#learning real life actual human proportions is more important than you realize

[sootcrow]

Wishful dreaming

I can only hope, someday.

Happy Pride Month.

[shatteredsoul1998]

Getting used to the 'controls' Part 1, Chapter 2

As he sat up and looked around, he noticed three things. First, this was not his body. This was not his body, why... It was good old Luigi’s... Only it had been changed a bit. Now shaped more like a human body, instead of the cartoonish proportions that Luigi normally has.

The second thing, he was certainly inside the Foyer, the stairs on either side of the door in front of him, only they looked real... Twisted and warped. And the final thing that he noticed was the Toad, sobbing in the corner. The Toad also seemed more like a human, well, a human who was given a mushroom for a head. 

Micheal walked over to him, grabbing him by the shoulders, pleading to know what had happened. The Toad was not very responsive at first, but after a bit of panicked pleading, he finally spoke up. He explained that an evil had gotten hold of him, trapping him in the game. He explained that his name is Timmy, and that he has been trapped here for several weeks, since October 2001. At least, he thinks. 

Micheal realizes that time does not pass as easily in the game as real life. Micheal decides to not tell Timmy this information. Timmy tells Micheal about how the beast takes the form of different ghosts whenever it pleases, terrorizing the other victims inside the ‘vessels,’ other Toads, some boss ghosts and even E. Gadd himself, who was the original owner of the house visited.

He tells Micheal that he has given the monster a name, ‘Phase-Through.’ Micheal spent the first... However long it was in the foyer, simply trying to plan. As time went by, he learned how to use his tools, such as the Poltergust 3000, or the Gameboy Horror, to his advantage. After he figured out his plan, he dived into the mansion. 

He went room by room, taking out every ghost he came across. As he did so, he kept track of how many more there were. He would have close calls with the Phase-Through, but never really got caught. Slowly but surely, he was getting rid of the ghosts. While most acted normal, any of the ones possessed let him do it without a fight, simply glad to not be terrorized by the Phase-Through anymore. 

However, Micheal started to run into a problem. As the number of ghosts decreased, the number of times he came across the Phase-Through increased. At first, it was only now and then, but slowly, it was in every room. Micheal got caught a few times, and Phase-Through would tear his digital body apart.  It took close to a year in the time, at least from he could tell, before he beat the final boss, and once he beat the boss, it was almost as if the whole place fell apart, like this was not supposed to happen.

Instead of the ending credits rolling, the world turned white. Soon, when he woke up, he found himself in a different world, but everything about him was the same, other than his appearance now being monochromatic, pixelated, his voice now bit crushed. But everything around him was monochromatic. As he continued, he recognized the layout as a game one his friend showed him when he was growing up.

Super Mario Land. 

(Phase-Through is not a great name, but it isn't an important character after this, so...)

(The reason the world falls apart is that Phase-Through held it together, being a copy of the actual Luigi's Mansion instead of possessing a real cartridge)

(See you Tuesday!)

[lochnessies]

ok here’s a dissection of a post an anon sent me the link to and bc i have the worst time management possible and i completely forgot i had it lol so sorry anon here you go ❤️🧡💛💚💙💜

I am constantly thinking about how Edelgard just doesn’t seem designed to appeal to cishet men.

i hate to be the one to break this news to you op but just because a character doesn’t show skin like charlotte fire emblem doesn’t mean she isn’t designed to pander to men. she’s very much designed to pander to the (majority straight male) player base with her ‘uwu i only trust you professor omg did u see that rat? pls don’t look at my painting of you uwu’.

then there’s the whole edelgard c support in japanese where byleth makes reference to having come to her room for ‘yobi’ which is

there’s also the scene where byleth can make an unsolicited comment about edelgard’s breast size. which is… uhh… gross.

edelgard also has cipher cards that go from slightly fanserviceie to full on suggestive

and also her breast armor that my sister relentlessly mocked lol

and here’s a chart from the 3h subreddit about gender/sexually in regards to edelgard and edeleth. it’s extremely straight male. op might have just overlooked this since they probably don’t go on reddit and stay on tumblr (which unlike reddit is mostly female and has a high lgbt demographic).

Like the joke is that Bleagles is the Gay House, but everything about her feels deliberately non-hetero.

i don’t like where this is going…

She’s dressed in sharp outfits covering her upper body, with proportions that don’t seem exaggerated.

so women who cover up must be lgbt because straight women are naturally more revealing? oh y i k e s

Her poise and the way she effortlessly flourishes her axe exhibits an air of coolness. While titties out =/= character of no substance, Edelgard being dressed more modestly suggests that she wasn’t designed with male-centred fanservice in mind.

“titties don’t equal no substance but here’s my post on how she has more substance because she doesn’t show titties” ok

And she still looks absolutely stunning in her more modest attire (like seriously, I haven’t felt the need to return to cosplay in years but I want to do her academy look so bad). 

yes she does. amazing design 10/10. i have a feeling this is the only part i’m going to agree with

Edelgard is intense. She does not mince her words and she is constantly evaluating you. Though she tries, she has a difficult time understanding her peers initially. Early on, she talks about how she would sacrifice herself and others in the name of some greater good. She is terrible at communicating with her peers. She has to be seen as infallible. Her heart has been hardened for years and she assumes she has to stay that way. She also assumes everyone mourns the same way she does - which is why she (kind of insensitively) insists you move on when Jeralt dies. Because to her, grief has to be channeled towards action, or else you’ll get lost in it. This attitude is demonstrated time and time again as she presses on. It can make her come off as cold and unfeeling - but look closer, and she’s anything but.

don’t really have anything to say at this part. it is pretty on the nose though i would slightly disagree with that last sentence a bit. i wouldn’t say she’s as i feeling as hubert is but all of her talks of the war boil down to how she feels and never her victims.

Her story is ultimately about her realizing that to achieve her goals, she needs to let people in and allow herself to want things like cakes and tea parties and lazy days in peace. 

????? what ????? her goals include imperialism, ethnic and religious targeting. her story is about having a set of beliefs and mowing down anybody who stands in her way. that has nothing to do with tea, friends, and lazy days. also am i supposed to be sad that she has to get up everyday and work? i do that and i didn’t start a war and only throw a pity party for myself

The game leaves the player guessing as to how involved the Flame Emperor was in each Part I event, makes you feel hurt by her betrayal, and leaves you with a choice: do you follow the orders of the woman who tried to make you a god without your consent, or a young girl with questionable morals about to throw the world into upheaval?

this isn’t an ideal situation but i think i’m going to stick with the woman who tried to make me a god since i’m not selfish and i know it’s not only my desires and life at stake here. plus the green hair slaps ngl

Choosing her of your own volition (not for completionist reasons) requires the basic ability to sympathize with a woman’s pain. It also requires the player to read beyond her unwavering will and dubious methods to get a sense of how deep that pain goes and how the theme of humanity relates to her differently in each route.

i’m not going to touch this since @nilsh13 made a post on it that i’ll link here. i agree with everything he said so to repeat it would be redundant.

The player must be able to see a young woman’s desperate resolve to change the world so it stops exploiting people and ruining lives. They must be able to accept the fact that women can make the same morally wrong and ambivalent decisions that complicated male characters get to make all the time and still be the one to root for.

literally the same reason i love rhea lol her goddess experiments are dubious at best but her reasons are the same you mentioned. i would say that i like this quality in edelgard too if her ending, while bloody, actually ended in a good outcome for fodlan.

This is not unique to LGBT+ people, but this population is likely to understand why Edelgard feels so strongly about why she has to change the system. 

i understand wanting to change a system, i really do. like edelgard, i’m an opinionated bisexual woman (who’s also physically disabled) so yeah i get it. and change can be good but it can also be terrible. even if the church was the boogeyman edelgard treats it as she still replaces it with her own shit regime. so it’s the same circus just with a new conductor.

I don’t think “Edelgard gets undue criticism because she’s a woman” captures the full picture. An important aspect of her treatment by certain parts of the fandom is that she’s a radical woman.

or maybe she does some pretty fucked up shit and it goes unacknowledged in her own route. and yeah she’s radical but in all the worst ways.

Her hatred of the Church and the Crest system resonates way harder with people who have been hurt by institutions that are deeply engrained in our society. 

and what about people who have been hurt by systems where their ‘merit’ didn’t measure up and they were left behind? what about people from nations that experienced imperialism?

Siding with her means siding against the Church - which, while different from real world religious institutions, still invokes language about “sin” and “punishment.

yeah the ‘sins’ and ‘punishments’ are used in relation to attempted murders which i think everybody can agree is a bad thing that needs to be condemned.

Choosing Edelgard will likely hit different if homophobic and transphobic Christians used that rhetoric against you.

it has literally nothing to do with ‘sins’ and ‘punishments’ in regards to being gay or trans. that’s you projecting. especially since the church has 2 canon gay characters and two coded ones.

like i can understand why having a church condemn you can be uncomfortable but i’m begging you to please look at the context of what’s happening.

I’m willing to go out on a limb and say that the reason F/F Edeleth is the more popular iteration of that ship because most people who would choose to S-support Edelgard are LGBT+ themselves. This is not a revelation. To anyone in the community, it’s fairly obvious. 

i was talking to nilish and he said

so yeah… while there is definitely sapphic femleth shippers out there, there’s still a whole lot of weird fetishizing going on from straight men about edelgard.

Crimson Flower was my first route. I went into the game knowing absolutely nothing. I played it during the last week of 2020 and hoo boy was it cathartic. 

i can tell. this wasn’t supposed to be a dig but it came out that way and i’m not taking it out.

I felt like I was living out a gay revolution power fantasy, where I could truly change systems of oppression while fighting alongside a group of troubled students I’d shaped the lives of.

so a gay revolution power fantasy (cringe) goes hand in hand with imperialism and installing a dictatorship? also the war had nothing to do with sexuality.

Through your unwavering support, Edelgard learns that she needs to be human, that she must listen to her friends, and that she’s allowed to enjoy the world she’s creating.

edelgard gets to learn how to be human all while hunting those who don’t. and she doesn’t listen fo her friends. she doesn’t even trust them. she’s willing to talk to byleth but keep the people who’s been by her side for five years in the dark about everything. and yeah she gets to enjoy her new words since she’s on top. hate to be a commoner under her rule after she burned down my village in her war.

I love this character so much.

clearly. and i honestly don’t care if somebody likes her. i do as well even if my sometimes scathing words can make it seem otherwise.

It has been six months since I first played and I am still analyzing her,

me too. please help me escape i’m losing my mind

because there’s so much depth. Yet so many people fail to see that depth and dismiss her as evil,

i mean, she does some fucked up shit that goes beyond any of the less than desirable actions of the other main characters and does an extremely poor job in trying to make herself seem innocent. i personally don’t think she’s pure evil but i completely understand where the people who say she is are coming from.

because they never had the will to understand complicated women in the first place. 

that’s big talk from somebody who implies that a gay pope is comparable to homophobic and transphobic irl religions and that leads an oppressive regime all because she uses the vague terms of sin and punishments that you have to gay power fantasy your way out of

[star-trekkin-across-theuniverse]

Worthy (pt4)

Author’s note: I am crappy at tagging people. Inbox me if you want to be added, and just keep poking me if I keep forgetting to add you. <3  @rampant-salamander @bolontiku​

I had to wonder if the powers from Thor’s hammer included allowing me to disappear into the floor so I would not have to face the source of my embarrassment again. I wanted to slam the bathroom door and lock it and hide until Thor left. But I somehow guessed his sense of chivalry would be too great to just leave me to die of embarrassment and he would do something stupid, like breaking down the door, to ensure I was okay, instead of just understanding I needed to lick my wounds in private. Particularly when he thought humans were prudish about nudity. Did they walk around in Thor-land buck naked all the time? I mean, if they all looked like Thor that might not be a bad thing. I was far too conscious of my lumps and cellulite and stretch marks to be okay with joining them in the nude party though. 

I dropped the towel and looked at myself in the floor to ceiling mirror, trying to guess what he must have thought when he hauled me off the floor. I was pale. I’d been far too busy finishing my thesis to be out in the sun in the spring, and it was obvious by the way my arms were the same fish belly white as my stomach. The time spent in the lab showed on my tummy and hips and thighs, all of which were broader than they’d ever been before. My roommate had said curvier was a nicer word, but I knew exactly how many slices of pizza had contributed to each new curve, and the fact that none of that skin had seen the sun in months made me feel bigger. I couldn’t lie and say I was completely unsatisfied with my body. I was just bigger than I’d been, and more uncomfortable in my skin. I’d promised myself I’d find some sort of activity to balance with my work life, for no other reason than for my health. I just didn’t buy into hating myself because I didn’t belong on the pages of a magazine. My body housed my brain, and my brain was pretty awesome. The rest was just packaging and resources for keeping my brain safe and at optimal function. But that was what I thought. I cast a critical eye on myself trying to figure out what Thor would have thought seeing me bare-assed on the floor. Given his impatience with my modesty, he probably hadn’t thought much at all.

I pulled my pyjamas on, and had to laugh at myself. The spaghetti strapped tank-top and boxer shorts didn’t cover much more than my towel had. But I couldn’t cross the living room again to find something else if I ever wanted to get rid of the man-god sitting in my living room.

I steeled my courage and opened the bathroom door. He’d figured out how to turn on my television, and had stopped on what appeared to be a documentary about the Avengers Initiative. He laughed at the television and shook his head, then clicked it off when he realized I’d come into the room. 

“Do you want something to drink?” I offered.

“I rather think you do not wish for me to stay that long, Ella Carmichael.” He pushed himself off the couch and walked into the kitchen where I was refilling my wine glass.

“You know, you can just call me Ella. It’s weird to use someone’s first and last name,” I commented. “Are you sure you don’t want a drink? I hate to drink alone.” I held the bottle up in offering. I could see him hesitate for a moment, probably contemplating the honour involved in drinking wine or something.

“If you insist,” he smirked. I poured him a glass and came around the kitchen island to hand it to him. When he took the glass from me, he narrowed his eyes and took my wrist into his hand. He turned it over, palm facing up and ran his thumb across it. I’m not ashamed to admit I got goosebumps; it was more intimate than I’d been touched in recent memory. 

“Have you always had that mark?” I realized he was running his thumb around my left hand in a pattern. I looked down, but couldn’t see anything out of the ordinary.

“I can’t see any mark.” I pulled my hand away and held it under the bright light over the island. Nothing. Thor took my hand again and looked closer, and traced the design out again on my palm. He was seeing something that I was not. He dropped my hand and picked up the hammer from where he’d placed it on the floor by my front door. He put it carefully down on the granite countertop of the island, and pointed at a big fancy three pointed knot on the face of the hammer.

“This is called a triquetra. It is also on your hand. I would know how long it has been there,” he explained. I shrugged.

“Well, I can’t see anything at all. But that’s the hand I picked up myewlnor with. Maybe it left a mark?” I knew I was completely butchering the name of the hammer, but god knows I couldn’t remember how to say it.

“Mjolnir.” Of course he would correct me.

“Mee-owl-neer?” I tried again.

“Mjolnir.”

“M-yol-neer.” I was reasonably sure I had it right that time. He nodded, and took my right hand in his, flipping the palm up. He traced his thumb around in the same pattern.

“It’s on this hand as well. This is a mystery. I do not know you well, Ella, but Tony seems to think you quite intelligent. Intelligence is not all there is to worth. But it is perhaps somewhere to start,” He pondered. I bit my lip.

“I don’t know how you judge worthiness where you’re from, but I’m not anything special. I don’t run around rescuing kittens from trees, or saving maidens from dragons, or curing cancer. I can’t even donate blood. I have some weird antibody.” I protested. Thor’s mouth cocked to one side in a grin.

“I have never done those things myself, and yet I am worthy. I will speak to my father,” he determined. He finished his glass of wine.

“You appear well. Your colour has come back, and you no longer show the signs of shock. I bid you good rest, Ella Carmichael. Thank you for sharing your libation with me, and for indulging my concern,” he bowed his head a little, hefted the hammer and turned. I followed him to the door. He turned as he crossed the threshold and placed a hand on my shoulder. “I will bring news once I have more understanding of what has happened.”

XXX 

“So Thor saw me naked last night.” It was quite possibly the best first-line I’ve ever had. And I got to drop it on Angela as we walked through the build-a-Belgian-waffle line. She dropped her fork on the floor with a loud clatter.

“What? Naked? How?”

“Well, it all started when I had no clothes on,” I began.

“Seriously, Ella. What happened?” She demanded.

“Seriously. I was taking a bath and he knocked on the door. I figured it was you with the passcard, even though I’d said it could wait. So I wrapped my uber-skimpy-Stark-Industries-micro-towel around me, figuring I’d be opening the door a crack and accepting a passcard from you. He was at the door. And he just invited himself in, plain as you like. Said he was concerned about me,” I started. Angela shook her head, and as we walked through the waffle decorating station, I finished filling in all the details. 

Once we were seated at a table, she took one of my hands and looked at it.

“I don’t see it either,” she sighed. “Do you suppose he has weird powers that let him see through things? Maybe that’s why he didn’t care that you were naked. Maybe he sees all of us as naked all the time.”

“You’re confusing him with Superman,” I laughed. “He has x-ray vision.”

“Superman is a comic book character! Thor is real! Who knows what all his powers are.” She cut her waffle up and started in on it. I pushed my waffle around the plate a little and drank my coffee. I didn’t like waffles. At all. I ate the mountain of fruit I’d piled on top of it, but couldn’t bring myself to get into the waffle itself.

“Well, not making a big deal about naked women is one of them. He made it clear he thought my prudishness was weird.”

“He’s weird. Most men would be hard pressed to not scope you out, regardless of how cool they tried to appear,” she stated, and then made a gesture that looked a little like jazz-hands. “Oh-em-gee! Boobies! Play it cool, dude. Play it cool, and she won’t cover up and then?  More Boobies!” Her fake-guy voice was hilarious.

I snorted on my coffee. “I’m hardly in peak physical condition. He probably was just horrified by the wiggly bits and stretch marks.”

“I don’t think they see past the boobies, to be completely honest,” she laughed. I shook my head and finished my fruit. I’d effectively smushed up the waffle until it looked like I’d eaten some of it. 

“What is on the agenda for me today, boss?” I changed the topic and drank my coffee. Angela pulled out a tablet and flicked through it.

“More orientation stuff. We’re going to go to distribution, and learn how to requisition things for your project. And how to req for your apartment too. And how different the two forms are and how important it is to make sure you use the right form,” she started. “Here’s a hint. The importance of using the correct form is inversely proportional to how similar the forms are to one another. You won’t believe that will take most of the morning, but it will. Then you’re seeing Markus after lunch.”

“Can I order bigger towels from distribution? Because the towels in my apartment are ridiculously small.”

“I don’t think so. But you can also requisition outside items from your in-suite purchasing app. Or I can just take you to Macy’s after work,” she suggested. “Are you not going to eat the waffle?”

“Confession?” I made a face. She nodded. “I hate waffles. They’re like a pancake with a skin disease. Disgusting.”

“I take back every nice thing I said about you. Waffles are amazing. Those are flavour pouches.” The look on her face was enough to make me bite my lip to prevent the laughter from slipping free. She was gripping her table knife like she might actually stab me. It would be a sticky ignominious death by maple syrup.

“Flavour pustules, maybe. So gross. I’m more of a bacon and eggs girl,” I admitted. Angela shook her head, her eyes cast downward in disappointment. She finally cracked the tiniest grin.

“Damn good thing you’re funny. Because that might be a deal-breaker otherwise. Come on. Bus your table. Let’s get you off to distribution so you can learn about the pedantry of requisitions.” She winked and grabbed her tray, leading the way over to the kitchen cart before directing us back to the elevator.

Distribution might not have been mired down in red tape, bureaucracy and shenanigans if they’d had a single window. But they were located in a sub-level of the building, below the parkade, completely walled in. There was a single door in, and it was right beside the loading bay. The staff kind of looked like they were a lost race of mole people. They were pale, suspicious of visitors and seemed a little paranoid that the rest of the company was out to make their lives miserable on purpose. The main stock clerk all but hissed at us when we came in. 

Angela made quick work of running through the requisition forms. There was a single line that delineated personal requisitions from project reqs, and it was required for payroll deduction where appropriate. It was fair enough, but wouldn’t it have been simpler just to colour code the forms? I asked Angela as much and she clamped her hand over my mouth.

“Do you want to be barred from ordering things? Don’t rock the boat!” She hissed. “If you can control yourself, I want to show you heaven. This is the one thing that distribution does right.” She led me over to a table that had a pile of different catalogues on it. “This is the only part of Stark Industries that is still analogue because catalogues are so much easier than websites. And here’s where your colour coding idea comes into play. Blue catalogues are filled with workplace supplies, divided by shade of blue. The light blue cover is office supplies; the dark blue cover is electrical doodads, etc. You’ll learn them as you need to. The yellow covers are personal items. Light yellow is Stark Industries branded stuff. I do most of my Christmas shopping in the light yellow. My dad has a thing for polo shirts and golf balls. Goldenrod is household items that are covered by your living allowance. Stuff like bedding, kitchen utensils, towels. I think there’s a surround sound upgrade in there.” She handed me a pencil and flipped the Goldenrod covered catalogue open to bathroom stuff. The towel page was dog-eared. Apparently I wasn’t the only one who hated the mini-towels that came standard in the room. I filled in a requisition for towels and a plush bathrobe. 

Angela brought me back to the stock clerk’s desk and walked me through the process for submitting the order. It was complicated. I almost expected to need to know a secret handshake to complete the transaction.

“So that should all be delivered before the day is over.” She led me back out of the department. True to her word, the distribution department and requisition in-service had taken us almost to lunch. We stepped off the elevator on the floor for my research division. “I figured I’d show you your desk before we eat lunch.”

We rounded a corner into the lab area. The space was wide open, from window to window. There were workstations at the periphery of the room. I assumed the conspicuously empty one was mine, but Angela walked right past it to a desk that was covered in stuff. There was a pile of paperwork on one corner that at first glance I thought was probably the information relating to my proposals. The desk itself was one of the Stark Industries touch responsive computers that I’d been desperate to try since the first time I saw one. The monitor was carefully suspended from the ceiling, keeping the desk as clear as possible. On the far side of the desk was a small cactus with a little plastic welcome stick pressed into the dirt, and a box of office supplies.

Angela made quick work of logging me into the computer. The log in sequence unlocked the desk drawers, so I was able to clear my desktop with one sweep of my arm into the top drawer. Angela sucked in her breath in response to the action.

“I will organize myself later. For now, that desk needs to be clear, if I’m ever going to work at it,” I explained. She grabbed the cactus protectively and held it away from my reach. 

“Promise you won’t hurt the plant,” she demanded. 

“Sure,” I agreed. She put the plant back down and disappeared across the lab, quickly returning with what looked like a shelf. While I watched, she mounted it to the window behind my desk. How she did it was a mystery, it looked like it was just hanging there. Some sort of mysterious Stark Tech, I suppose. She took the cactus and placed it on the corner of the shelf, her shoulders square in defiance of my otherwise blasé organizational skills. As though she already knew that I wasn’t going to organize my desk drawers later. I looked over at the desk beside me and saw that all the way down the bank of windows, there were shelves mounted against the windows, holding the various personal treasures of the employees assigned to each desk. My shelf looked kind of boring with just the cactus on it.

“Okay, let’s get lunch. You’ve got your meeting with Markus in 45 minutes.” Angela steered me back out of the lab and over to the elevator.

[meruz]

replying to some asks - lots of weird preachy art advice. just trying to cram every sophomore year art school lecture into my blog

ANON, PLEASE SEND ME A PICTURE OF THIS..........................

glad to hear it!!!! I always love to see sketches from other artists but somehow when I post mine I feel like it’s just...cheap? like its not ““Real content”““ LOL... but if even one person likes to see it thats all I need to hear

very interesting question, thank you for being specific because that makes it a lot easier to answer. This is going to kind of sound like what every other artist tells you but

1) Go to figure drawing classes/sessions! I know we’re in the middle of a pandemic right now but actually that might even make it easier to find because a lot of figure drawing sessions are being held online atm! Anyways, I cannot possibly overemphasize the importance or studying the human form from life. It’s something that artists spend their whole lives studying and still learn new things about. Nude figure sessions are far preferred over clothed ones especially for beginners but, really, any practice from life helps. Whenever you draw from observation, make sure to step back and really look at your model and then your drawing. What discrepancies do you see, what feels like its missing, where do you think you can improve, etc etc. developing a critical eye is crucial.

I think figure drawing classes are the best method by far but theres plenty of other ways to get the practice in. I do a lot of cafe drawing and drawing on public transport, personally. Drawing from life is vastly preferred over drawing from photo reference because the human body is a living thing and conveying it properly means understanding 3D space and gesture and movement, all things that are easier to perceive irl. A lot of artists draw from dance videos on youtube to at least get the idea of movement even if it’s ultimately from a 2D screen. Recently, I’ve been drawing a lot from rock climbing videos on youtube!

because they’re climbing you actually get a lot of interesting angles LOL... good study of pose-to-pose relationships too, actually..

2) Practice dynamically. If you can develop the eye to figure out where your drawings are lacking, you can practice with those weaknesses in mind. If you realize you don’t really understand the structure of a foot or the back of the head or the back when it’s arched, look up references and practice those things specifically. Sometimes it’s not in the specifics but the general - if you realize you have a hard time proportioning out the figure, draw guides for yourself and set goals to draw proportions before details. Stuff like that.

3) Box Trick. This is just the simplest way to get a set of guidelines down for perspective on the human body the same way you put down guidelines to figure out where the eyes sit on the head LOL.

but here’s something to keep in mind regardless: perspective is a game. You’re tricking the eye into thinking something is close or far when actually its just sitting on the same 2D plane as everything else. You can do the math and make all the guides you want but at the end of the day its either going to look convincing or its not. And being convincing is a lot less about being accurate and a lot more about confidently selling your point. So don’t sweat the calculations of proportions, make hands or heads or feet as big as you feel is right and trust your eye and your gut over your brain.

Hi, yeah sure go ahead! As long as you link+credit me, I don’t mind my work being used for non-profit purposes. Especially fanart like.. I don’t even own these characters LOL. Just, if you edit my art, please don’t use it to perpetuate like...hate speech or even edgy politics... unless they are edgy politics I have explicitly endorsed LOL. If you’re ever on the fence abt it feel free to ask, of course!

TYSSMMM yeah ideally I guess its just ? group therapy LOL? I feel like actually Ryuji, Akechi, and Haru are characters we see very rarely interact and when they do they seem very alienated by each other?? So I think it would actually be great for them to chat LOL they have a lot in common especially the fondness for direct action.

VERY NICE THINGS TO SAY TYSMMMMMMMMMM

I guess since I was old enough to hold a crayon? Doesn’t every kid draw? 

But if you mean when I started seriously drawing and trying to get better.. I guess I started carrying a sketchbook when I was 12-13 years old and I’m turning 25 in a couple days so it’s been 12-13 years about. I don’t believe that years have any huge bearing on art progress though. You can be drawing for 50 years without ever deepening or widening your skill set, if you stick to the same old patterns day in and day out. Similarly an artist who is proactive with learning new skills and targeting their weaknesses can improve in leaps and bounds in a matter of weeks.

The style I currently use for painting, I only really started using.... about 3 years ago? When I was a senior in college.

but i wouldn’t say I’ve “““mastered”““ it and I doubt I really ever will because I don’t think that’s the point... I’m constantly changing things depending on how I want a painting to look or the way I want it to feel... or how I feel on any given day LOL

the thing about art style is I don’t think it’s actually something you have to work on or “find”. An artist should change the way they draw depending on the subjects or techniques they want to explore. If I wanted to convey comedy, I’d draw characters differently from how I would if I wanted to portray drama. And if I wanted to focus on lighting I’d paint differently from how I would if I wanted to focus on the details of the human form. When I was drawing a lot of digimon fanart earlier this year I drew differently from how I’m drawing now while putting out a lot of persona 5 fanart LOL - even when the content is similar the characters have different gestures and different tone that I convey through any number of things, proportion, rendering, edge definition, color range, etc etc.

as you experiment with techniques and approaches undoubtedly there’ll be some you’re naturally better at or more interested in than others. and i think that’s what a person’s “art style” really is, the stuff that you gravitate to and come back to over and over even as you transform and explore.

not sure if that makes sense but.. that’s my two cents, anyway.

yea hit me uppp dude isellhotdogs@gmail.com lmk what you want and I’ll give you a quote

[ilguna]

Metanoia - Prologue (f.o)

Summary: you will be crowned victor of the 75th hunger games.

Word Count; 2.5k

Warnings; swearing

NOTES: i give reader a last name to fit the world.

–

As you take a seat on the pearly white couch, you turn on the hologram television that was provided with the house. Automatically, the tv starts on the station with Caesar Flickerman. This year he’s dyed his hair and eyebrows an orchid purple--basically a lavender with a huge tint of pink mixed in. 

You can’t imagine how fried his hair is. You dyed your hair once after you’d won your games, and you almost cried from how bad it was for months afterward. You counted down the days until all the dead hair would finally be off of your head. Then again, in the Capitol they have all these nice smelling products that really do wonders to your skin and hair.

That’s probably why everyone inside of the Capitol can afford to do that with every new fashion trend. You’ve seen rotations of looks happen in District Two, but they’re not nearly as intense as the ones inside of the Capitol. With neon colors, body modifications and literally dying your skin a baby pink color just to be seen as cool.

Of course, it’s not left to just the citizens of the Capitol, the victors of the hunger games are also allowed to get it too. Since you’re all so rich that you could be supporting a whole other family of ten, and still have a lot left over. But that’s on the assumption that the victor doesn’t have a family of their own to support, too.

You have no experience with that. This whole victor house is up to your interpretation. No other person has lived here, and no one will. The chances of you finding another person in the district that wouldn’t mind betraying the words on their wrists is impossible. You still can’t believe you’ve lived twenty-four years on this planet and haven’t come across your true love just yet.

It all seems like an elaborate prank, but lo and behold, people actually have them come true. Your parents certainly had been a pair back when they were alive. You’d never seen them fight once, and they always worked together as a team. They always knew when the other had a tough day. Almost like they could feel it themselves.

You asked them if they had felt that way before they had met each other, and they said that they do think they did. Your mom described it as being a gut-wrenching feeling when your dad had felt awful. Whether that be from sadness, being sick, a tough day or what, she always felt it.

But in that same way, for days that were good, it was like butterflies swarmed her stomach. She always had the urge to laugh, and there was a genuine smile on her face during the day. You’d think it would twitch like it was fake, but it wasn’t. She would dance around the house and bounce you on your hip even when you were too big for it anymore.

You can’t recall any times that you’ve felt any immense emotion without justifying it in some way. If you’re sad, it’s because something hasn't gone the way you had originally anticipated. If you’re happy, then you got your way after all, it isn’t rocket science. To be honest, you can pinpoint the last wave of grief and sadness that you felt, and it was after your victory tour.

The entire thing had felt off in the first place, even your family had told you that you weren’t acting like your usual self. And then they realized just how ridiculous they sounded because you literally just came back from the hunger games. It was their own mistake for thinking that you were a machine.

You’re human. You might have been specially trained since you hit the sprightly age of twelve to learn all the weapons, how to treat wounds, know which foods to eat, and more. And you might have been chosen to go inside of the games at the age of sixteen instead of the preferred seventeen because of how advanced you were.

But that in absolutely no way dismisses the fact that you would feel some sort of sympathy for the parents of all the kids you killed. At the beginning of the victory tour, it was just beginning to dawn on you that you’d be seeing all those tributes faces again.

Impressively, you can say that you wouldn’t get upset over something as small as that anymore. However, the times were different. You were sixteen then, and you’re twenty-five now. It’s quite the time to get over babyish things like that, especially since the victors that you’re surrounded with, didn’t get upset after they had won.

It was almost like you were the weakest one to come out of the games. Enobaria--your mentor--had remarked something along the lines of ‘they’re too emotional and mushy if we send them out before seventeen’ to the instructor. Enobaria told you that you had been a test run to see if others would be capable of handling it.

You had taken that as an insult, since on some proportion it was. She told you that you were weak emotionally. When you’re trained in the academy, you’re taught to think of the other tributes as nothing more than cattle. It didn’t really sit right with you then, and it doesn’t sit right with you now. It’s a tactic you can’t deny, though. It does make it so much easier.

Anyway, her saying that to your face was a whole other reason why that entire tour was a nightmare. You were trying to redefine yourself, and get over it like a hurdle. It took up to District Six or Seven before you had gotten some handle on it. 

Honestly, that whole year was a handful and you hope that you don’t have to experience that again.

“Let’s get Katniss Everdeen to her wedding in style!” Caesar shouts, which makes your eyes turn to his artificially tanned figure with glaring eyes. The crowd that he’s speaking to cheers ecstatically in agreeance.

Katniss Everdeen this, Katniss Everdeen that. They only think she’s special because she’s from District Twelve. The only volunteer that dirt ridden district has ever had. She was on a lucky streak with that damned bow and arrow. Cato and Clove should have won, had they been a little more careful, and not as cocky…

Clove could have killed Katniss, but instead she chose to taunt her. You wish that Clove had a little more common sense then, and gotten the entire thing over with. It would have been down to Cato, Clove, Thresh and Peeta--the deadweight that Katniss was holding onto.

You seriously can’t believe that the Capitol is eating up their romance like any of it is actually real. One look at Katniss’ face and you can tell it’s full of disgust. With all the wedding gowns that they’ve been showing on the holo lately, you’ve begun to purposely keep the holo off and find some other hobby to delve into. You know a fake smile when you see it.

Peeta seems to be the only genuine one, anyway. Anyone who isn’t a moron would see that, and therefore would know that Peeta means absolutely nothing to Katniss. As you said, he’s nothing but deadweight to her. He’s holding her back from whatever goal she’s trying to accomplish.

“Don’t go just yet!” Caesar has his signature smile plastered across his face, “This evening we have a very important event happening. That’s right, this year will be the seventy-fifth anniversary of the hunger games, and that means it’s time for our third Quarter Quell!”

This is what the mandatory viewing was about. You pull your feet off of the couch cushions and instead place both feet on the ground, leaning on your knees with your elbows.

You had completely forgotten that’s happening this year. Technically, you were alive for the last one too. You don’t remember any of it though, you were literally fresh out of the womb. All you do know, is the basics of the games, that twice as many tributes went in that year. 

Even worse, it was a tribute from twelve that had one--Haymitch Abernathy. The same Haymitch that you’re supposed to believe mentored Katniss and Peeta last games. What a joke, the man can’t stay sober for more than an hour. Hell, during their reaping, he fell off the damned stage. He’s not just a joke to you, but the entirety of Panem. No one takes him seriously.

However, you have to admit that it is impressive to some degree that he was able to pull himself together long enough to not only get one, but two winners out of those games. Of course, it’s nothing compared to the numbers that one and two have racked up. 

You wouldn’t call the academies an advantage, you’d call it strategy. It’s not your guys’ fault that they haven’t caught a clue and begun their own. Even then, though, they might as well be as useless as cattle. Half the tributes that go in from those outsider districts don’t know how to wield a weapon. Much less, survive.

The anthem to the Capitol cuts you out of your thoughts again, you watch as the logo suddenly cuts to President Coriolanus Snow. Not your most favorite person in the world, considering the history between you two. But you don’t mind him too much.

As Snow walks up to his microphone, a small boy dressed in a white suit trails behind him. There’s a wooden box in his hands, which he holds onto like his life depends on it. The anthem comes to it’s stop, and this is when he begins to speak. 

It’s a very special occasion, so he takes his time explaining the Dark Days, and the history of the Hunger Games and how it all came to be. With the rebellion that had happened seventy-five years ago. He goes on to say that it was decided that every twenty-five years, there would be a special games to freshen the memory of the citizens--district and Capitol alike--about the people who had been killed in the rebellion.

You watch with boredom as he drones on. The Dark Day’s speech is given at every reaping, and everyone has the speech memorized by the time they hit twelve. You can’t recall the amount of times you’ve cited it back to yourself when there’s been overwhelming silence.

“On the twenty-fifth anniversary as a reminder to the rebels that their children were dying because of their choice to initiate violence, every district was made to hold an election and vote on the tributes who would represent it.” Snow says.

Imagine that, picking the tributes that would have to go inside of the games… it wouldn’t matter to you guys, one and two. The career districts--as you’re called--already pick their tributes. Trained in the academy until they’re good enough, and then they’re told to volunteer. 

You have the greatest percentage of winners, and your victors village is as full as it gets. A new house is built every year, with the exception of the chance of a past victor dying. Then, the new victor would inherit the old house. Which is consequently filled with all of the old people anyway. 

Doesn’t matter, it’ll be overrun by teenagers soon enough. It starts off as an old part of the neighborhood, but it gets younger as they begin to drop off like flies. You’d say you feel bad for them, except they all lived a fantastic life inside of those houses. Filthy rich, a big place to raise kids… the only problem is that it’s swept away from the family as soon as the victor dies.

However, the money is all handed down to the heirs anyway, so it’s not like they’re leaving empty-handed. They can take their belongings back to the house that their parents or grandparents had originated from, which is undoubtedly covered in dust from top to bottom and might be overrun with bugs. But they have all that money that they can fix the house with, and probably still have a ton left over. Enough to support generations to come.

Back to it, the twenty-fifth games wouldn’t have been that much of a shock to District One and District Two, maybe even four, considering that they’re a career from time to time. Though, the last time they produced a victor, she did end up going a bit crazy. The only good one they’ve had in a long while is Finnick Odair--and you shouldn’t get started on him, otherwise you’d never shut up. You absolutely despise the pretentious man.

Your district had likely ‘voted’ for the best candidates that had come out of the academy that year. And that’s just that.

“On the fiftieth anniversary, as a reminder that two rebels died for each Capitol citizen, every district was required to send twice as many tributes.” Snow says.

Like you said, it’s the year Haymitch won. Which is so unfair, considering that there had been eight to twelve--again, four is an unreliable career district--careers and you mean to say that some dirt poor kid from twelve won it? There’s no way that those games hadn’t been altered in some way to favor them.

Or rather, Haymitch just got extremely lucky, the bastard.

“And now we honor our third Quarter Quell.” Snow announces, there’s a faint cheering of the crowd. The boy in white steps forward with the box, opening it up for Snow, which is when you’re able to see the rows of yellowed envelope paper. Wasting no time, Snow pulls out the one that has a neat ‘75’ written on the front. 

He unfolds the flap, and pulls out an equally yellowed square of paper. Setting the envelope aside, he reads, “On the seventy-fifth anniversary, as a reminder to the rebels that not even the strongest among them cannot overcome the power of the Capitol, the male and female tributes will be reaped from their existing pool of victors.”

The roaring of the crowd in the background is deafening because of their excitement.

Your mouth falls open a little bit in awe as you tilt your head back, and a little to the left, thinking about how this will all work out. 

Surely, you guys can’t exactly be picked to win the games since you’re not fresh out of the academy. Which means that these games have to be up to grab, for the people who want to go back in. For those who can volunteer the fastest…

The prizes that you must get for it--double the cash? The title of being a legend inside of District Two? People would fall at your feet for being such an honor. Of not winning the games once, but twice.

Oh, you have to get a hand in that.

--

ASK TO BE ON THE TAG LIST;

[maraudererasmut]

what kinds of things did you do when you were first practicing digital drawing? did you use reference images? where did you find them? anything you would recommend to a baby drawer with a short attention span for instructions?

Well, first and foremost, I’m gonna take a moment to do a little fangirl wiggle, because I’m a huge fan of your work! Thank you for messaging me! 

I’m gonna include a lot of info here, so bear with me! I’ll try to break it down so that it’s easy to understand, but if anyone ha any questions, feel free to ask!

The absolute most important thing for starting out drawing is practice. 

You’re going to hear it from everyone, everywhere, but it’s so very true. When I first started digital drawing, I made sure to use my tablet every single day. Now, that doesn’t mean I spend three hours each day trying to do something amazing; some days I only had a few minutes here and there, but I’d try to sketch something rough, something loose, maybe just a doodle. Maybe it’s a face one day, maybe it’s just a bunch of swirls and stars the next. It doesn’t matter what you draw, as long as you are developing the habit of drawing! No matter what it is you are doing, you’re learning! Playing with brushes to see how they feel on your new drawing program? Learning! Trying to see if one way of colouring is better than another? Learning! Drawing the same nose over and over and over again until you like what you see? Also learning!

Another key step to learning to draw is to identify what you like!

What does that mean? Well, look at other artists who inspire you! Why does their work appeal to you? What is it about their drawings that you LOVE? Once you realize what it is that makes something beautiful to you, you know what to practice and how to learn to adopt that into your own style!

@burdge is an excellent example for illustrating this. They are a fandom artist that has been around for so long, nearly every fandom artist I know has been inspired by them in one way or another!

So what is it about Burdge’s art that I love? I love the closeness that’s portrayed, and the softness. But those are very arbitrary things that are difficult to identify and even more challenging to implement. I love the noses. I love the proportions. I love the hairlines! I love the body movement! Those are things that are a bit easier to pick out and start practicing!

This leads so well into my next point:

It is okay to copy someone else’s work if it’s for practice!

Let’s break this one down, just to ensure that nobody accidentally misinterprets what I’m saying: It is okay to copy someone else’s work if it’s for practice. It is NOT okay to copy someone else’s work and post it, claiming it as your own! If you use a reference picture, generally speaking, most artists will post which reference they use, but I know that I often forget to do that as well! But using a reference picture is different than copying. 

When you copy someone’s work, what you’re really doing is working on identifying what you love about it. You’re practicing drawing in their style! And that’s totally fine! When you’re first starting out, it’s actually really helpful to be able to use someone else’ expertise and practice to guide you to draw something you love! A lot of people have it in their heads that copying = bad. And sometimes it does. But I think it’s important for new artists to get rid of that notion in their heads. Practice is practice. When you practice cooking, you copy other people’s recipes! You’re not going to post those recipes online and say you created them, but you CAN feed them to your friends and you CAN eat them yourself! And if you do post pictures of your food? You can say whose recipe you used and thank them for a great meal! 

We were all starting at one point, and every artist I know started by copying something. 

Use reference pictures! Use them liberally! References are helpful!

Yes, some artists are so good that they do not need reference pictures. That’s fine. Good for them! I’m very proud of them!

When you’re first starting out, you don’t have to worry about that! Don’t get into your own head and tell yourself “Real artists do XYZ, blah blah blah, etc.” None of that is helpful. Use whatever is available to help you improve!

Now the question is what actually makes good reference pictures? Well, everyone uses something a little different. Some people use faces of famous actors, some people use stock photos, some people use other people’s drawings that are specifically made for references! 

What do I do? I save every single photo I come across that inspires me into a folder. I have tons of folders labeled “Reference: Pose” or “Reference: Remus” or “Reference: Gay”. (That one is smut references. :3 )

I use blogs like @posereference and @fantasyartistreference, which I follow on here! I’ve gone through their content and saved photos that I think will inspire me in the future. Sometimes I don’t do anything with them. Sometimes I use them! 

I also take advantage of stock photos. That includes ones that adobe puts onto the internet as well as ones that other artists put! Senshi Stock on Deviant art is an excellent resource that has made a TON of photos available to artists to use for FREE! 

Google is also my friend! I like to google terms like “Couple Pose Reference” or “Couple Kissing”. If you include search terms like “pose reference” you often find that you get things specifically created for artists to use to help with poses!

Look at all the helpful poses! 

Now, this leads us to my next point:

How to use reference images

Everyone does this part differently, too! I’m going to show a few different examples. Let’s use this amazing reference sheet by @kibbi as our example!

Some people like to have their reference photo beside their drawing space, to use for them to look at, simply as a guide:

Some people like to have their pose reference in a layer beneath their actual drawing on a lower opacity so that they can trace right over it:

Often times, what you end up doing is using your traced sketch as your base for your drawing, with your actual drawing over top of it. Essentially, you’re using this time to identify what you DO like about the reference pose and what you DON’T like about it, and changing it!

See how different it’s looking already? I put my own style over top of it, but I used the pose as a reference because I really liked it!

((EDIT: I JUST REALIZED THAT I GAVE SIRIUS THREE ARMS. I AM SO SORRY, GUYS!!!!))

Side by side comparison for the curious:

Eventually, a time will come where you can do simple poses like this without the use of a reference. That’s amazing! You will be so proud of yourself! But if you still need to use references for complicated poses or foreshortening, remember not to beat yourself up about it. It is OKAY to use reference poses, and it is OKAY to take advantage of resources that are available to you! Just try to remember to cite your sources, just like we all did in school! :P

Practice Anatomy

Try doing things like figure drawing! Use sites like Quick Poses to give yourself a timed figure drawing session, if you’re up for it! The more you practice bodies and anatomy, the better you will get at drawing them! Don’t focus too much on anything being perfect; remember to say loose and just aim for general shapes and general proportions.

This isn’t the greatest example, because I didn’t do any dynamic poses, but here are some rough figure sketches:

See how loose I was? See how little I cared about it looking nice? That’s the best way to start a sketch! Just with loose scribbles!

The same thing can apply to faces:

Learn the rules, and then learn when to break them!

Just like writing, where you have “rules” for writing an essay, in drawing, you have rules for anatomy! But… I don’t always love to follow those rules. It’s important to understand human anatomy (if you plan to draw humans), and then figure out where you want things to be exaggerated in order to create your own style! Here’s an example:

The same rules apply to musculature! It’s important to understand what muscles go where and how they move in order to properly draw them consistently! However! That is something a bit more complicated that we can go into another time! I don’t think that would be included in my simple break-down of drawing!

And… last but not least…

Have fun!

You’d think this one would go without saying, but I’m going to specify it anyway. If you are NO LONGER enjoying drawing what you’re drawing, STOP. Don’t just draw humans because I told you to practice anatomy! If you’re not having fun, you’re going to grow to resent it, and we don’t want that! Draw whatever it is that you want! If you want to draw the same two men hugging over and over and over and over and over (Case in point: my entire blog), you do that! Ignore everything I said about knowing anatomy and about reference pictures and about anything! Just do exactly what makes you happy, nothing more and nothing less. Practicing should be fun, and the moment it’s no longer fun, you’ll begin to lose your passion. So… move on to something else that’s fun! Tired of drawing Wolfstar? (Pfff, that’s impossible, but okay). Move on to Drarry! Or to Linny! Or to a different fandom! Or to flowers! Or to still life! Or to whatever you think will bring back that spark!

Because that’s what drawing is all about. It’s just another form of expression and another way to have fun!

ANYWAY! I know this was SUPER long! I hope it was at least somewhat helpful! I’m not an expert, not by any means, but I enjoy doing this, and I am still working on improving! If anyone has any more questions, shoot me a message!

[docfuture]

Princess, part 14

        [This story is a prequel, set in an alternate 2012, several years before The Fall of Doc Future, when Flicker is 16.  Links to some of my other work are here.  Updates are theoretically biweekly, but it’s 2020 8-)  Next chapter is partly done so I’m going to try for before the end of the year.]

Previous: Part 13

      Memories.       Flicker was sensitive to anything that might disrupt them.  With her speed, subjective versus objective time was hopeless from the start.  Even 'When was that again?' and getting things in the right order was difficult.  She needed to forget the vast majority of things that happened when she sped up.  There just wasn't space in her squishy biological brain for what she could accumulate at a million times the speed of normal human subjective consciousness.  She had always felt close to the edge of what was possible to remember.       At least for as long as she could remember--and she didn't remember anything episodic before she was nine.       How did normal humans remember, really?  It was frustrating to ask them.  They didn't know, they just did.  And the scientific literature was frustratingly poor at providing the answers she most wanted, because they were hard to quantify and measure.  Doc said recalling social interactions from episodic memory was partially a learned skill--itself stored in implicit memory.  Which Flicker was a lot better at, but didn't really understand either.       Today she remembered bits and pieces while she prepared for work.       She remembered talking to Sealord about trying to act human when you weren't.       Sealord was a... Well, you couldn't really call him superhuman anything, because he wasn't human.  He wasn't alien, either; he'd lived on Earth longer than most humans.  He was a supercephalopod giant squid, who'd had the kind of origin event that might turn a human into a superhuman if they were very lucky--and kill them if they weren't.       He was good at shapeshifting, but going from a deep sea invertebrate to a land biped was a big ask before you even got to the human part.  He looked like a handsome, Polynesian-appearing man in his social landform.  But when he started to talk, he seemed to move into the uncanny valley for many people.       Not Flicker.  She didn't expect human.  She expected 'communicate well enough to be understood', and he did.  He wasn't trying to 'pass' as human--he was a powerful being assuming a form compatible with air-based speech and human infrastructure.       She actually thought his old utility surface form suited him better.  He was more comfortable with it, and that showed.  At least to her.  It looked like a human body with a squid for a head.  It let him use tentacle waving and pigmentation changes for non-verbal communication--which he was very good at--and tentacle type at a keyboard, which was easier for him than using hands, even when he had them.  But its appearance triggered fear even worse than his social form.  Which made it counterproductive for diplomacy.       "No," he had said.  "I am not better.  At acting human.  Than you."       His speech was slow when he wasn't in a hurry, and his verbal cadence was unusual.  Using lungs and vocal cords and a human-style mouth together in the right way had taken him a long time to master.  Flicker didn't get impatient.  Getting the timing of speech right was tricky.  She did remember learning that, and the frustration.       "I am better at shapeshifting," he said.  "Squid are better at body mimicry.  Than humans.  I started with an advantage.  I am worse at other things.  You are better at human things.  As a human."       "But I'm not better," said Flicker.  "Not at the hard things."       A shake of the head.  "Yes.  Difficult things.  Humans learn as children.  And don't think them hard.  They start with an advantage."       "What hard human things do you think I'm good at?"       "Running."  Sealord smiled.  "Throwing rocks."       Flicker thought about that for a long time.

      She remembered Jetgirl's laugh.  They'd been having another round in their half-joking, half serious argument about whether Flicker could fly.       "He's right," said Jetgirl.  She grinned.  "You are way better at moving fast than I am at flying."       "But flying is hard."       "Lots of things are.  And humans have no natural ability at it.  But birds and insects do, so people can see what good flying looks like.  You've watched a hummingbird hover.  Impressive, right?"       "Yeah.  But scale matters--a Canada goose taking off is pretty cool, too.  I've watched that more times, because it looks so clunky.  But it works."       The laugh.  "Take-offs and landings are usually the hardest.  Anyway, most humans can run--or at least they could when they were kids--so they don't think running is as impressive.  And if you're moving slow enough to see, you're usually doing your glide thing, which doesn't look hard.  No one sees you move your legs much, just an occasional flash and boom."       "That glide is a convenience and safety habit.  It's quiet, and I don't have to worry about damage if I speed up suddenly."       Another grin.  "Yeah, you've already taken off, so the hard part is over."       "It's only a few centimeters up--I don't fly," said Flicker.  "I just run on air so the ground doesn't get wrecked."         "That's flying like a maglev.  You go higher as you speed up.  Lots of pilots who fly nap-of-the-earth study your patterns of flashes and booms, for educational purposes."       "That's because I have to be real careful to not run into things.  Or even get too close when I'm trailing shockwaves and plasma."       "Not running into things is pretty important for them, too."       "I'm still not flying.  Sealord's point was that humans are already adapted for bipedal locomotion, and I started with that advantage.  You don't fly with your legs and feet."       "I don't.  And that being careful is part of 'way better'."       "A point.  But my speed means I can make time to be careful."       "That's what I meant.  You build on your speed with skill and practice."       Flicker remembered.  It was time to use what she was good at to help people again.             Yesterday had been a test run, logging bio-telemetry and mind coordination to the Database.  Today was Flicker's first try at going 'on duty' since recovering from Speedtest.         She followed Stella's guidelines.  It was easiest to forestall self-deception at a beginning.  Flicker had fallen into a form of metric myopia in the months before Hermes' attack.  A variation of what Doc called 'the tyranny of the easy to measure.'  She had sought to maximize a number, a measure of lives saved.  Because it was clear, when her judgement was hazy and her connection to humanity felt distant.  But it wasn't 'lives saved'.  It was, at best, clearly attributable potential lives saved in the immediate aftermath of action, as estimated by the Database.  And it undervalued anything hard to quantify.       She'd abdicated her judgement.  The numbers had become the purpose.       There probably wouldn't be any 'lives saved' today.  But that wasn't the point.  She'd had the Database sift through lower priority, less well-characterized problems, to see what she'd been missing.       The mudslide on the slope in Borneo might have come today, or tomorrow, or next week.  It was coming, there was too much rain for it not to.  It might have reached the village, or not.  The villagers might have evacuated in time, or not.  But now they wouldn't have to.  Flicker moved it sideways instead of down, to an area without people.  Some heard thunder, or saw a spray of earth and vegetation arcing high--but not towards them.       Twenty minutes of earth moving, a shower back home, and back to reassessment.  It was a start.  And it didn't require her to talk to anyone or contribute to burnout, so she could keep going for a while longer.       Flicker cleared rockslide blockages in the Andes mountains, present and threatened, for another ten minutes.  Then dealt with a few other hazards in remote areas in South America.  Which wasn't well covered by superhero response.  The initial data quality was usually very low.  But so what?  She could always run and look.       And then the first hints of something odd had shown up on satellite scans, the Database had noticed, and Flicker ran and looked--and found giant ants emerging from a fringe of Amazon rainforest.       Giant bugs kept recurring.  Interdimensional 'outsider' intrusions were far more common than most people realized, but the vast majority of them were unable to overcome the more than three-billion-year adaptive advantage of Earth life and promptly got eaten.  If this happened on land, the growth impetus that made many invaders a potential threat was usually absorbed by microorganisms, fungi, and plants.  And bugs, who were typically the first link of the food chain that was really good at moving.       So they could eat, and grow, and move, and eat more, until--if the initial intrusion was large enough--someone finally noticed.  Or they succumbed on their own.  The effects of the square-cube law could be ameliorated with alien energy, but past a certain size, that was hard to sustain.       Ants were good at foraging, calling friends, sharing food, and spreading out with new size and vigor.  A lot at once was only to be expected.       A few locals had spotted them, noped out, and concentrated on getting themselves and their animals to safety.  The ants were about the size of cars, and no longer very fast--they were too big for their body proportions to be efficient at moving anymore.  A few had paused to chew on crops, but most of them were looking for something tastier.  Or at least meatier.  They needed to be stopped.       The familiarity was almost a relief--but it did come with a warning.  Best find the start, to be sure the threat was just ants.       Into the jungle, down a narrowing swath of disruption that eventually ended in a pool of churned mud.  It was still being picked over by scavengers, but no longer seething with extradimensional anything.  Perhaps a day or two old?  But there were no other large outbreaks of gigantism.  The local fauna were already taking care of stragglers who had grown too large for their niches.  Flicker passed a jaguar eating the remains of an oversized but still clearly manageable frog.  And she could see the signs of progressive dilution; the jaguar might get a slight boost, but not enough to be a problem before it faded.       Back to the ants.  And a local soil and drainage map from the Database.       The remains of the ants would be soon be good fertilizer.  And safe, as long as the concentration in any one spot didn't get too high.  But they were too big to move by hand without breaking.  So it was time for entrainment--pulling ants with the wind of her passage.  Up and down, back and forth--running slowly for her, but not trying to limit drag.  Air moved in response, and oversized insects tumbled in her wake.  She scattered them widely.       And then...  "Don't punch anything living" was the rule, but there was an exception.  Antenna quivered above her as she stopped between the open mandibles of the first ant.       Sorry, foragers.  You were never going to make it back to a colony anyways.       Her palm strike sent a shockwave through the ant, and a spray of ex-ant outward.  A widely distributed mess over the surrounding landscape was actually desirable here.  Still, she pulled her punches; she didn't want fireballs.  Hand chops and more blasts of scooped air, together with the liquefying effect of Flicker's inertial damping field, helped her manage the spread.       A few distant figures watched giant ants being turned into goo over their fields and pastures.  Which should be bad tasting enough to avoid problems with livestock until it decayed, but a concentration map would go into the Database notice sent out to the locals--they would know their own fields and animals best.  The Database would keep monitoring for problems until any danger was past.       Ants finished, she slowed down a little away from the nearest group.  She knew hardly any Portuguese, so she used her visor to check her translation.  Her accent was awful, so she settled for saying "They're gone," and a wave of a still-goopy hand.  She acknowledged the Database advisory that she was now over her duty time limit for the first day and headed home.       Her shower matched the one at Doc's HQ, with a customized array of converted waterjet cutters and a selection of decontamination options.  It quickly stripped away the remaining layer of plasma-deposited bug juice.  She then switched it to regular shower mode to help her mind return the rest of the way from 'on duty'.  That took a while.  Habits were stubborn things.       Dried and dressed, she logged her impressions, and looked at her bio-telemetry and reaction analysis with the Database for a bit before formally ending her abbreviated 'workday'.  Not everything had gone smoothly, but it had become a better day--and it was still morning.  It was something.  It was enough, for now.       *****       Stella had a wry smile, a faint twist of the mouth that found humor in a less-than-ideal world.  "I'm not well-qualified to advise you about memory," she said, "because no one is.  I'm doing it because your Database integrity AI doesn't think there's anyone better.  And neither does Doc."       "You have been helping me with my emotional reactions," said Flicker.       "I've avoided triggering any obvious disasters, and you've felt subjectively better.  Whether that is actually helping...  well, we may suddenly find out the answer is 'not enough'."       They were at Stella's office for another session.  It was, if not a comforting place, at least familiar.  It did not add to the inherent stress of a session, which was probably the best Flicker could expect.  Protocols had been set and were being followed, and snacks and beverages were at hand.  Elements of a basic social ritual, which did help, regardless of Stella's current pessimism.       "Well, I think we've been making progress," said Flicker.  "Is there some new reason for you to doubt that?"       "The restrictions on a considerable amount of Database material were lifted for me at the end of last week, in response to your request.  I've been thinking about the implications.  Your AI assistant, Vizier, can speak directly to me in ways the main Database AIs can't, because it doesn't have full access.  That allows it more latitude for speculation and personal advocacy."       Stella looked out through the force screen over the sliding doors to the patio.  "I cultivate an image of implacability because it is useful for my work.  But I'm not infallible."  Another wry smile.  "I have the scars to prove it."       "You're who I've got."       "Yes.  And I will recommend precautions, some of which you will likely find unpleasant, to attempt to limit the damage from mistakes and unforeseen events.  You don't have to follow them.  Many will probably turn out not to have been needed.  But it's part of my best work, and this is a useful time to remind you again.  Do you understand?"       "...yeah."       "An important distinction before we start.  You have an assortment of memory-connected issues.  I don't think precise mechanisms are as urgent as dealing with effects.  We don't want to ease one problem only to aggravate several others.  Your new concern--that your memories may not precisely correspond to past events in this world--does not matter for how I intend to begin today."       "Um.  I think what's actually true does matter a bit."       "Yes, it does."  Another smile.  "But we aren't sitting here together for exterior facts--you have the Database for those.  I'm here to hear and see you talk about what you remember, what has shaped you, what matters to you, how you feel and react, and how it affects you.  And listening to and watching me, my voice and body language and pacing, as I shape my advice for you--talking to another live, flesh and blood person--should help you.  Both in putting your old memories in context, and eventually with some of your other issues."       Stella glanced at her computer display before continuing.  "You intend to use memory compartmentalization before 'correcting' memories using the Database.  That's understandable, and also hazardous.  I believe some of your existing issues are already complicated by memory compartmentalization.  That doesn't mean it's bad.  Some is unavoidable, given your two-part mind, and it's necessary for managing PTSD.  But it has side effects.  I want a better baseline of where you are now before you start anything new.  Memories aren't static--they shift as you recall and relate them.  Do you understand the importance of treating Database records of personally relevant events as potentially fallible as well as incomplete?"       "Yes," said Flicker.  "I've been using the Database for memory backups, but there's no guarantee that anything before my return after Speedtest is still compatible with my speed mind."       "It's more general than that.  You have some reductive assumptions about memory that may be a problem.  May be.  My research has taught me to beware of most generalizations.  Now.  I want you to review certain of your memories for me, starting from the beginning.  That doesn't mean we're starting from scratch.  You've used the resources you had, and are by no means unskilled.  Just the fact that you are currently functional is a remarkable accomplishment.  But that means many of your current problems are subtle, tricky, or tough."       "Because I've already fixed the easy stuff," said Flicker.       A smile.  "At least what you thought was easy."       "...and thought was fixed.  I get it.  So what do you mean by the beginning?  My first memories?"       "Earlier than that.  Start with your arrival on Earth."       "All right, but I got a lot of this third or fourth hand.  I cannot currently access any coherent memories before I was nine."       "I know," said Stella, "But your childhood is important enough to you that even indirect information about it shaped who you are today."       "Okay."       Flicker took a deep breath before starting.  "I was dropped off at that first orphanage in early May of 1997 by some guy.  He was probably an extradimensional entity, and possibly the same guy who arranged payment, checked back on me a few times, and set up my later transfer, but there's no proof or direct evidence of that.  He said that I was born on the first day of spring in the previous year, which would have made me just over a year old.  That matched how I looked and was plausibly consistent with the fact that I could feed myself.  He didn't say where I was born, who the parents were, or provide any surviving documentation, and there are no remaining findable witnesses.       "My birth date was recorded as March 20, 1996--which would make me 16 now--but no paperwork was filed with the state.  The surviving workers at that orphanage remember me by the nickname "Chirpy," after the only vocalization anyone heard me make.  I wasn't yet consciously controlling my speed changes, which cut sounds short.  But they do remember me--as creepily silent most of the time.  I was believed to be haunted or psychic.  No one considered that I might have superspeed and very little awareness of my environment.  Database thinks one of the people who died might have thought I just had hearing trouble and tried to teach me to read.  I apparently picked up more later, because I knew how to read--and even write a little--when my memories start."       Flicker looked down.  "In 2002, that orphanage burned down, and all local records about me were lost.  The details of that fire are still the subject of legal disputes and there's been a long running battle between the surviving relatives of three workers who died in the fire and an insurance company.  The place was a firetrap, records were definitely altered, at least two people died suspiciously after the fire, and the relatives deserve to and probably eventually will win.  The cause of the fire might have been arson.  It also might have been me, based on some models I ran a couple of years ago.  It would be very easy for me to start fires by oblivious fast movement in a wooden structure filled with flammables.  But I have no memory of it.       "Anyway, I was transferred to another orphanage in a different state.  Where there was systematic fraud.  And they now had a live girl with no records--me--who was still being paid for off the books by someone, and a dead girl who they hadn't reported dead and didn't want to because they'd stop getting money.  So they altered records to make it look like I was her.  She was at least a year younger, but as long as no one challenged it or compared things, they were fine."       Flicker smiled briefly.  "Then someone tipped off Gumshoe about the fraud, and he started investigating.  He found the orphanage I was at, and ended up in a confrontation with the director. I apparently came to find out what the commotion was about, and the director did something really stupid.  It's not clear whether he tried to use me as a hostage or just a shield, but I didn't like it.  I killed him."       Flicker shook her head.  "I don't like talking about it because people ask how I felt.  I don't remember.  My emotions didn't reliably connect to memories for a while, and my very first clear memory is watching his head explode.  I don't know whether I entropy dumped to his head or just waved my hand or both, but I wanted him gone, so bam, dead.  I do remember Gumshoe just looking at me for a little bit, then doing something at his wrist, and a little while later I met the Volunteer.  And my life started getting better.  I began remembering things regularly, though it took a while to start putting them in order.  This was 2005."       Stella studied her for a moment.  "How much of your anger over the age issue originated with the identity fraud?"       "A lot.  There was so much I wanted to know, and the altered records kept obstructing everything.  And Gumshoe died before I could talk coherently, so I never got to ask him about a lot of things.  I obviously wasn't the girl I was listed as, but the state didn't have any other birth date for their records so they kept using hers.  That made me mad because here were official people--people who were supposed to help--insisting on using information they knew was wrong."       "That took forever to fix, partly because everyone who could testify that I couldn't possibly be as young as that was already involved in the lawsuits over the fire.  Or wasn't talking to anyone because of them.  And no one else cared."  Flicker paused, then corrected herself.  "Okay, no, that's not fair.  Doc did care, but he didn't want to make a fuss at the time because it could have complicated my adoption or my citizenship--not having a birth certificate or any human witnesses to your birth is a pain, legally."       "Indeed.  And not that uncommon a problem," said Stella.       "Anyway, finally I filed a lawsuit," said Flicker.  "And got it almost settled, I thought--and then that stupid insurance company intervened, because some arcane legal thing meant my settlement would make them more likely to lose the lawsuit against them over the fire.  I didn't handle it well.  But Francine--she was my lawyer too by then, not just Doc's--told me that if I gave her time, she would make the insurance company executives, their board of directors, and the stockholders of their parent company regret that intervention thoroughly.  And late last year, she finally won the last appeal of the primary suit.  I'm 16.  But some places don't accept that yet, so Francine's team is still busy."       "I see," said Stella.  "It's clear you're still very emotionally invested in the details.  Is that something you're willing to elaborate on?"       Flicker took a long breath.  "I try to compartmentalize it so I don't keep getting angry again.  But yeah.  I hope you're ready for some ranting."       Stella smiled.  "That's fine."       "Okay.  The fraud at the second orphanage was already a mess, intertwined with several other messes, but sorting it out in one place wasn't enough.  Oh, no..."       Time passed.  At some point Flicker got up and started pacing.       "...and so I was like 'Okay, bonehead, maybe they won't charge you with accessory after the fact to fraud, but I'm also sole director of a corporation to which I've leased the rights to my personal image, and the value of that in interstate commerce is affected by my legal age in your state.  I have money, good lawyers, standing, and a grudge over something you could have avoided for free just by not being a jerk about it'.  But I have to do that in every state that decides to make an issue out of refusing to change my age in their records without a conventional birth certificate.  And a lot of them are fighting it.  So it's still not over.  But at least now I'm legally sixteen for federal and international purposes, in my home state, and in Pennsylvania, where Journeyman lives.  But I've been trying to get this crap fixed since I was twelve, and I'm so sick of it."       "Understandable," said Stella.  "And it's time we take a break, I think."       *****       Stella was getting better at timing the session breaks so Flicker was able to keep a comfortable safety margin.  There was probably something about not having speed that made the psychology of pacing easier to judge.  There were so many indirect effects.       "How did your morning patrol go?" asked Stella, after they started lunch.  "The Database informed me that your stress levels stayed encouragingly low.  But giant ants were mentioned."       "Yeah, they're fertilizer in rural Brazil now.  No one was hurt.  And the rest was just clearance work--the kind of thing the Volunteer is better at, but I can manage.  Didn't feel like much, but it was better than nothing."  Flicker had another spoonful of the soup.  "This is really good soup.  What is it?"       "It's egg drop soup from a local place," said Stella.  "Comfort food.  I like it when I'm recovering from something stressful or debilitating."       "Heh."  Flicker shook her head.  "You keep helping in different ways than I expect you to help."       "Expectations have always been a bit of a mixed bag for me.  On that note, you had a question about my background that you've been very patient about."       "Well, yeah.  It seems kind of silly now, but the Database verified you received your doctorate when you were 17," said Flicker, "but said the university was prevented by a non-disclosure agreement from revealing anything but the title of your thesis.  Which I thought was weird."       "They tried to revoke my doctorate.  After some discussion, they settled," said Stella.  "But the administration never actually had a copy.  The NDA was part of the settlement.  Not coincidentally, they also settled a suit from a group of students and former students at the same time.  People used to wonder why I chose that university and thesis committee.  But what happened to them was part of the point."       "What was 'Alternate Means of Addressing Harmful Behavior Patterns in Entrenched Power Structures' about, anyway?"       "The title gets the point across.  The specific methods were of limited generality and don't scale well.  It was a proof of concept, but there would be issues with it becoming widely accessible."       "I'm still curious."       "I know.  But the NDA was useful to me and still helps protect the former students.  The Database and I both respect it.  If there were a particular threat to one of them that you needed to deal with, then the Database would reveal appropriate information.  There currently isn't."       "I guess... that's good.  Was that your goal?"       "One of them.  The other two were to get a doctorate quickly, and establish a reputation.  Anyone investigating my qualifications in more detail would have no trouble establishing that whatever my methods actually were, they worked:  Nothing else bad happened to the students.  And nothing good to the thesis committee or the administration."       "Oh."       *****       Another hour of indirect memory tests, mostly boring.  But Stella said boring was good; anything exciting here would mean an unexpected problem, and they had plenty of expected ones already.  The one interesting part was a reframing of something Flicker had known for a long time.       "No," said Stella, studying her display.  "I don't think you react any more emotionally to speaking or listening than you do to reading.  Not more than a typical human."       "What do you mean?" said Flicker.  "I've thoroughly documented it."       A smile from Stella.  "You weren't measuring what you thought you were measuring.  You have to restrict your subjective speed to talk and listen, which requires effort by your speed mind.  And you use the ability to freely speed up and consult the Database for several quite effective calming strategies that are less disruptive to reading than listening.  So your coping works better.  After you account for that, the base emotional effect is the same."       Flicker studied the graphs and supporting information the Database provided.  The conclusions were consistent.       "Huh.  I remember interactive things way more emotionally, though."       "You appear to anchor social memories to emotional impact, consolidating out your calming measures, while your reading memories get subsumed in your reaction to what you learned.  So, among other things, your estimates of emotional leakage from compartmentalized memories will be poorly calibrated."       "Oof.  Yeah, I guess I'm going to have to watch out for that."       *****       "We're stopping already?" said Flicker.  "I could keep going--we're making progress, Database says I'm Green, and I still feel fine."       That wry smile.  "Yes, and I'd prefer you stay that way.  You'll have homework.  I want you to summarize your emotional impressions from your pre-sleep memory assimilation, so we can compare with your memories later."       "Huh.  Do you think there will be discrepancies?"       "I don't know.  But if there are, we want to know about them; that's why I'm asking.  We cannot take for granted that anything about your sleep, learning, or memory processing is the same as a typical human."       "Yeah, okay.  Do you want me to record anything else?"       "Not tonight.  I don't want to overload you by trying too many things at once."       Flicker looked down.  "Well, here's an emotional impression already.  That's the opposite of my preferred approach.  I don't like leaving known problems.  I'd much rather solve everything, then recover.  I already know that makes it easier for me to sleep."       "Yes, and you've done a very good job of solving a wide variety of problems where that attitude is helpful.  It's very effective.  Speed is your hammer."       "But not all my problems are nails."       "Exactly."       Flicker sighed.  "Well, okay, then.  I guess this is why I needed you.  You're good at helping."       A raised eyebrow.  "I'm not, particularly.  What I am good at is convincing people to listen who otherwise wouldn't."       "...and that's a problem I have that definitely isn't a nail."       Another smile.       "Okay.  Talk to you later.  And Stella?  Thank you."       "You're welcome."

Next:

[ordinaryschmuck]

Top 20 BEST Animated Series of the 2010s-8th Place

It’s funny. Four years ago, there was no doubt in my mind that this show would easily make the top five best-animated series in the last decade. But the more it went on, the more...controversial it got. However, despite all the hate this next series has been getting recently, I still believe that there’s something to be desired within it.

#8-Steven Universe/Steven Universe: Future (2013-2020)

The Plot: For years, immortal warriors known as the Crystal Gems have been defending the Earth from anything that seeks to do it harm. Until one day when Rose Quartz, the Gems leader, had fallen in love with a human named Greg Universe. From that love, Rose gave up her physical form to bring her son, Steven, into the world she was sworn to protect. Taking guidance from the other Crystal Gems-Garnet, Amethyst, and Pearl-Steven will try his best to grow up into the same warrior that his mom was. But as he learns more about the Gems and his mother, Steven will soon realize that he’ll have to grow up far faster than he thought.

Right out the gate, I should mention there's a 60%-40% chance that you’re either going to love this show or think that it’s pure garbage. And honestly, I believe it all depends on perspective. Like the quality of most shows, the enjoyment depends on the viewpoints you chose to take with it. Some people will look at specific decisions as well done, where others will see it all as a mess of storytelling. For instance, one person can make a two-hour-long video about how Steven Universe is garbage, and another person can make a video arguing about how it isn’t. Everyone has different reasons why they like or hate something. If you genuinely hate Steven Universe or think you might not like it, that's perfectly fine. I just hope you’ll give me the chance to explain why I personally enjoy it, and why I think it deserves all the adulation it has. 

For instance, the main thing I really enjoy about Steven Universe is its style. From the designs, to the animation, to even the music. Everything about how Steven Universe both looks and sounds leave me awestruck. First is the show’s designs of both the backgrounds and characters. Nearly every part of the world in the series looks absolutely amazing, fitting seeing how the Crystal Gems fought for Earth due to its beauty. There are also times when lore and backstory can be seen through the backgrounds, giving some fantastic utilization of visual storytelling. Such as when the Crystal Gems visit war zones and temples that they’ve spent years fighting in, showing hidden secrets that can make much more sense by later episodes. As for the character designs, they all look pretty good. Each character has a dynamic and unique style, making them all fun to look at. It’s even better when the character’s personalities are shown throughout their entire designs. I especially love how the artists managed to get creative with how real life crystals (lapices, bismuths, and jaspers) will look like people when designing the Crystal Gems and their enemies. However, I should first mention that Steven Universe is another show where the art style depends on who’s storyboarding the scene. While not as bad as OK KO: Let’s Be Heroes, it can be pretty distracting given how character sizes and proportions are inconsistent. Regardless, I still like how good the designs look for a majority of the characters. And at a practical standpoint, I think it’s great that the artists kept the figures as simple as possible as it makes animating the characters a lot easier.

Speaking of which, I really like how Steven Universe is animated. It’s not entirely groundbreaking like The Amazing World of Gumball’s or as fluid as Wander Over Yonder’s, but the animation in Steven Universe is still pretty dang good. The characters' movements look believable, and the expressions each one makes is downright amazing to see. It gets more aspiring for the show’s fight scenes. You can almost feel each punch, jab, and slash that the characters trade with each other, and the fights themselves are pretty fun to watch. As for the action itself, Steven Universe might just have the most creative action set pieces I’ve seen from any animated series. Case in point, there is an entire fight scene that’s also a fantastic song at the same time.

On the topic of songs, let the record show that showrunner Rebecca Sugar really understands music. I say this because Steven Universe has some really great music in it. From background music to full-on musical numbers, this show proves how important melodies are in a series. Look at the background music, as it not only does a suitable job at making audiences feel the right emotions but also sounds really good when isolated. As for the character motifs, each note perfectly encapsulates the character's personality that it’s meant for. Like Pearl, who has a piano melody to show off her classy and orderly personality, and Peridot, who has a more 8-bit tune to her leitmotif as a way to show off her tech side. And since we branched into talking about 8-bit, there are times when this show’s soundtrack sounds like it belongs in a really cool video game (Google Lion’s and Obsidian's themes if you don’t believe me). As for the actual songs in the show, Steven Universe has a pretty good selection. As they can be beautiful and downright awesome to listen to. And even though the show uses songs to develop the characters and story, these musical numbers can still be pretty fun to listen to on their own, with no context (most of the time).

But while a show's style is essential, it’s the substance that truly matters. And here is where we go back to the discussion of perspective. To some viewers, you might think that the substance in Steven Universe is handled well, where others...Well, I think it’s pretty obvious how they might feel.

Let’s look at the story because Steven Universe actually has an intriguing and compelling story...Or at least it does when it tries to eventually tell that story. Whether you’re a person who either loves or hates the series, everyone can agree that the slice of life episodes are easily the show’s weakest. Personally, I don’t mind them, and that’s because I view these episodes as giving me a choice between eating a chocolate cake or a carrot. The story-driven episodes are a chocolate cake. Their sweet, delicious, and I’m always craving more after just having one piece. As for the slice of life episodes, they’re like carrots. I can eat a carrot. I can digest a carrot. I might even enjoy a carrot. Hell, there are times when I’m willing to ask for another carrot. But if you’re going to give me the decision of a carrot over a chocolate cake, then I’m always going to pick the chocolate cake. Even if I enjoy episodes like “Laser Light Cannon," “Too Short to Ride," and “Alone Together," they can never hold a candle to “Jail Break," “Reunited," and “Change Your Mind." This is because the slice of life episodes give off a sense of distraction from the main story. After all, they rarely add anything new (read: meaningful) to the tale. And going back to the carrot and chocolate cake analogy, there’s one aspect that doesn’t do the slice of life episodes any favors. You see, where most shows feel like you have to eat the carrots before having the chocolate cake, half the time Steven Universe feels like you can skip most of the carrots and go straight for the chocolate cake instead. And Steven Universe isn’t the only show to try this. In fact, tomorrow I’ll be talking about a show that perfected this idea. But tomorrow's series manages to make both the story and slice of life episode the chocolate cake instead of the carrot. And it has everything to do with the fact that the characters care about the situation they’re in. There are actual moments in the show where Crystal Gems refuse to participate in everyday antics because they simply don’t think those antics are worth their time. Which is something you never want to do. Because if the characters don’t care, then why should the audience? Speaking of the characters--

I want it to be known that I like the majority of the characters in Steven Universe. Greg, Connie, Peridot, Amethyst, and Garnet are all enjoyable to watch in their own way. Not only is their development on point, but their personalities are all likable, and their issues are also relatable. It’s three other characters that things get a little iffy. Those characters being Steven, Pearl, Bismuth and Lapis. If you ask me, I like these characters, and I think it’s fun to study/analyze their personalities. However, these characters make decisions that audiences are either going to hate or love. It’s sort of like that optical illusion of the old lady/young lady (Google it). Some people can see the ugly old hag, where others will see the beautiful young woman. You’re most likely going to see one or the other, and it isn’t until someone else points out what you couldn’t notice that you are capable of seeing both. It’s something very similar to Steven, Pearl, Bismuth and Lapis. One response is that you’re either going to see characters who are selfless heroes that are victims of circumstance. The other is seeing toxic idiots who cause more harm than good to the people they love.

And then there are the people of Beach City. These are mostly hated by both fans and critics of the show. Personally, I don’t hate most of them. Don’t get me wrong, characters like Lars and Ronaldo deserve every ounce of hate they are given (Although Lars does get better). As for the rest of the Beach Citizens, I don’t think they are that bad of characters. In fact, I think they’re good characters placed in the wrong show. Some of them have issues that most people deal with (Sadie, in most of her episodes), where others seem to be slightly layered and almost intriguing (Mr. Smiley and Onion in “Future Boy Zoltron” and “Onion Gang”). In fact, if these characters were a part of a different series, I’m sure people will be more willing to watch their struggles. It's just compared to the Crystal Gems and company, the people of Beach City are not as interesting to watch or dissect. And because of this, the show drags down to a screeching halt whenever it focuses on these characters.

And the most controversial element of these characters is (semi-spoilers ahead) when the show tries to pull off redemption arcs. Steven Universe seems to work off the logic that nobody is evil, just misunderstood. There’s both a right way and a wrong way of illustrating that logic, and Steven Universe, unfortunately, does it the wrong way. And the best way for me to describe how to do this idea is to use the game Undertale as an example (I’d warn you about spoilers, but odds are you already know everything about that game). In Undertale, you play a character who fell into an underground prison full of monsters, and you have to find your way back to the surface. The monsters you run into give the impression that they’re dangerous and want to destroy you (or at least most of them do). However, the game allows the player to interact with the world and characters around them, soon discovering that the monsters are more complex than one might think. In fact, the game allows you to actually interact with monsters who tried to kill you, showing the logic and reasoning as to why. By the end of Undertale, you learn that every character you encounter is not the villains in the story, but rather victims of a war that forced them away from the surface. Steven Universe has a similar idea but fails to do it properly. All it reveals is that the villains have done bad things, realize that they’ve done wrong, and decide to have an out of nowhere change of heart by the end. The problem is that except for one character, the turnarounds don’t feel earned. Instead, they feel forced than anything else.

These elements are what make Steven Universe slightly controversial to enjoy.

(And also the ridiculous amount of hiatuses. But that’s not really an issue I have with the show, but the network running it.)

But if there is one thing I hope we all can agree on, both the pessimistic and forgiving, I think it’s safe to say that the best thing about Steven Universe is how important it is for the LGBTQ+ community. There may have been kids' shows in the past that hinted at same-sex relationships and they deserve some respect as well. But I'd say it’s Steven Universe that popularized the idea with the characters Ruby and Saphire. Not only are these two downright adorable together, but they also manage to be enjoyable characters on their own (Even though it isn’t often you see them apart, but their personalities still shine through). And I’m willing to make the argument that it’s because of these two why children’s animation is less afraid, but still cautious, of being explicit with having same-sex couples. Like I said, most shows decide to hint at these relationships, so they don't get in trouble for doing so. Nowadays? Most of Cartoon Network’s series seem to have more gay relationships than most children’s networks in recent memory. Nickelodeon allowed The Loud House to have gay parents in a children's cartoon, and one of the main characters being canonically bisexual. Hell, even Disney is currently taking steps in the right direction with their smash hit called The Owl House. Now, more than ever, kids can learn at an early age that gay relationships are more than just acceptable, but they’re also completely normal and should be accepted as such. And I’m more than willing to give Steven Universe credit for giving this trend the push that it needed, like other creators for these shows usually point fingers at it as well.

Is Steven Universe a perfect show? No. But that doesn’t mean I think it’s garbage. There are some legitimate faults that this series has, some of which I’m inclined to agree with. But with all the good it does and how much fun people have while watching it, I can’t really say I hate this series. If you think you’ll hate this show, you have every right to. I can’t change how you feel, but I can ask you to keep an open mind. Because who knows? You might be someone who will find the diamond in the rough of this series.

(Now that’s a pun you’ll be willing to appreciate by the time you reach season 5).

[disneyat34]

Dumbo at 34

A review by Adam D. Jaspering

We remember things as we want to remember them. Memories distort perception and perception distorts reality. Childhood is especially remembered well. If not the entire childhood, elements. People romanticize memories from the feelings they evoke, and discard the reality. 

The circus is a prime example. The circus was once a staple of American pleasure. It brought entertainment, excitement, and exotic animals to small towns across the US. In days before the internet, before TV, and before movies were mainstream, it was a necessity. 

People remember the old-timey charm, the whimsical environments and otherworldly aura. Nobody wants to remember the adverse working conditions, the high rate of injury, or the gross abuse of animals. Nobody remembers the smell of port-a-potties or the heaps of animal manure. People remember the calliopes and cotton candy. 

It’s quite appropriate Dumbo takes place at a circus. Everybody remembers the movie fondly, but nobody seems to acknowledge its flaws. It’s heralded uncontested as a Disney masterpiece despite a number of problematic issues.

For starters, the film is only 64 minutes in length. This includes the opening credits. From a logistical standpoint, one can understand the purpose. Disney Studios took a financial hit from Pinocchio and Fantasia. They needed something not only profitable, but cheap. The same way that a three-wheeled car saves money on tires.

The story of Dumbo is one of growth and confidence when faced with adversity and doubt. However, the plot is about a young elephant finding an act in a circus. Dumbo tries, and he fails. He tries again, he fails again. Finally, he tries and he succeeds. An entire plot thread seems missing from the film. Dumbo learning to fly (both literally and figuratively) should support a larger narrative.

There are no stakes for Dumbo. His failures don’t affect the circus’s income or popularity. Dumbo is ostracized, but still cared for as well as any other animal in the show. He is ridiculed, but still performs every night. 

The movie ends before any growth or change is displayed by the secondary characters. Everybody likes Dumbo once he can fly, but do they like him, or do they like his profitability and popularity? If a lion with an extra long tail is born, will he be mocked until he earns respect too?

Everybody in the circus feels comfortable calling him “Dumbo” at the movie’s end. Canonically, his official name is Jumbo Jr, named so by his mother. Everybody calls him Dumbo, a deliberate insult. The name sticks, even for the viewing audience. Either Dumbo begrudgingly accepts this epithet, or reclaims it. Either way, at least his mother should refuse it.

Dumbo’s mother is Mrs Jumbo, a pariah and outcast among the other circus elephants. What causes this exclusion is never explained or hinted at. The other elephants are just jerks. She has no friends, no confidantes, and is apparently widowed; there is never a mention or allusion of a Mr Jumbo. She has nobody in her life. This is presumably why she is so desperate to become a mother at the movie’s inception.

The film begins with a muster of storks delivering babies to various circus animals. It’s a cartoon staple and a very convenient workaround, explaining the miracle of a baby without the depiction of childbirth or implications of procreation. It also justifies how Dumbo is born despite there being no male elephants anywhere in the circus.

For whatever reason, these storks all deliver their parcels on the same night. All except for Mrs Jumbo’s coveted baby elephant. Baby Dumbo is delivered the following day. After seeing everyone else enjoying their children. After her hopes are dashed. There’s no explanation why the stork arrives late, well after the circus is dismantled and loaded aboard a train. Dumbo is delivered a day late for the sake of drama.

The train itself is almost a character itself. It has a name: Casey Jr. It has a face. It emotes. It speaks. But can he be rightfully called a character? Casey Jr doesn’t interact with other characters. He has no goals or desires besides acting and moving like an ordinary train. It’s an odd design choice, leaving Casey Jr halfway between being a robot and the pathetic fallacy.

Casey Jr is an interpretation of the famed children’s story, The Little Engine That Could. Casey Jr even uses the famous line, “I think I can, I think I can” as he climbs a hill. The story’s most famous interpretation was a 1930s picture book by Watty Piper (a name one could only have in the 1930s). The character and story itself belongs to the public domain. 

It wouldn’t surprise me if somebody at Disney Studios tried and failed to make an animated short based on the story. As consolation, they retrofitted the character for a bit part in an unrelated, developing film. The cumbersomely named 'Little Engine That Could' was renamed ‘Casey Jr,’ and a new character is added to Dumbo's universe. A character Dumbo never meets or interacts with, and has no bearing on the plot. If nothing else, he adds five minutes to Dumbo’s anemic runtime.

Design is one of Dumbo’s weakest points. Human characters are hyper-stylized caricatures of actual people. Perhaps intentionally, so we empathize more with the comparatively realistic animals. But the animators went too far. The Ringmaster is so rotund, he seems inflated. The clowns have bizarre proportions which are somehow reigned in by their baggy costumes and floppy shoes. The rowdy child who assaults Dumbo looks more like a chimpanzee than a boy. 

The character of Timothy Q Mouse is perplexing. Is he employed by the circus, or just a circus enthusiast who hangs around the fairgrounds after hours? What would a circus gain from hiring a mouse? Why does he dress like a bandleader? Does this imply an unseen mouse marching band? He never displays any musical ability. He’s there because the movie needs him to be there.

Being Dumbo’s sole friend is Timothy’s secondary purpose. His primary purpose is to outwardly verbalize the thoughts and emotions of Dumbo. Our protagonist is mute throughout the film and most characters avoid talking to Dumbo directly. Without Timothy, Dumbo would stare at camera sadly for the movie’s run.

The circus folk themselves are weird, and not just their physical attributes. The Ringmaster is a bombastic Italian man who, as Timothy describes, “never had an idea in his life.” He seems genuine, eager to entertain his audience with an entertaining and original show. His real malice is never workshopping ideas. He will not hesitate to endanger the lives of his employees or animals on his fanciful whims. 

Can six full-grown elephants balance on a rubber ball? Who knows. Let’s put it in the show. Is it safe to have a baby elephant drop twenty feet into a washtub full of shaving cream? We’ll find out. Is it a good idea to start a fire underneath a canvas tent for the sake of a firefighter sketch? The audience likes it, so who cares? Go stand next to the fire, clowns.

There’s an old adage about doing anything for a laugh, but the clowns from Dumbo take it to a sociopathic extreme. The clowns develop an entire act around humiliating Dumbo. When the skit is a success, they drunkenly decide to put Dumbo in more humiliating situations and more precarious stunts.

It’s implied the clowns are the low men in the circus’s caste; those who cannot perform elsewhere are subjected to the humiliation of clowndom. Does the scorn beget the malice, or did the malice beget the scorn? 

Perhaps this is why the clowns are never shown as actual humans. Throughout the movie, they either appear in their grotesque, make-up clad personas, or in various states of undress as silhouettes inside a circus tent. At all times, they are either 100% clown or some spectral figure. They are never seen as human, because there is certainly no humanity to them.

However, the most questionable employees are the laborers. The laborers are not entertainers; they have no face time with any circus patrons. And yet, they are the most important employees of the circus. They are responsible for unloading the train and erecting the many circus structures. 

These laborers, tasked with the most arduous and backbreaking of work, are all large black men. As a stylistic choice, they are all depicted faceless. Not even worthy of dignity, they are robbed of any identity and distinguishing characteristics beyond skin color. 

To cushion our objections, the laborers sing about how much they like the work. The song is no comfort. They sing about being illiterate. They sing about being underpaid, and routinely subject to wage theft. They sing about how its their very nature to be irresponsible with money. They literally use the word “slave,” and “ape” to describe their circumstances. Thank you, 1940s.

The only other black characters are a murder of crows introduced in act three. These crows must be less racist in depiction and demeanor than the laborers, right? They couldn't possibly be worse, right? Then one learns the leader of the avian posse was named “Jim Crow” on all Disney material until the 1960s. 

The entire Civil Rights Movement needed to happen, but somebody eventually realized a children’s cartoon character named after the most provocative blackface character in history, the namesake of the American laws that enforced segregation, was a bad idea. It didn’t help Jim was voiced by a white actor. Cliff Edwards voiced Jim Crow (later renamed Dandy Crow), the same actor also voiced Jiminy Cricket in Pinocchio. Jiminy Cricket has appeared regularly as a beloved figure in Disney merchandise and material. Dandy Crow has not.

To Disney’s credit, the other crows were voiced by actual black actors. Although, one has to wonder if the AAVE was written into the screenplay, or if the director asked the actors to create it on the spot. There’s no good answer.

The crows’ musical number was performed by the all-black Hall Johnson Choir (with the exception of Edwards’s vocals). Their number, When I See an Elephant Fly, is one of the better pieces of music in the Disney catalog. It's full of jazz scatting and clever wordplay. It’s a shame its existence is marred by its racially charged source.

How an oversized pair of ears grants the ability to fly is not important. It’s a cartoon. The ears are a means to an end: the physical feature that made Dumbo a laughingstock also granted him a most unique ability. Differences make us strong. It’s a good moral (even if the film is hypocritical).

The depiction of the moral’s resolution, however, raises eyebrows. Upon discovering he has the ability to fly, Dumbo seizes the opportunity to take revenge on those who wronged him. He circles around the big top, swooping at the ringmaster, scaring the clowns, shooting peanuts at the other elephants like bullets from a machine gun. ‘Make your enemies pay,’ is the takeaway. Suffer all, enemies of Dumbo.

Some may argue Dumbo’s character arc is not redemption for himself, but for his mother. Mrs Jumbo spanks a young boy who assaults her infant son. The circus folk misinterpret this act as a rampage. She’s is subsequently shackled and imprisoned for the forseeable future. 

Even after being deemed hazardous and mad, Mrs Jumbo is never sent away. There is no indication of punishment beyond isolation (why the circus keeps a dangerous rampaging elephant on circus grounds is a creative liberty). The true punishment is being separated from her son.

The movie ends with Dumbo as the star of the show. Everyone sings his praises, he has his own personal train car, and Mrs Jumbo is freed. The question is, why is Mrs Jumbo freed? Just because Dumbo is beloved, why is Mrs Jumbo’s perception as a threat forgotten? Why is she forgiven because her son is popular? Dumbo cannot speak, how can he serve as a character witness? Why does Dumbo's achievement redeem his mother's actions? The writers delivered a happy ending by solving a problem that was never actually solved.

Dumbo is a film full of illogical scenes and developments. It's grandfathered into the cultural pantheon despite outdated imagery and storytelling. It has good intentions, utilizing themes of overcoming adversity, the endurance of familial love, and appreciating each other's differences. But these good intentions are drowned in too many narrative shortcuts and a sloppy execution. It’s a pleasant movie the less you remember, and most people’s memories are hazy. What’s more appropriate from a film whose most famous scene is a surreal drunken musical hallucination?

Fantasia Snow White and the Seven Dwarfs Pinocchio Dumbo

[monkey-network]

Who is Best Girl in Konosuba?

Welcome back, fellow weebs, to Media & Entertainment Developers Essentials Lessons Book. Today on MEDELB, we’re discussing the question that existed since one of the most disastrous years in the 21st century, 2017. A question that dives into one the greatest anime of all time. Yes, even better than Dragon Ball Z, Cowboy Bebop, and Steven Universe. I am talking about KonoSuba: God's Blessing on this Wonderful World! Today we’re discussing: who is best girl? Aqua? Darkness? Megumin? Your father?

Now it’s important to know that KonoSuba is genius because it supports judicial simplication, a professional term that I can break down for you. Judicational Sampling is the idea that a free society does not impinge on the actual taxing benefits of localized source banks. KonoSuba is genius because it made a lot of money... to make more KonoSuba. It is not Disney, whom is the greatest bottom in the Hollywood industry, but in truth I wouldn’t want it to be. Sometimes, genius is fine where it is and you shouldn’t question it. There are people who question why KonoSuba originated as a light novel, and those people are to be shunned because they also believe Harry Potter is worth reading, straight people are bad, and that ranch dressing is good on pizza. You know, the alt-right and we have enough problems on our hands as it is. And as the great Joe Biden once said,

But today’s focus will be on discussing on who is best girl and how that affects our society. And if you are one of the people unaware of this discussion, then perhaps you should realize that any comments you have contradict themselves and function as your self-righteous wannabe soapbox. In short, you’re acting like a su crit, so please read history. Because ultimately, I am a proud KonoSuba kinnie and member of the intellectual anime community founded by the General Rebecca Sugar. I would appreciate it if you would recognize the context and respect. It. Because ultimately again, I sent you all a respectful anon about this earlier today which you ignore and this sounds, smell, looks, feels, tastes... like Racism. But back to KonoSuba, let us discuss Megumin.

Now, Megumin is a good person. She can create explosions which are big.... explosions, this represents her pride. She wears red which is the color of your blood, so that could mean satanic blood pacts. Megumin represents the resolve in critical deductive intelligent smart reasoning where blind subservience has been... eradicated. But what is blind, subservience? For a simple understanding, think of it as the cooked Molotov of slice of life shows or some other perceptively anodyne prosaic internationalized statement.

Overall, Megumin is a short person so choosing her as best girl is pedophilia and if you try to tell me otherwise, you are a nazi troll and deserve the chamber. And if you agree with me, don’t speak if you’re Afro-American like myself. Because this is just a cartoon for kids and you’re complaining too much about it. Or am I?

Next, we have Darkness, which is a force parallel to light and is also used in the form of attacks in the Kingdom Hearts universe. Those who follow the path of Darkness will usually gain untold power at the expense of something of their former selves, so this naturally explains why she is an explicit masochist. Then again, her real name is Lalatina Dustiness Ford which explains a lot more. We continue asking who she is, and what she is, but nobody is asking how Darkness is. Because looking like the poster child for Aryan superiority with her blonde hair and blue eyes, she isn’t capable of being best girl because that would mean the guillotine for you and I love you too much to not let that happen. She is overall the better character for inventing good things like the dominatrix, but she cannot be best girl because she is a good character and supports capitalism. I too support capitalism but I hate people who think capitalism is alright, if that makes sense.

Aqua is a better contender for best girl because I was fortunate enough to see less porn of her. Kazuma notably has called her worthless, but Kazuma is what internet users would call an braincel. He played video games, so obviously he isn’t one to be speaking on value. Aqua was able to survive getting vored by a frog multiple times, so clearly she is more cunning than the average E-girl. Aqua is able to make the most of her situation and entertain people with watersports.... and tricks. Kingdoms Hearts wishes it had a character named Aqua as cool as this one, but then again, you’d have to wait 4 more years for KH4 so what life would you have? She is mostly blue, which is a color, and I prefer it when anime has color. If it doesn’t, it’s racist. As the wise Alexandria Ocasio-Cortez once said this last November, 

This Disproves Objective Analysis.

She represents the element of the holy flood thesis joining the narrative tripling in subsequent disagreement that there any factual basis to the truth that Kazuma is wrong but because there’s simple authentic observation there is no objective truth. Plus she cries a lot, and if there’s anything I learned from Steven Universe, it’s that if you cry good enough, you can topple entire totalitarian empires. Except for General Rebecca Sugar, because she can smell your fear and absorb it accordingly. She is basically the Mother Teresa of animation. Again, great contender. But we have to consider the others so let’s move on.

Next, we have Wiz. 

...

...

Next, we have Sylvia from their first and latest movie. It’s as they say, if it is new, it is better. I believe Sylvia is more than the sum of their parts, they are caring and charismatic and can turn into a powerful creature. None of the other characters can turn into a powerful creature, and that is why they possess internalized misogyny. The slimy veneer of quasi empiricism can be a very disgusting tool for nefariously slipping in one’s own rotten viewpoint or value. One that you know might otherwise be c̷h̵a̷l̸l̸e̴n̴g̴e̸d̴ ̵a̸s̴ ̸r̵i̷t̸u̵a̷l̵i̴s̵t̷i̴c̵a̷l̶l̵y̶ ̶s̷u̸p̸e̸r̶l̴a̷t̴i̶v̵e̸ ̵o̶r̸ ̷p̶e̵r̵h̷a̵p̵s̵ ̷y̵o̴u̸ ̸t̵h̴i̴n̸k̵ ̷t̴h̶a̶t̶ ̶w̷͍͍̠͉͚̦̦͛̔̓͗̏ā̵̛̬̜̂͋ṙ̸̨̐̌̈̅ ̸̦͔̣̮͔͋̊̑̕i̷̛͎̽̅́͑s̴̠̩̟̝͙̍̏̀͌̑̕ ̷͚͔̦̜̜͊̾̽͊͂j̸̡̨̣̙̮̓͘ų̵̣͚̹̱̐͌̎̑̈̎̆s̶̢͚̺͉̰͂̄̉̾͑t̵̀͒̏��̦̤̭͔̲̲̮̓ ̵̡̙̟̖͐́͋͝p̷̙̳̣̫͍̬͗̽͒̀e̸̻̯̽̆̇́͑͒a̵̡̞̣̫̫̯̰̿͛̅̄̅͂c̷̀͐̊͗͝ͅē̵̠͕̫̙ ̶̻̼̳͑̓̈́̿͐ŵ̷̼̝̣͇̞̞̺̍͋i̸̠͓̪̣̜͍̘͊͂̀̄t̸̟̣͉̼͑̒͜h̵̥̗̲̩̑̏́͜ ̵̡̠͉̝̾̆̌̇͐e̷̢̨̼̺͖̒̈́̃̃̆x̸̟̟͂́̄̍͛́̄t̴͖̣̼̫͇͐͋̆̽̎̚r̷͎̙̯͈͉̲̚a̵̩͎̥̺̮͂̀̃̚ ̸̠̜̣̥̜͍̠̌ṡ̴̢̡̐̽̅̃̇ͅt̴̖̣̹͙̙̼̟̔̐̚͝͝ĕ̵͔͍̤̼̂͌̐̑p̸̡̹̪̻͔̬͕̃̚s̸̫̙̈͛̉̋̉͝ ̶͔͚̽͝y̸̨̘͎̠͕̺̽̉̃o̶̜̥̺͔͑̏ͅu̵̓͜ ̴̨̦͉̀̊͊̓̌̃f̶̢̮̱̳̖̟̼̰͒̊̈͜i̸̯̼̫̩͚̇̉l̸̢̢̯̗̠̪̹͈͎͚̬̭̮̣̬̿̈́̍͘t̸͕͕̮̻̭̰̬͎̻̰̬̙̟̀́̍̋h̷̡̡͎͙̘̩̞̤̰̳͖͙̺͈̅̓͆ͅy̴̡̢̳̤̮̘̻͚̲̪̳̭̗̙͈̽́̔̄̓͊̅̍̓͗͑̓̈̿͝,̵̛͙͚̒͐̍̅̓͗͌̕ ̷̢̡͚̮̜͚͈̖̥̳̹̦̙͈̄́́͛̈́̈́ͅt̸̛̼̯̯̠̰͓̩͍̺̊̽̔͂͑̕ë̵̢̖͕̰͕̜̹̰̫͙̣̩͈́͐͐̿̆̽͌̓̀͐̊̑̀̆͗̕͜ͅͅs̴̢̡̜̯̀͋͛͒͐̌̓̕t̸̠̳̱̙̃̓̽̈̔͗̏̋̓̈̏ ̷̧̧̤͉̦̲̜͔̫̤̯́̽͊̕̚t̸̘̲̼̜̱̿̿͑̽́̈́͋̔͘u̶͍̞̜͛͜b̸̛̯̙̼̜͙̏̓̄̽͆̏͘͝ẹ̷̛̉̑̂ ̵̡̡̞͓̱̤̞̫͛̎̆͘͝b̸̡̡̟̫̱́̔̓̋͗̃̊ǫ̶͍͕̼̥̳͕͖̥͈̼̳̎̒͋ͅŕ̶̢̨̧̛̞̝̰̠͍̥̓͛͗͛̃̏̂ņ̷͔̞̜̟̱̮͍͎̹̬̠̰̳̌͠͝,̸̙͕͓̟̥̜͛ ̶̛͓͊̉̑̍̀̿̽̅̓̂͝͝a̷̧͕͎̜̮̟͚̮̦̜̝̺̿̈́̍̀͂̔͝ņ̴̛̰̮̟̤̭̘̲̠̹̲̟̎̉͂̃̈́̅̂͒͑͠͝ͅͅṱ̶̛̥̘̬̖̳̤͈̟̫̻̘̻̅́̿̓͂̒͂̓̏̐̔̈́̊̊͜į̷̧̱͚̱͉̲̺̬͕̙̀̅̔̆-̷̫͈̳̩͔̠͕͖̹̲̓͊̂̅̈́̔̈́̔̍̎̒̇͌́̃͘͜͜S̶̘̻̱͖̗̠̩̥̝̺̻͕̪̯̊͒͆̽͐́̀͠͝ͅJ̸̨̝̲̬͕͈̘̞̠̱͖̮̒͑̈́̎̃̄̍̃̚͘̚͝ͅͅẂ̸̡̖͉̞͍̙̲͈͈̜̼̪̯̱͇͉̋́͋̎́͗̿̋̈́͂̈́̽̉̚ ̴̣͓̼̟̼̬̙̜͈̰̼̼̖̣̆̅̋̽̕͝͠C̷̙͉̭̜̭̞̝̲̳̰̊̓̃͝E̵̤̟̮͠N̵̨̢̼̱̺̭̦̟̳̪̻̘̿͛̀͜ͅT̸̹͚̆͆͐̊̀̏͑̓̈͝ͅR̸̛̮̲͇̼̻͇̹̙̞̤͎̗̾̊̈́͊͗̋͑̅̿̓̐̔̔͝͝ͅI̵̧̩͕̼̱͚͈̻͎̮̝̖̰̐̑͛̎̂̃̇̇̀̈́́̃̕͠S̶̞̘͔̈́̒̑͒́T!! But, Sylvia is dead, so as much as I wanted to consider, they can’t be best girl so we must move on. 

Next we have Yunyun. It is said that she “forms a rivalry with Megumin as an excuse to create a friendship.” Now we could call her a beta cuckquean, but that would imply you have a life outside a human being. As our current president once said, 

I’m never a Trump supporter myself, but this is wisdom I can kinda get behind regardless. Sure he ghost wrote this, but not all wisdom comes from the mouth. However, Yunyun represents the normalcy of KonoSuba, and as such could be a nice change of pace for those too dependent on the definitive waifu. She has big jiggly boobs, sure, but have you ever considered that her boobs have, personality? A lot of otakus and bronies have not been understanding this as of late, as I feel we’ve overlooked something far more important: Tactile anime feel. We can stare at breasts all we wish, but how realistic are her proportions? You can say it’s fiction all you want, and you’d be right, but if I’m envious that the fiction women have better boobs than mine, my opinion is now better than yours. What I’m getting at is that Yunyun is like a ghost, you try to find her, you search for them, and you look for them, and you try to find them, but you can’t find them, thus they are empty handed.

The last contender is Kazuma, who is the villain of KonoSuba because he doesn’t act like the typical isekai protagonist. He isn’t like Kirito from SAO who was almost involved in incest or Sonic the Hedgehog who believed stalking people is okay as long as you’re alone. As Luigi Mario once said, “It is common, but not too common.” He spits in the face of a critically stupid people because he believes in true gender equality. Those who don’t believe in this philosophy are mostly women, and that’s okay. He must clearly be best girl because he is asserted with the phrase “Give and take”. Most people complain about 11 hour Youtube videos, but they can hardly spend three hours overthrowing their bastardizing governments. Which is why Ligma is not running in the 2020 presidential election, because you keep putting your time in the wrong cubby hole. KonoSuba is a complicated anime, and Kazuma is the crux of that complication. So the sooner you can understand Kazuma, the more you’ll understand KonoSuba; that is why he’s considerably best girl. Otherwise, go play World of Warcraft like the mainstream loving psuedo-intellectual toesucking simp that you are.

To conclude, KonoSuba has a lot to think about for a smart people. Choosing best girl is not about finding your interest, it’s about avoiding callout culture because you have shit taste. If there’s enough controversy, I avoid it unless it can benefit me in the long and short term. Clearly Aqua is the choice for when you yourself have little to prove, Yunyun understandably for when you have nothing to gain, Kazuma for when you want to feel better about yourself. In any case, if you are not horny on main, you are probably the reason Trump got elected because you are yourself sexually fascistic. Sorry, I don’t make the rules and ergo this post was never made for you. Real, in-depth nitty gritty perspective, prescriptive criteria for denationalization context barriers are still alive on the internet. Ultimately, we must decide on whether or not this was all worth it. Simplicity is hard to strive for, but that is why people only use five percent of another’s argument. Or else we’re fans of the She-ra reboot, always over-complicating the idea that kinship will save the day in the end and thinking the creator didn’t copy the great works of famous Shark Tale actor Martin Scorsese. You know? Tankies. I myself have made a long post expressing this complicated issue, but then again, I am a chronophobe. I fear time and I would appreciate if you wouldn’t timeshame me, you potential ablest. So in truth, you choose who is best girl because you are valid. Not more than I but still.

Thank you for reading my post. If you liked this essay, please comment. It’s free. If you liked my paypal, please donate. It’s free. Sharing this would be highly appreciated. It’s free. Dollar Dash Share is offering a free shaving earbud for the first ten sign ups when you use the promo code, ‘MNKY’. Make sure to try out their Curiosity streaming service and use the 5000 silver to unlock new warriors or maps. Thank you for reading............ KonoSuba.

[tswiftdaily]

TAYLOR SWIFT: 30 THINGS I LEARNED BEFORE TURNING 30

According to my birth certificate, I turn 30 this year. It's weird because part of me still feels 18 and part of me feels 283, but the actual age I currently am is 29. I've heard people say that your thirties are "the most fun!" So I'll definitely keep you posted on my findings on that when I know. But until then, I thought I'd share some lessons I've learned before reaching 30, because it's 2019 and sharing is caring.

ONE: I learned to block some of the noise. Social media can be great, but it can also inundate your brain with images of what you aren’t, how you’re failing, or who is in a cooler locale than you at any given moment. One thing I do to lessen this weird insecurity laser beam is to turn off comments. Yes, I keep comments off on my posts. That way, I’m showing my friends and fans updates on my life, but I’m training my brain to not need the validation of someone telling me I look . I’m also blocking out anyone who might feel the need to tell me to “go die in a hole ho” while I’m having my coffee at nine in the morning. I think it’s healthy for your self-esteem to need less internet praise to appease it, especially when three comments down you could unwittingly see someone telling you that you look like a weasel that got hit by a truck and stitched back together by a drunk taxidermist. An actual comment I received once.

TWO: Being sweet to everyone all the time can get you into a lot of trouble. While it may be born from having been raised to be a polite young lady, this can contribute to some of your life’s worst regrets if someone takes advantage of this trait in you. Grow a backbone, trust your gut, and know when to strike back. Be like a snake—only bite if someone steps on you.

THREE: Trying and failing and trying again and failing again is normal. It may not feel normal to me because all of my trials and failures are blown out of proportion and turned into a spectator sport by tabloid takedown culture (you had to give me one moment of bitterness, come on). BUT THAT SAID, it’s good to mess up and learn from it and take risks. It’s especially good to do this in your twenties because we are searching. That’s GOOD. We’ll always be searching but never as intensely as when our brains are still developing at such a rapid pace. No, this is not an excuse to text your ex right now. That’s not what I said. Or do it, whatever, maybe you’ll learn from it. Then you’ll probably forget what you learned and do it again.... But it’s fine; do you, you’re searching. 

FOUR: I learned to stop hating every ounce of fat on my body. I worked hard to retrain my brain that a little extra weight means curves, shinier hair, and more energy. I think a lot of us push the boundaries of dieting, but taking it too far can be really dangerous. There is no quick fix. I work on accepting my body every day.

FIVE: Banish the drama. You only have so much room in your life and so much energy to give to those in it. Be discerning. If someone in your life is hurting you, draining you, or causing you pain in a way that feels unresolvable, blocking their number isn’t cruel. It’s just a simple setting on your phone that will eliminate drama if you so choose to use it.

SIX: I’ve learned that society is constantly sending very loud messages to women that exhibiting the physical signs of aging is the worst thing that can happen to us. These messages tell women that we aren’t allowed to age. It’s an impossible standard to meet, and I’ve been loving how outspoken Jameela Jamil has been on this subject. Reading her words feels like hearing a voice of reason amongst all these loud messages out there telling women we’re supposed to defy gravity, time, and everything natural in order to achieve this bizarre goal of everlasting youth that isn’t even remotely required of men.

SEVEN: My biggest fear. After the Manchester Arena bombing and the Vegas concert shooting, I was completely terrified to go on tour this time because I didn’t know how we were going to keep 3 million fans safe over seven months. There was a tremendous amount of planning, expense, and effort put into keeping my fans safe. My fear of violence has continued into my personal life. I carry QuikClot army grade bandage dressing, which is for gunshot or stab wounds. Websites and tabloids have taken it upon themselves to post every home address I’ve ever had online. You get enough stalkers trying to break into your house and you kind of start prepping for bad things. Every day I try to remind myself of the good in the world, the love I’ve witnessed and the faith I have in humanity. We have to live bravely in order to truly feel alive, and that means not being ruled by our greatest fears.

EIGHT: I learned not to let outside opinions establish the value I place on my own life choices. For too long, the projected opinions of strangers affected how I viewed my relationships. Whether it was the general internet consensus of who would be right for me, or what they thought was “couples goals” based on a picture I posted on Instagram. That stuff isn’t real. For an approval seeker like me, it was an important lesson for me to learn to have my OWN value system of what I actually want.

NINE: I learned how to make some easy cocktails like Pimm’s cups, Aperol spritzes, Old-Fashioneds, and Mojitos because…2016.

TEN: I’ve always cooked a LOT, but I found three recipes I know I’ll be making at dinner parties for life: Ina Garten’s Real Meatballs and Spaghetti (I just use packaged bread crumbs and only ground beef for meat), Nigella Lawson’s Mughlai Chicken, and Jamie Oliver’s Chicken Fajitas with Molé Sauce. Getting a garlic crusher is a whole game changer. I also learned how to immediately calculate Celsius to Fahrenheit in my head. (Which is what I’m pretty sure the internet would call a “weird flex.”)

ELEVEN: Recently I discovered Command tape, and I definitely would have fewer holes in my walls if I’d hung things that way all along. This is not an ad. I just really love Command tape.

TWELVE: Apologizing when you have hurt someone who really matters to you takes nothing away from you. Even if it was unintentional, it’s so easy to just apologize and move on. Try not to say “I’m sorry, but...” and make excuses for yourself. Learn how to make a sincere apology, and you can avoid breaking down the trust in your friendships and relationships.

THIRTEEN: It’s my opinion that in cases of sexual assault, I believe the victim. Coming forward is an agonizing thing to go through. I know because my sexual assault trial was a demoralizing, awful experience. I believe victims because I know firsthand about the shame and stigma that comes with raising your hand and saying “This happened to me.” It’s something no one would choose for themselves. We speak up because we have to, and out of fear that it could happen to someone else if we don’t.

FOURTEEN: When tragedy strikes someone you know in a way you’ve never dealt with before, it’s okay to say that you don’t know what to say. Sometimes just saying you’re so sorry is all someone wants to hear. It’s okay to not have any helpful advice to give them; you don’t have all the answers. However, it’s not okay to disappear from their life in their darkest hour. Your support is all someone needs when they’re at their lowest point. Even if you can’t really help the situation, it’s nice for them to know that you would if you could.

FIFTEEN: Vitamins make me feel so much better! I take L-theanine, which is a natural supplement to help with stress and anxiety. I also take magnesium for muscle health and energy.

SIXTEEN: Before you jump in headfirst, maybe, I don’t know...get to know someone! All that glitters isn’t gold, and first impressions actually aren’t everything. It’s impressive when someone can charm people instantly and own the room, but what I know now to be more valuable about a person is not their charming routine upon meeting them (I call it a “solid first 15”), but the layers of a person you discover in time. Are they honest, self-aware, and slyly funny at the moments you least expect it? Do they show up for you when you need them? Do they still love you after they’ve seen you broken? Or after they’ve walked in on you having a full conversation with your cats as if they’re people? These are things a first impression could never convey. 

SEVENTEEN: After my teen years and early twenties of sleeping in my makeup and occasionally using a Sharpie as eyeliner (DO NOT DO IT), I felt like I needed to start being nicer to my skin. I now moisturize my face every night and put on body lotion after I shower, not just in the winter, but all year round, because, why can’t I be soft during all the seasons?!

EIGHTEEN: Realizing childhood scars and working on rectifying them. For example, never being popular as a kid was always an insecurity for me. Even as an adult, I still have recurring flashbacks of sitting at lunch tables alone or hiding in a bathroom stall, or trying to make a new friend and being laughed at. In my twenties I found myself surrounded by girls who wanted to be my friend. So I shouted it from the rooftops, posted pictures, and celebrated my newfound acceptance into a sisterhood, without realizing that other people might still feel the way I did when I felt so alone. It’s important to address our long-standing issues before we turn into the living embodiment of them.

NINETEEN: Playing mind games is for the chase. In a real relationship or friendship, you’re shooting yourself in the foot if you don’t tell the other person how you feel, and what could be done to fix it. No one is a mind reader. If someone really loves you, they want you to verbalize how you feel. This is real life, not chess.

TWENTY: Learning the difference between lifelong friendships and situationships. Something about “we’re in our young twenties!” hurls people together into groups that can feel like your chosen family. And maybe they will be for the rest of your life. Or maybe they’ll just be your comrades for an important phase, but not forever. It’s sad but sometimes when you grow, you outgrow relationships. You may leave behind friendships along the way, but you’ll always keep the memories.

TWENTY-ONE: Fashion is all about playful experimentation. If you don’t look back at pictures of some of your old looks and cringe, you’re doing it wrong. See: Bleachella.

TWENTY-TWO: How to fight fair with the ones you love. Chances are you’re not trying to hurt the person you love and they aren’t trying to hurt you. If you can wind the tension of an argument down to a conversation about where the other person is coming from, there’s a greater chance you can remove the shame of losing a fight for one of you and the ego boost of the one who “won” the fight. I know a couple who, in the thick of a fight, say “Hey, same team.” Find a way to defuse the anger that can spiral out of control and make you lose sight of the good things you two have built. They don’t give out awards for winning the most fights in your relationship. They just give out divorce papers.

TWENTY-THREE: I learned that I have friends and fans in my life who don’t care if I’m #canceled. They were there in the worst times and they’re here now. The fans and their care for me, my well-being, and my music were the ones who pulled me through. The most emotional part of the Reputation Stadium Tour for me was knowing I was looking out at the faces of the people who helped me get back up. I’ll never forget the ones who stuck around.

TWENTY-FOUR: I’ve had to learn how to handle serious illness in my family. Both of my parents have had cancer, and my mom is now fighting her battle with it again. It’s taught me that there are real problems and then there’s everything else. My mom’s cancer is a real problem. I used to be so anxious about daily ups and downs. I give all of my worry, stress, and prayers to real problems now.

TWENTY-FIVE: I remember people asking me, “What are you gonna write about if you ever get happy?” There’s a common misconception that artists have to be miserable in order to make good art, that art and suffering go hand in hand. I’m really grateful to have learned this isn’t true. Finding happiness and inspiration at the same time has been really cool.

TWENTY-SIX: I make countdowns for things I’m excited about. When I’ve gone through dark, low times, I’ve always found a tiny bit of relief and hope in getting a countdown app (they’re free) and adding things I’m looking forward to. Even if they’re not big holidays or anything, it’s good to look toward the future. Sometimes we can get overwhelmed in the now, and it’s good to get some perspective that life will always go on, to better things.

TWENTY-SEVEN: I learned that disarming someone’s petty bullying can be as simple as learning to laugh. In my experience, I’ve come to see that bullies want to be feared and taken seriously. A few years ago, someone started an online hate campaign by calling me a snake on the internet. The fact that so many people jumped on board with it led me to feeling lower than I’ve ever felt in my life, but I can’t tell you how hard I had to keep from laughing every time my 63-foot inflatable cobra named Karyn appeared onstage in front of 60,000 screaming fans. It’s the Stadium Tour equivalent of responding to a troll’s hateful Instagram comment with “lol.” It would be nice if we could get an apology from people who bully us, but maybe all I’ll ever get is the satisfaction of knowing I could survive it, and thrive in spite of it.

TWENTY-EIGHT: I’m finding my voice in terms of politics. I took a lot of time educating myself on the political system and the branches of government that are signing off on bills that affect our day-to-day life. I saw so many issues that put our most vulnerable citizens at risk, and felt like I had to speak up to try and help make a change. Only as someone approaching 30 did I feel informed enough to speak about it to my 114 million followers. Invoking racism and provoking fear through thinly veiled messaging is not what I want from our leaders, and I realized that it actually is my responsibility to use my influence against that disgusting rhetoric. I’m going to do more to help. We have a big race coming up next year.

TWENTY-NINE: I learned that your hair can completely change texture. From birth, I had the curliest hair and now it is STRAIGHT. It’s the straight hair I wished for every day in junior high. But just as I was coming to terms with loving my curls, they’ve left me. Please pray for their safe return.

THIRTY: My mom always tells me that when I was a little kid, she never had to punish me for misbehaving because I would punish myself even worse. I’d lock myself in my room and couldn’t forgive myself, as a five-year-old. I realized that I do the same thing now when I feel I’ve made a mistake, whether it’s self-imposed exile or silencing myself and isolating. I’ve come to a realization that I need to be able to forgive myself for making the wrong choice, trusting the wrong person, or figuratively falling on my face in front of everyone. Step into the daylight and let it go.

ELLE

[narelleart]

Book Review: “Why Fish Don’t Exist” by Lulu Miller

I know this isn’t really I thing I do, but I had a lot of feelings about this book so I felt the need to share them somewhere.

I do not recommend this book.

Or at least, not to anyone with any knowledge or interest in taxonomy, cladistics, or ichthyology.

If you want to read a book about personal growth and overcoming loss, and don’t care about scientific validity (everything is romanticized and interpreted to fit a narrative), this is a reasonably entertaining read.

I should also note though: Trigger warnings for this book include suicide and a fairly in-depth discussion of eugenics in America. (Neither are discussed in the review below though, just wanted to point them out for anyone that might try to read it anyways because both were surprises when they came up.)

I tried to keep things pretty vague, but there may be some amount of spoilers below the cut. It’s not a super organized review and probably longer than necessary, sorry, but I had a lot of feelings so trimming it down to a few main points was tough.

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So the book - its marketing implies its a lot more about David Starr Jordan, father of North American Ichthyology, than it is. There is certainly a substantial part of the book dedicated to recounting his life, but as I alluded to above, everything is filtered through the lens of the story the author wants his life to be. It is unclear how much of the biography is fact and how much is fiction because of this. There are passages where she imagines what Jordan thinks that are presented alongside what should be the actual facts of the situation. Its all muddled together.

The author explores Jordan’s life in the making of the book to try to find answers to fix the problems in her own life, so every glimpse we get of Jordan is through the perspective she is forcing. The book is really about her, all discussion of Jordan is a vehicle for her own story. In the beginning of the book, when she thinks his writings somehow hold the key to solving her own personal struggles, he’s idolized and romanticized. When she realizes what she’s looking for isn’t there, she turns on him and chooses only then to share the (genuinely horrible!) aspects of his life that she must have already come across in her research. But they didn’t fit her narrative until she felt scorned by his inability to fix her life.

The title of the book isn’t addressed at all until the very end, and is only brought up as a “Gotcha!” to Jordan, to give the author some smug satisfaction that on some level his life’s work is invalidated by newer science. (Though not really, she just doesn’t understand cladistics.) To make her feel better for idolizing what turned out to be a kinda terrible person (or rather perhaps to feel better about feeling betrayed by a person from history for not holding the magic key to improving her life).

BUT! She has no understanding of taxonomy, of cladistics, and so blows this and other topics way out of proportion and tries to turn them into transcendental epiphanies that all humans must experience to better themselves or something. Every time she describes something about these sciences, she completely misunderstands how any of it works, and slaps on flowery prose to try to paint it into whatever her narrative of the moment is. It is, frankly, infuriating to read. Yes, a taxonomist seeing their life’s work in a jumble on the floor would be horrifying, but do you really think they couldn’t visually identify species they thoroughly examined every inch of, externally and internally, in order to describe? And that they wouldn’t have notes to check against? Ridiculous.

The book tackles interesting topics for sure, but it leaves me wishing I’d just read the works she referenced instead. She used David Starr Jordan’s autobiographies to write her book and quotes them frequently. She seems to have only really referenced the book “Naming Nature” by Carol Kaesuk Yoon to learn anything about cladistics (and didn’t understand anything beyond the point she thought it made for her), which she also quoted extensively. The autobiographical inserts of Miller’s life included were interesting enough, but nothing I personally would have wanted to seek out were they separated from the topics I am interested in (that she so thoroughly muddled).

Ultimately, the mistreatment of serious topics in science (forcing them into philosophical truths based on a horrible misunderstanding of the actual science) and the cringey romanticized reimagining of a historical figure (in the beginning, before he betrayed her by being a human being and not some savior figure) made me angry. Perhaps offended? Its clear by the end of the book that David Starr Jordan held some horrible beliefs that are very much worthy of criticism and more, not denying that or anything, but before I arrived to the part of the book where she revealed his less than holy history, I was exceptionally uncomfortable by how she wrote about someone that was a real live person. Not a character. Not a Jesus figure. A dude, who just lived his life. Everything was romanticized, even his mustache. She has a weird thing about describing his “virile tusks” that was super uncomfortable to read every time it came up.

This book was purchased for me as a gift, and it seemed like an excellent choice. The description implied it would be a book about David Starr Jordan. The title wasn’t referenced in the description, so it made for a tantalizing hook to get me invested. I am familiar with cladistics, so I knew what it was alluding to, but I was curious how it would be related to Jordan and be important enough to his life to make the title. Nothing about what the book advertises itself as is accurate, except the tagline - “a story of loss, love, and the hidden order of life.” Its a book that is half fiction by the time the author is done spinning every bit of information she gets a hold of, that follows her loss, love, and imagined secrets to life.

[desmondwitt4]

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[swiftorbust]

One Thing I Learned From Each Track on Lover

1. I Forgot That You Existed:

Sometimes the people that you think are going to be there forever end up showing you their true colors in times when you need them most. Just because you’re committed to sticking by them through the good and the bad, doesn’t mean that they’re willing to do the same. You don’t have to hate each other, you don’t have to fight, you can just move on: Indifference.

“It isn’t love, it isn’t hate it’s just indifference.”

2. Cruel Summer:

There will always be a newer, shinier, better version of what you may already have. It’s a good reminder that what you want might now be the best thing for you.

“Devils roll the dice, angels roll their eyes.”

3. Lover:

When you’re with the right person for you, you feel safe, valued and heard. You can travel through life with a set of rules thats unique to your relationship and your relationship only. Nothing else matters.

“This is our place, we make the rules.”

4. The Man:

To put it simply, human beings are not all equal in some people’s eyes. Minorities have to work twice as hard to get to the same point as someone more privileged. And even if/when you get there, your successes are still questioned.

“They wouldn’t shake their heads and question how much of this I deserve.”

5. The Archer:

Recognize who you are at face value: the good, the bad and the ugly. Acknowledge your weaknesses and start to take ownership. You’re worthy of love and kindness, but if you don’t work on the flaws within yourself, no one will stay for what you have to offer.

“Who could ever leave me darlin’, but who could stay?”

6. I Think He Knows:

If your heart isn’t skipping beats, it ain’t it sis. That feeling of butterflies every time you see someone is so important in a relationship. That sense of longing someone and missing them when you just left them an hour ago; that’s something special. 

“You’ve got my heartbeat, skippin’ down 16th Avenue.”

7. Miss Americana and the Heartbreak Prince:

We’re in a very scary time for many reasons, but a change in the world of politics is vital. We as American citizens need to recognize and stand up ourselves, our communities, and most importantly, those who are unable to fight for themselves.

“American glory, faded before me. Now I'm feeling hopeless, ripped up my prom dress.”

8. Paper Rings:

Love trumps any and everything. If you were to lose all of your material things tomorrow, what would your relationship look like? Would there be a strong foundation of love, respect and loyalty? Or would everything crumble because it wasn’t built on those factors? For better or for worse, if you care about someone at the most fundamental level, you’ll want to be there for everything.

“I want to drive away with you, I want your complications too, I want your dreary Mondays.”

9. Cornelia Street:

There’s no point in playing games - don’t way too long to show your hand. Lean in, follow your feelings and don’t hold anything back. Passing the chance you have to be vulnerable and reveal your feelings can hurt way more in the end than the idea of being rejected. What if it doesn’t work out? But what if it does. Things will fall into place, but you need to help gravity  a little bit on the way down.

“But then you called, showed your hand. I turned around before I hit the tunnel, sat on the roof, you and I.”

10. Death By A Thousand Cuts:

Sometimes love isn’t enough between two people. Sometimes, two people aren’t meant for the long haul. People are placed Into your life for certain reasons at certain times to help you change, evolve and grow. The worst goodbye is one you don’t have a reason for.

“I look through the windows of this love, even though we boarded them up. Chandelier still flickering here cause I can’t pretend it’s okay when its not.”

11. London Boy

Love is supposed to be fun, playful, giddy and make your heart flutter. Showing your significant other your hometown, having them meet your best friends and doing the things you love to do with them is what a relationship is all about. Don’t sweat the small stuff and actually enjoy your time together, whatever you’re doing.

“He likes my American smile, like a child when our eyes meet, darling I fancy you.”

12. Soon You’ll Get Better

The age-old tale of you don’t know what you have until it’s gone. Any loved one with cancer is a terrifying thing, and knowing that your best friend and confidante could be taken away from you at any moment Is a pill that you’ll never be able to swallow. Losing my mom to Breast Cancer, this song perfectly, yet simply,  translates the fear, irrational hope and constant desire to make anything you can better for the person going through this.

“And I hate to make this all about me, but who am I supposed to talk to? What am I supposed to do if there's no you?”

13. False God:

Believing in something whole-heartedly doesn’t make it true and doesn’t make it right. As much as you want to stay on course and take that leap of faith blindly, there’s more than likely red flags that line the very path that you chose to walk down.

“They say the road gets hard and you get lost when you're led by blind faith.”

14. You Need To Calm Down:

Focus on yourself: your actions and your actions only. The energy that you put out into the world can have the power to make or break someone and your words matter - use them for good or don’t say anything at all.

“You just need to take several seats and try to restore the peace and control your urges to scream about all the people you hate.”

15. Afterglow

We over-think, over-analyze and over-complicate. We blow things out of proportion, take things the wrong way and hold people accountable for something they didn’t do. Maybe you didn’t realize, or want to realize, that this is something that’s on you to fix. Anxiety and insecurity are real and raw parts of any relationship that can hurt both sides if it isn’t talked about. Emotions can sometimes get the best of you, but try to recognize when you’re in the wrong.

“Hey, it’s all me, in my head. I’m the one who burned us down, but it's not what I meant. Sorry that I hurt you.”

16. ME!

Value the relationships that are so special and dear to you. Cherish the fact that each relationship in your life is different and unique in their own right - they aren’t comparable to each other and they shouldn’t be.

“And I promise that nobody's gonna love you like me.”

17. It’s Nice To Have A Friend

You don’t know what someone is going through and everyone has battles they’re fighting daily. Seeing someone in pain or showing emotions can be uncomfortable and it can be hard too gain the nerve to address it. It’s awkward and uncomfortable. But showing your support through something as simple as holding someone’s hand can make a world of a difference for someone who is struggling.

“Something gave you the nerve to touch my hand, it’s nice to have a friend.”

18. Daylight

Not everything on your shoulders is yours to carry. Let go of the things that are weighing you down - make it easier on yourself. You are in control of your emotions and have every right to make your way out of the darkness that surrounds you. There’s a bright light waiting for you.

“I’ve been sleepin' so long in a twenty-year dark night, and now I see daylight. I only see daylight.”

--

Thank you, @taylorswift for creating this masterpiece!

[kaleid-tay-scope]

Taylor Swift - Elle

30 Things I Learned Before Turning 30

By Taylor Swift Mar 6, 2019

Photographed by Ben Hassett; Styled by Paul Cavaco

According to my birth certificate, I turn 30 this year. It's weird because part of me still feels 18 and part of me feels 283, but the actual age I currently am is 29. I've heard people say that your thirties are "the most fun!" So I'll definitely keep you posted on my findings on that when I know. But until then, I thought I'd share some lessons I've learned before reaching 30, because it's 2019 and sharing is caring.

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I learned to block some of the noise. Social media can be great, but it can also inundate your brain with images of what you aren’t, how you’re failing, or who is in a cooler locale than you at any given moment. One thing I do to lessen this weird insecurity laser beam is to turn off comments. Yes, I keep comments off on my posts. That way, I’m showing my friends and fans updates on my life, but I’m training my brain to not need the validation of someone telling me I look . I’m also blocking out anyone who might feel the need to tell me to “go die in a hole ho” while I’m having my coffee at nine in the morning. I think it’s healthy for your self-esteem to need less internet praise to appease it, especially when three comments down you could unwittingly see someone telling you that you look like a weasel that got hit by a truck and stitched back together by a drunk taxidermist. An actual comment I received once.

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Being sweet to everyone all the time can get you into a lot of trouble. While it may be born from having been raised to be a polite young lady, this can contribute to some of your life’s worst regrets if someone takes advantage of this trait in you. Grow a backbone, trust your gut, and know when to strike back. Be like a snake—only bite if someone steps on you.

Photographed by Ben Hassett; Styled by Paul Cavaco

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Trying and failing and trying again and failing again is normal. It may not feel normal to me because all of my trials and failures are blown out of proportion and turned into a spectator sport by tabloid takedown culture (you had to give me one moment of bitterness, come on). BUT THAT SAID, it’s good to mess up and learn from it and take risks. It’s especially good to do this in your twenties because we are searching. That’s GOOD. We’ll always be searching but never as intensely as when our brains are still developing at such a rapid pace. No, this is not an excuse to text your ex right now. That’s not what I said. Or do it, whatever, maybe you’ll learn from it. Then you’ll probably forget what you learned and do it again.... But it’s fine; do you, you’re searching.

I learned to stop hating every ounce of fat on my body. I worked hard to retrain my brain that a little extra weight means curves, shinier hair, and more energy. I think a lot of us push the boundaries of dieting, but taking it too far can be really dangerous. There is no quick fix. I work on accepting my body every day.

Banish the drama. You only have so much room in your life and so much energy to give to those in it. Be discerning. If someone in your life is hurting you, draining you, or causing you pain in a way that feels unresolvable, blocking their number isn’t cruel. It’s just a simple setting on your phone that will eliminate drama if you so choose to use it.

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I’ve learned that society is constantly sending very loud messages to women that exhibiting the physical signs of aging is the worst thing that can happen to us. These messages tell women that we aren’t allowed to age. It’s an impossible standard to meet, and I’ve been loving how outspoken Jameela Jamil has been on this subject. Reading her words feels like hearing a voice of reason amongst all these loud messages out there telling women we’re supposed to defy gravity, time, and everything natural in order to achieve this bizarre goal of everlasting youth that isn’t even remotely required of men.

Every day I try to remind myself of the good in the world, the love I’ve witnessed and the faith I have in humanity. We have to live bravely in order to truly feel alive, and that means not being ruled by our greatest fears.

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My biggest fear. After the Manchester Arena bombing and the Vegas concert shooting, I was completely terrified to go on tour this time because I didn’t know how we were going to keep 3 million fans safe over seven months. There was a tremendous amount of planning, expense, and effort put into keeping my fans safe. My fear of violence has continued into my personal life. I carry QuikClot army grade bandage dressing, which is for gunshot or stab wounds. Websites and tabloids have taken it upon themselves to post every home address I’ve ever had online. You get enough stalkers trying to break into your house and you kind of start prepping for bad things. Every day I try to remind myself of the good in the world, the love I’ve witnessed and the faith I have in humanity. We have to live bravely in order to truly feel alive, and that means not being ruled by our greatest fears.

I learned not to let outside opinions establish the value I place on my own life choices. For too long, the projected opinions of strangers affected how I viewed my relationships. Whether it was the general internet consensus of who would be right for me, or what they thought was “couples goals” based on a picture I posted on Instagram. That stuff isn’t real. For an approval seeker like me, it was an important lesson for me to learn to have my OWN value system of what I actually want.

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I learned how to make some easy cocktails like Pimm’s cups, Aperol spritzes, Old-Fashioneds, and Mojitos because…2016.

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I’ve always cooked a LOT, but I found three recipes I know I’ll be making at dinner parties for life:Ina Garten’s Real Meatballs and Spaghetti (I just use packaged bread crumbs and only ground beef for meat), Nigella Lawson’s Mughlai Chicken, and Jamie Oliver’s Chicken Fajitas with Molé Sauce. Getting a garlic crusher is a whole game changer. I also learned how to immediately calculate Celsius to Fahrenheit in my head. (Which is what I’m pretty sure the internet would call a “weird flex.”)

I believe victims because I know firsthand about the shame and stigma that comes with raising your hand and saying “This happened to me.”

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Recently I discovered Command tape, and I definitely would have fewer holes in my walls if I’d hung things that way all along. This is not an ad. I just really love Command tape.

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Apologizing when you have hurt someone who really matters to you takes nothing away from you. Even if it was unintentional, it’s so easy to just apologize and move on. Try not to say “I’m sorry, but...” and make excuses for yourself. Learn how to make a sincere apology, and you can avoid breaking down the trust in your friendships and relationships.

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It’s my opinion that in cases of sexual assault, I believe the victim. Coming forward is an agonizing thing to go through. I know because my sexual assault trial was a demoralizing, awful experience. I believe victims because I know firsthand about the shame and stigma that comes with raising your hand and saying “This happened to me.” It’s something no one would choose for themselves. We speak up because we have to, and out of fear that it could happen to someone else if we don’t.

Photographed by Ben Hassett; Styled by Paul Cavaco.

When tragedy strikes someone you know in a way you’ve never dealt with before, it’s okay to say that you don’t know what to say.Sometimes just saying you’re so sorry is all someone wants to hear. It’s okay to not have any helpful advice to give them; you don’t have all the answers. However, it’s not okay to disappear from their life in their darkest hour. Your support is all someone needs when they’re at their lowest point. Even if you can’t really help the situation, it’s nice for them to know that you would if you could.

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Vitamins make me feel so much better! I take L-theanine, which is a natural supplement to help with stress and anxiety. I also take magnesium for muscle health and energy.

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Before you jump in headfirst, maybe, I don’t know...get to know someone! All that glitters isn’t gold, and first impressions actually aren’t everything. It’s impressive when someone can charm people instantly and own the room, but what I know now to be more valuable about a person is not their charming routine upon meeting them (I call it a “solid first 15”), but the layers of a person you discover in time. Are they honest, self-aware, and slyly funny at the moments you least expect it? Do they show up for you when you need them? Do they still love you after they’ve seen you broken? Or after they’ve walked in on you having a full conversation with your cats as if they’re people? These are things a first impression could never convey.

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After my teen years and early twenties of sleeping in my makeup and occasionally using a Sharpie as eyeliner (DO NOT DO IT), I felt like I needed to start being nicer to my skin. I now moisturize my face every night and put on body lotion after I shower, not just in the winter, but all year round, because, why can’t I be soft during all the seasons?!

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Realizing childhood scars and working on rectifying them. For example, never being popular as a kid was always an insecurity for me. Even as an adult, I still have recurring flashbacks of sitting at lunch tables alone or hiding in a bathroom stall, or trying to make a new friend and being laughed at. In my twenties I found myself surrounded by girls who wanted to be my friend. So I shouted it from the rooftops, posted pictures, and celebrated my newfound acceptance into a sisterhood, without realizing that other people might still feel the way I did when I felt so alone. It’s important to address our long-standing issues before we turn into the living embodiment of them.

Photographed by Ben Hassett; Styled by Paul Cavaco

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Playing mind games is for the chase. In a real relationship or friendship, you’re shooting yourself in the foot if you don’t tell the other person how you feel, and what could be done to fix it. No one is a mind reader. If someone really loves you, they want you to verbalize how you feel. This is real life, not chess.

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Learning the difference between lifelong friendships and situationships. Something about “we’re in our young twenties!” hurls people together into groups that can feel like your chosen family. And maybe they will be for the rest of your life. Or maybe they’ll just be your comrades for an important phase, but not forever. It’s sad but sometimes when you grow, you outgrow relationships. You may leave behind friendships along the way, but you’ll always keep the memories.

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Fashion is all about playful experimentation. If you don’t look back at pictures of some of your old looks and cringe, you’re doing it wrong. See: Bleachella.

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How to fight fair with the ones you love. Chances are you’re not trying to hurt the person you love and they aren’t trying to hurt you. If you can wind the tension of an argument down to a conversation about where the other person is coming from, there’s a greater chance you can remove the shame of losing a fight for one of you and the ego boost of the one who “won” the fight. I know a couple who, in the thick of a fight, say “Hey, same team.” Find a way to defuse the anger that can spiral out of control and make you lose sight of the good things you two have built. They don’t give out awards for winning the most fights in your relationship. They just give out divorce papers.

There’s a common misconception that artists have to be miserable in order to make good art, that art and suffering go hand in hand. I’m really grateful to have learned this isn’t true. Finding happiness and inspiration at the same time has been really cool.

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I learned that I have friends and fans in my life who don’t care if I’m #canceled. They were there in the worst times and they’re here now. The fans and their care for me, my well-being, and my music were the ones who pulled me through. The most emotional part of the Reputation Stadium Tour for me was knowing I was looking out at the faces of the people who helped me get back up. I’ll never forget the ones who stuck around.

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I’ve had to learn how to handle serious illness in my family. Both of my parents have had cancer, and my mom is now fighting her battle with it again. It’s taught me that there are real problems and then there’s everything else. My mom’s cancer is a real problem. I used to be so anxious about daily ups and downs. I give all of my worry, stress, and prayers to real problems now.

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I remember people asking me, “What are you gonna write about if you ever get happy?” There’s a common misconception that artists have to be miserable in order to make good art, that art and suffering go hand in hand. I’m really grateful to have learned this isn’t true. Finding happiness and inspiration at the same time has been really cool.

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I make countdowns for things I’m excited about. When I’ve gone through dark, low times, I’ve always found a tiny bit of relief and hope in getting a countdown app (they’re free) and adding things I’m looking forward to. Even if they’re not big holidays or anything, it’s good to look toward the future. Sometimes we can get overwhelmed in the now, and it’s good to get some perspective that life will always go on, to better things.

Photographed by Ben Hassett; Styled by Paul Cavaco

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I learned that disarming someone’s petty bullying can be as simple as learning to laugh. In my experience, I’ve come to see that bullies want to be feared and taken seriously. A few years ago, someone started an online hate campaign by calling me a snake on the internet. The fact that so many people jumped on board with it led me to feeling lower than I’ve ever felt in my life, but I can’t tell you how hard I had to keep from laughing every time my 63-foot inflatable cobra named Karyn appeared onstage in front of 60,000 screaming fans. It’s the Stadium Tour equivalent of responding to a troll’s hateful Instagram comment with “lol.” It would be nice if we could get an apology from people who bully us, but maybe all I’ll ever get is the satisfaction of knowing I could survive it, and thrive in spite of it.

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I’m finding my voice in terms of politics. I took a lot of time educating myself on the political system and the branches of government that are signing off on bills that affect our day-to-day life. I saw so many issues that put our most vulnerable citizens at risk, and felt like I had to speak up to try and help make a change. Only as someone approaching 30 did I feel informed enough to speak about it to my 114 million followers. Invoking racism and provoking fear through thinly veiled messaging is not what I want from our leaders, and I realized that it actually is my responsibility to use my influence against that disgusting rhetoric. I’m going to do more to help. We have a big race coming up next year.

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I learned that your hair can completely change texture. From birth, I had the curliest hair and now it is STRAIGHT. It’s the straight hair I wished for every day in junior high. But just as I was coming to terms with loving my curls, they’ve left me. Please pray for their safe return.

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My mom always tells me that when I was a little kid, she never had to punish me for misbehaving because I would punish myself even worse. I’d lock myself in my room and couldn’t forgive myself, as a five-year-old. I realized that I do the same thing now when I feel I’ve made a mistake, whether it’s self-imposed exile or silencing myself and isolating. I’ve come to a realization that I need to be able to forgive myself for making the wrong choice, trusting the wrong person, or figuratively falling on my face in front of everyone. Step into the daylight and let it go.

Hair by Serge Normant for Serge Normant Hair Care; makeup by Francelle for Lovecraft Beauty; manicure by Denise Bourne for Deborah Lippmann; produced by Kristen Terry at Rosco Production.