#led wall light manufacturers

[technousa]

SMART LED VAPOR TIGHT

Introducing the Unique Smart LED Vapor Tight / Tri-proof Light – a state-of-the-art lighting solution with several features to offer enhanced flexibility and ease of use. This LED light covers you whether you need lighting solutions for supermarkets, storage units, pathways, garages, or stairwells.

The luminaire is designed to allow you to install sensors or IOT controllers later in time if needed. It features a plug-and-play sensor configuration that allows for easy and convenient installation, and the field-adjustable power and color temperature provide even more flexibility.

The LED Vapor Tight / Tri-proof Light comes with a 0-10V dimming option, and you can choose from among Motion & Daylight sensor, ZigBee Bluetooth, and Wireless Daintree compliant options. With an IP65 rating, this light is built to last through all kinds of outdoor and indoor conditions, and it complies with ETL, DLC Premium, and CE standards.

This product comes with a 5-year limited warranty, and it is easy to install with suspension, ½’’NPT pendant mount, and a range of sensor and wireless options. The various pluggable receptacles available include SR Sensor, MS01 Motion Sensor <50 Ft, MS02 Motion Sensor <40 Ft, ZG01 Zigbee Wireless control, BT01 Bluetooth control, EM – Emergency Backup (not included for 8ft).

Regarding mounting options, the standard chain/cable or surface mount makes it easy to securely and safely mount the light wherever needed. Additionally, you can choose to use the C6 6 ft cord or any other length as per your requirement. Upgrade your lighting solution with the Unique Smart LED Vapor Tight / Tri-proof Light today!

[indoorlights]

LED CENTER BASKET TROFFER LUMINAIRE – TECBTA SERIES

LED Center Basket Troffer Luminaire is high performance lumens per watt offer deepest energy savings. Durable white aluminum body & frosted PC lens. 100% Mercury & Lead Free. Proudly Made in India.

[digitalmayfair]

Smart Outdoor LED Lights 

Smart outdoor LED lights are transforming the way we illuminate our gardens, patios, and yards. With the advent of technology, outdoor lighting has evolved far beyond traditional bulbs, offering smarter, energy-efficient, and customizable lighting solutions. In this article, we explore the benefits and features of outdoor LED lighting, including how it enhances outdoor spaces, integrates with smart home systems, and provides long-lasting performance.

The Rise of Smart Outdoor LED Lights

As outdoor living spaces become an integral part of modern homes, the need for smart and efficient lighting solutions has never been greater. Outdoors LED lighting offers an array of benefits, from energy efficiency to customizable brightness and color. Unlike traditional lighting options, LED lights consume far less energy and last much longer, making them an environmentally friendly and cost-effective choice.

Smart outdoor LED lights can be controlled remotely via apps or smart home systems, allowing homeowners to adjust the lighting based on their preferences. Whether you want to set the mood for a party, improve security, or highlight specific features of your garden, smart LED lights offer unmatched convenience and versatility.

Benefits of Smart Outdoor LED Lights

1. Energy Efficiency

One of the primary advantages of outdoor LED lights is their energy efficiency. Compared to incandescent or halogen lights, LED bulbs consume up to 80% less energy. This makes them an excellent choice for homeowners looking to reduce their energy bills while minimizing their carbon footprint. With smart outdoor LED lights, you can even automate schedules to ensure your lights are only on when needed, further reducing energy consumption.

2. Longer Lifespan

LED bulbs are known for their long lifespan. On average, an outdoor LED light can last up to 25,000 hours or more, far exceeding the lifespan of traditional bulbs. This longevity makes them a great investment for outdoor spaces, where lights are often exposed to the elements. Whether you have outdoor garden lights or outdoor hanging lights, you can count on LED lights to last longer, reducing the need for frequent replacements.

3. Customizable Lighting Options

Smart outdoor LED lights allow for a high degree of customization. From color-changing options to dimmable settings, these lights offer a wide range of choices to suit any occasion. Whether you're hosting a backyard party and need vibrant lighting or want to create a soft, romantic ambiance for a quiet evening, smart outdoor lights give you full control over your environment.

4. Enhanced Security

In addition to their aesthetic benefits, outdoor house lights with smart features also play an important role in home security. Smart lights can be programmed to mimic your daily routines, turning on and off at specific times to create the illusion that someone is home. Additionally, some smart LED lights are motion-activated, lighting up the area around your home when they detect movement, deterring potential intruders.

Popular Types of Smart Outdoor LED Lights

1. LED Outdoor Wall Lights

LED outdoor wall lights are a stylish and practical addition to any outdoor space. Mounted on exterior walls, these lights can provide both functional illumination and decorative appeal. Many models offer adjustable brightness and color settings, allowing you to highlight architectural features of your home or garden. They also serve as security lights, ensuring that walkways and entryways are well-lit during the night.

2. Outdoor Ceiling Lights

When it comes to illuminating larger outdoor areas, outdoor ceiling lights are an excellent choice. Ideal for patios, pergolas, or porches, these lights can be installed overhead to provide general lighting while keeping your outdoor spaces well-lit and inviting. With smart features, these lights can be controlled remotely to adjust their brightness or color to match the mood or time of day.

3. Outdoor Garden Lights

For garden lovers, outdoor garden lights are essential for showcasing plants, pathways, and landscaping features. Smart garden lights can be strategically placed to highlight the beauty of your garden, while adjustable settings allow you to change the light's color temperature for different effects. Whether you're showcasing flower beds or creating an illuminated path, these lights enhance the overall aesthetic of your garden space.

4. Outdoor Decorative Lights

Outdoor decorative lights are perfect for adding a touch of magic to your garden or patio. From string lights to lanterns, these lights come in various styles, and with smart options, you can change their colors or adjust their brightness to match your needs. Whether you're setting up for a special event or just enjoying a quiet evening outdoors, decorative lights can help create a welcoming atmosphere.

5. Outdoor Hanging Lights

For a more unique look, outdoor hanging lights can bring elegance and charm to your yard or garden. These lights are perfect for patios, gazebos, or outdoor dining areas. With smart outdoor hanging lights, you can create the ideal ambiance, whether you're looking for soft lighting for an intimate gathering or bright lights for a lively party.

6. Outdoor Balcony Ceiling Lights

Outdoor balcony ceiling lights are an excellent choice for apartment dwellers or homes with balconies. These lights provide ample illumination and can be installed overhead to ensure your outdoor space is well-lit. Many balcony lights come with dimming features and color-changing options, making it easy to create the perfect lighting for relaxing or entertaining.

Integrating Smart Outdoor LED Lights into Your Smart Home System

One of the main advantages of smart outdoor LED lights is their ability to integrate with smart home systems. Whether you're using Google Home, Amazon Alexa, or Apple HomeKit, controlling your outdoor lights is just a voice command away. You can set schedules, adjust brightness, and even change colors without leaving the comfort of your home.

Smart LED lights can also be connected to other smart devices in your home. For instance, you can sync your outdoor lights with motion sensors or security cameras to activate when someone approaches your property. This seamless integration enhances both the convenience and security of your home.

Overall

Smart outdoor LED lights offer an incredible range of benefits, from energy efficiency and durability to customizable settings and enhanced security. Whether you're looking to brighten up your outdoor garden lights, add style with outdoor hanging lights, or increase security with outdoor house lights, these innovative lighting solutions provide flexibility and performance. By investing in smart outdoor lighting, you can create a more vibrant, efficient, and secure outdoor living space for years to come.

[business2bmart360]

Smart Wall light Manufacturers in India | B2BMart360

[theglazonoid]

Are LED Mirror Lights Safe for Walls? | Glazonoid

LED mirror lights for walls provide enhanced visibility and ambiance, making tasks like grooming and makeup application easier while elevating room decor. led mirror lights safe for wallswhen installed properly they produce minimal heat, reducing the risk of wall damage. However, it's crucial to follow installation instructions, use appropriate mounting hardware, and ensure the wall can support the fixture's weight. Additionally, consult an electrician for proper wiring to prevent electrical hazards. Proper installation ensures both safety and aesthetic enhancement when using LED mirror lights for walls.

[modular-hospital-equipment]

Medical Surgical Pendant - OT Pendant at Latest Price | Altos Engineers

Medical institutions perform a variety of functions. Out of all of them, one of its main functions is to perform surgical procedures. Hospitals are generally judged by the success of the operations performed by their surgeons.

Operating rooms have been created for surgeons as well as surgical staff to perform surgical procedures requiring time, patience, attention and safety. A variety of equipment is required for use in the surgical operating room.

Surgical Pendant

Medical Services Pendants also referred to as Booms, are considered to be one of the most essential items of equipment in the operation theatre. They allow efficient utilization of space to offer staff with the ability to transport required medical care to patients efficiently and quickly.

The surgical pendant is available in a variety of configuration to meet surgical specific needs. Like -  Fixed Surgical Pendant, Double Arm Surgical Pendant, Single Arm Laparoscopic Pendant, Double Arm Laparoscopic Pendant, Modular Single Arm Pendant, Modular Double Arm Pendant, Modular Electric Single Arm Pendant, Modular Electric Double Arm Pendant

Wall and Ceiling Panels

Medical facilities require building materials with excellent durability, chemical resistance, low maintenance costs and affordability. Wall and Ceiling Panels, the plastic material PVC, also known as vinyl, meets these demands. Wall and Ceiling Panels are most commonly used in hospitals.

Scrub Sinks

Scrub sinks, also called surgical sinks or medical sinks and are imperative to the health and safety of patients. They serve as scrub stations for surgeons and others or staff to clean their hands and arms before a surgical or invasive procedure. Altos high-quality SS Scrub Sinks offer hands-free operation via either manual, knee-kick panels, electronic eye infra-red sensor or programmable automatic timer. The Series is available in single/double/triple basins and is made from the best materials, components and craftsmanship available.

Laminar Air Flow

Laminar air flow ventilation is utilized in operating t theatres of today to decrease the amount of infectious organisms in the air that could cause post-operative inflammation of the area. We manufacture and supply high-quality precession-engineered Laminar Air Flow Units for Operation Theatre and are made in accordance in accordance with international standards for quality.

Hatch Box

Hatch Box is extensively used to transfer the materials from to clean rooms without contaminating air in the clean room, and without needing to open the door of the room. The hatch box is constructed to be constructed in a manner to ensure that just one entrance could be opened at the same time. The UV light should be installed inside the chamber in order that it will remain open even when both doors are shut. The UV light must be switched off automatically when a door is open.

Peripheral Lights

Peripheral lights are lighting fixtures used in hospitals and other medical facilities to provide light to areas adjacent to a patient bed. They can be used to create a more comfortable atmosphere, provide extra illumination for medical staff, and help to reduce the risk of falls in patients. They are typically installed around the bed, but can also be placed in hallways and other areas. These lights are typically designed to be energy efficient and help to reduce the amount of energy consumed in the facility.

If you're looking for peripheral lights, you've come to the right place. We have a wide range of options available to suit your needs, from simple nightlights to more robust lighting systems. Our lights are energy efficient, long-lasting. We specialize in manufacturing LED Peripheral Light. We have developed an effective ceiling light that can be used in hospitals, hotels, commercial and residential projects.

X-Ray Boards

X-Ray boards are used in hospitals to support X-rays during a radiography examination. The board is made of a material that is highly resistant to X-ray radiation and prevents the film from being fogged. It helps to ensure that the radiologist can clearly see the images produced by the X-ray and diagnose the patient accordingly.

We offer a variety of high-quality X-Ray Boards that are designed to provide a clear and detailed image of X-Rays. Our boards feature a lightweight aluminum construction that is both durable and easy to move. Additionally, each board has a non-glare finish that ensures maximum visibility of the X-Ray. We have several options available to meet your specific needs.

Surgeon Control Panel

The Surgeon Control Panel is a computerized system found in many hospitals which helps surgeons better manage patient care. It provides surgeons with access to patient information, medical records, imaging results, and other data. It also allows surgeons to access and manage anesthesia, operating room equipment, and other medical devices. The Surgeon Control Panel helps to improve patient safety and the quality of care by providing surgeons with the data they need to make informed decisions quickly and accurately.

Writing Board

Writing Board is a tool used in hospitals to help patients communicate with medical staff. It is a whiteboard with a dry erase marker and space for patients to write their thoughts, questions, and concerns. It is a great way for patients to feel heard and for medical staff to better understand their needs. Writing Board can help bridge the gap between patient and provider, providing a safe and effective way for patients to communicate.

Operation theatre LED surgical lights

High quality lighting is essential to conduct operations. Appropriate lighting is important, especially in cases of difficult and complex surgical operations. Operation theatre LED surgical lights provide doctors with optimal viewing during the procedure. Operation theatre LED surgical lights or halogen lights are two types of surgical lights.

Hospital Door

Seal Swing and Automatic Sliding Door in hospitals are two different doors that serve different purposes. Seal Swing doors are typically used to prevent germs and other contaminants from entering a hospital or medical facility. They are designed to create an airtight seal when closed, which helps to keep the air clean and free of contamination.

Automatic Sliding Doors, on the other hand, are used to allow quick and easy access to the hospital while still providing a secure and safe environment. The doors are equipped with an automatic sensor that opens and closes the door as people enter and exit the hospital. Both Seal Swing and Automatic Sliding Doors are important components of a hospital's safety and security measures.

Pressure Relief Dampers

Pressure relief dampers are a type of safety device commonly used in hospital ventilation systems. They are designed to protect the system from high pressures caused by sudden changes in air pressure, such as when a door is opened. They are typically used on the exhaust side of the system, and can be either manual or automatic. When the pressure in the system exceeds the set point, the damper opens to release the excess pressure, preventing damage to the system and ensuring optimal air flow.

[najia-cooks]

[ID: A plate of light brown bumpy flatbread with blackened spots, surrounded by za'tar and green olives. End ID]

خبز طابون / Khobz taboon (Palestinian flatbread)

Khobz taboon ("taboon bread") is a soft, chewy Palestinian flatbread. It may be eaten with olive oil and za'tar, but it is best known as the base of مسخن (musakhkhan), where it is topped with spiced aromatics and perhaps chicken.

Khobz taboon gets its name from the vessel it is traditionally cooked in—an outdoor, shallow conical oven with an opening at the top and a clay or metal cover to trap heat. Taboons may also have an opening at the side through which the fire can be stoked, especially in the east of Palestine. These ovens were historically made from a mixture of local clay and hay, but have more recently also been constructed from clay treated to be sturdier, or from metal.

A taboon is used by packing flammable material, such as hay, fabric, animal dung, wood, and charcoal, around the outside of the oven and letting it burn overnight; the fire transfers thermal energy to the clay, and to the river stones, sand, glass, or flint stones (صوان, "ṣawwān") that form the base of the oven. The ash is then brushed away, and the flattened dough is placed on the stones or stuck to the walls of the oven to cook. The clay and stones will continue to release thermal energy and cook things throughout the day. The clay and ash give a distinctive flavor to anything cooked inside the taboon, making this method a source of nostalgia for many people who have transitioned to cooking in indoor ovens.

Khobz taboon was traditionally made with whole wheat flour. Most people today use a blend of around two parts white flour to one part whole wheat, or else all white flour; they may even add milk or milk powder to ensure a very soft dough. This recipe uses a blend of flours to combine the nutty flavor of whole wheat dough with the pliancy of white dough. It also begins with an optional pre-ferment to mimic the traditional Palestinian method of including a piece of dough from the previous day's bread into each new batch (like a pâte fermentée) giving a rich and slightly sour flavor to the final bread. It calls for the use of rocks to imitate the bottom of a taboon; the rocks give the khobz its distinctive dimpled texture, and ensure that no interior pocket forms in the bread.

In the years following 2007, the siege Israel had imposed on Gaza caused a shortage of cooking gas that led to a resurgence in the use of taboons. The ovens were used to bake bread and to grill sweet potatoes during the time of their winter harvest. Meanwhile, in the West Bank, Israeli military forces repeatedly destroyed taboon ovens and assaulted villagers who tried to defend them, as Israeli settlers from nearby villages complained about the smoke that the ovens produced. Some of these ovens had been used to bake bread for entire families of 40 or more people. Palestinians continue to build, use, and defend these ovens, despite the fact that Israeli law de facto forbids Palestinians in the West Bank to build anything.

Today, Israel is deliberately targeting and destroying bakeries in refugee camps that had been supplying bread to tens of thousands of people in Gaza, continuing a long campaign of starvation of the Palestinian people.

Support Palestinian resistance by calling Elbit System's (Israel's primary weapons manufacturer) landlord; and donating to Palestine Action's bail fund.

Equipment:

A large, shallow mixing bowl, like a Moroccan qus'a

A large (12"), shallow clay cooking vessel, such as the bottom of a Moroccan tajine (one that is rated for very high temperatures), or a large baking tray

Assorted smooth river rocks of varying sizes, from 1 to 3" in diameter.

Make sure that your rocks have been thoroughly cleaned, and that they do not contain any fissures, cracks, or veins that could contain water (this water, once heated in the oven, could cause the rocks to crack open). Instead of river rocks, I used lava rocks designed for use in a clay tanoor. You just need something to provide thermal mass and give a bumpy texture.

Ingredients:

Makes 3 large breads.

For the pre-ferment:

140g whole wheat flour

1/2 tsp active dry yeast

140g water

You may also use a pâte fermentée that you already have (just adjust the ratio of white to whole wheat flour added later accordingly), or a sourdough starter. The hydration of the starter doesn't matter, since you will be adding water by eye later.

For the bread:

330g bread flour or all-purpose flour

30g whole wheat flour

5g salt

Water

If you skipped the pâte fermentée step, add 170g (rather than 30g) of wheat flour at this stage, as well as 1/2 Tbsp of active dry yeast. I have not tested the recipe this way.

Instructions:

For the pâte fermentée:

1. Mix flour and yeast in a small mixing bowl. Add water and stir to combine. Cover and leave out at room temperature for a day, or in the refrigerator for up to three days. At the end of the rising time, it should be about one and a half times its original size.

For the bread:

This recipe makes a high hydration dough that will need techniques such as slapping and folding to knead effectively.

1. Mix flours and salt in a very large, shallow mixing bowl. Add your pâte fermentée and mix to combine.

2. Add water until the flour comes together into a soft, sticky dough and continue keading. Have a bowl of water on your workstation. Every time the dough starts to stick to your hands or the sides of the bowl, wet your hands and rinse down the side of the bowl with some water. This will gradually add water to the dough.

3. You will notice the dough growing smoother and laxer. At this point, start kneading by repeatedly folding the edges of the dough in towards the center. Do this by occasionally wetting your hands, then running a hand along the side of the bowl and under the edge of the dough to unstick it from the bowl; then fold. You will get stuck less often if you try to touch the dough as lightly and briefly as possible. Every few folds, dimple the surface of the dough all over with your fingertips. You will have been kneading for about 10 minutes at this point.

The dough should become more smooth and less bumpy—you will notice it holding its shape and becoming more stretchy as gluten forms. It should form into a ball when you fold the corners in and hold its shape for a minute, but then gradually expand to take the shape of the bowl. I added about 2 1/2 cups of water total (in dry conditions) during steps 2 and 3.

4. At this point, the dough is wet enough that the slap and fold method is the best way to knead. Wet your hands and again unstick the dough from the sides of the bowl. Hook your hands under the dough and quickly pull it all up into the air; fold the hanging bottom part of the dough under, and plop the dough back down, folding it on top of the part you plopped down earlier. Give the bowl a quarter turn and repeat. Do this continually for another few minutes.

5. When the dough is very smooth and lax, smear some olive oil on the sides of the bowl and under the dough, and pat some oil on top.

6. Cover the bowl and bulk ferment the dough at room temperature for 8 hours, or for 16-24 hours in the fridge. At the end of the rising time, you should see bubbles beginning to form on the surface of the dough.

To shape and bake:

1. Place a layer of rocks at the bottom of a clay cooking vessel or baking sheet. Put the sheet in the top third of the oven and preheat your oven to 550 °F (290 °C), or as hot as it will go.

2. Meanwhile, fold the edges of the risen dough over into the middle a few more times with damp hands. Pinch off a large piece of dough (about the size of two fists), and fold the sides over into the middle to make a neat packet.

3. Drop the packet of dough onto a heavily floured surface, and flip to flour both sides. Pat the dough flat, then throw it back and forth between your hands, catching the edge each time as you spin it through the air, like a pizza crust, to stretch it into a circle about 1/4" (1/2cm) thick with a diameter of about 10" (25cm).

You may also stretch and pat the dough out on a flat surface.

4. Remove the tray from the oven. Flip the dough circle over the back of your hand to transfer it and lay it down over the hot rocks. Re-stretch it into a circle, if necessary.

5. Place the tray back in the oven and cook for 5-7 minutes, until the top of the bread has golden brown spots. Repeat with each piece of dough, leaving the rocks in the oven for a few minutes between each one to allow them to come back up to temperature.

6. (Optional): Hold each flatbread directly over a gas flame for a minute or two to blacken a few spots and mimic the flavor that a wood-fired oven would give to your khobz.

You may also use a method similar to the dhungar technique to smoke your bread. Place each piece of bread one at a time into a large vessel with a closely fitting lid, alongside a small bowl. Light a piece of wood on fire and drop it into the bowl; then cover the vessel with the lid as you allow the wood to smoke for a minute or two.

[inevitably-johnlocked]

Hey Steph,

I am in the mood for some really long fics. Preferably not AU as I find those hard to get into. Although, like always, I am open to your all your suggestions.

Loves Seven.

Hi Lovely!!

Ahhh, I've a TONNE of long fics, and a lot of them AREN'T AUs! I'm gonna use your ask as an excuse to post a new list, and please check out the other pages linked below! I label if a fic is an AU or not, so just skip over those if you're not up for them! Enjoy!

NOVEL LENGTH FICS: 50 to 100K Pt 4

See also:

Novella Length Fics: 20 to 25K (Oct 2020)

Novella Length Fics: 25 to 50K (Aug. 2019)

Novella Length Fics: 25 to 50K Pt 2 (July 2022)

Novel Length Fics: 50 to 100K (Nov. 2018)

Novel Length Fics: 50 to 100K Pt 2 (May 2020)

Novel Length Fics: 50 to 100K Pt 3 (Jul 2022)

Novel Length Fics: 100K+ w. (May 2019)

Novel Length Fics: 100K+ w. Pt 2 (Aug 2020)

Novel Length Fics: 100K+ w. Pt 3 [MFL’s] (Dec 2020)

Long Domestic Johnlock (50K+ w.) (March 2023)

Smut-Free Fics Over 50K (Aug 2019)

Top 20 Fave 40K+ w. Fics (April 2017)

Long S3/Post-S3 Fics (20K+ w.) [Apr 2020]

Hurt / Comfort Pt. 4: 50K+ Words Pt. 1

Anxious / Worried Sherlock Pt 2 (Over 20K w.)

Long Pining Fics (50K+) [March 2023]

G,T, & M-Rated Johnlock for Newcomers Pt. 3 (20K+)

Genius is a Star Whose Light (is Soon to Sink in Endless Night) by LoloLolly (M, 51,812 w., 11 Ch. || Canon Compliant Through TFP/S4 Is Canon, Aftermath of Serbia, Alternating POV,  Established / New Relationship, Parentlock with Rosie, Explicit Torture, Mentions of Sherlock’s PTSD, Mentions of Human Trafficking, References to Child Abuse, Violence, Kidnapping, Captivity, Angst with Happy Ending, Fluff, Case Fic, BAMF / Soldier John, Sherlock Whump, Mycroft and John Work Together, Marriage Proposal, Autistic Sherlock, Lestrade Finds Out, Polyglot Sherlock) – Sherlock had buried the past. Shut Serbia away in the attic of his mind palace. Muddy footprints at a heinous crime scene, however, have led him right back to old enemies. And right back to captivity. For God’s sake, Mycroft. Part 2 of the Earthly Pomp (Is But a Dream) series

Spare Parts by Raina_at (E, 63,497 w., 10 Ch. || 24th Century / Futurism AU || Post TRF, Pre-TRF Relationship, Case Fic, Mutual Pining, Estrangement, Reconciliation, Science Fiction, Reunion, Nightmares, Angry John, Cybernetic John, Emotional Discussions / Heart to Heart, POV John, Scars, Past Drug Use, Forehead Touching, Emotional Lovemaking, Kissing, Apologies, Kidnapping, Rescue Mission, BAMF John, Bed Sharing, Top Sherlock) – Two years ago, Sherlock Holmes jumped off the roof of New London Hospital. Two months ago, he walked into John's clinic as if no time had passed at all. John hasn't seen him since. But then Sherlock knocks on John's door with a case he can't say no to, and while figuring out why the biggest manufacturer or synthetic limbs in the System is going after veterans, they also need to find out whether there's a way to fix what's broken between them. Part 1 of Realigning Gravity

Swallow the Night by ArwaMachine (E, 87,873 w., 15 Ch. || TSo3/Stag Night Fix It, TAB/S4 Divergence, Toplock, Mutual Pining, PWP, Drunk / Public Sex, Anal Fingering/Sex, Alcohol-Induced Amnesia, Everyone Knows Except Them, Emotional Love Confession, Demisexual Sherlock, Internalized Homophobia [John], Parentlock with Rosie, First Kiss, Drug Relapse, Infidelity, Texting, Masturbation, Oblivious John, Emotional Love Making, Angst with Happy Ending, Dreams and Nightmares) – “Do you know how long,” John panted, his cheek scraping against the wall, looking back at Sherlock through half-closed eyes, “I’ve wanted this?” Sherlock pressed himself against John’s back, biting at John’s ear. “Not nearly as long as I have,” he whispered.

Bakers with Benefits by Raina_at (E, 88,130 w., 14 Ch. || Great British Bake Off AU || Strangers to Lovers, Switchlock, Friends with Benefits, Mentions of Alcoholism / Past Drug Use, Banter, Flirting, Fluff, Light Angst, Semi-Public Sex, Past Sherlock/Victor, Mutual Pining, POV Sherlock, Obsessive Sherlock, John’s Bum) – Sherlock Holmes has a successful YouTube baking channel, but what he really wants is his own bakery. When an old friend sends him a call for the very first Great British Bake Off, he seizes the opportunity to finally win a sponsor for his bakery. Here's the plan: Win Bake Off, get the bakery, don't fall in love with the handsome Army doctor at the neighbouring station. Easy.

Fade To Black by twistedthicket1 (M, 93,389 w., 29 Ch. || Split Personality Disorder / DID, Action, Romance, Violence, Implied Rape/Non-Con, BAMF John, Fluff and Angst, Baskerville, Human Experimentation, PTSD, Implied Self Harm, Trauma Amnesia, Past Child Sexual Abuse, Protective Sherlock, Smoking, Meddling Mycroft, Past Victor/Sherlock, Gay Sherlock, Sherlock’s Past, First Kiss/Time) – John Watson believes one day he'll just fade. That he'll drown in the black spaces of his mind, and that one day he will no longer exist. It's always been like this, the dark spots marking out moments in his life he can't remember. Where for just a moment he's someone else. Having a Dissociative identity disorder, he can't even be entirely sure he's really who he says he is. Then he meets Sherlock Holmes. A brilliant detective who when he looks at you can read your entire life story. John is immediately fascinated and afraid, half-wondering if maybe Sherlock can see the other personalities in him and half terrified of the thought of him finding out. Becoming his flatmate seems at once to be a wonderful and horrible idea. Yet as John's Blackouts become more and more severe and his other personalities begin to truly awaken and show themselves with Sherlock's help, the two soon discover that sometimes even the kindest person can harbour a demon best left untouched inside of them. Because not all of John's other personalities play nicely and some may be hiding secrets best left undisturbed...

[bunnakit]

Hello! I saw that you were open to Seongjoong prompts! Well, instead of sleeping beauty, how about sleeping Joongie? Hope you have fun with this prompt! :D

GOD OP I'M SO STUPID i didn't reread this ask before starting to write this so i didn't realize it specifically said SLEEPING JOONGIE and by the time i realized i was already 1.5k words in so.... it's not finished and it's WRONG but i screwed up so spectacularly i figured i should post SOMETHING since i don't have the spirit to start over. sorry for making you wait so long for this lakjglai4slt i hope you enjoy it anyway

—

Strictland hadn’t always been so befitting of its name.

Once upon a time, the country had been a thriving metropolis filled with color, sprawling architecture, windows and displays glittering in the sunlight, plants dotting every street and planters lining every odd window. The people had been thriving and happy beneath the rule of a long lineage of Parks, the bloodline having given the people some of the kindest and benevolent rulers throughout the ages.

All things changed with time but no one could have predicted the way the city would fade away into tones of gray. It had only taken a few words whispered to the King and Queen; a hissed warning and promise of impending death to their newly born heir. The omen had been vague, insinuating that art and creativity would lead to the death of their beloved Seonghwa, which ultimately led to a culling of all forms of art across the country. Total control fell over the populace - control of nutrition, sunlight, even their very reflections. Where the royal family had once been a warm embrace they now held a vice grip around the throat of their own citizens.��

And it all ended up being for naught. 

Seonghwa was a free spirit in spite of all the restrictions in place since his very birth - or perhaps because of it. Rebellion shone in his eyes and ran through his blood, sparking defiance against each and every restriction. To those among the resistance - those that continued to paint murals across abandoned storefronts, performed in the dead of night beneath neon lights in abandoned pools, sang with all their heart and soul to a small and secluded crowd - it was no secret that Mars, one of the greatest graffiti artists of their time, was the very prince the laws had been erected to protect. 

The legacy of Mars had slowly crept across the country, though no one had actually met the artist in person. His works had started small, just single subject outlines done quickly in passing with the smallest signature in the form of a rudimentary star. With time they had developed into beautiful murals often depicting the freedom that was just out of their reach. His paintings were often illusions of broken down walls revealing various landscapes, all sporting brilliant colors and long forgotten scenery. His signature evolved with the paintings, the star more sophisticated and eventually crowned with the very circlet seen on the Prince during the few and far between public appearances.

Perhaps Seonghwa would have been afraid of the wrath of the King and Queen if they had shown even an inkling of the parents they used to be. The rulers had fallen victim to their own poison, losing all sense of self as well as any motivation to care about anything. As their grip on reality loosened, as they turned a blind eye to Seonghwa’s deviancy, a new figure stepped up in their place. Z, the self-proclaimed oracle that had predicted Seonghwa’s demise, had easily slipped into the role of royal advisor, all but wresting control of the country from the King and Queen’s lax palms. 

The majority of the rebellion, deemed the Black Pirates, didn’t know if the accident had truly been a prophecy fulfilling itself or perhaps something far more sinister and manufactured to instill fear. What they did know was that Mars had disappeared, all traces of his work scrubbed from every wall, billboard, or street, and none appeared to replace them. Months passed into a year and finally the Pirates grew restless. 

Seonghwa was not the only noble to lift his head in defiance and rage against the oppression forced upon them. Wooyoung and San, two heirs of nobility themselves as well as childhood companions to Seonghwa, had joined the movement early on in their childhood. The decision had forced them to distance themselves from their friend for all their safety, but they’d kept a close eye on him throughout the years. They were only just able to keep their panic at bay, knowing it would do them no good in helping their wayward friend. 

—

“Hongjoong, we don’t even know where he might be or what might have happened to him.” Jongho sighed from where he sat on a threadbare couch in the center of a long abandoned warehouse. A group of seven was nestled within the confines of rusted walls, the inside a stark contrast to the shell. It was a monument to art and comfort - a home. 

A figure of average height paced in front of a weathered coffee table, split-dyed hair disheveled as if he’d been running his hands through it or perhaps even tugging in frustration. His eyes were locked on a chaotic pile of newspapers spread across the table, all emotionless stories describing the accident that had befallen the Prince. Of course it had been pinned on the rebellion, the Prince’s fall from the rooftop labeled a message sent by the Black Pirates. 

“We know Z had something to do with this, it’s not a stretch to think he’s hidden him away somewhere. The question is where?” Hongjoong growled behind bared teeth, only just suppressing the desire to kick the table over to hide every mocking headline. 

“The only guess we have is either the palace or the bunker, but I don’t know if even Z is fucked up enough to keep a prince in a maximum security prison, especially while he’s injured.” Wooyoung shrugged, nestled on the floor between San’s legs, back pressed to the chair holding the latter. Hongjoong could only roll his eyes at the almost-purr Wooyoung let out as San ran his fingers through his hair. 

“But what if he was worried about some of the staff in the palace still being loyal to the royal family? There has to be a few left that would want to get Seonghwa out of there.” Yunho sat atop the back of the couch, legs squeezed behind Mingi’s back. 

“That’s actually a good point. When we were kids the staff loved Seonghwa, especially the cooks.” San said, fingers still threaded within Woo’s hair, fingertips massaging at his scalp. 

“Yeosang, are your drones able to reach the bunker from here?” Hongjoong gestured to the shelf where a kaleidoscope of butterflies surrounded a single mechanical blue bird, each in a dormant state resembling sleep. 

The tinkerer turned in his office chair, his back straightening with an audible pop as he allowed his eyes to adjust to the lighting of the room rather than the bright table lamp he’d been using to illuminate the workbench behind him. 

“They’ll lose signal about a few kilometers before the bunker, we’ll need to find a way to get closer.” Hongjoong always appreciated the rare moments where Yeosang was actually listening as his responses were typically very clear and concise. 

Hongjoong sighed and nodded his understanding before instructing both Wooyoung and Yeosang to join him in the garage in ten minutes. He slipped from the communal space and into a room he’d turned into his own, shoving a few things into a backpack for the preliminary journey. The sooner they figured out the finer details of the plan the sooner they could move on to rescuing the wayward prince. 

He’d never met Mars, not directly, but you’d be hard pressed to find anyone among the rebellion that hadn’t felt moved by his murals in some way or another. His disappearance had been a huge hit to morale among freedom fighters across the country, no doubt exactly what Z had intended. Mars was seen as a last beacon of hope, someone with the power to make a difference and bring light and life back to a world covered in darkness, so regardless of Hongjoong’s feelings towards him (or lack thereof) he poured his all into getting the plan in motion as quickly as possible. They couldn’t afford to lose any more of their already dwindling members. 

The trio gathered by a rusted, nondescript gray van, Hongjoong frowning as Wooyoung jogged forward three minutes late. 

“What exactly are we doing,” he sighed, arms across his chest. “And why can’t San come?” 

“Because I don’t need you getting distracted. We’re going to see how far we can stay from the bunker and still maintain a stable signal. You and San are the only ones that grew up in that part of town so we need you to navigate us, preferably to the most secluded areas.” Hongjoong explained as he tossed his backpack into the back of the van, waiting for Yeosang to climb in back and gently set his own bag down, before closing the doors with a horrible screech. 

“Couldn’t we wait until tomorrow to do this?” Wooyoung whined and Hongjoong barely suppressed the urge to kick him before climbing into the passenger’s side. He very rarely put Wooyoung behind the wheel but in this case it made the most sense and would free him up to take in all the little details of their location and any potential threats. 

“No. The longer we wait the more bullshit Z feeds the press about us and the more fighters we lose. You saw Eden’s last report, things aren’t looking good for us. We need to get the prince back and on our side now.” 

[andmaybegayer]

Michael scope

Zeiss Jena Laboval ?3? I think, documentation for the Laboval series online starts and ends with the Laboval 4. By all accounts this is their upper mid range lab scope, with Amplival being the top of the line before you get to big scopes that have to be installed by a technician.

There's a large variety of Zeiss scopes that were manufacturered on this side of the iron curtain, as you can see this is an East German piece. Pretty good condition, scratchy condenser optics but the objectives and eyepiece seem to be in great nick, from a quick inspection, and that's what matters. Eyepieces are 10×'s, Objectives are a 3.2 semiplanar, a 10, a 40 planar (which I think will get a lot of use), and a 100 oil immersion. Pretty normal setup.

I don't have slides and slips yet so I can't do a proper mount, but this is pretty promising for just sliding a sheet of paper into the slide holder. Proper mounting will improve the focus plane immensely. 32× and 100× so far.

The illumination is off-centre and uneven but that's resolvable and anyway it might be fun to move to LED. I also want to build some top illumination brackets for opaque subjects.

I had like. A kiddies toy microscope growing up and I got as far as trying to make it do darkfield with pieces of cardboard, but never something this professional, binocular optics is such a big step up on its own.

The only real issue I've seen so far is that the stage Z axis is very sloppy, huge backlash. Everything has been stuffed with new grease recently so at least it moves smoothly, old scopes and old typewriters both have a tendency to seize if they're forgotten for more than a few months at a time.

I'll swing by the lake and pick up some algae and protist samples later, and I need to order slides and slips. Also I can print some darkfield and oblique illumination filters.

Probably not going to fuck too much with oil immersion, but who knows, also I'll keep an eye out for water immersion objectives.

I think that with an appropriate head replacement and some filter hacking I could get phase contrast microscopy up and running, probably scavenging some Amplival parts. I'd need to see. I can definitely get fluorescence microscopy working with an illumination upgrade. It would also be nice to gut the electronics and put in a simple battery powered illumination system I can charge over USB so I don't have to rely on wall power. Even the stock tungsten lighting is only 5W at 6V so that's easy to swing.

Objectives are DIN 45mm I think, and it sounds like many Eastern Bloc microscopes use standardized head mounts. I'll also be able to print a lot of parts for this, but I'll probably want to get some black filament for optical reasons.

First I want to do some protist sketches, I picked up a protists book at a used bookstore a while ago and it got me really hyped to do protist watching. This is definitely at some level me trying to replace macroscopic wildlife spotting in my life.

[easternpine]

Revisiting Sanctuary (Horizon)

Miranda stood at the edge and gazed down. It had potential. The empty concrete pool was deep and wide. The elevated planters were gone, but its system of pipes and pumps had remained intact, a godsend for a project that relied on fickle private funding and a quick turnaround. One less cost, one less impediment. “How long until we can get this thing operational?” asked Miranda, glancing over her shoulder. Marvin, her lead engineer, had been going over a list of technical specs. He rubbed at his jaw. “With a full team, we’re looking at the outside of…four weeks?” She looked back to the pool. “Cultivation of the local strains will take us at least that long, and remaining structural repairs an additional two weeks. We need to begin producing more materials ASAP. If I find you more people, can you get it done faster?” Marvin’s mouth hung open. “I’ll take any qualified labor you’ve got.” “Consider it done.” The engineer went back to his work, leaving Miranda alone to survey the cavernous lobby. Inside the husk of the once sprawling complex, beams of light shone down through the mortar-pocked ceiling. The building felt older than it was, ancient with a peaty, stale odor from being shut up for so long. ‘Sanctuary’ they had once called this place. A place of promised safety. Now the delicate tendrils of vines crept up along blackened stanchions and stumps of concrete, sprouting up through gaps in the floor where falling debris had cracked it open. In her mind’s eye, Miranda sketched out the most efficient arrangement of algal towers. Combined with the advancements her team had made using native bacteria, this new farm, along with a larger facility in the Tal Valley, would provide Horizon and its neighboring systems with enough self-renewing materials to supply dozens of colonies. Fabrics, plastics, construction materials: all manufactured on demand. There was one detail, however, that would need to be dealt with first. She glared at the pool’s far end. A pair of water tight doors were built into the wall, a discrete entrance that opened onto a series of corridors descending deep into the facility. Past the corridors were a maze of labs and stations, where flocks of hopeful refugees—shepherded by Cerberus—had been led to slaughter and butchered in the name of ‘humanity’. Salvation turned to damnation. Abominations, immutable atrocities, for the sake of one man’s hubris. That Miranda had sent her father to his death there was not a regret she harbored. After the initial structural repairs were complete, she would order the laboratories sealed off for good. Whatever dead remained there could lay undisturbed, turning the underground sections into a makeshift mausoleum--a too-late apology. Miranda would’ve liked to have taken credit for the idea, but transforming this site of suffering into an embodiment of prosperity had been Oriana’s suggestion. It was so easy for her, her tenderheartedness. Miranda’s heart, on the other hand, felt like a fine sword: cool, sharp, sheathed, and with the potential for danger. Handled correctly, it could be made to sing, but whether it would be used to protect or attack? That would depend.

[charlottegeorgesheart]

Young Queen Charlotte, played by India Amarteifio, keeps to innocent pastels in her early scenes, but her colors grow bolder as her power does too.  (Liam Daniel/Netflix)

BY VALLI HERMAN

In the first minutes of the “Bridgerton” prequel “Queen Charlotte,” the namesake character complains heartily how her elaborate gown and its restrictive corset made of brittle and sharp whalebone means that if she moves too much, “I might be sliced and stabbed to death by my undergarments.”

Oh, dearest gentle reader, young Queen Charlotte hasn’t suffered in vain. Her every ensemble, and those of the show’s sizable cast, are crafted with such sumptuous detail, that surely all who view them would gladly have them suffer even more.

Even though period costumes are notoriously cumbersome, Emmy-winning costume designer Lyn Elizabeth Paolo and co-costume designer Laura Frecon dispel notions that the actors suffered much (thanks to light, modern fabrics and stretchy panels in their corsets). Still, the yearlong shoot in grand estates across the United Kingdom overlapped the pandemic lockdown and required worldwide sourcing. It seems that their brand of elegant finery was a tonic for distress, and a cause for celebration. The work, helped by a 220-person costume crew, has earned them a 2023 Emmy nomination for period costumes.

Replica undergarments were crafted from light, modern fabrics and stretchy panels to be slightly more comfortable than the actual period clothing. (Liam Daniel/Netflix)

“This [shoot] was challenging, but also joyful. Every time a piece of a costume would come back, it was, ‘Oh, my God! It looks better than we thought it would.’ There was a lot of joy there,” says Paolo, the longtime designer for other Shonda Rhimes productions, such as “Inventing Anna” and “Scandal.”

The six-episode costume drama on Netflix explores the early days of the difficult marriage of Queen Charlotte (India Amarteifio) and King George III (Corey Mylchreest). The fictionalized story of the actual royals takes place in two time periods — the Georgian era of the 1760s and the later Regency era in which “Bridgerton” is set — and includes key characters from the original show. There are several grand balls, a royal wedding and a coronation to wardrobe. No biggie.

Or so Paolo was led to believe.

“I remember Sara Fischer, who is head of production at Shondaland, called me and said, ‘Shonda has this idea for a small, intimate show. She really wants you to do it.’ And, what are you going to say?” recalls Paolo, who was a consultant on Season 2 of “Bridgerton.”

She invented a time-twisting concept inspired by Monet and Matisse paintings and modern fashion designers who themselves referenced historical costume such as John Galliano, Alexander McQueen, Moschino, Zuhair Murad and Christian Dior in his New Look era. Yet Paolo kept the silhouette appropriately Georgian.

“The pitch was, we kind of want it to look like a Met Ball … but to be slightly more on point with the period. We still wanted to have our own stylistic elements that would make sure that the modern eye understood the costumes,” Paolo says.

Corey Mylchreest as King George and India Amarteifio as Queen Charlotte all but sparkle in their lustrous clothing. (Nick Wall/Netflix)

“For the men, we had images of rock ‘n’ roll icons from the ‘70s and ‘80s. So a lot of images of Prince, the New Romantics and Adam Ant. All those people back then who had that pirate chic going on.”

That vision required a mostly custom-made wardrobe that sourced from London, Los Angeles, New York, Budapest and Spain. Jewelers Joseff of Hollywood, Manhattan’s Larkspur & Hawk and Italy’s Pikkio custom made the period jewelry and other adornments. British manufacturer James Hare supplied traditional fabrics as did a mill hours from London that wove custom fabrics. Smaller artisan shops focused on hand embroidery or a particular character.

“It was sort of a small army,” says Paolo, who relied on the organizational skills of Frecon. A giant calendar and flow chart helped them track the flow of work, particularly of the embroidered pieces, which were outsourced to UK specialists Twan Lentjes Creations, Beth Parry and Hattie McGill, whose Instagram accounts illustrate their handiwork.

Other members of the court stand out in patterned fabrics (on Tunji Kasim as Adolphus) and brightly colored gowns with hats (Arsema Thomas as Agatha Danbury).

“It’s so complicated,” Paolo says, describing a process of sample making, initial embroidery, further tailoring and additional hand embellishing before a pattern piece is ever fitted into a garment. Even fabric-covered buttons were embroidered.

The women’s gowns are especially intensive. The earlier dresses, from 1760 onward, required 13 to 20 yards of fabric and at least four weeks of construction; five if they’re heavily embellished. Each ensemble requires petticoats that can add five to 10 more yards each, plus a corset, a pannier (a cage-like underpinning), a padded bum roll, shoes, stockings and garters. The jewelry sets were matched to each costume and included rings, earrings, necklaces, bracelets and tiara-like hair jewelry that was fitted into fantastical wigs by hair and makeup designer Nic Collins.

With two sets of characters to dress in two different eras, the costume designers were careful to build visual continuity, typically with color. Young Queen Charlotte, for example, keeps to innocent pastels in her early scenes, but her colors grow bolder as her power does too. The designers cannot precisely count the number of costume changes, or quantify the number of pieces they used, only to say “in the thousands.” Paolo says Jeff Jur, director of photography, was on board to capture the spectacle and regularly texted her and Frecon to say, “‘I’m doing a full head-to-toe shot of this one.”

Still, it’s tricky to absorb all of the detail, even though it’s there on the hand-embroidered initials on a man’s handkerchief, or the restored antique jet beading and lace on Queen Charlotte’s mourning gown, or the Easter eggs, as Paolo calls the references she wove into many costumes, particularly those in the final episode, which features an astronomy-themed ball, hosted by the king and queen.

King George loves astronomy, so stars and moons are embroidered and beaded into their clothes. The ball was shot outdoors at night, which usually obscures costume details. Jur expertly lit the scene to illuminate the clothes that were so laden with sparkly bits that they twinkle.

Though the final episode was picked to submit for Emmy consideration, the choice was “brutal,” Paolo said. “It’s a huge group of amazingly talented people who all deserve recognition. If we are lucky enough to win, I would want 220 miniature ones to hand out to everyone.”

[tortoisesshells]

Please could you share about CDchapter31take4? Thank you 😊

of course! maybe some day I'll finish that chapter - and then, someday, finish the whole fic? I think at least part of my problem is that I'm far more invested in Nellie's psychology, but unfortunately, I have to get out of her head and get into some smuggling bullshit and manufacture some history whole-cloth - and every attempt I've made to write those things has been flatter than soda left out on the counter for a week.

But given the chickens are finally coming home to roost for Nellie - that everything she's done that she's ashamed of is on the brink of coming to light - it's just much more fun to write about that?

Nellie listened to the noise of the storm for some time, though the drumming of the rain against the walls would not lull her. Restlessness seeped through the cracks – she stared across her tea-table as though the corpse really might appear at any moment. It was not her conscience that was troubled, she told herself – she would have thought, if any part of her still longed for the faith in which she had been raised, she would have felt it by now. It was not that she had killed him (or, weaseling: that she had done what had led to his death) – it was that she might yet be found guilty of it. While Nibley was still lost, she had the flimsy security that it was difficult (but not impossible!) to be tried for the death of a man no one knew to be dead – that, and that Commodore Norrington had proved curiously unwilling to press too hard on the matter. A prideful, powerful man – no one had liked him while he was alive – What a sad thought, but then, Nellie told herself that the orphan and the stranger were sad figures, unloved because of the wickedness of this world: Nibley had been a tyrant and an ass, and the author of much wickedness himself. The dead were too easy to pity. At any road. Nibley was dead, and spirits were not real. The ghost she had dreamed of – following these two ideas to a natural end – was not Nibley’s. It was the fear of her own death, waiting on her: the throat rope-crushed, the face twisted. Blue.

WIP Title Ask Game

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