#lennon mono

[i-cloudyink-i]

LEMONTOBER DAY 5: LIVE FROM THE HAUNTED CANDLE SHOP

Got a bit silly with it, I’m really proud of how it turned out tbh ^_^

(+ Alts under cut)

[nedison]

Happy 60th to A Hard Day's Night, the most Beatley Beatles LP!

[longliverockback]

The Beatles 1964 US Albums in Mono [Box Set] 2024 Apple ————————————————— Tracks LP One: Meet the Beatles! 01. I Want to Hold Your Hand 02. I Saw Her Standing There 03. This Boy 04. It Won’t Be Long 05. All I’ve Got to Do 06. All My Loving 07. Don’t Bother Me 08. Little Child 09. Till There Was You 10. Hold Me Tight 11. I Wanna Be Your Man 12. Not a Second Time

Tracks LP Two: The Beatles’ Second Album 01. Roll over Beethoven 02. Thank You Girl 03. You Really Got a Hold on Me 04. Devil in Her Heart 05. Money (That’s What I Want) 06. You Can’t Do That 07. Long Tall Sally 08. I Call Your Name 09. Please Mr. Postman 10. I’ll Get You 11. She Loves You

Tracks LP Three: A Hard Day’s Night 01. A Hard Day’s Night 02. Tell Me Why 03. I’ll Cry Instead 04. I Should Have Known Better [instrumental] 05. I’m Happy Just to Dance with You 06. And I Love Her  [instrumental] 07. I Should Have Known Better 08. If I Fell 09. And I Love Her 10. This Boy (Ringo’s Theme) [instrumental] 11. Can’t Buy Me Love 12. A Hard Day’s Night [instrumental]

Tracks LP Four: Something New 01. I’ll Cry Instead 02. Things We Said Today 03. Any Time at All 04. When I Get Home 05. Slow Down 06. Matchbox 07. Tell Me Why 08. And I Love Her 09. I’m Happy Just to Dance with You 10. If I Fell 11. Komm Gib Mir Deine Hand

Tracks LP Five: Beatles′65 01. No Reply 02. I’m a Loser 03. Baby’s in Black 04. Rock and Roll Music 05. I’ll Follow the Sun 06. Mr. Moonlight 07. Honey Don’t 08. I’ll Be Back 09. She’s a Woman 10. I Feel Fine 11. Everybody’s Trying to Be My Baby

Tracks LP Six: The Early Beatles 01. Love Me Do 02. Twist and Shout 03. Anna (Go to Him) 04. Chains 05. Boys 06. Ask Me Why 07. Please Please Me 08. P.S. I Love You 09. Baby It’s You 10. A Taste of Honey 11. Do You Want to Know a Secret

Tracks LP Seven: The Beatles’ Story 01. On stage with the Beatles 02. How Beatlemania began 03. Beatlemania in action 04. Man behind the Beatles - Brian Epstein 05. John Lennon 06. Who’s a millionaire? 07. Beatles will be Beatles 08. Man behind the music - George Martin 09. George Harrison 10. A Hard Day’s Night - Their First Movie 11. Paul McCartney 12. Sneaky haircuts and more about Paul 13. The Beatles look at life 14. Victims of Beatlemania 15. Beatle medley 16. Ringo Starr 17. Liverpool and all the world —————————————————

* Long Live Rock Archive

[alittlepaintalittlepencil]

sometimes you work on something that you think (hope) will be special. you give a little more. you cross your fingers a little harder.

when it turns out to be what you hoped it would, well that is worthy of a very satisfying release of that deep breath you had taken.

ie: i am really satisfied with the outcome of this drawing.

[javelinbk]

'Originally, the “Sunshine Superman” single was subtitled “For John and Paul,” a reference to Lennon and McCartney. Donovan was friends with the Beatles.' (link)

When I say we'll be cool I think that you know what I mean We stood on a beach at sunset, do you remember when? I know a beach where, baby, a-it never ends When you've made your mind up forever to be mine

[rhapsodynew]

#On this day

Events of October 17th

1968

2nd day of the White Album information

John Smith:

"It took about twelve hours between all the edits coming from the four sides. Then everyone went home and asked me if I could do the same thing with the stereo versions. I probably didn't sleep a full day that day, and I spent at least eighteen hours at work. Tellingly, on many other days there were drugs in the studio every now and then, but that day everyone was completely sober."

Chris Thomas:

"I was in room 41 with John Lennon and John Smith, who were preparing current assignments. Listening to so many different songs drove us all crazy. By about four in the morning, John Smith had cut about four feet of tape, cut out the unnecessary pieces, and then glued everything back together. Ken came in around four in the morning and said, “Chris, can you help? Paul wanted to do another Helter Skelter mix, but passed out sitting at the console.” I went to the control room and we did everything while Paul was sleeping. Lying right on the console."

Alan Brown (EMI Technical Engineer):

"I remember coming into the studio at 9 a.m. on Thursday, October 17th, 1968, and finding The Beatles still there. They spent the whole night in the studio finalizing the master recordings of what was later released on the White Album. They were everywhere, in room 41, in the listening room–anywhere–in almost every room that could be used. It was a crazy emergency."

Mark Lewisohn:

"On October 17th, George Martin sent a copy of the stereo master of the White Album to Capitol Records in the USA. New versions of the Yer Blues and Don't Pass Me By monomixes will be added to the monomaster on October 18. The mono version of the White Album” will be mastered by Harry Moss on October 18 and 19, and the stereo version on October 21. The White Album will be released in the UK on November 22, 1968, and in the USA three days later."

[kichisaburo3]

BEATLES Rare Photo Colorization Pete Best Sings at Center in 1962 Reblogged

Pete Best were Drummer Before Ring Starr Joined

Pete Best Wikipedia https://en.wikipedia.org/wiki/Pete_Best

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George Harrison in Left

Paul McCartney Played Drum ( ? )

John Lennon in Right

at Cavern Club in Liverpool ( ? )

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TAG of BEATLES in my Tumblr https://kichisaburo3.tumblr.com/tagged/BEATLES

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Mono Photo Reblogged From :

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25 JULY 2024 Thursday

[harrisonarchive]

Footage from interviews for The Beatles Anthology EPKs, and Today Tonight (Australia), 1995. Courtesy of YouTube. “It’s just some little magic that… you know, when you get certain people together, it produces — you know, it makes fire.” - George Harrison, EPK interview Q: “One of the songs, ‘Free As A Bird,’ that John recorded on mono. He’s playing the piano. How difficult was it melding the three surviving Beatles with John?” George: “Yeah. It was… it just took a little time, really. It was pretty tricky, because what we did was, at first, we took his cassette… because it was only a demo, and it was unfinished, it kind of — he was just plodding along and in some places he’d go quicken up a bit, and some places he’d slow down. And we put all the backing in, did all the singing, and Paul and I wrote some words to the middle part that John had never finished. And we did the totally new record, in fact. And then we just took his voice, and we dropped it in, every line where we needed it, until we built up, you know, the lead vocal part.”Q: “Sean Lennon said it was spooky having a dead guy as lead singer. Did you find it spooky?” George: “It’s not, it’s not spooky, but… if, I don’t know if this has ever happened to you — if you think that, you know, we all, when we’re alive, when you hear our music, you hear our voices, but the moment somebody dies, it’s suddenly eerie, you know. Whether it’s John Lennon or Ayrton Senna. You know, just the idea, when you hear him speak, it suddenly is… is very emotional.” - Today Tonight, 1995 “One of the things that’s a little bit heartbreaking is that the player at the end, the ukulele player, banjo, whatever you want to call it. George wanted to play that part and I resisted, saying that if I put him in I’d have to put some of the other Beatles in. I didn’t think we wanted to see contemporary Beatles in the piece. So I said, ‘No, no, no,’ and he said, ‘Okay.’ Thinking they had sampled an archival piece of music, and it turns out that George had actually performed that on the song. Had I known that, I would have let him do it because you only see him from the back anyway. But I’m heart — actually heartbroken about not letting him do that piece, especially now more than ever.” - Joe Pytka (director of the “Free As A Bird” video), The Beatles Anthology special features (x)

[get-back-homeward]

Although the last thing the red-hot Beatles needed in early 1964 was a “secret weapon,” that’s exactly what they got when George Harrison received his first Rickenbacker 12-string, in a beautiful Fireglo finish, in February of that year, during the Beatles’ first U.S. tour.

The guitar was given to him by Francis C. Hall, owner and president of the California-based Rickenbacker company, which is now celebrating its 85th anniversary.Hall spoke to Brian Epstein before the Beatles arrived in the U.S. and arranged a meeting with the group. On February 8 at the Savoy Hilton in New York City, he showed the band several different models. Lennon tried out the 360/12 but thought it would be better for Harrison, who was sick in bed at the Plaza Hotel. When Harrison finally got to see it, he loved it immediately.

“Straight away I liked that you knew exactly which string was which,” Harrison said, referring to how the guitar’s 12 tuners are grouped in top- and side-mounted pairs on the headstock. “[On some] 12-strings, you spend hours trying to tune it.”

Harrison’s first 360/12 was the second Rickenbacker 12-string ever made; its serial number—CM107—dates it to December 1963. The main difference between it and the prototype is how they are strung. The first model had a conventional 12-string setup, in which the octave string is the first to be struck in each string pair. On Harrison’s model and subsequent Rickenbacker 12-strings, the octave strings occur second in the string pairs and the lower-pitched string is struck first.

Harrison’s guitar has a trapeze tailpiece, triangle inlays, double white pickguards, black control knobs and mono and stereo (Rick-O-Sound) outputs mounted on a chrome plate on the side of the guitar.

The guitar, with its unique, chiming sound, can be heard on "You Can't Do That," the bulk of the A Hard Day’s Night album, “I Call Your Name,” “What You’re Doing”—and several other songs, up to and including “Ticket to Ride.” His second 360/12, a 1965 model with rounded cutaways, is heard on “If I Needed Someone.”

[mono--chromatik]

hi mono its mae and i just saw your profile now and holy shit there’s lots of asks so i thought i’d ask some questions maybe

but if you do know, what are your favorite genres in music? im a huge music nerd and i NEED to know what kind of music you like,,,

get your reading glasses on you activated my trapcard (being really autistic about music)

OKAY OKAY so generally speaking there's no specific genre I tend to stick by to some religious degree. More often than not any generated playlist from wherever I'm listening from is destined to be the least consistent thing imaginable.

To generally answer this question would be trickier than just tossing a bunch of random songs at people but I'm gonna do my damn best to keep it relevant. I am gonna add some examples so I'm putting this under a read-more to keep from making the post needlessly long for passer-byers. (Some genres may not be 100 accurate, in the examples, but they're along the same lines I think).

EDM

I don't know exactly how much this description gets the point across but like, this music sounds like industrial iron, steel and bullets, and in the good way! Can't pinpoint exactly when or why but the general sound of the genre is very nostalgic to me (and in an almost comical way every artist that I've seen fall under that genre or orbit around it happens to have an incredibly deep voice 9 times out of 10. Absolutely not a complaint. Fucking gorgeous sound. Would highly recommend listening to at night outside in a lit-up city area.

NINTENDOCORE

I proceeded to make this genre into my entire personality. Surprise surprise, a lot of the music uses 8-bit sound effects to hell and back. And y'know what? Nothing scratched the itch in my brain better than that ever did.

Tumblr only allows 10 audios per post! i just learned. I'm gonna list a bunch of MISC stuff because i'm running out of steam to type.

Prophecy of the Dragon - The Voidz

Losing Touch - Circus of Dead Squirrels

Meaningless - The Nighty Nite

I Don't Wanna Be Me - Type-O-Negative

Loose Cannon - Puzzle

So Pretty - Kid Dakota

Мрак - DenDerty

Ghost - Gouge Away

Blood and Rockets - The Claypool Lennon Delirium

Guts - MATH The Band

The Air Conditioned Nightmare - Mr Bungle

A.M 180 - Grandaddy

Happy listening ! 👍

[ryan-likes-music]

The shit I'm on rn

[tkwrites]

200 Follower Playlist Celly

As I was looking for my inbox last night (a huge thank you to the anon who sent in so many asks! I feel so loved knowing you’re reading and thinking about my works!) I was shocked to find I’d tipped over the 200 follower mark! 

To show my appreciation, I decided to share my Snapshots playlist. So many of these songs feel so S&Q coded to me.  (I listen to everything on shuffle, so the order has no real significance)

I’ve listed them out below for those not on Spotify: 

I'll try my best to keep this post updated if new songs are added

Lost - Blake Rose 

Tattoo Me - Haley Joelle 

Dancing in the Dark -  LØLØ

In Agreement - Lizzy McAlpine 

Fall Into Me - Forest Blakk

4runner - Brenn!

Golf on TV - Lennon Stella 

Little Bit More - Suriel Hess 

You Can Have Him - Antigoni 

HEARTFIRST - Kelsea Ballerini 

For Real - Lana Condor 

In My Hands - Natalie MacMaster 

Lady - Blake Rose 

late nights and lonely - Suriel Hess 

better with you - Virginia to Vegas 

faceplant - LØLØ

Butterflies (feat. FLETCHER) - MAX, FLETCHER 

I F*cking Love You - Zolita 

Kinfolks - Sam Hunt 

Karma - Taylor Swift 

Off Of My Mind - Icona Pop, VIZE

Meet Me at the Mistletoe - Dave Barns 

Body to Body - Sture Zetterberg, Andrew Shubin 

Everywhere - Live in Cologne - William Fitzsimmons 

Vienna - Billy Joel 

Time of the Season - Mono Version - The Zombies 

Caution - Radio Edit - The Killers 

Supermassive Black Hole - Muse 

be gentle with me - yaeow

birthday cake - duet - Dylan Conrique, Alexander Stewart 

Blue Eyed Constilation - Max McNown 

dancing in the kitchen - LANY 

The Manuscript - Taylor Swift

Stargazing - Myles Smith

Whatta Man - Salt-N-Pepa; En Vogue

Somebody Like You - Keith Urban

Fairytale - Culture Code; Amanda Collis

Memory Lane - Haley Joelle

Burn, Burn, Burn - Zach Bryan

Spotless (feat. The Lumineers) - Zach Bryan

thing u do - Tori Kelly

Snapshots Masterlist

Rather Be (feat. Jess Glynne) - Clean Bandit

I Am Always Gonna Love You - Jon McLaughlin

Why It Hurts - Jon McLaughlin

Before You - Jon McLaughlin

[nedison]

After 20+ years of vinyl collecting I FINALLY have all the Beatles studio albums. I suppose it's a shade ironic that the last one to join my collection is actually their first, but the wait was worth it to get this stellar mono pressing.

Now whose discography do I need to complete next...?

[jacke-12]

The Beatles singles - She Loves You / I'll Get You (1963)

Peak position on US Billboard Hot 100: 1

"She Loves You" was the song that made The Beatles megastar, a huge hit that remains their best selling UK single (and was the best selling UK single by any artist until Paul would beat his own record with "Mull of Kintyre"). It also marks, less significantly, the point in which McCartney-Lennon became the familiar Lennon-McCartney.

With their previous two singles, though I haven't mentioned it in review, I found that I wanted a little more oomph to elevate them to the level of this track - they went for it more than "Love Me Do" of course, but not to the point where listening to it is almost cathartic. While featuring all the usual elements of an early Beatles single, it is a track that sounds like a massive hit, with a huge, roaring chorus that is one of the most influential choruses ever, cementing the "yeah yeah yeah" as a part of pop music (much to the disdain of Paul's father who wanted it to be "she loves you, yes yes yes"). I'm not a big "yeah yeah yeah" person - just write lyrics, don't be lazy - but here they are so celebratory, so emphatic, and I suppose too iconic, not to love. Despite being a lyric with only four distinct words, it sounds like a musical statement.

"I'll Get You" is another new song for me. Much like "Thank You Girl" there's bits of it I really like and bits that irritate me. The way the drums anticipate and build up to the refrain is great, and that typical technique they used of singing in unison and then separating into harmonies sounds great here. But I hate the "oh yeah"s here, they sound so whiny and off, along with (once again) the bridge. It is definitely a B-side quality track, in that it doesn't quite work, but I still enjoy it.

It's great reading the Wikipedia page for this single because it describes even what seem like minor details as innovative - like the "Imagine I'm in love with you" opening lyric to "I'll Get You" and "She Loves You" introducing a third party to a love song. There is of course the genuinely unusual choice to open "She Loves You" with the chorus, which still sounds fresh today. It all hints at their later experimentation, the way that even now they play around and try new things with their songwriting.

[rafaeladigital]

Vuelve Revista Beatles al aire de Galena!. Comienza nuestra temporada Nº 12 y vamos a mostrar los Bonus Tracks 2023. Aquellas canciones no incluídas en los micros, especiales, secciones y suplementos que hicimos el año pasado. Mas alguna sorpresa como siempre. Emitido el sábado 9 de marzo de 2024. 16.00 horas. Idea y conducción: José Luis Banchio. Sonido, Post Edición y Toque Mono: Adrián Zimmermann FM Galena 94.5. Rafaela, Santa Fe. República Argentina. Listado de canciones: 1 – (Just Like) Starting Over – John Lennon 2 - “Noche de perros” - Seru Giran (En vivo, Córdoba. 4/12/1992) – 433 – 11/3/23 3 – Viernes 3 AM – Seru Giran (En vivo, River. 30/12/1992) 4 – A Little Bit Me, A Little Bit You – The Monkees 5 – California Dreamin' – José Feliciano 6 – Tema de “La Mary” - Marikena Monti y Luis María Serra 7 – Love Theme “Sunflower” - Henry Mancini 8 – New Home In Moscow - Henry Mancini 9 – It's Only Love - Tina Turner y Bryan Adams 10 – Tearing Us Apart - Tina Turner y Eric Clapton - 11 – Eternal Flame - The Bangles 12 – The Look – Roxette 13 - Young and Dumb - Fanny 14 – Mary Had A Little Lamb – Stevie Ray Vaugham 15 – Jailhouse Rock – Queen (Live at the Rainbow – 1974) 16 – Rapper's Delight – The Sugarhill Gang 17 – Noche y día - Raúl Porchetto 18 – Bailando en las veredas - Raúl Porchetto y Sandro 19 – Solo le pido a Dios - Sixto Palavecino (en quechua 20 – La cultura es la sonrisa - León Gieco Link del programa: https://www.ivoox.com/revista-beatles-programa-n-475-audios-mp3_rf_125758978_1.html https://rafaeladigital.com/noticias/revista-beatles-reproduccion-del-programa-no-475/?feed_id=5381

[vinyl-pussycat-records]

The Beatles - Twist And Shout (7")

Parlophone ‎– GEP 8882 Vinyl, 7″, 45 RPM, EP, Mono, 1963 1st UK Pressing Side 1. 1. Twist & Shout 2. A Taste Of Honey Side 2. 1. Do You Want To Know A Secret 2. There’s A Place Credits: Bass – Paul McCartney Drums – Ringo Starr Lead Guitar – George Harrison Liner Notes – Tony Barrow Rhythm Guitar – John Lennon Matrix / Runout (Label A): 7TCE.762 Matrix / Runout (Label B): 7TCE.763 Matrix / Runout…