#leslie dixon

[90smovies]

[thosesadsuburbanghosts]

Hairspray (2007)

"Who cares about sleep when you can snooze in school? You'll never get to college but you'll sure look cool!"

[reppyy]

[genevieveetguy]

. My first day as a woman and I'm getting hot flashes.

Mrs. Doubtfire, Chris Columbus (1993)

[all-action-all-picture]

Wakey, Wakey! Rise and Shine! The Hardy Boys in The Mummy Case. 1981 Armada paperback edition of book 61 in the UK series (numbered differently to the US series). Written by Vincent Buranelli, credited as usual to 'Franklin W. Dixon', with interior illustrations by Leslie Morrill. Cover by Peter Archer.

[picturebookshelf]

The Hardy Boys: The Tower Treasure

(Original: 1927 -- Revised Version: 1959) Author: Franklin W. Dixon (Ghostwriter: Charles Leslie McFarlane) -- Art: Rudy Nappi

[movie-titlecards]

Shadowbuilder (1998)

My rating: 5/10

This is very silly, though in a way that is not without entertainment value.

[dickgraysonsptsd]

dick grayson, money, and control

i am so obsessed with dick's relationship with money... the more post-crisis comics i read the more i believe that dick sees offers of money, especially from the rich or powerful, as an attempt to exert control over him. in part because bruce, intentionally or not, had dick in a position where dick was entirely dependent on him for housing and money for most of his life, and has directly used giving or taking away resources to punish or control dick before.

disclaimer: i'm using a LOT of chuck dixon comics here because of his heavy involvement in building out dick's personal history in the 90s/00s. as a reminder chuck dixon is an alt-right homophobic qanon creep and deserves no respect

early days as robin

in robin (1992) annual #4 (dixon's version of the dick's origin story), dick is taken in by bruce but almost immediately feels out of place and unwanted in bruce's home. he thinks of himself as bruce's "christmas puppy" and is certain that as soon as his parents' killer is caught, bruce will send him back:

dick doesn't feel any sense of permanence in bruce's life early on. that's understandable given the multiple traumas he's been through, and the impermanence itself isn't what i want to focus on here—for our purposes, the way dick's sense of instability is framed here is as an adopted pet. a christmas puppy. an animal, an impulse buy.

even at age 8, dick understands there's a massive gulf in power between himself and bruce—bruce has a giant home, while dick doesn't see the manor as "home" because he's always expecting to be sent back into the system. bruce is the person adopting a puppy, while dick is the puppy. their power imbalance is implicitly tied to bruce's immense wealth and dick's complete lack of status outside of being bruce's ward.

in robin: year one #3 (also by dixon), leslie and dick talk about how bruce doesn't mind giving handouts, but neither of them want to go to him for them:

Leslie: That's why I had you come to General for tests. They have equipment I just can't afford yet. And I'm not about to go to Bruce for another handout Dick: He wouldn't mind. Leslie: That doesn't make it any easier. Dick: Yeah. I know what you mean.

leslie says another handout, meaning that bruce has already funded her here, and dick too has received financial support from bruce as robin and as his ward. but they both don't want to go back for more money, despite knowing that bruce "wouldn't mind"—there's a deeper issue here than whether or not bruce minds it or can afford it. it's not "easy" for leslie or dick to accept bruce's money, even though it's easy for bruce to give it.

to me, this means dick still doesn't see his new level of wealth (or, more accurately, his new access to bruce's level of wealth) as a normal, secure part of his life. i don't know if he ever really does, though eventually he'll come to rely on a line of credit from bruce in his teen titan days.

the firing (nightwing: year one version)

in nightwing (1996) #101, the first issue of dixon's nightwing: year one arc, bruce fires dick as robin. in #102, dick goes to clark for advice, and clark is shocked at the news:

Clark: How can he fire you? Dick: He said, "you're fired." Clark: It's not a job. Dick: It is to Bruce. His cave. His car. His rules. He pays the bills, Clark. And in his eyes I screwed up.

i think we can trace some of dick's intense dislike for taking money from the rich to this version of the firing—in dick's eyes, by accepting bruce's cave, car, and money to pay the bills, dick gave bruce the power to then take those things away from him. bruce was able to fire dick from robin because bruce's resources enabled robin. if dick had been funding robin himself, if it had been dick's cave and car, bruce couldn't have taken it away from him. (when he later moves to blüdhaven, dick takes the first possible opportunity to establish a lair in his apartment and build his own car, rebuilding these resources on his own terms.)

notably, at the end of the actual firing issue (#101), bruce orders dick to leave behind the new robin suit alfred made for him, connecting the firing directly to bruce taking back something given to dick:

here dick gets a very memorable lesson that gifts of financial support and equipment—or workplace resources, if you look at it from the "robin is a job" perspective that bruce takes in this story—can be given with good intentions, but later used as leverage to punish and control.

moving to blüdhaven

nightwing (1996) #3 by chuck dixon was written years before dixon wrote nightwing: year one (above), so it's not totally consistent with it, but dixon was clearly already thinking about dick's relationship with bruce's money when he wrote dick moving to blüdhaven:

Operator: I'm not showing a credit history, Mr. Grayson. Date of birth? A man your age and there's nothing on my screen. You'll need to send us a certified check for one thousand dollars before we can approve electrical service. Dick: I'll get one to you this afternoon.

Dick: Everyone wants cash because Dick Grayson doesn't exist. I guess they're right. Seems like I hardly know him. Kory or Alfred always handled this stuff for me. And for years I've had to rely on a line of credit paid for by Bruce. Seems like I've been on fast forward since the night my parents died.

dick moves to blüdhaven without a credit history and without any financial records in his name at all, as far as i can tell. "dick grayson doesn't exist." he's been reliant on other people financially, either to manage his money or for the money itself, and now he's establishing independence as a solo operation by starting to handle all of that himself. and he's establishing that independence as dick grayson, not just as nightwing.

(also, "on fast forward since the night my parents died"—really juicy to me that dick's lack of financial independence gets linked to how quickly he grows up after his parents' deaths!!)

soon dick gets a job bartending and grins thinking about "the look on bruce's face":

Dick: I actually have a job. Can't wait to see the look on Bruce's face.

which is a fun moment of "just moved out of my parent's place and i finally got my first job!!" freedom to me (though he's been out of the manor for years at this point).

dick and team funding

we now jump forward to 2003. in titans/young justice: graduation day #1, megacorp optitron offers a massive amount of funding to the titans and young justice. dick is immediately skeptical and assumes that optitron will gradually start to use their financial leverage over the titans to "[get] us fighting their own little wars"—it's clear that he's tying together receiving money with being controlled.

Roy: Think of what we could accomplish— Dick: With a gigantic pile of money? No thanks. It begins with them just funding us. Then they've got us fighting their own little wars. I'm sure there's some land rights issue in Asia that they'd love for us to tackle.

donna makes it clear that she's well aware of dick's feelings about the rich, and implies that his bias against them is affecting his decisions around optitron:

Donna: You have a chip on your shoulder about the rich. That and corporations. Dick: What do you mean by that? Donna: What do you think I mean by that?

and all that evidence of dick's view of money-as-control aside... dick wasn't wrong to be skeptical about ulterior motives!! in outsiders (2003) #21, it's revealed that the offer of funding from optitron in titans/young justice: graduation day was at bruce's behest:

so the entire funding offer in graduation day was part of an elaborate deception by bruce to pay for dick's team without letting dick find out about it. bruce later says he meant well by doing this, but dick is so angry about it that there's clearly a deeper issue here for dick:

Narration: And those who know [that Optitron is owned by Batman] are having a very hard time buying the "hands-off approach." Dick: I'll kill him. Roy: Settle down. Dick: Don't tell me to settle down, Roy. He did this again. He always does this.

"he did this again. he always does this." 👀👀👀

in one of my favorite scenes ever, dick confronts bruce in an explosive rage about his ownership of optitron and specifically calls out bruce being deceptive and manipulative (outsiders [2003] #21):

Dick: What exactly is your compulsion, your burning desire to deceive, lie, and manipulate the only people who give a good god damn about you!?

you should really read this issue if you haven't, it's amazing!! i can't summarize the complex weird conversation bruce and dick have here, it has so many layers, but the point is that dick IMMEDIATELY and VERY EMOTIONALLY takes bruce forcing his money on dick('s team) as bruce being a manipulative control freak.

and like, yeah, we know dick can and does overreact to bruce, but the way he overreacts to bruce here... i am immediately connecting this on the red string board in my mind back to bruce firing dick and dick establishing independence from him in nightwing (1996)!! dick worked hard for that independence!! and then bruce made dick take his money even though dick didn't want to, even though dick has these well-established issues around bruce's money, and he brewed up this whole deception around it because he knew dick didn't want it!! of COURSE dick sees that as bruce being willfully a huge fucking controlling bastard to him!!! GOD!!!!!

[darylmydix]

THE SCARS WE SHARE | daryl dixon [m.list]

❝i looked for you…at the start. why’d you leave without sayin’ goodbye?❞

summary: you were the only good thing daryl had in his life. bonded by similar trauma, you suffered abuse at the hands of your stepmother, just as daryl had suffered from his own father. when you finally decide to escape your abusive home life, you’re forced to leave behind your best friend in the process. now with the world in an apocalyptic state, you’re left wondering if daryl was even alive.

pairings: daryl dixon x f!reader.

warnings: smut, violence, blood and gore, unrequited love, best friends to lovers, mentions of s/a, mentions of abuse, mention of suicidal thoughts/attempts, mention of drug use, use of deadly weapons, fluff, angst, slow burn, strong language, kidnapping, coercion, seasons 5-11, 18+, minors dni.

playlist: keep holding on - avril lavigne | already gone - kelly clarkson | hanging on - emilee moore | through the trees - low shoulder | skin - zola jesus | obstacles - syd matters | home to you - fka twigs | words - skylar grey | two is better than one - boys like girls | back to december - taylor swift | how to save a life - the fray | for the love of a daughter - demi lovato | confessions of a broken heart (daughter to father) - lindsay lohan | all my dreaming - emma russack | souvenir - boygenius | heaven i know - gordi | afraid of nothing - sharon van etten | halley’s comet (outro)/halley’s comet (outro slowed) - billie eilish | santa monica dream - angus and julia stone | here with me - d4vd | dark side - kelly clarkson | rush - lewis capaldi | hold me while you wait - lewis capaldi | war of hearts - ruelle | medicine - daughter | reader’s theme song - leslie stevens.

©darylmydix. please do not repost.

000 | 001 | 002 | 003 | 004

[sanguineterrain]

Hello madame terrain, I have been thinking about boxer!jason for some time now and I'm wondering if you have any thoughts about him? if not that's totally okay too ☺️ love all your writing!!!

lol hi, madame terrain is adorable 💕 also boxer jason is big brained!!! let's do it ;)

boxer!jason todd x gn!reader. reader is an apprentice to a ringside doctor (leslie thompkins). tw creepy OMC intimidates reader, jason protects/defends r, fluff, my attempt at boxing stuff.

****

Leslie said she'd be back in an hour.

You're currently at the thirty minute mark, hoping for a natural disaster, an angel, anything, because...

"Doc gives me stuff for my pain all the time," Keith says for the third time. "It's real simple."

Keith Dixon is one of the gym's regular fighters. You haven't seen enough matches to judge his fighting, but you can confidently say that his people skills are in the toilet.

He'd barged into the office ten minutes ago and had refused to leave even when you said Leslie was out.

You need to make a break for it.

"You have to wait for Dr. Thompkins," you say, lifting your chin. You won't give in and risk losing this job. No way in hell. "I can't administer medications. I'm not licensed."

Keith rolls his eyes. He's a hothead, new to Gotham. Likes to fight. Likes to fight mean.

"Look, you're new. I'm just giving you a heads-up on how things work around here," he says, backing you up further. You're nearly against the wall.

Where the hell is Leslie?

"I'm sorry, Mr. Dixon, but I can't prescribe painkillers without her supervision."

"Uh-huh. Know what I think? I think you're just not cut out for the ring," Keith says, cornering you against the cabinet. "Cute thing like you shouldn't be hiding in an office. The Doc ought to know better..."

"Is there a problem?"

The new voice makes you flinch, just a little. Keith pulls back, posture easy but guarded. The second guy holds himself similarly. He's also well-built, clad in a gray tee and black sweatpants. His hands are wrapped.

"J-man," Keith says, daggers in his teeth. "Man, I thought you were benched for the week. You meet our new assistant? They're still getting used to how things run around here."

The mystery man looks at you. His eyes are a lovely teal.

"Is he botherin' you?" he asks.

"I—" You swallow. "I was just explaining to Keith that I can't administer medicine without Dr. Thompkins."

Keith huffs. "Jason, tell 'em how this works."

Jason faces Keith. They nearly match each other in height and bulk. You hope to God they don't decide to brawl here and now.

"I think you're the one who needs a reminder, Dixon," Jason says coolly. "Seems pretty straightforward to me. You need to wait for the Doc. So was there something else you needed?"

Keith's mouth presses into a line. You can tell he's got about a hundred ugly thoughts on his tongue right now.

"Nope," he grits out.

"Mm. Then step off."

Keith obeys. You slip out of the corner.

"I'll come back," he says.

"When the Doc's here," Jason adds. It doesn't sound like a suggestion. "If y'need a reminder of her schedule, I don't mind giving you one."

Keith looks at you. You hold his gaze, heart pounding.

"Of course," he says, all false charm, and pushes past Jason. "See ya in the ring, J.T."

You can't relax even after Keith leaves. Jason remains in the doorway. You close your eyes at the thought of dealing with another fighter. It's not bad with Leslie here, but this is your first time alone. It's already a disaster.

Obviously, none of the fighters respect you like they respect Leslie, even after three weeks of you working here. You don't even know all of the fighters.

"Hey." Jason doesn't move from his spot as he asks. "Y'okay?"

"Yes," you say, keeping your back straight. "I'm fine. Do you need medical attention?"

"I just came to get some more wraps. But I can get 'em at home."

His voice is softer now that Keith's gone.

"No need," you say. "That's what I'm here for."

You get a roll of tape from the drawer. It takes you three tries to pull the edge out. You drop it twice.

You feel Jason's eyes on you. You keep pulling the tape, but it won't comply.

"I got it," he says. "I can wrap myself. Toss it here."

You pause, tape half unfurled. "Dr. Thompkins told me to do all wraps myself."

"Leslie's cool. I won't tell her, anyway."

You shake your head. "Why don't you want me to wrap your hands?"

Jason glances to the side. He leans against the doorframe, purposely casual.

"'Cause Keith's a big guy. And I'm a big guy. And your hands are still shaking."

You tighten your grip on the tape.

Jason gestures to the office. "This is your space. I won't come in if you don't want me to. That's not how this works."

"It's... it's the job," you say, startled. "I don't—I've heard that Keith's rough with everybody."

"Yeah, well, he's an asshole. You shouldn't have to be rough back. Good fighters turn it off outside of the ring. I don't want to make you feel small. Alright?"

Tension bleeds out of your spine. You no longer feel like prey.

"It's easier if I wrap them for you," you say, and turn your back on him to fetch the antiseptic.

The tiles behind you creak as Jason hesitates for a moment. Then he walks in and sits in a chair, so you're higher than him.

He looks up at you. He really does have beautiful eyes. His eyelashes are dark and delicate. There's a faded bruise on his cheek.

He's boyishly handsome, with a mouth that looks like it smiles a lot.

"Do you also fight here?"

He nods. "Since I was eighteen. Been here a while."

You take one of his hands in both of yours. Jason's already thrown out the old tape. His knuckles are cut up. They're covered in scars. His fingernails are short and neat.

His hands are big, far bigger than yours. Veins feed into each other from the backs of his hands up his forearms.

You take out the antiseptic spray.

"Might be cold," you warn.

"'S okay."

You spray his skin. Jason doesn't even flinch.

"Your hands are really soft," he says.

"Oh, thank you. I use Isley's Salve. Works great."

Why did you share that?

Jason's mouth quirks. "Yeah? Might have to try that. My hands have seen better days."

"I have some in my bag." You let go of the half-done wrap and dig through your backpack. You pull out the small tube of salve and squeeze some onto his hands.

Jason is quiet and still as you rub in the lotion. He's pliant as you finish the wraps, letting you turn his hands over. You pull the wraps tight.

"All done," you say, face suddenly warm like you've been caught doing something you weren't supposed to.

He flexes his hands a few times. "Thanks. You're good. I can see why Leslie chose you as her apprentice."

You shrug. "Anybody can wrap hands."

"Dunno. I've seen some pretty shit wraps in my time."

"Oh. Well, um, I'm here most of the time, so feel free to come by and get your wraps changed."

He hums. "Sure. Don't worry 'bout Keith. I'll take care of it."

Your eyes widen. "I don't want more trouble..."

"You won't get trouble, I promise. We don't tolerate that here. 'Sides, he's overstayed his welcome."

You nod. "Okay. Thank you, Jason."

"No need for thank you's. Y'alright getting home?"

"Yes, I'm okay. Leslie's dropping me."

Jason nods, then picks himself up. He pauses like he wants to say something else, but he strides out of the room like he's in a rush instead.

"Well, um. G'night," he says over his shoulder. "Take care."

It's about fifteen more minutes until Leslie returns.

"Everything alright?" she asks in a tone that tells you she already knows the answer. "I ran into Jason on my way in. He said Keith Dixon gave you some trouble. I'm sorry I took so long. Are you alright?"

"You ran into—I thought Jason went home for the night."

Leslie looks like you've just told her the sky is red. "He wanted to make sure you were okay. So he waited till I came back. Are you okay? Did Keith hurt you?"

You shake your head. "No, I'm alright. Just shaken up. He's a bully. Wanted painkillers."

Leslie frowns. "He won't bother you again. I'll make sure you're not alone."

"It's okay. I mean, Jason was there."

She nods. "Mm. He's a good boy. I know his father."

"Yeah, he, uh, was nice. I wrapped his hands."

Leslie raises an eyebrow. Your shoulders rise.

"What?" you ask. "You said to practice my wraps."

She shrugs. "Nothing, nothing. I did tell you that. I'm glad you got some practice in."

You follow her to her car. Soon, Leslie pulls out of the lot.

"Leslie, do you mind if we stop at CVS?"

"Sure. What for?"

You feel for the little tube in your pocket.

"Need more Isley's Salve... I'm, uh, running low."

[oldshowbiz]

Canadian author Leslie McFarlane wrote the Hardy Boys mysteries under the the nom de plume Franklin W. Dixon.

His son Brian McFarlane was a longtime Hockey Night in Canada broadcaster and creator of the cartoon character Peter Puck.

[90smovies]

[welcometogrouchland]

Controversial Steph take: I don't actually know that she'd want to be a nurse as a career. In main canon anyway

The point of evidence people use for this is usually Convergence: Batgirl (where a retired Steph becomes a nurse in the domed Gotham. Specifically she has midwife training), along with her time spent in Africa with Leslie helping people, and that's fair.

(Convergence: Batgirl #1 & Robin/Spoiler special)

I don't think canon has ever actually gives us an indication of what career Steph would like (her major in Batgirl (2009) is undeclared/never discussed iirc, and I can't think of any reference to the topic in Robin '93 or elsewhere) so it makes sense that readers would latch onto these moments as an indication of what a potential civilian career might look like for Steph.

It works fine but there is some interesting arguments to be made against it: namely this panel from Robin #82 (1993):

(Robin (1993) #82)

People often mention how Steph's mom was a nurse and how this might make her partial towards the career path but this panel implies the opposite- Steph's mom works long hours that put distance between her and Steph (Steph says more than once that Crystal works nights and sleeps days) and to, Steph at least, the job seems miserable.

Obviously this is a direct contradiction of Convergence: Batgirl, and while that simply comes down to different writers having different interpretations (and personally I don't think Dixon's takes precedent even if he is Stephanie's creator) it's interesting to me to think about what else Stephanie may actually want to do with her life.

We know her hobbies from a smattering of comics (sports like softball and gymnastics, piano, generally more on the creative side than the technical side but did do a lot of computer science during college) but none really coalesce into a career path. Personally I think if Steph were to work in the medical field she'd make a great EMT/first responder (adrenaline rush AND she's helping people!). I also think her pursuing something really difficult like a law degree just to spite people who doubt her would be in character (social work might be more up her alley in that scenario though).

Idk, just food for thought. Let me know if anyone has any alternate ideas for Steph careers

[reppyy]

[hewwokitti]

Hey cuties!!! Here’s a post about the future of this blog (no i am not leaving)

First i want to apologize for being so gone like completely silent gone. I have not been feeling OBX for a long time. As such, I will be making this a multi fandom blog. I have completely cleared my inbox due to the incident so if you requested something I have not done yet, feel free to request again and I will try to make sure that i get to them when im feeling like OBX

As for the fandoms I will be writing for: it will be these (i will make a pinned post after and make it all pretty)’

Reblogs appreciated <3

OBX

JJ

Rafe

Pope

John B

HOTD

Aemond Targaryen

Aegon Targaryen

Rhaenyra Targaryen

Daemon Targaryen

Jacaerys Velaryon

Gwayne Hightower

Cregan Stark

The Office

Jim Halpert

Dwight Schrute

Ryan Howard

Abbott Elementary

Gregory Eddie

Janine Teagues

Melissa Schemmenti

The Walking Dead (until “The day will come when you wont be”)

Rick Grimes

Carl Grimes

Negan

Daryl Dixon

Glenn Rhee

The Governor

Shane Walsh

Abraham Ford

Maggie Greene

Rosita Espinosa

Carol Peletier

Beth Greene

Sasha WIlliams

Tara Chambler

Parks and Recreation

Ron Swanson

April Ludgate

Andy Dwyer

Ben Wyatt

Leslie Knope

Chris Traeger

Ann Perkins

Mark Brendanawicz

Cobra Kai

Young/Old Daniel LaRussio

Young/Old Johnny Lawrence

Amanda LaRusso

Robby Keene

Miguel Diaz

Tori Nichols

Samantha LaRusso

Eli/Hawk Moskowitz

Demetri Alexopoulos

Harry Potter

Fred Weasley

George Weasley

Hermione Granger

Ron Weasley

Harry Potter

Luna Lovegood

Percy Weasley

Draco Malfoy

Matthew Riddle

Lorenzo Berkshire

Twilight

Jasper Hale (romantic- all fics will be this pairing i cannot write anything else sorry)

Alice Cullen (platonic)

Carlisle Cullen (platonic)

Rosalie Hale (platonic)

Esme Cullen (platonic)

Emmett Cullen (platonic)

Edward Cullen (platonic)’

Supernatural

Only Winchester!reader up to Season 8 (im working on it)

The Umbrella Academy

5

Criminal Minds

Spencer Reid

Singer!Actress!Reader verse

Tom Holland

Rudy Pankow

Ewan Mitchell

Pedro Pascal

Jeffery Dean Morgan

Pretty much any actor in the shows i have mentioned are fair game- ill let you know if i dont want to write for them.

Also generally reader! Being famous IE- interviews, award shows, red carpets

I will make a page on reader

[all-action-all-picture]

1980 UK Armada paperback edition of The Mystery of Cabin Island - The Hardy Boys Adventure No. 26. Originally book 8 in the series and published in 1929. Later revised in 1966 (the priceless medals were a stamp collection in the original). The original was written by Leslie McFarlane and the 1966 revision by Anne Shultes but both versions were credited as usual to 'Franklin W. Dixon'. Cover by Peter Archer.