#leprechaun saga

[jeandejard3n]

Leprechaun | Ambient Music

[retro-frikianos]

¡¡¡PÓNGALE PLAY!!! 21: SAGAS

LEPRECHAUN

[jadeshifting]

— A GUIDE TO CLASSES AT EVER AFTER HIGH.

MYTHOLOGY. taught by Mrs. Psyche

this class delves into the legendary tales and divine histories of various magical realms, exploring the origins, powers, and legacies of gods, mythical creatures, and legendary heroes. Mrs. Psyche, an expert in ancient lore and celestial wisdom, guides students through epic sagas, divine rivalries, and the cultural significance of myths across Ever After. expect interactive lessons, dramatic reenactments, and the occasional visit from an actual deity if you’re lucky—or very unlucky

HOMEWORK. expect essays on the morals and hidden meanings in classic myths, plus creative assignments like rewriting a legend with a modern twist PLEASE THE PROFESSOR. show curiosity about myths from all cultures and always be respectful of love deities—Mrs. Psyche takes their stories very seriously AVOID MISHAPS. don’t mix up gods from different pantheons in your presentations—calling Zeus “a Norse deity” is a one-way ticket to an exasperated sigh

KINGDOM MANAGEMENT. taught by Mrs. Her Majesty, the White Queen

future rulers, nobles, and aspiring leaders learn the ins and outs of running a kingdom, from diplomacy and lawmaking to organizing grand balls and handling royal scandals. the White Queen, known for her composed yet commanding leadership, teaches strategy, ethics, and governance through real-world scenarios, often incorporating Wonderlandian logic puzzles to test students’ problem-solving skills under pressure

HOMEWORK. drafting decrees, designing economic policies, and writing conflict resolution strategies fit for ruling a kingdom PLEASE THE PROFESSOR. always address her formally, take notes in impeccable script, and never question the importance of royal protocol AVOID MISHAPS. never suggest solving political disputes with a sword—she insists that diplomacy, not duels, is the mark of a true ruler

ADVANCED ELFONOMICS. taught by the esteemed Fairy Queen

this elite course teaches students the intricate financial magic behind running a kingdom, from managing enchanted trade routes to understanding the unpredictable fluctuations of the golden bean stock market. the Fairy Queen, with her keen business acumen and ancient fae wisdom, ensures her students master the art of wealth accumulation, resource allocation, and the occasional negotiation with mischievous leprechauns

HOMEWORK. balancing enchanted budgets, predicting market trends in fairy-tale economies, and occasional field trips to enchanted banks filled with gold PLEASE THE PROFESSOR. keep your calculations accurate and your economic theories sound—Fairy Godmother investments rely on precision, not guesswork AVOID MISHAPS. don’t accept enchanted gold from leprechauns or trickster fairies—it will vanish overnight, and your grade will disappear with it

GRIMMNASTICS. taught by Coach Gingerbreadman

a fast-paced, action-packed class that combines acrobatics, endurance, and skills fit for any fairytale hero or heroine. with Coach Gingerbreadman’s lightning-fast speed and high-energy training style, students practice enchanted obstacle courses, daring escapes, and storybook stunts that would make even the most daring adventurer sweat. the class focuses on developing strength, flexibility, coordination, and agility, blending magical elements with traditional gymnastics techniques

HOMEWORK. none! ( whew ) but in class, expect daily obstacle courses, tower-climbing drills, and team challenges that involve fleeing from imaginary witches PLEASE THE PROFESSOR. keep up, move fast, and don’t complain—Coach G is all about agility and endurance, and he does’t slow down. ever AVOID MISHAPS. never eat anything left unattended in the gym—there’s a 50/50 chance it’s either an energy-boosting enchanted snack or a curse-laced trick. you never know!

CHEMYTHSTRY. taught by Professor Rumplestiltskin

a mix of potions, alchemy, and enchanted chemistry, this course teaches students how to brew everything from love potions to transformation elixirs—if they can handle Professor Rumplestiltskin’s cryptic riddles and tricky assignments. with an emphasis on magical reactions and the delicate balance of ingredients, students must be precise, or they may find themselves accidentally cursed or turned into gold

HOMEWORK. brewing potions, analyzing alchemical reactions, and testing the properties of enchanted elements PLEASE THE PROFESSOR. follow instructions to the letter—Rumplestiltskin loves precision and has a zero-tolerance patience for careless spell-mixing AVOID MISHAPS. never, under any circumstances, agree to any kind of “trade” with the professor in exchange for an easier assignment. it’s not worth it, trust me

DAMSEL - IN - DISTRESSING CLASS. taught by Madam Maid Marian

a staple for traditional storybook heroines, this class teaches the fine art of swooning at the right moment, perfecting the helpless-yet-charming gaze, and calling for help in a voice that carries across enchanted forests. Madam Maid Marian ensures her students master the delicate balance between appearing vulnerable while subtly manipulating the situation to their advantage—because even the most distressed damsels know how to work a fairytale in their favor

HOMEWORK. practicing swooning, perfecting a well-timed gasp, and composing letters of woe to imaginary rescuers PLEASE THE PROFESSOR. always act appropriately dramatic when learning proper distress techniques—anything less than peak theatrics is disappointing AVOID MISHAPS. don’t accidentally outshine the prince in a rescue simulation—nothing gets you on her bad side faster than saving yourself ( no matter how blitheringly useless your rescuer may be )

CREATIVE STORYTELLING. taught by Professor Jack B. Nimble

in this dynamic and expressive class, students learn how to craft compelling narratives, whether for written tales, theatrical performances, or enchanting oral traditions. Professor Jack B. Nimble, known for his quick wit and lively teaching style, encourages students to think outside the storybook and experiment with different genres, endings, and perspectives, ensuring their own tales are just as spellbinding as the ones that came before them

HOMEWORK. writing fairytales with unexpected endings, crafting riddles, and creating engaging oral stories to be performed in class PLEASE THE PROFESSOR. be witty, be original, and never deliver a boring story—Professor Jack lives for quick thinking and clever twists ( students still whisper about the time he literally fell asleep in the middle of a student’s story ) AVOID MISHAPS. avoid clichés at all costs—it says in the syllabus that if he hears “once upon a time” too often, he might jump out the window in protest

ADVANCED VILLAINY. taught by Mr. Badwolf

for those embracing their darker destinies ( or just wanting to understand the mind of a villain—it’s an elective, too ) this class explores the art of scheming, deception, and tactical villainy. Mr. Badwolf, with his menacing charm and years of experience causing trouble, teaches students how to craft masterful monologues, execute dramatic entrances, and plan foolproof plots—complete with an emphasis on avoiding the classic pitfalls that lead to a villain’s downfall

HOMEWORK. devising foolproof villainous schemes and identifying weak points in heroic plans. bonus points for sabotaging another student’s assignment PLEASE THE PROFESSOR. show ambition, strategy, and more than a little bit of wicked flair—Mr. Badwolf respects students who think like masterminds AVOID MISHAPS. don't act heroic in class—while he tolerates reform-minded students, he won’t hesitate to assign extra homework as punishment if he feels anyone's too generous or kindhearted

FASHION DESIGN. taught by Mrs. Fairy Godmother

a dream-come-true class for aspiring designers, where students learn to craft magical ensembles, enchant fabrics, and create garments that are both stylish and spellbinding. with Mrs. Fairy Godmother’s expertise in transformation magic, students practice stitching together gowns that change color at midnight, boots that walk on air, and accessories infused with fairy dust. bonus points for those who can design an outfit fit for a royal ball and an epic quest. the class blends traditional design principles with a touch of enchantment, encouraging students to create outfits that reflect their unique personalities and tell their own fairy tales

HOMEWORK. creating mood boards, sketching outfits, and crafting magical garments with enchanted fabrics PLEASE THE PROFESSOR. always keep your workspace neat and clean, and your designs fabulous—Mrs. Fairy Godmother has high standards for both AVOID MISHAPS. never leave unfinished projects unattended—one rogue swish of a wand, and your dress might sprout wings or turn into a pumpkin

BEAST TRAINING & CARE. taught by Professor Poppa Bear

from training fire-breathing dragons to taming mischievous talking mice, this class prepares students for handling all manner of enchanted creatures. with his warm but no-nonsense approach, Professor Poppa Bear teaches students how to communicate with beasts, provide proper magical care, and even ride or befriend some of Ever After’s most fearsome ( or snuggly ) creatures. the class emphasizes the importance of empathy, respect, and responsible stewardship when interacting with enchanted beings

HOMEWORK. taking notes on enchanted creature encounters you have outside of class, studying their habitats, and practicing magical grooming techniques. assignments are much easier for students who have their own mystic beast as a pet PLEASE THE PROFESSOR. be patient, compassionate, and firm—Professor Poppa Bear believes good beast tamers must balance kindness with authority, and he won't hesitate to crack down on students he feels aren't being tolerant and kind with the creatures AVOID MISHAPS. always double-check what you're feeding the creatures—accidentally giving a griffin a fire-breathing potion will not end well

CROWNCULUS. taught by Mrs. Her Majesty, the White Queen

a blend of advanced mathematics and royal economics, this class teaches students how to manage kingdom finances, calculate treasure values, and strategize for economic prosperity. the White Queen ensures that students grasp complex numerical concepts while also understanding the practical application of numbers in ruling a kingdom, proving that math isn’t just about numbers—it’s about power and magic, too

HOMEWORK. solving royal tax equations, balancing enchanted budgets, and calculating castle construction costs PLEASE THE PROFESSOR. always show your work neatly on your notes, respect the logic of numbers, and never bring chaos into her perfectly ordered classroom. loose fairy dust or torn paper is a one-way ticket to getting sent out to the hallway AVOID MISHAPS. never argue that "magic can just fix the math"—that’s a fast track to an exasperated glare and extra equations ( though she'll pretend you were chosen at random for them )

ADVANCED WOOING. taught by Dr. King Charming

whether it’s serenading a princess from a castle tower or sweeping a prince off his feet at a royal ball, this class covers the fine art of courtship. Dr. King Charming, an expert in chivalry and romance, teaches students how to compose love letters, master ballroom etiquette, and perfect the dramatic, wind-blown hair flip. special guest lectures from famed love interests ensure students are well-versed in only the most effective wooing techniques ever after

HOMEWORK. writing needlessly lengthy sonnets, practicing your dramatic entrance, and perfecting grand romantic gestures PLEASE THE PROFESSOR. exude confidence, use flowery language, and always demonstrate princely manners—Dr. Charming believes wooing is an art, and it helps if you act with decorum even outside of tests and assignments AVOID MISHAPS. don’t mix up your love letters—accidentally delivering the wrong one can lead to legendary levels of fairytale drama ( Dr. Charming won't admit how he knows, but he seems suspiciously adamant on it )

COOKING CLASS - IC. taught by Professor Momma Bear

a cozy yet rigorous class where students learn everything from baking enchanted pastries to brewing hearty, storybook-worthy stews. Professor Momma Bear, warm but strict, teaches students the magic of home-cooked meals and how to avoid common culinary disasters—like accidentally putting a sleeping spell in the soup ( more common than you’d think. shocking, i know. ) bonus points for anyone who can craft a meal fit for both a royal banquet and a humble woodland picnic

HOMEWORK. baking enchanted pastries, perfecting porridge temperatures, and learning potion-infused cooking in the communal kitchens—they're open late at night, which is when lots of students do their best work PLEASE THE PROFESSOR. follow the recipe to a T, respect the kitchen space, and always clean up after yourself—Professor Momma Bear runs a strict but cozy classroom, and surfaces need to be crumb-free for that to happen AVOID MISHAPS. never leave the oven unattended—one careless mistake and your muffins might gain sentience ( or explode )

DARK SORCERY. taught by Baba Yaga

for those required to ( or foolish enough to ) dabble in the shadows, this class explores the ancient and forbidden arts of dark magic. Baba Yaga, cryptic and terrifyingly wise, teaches students the ethics of wielding power, the risks of curses and hexes, and how to summon forces beyond mortal comprehension—strictly for academic purposes… of course. students who can keep up with her demanding lessons will most certainly find themselves walking the fine line between greatness and peril, just as intended

HOMEWORK. expect assignments on hexes, shadow magic, and extremely ethically questionable but highly effective spellcasting techniques PLEASE THE PROFESSOR. be respectful, but not a suck up... listen carefully, but don't hang onto her every word... and never waste her time—Baba Yaga is a fickle old witch who does not tolerate foolishness AVOID MISHAPS. don’t touch any of the professor’s personal artifacts—one single misstep, and you might find yourself cursed for a week ( or a lifetime )

WOODSHOP. taught by Mr. Geppetto

in this hands-on class, students learn the craftsmanship of enchanted carpentry, from crafting magical furniture to carving living marionettes ( though talking puppets are strictly optional. ) taught by the legendary woodcarver Geppetto, the course emphasizes precision, patience, and the importance of working with enchanted materials—because nobody wants a table that turns into a frog mid-banquet

HOMEWORK. crafting intricate wooden figures, repairing broken fairytale objects, and designing enchanted furniture to be presented to the class while Geppetto ooh-s and aah-s encouragingly and inspects it from every angle PLEASE THE PROFESSOR. pay attention to detail, measure at least twice before cutting, and never be careless with your tools ( wouldn't wanna lose a finger... or more ) AVOID MISHAPS. never bring anything to life by accident—Mr. Geppetto still has opinions about unexpected animated puppets, most of them aren't as perfect as his

DEBATE. taught by Mrs. Her Majesty, the White Queen

a battle of wits, logic, and eloquence, this class teaches students how to construct compelling arguments, navigate royal negotiations, and win verbal duels with precision. The White Queen is a master of both reason and Wonderlandian riddles, and she ensures her students can debate everything from kingdom policies to whether a dragon’s hoard should be considered taxable income. though, of course, you always have to shake your opponents hand before and after a debate—and sometimes halfway through, too ( “debate is nothing without decorum, dears” the teacher chirps. )

HOMEWORK. researching historical disputes, and crafting persuasive speeches and arguments to perform in class PLEASE THE PROFESSOR. speak clearly, argue with logic, and maintain perfect etiquette—she values reason and refinement above all else. a perfectly crafted argument could be given zero-sum marks if you use foul language while presenting it AVOID MISHAPS. don’t descend into nonsense logic—Mrs. Her Majesty and the subject of debate as a whole has no room for "because I said so" as a defense

GEOGRAFAIRY. taught by Professor Jack B. Nimble

a whirlwind tour that covers every enchanted land, hidden kingdom, and magical realm, this class ensures students can navigate their way through both real and mythical landscapes. Mr. Jack B. Nimble, quick on his feet and sharp in his knowledge, teaches students how to read enchanted maps, locate legendary landmarks, and survive the treacherous terrains of places like the Swamps of Sorrow or the shifting sands of the Ever After Desert

HOMEWORK. memorizing magical trade routes, mapping enchanted forests, and planning efficient royal journeys, especially for high-stakes travel like royal carriages or valuable trade stocks PLEASE THE PROFESSOR. stay sharp, think fast, and always be ready for pop quizzes—Professor Jack moves just as quickly as his name suggests AVOID MISHAPS. don't mistake one enchanted swamp for another—some have quicksand, others have talking alligators, and both will fail you the test

DRAGON SLAYING. taught by Dr. King Charming

an action-packed course for aspiring heroes and knights, this class covers everything from identifying dragon species to the safest techniques for confronting ( or befriending ) them. Dr. King Charming, ever the gallant warrior, teaches battle tactics, shieldwork, and the art of delivering a victorious speech while standing atop a defeated beast. students are encouraged to find creative, non-lethal ways to deal with dragons—because a slayed dragon often makes for a very angry dragon mother ( you don’t wanna deal with one of those )

HOMEWORK. designing battle strategies, practicing swordplay ( safely and with supervision ), and studying legendary dragon encounters PLEASE THE PROFESSOR. be courageous ( he hates students who cower ) and cultivate a healthy respect for dragonkind—Dr. Charming does not tolerate arrogance or killing out of malice AVOID MISHAPS. never mistake a friendly dragon for a feral one—Dr. Charming is not amused by unnecessary heroics or violence without reason

RIDDLING. taught by Professor Sphinx

a brain-twisting class that challenges students to master the art of riddles, trick questions, and mind-bending wordplay. Professor Sphinx, with her cryptic wisdom and smug amusement, pushes students to think in loops, uncover hidden meanings, and craft riddles so clever that they impress even her. only those with quick wits and sharper tongues will excel. there’s a silent booth tucked into the back of class where students can take solace in five minute time-outs if they get a riddle-induced brain-ache

HOMEWORK. solving some of the most famous and ancient riddles from fairytale history, crafting the trickiest trick questions, and debating paradoxes ( there has to be some end ) ( spoiler alert: there isn't ) PLEASE THE PROFESSOR. think outside the box and embrace the art of wordplay, she appreciates students who attempt to match her riddlish intellect ( though they never fully can. ) never give an obvious answer—she doesn't tolerate laziness AVOID MISHAPS. don't answer a riddle too quickly—Professor Sphinx loves watching students squirm in confusion, she'll snap if you think one is "too easy"

POISON FRUIT THEORY. taught by Mr. Henchman

a darkly fascinating course that delves into the study of enchanted produce, venomous flora, and the alchemy of cursed concoctions. Mr. Henchman, an expert in apple-related treachery from first-hand witnessing, ( and doing most of the dirty work himself shhhh ) teaches students how to identify, craft, and counteract, certain poisons—purely for academic purposes… of course. only the most careful and exceedingly precise students avoid an accidental nap at some point

HOMEWORK. identifying toxic ingredients, testing non-lethal potions, and studying famous fairytale poisonings—students are absolutely not permitted to handle lethal poisons outside of class time, no matter how funny Mr. Henchman thinks it would be PLEASE THE PROFESSOR. be cunning, precise, and always ask about antidotes—surprisingly enough Mr. Henchman values ambition and intelligence over blind villainy AVOID MISHAPS. this should go without saying, but don’t ever eat anything from the classroom—regardless of whether it’s an extra-credit challenge or a standard study subject, it’s all dangerous

HISTORY OF TALL TALES. taught by Professor Paul Bunyan

a larger-than-life class where students study the greatest exaggerations in folklore, from beanstalk-climbing farm boys to men who lasso tornadoes. Professor Paul Bunyan, with his booming voice and legendary stature, teaches the importance of hyperbole, embellishment, and how a good story can shape the world. except storytelling assignments where size does matter, and extra credit for every surreptitious golden object you can cram into your tale

HOMEWORK. exaggerating your own legendary feats into tall tales, researching folklore heroes, and reenacting famous larger-than-life moments PLEASE THE PROFESSOR. show enthusiasm for exaggerated storytelling and never question the truth of a tall tale—Professor Bunyan appreciates a good yarn, says puzzling into it "takes away the fun" AVOID MISHAPS. don’t get caught underestimating the size of the stories—or of Professor Bunyan’s pet blue ox, Babe

DIPLOMACY 101. taught by Mrs. Fairy Godmother

an essential course for future rulers, ambassadors, and anyone hoping to survive royal politics, this class covers the art of negotiation, conflict resolution, and fairy-tale-level etiquette. Mrs. Fairy Godmother, an expert in wish-granting diplomacy, ensures that students can turn any total pumpkin of a situation into a golden carriage of opportunity—preferably before midnight

HOMEWORK. drafting peace treaties, mediating minor disputes between friends or classmates, and practicing polite yet firm negotiation techniques PLEASE THE PROFESSOR. mind your manners, choose your words wisely, and never raise your voice—Mrs. Fairy Godmother believes in charm over conflict, and that manners always win AVOID MISHAPS. try not to use magic to solve conflicts too quickly—diplomacy requires finesse and effort, not a bibbidi-bobbidi-bandaid

CASTLE DESIGN. taught by the Three Little Pigs

a structural and aesthetic architecture class that teaches students how to design the perfect castle, from grand ballrooms to impenetrable fortresses, and everything else a benevolent ruler ( or evil sorcerer ) could need from their abode. the Three Little Pigs, having learned their lesson more than once after their own architectural mishaps, are now experts at crafting with only the pinnacle of quality materials, and they guide students through the balance of beauty and functionality, ensuring that no tower is too tall and every drawbridge is both sturdy and stylish

HOMEWORK. drafting blueprints, constructing model castles, and ensuring defenses against huffing and puffing in your structures PLEASE THE PROFESSORS. always prioritize structural integrity in your projects—they still have very, very strong opinions about weak materials AVOID MISHAPS. never, ever suggest using straw or sticks unless you want a three-pig class-long lecture on the merits of proper fortification

BEWITCHING SONG. taught by Ms. Aquata of Atlantis

a mesmerizing music class where students learn the magic of vocal enchantment, from siren songs that lure sailors to sleep, all the way to battle hymns that rally armies. Ms. Aquata, hailing from the royal family of Atlantis with her haunting voice and knowledge of forbidden harmonies, trains students in the delicate balance of melody and power—reminding them that some songs come at a price

HOMEWORK. composing enchantments through song, practicing vocal spells, and analyzing the most famous fairytale musical enchantments ( of course, the teacher is partial to songs from the tale of the Little Mermaid, though she pretends she doesn't have favorites ) PLEASE THE PROFESSOR. stay in tune and on key, embrace the magical melodies, and never mock merfolk music—Ms. Aquata takes her siren songs very seriously, even if they sound like dolphin noises to the untrained ear AVOID MISHAPS. avoid singing the wrong notes—one slip, and you might accidentally charm your classmates into an impromptu dance number ( music magic can be... fickle )

ANGER MAGICMENT. taught by Mr. Badwolf

a course designed for students with fiery tempers and villainous bloodlines, this class focuses on channeling rage productively instead of, say, blowing houses down. Mr. Badwolf ( you know… the Big Bad Wolf ) with his own history of temper issues, teaches students techniques in deep breathing, mindfulness, and how to redirect fury into something slightly less destructive—like competitive sports instead of rampaging through villages

HOMEWORK. journaling your emotional responses on the day-to-day, practicing breathing exercises, and resolving conflict without growling PLEASE THE PROFESSOR. keep your temper in check, use calming techniques, and don’t provoke classmates—Mr. Badwolf knows firsthand how bad anger issues can get, he has no tolerance for trying to set off others AVOID MISHAPS. never howl in frustration—it sets off an automatic... pack response from Mr. Badwolf, leaving him embarrassed and you in detention

EXPERIMENTAL FAIRY MATH. taught by Dr. Sandman

a mind-boggling fusion of numbers, magic, and dream logic, this class teaches students how to manipulate enchanted equations, calculate impossible probabilities, and solve numerical riddles that make reality bend. Dr. Sandman, a master of both dreamscapes and abstract concepts, guides students through numerical paradoxes and whimsical calculations that only make sense if you never think about them too hard

HOMEWORK. solving numerical paradoxes, creating reality-warping equations, and exploring mathematical dreamscapes—make sure you can get back to your dorm when you're done studying, though PLEASE THE PROFESSOR. keep an open mind, embrace dreamy logic, and don’t expect normal numbers—Dr. Sandman sees math through a magical lens, try to see things from his point of view AVOID MISHAPS. never fall asleep mid-equation—you might wake up inside a calculated alternate reality

[quackpackweek]

We usually don't post anything unrelated to the Quack Pack, but this news has us pretty upset. Although this is not an English speaking area, but a Latin American Spanish speaking area, it is still sad to say that a Latin American Spanish speaking voice actress named Erica Robledo died last week. :(

Yes, she acted in many series and gave many voices in Latin American Spanish dubbing, especially in the roles of Tanya Ratonovich (Tanya Mousekewitz) in An American Tail, Princess Ariel in The Little Mermaid Disney TV series, Dorothy Gale in The Wizard of Oz (anime version), Princess Esmeralda in Magic Knight Rayearth, Ran Mouri (Claudia Guzman) in Detective Conan, Nemo in Little Nemo: Adventures in Slumberland, Princess Irene in The Princess and the Goblin, Princess Flora in the Babar series, Hollyhock, Wanda Pierce and Maude in Bojack Horseman, Heidi in the film of the same name, as well as the role of Mary Magdalene in the film Jesus, Princess Zarina Leprechaun 4: In Space, Vanessa in Lupin III and some roles in the Maradona series and in other dubbings she gave. Wife is Leonardo Araujo, director of Latin American Spanish dubbing and mother of son Álex Araujo, who is an excellent voice actor for Latin American Spanish dubbing.

Yes, she also voiced Louie Duck in Quack Pack, in the Latin American Spanish dub and was very successful at it. Although the original American version is not bad, the Latin American Spanish was really great and you should listen to it (if there are those videos available on the internet at all) and a big thanks to her for voicing Louie. It is a great pity to lose her. Source: https://www.instagram.com/p/C2oVz1mN0wB

Spanish:

Erika Robledo fue una actriz de doblaje de Los Ángeles. Hermana de la actriz de doblaje Rocío Robledo e hija de la fallecida actriz de doblaje Guadalupe Romero. Estuvo casada con el también actor y director de doblaje Leonardo Araujo y es la madre de Álex Araujo, razón por la cual durante un tiempo fue acreditada como Erika Araujo.

Fue conocida por su versatilidad al poder realizar voces de niños y niñas, mujeres jóvenes, adultas y ancianas, talento que compartía con su hermana Rocío, actualmente retirada del medio. Ambas hermanas dieron voz a Ariel en Las nuevas aventuras de la sirenita. Entre otros de sus personajes más conocidos destacan la Princesa Esmeralda en Las Guerreras Mágicas, Tania Ratonovich en Un cuento americano, Claudia Guzmán (Ran Mouri) en Detective Conan y Dorita (Dorothy Gale) en la versión anime de El Mago de Oz doblada en Los Ángeles. También fue la voz de Luis en Quack Pack, Mimi Cardona / Siniestra en Las aventuras de Saint Tail y de las actrices Anna Kendrick en la saga de Crepúsculo, Alicia Silverstone en Ni idea y Natasha Henstridge y Michelle Williams en Especies, entre muchos otros personajes.

Asimismo, Erika realizó doblaje al inglés, destacándose el rol de la actriz mexicana Verónica Castro en la serie original de Netflix "La casa de las flores".

Falleció el 22 de enero de 2024.

Source: https://doblaje.fandom.com/es/wiki/Erika_Robledo

Rest in peace, and thank you on a beautiful childhood. Amen.

[swan2swan]

Had a thought today about That Book Series and one of the actual deepest, most cutting scenes in the saga that really doesn't have a match...

When Ron figures out that the money he paid Harry back with was leprechaun gold, and then he says, "Wow, I'm still in your debt", and Harry goes "Eh, I didn't notice", and Ron says "Wow. Must be nice to just not notice that money missing", and then he says "I hate being poor."

There was an opportunity for something there. Especially for someone like Rowling, who was struggling to pay her own bills (allegedly) for ages. It was a chance for Harry to talk about how he's actually never really earned his own money (which, also, note, this was the book where he would end it by winning a thousand gold pieces, or a hundred, or seven hundred, old me would have had that number down pat), and how it's all just been his parents, and how maybe he's afaid, or he has to budget, or he questions the value of the money he's been given, or talks about how he would be happy to share it...there's a hundred different ways that could have gone, so many interesting plot points, but I'm pretty sure Hedwig just starts knocking on the window then with a letter from Sirius and the scene shifts to him coming back.

Which is incredibly par for the course in those books.

[escapethemojoverse]

Episode 12: Climbing the Claremountain--The Phoneix Saga

The original Phoenix Saga features much less Phoenix than you'd probably figure. More leprechauns too!

Uncanny X-Men 101-108 written by Chris Claremont, Penciled by Dave Cockrum and John Byrne with archival panels from Bob Brown, Inked by Frank Chiaramonte, Sam Grainger, Bob Layton, Tom Sutton, Dan Green, and Terry Austin, Colored by Andy Yanchus and Janice Cohen, and Lettered by John Costanza, Bruce Patterson, Tom Orzechowski, Joe Rosen, and Denise Wohl

If you have a comment or question you can email us @Mojoversepod@gmail.com 

Logo by Emily Kardamis who can be found on Instagram @corruptedgem or on Patreon at Patreon.com/corruptedgem

Our theme song is by Megan Lenius.

[amchara]

I'm a bit late with this but thanks for the tag @whenshesayshush!

How many works do you have on ao3?

71 (with an additional 10+ on ff.net, and a lot of scattered on livejournal and elsewhere on tumblr, as I am old-school)

What’s your total ao3 word count?

357,732

What fandoms do you write for?

Active: Fate: The Winx Saga, The Shadowhunter Chronicles, Shadow and Bone/Grishaverse

Past: Supernatural, Harry Potter, Gossip Girl, Star Trek (movieverse), misc smaller fandoms

What are your top 5 fics by kudos?

Effortless (TSC)

Trouble Seems to Follow (TSC)

Something I Need (Shadowhunters TV/TSC)

When I Go Quiet, You Say I Look Good in the Silence (TSC)

Hideaway (Fate: The Winx Saga)

Do you respond to comments? Why or why not?

I try to! But I've really fallen behind in the last year - it's not great. But I aim to reply to most comments even if they are massively late. I feel if someone has taken the time to leave a lovely comment, I should acknowledge it.

What is a fic you wrote with the angstiest ending?

This is hard to choose because many of my stories have bittersweet endings or endings where ultimately it may end up being okay but by the current end of the fic, it's ambiguous.

In terms of longer stories, Trouble Seems to Follow leaves the main pairing in limbo, with secrets between them that are almost certainly going to have terrible consequences. Or maybe A Darkly Lit Path as the corruption arc is set up but never full explored.

Overall- it may be, You Have to Let Go, one of the Whumptober 2021 ficlets but lol, pretty much that whole series is an an angst-athon. I kill major characters, there's several possessions, some deals with demons, etc.

But I was looking through my archive and umm, yes. Many many angsty stories. The next question is going to be interesting to answer.

What’s the fic you wrote with the happiest ending?

Heh. So the thing is, I rarely write pure fluff. Big believer in making the characters work for their happy ending! Ummm - let's go with For How Long. My fav The Last Hours pairing was not going to be canon, so I wrote them a happy ending.

Do you get hate on fics?

Nope. I've had a couple comments where commenters seemed confused on why I wrote certain characters or situations but they've never been hateful.

Do you write smut? If so, what kind?

Yep! I used to write more mindfuck/hate-fuck and dub-con inhibition lowering fics but I think nowadays I tend to write smut where it's integrated as a conduit for exploring messy, intense feelings, and some good examples would be Talking Bodies and Shadow to the Light.

Do you write crossovers? What’s the craziest one you’ve written?

Very occasionally! I think the craziest one I wrote was a loooong time ago. A Black Donnellys/Supernatural crossover called Shake on Your Luck about Dean winning some luck in a poker game with a leprechaun and I had an absolute blast writing it in a folkloric, storytelling style!

Have you ever had a fic stolen?

Not that I know of?

Have you ever had a fic translated?

Nope.

Have you ever co-written a fic before?

A long time ago in Harry Potter, I wrote a few. More recently @belle-keys and I started a co-writing project that may or may not ever see the light of day, but it's been fun so far! I've also done some collabs on Big Bangs - most recently with @widadsadki and @skloomdumpster. I enjoy them! But wouldn't consider myself a regular co-writer.

What’s your all-time favorite ship?

Let's go with one of my longest-standing ships, who I've never written for but they likely inform/influence a LOT of my id when I'm writing - Eugenides/Irene from the Queen's Thief series.

What’s a WIP you want to finish, but doubt you ever will?

None! I still have plans to return to all my current WIPs on Ao3, it just may take time.

What are your writing strengths?

Worldbuilding/expanding on canon. Exploring minor character backgrounds. Characters finding catharsis through challenging situations. Angsty/ambiguous endings.

What are your writing weaknesses?

Straightforward happy endings or fluff/slice of life fics. Humorous writing, I don't feel I'm often great at dialogue - sometimes it does click but I have to work at it. My writing background is journalistic so my style feels often quite 'workmanlike' and sturdy without being lyrical.

Thoughts on writing dialogue in another language for a fic?

I've done it before but only in languages I have passing knowledge of - French and Spanish. I don't have strong feelings either way if authors do it?

First fandom you wrote for?

The second Xman movie, X2. Yes, the one that came out in 2003. Yes, I've now been writing fanfic for 20 years!

Favorite fic you’ve written?

Ooh, this is the toughest question - I think stylistically Effortless and Confluence are my best works and so they are probably my favourites. But I have a fondness for Love Letter Scorecard too!

Tagging: I think most people in FTWS fandom have done this oen so- let's go with TSC and other fandoms @themimsyborogove, @ibrushmyteeth-donttellanyone, @bookishjules @lifeofbrybooks, @jesse-is-spiralling @dontmindmyshadowhunting and anyone else who'd like to do it!

[keepsmagnetoaway]

X-Men 129 (January 1980)

Chris Claremont/John Byrne

It's late September in this one-comic-a-day project and the dawn of the 1980s in the actual publication timescale of these comics: it's the moment we've all been waiting for. It is, finally, the Dark Phoenix Saga.

It's good to be back. I'm going to try and resist the temptation to rehash in great detail the plot of all these issues, but this is what so much of the last few years of Claremont has been leading too: a ten-issue run of unparalleled high stakes that changed the X-Men forever and is usually regarded as their finest story ever. We'll see at the end if that's true, I guess. One great thing happens right at the beginning, though: Banshee fucking leaves.

I'm being a bit harsh, but I just never liked Banshee. All the begorrah-bejesus stuff is exhausting, his leprechaun castle backstory is insane, his powers are baffling, and his role in the team was...what? "Older sensible guy"? That's never going to be a particularly interesting position. So, farewell Sean, and hello again to Xavier, who has finally returned from space bullshit and appeared right in a panel with some clashing patterns that are giving me a migraine.

Meanwhile we get our first real look at our antagonists, though they've been lurking around for a while (including in some retroactively inserted stories), and one of them - Jason Wyngarde - has now appeared a couple of times to psychically send Jean back to a Regency romance novel. But now we finally properly see the Hellfire Club.

"Regency-themed sexual deviant Illuminati named for the actual Regency deviants' club and heavily inspired by that one Avengers episode" is a totally fucking bizarre idea for a villainous group, but it works. It's unlike anything we've really seen before for the X-Men and it instantly brings a kind of spooky, literal cloak-and-dagger quality that feels very exciting and mature, even when it's all basically silly. That's not all for introductions this issue, though, as Claremont has another piece to put on the board (this is a very Hellfire Club-inflected metapor, sorry) as this storyline kicks off.

It's Kitty Pryde! She's here! Well, she's in Chicago, as you can see, but still. It's remarkable to realise that, although the revival had been going for five years at this point, Claremont had not yet introduced an actual new character to the team, playing in the sandbox of the existing characters and the ones he created for the initial Giant-Size relaunch. Kitty - though of course we don't know it yet - is here to change that with her instantly recognisable and distinctive features (loosely based, apparently, on Sigourney Weaver) and with her various key differences from existing team members: most notable, she's only thirteen (and also, Jewish - note the necklace). Kitty, as you can see, is being courted by Emma - but the X-Men are also onto her, and she likes them a lot better.

God, I love this panel (uh, slightly insane comment from Kitty about skin colour aside): the layout, the use of colour in the background, the facial expressions. Note Peter and Logan back there: Logan's reading a porn magazine and Peter's eyes are popping over his shoulders. And on the next page, he gets called on it, before things kick off.

Right, anyway, Kitty. I'm well aware that there are Strong Feelings about her and various things that have happened to her since, but this is a banger of an introduction and I adore her. The audacity of droping her in like this and then having the three actual X-Men get owned is brilliant, and this is how the issue ends.

There we go! It feels like whole vistas have suddenly opened up: the Hellfire stuff is suddenly so adult and intriguing, but then we also have plucky teenage Kitty showing up for what seems like a Saturday morning cartoon. It shouldn't all work but it does. And we haven't even gotten to any Jean stuff yet!

[jasminewalkerauthor]

Deep dives into folklore: Irish mythology

Irish mythology, steeped in ancient lore and imbued with a sense of enchantment, stands as a testament to the rich cultural heritage of the Emerald Isle. This deep dive essay embarks on a quest to explore the depths of Irish mythology, unveiling the stories, deities, and sagas that have shaped the spiritual and imaginative landscape of Ireland for millennia.

I. The Mythic Cycle:

At the heart of Irish mythology lies the Mythic Cycle, a collection of sagas that recount the exploits of legendary figures and divine beings. Táin Bó Cúailnge (The Cattle Raid of Cooley), an epic tale of heroism and warfare, features the hero Cú Chulainn defending Ulster against the forces of Queen Medb of Connacht. Other prominent tales include the tragic love story of Deirdre and Naoise, and the intoxicating adventures of Fionn mac Cumhaill and the Fianna, a band of legendary warriors.

II. Tuatha Dé Danann and the Otherworld:

The Tuatha Dé Danann, a mythical race of supernatural beings, are central to Irish mythology. These gods and goddesses, associated with beauty, magic, and craftsmanship, are said to have inhabited Ireland before the arrival of humans. The battle of Mag Tuired, in which the Tuatha Dé Danann faced the Fomorians, showcases their power and the eventual establishment of the divine race as the rulers of the Otherworld.

III. Cycles of Life and Death:

Irish mythology is deeply connected to the cycles of life, death, and rebirth. The concept of the sídhe, fairy mounds or portals to the Otherworld, represents the passage between life and the afterlife. The Banshee, a female spirit known for her wailing cries, is often considered an omen of death, while the concept of Samhain, the precursor to Halloween, marks the end of the harvest season and the beginning of the Celtic new year, symbolizing the transition between life and death.

IV. Mythical Creatures and Beasts:

The folklore of Ireland is teeming with mythical creatures and beasts, each carrying its own symbolic significance. The Pooka, a shape-shifting creature with an unpredictable nature, reflects the capriciousness of the Irish landscape. The leprechaun, a mischievous fairy, is associated with hidden treasures, while the fearsome Cu Sidhe, a giant hound, guards the entrance to the Otherworld. These creatures add depth and whimsy to the rich tapestry of Irish mythology.

V. Cultural Resilience and Mythological Adaptation:

Irish mythology has endured through centuries of change, including periods of colonization and cultural upheaval. The oral tradition played a crucial role in preserving these myths, passing them down from generation to generation. Even in the face of external influences, the Irish people have demonstrated a remarkable resilience in maintaining their cultural identity through the retelling and adaptation of mythological narratives.

Irish mythology, with its heroic sagas, divine beings, and mystical creatures, offers a captivating glimpse into the soul of Ireland. The enduring legacy of these myths speaks to the resilience of a culture that has weathered the storms of history while holding onto its rich and enchanting heritage. As Ireland continues to evolve, its mythology remains a source of inspiration, connecting the present to the ancient tales that have shaped the collective imagination of the Irish people for centuries.

[chaoticneutralbell]

Thank You And Hello

In which Lucien tracks down his leprechaun. ft @lucienmelaina

LUCIEN

The last thing Lucien expected when he returned home after spending the night at Mayra's was a clean house. He had never been a particularly untidy person, but somewhere between his own health declining and his brother needing extra care, the apartment had fallen into a state of disarray that was only getting worse by the day.

It took a note on the kitchen counter and a quick explanation from his brother to get him back onto his feet and on the way to the school, looking for the person responsible. Spotting the blonde head he didn't really recognize hunched over some notebooks, he knocked on the already open door to make his presence known.

"Lucy, I presume?" he asked, holding up the note with her signature at the end.

LUCY

She'd been noodling a new idea for the kids when the knock startled her. "What? Oh!" The note was a tremendously handy clue. She was glad past-Lucy had left it.

A push to her feet and Lucy crossed the room. "Yep - hope it didn't weird you out. I didn't mess with anything I thought would be private." The un-confession was blurted, chased with her bubbling laugh. "Which probably sounds way suspicious."

Waving around the room, she added, "Did you wanna sit?" A beat pause to consider his height and Lucy added, "They aren't all kiddie size. Mine even has wheels."

LUCIEN

"That sounds exactly like what someone who has gone through my drawers would say," Lucien replied and partly accepted her invitation, leaning against one of the desks, which were more suitable for his height and easier to get out of whenever he chose to go. "Fortunately for me, I am pretty boring."

He looked over at her for a second, taking in the sight of this new person who had gone to such lengths to help him and his brother live under decent conditions. "That was incredibly nice of you, especially considering you don't even know me. Did you just trust I deserve it because of the name similarity?"

LUCY

Giggles bubbled out of her. "No! I especially didn't see any of the erotica about your neighbors." Leaning in, her voice turned conspiratorial. "And I wouldn't call that description of Father Theo boring."

Lucy watched him, briefly confused before a smile dawned. "Oh, you really *are* Ares brother, aren't you?" She gestured to the note. "You were my assignment! For the Pot of Gold thing!"

She slid into the chair at the desk Lucien chose. "It was kinda tricky to spy on you, what with the reclusive eccentric shtick. Lucky me, I happen to know someone on the inside."

LUCIEN

"Darling, when I finally write the Great Redwood Saga, I will not hide it away. It will be compulsory reading material for everyone," he laughed along with her.

"Oh, I got that. I just assumed pot of gold meant someone getting me a nice mug or something of the like. Not going out of their way to make sure I don't leave in a stable." He looked down to wher she was sitting, intrigued. "I have a feeling I should be insulted, but your actions have granted you the benefit of the doubt. Care to elaborate on this grand scheme of yours?"

LUCY

Her eyebrows shot up, another hoot of laughter. "Saga like Dune or saga like Twilight? Because I - well, actually? Fuck it, I'd read both." She thumbed over her shoulder to indicate the room. "Can't guarantee it'd be approved material here, though."

Lucy pulled a face. "Nah - it was just a challenge to do something nice! I don't think there was a restriction on the form it took?" It'd be wonk if it had to be a physical present.

"About the eccentric shtick? Nah, nah, nah. It was just a challenge is all." Flopping back in the chair, Lucy's grin widened. "I'm afraid I cannot reveal my secrets, lest you install preventative measure against future sneaking."

LUCIEN

"I'd hope for Dune, but knowing the people around this place, it would turn into something much more unhinged," he half-joked. In another universe, the apocalypse gets magically resolved and he becomes a very very rich man from said Redwood Saga. "Do you happen to be a reader?"

"Oh, I think you played by the rules perfectly. I just didn't expect it, that's all. Which, I suppose, was the premise of the whole setup, so kudos on that as well," he smiled back at her. "I am more than okay with you keeping your secrets. And if I find my kitchen mopped one evening, I will gladly pretend it was the elves that did it."

LUCY

"Hell, yeah, dude." She indicated their surroundings. "I may not teach literature, but that doesn't mean I don't love books. Brave New World was always a favorite." Obviously the guy managing all the books would love them; Lucy didn't need to ask.

Fingers laced over her stomach, she stretched her legs out and crossed them at the ankle. "You may be shocked to learn that you're not the first person to find my choices and behavior unpredictable."

She did sit up at the idea that she'd be mopping his place again. "Is the Pot of Gold shit recurring? I didn't think I was committing to monthly chores, performed gratis."

LUCIEN

"Excellent choice," Lucien commented at her book pick, "although nowadays I find myself straying away from dystopian novels. You know, living in the dystopia and whatnot." He was always in favor of using novels as escapism, but some of them hit a little too close to home. "I used to write, you know, before all this. I have a feeling you would offer some valuable reviews," he offered- he wasn't one to incessantly promote his books, but he couldn't resist when he met someone who would either thoroughly enjoy them or completely despise them.

"No, I think you're safe on that front," he laughed at her sudden panic. "Although I don't know what new idea they will come up with after this. Maybe it's reverse pot of gold next time, and you get to wreak absolute havoc on my poor apartment."

LUCY

Eyes sparkling, Lucy giggled. "Thank you. But we were always in a dystopia, dude. Just lost the Somas." That he was a writer caught Lucy's curiosity. "No shit? You any good?" Lucien... Lucien... Hmm. What was their last name?

Lucy's laugh was more guffaw this time. "Yeah, right. That doesn't feel very Morale-y. Intriguing social experiment, though." The bait of nice gestures to the switch of malfeasance. "What'd you do for yours?" She paused and added, "And what would you do?"

LUCIEN

“I mean, some people used to think so. It doesn’t matter at all nowadays, but I made a living out of it once,” Lucien answered, his old life feeling very foreign to him.

“For mine?” he asked with a surrendered laugh. “Luck didn’t grant me any of my favorite people around him, but I chose to be a walking -limping- stereotype and got them a book. Nothing as extravagant or valuable as your gesture,” he explained, thinking back on his awkward but necessary encounter with Zack. “Does it make me a bad person that I didn’t put in much effort solely based on personal feelings?”

LUCY

"No shit," Lucy whistled low, impressed. "Was it wild, having people pay to read a bunch of shit you made up? Did you do tons of research or - I heard sometimes you can hire someone to research for you. Did you love it? Or - wait. Was it nonfiction?"

It was good he could joke about the bum leg. Lucy, however, slid her hands under the table while she spoke. "Yup. Bad person. Worst." She cracked a grin and changed the answer. "You did A Nice and didn't bitch out and those were really the only requirements... Unless you did it to be a little shit because they can't read or something."

LUCIEN

“Oh, definitely. And then a bunch if people decided to pay me to make a movie out of a bunch of shit I made up,” he tried to explain months of his life in a couple of sentences. “But it was definitely fiction, always been a big fan of escapism.”

“I don’t think I have that much spite in me,” he replied to her assumption. “Maybe I’m just too exhausted. But I do not judge people who decide to be little shits,” he glanced over at her, like that’s something that might be of interest to her.

LUCY

A movie out of his book - must have been dystopian YA. "What genre?" Escapism could be nearly anything - for Lucy it had been schoolwork, the kids, work-work. Always keeping her brain as distracted, as busy as possible. Already there had been unwise attempts in Redwood to occupy her attention, and Lucy wondered if taking a book soon wouldn't be a good idea.

"Spite is a great motivator, babe," Lucy tutted. "I survived a lot of shit specifically out of spite." She made little fists in her shirt under the table. Her phantom finger curled with the rest, and Lucy bit back the usual outburst of cursing.

"I'll remember that when I'm hiding from consequences." When she felt it safe, Lucy pushed to her feet. "C'mon, be my arm candy and I'll walk you home."

LUCIEN

"Historic fiction, mostly," Lucien explained, knowing that he shouldn't get into too much detail because he would not stop for hours. "But I've got some murder mystery too, if that's more your thing." He rarely promoted his own work, especially the older publications, but Lucy seemed like someone who would appreciate it. "If you're ever interested, just drop by the library, as you've noticed I'm pretty much always there."

He pushed himself off the desk, linking his free arm with hers, their height difference probably making them look ridiculous. "And I'll take that as a compliment as well. Lead the way."

[angryfaery]

Fairy Legends in European Cultures

Fairy Legends in European Cultures - Insofar as we can speak of the origins of the present-day versions of the fairy legends, it is as probable that Europe was the cradle of this type of legend as anywhere else. In that part of the world, there were three different periods in which historical events, real and imagined, gave rise to the classic depiction of Tinkerbell and her kindred legends. The first period was the era of the Celts, in the first century of the Christian era. The dances of the Dryads, the frightful tone of the Aes Sìbhe, the exalted women's chorus at the coronation of the Ard Rí - the steps, collective delirium, and mystic background of this legend were characteristic of a people who shared language, traditions, and spirituality with their Scythian cousins, who pressed against the edges of Persia. In other words, the most ancient of the European fairy legends are no other than the Platonic delirium of the Scythian women's prophecies of Indonesian Tour.

The second period was the era of the Germanic invasions, with the matter of the Franks on one side of the Rhône and the English Cheshire on the other. Tradewise capriciousness. Being quick and cunning almost always has a commercial side, and the shadower of the Northern ports, from Seville to the coasts of the Baltic Sea, left vestiges of them at every important seaport. Six hundred years after the Celts, the northern hunting elves simply took over the role of the Dryads and other nymphs who whirled their flocks of doves around the Baltic palm trees. The third epoch warring no longer for the love of libation, but for the love of God saw the golden moment of the Fairy. Their presence in the European forests demonstrated the spatial capacity of religious delirium when it was no longer set free by the beating of women in the groves, but by the flow of public opinion moving all at once due to but one institution. During the dawn of the twelfth century, little non-Christian migratory children had foreseen the morning alarms of the good Colette, and they took them away to live in a convent, where they were baptized and became consorts of the Holy Spirit.

Celtic Fairy Lore

The fairy mythology of the Celts is more distinctive from that of other European ancestors. They were even considerably prolific in their inventions of the fairies, and they were integrated into their native mythology in a manner that reduced the influence of other ethnic beliefs. This race originated from the Baltic and was intermingled with the Eurasian steppe dwellers before the Celts' ancestors emerged. Evidence of this is that the very bones of the earth are still fairy-ridden in some parts of Slavic lands, while the Celts, after their early period of wild, barbaric, and poetic efflorescence, embody their fairylore in legends and tales in which the fairies have no religious role, beside echoes of ancient myth depicting them as supernatural enemies.

While the concept of the Sidhe echoes some pre-Celtic deities and land spirits, the well-known figure of the leprechaun is specifically Celtic. These are the singular unsociable owners of gold, craftsmen, and cobblers of fairydom, traditionally recognized from their frowning brows and shabby clothes. They are not harmful but are deceptive, using their ingenuity and magical craft to keep men at a respectful distance. If he is ever caught, the leprechaun usually lives near a certain style of thorn tree. His fortune will be revealed and secured only after the sap of the thorn has been sought, and after much cheating by the leprechaun, he is given some other task to perform.

Germanic Folklore

The Norse myths and Viking Age sagas contain many sorts of supernatural beings, some of which we would recognize as fairies or elves. We read of the Vanir and the Aesir, two distinct sets of gods, the ash tree Yggdrasil, through the roots and branches of which the different realms of the supernatural are connected, and the world tree in which Odin was hanged, Norns, dignified prophetesses who spin fates. We find warriors, for example set in stone by enchantresses living on Mount Lyfjaberg, and of the Einherjar, the people who did not settle mead, and who fight every day, dying of their wounds, but rise again healed before evening, within the walls of Valhöll, the hall of Odin, and the Valkyries, Odin's maids, side by side with magnificent horses and swords, who serve them ale and water. Crucial to understanding these myths is the realization that the different realms of the gods, the giants, the dwarves, the dead, and the fairies within which mortals can move and in some cases live overlap.

Recently, mainstream European fairy tales have been traced back to Italy in the first century before the birth of Christ, to the taste for the folktales current among Oriental slaves, which long postdated. These myths are likely to have come from the east too, but we do not know who told them to those seafaring peoples. We can be sure of one thing: when they listened to and orally preserved the myths they had learned from those who had enslaved them, the Germanic peoples who believed that they had learned the art of spying from female water spirits were living at their northernmost historical ebb, in the final years of the Roman Empire. Their sea sisters were no longer within their horizons – they dwelt wherever their ships had taken them.

Slavic Fairy Tales

In mythology, a group of immortal supervisory deities, usually female, endowed with enormous powers, appear in the mythological systems of the ancient Slavs. They are sovereigns of the fates of men, protectors of family good and spiritual guardians of all social life, and embodiments of pagan beliefs. The supreme anthropomorphic hypostasis of a fairy was called Rozhanitsa (or Rozhanitsy, meaning 'Birth Giver'). Rozhanitsy symbolize the powers of the mother goddess: the birth, development, and life of the children, prosperity and fertility, and social and private material and spiritual well-being. Rozhanitsa is a collective hypostasis archetypically over the fate of a single person. Each individual propitiates the female deity of his own fate; the magic symbolism applies to the fairy symbol as a symbol of the One and indivisible, where every fairy represents creativity, energy, wealth, knowledge, birth, help, and care for a certain period of human life: childbirth, and then feeding and raising the child, as well as spiritual and practical support in the issues of education and personal evolution. The individual protection of the fairy is compared with the power of the genealogical mistress, where at a specific time of the year, the generation of a human person appears before the gods during the family festive service.

[maybelacrimosa]

WAIT SEBASTIANS VALTOR???? WHY, Valtors supposed to be like a weird monster the witches made, not just some dude. He doesnt even look like valtor, wheres the goth drip? wheres the cravat? they could have made him like a creepy artificial creature seeking vengeance on witches and fairies alike, but he’s just a guy I guess. Everyone important in the otherworld went to magic fairy eton I guess. 

[dragoneyes618]

"Here's a helpful little song: Leaves o' one, turn an' run. Leaves o' two, not for you. Leaves o' three, leave it be. Leaves o' four, instant death. We used to have a better rhyme for that, but too many little ones were dying for the sake o' poetry."

-Mick the leprechaun, Unlucky Charms, page 250, the Cold Cereal Saga, Adam Rex.

[uapro]

 Fascinating.

[theriu]

How To Guides for Mythical Creatures Masterlist

All of my HTGfMC posts, listed from oldest to newest! I’m pinning this post to the top of my dash for easier access. If you have a decently well-known cryptid, monster, or mythological creature you’re interested in seeing a guide for, feel free to send me an ask or idea!

1. How To Deal With Goblins 2. How To Work With Fairies 3. How To Defeat A Sphinx 4. How To Confound A Centaur 5. How To Console A Leprechaun 6. How To Pitch To Minotaurs 7. How To Vex A Vampire 8. How To Play With Dragons (And Comic!) 9. How To Charm A Gorgon 10. How To Thwart A Kelpie 11. How To Reason With Perytons  12. How To Handle A Harpy  13. How To Cure A Werewolf  14. How To Appreciate A Reaper  15. How To Challenge A Kitsune  16. How To Scare A Skeleton  17. How To Spook A Selkie  18. How To Behead A Hydra  19. How To Tag A Bigfoot  20. How To Trick A Troll  21. How To Match Your Yokai  22. How To Befriend A Giant  23. How To Bribe A Gryphon  24. How To Annoy A Unicorn  25. How To Discourse With Dwarves  26. How To Sting A Siren  27. How To Disgruntle A Pegasus  28. How To Evict A Dryad  29. How To Confuse A Chupacabra  30. How To Desecrate A Mummy  31. How To Ward Away Fae  32. How To Disgust A Zombie 33. How To Track Invisible Men  34. How To Discourage A Changeling 35. How To Pass A Cerberus  36. How To Repay A Chimera  37. How To Energize A Mothman  38. How To Ride A Chollima 39. How To Nag A Naiad 40. How To Glare At Gargoyles 41. How To Extinguish A Phoenix 42. How To Silence A Banshee 43. How To Bargain With Rumplestilts 44. How To Frustrate A Faun 45. How To Rehome A Brownie Outfit Concepts for M.E. (the Mythic Expert) The M.E. getting her game face on (gonna whack somebody)

EXTRAS!

My Top Posts: Winnie the Pooh Theory that Ended Up Being Canon Ol’ Stinky Jess (Swampbender Avatar)

True Hivemind Communication When? The Canned Bread Saga Alpaca Naptime The Princess Bug (Miraculous Ladybug BEAU AU/Princess Bride)

And if you're still wanting more links to click, go here for more of my Assorted Nonsense!

[eirikrjs]

In a semi-recent post about getting into megaten, you talked about how were particularly drawn to the Tain and Cu Chulainn. What's the main quality of Mythology that interests you? And why is Cu Chulainn on of your favorite demons?

Well, it appealed to me in a very personal way. Again, the class I took was on Norse and Irish myth. It ended up being a transformative one.

I remember being generally aware of Norse myth beforehand. I was already a fan of Odin, though mostly through Final Fantasy's. Really, FF explains my general awareness (or lack thereof) of myth at the time, but it enabled me to be receptive enough to want to learn more.

I was also Christian. This is only relevant because I remember being offended by anti-Christian jokes made by the professor of a philosophy class I had taken but dropped the previous semester, lol. I wasn't devout or anything, it was just somehow part of the identity I accepted for myself. Looking back, it was quite odd and superficial.

I enjoyed the Eddas, which were about what I expected. But I had no expectations for the following Irish unit, which was mostly the Tain. At first I made fun of it and pointed the weirdness and "plot holes" (like Cu Chulainn's multiple births). This was, of course, the wrong approach, as you can't take myths literally. It didn't take long to learn.

It was around Cu Chulainn's training with Scathach that it began to click with me. I was able to connect Cu Chulainn's character to heroes I knew from video games. His salmon leap was like an FF Dragoon's Jump, and he slaughtered armies like he was a Dynasty Warrior. I kid you not, these associations were important for my comprehension at the time and maybe others can relate.

But then there was my absent father, who has been dead for over three years now. I knew he was Irish (-American) because my mom would make fun of him using Irish stereotypes, lol. Nonetheless, that's who I am and there was always a void there that was filled by discovering Cu Chulainn as this Irish thing that had nothing to do with getting drunk or leprechauns. It was like I went through a Jungian individuation, as I suddenly felt like a whole person.

The following summer I did nothing but read myth books I could find from the local library. Mostly introductory stuff, like these picture books. Learning about all the older ANE flood myths that inspired Noah killed my faith and I've been an atheist since. I read Joseph Campbell as well since I recognized his name from Star Wars books and documentaries. Dude sure liked to talk about the chakras and due to that, I recognized their names in the Digital Devil Saga OST I downloaded as part of a batch later in the year. Sahasrara, Muladhara, et al. sounded pretty good so I decided maybe I should go all-in on the available SMT stuff after all.

So Cu Chulainn is a personal symbol of maturation to me. I didn't even enjoy reading before discovering myth, then all of a sudden it was all I wanted to do. I think recognizing reflections of yourself in myths is the secret to sparking enthusiasm and passion for the subject.