into a story.

To analyze the writer's intentions, or examine their storytelling tactics and abilities.

We are taught to consume media so quickly and rapidly that to offer time to critically analyze a piece of work is considered bizarre, too much work, or pointless.

As if there's nothing to read into. Or as if speculation and meta analysis is helpful to no one.

If someone spends five hours drawing fanart that is accepted. If someone spends two hours writing fanfic, this is expectable behavior.

But I spend the same amount of time to look deeper into the work of the writers, and often times I'm met with surprise or treated as if I'm overly uptight.

It's like snickering at a person who asked there was deeper meaning behind a painting. While standing in an art gallery.

When streaming shows drop all in one day, it becomes about the Easter eggs and watching it as fast as possible as not to be spoiled.

Then at the end of it, you wash your hands of it and wait for the next big release.

People spend years, decades of their writing career trying to write realistic characters with layered motives. Or stories with complex themes.

Comic Book and Screenwriters included.

I myself try very very hard to do so - to provide foreshadowing, and emotional insight into the characters, their motives, their faults.

If I heard someone say that the piece is not worth looking that far into, all the work I've done as a writer gets overlooked.

Writers cannot grow if people are consuming their media without caring enough to look critically at it as the work of a storyteller.

So yes, I'm looking too far into it. Cause writers can write that far into it. And that deserves to be examined, acknowledged, and praised.

To assume less is too assume lesser of the writers who put everything into the media you enjoy.

This year of all years, we should be appreciating the work Screenwriters put in.

I guess what I'm trying to say is - I'm not being an asshole (well, not trying to be).

I'm looking at writers as vital parts of a movies production. Because they are.

We look deeply at the art style, or the animation, or the music. Writers are not shadow figures. They're people with careers. And them and their work deserve to be spoken about and acknowledged as a work of effort just the same as CGI artists or editors, or directors.

I implore you - Read more into it.

If you're a writer yourself, doubly so.

Read FAR into it. Build your analyzation skills, come to your own conclusions. Break the story down every which way and look at the characters from every angle.

It's fun, it's free, it makes the characters so much more real.

So many people on this website hope to one day become published writers. One thing they do to help you achieve that in college, is by racing things like scripts, and looking critically.

Meta analysis is good for you as much as it is the writers.

If you don't think you're cut out for it, or would have nothing to add, still try. Not for the brownie points, but to feel closer to the characters and the story.

If you've seen ATSV (or any Fandom media) and haven't ever really sat and thought about it - everyone's moral stances, why they want what they want, why they've made the mistakes they've had, where you stand on it all - I highly recommend it.

You might come away with some surprising conclusions about characters or even yourself.

Think about your favorite characters, and what might happen to them in the next movie.

There's really nothing wrong with reading that far into it.

Fifteen minutes of thinking, or an hour of writing is nothing compared to the months of work that went into this absolute masterpiece.

Trust me, the first time you catch some shit that makes you go

ITS LIKE A HIGH I TELL YOU.

Touch grass? Nah bro, touch your local library card. Go there right now. Take out this book.

There's gonna be a discussion tomorrow in class.

If you read this far heyhello I think you're rad as hell.

Here's a Hobie for the road because he's a great companion.

Bye.

[jalactic]

ok so moonfish is like one of my favorite bnha characters and I'm genuinely so surprised someone else has brainrot for him. can u tell me some thought you have on him...... like what do you think hes like?

I've always had a theory that his quirk makes him only capable of eating humans. that he's been starved so much and for so long that he's gone insane over flesh and hunger. that fits really well with the themes of shiggys squad. what do you think is the reason for his insanity snd cannibalism?

HELLO HELLO i've been crazy busy, but every so often i open tumblr and stare gleefully at this ask. and now i can finally answer it!

From what I remember of MHA canon, Moonfish had made a pretty big name for himself in the villain world up to and beyond his first imprisonment. We can assume he possesses some degree of survival skill/intellectual capability, to the point where he's become so serious of a threat that death row is warranted. Even during Moonfish's intro at the training camp raid Bakugo and Todoroki comment on his use of terrain and how "he's clearly been in a lot of battles".

An aside: Ultra Archive initially rates Moonfish's intelligence as a 3/5 while Ultra Analysis later gives him a 1/5 :((( they revoked his braincells...

He probably CAN eat other things aside from people; they had to keep him alive in Tartarus for a while, and feeding the guy on death row Human Meat wouldn't be very ethical (not that the heroes have outstanding moral judgement anyway). From what we've seen of his body he looks to be in decent shape so they're not starving him either.

It's true that most of the LoV have quirks that influence their personalities/behavior (ex: Toga, Twice, possibly Muscular to an extent?), so Moonfish is likely in a similar situation. I'm not going to speculate on the details of his mental illness--my interpretation of him is largely based on my own experiences. Maybe the hunger is episodic, or maybe it wasn't as bad a few years ago or when he was younger and is now just spiraling. Maybe it's a stress-eating kind of thing. I think he never had access to the necessary resources/professional help/therapy/idk to help him navigate his quirk, and now it's "too late" and he's "beyond saving".

I suppose he's so loyal to the LoV simply because they respect him, more or less, as a person and a teammate. He's fixated with "doing his job" because that job lets him belong somewhere.

This is definitely outside the scope of BNHA main series but I like thinking about a little future for him, where he sort of drops off the radar and goes somewhere quiet and just, learns to live with himself.

I have loads more headcanons; if you're curious, just ask! Thank you for giving me an opportunity to wax poetic about my guy lol

[saraanzu]

bsd speculation: what’s up with this girl in bram’s flashback from 107.5, and what can we learn about her from dracula?

(prefacing this with some rambling… actual analysis starts after the readmore)

107.5 came out the same day as the s5 trailer and it was right after an exciting mersault chapter which is the vastly more popular pov and it was a whopping 9 pages - it was bound to be disliked. I won’t pretend a 9-page chapter isn’t disappointing (no idea why recent chapters have been so short - I hope they get a bit longer again when s5 is done airing?) and I think it’s fine to prefer the mersault storyline but I’ve also seen some god-awful takes about this chapter.

aya and bram aren’t side characters! they have been core to bsd’s plot ever since their introductions (in aya’s case, her re-introduction) and you can dislike them all you want but it’s objectively incorrect to claim they aren’t important to the story.

I also don’t agree with the take that 107.5 didn’t further the plot at all - obviously not a lot can happen in, again, 9 pages (that’s 1/3 the length of 107!) but aya deciding to remove bram’s sword and him actually encouraging her to do it even when he doesn’t believe it’s possible and previously told her not to is a huge turning point in the story! 107.5 certainly isn’t a favorite of mine but I will say we’ve had (slightly) longer chapters in recent months that had more exposition and setup with less plot.

I’ve seen some people worry that, because bram pictures someone who looks like aya in what’s presumably a wedding dress, bram and aya’s relationship is going in a creepy direction. I want to make it clear that no matter who this flashback girl is, even if she’s bram’s dead lover and/or aya in a previous life, I highly highly doubt that anything weird is going to happen between bram and aya. their relationship hasn’t been set up like that at all, in fact bram has parallels with aya’s father and he explicitly sees her as a child (more on that later) (look. bsd is not above using some Weird Tropes. in particular, the tanizakis and mori come to mind (and in mori’s case, it doesn’t even really function as a reference to the irl author - vitas sexualis has nothing to do with pedophillia!) but it’s important to mention that, while I wish those tropes weren’t in bsd at all because they’re unnecessary and add nothing of value to the characters, they are ultimately gags and nothing more. they don’t really set a precedent for how weird asagiri is willing to get when it comes to legitimately serious plot points.)

okay! got it all out of my system here’s the actual post

part 1: the dress

personally, when I first read 107.5, I didn’t think this girl was in a wedding dress. my initial assumption was “this must be bram’s daughter, she’s wearing some sort of tiara and bram was a nobleman”. but looking at it again, it does resemble one, and we should consider how bram’s backstory might reference dracula.

“the brides of dracula” are three seductive vampire ladies who live in count dracula’s castle and attempt to feed on jonathan harker early on in the book before being stopped by dracula, who chastises them for trying to eat harker and feeds them a human baby instead.

while they are known as dracula’s brides in pop culture and are often portrayed as such in movie adaptations, they go unnamed in the original novel and their relation to dracula is unclear. from what we see of them they refer to each other as “sisters”, although perhaps not in the literal sense. two of them have dark hair and are described as having similar facial features to dracula while the third is blonde, which may imply the third is dracula’s wife and the other two are his daughters. I imagine they’re pretty vague and mysterious on purpose, they could be dracula’s wives/sisters/daughters, or even just some vampire ladies crashing at his house.

however, I don’t think we should disregard details exclusive to adaptations of dracula and only focus on the original book when thinking about bsd. film adaptations of the book are actually more influential on dracula’s perception in pop-culture than the book itself, so it’s not unlikely that asagiri would reference elements that appeared in adaptations but not the novel.

so, because of “the brides of dracula”, I think it’s quite possible this girl is indeed a bride. she does look a bit young for it, but I’ve seen others say they think she looks older than aya, so I guess that’s subjective (and people would get married younger in bram’s time I suppose).

that doesn’t mean she has to be bram’s bride - again, the “brides” in the original novel have no explicit relation to dracula and could easily be his daughters or sisters, and I really do think her being his daughter instead makes more sense thematically.

part 2: her relation to bram

I believe bram subtly parallels aya’s father in a few ways. aya’s dad is verbally and physically abusive, and he berates aya for not being good at traditionally feminine activities. he doesn’t see her for what she is, a child, and instead expects her to be a perfect traditional woman.

right before we see this flashback, bram is surprised by aya’s age, and comments that she is “too young to even use a spinning wheel” (also a traditionally feminine activity). both of them question aya’s desire/ability to be an ally of justice but for different reasons: aya’s father finds it unladylike while bram finds it too big a task for a little girl (he is also sleepy)

I didn’t understand the point of this scene’s inclusion before, but in retrospect I think it serves as foreshadowing for bram’s flashback and demonstrates how he and aya’s father both associate aya with dead people, but this causes them to treat her differently.

aya will never live up to her father’s expectations because she can’t compete with his idealized memories of the dead. her own accomplishments are irrelevant in his eyes because she isn’t enough like the wife and daughter he lost. I suspect his grief is part of the reason he’s so horrible to her in the first place.

it’s the opposite case with bram. in his eyes aya does compare to someone who he remembers fondly, and the end of 107.5 implies that’s the very reason he’s okay with aya pulling the sword out.

I don’t necessarily see bram as a father figure to aya (to me he’s more of a weird creature who’s sort of grown fond of her after being unwillingly dragged around… but hey, who says that can’t be a dad?) but I do think it’s possible that this mystery girl was bram’s daughter in the past because of how he parallels aya’s father.

(note: she has normal human ears rather than pointy ones, but bram was turned into a vampire by his ability and wasn’t bitten or born as one, so I don’t know if he’d necessarily pass down his vampirism to his children. he also may have developed his ability after becoming a father, or his daughter could even be adopted).

part 3: her relation to aya

the most common idea I’ve seen to explain the resemblance between these two is that aya is a reincarnation of this flashback girl. introducing reincarnation out of nowhere seems a bit random even for bsd, but surprisingly this theory does have some basis.

in the movie bram stoker’s dracula (1992), the character mina harker, jonathan’s fiancé, is a reincarnation of dracula’s long-dead lover, elisabeta. dracula recognizes her as a reincarnation due to their resemblance and mina agrees to assist him, still harboring feelings and memories from her past life. it’s fairly common for dracula adaptations to portray dracula and/or mina as having romantic feelings for each other, but this isn’t really the case in the novel, and elisabeta is entirely an invention of this particular movie.

so, aya being a reincarnation of a girl bram once knew could work as a reference to this. I did say previously that I think it’s possible asagiri will reference adaptations of dracula and not just the novel, but I’m not so sure he would make something specific to one particular adaptation a major part of bram’s backstory.

personally, I’m partial to the idea that aya’s ability will be introduced soon, and her resemblance to this flashback girl may have something to do with it. (the ability idea and reincarnation idea aren’t inherently contradictory, aya’s ability could very well be reincarnation)

this theory by @jo-dieeee suggests that aya’s ability is called mirror, due to the discussion of mirrors in 107.5 and the book above.

mirror: the fiction and essays of koda aya isn’t actually a book written by irl koda, nor is it just a collection of her stories. it was written by ann sherif and discusses koda’s life and works, including some translations of her short stories in the second part. however, the existence of this book and aya emphasizing mirrors in 107.5 is quite an interesting coincidence! whether or not it’s called mirror, I’m fairly confident an ability reveal is coming up.

it’s also worth bringing up that aya’s resemblance to this mystery firl might not have a supernatural explanation at all. it could easily be an artistic choice simply made to indicate that bram is reminiscing about someone who aya reminds him of. I’m not too into the reincarnation idea myself.

[asurrogateblog]

can you explain a little more about the tags 'careful with that axe is about queer rage' and rogers whole perception of syds anger?

oh yah sure! (okay I didn't intend it to be this long when i started...)

that first tag was me just being only half-serious, speculating about the possible story connecting "point me at the sky" and "careful with that axe". in the first song, the character henry calls eugene and asks him to run away to the stars with him and to "hide" with him. henry also calls eugene "baby", which pretty clearly implies a romance. the song ends with the two of them saying goodbye to the world and taking to the sky. flip over to the b-side, next comes a song in which, based on the title and the...screaming, eugene commits some sort of horrible violence. there's no good reason not to think it's the same eugene as the one from the a-side, so my conclusion was that whatever happens in the "story", it has something to do with his relationship with henry and his flying machine. I meant "queer rage" as in "queer person full of rage for queer reasons" not "queer rage" as in "anger towards the system".... but who knows, maybe that's why henry wanted to leave so badly. I would say they probably didn't make the songs gay on purpose, but hey, we've got arnold layne too so there's no reason why it couldn't be.

that second set of tags was about syd was me making a more serious speculation about what the two songs might be really "about". of course, some silly songs are just silly songs, but I feel like I know roger's psychology well enough to not immediately take things at face-value. these songs seem to be about wanting to escape to a better place with someone, to literally reach the stars – but then some terrible disaster happens when one of them tries to bring them down (in careful with that axe, you can hear faintly the lyrics "down, down. the star is screaming beneath the lies"). to me, this seemed to be a good metaphor for the band. roger admits readily that back when syd first left, he was much less sympathetic to syd's situation, and viewed his self-destructive behavior as detrimental to the band. perhaps, then, eugene is syd, trying to destroy the flying machine that is pink floyd. OR, it's the opposite – eugene is roger, and the axe rampage represents the role he feels he played in syd's downfall when all syd wanted to do was fly. either seems plausible to me. after all, the flying motif comes up multiple times later on in the wall, and we all know that pink is based on both syd and roger.

I'm not really married to any single one of these interpretations, and perhaps I'm off the mark entirely, but I just noticed that there hasn't been much analysis of either of these songs. I wanted to have a go at it myself!

[to-be-a-dreamer]

I think you're giving the show waaaay to much credit

If the point of the Tommy stuff was to show growth etc. Then they would have addressed it more on screen?

Not just show him as a racist in one ep then next time the audience sees him just not bring it up

It also feels v messy to be like 'he was racist cos he was closeted'. Like again. Either the show would have really addressed that or they would have kept his passed bigotry just homophobic- something that narratively makes more sense for a closeted guy to engage in

Surely it's kinda an injustice to the people who relate to him to just not really....Engage? With that whole plotline?

It to me more felt like the writers forget what they had actually written him doing last time. It was kept so vague

Also the way he spoke about Abbey kinda made it seem like he was still bigoted. Which again, kinda makes it seem like they just weren't really engaging in the plot

I think Tommy wasn't a character that the writers thought v hard about- he was a temporary love interest, nothing more nothing less. And yeah it's shitty to be so thoughtless with a character with rhat history (they're kinda doing it with Gérard as well 🙄)

Some people liked Tommy so waaaay over thought it. When the writers just didn't.

Just my two cents

Also entirely possible which just makes it even more unfortunate that they had this character with the potential for a really cool storyline and just Didn't do anything with him. Most of my posts are supposed to be speculation about possible character backstories and focused on fandom behavior more than the actual actions of the writers.

Full transparency, the reason I've put so much thought into Tommy is mostly out of spite. If it weren't for all of the weird hate I probably would have been passively interested but nothing makes me want to flesh out a minor character's backstory like unreasonable hate (please someone ask me about my thoughts on Abby, Taylor, and Shannon I'm obsessed with them and their wasted potential). I know most of what I've posted about is way more in-depth than the show will ever go but if you know me from my Newsies stuff you know I love overanalyzing background characters. The Newsies fandom has really spoiled me because I interact with fandom for the analysis and character deep dives but that is. Not what the average Tumblr user is here for.