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siilvan · 1 year ago

Text

bloodsport – III

prologue | part one | part two | next

characters: vladimir makarov

summary: after a successful escape, you try to convince yourself that the prison and makarov are behind you. things just never seem to go to plan, though.

genre: angst, slowburn, enemies to ?, fem!reader (callsign: petra, no desc.)

warnings: not proofread, cursing, canon-typical violence, poorly written combat, allusions to trauma and stress, mentions of typical murderous behavior from makarov (∶__∶), OG mak's backstory bc we don't know shit about the reboot lol

word count: 5.9k

note: my birthday's on the 3rd, so pls take this as a gift from me to you :) the support on this series has also been insane 😭 you guys are so sweet!! <33

also big shoutout to @roosterr bc i completely copied the way she writes texts in fics LMAO i hope it's okay with you bestie ilysm

"anyone else would be dead already."

what the hell does that mean?

you're lying on your back, absently staring up at the ceiling, those words replaying in your mind over and over again. yet another week has passed since "the incident," as the guards in the corridor so kindly put it.

clearly makarov had given his men a new order after you killed the younger doctor. not only did they avoid touching you, but they hardly even looked in your direction outside of required monitoring. doctor tarkovsky was singlehandedly providing your medical care, as well. the next time you saw the doctor - the morning after the incident - proved to be an interesting experience. while treating you, he made a comment about "the commander seeming angry."

you add it to your ever-growing list of questions.

blaring alarms interrupt your somewhat peaceful pondering. you shoot up, instinctively reaching for your belt to grab your gun, only to be reminded that you're unarmed. the guards in the hall are shouting at each other, appearing just as surprised as you are.

carefully, you rise from the bed and cross the room, trying to listen to what they're saying. if there was one benefit to your captivity, it was the small bit of russian that you've picked up on. amongst the frantic chatter, you can make out a few words:

attack. small team. breached. combat. prisoner.

your chest tightens as you step back from the door. the base is under attack, and whomever is leading the charge is enough of a threat to raise the alarms. a small team could never hope to contend with an entire ultranationalist stronghold, though. there's only one man, one team, that could succeed despite being so heavily outnumbered.

the one-four-one.

it has to be them. they're the only ones bold enough to stage an attack, and the only ones capable of pulling it off.

even if it's someone else, they're your ally now, and your only hope of making it out of here alive.

you can see the guards scrambling outside your cell, frantically following whatever orders were being barked at them through their radios. for now, they seem to disregard your presence in favor of organizing their forces to combat the threat, but you know it won't last. contrary to the size of the prison, you're the only captive being held here; any mention of "prisoner" is referring to you.

the area quiets down as most of the men rush to aid their fellow soldiers, leaving only the alarm to keep you company. you mentally curse as you consider your very limited options. without a set of keys to escape this cell, you're stuck here.

a purposeful set of footsteps rapidly approaching makes the decision for you. quickly, you dive just out of sight of the door, pressing your back to the wall. the person stops just outside and grumbles to himself as you hear the sound of keys jingling in the lock. the iron door swings open, and you bite down on your bottom lip to keep quiet as he stares into the empty space, confusion evident in the grunt that leaves him.

a second passes before he steps into the room, scanning the far side of it. your eyes fall to the knife on his belt, easily removable if you're fast enough, and you dive for it before he can turn around.

you tear the blade from its sheath and swiftly plunge it into the side of his neck, ripping a strangled cry from the soldier as he reacts too slowly to save himself. you pull him to the ground and lay his body flat, releasing a sharp breath once you confirm the kill. temporary relief floods your system, hastening your movements as you collect as much of his gear as you can.

immediately after you secure the last strap of the armor vest, you hear voices calling out from somewhere close by. searching for the guy you just killed, you assume. with one final gear check, you move to the same spot against the wall and wait for the group to get closer.

the first of the bunch steps into the room and freezes at the sight of the other man, and you take the opportunity to drop him with the rifle you had collected. the remaining members, two or three men, are quick to respond once the gunshots ring out. you peek around the corner as they rush forward with their guns drawn, electing to start the gunfight yourself.

you manage to shoot one down before the others notice you. a bullet whizzes past your head as you aim down the barrel and shoot another, forcing you to duck back into cover.

"you're cornered. come out and i'll let you live." the final soldier says, frustration lacing his command. you sit still, lying in wait until his impatience overpowers his better judgement. a tense silence fills the air between you, only broken by the soldier groaning and coming to you instead.

he circles the corner, weapon at the ready, but scans the room in too wide an arc. you finish him off and peek out into the hall again, finding it completely vacant.

the radios on the soldiers bodies suddenly come to life, and you hear a familiar voice on the other end. you pick one of them up and attempt to decipher the question to no avail. however, there is one word that you understand. prisoner.

"you should've sent a bigger group," you speak into the radio, feeling your lips twitch into a smile at the way makarov stops short.

he merely chuckles, though, and the smile drops. "you continue to impress me, lieutenant. let's see if you can escape." he replies, relaxed as ever. he switches channels, and the radio goes silent.

you travel down the path you took the first day, when makarov was accompanying you. there's little resistance beyond a few stragglers that you dispatch with ease. most of the forces are focused on the invaders, too busy to properly deal with you as you attack from behind. the number of enemies ahead of you increases the further you go - a sign that you're heading in the right direction.

eventually, you reach an exterior door and push it open.

to say the situation is chaotic would be an understatement. soldiers are hurrying across fields, arming themselves and their allies, shouting out various commands and information. you duck low and stick to the shadows, doing your best to avoid a firefight now that the enemy solidly has the advantage.

you make some distance and perk up at the sounds of gunfire. you've stumbled across the main battle. with a renewed sense of hope to push you forward, you go towards it, ending up crouched next to an APC as you search through the chaos for any friendly faces.

one of the nearby vehicles erupts into flames moments later, catching you off-guard and stealing your attention from the fight. scrambling to your feet, you stiffen as something smooth and cold is pressed against the back of your skull. the barrel of a gun. you raise your hands in surrender and pray that the person holding the weapon can be reasoned with.

"wait," a deep voice, husky and all too familiar, speaks from behind you. "petra? 's that you?" the man, captain price, lowers his gun, allowing you to spin around and look at him.

you're almost ready to shed tears upon seeing his face, equal parts concern and relief etched into his hard expression. he grabs ahold of your shoulder, giving it a firm squeeze as you nod, silently answering his question. a dark figure emerges from behind one of the vehicles at price's back and catches your eye.

the stark white skull mask instantly gives away his identity: ghost. he stops at your side, eyes crinkling behind the mask, and you can tell that he's giving you a happy look.

your eyes leave the pair and scan the area, hunting for the last two members of the team. there's no movement aside from the fighting and chaos in the distance. your gaze flits back to price as a lump begins to form in your throat and every scenario that you've cooked up during your captivity floods into your mind.

"where's soap and gaz?" you ask, voice sounding meek compared to the way you spoke earlier. price, clearly sensing the deeper meaning behind your words, pats your shoulder in a comforting gesture before withdrawing his hand.

"they're here, no need to worry," he starts, motioning for you to follow him. "the sergeants are protecting our backsides, making sure the chopper has a clear path. we're gonna meet 'em at the southside of the prison and exfil from there."

you fall in line with the two, muscle memory all but taking over as you repeat your prior strategy; keep to the shadows and only engage the enemy if absolutely necessary. the location that price described isn't terribly far and shouldn't be difficult to reach, so long as you don't get caught up in too many fights.

ghost contacts the sergeants as you move, updating them on your position. you learn through the conversation that the team came for you, and only you - makarov isn't a concern of theirs, even once you inform price of his presence. we'll slot the bastard once you're back on your feet, he says.

"we're gettin' close, it's just up here." ghost mutters lowly. you tighten your grip on your gun, anticipation steadily building inside of you the closer you get to the rendezvous point. you're this close to freedom, this close to putting this hellish place in the past and reuniting with your team. al-mazrah, the missile, your capture, makarov– all of them would sequester themselves to nothing more than memories.

a black hawk flies overhead before touching down at the designated spot. one of the back doors swing open just as it lands, revealing gaz's smiling face. he steps aside to allow the three of you to board, giving you an eager side-hug as you shuffle past him.

"petra, happy to see you in one piece!" soap's exclamation startles you as much as it overjoys you to hear, and you're suddenly swept up into a bone-crushing hug by the scotsman upon passing gaz.

"soap–! johnny, you're squeezing me too hard–!" you gasp out, still attempting to hug the man back despite your bones being turned to mush from the pressure. he releases you almost as quickly as he scooped you up and mutters an apology. said apology barely registers in your head due to the sight he greets you with, though.

there's a nasty scar over his left eye, jagged and obviously still in the process of healing. soap hardly seems to care about it, instead grinning at you like you were revived from the dead. you tap the area below your own eye to signal to him, brows furrowing in confusion. his hand mirrors your action and his face lights up, an audible "oh" falling from his lips.

"got it in al-mazrah," he says, waving off your worried look. "makes me look pretty cool, right?" he adds with a glance around the cabin, earning an affirmative hum from price and a shrug from ghost.

gaz snorts, slumping down on one of the seats and giving him a thumbs-up. "looks wicked, mate."

you collapse into another seat with a breezy laugh. "i'm just thankful that you're alive, all of you. i was starting to doubt whether you'd come." you confess, sharing a somber look with the rest of them.

ghost breaks the mood with a shake of his head. "'course we came. we're a team, no man left behind." he keeps his gaze locked on you as he talks, bringing an appreciative smile to your lips. your attention shifts to the window at your side, watching the stronghold fade away as the helicopter lifts off the ground and departs. you refuse to tear your eyes away until it disappears over the horizon, allowing you to take a deep breath for the first time in weeks.

⋆⋆⋆

upon arriving in safe territory, you're almost instantly pulled into a brief, but strong hug by laswell, who was waiting on the airstrip as the team landed. you're ushered into the base's medical wing by her and price for a proper checkup, which, thankfully, goes by swiftly. you've had enough of doctors and medicine to last you a lifetime.

"you're sending me home?" you ask, practically jumping up from the examination table you were sitting on. your gaze darts back and forth between price and laswell, irritation boiling under your skin as they try to placate you.

"y'need to rest, petra. you've just been through two weeks of hell." price responds, putting his hand on your shoulder and urging you to sit back down. you shrug it off and shake your head.

"captain, i was given a clean bill of health!" you argue while waving your arms in front of yourself. your wounds from the missile had mostly healed, reduced to minor marks on your skin and a raised scar on your side that was gradually fading. "i just want to get back in the field– i've been out of commission for weeks!"

laswell steps toward you, meeting your gaze with a sympathetic look. "it's protocol, lieutenant. you may be fine enough to work for now, but we can't put you or the team at risk." she counters, crossing her arms over her chest. "you need to recover." she adds a second later, earning a frustrated huff from you.

you know you'd be saying the same thing in their position. if it was price, ghost, soap, gaz– if any of them were captured, you'd be forcing them to take time off, too. you can't shake everything that's happened, though. you don't have much to show in the way of torture-related injuries, but the isolation alone was enough to make your head spin. you never felt safe, always waiting and anticipating makarov's next move. the longer you went without seeing or hearing about him, the more your suspicions grew.

a break would give you the chance to collect your thoughts and break yourself out of the doubt that's been stewing in your head ever since that first meeting. in the field, you need to be confident and decisive. there's no room for hesitation and self-doubt.

"we'll keep you updated," price starts, regarding you with a reassuring smile. "and, this won't be forever. just long enough for you to get your head on straight, yeah?"

you deliberate on it, eyes falling to the floor, and nod slowly. he's right. you're not reliable in this state.

"okay." you concede, focus shifting back to the two.

you're heading out again by the evening, saying your goodbyes to the squad on the very same airstrip that you landed on earlier in the day. soap nearly crushes you in another hug, forcing price to yank him off before you suffocate, gaz reminds you about ten different times to call if you need anything, and ghost runs down a lengthy list of relaxation techniques whilst loading your bags in the helicopter.

it's nigh-impossible to be upset about the situation when it's made clear that they don't want you to go, either. after two weeks of constant stress, everyone just wants to be together again.

you get so caught up in your impromptu partings that you fail to notice the unidentified soldier watching you from across the field. even the ever-attentive captain price misses the soldier dialing a number on his phone, his eyes narrowing as the chopper lifts off with you inside.

⋆⋆⋆

you step foot in your flat well after the sun's gone down. it's silent, save for the soft padding of your socks against the floor after you kick off your boots. your bags are abandoned at the end of your bed, something you'll unpack later, and you shed your jacket before tossing it on top of the pile.

makarov... what's his story?

with a low sigh, you rub at your tired eyes with the heels of your palms and try to erase the question that's been plaguing you for longer than you'd like to admit. between laswell's intel and the stories price has told, you can paint a picture of who the man is.

a person ruled by his ambition, you've determined. while price's stories were more focused on his own experiences with makarov and his allies, what laswell provided was concrete: he massacred civilians like it was nothing. what could possibly drive a man to that point?

the trip back home proved fruitless, with most results online simply listing information deemed "safe" for the public. you need to know more about him - you need a source that isn't going to sugarcoat or hide the ugly truth. most importantly, you need someone who can get you personal details.

you fish your phone out of your pocket and scroll through your contacts list. laswell is an option, but she's not likely to give you anything while you're supposed to be taking time off work.

a name - or rather, a codename - pops up in the list. your thumb hovers over the contact, debating on whether or not to call.

you give in and click the "call" button after a moment's consideration. the line rings until a cheerful voice greets you.

"ah, lieutenant!" nikolai beams, sounding far too energized at this hour. "price told me about the successful prison break, congrats on surviving the ultranationalists."

"thanks, nik." you chuckle at his enthusiasm. "is there any chance i could ask you for a favor? i need information, stuff that i think only you can get." you nervously shift your weight while asking the question, worried that you might be hitting a dead end.

"information? about what?"

"makarov."

nikolai goes quiet, and you think he's going to deny your request. but, just as you open your mouth to justify it, he speaks.

"you want private informaton, yes?" he mutters, causing you to let out a deep breath. "price hasn't told you everything, and you want to research the man that captured you. that is to be expected."

"give me a little time, i'll send you whatever i can find." he continues. you can hear typing in the background after, signaling that he was following through with it. you tell him goodbye with a small "thanks" and hang up, an immense weight lifting off your fatigued shoulders.

a hot shower would be nice right now. you haven't had one in weeks, and nikolai said that gathering everything would take a while. you might as well use the break instead of sitting around and twiddling your thumbs while waiting for him.

you trudge to the bathroom and turn the water on, stripping out of your clothes and leaving your phone on the counter. you hop in the shower and feel your aching muscles relax as soon as the warm water washes over them, soothing weeks of pain and discomfort. when you get out and wrap a towel around yourself, you finally feel relatively at ease for the first time since your escape.

your phone buzzes from nearby, and you blink at the screen after picking it up. a message from nikolai stares back at you.

sent what i have, hope it helps 22:43 pm

thanks, appreciate it! 22:43 pm

i'll let you know if i find anything else 22:44 pm

you quickly dry off and get dressed in more comfortable clothes, grabbing your laptop as you stroll into the living room and get settled on the couch. it only takes a couple minutes to access the files that nikolai sent, and upon seeing a page of folders to look through, you're left shocked at the sheer amount of information he gave.

it's overwhelming, just how much makarov has done in his career - if you can even call international terrorism a "career." you decide to begin at the top of the list, shaking off the uneasy feeling that settles in the pit of your stomach.

the contents of the folder go from typical, almost expected, crimes from someone like him, to acts that make you understand why price is wary of him. you sift through each file, studying the contents as if you're going to be quizzed on them, each word acting as another nail ripped out of your coffin.

the list of crimes seems endless. kidnapping, torture, trafficking, bombings, assassinations, mass murder... not only are you lucky to be uninjured, you're lucky to be alive. the privilege of being a "special" target, you presume. if not for your position in the task force, you'd be lying dead in a ditch or tortured to the brink of insanity. your stomach churns at the thought.

eventually, you reach a folder named "personal." it lives up to its name, as when you access it, the files are all details about the man himself. some of the basic information is known to you already, but most of it is entirely new - stuff you're sure was intentionally hidden away from curious eyes.

what you can find of his life before he began his reign of terror both answers your questions and adds more to the list. he was a paratrooper, a captain in the spetsnaz, regarded as a master in the field despite the list of complaints on his file. many of the men under his command considered him a natural leader; charismatic, cunning, but harsh in his methods. he received several comments from the higher-ups about his alarming behaviors, but it all came to a head when he was investigated for war crimes. he left the military to avoid the charges.

somehow, the crimes that got him discharged seem mild compared to what he's done since. you can't wrap your brain around why makarov treated you so... kindly, given everything you've read. he should have ended your life or made it a living hell, but instead, you got regular medical treatment, decent conditions, and mostly left alone during your imprisonment.

you sit back from the screen, sluggishly running a hand down your face. makarov didn't fight to keep you captured. if anything, he was happy to let you escape. it doesn't make sense. he went through the effort of capturing you alive and gained nothing from it. for a man that favors the zero-sum game, he's not playing it well.

unless this is his gain. getting in your head, confusing you, forcing you to think about him when you should be focusing on recovering. he's bogging you down, preventing you from being reliable for your teammates.

or, maybe you're looking into things too deeply. overestimating just how clever one man can be.

your phone buzzes from its spot on the cushion, and you blink at the bright screen, squinting to read the notification. it's a text message from an unknown number. a few different people flash through your mind, potential allies that could have changed their numbers recently, but no one stands out. you exhale and click the notification to open up the message fully.

feeling well? 12:35 am

you stare at the message for a minute. it can’t be price or any of the boys, you already have their phone numbers. you highly doubt that laswell changed hers without updating you, and nikolai probably hasn’t change his in the two hours since your last conversation. just as you go to type a response, two more messages pop up.

recovering at home is preferable, isn't it? 12:36 am

much more comfortable than a medical wing. 12:36 am

who is this? 12:37 am

take a guess - m 12:37 am

a chill creeps up your spine as the realization dawns on you. it's makarov; not only does he have your phone number, but he knows you're not at base. he's managed to track your location in less than six hours.

you drop your phone on the coffee table and shoot a wary glance around the room before checking to make sure your front door is locked. once you're sure of it, you start to pace around the room, wringing your hands together. the smart decision would be to call someone - price, laswell, one of the boys, someone that can get here quickly or send a person in their place.

you're not defenseless by any means, but there's no telling what makarov knows. he could be halfway across the world or in the very same city, and you have no way of finding out without putting yourself at risk. you may have gotten lucky in al-mazrah, but you can't rely on luck.

your phone lights up again, and from your position a few feet away, you can just barely make out what the screen says.

let's talk, lieutenant. 12:40 am

no fucking way. you're not entertaining the madman that you just escaped.

you need to get out; take a walk, clear your head. makarov knows where you are, but that doesn't mean he's actually here. for all you know, it could be a lucky guess. you throw on a jacket and slip on a pair of shoes before shoving your phone in your pocket, hastily stumbling out the door. the crisp night air hits you the second you step out, making you draw your jacket tighter around yourself as you start down the sidewalk.

your brisk - practically panicked - walk does little to calm your nerves initially. you have to force yourself to slow down, strolling along at a more leisurely pace. after a couple minutes, your shoulders droop and the panic begins to dissipate.

the late hour means that you're the only person out right now. all you have for company is the occasional breeze that sweeps past, and you think that you prefer it this way.

until your phone buzzes. you stop dead in your tracks and pick it up, letting out a relieved breath at soap's name flashing on the screen. you answer the call with an easy smile.

"hey! i didn't expect you to pick up," soap laughs on the other end. "realized how late it was after dialin' your number." he adds, pulling a chuckle from you.

"haven't been able to sleep, so i figured i'd take a walk." you shrug, as if he can see you.

"ah, figured you'd pass out the second you landed." he concedes while you absentmindedly toe at the ground, eyeing your surroundings. "just wanted to check in– make sure everything is going okay with you."

for a moment, you debate on mentioning the messages from makarov. logically, it's the right thing to do; your team needs to know about any potential threats. however, there's a little part of you that hesitates to say anything. you feel the urge to keep it a secret, to wait and see what happens. makarov's given you useful intel before, maybe you can get more out of him.

"yeah, i'm doing all right," you mutter, reassuring soap. "just want to get back to work as soon as i can. i miss you guys."

soap gives you an appreciative hum. "y'just gotta heal up quick, l.t.! we're all missing you here. ghost and price are meaner than you are."

"they're not 'mean,' they just don't tolerate as much nonsense from you and gaz as i do." you counter with a playful laugh, pulling a groan from soap.

"it's not nonsense, it's– what?" soap suddenly stops talking, and you hear a voice in the background of the call. he says something to the person before exhaling dramatically and speaking into the phone again. "sorry 'bout that, it was price. apparently we've got somethin' to handle– a wrecked shadow company transport, i think. i'll send a message after we're done, yeah?"

you wave your hand while talking, again, as if he can see you. "don't worry about it, just stay safe out there. let me know how it goes."

the two of you exchange quick goodbyes and you end the call with a smile still plastered on your face. your brows furrow as you immediately receive another call, though. the number that flashes across the screen makes you grip the phone tighter, your knuckles turning white from the strain.

makarov, of course. you decline the call with an irritated sigh and spin on your heel, heading back to your apartment. another one comes through seconds later, which you choose to simply ignore this time. you speed up the short walk to your front door and slam it closed behind you, locking it just as quickly.

"you are surprisingly difficult to get ahold of, petra."

you whip around and press your back to the door, locking eyes with the man you tried so desperately to avoid. makarov stands in the middle of the room, a smug grin on his face, his arms loosely crossed over his chest as he stares you down.

"how the hell did you find me so fast?" you sneer at him, hand tightening around the set of keys in your palm. he's wearing a thick vest and armor plates - they won't save you, but the keys might buy you enough time to reach the gun in your bedroom.

"i have my ways," he tilts his head to the side, moving to lean against the back of your couch. "i needed to speak with you, and you weren't answering the phone. this was my only option."

you scoff at the claim, briefly loosening your grip. "no, you also have the option of leaving me alone." you argue, stepping further into the room. "besides killing you, we don't have any business to discuss."

"is that so?" makarov chuckles, glancing over his shoulder. you follow his gaze and land on your laptop. it's turned on again, with one of the pages detailing his personal history displayed on the screen. "you'll be very interested in what i have to say, lieutenant."

you bite your tongue, shifting your weight and dragging your focus back to him. "fine. tell me, then."

makarov straightens, his gaze flitting back to you. the edges of the keys dig into the skin of your palm, the bite of the cold metal keeping you grounded as he stalks toward you, like a predator approaching a prey animal. those alarm bells start going off in your head again, every instinct screaming at you to preemptively strike or run.

when he's a few feet away, you lunge. jabbing your keys forward, you try to hit one of the weak spots of his vest, aiming for the one of the gaps near the straps.

the training he underwent years ago is made readily apparent as makarov easily grabs your wrist and twists it, disarming you in one smooth motion. you try to use your other hand to break free, only to end up with both hands in his iron grip. you're spun around and shoved against the wall with your hands behind your back, trapped between your bodies.

you struggle, but that only encourages him to tighten his grip, firmly pinning your hands. he presses forward, using his own body weight to prevent you from fighting him off.

"you're predictable, petra," he mutters, the comment making you thrash against him. "you can't see past yourself– i am freely offering you information that your allies would die to gather themselves. take advantage of this generosity."

"i hate you," you seethe, writhing and trying to break free of his hold. he doesn't budge even a little, chuckling softly next to your ear as he leans in closer.

"good. i like that." makarov murmurs, his voice low and controlled, warm breath fanning over your skin. heat floods through your veins when he speaks, which you attribute to anger towards him.

until he nudges you again, his upper body falling almost perfectly in line with the curve of your back, his hands loosening slightly and providing your red-marked wrists with some relief. it just now occurs to you how close he is, the steady rise and fall of his chest against your spine forcing your own staggering breathing to calm itself and match his. his cropped hair tickles the side of your ear as he hovers next to you, his side profile visible in the edge of your vision.

you bite your tongue again, though for a different reason than earlier. holding any feelings but hatred and contempt for your enemy - you might as well mark yourself as a traitor if that happens. you can't allow yourself to fall for the games that he's definitely playing with you. the task force needs you, and they need whatever intel makarov can provide you with right now.

"i can be civil," you concede, barely above a whisper. "i won't attack if you don't." you add a moment later, pursing your lips.

you can see the edge of his lips twitch from the corner of your eye. makarov releases your wrists after a beat and steps back, giving you enough space to turn around and face him, pressing your back flat against the wall.

"do you trust the commander of shadow company?" he asks, bluntly. you narrow your gaze, huffing at the thought.

"graves? not by a longshot. i can trust him enough to shoot your guys before he shoots me, but that's it." you reply in an equally blunt tone.

"do you believe he is attached to the general's plans?" he says, and you deliberate before shaking your head. it wouldn't make sense, given graves' recent allyship with urzikstan. makarov continues, appearing satisfied with your answer. "you're correct. the shadow is not aware of shepherd's plans any more than your team is."

"how does this help me?"

"you will need him to cooperate in order to take down general shepherd," makarov asserts. you tilt your head curiously, urging him to elaborate. "which means, unfortunately, that you will have to work with him. my men can handle the general's lap dogs, but commander graves is the only person that can locate the general himself."

of course. your catalogue of enemies that you have no choice but to work with just keeps expanding.

"i see." you mumble, fingers twitching at the prospect of working with graves. tolerating his soldiers is one issue, but the commander is a whole other ballpark. "i still don't understand– why are you giving me all of this?"

makarov finally tears his gaze from yours for the first time since you separated. he walks over to the front door, right next to your spot against the wall, and unlocks it with a small twist of the lock. he turns toward you, though his eyes do not lift to yours again.

"the enemy of my enemy is my friend," he utters, swinging the door open. "we'll be in touch. do not ignore me next time i contact you."

you nearly miss his eyes flicking up to your face, the action so short that it feels like a trick of the light. he walks out of your apartment, closing the door behind him with a soft thud, stopping you from watching him as he disappears into the night. you don't think you want to know where he goes, but one thing that you can say for certain is that it won't be the last you see of him.

you'll be seeing him even sooner than you can imagine.

taglist: @sofasoap, @roosterr, @rohansregret, @lonesome-doves, @thorrsexual, @miss-nob0dy, @woodeelf, @fbs-fc-ur-mommy, @soap-mactavish, @itsyellow, @johfaam0, @cumbermovels, @chxe-zdechnac, @imagineswritersblog, @emorgz33, @k4rthon, @ponyboys-sunsets, @frazie99, @chensipstea

⋆ feel free to ask to be added to/removed from the taglist! (18+ only please <3)

#call of duty #cod #cod mw2 #mw2 #call of duty x reader #cod x reader #mw2 x reader #makarov x reader #vladimir makarov x reader #cod makarov #vladimir makarov #sylph.writes

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artbyblastweave · 26 days ago

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So comic question - my Big 2-reading friend has been raving about the new Ultimates series, and also sworn up and down that it's actually easy to follow and you in no way need to read six different ongoing series in the correct order to understand what's going on or jump in halfway through a totally unrelated one for ten issues to get vital context.

Is he full of shit, or is it actually comprehensible and worth reading if my comics knowledge mostly boils down to pop culture osmosis and reading some posts?

He's kind of full of shit but also not. They did one four-issue miniseries called Ultimate Invasion- quite good in it's own right- that lays the groundwork/status quo/Big Ticking Two Year Countdown Clock Until All Hell Breaks Loose for the handful of ongoing series that launched afterwards. The fact that it's been largely easy to follow thus far is largely a function of it's currently limited scope- Only four largely separate ongoings (the two of which I've read are quite legible independent of the other ones) set in different parts of the world with very limited overlap, alongside a couple oneshots released as milestones. You can blow through the entire continuity in an afternoon. The Original Ultimate Marvel was, at it's inception, easy to follow for basically the same reason. This has the potential to metastasize in the same way that that did. They also might successfully tie a bow on it as a completed limited scope project. Time will tell. The other thing is that the Hickman and Camp's metatextual project is to create an imprint where the setting is so aggressively plugged into meta continuity porn bullshit that it would serve as a poison-pill to any attempted MCU adaption effort- In contrast to how the original Ultimate Universe was kind of visibily packaging itself for eventual adaptation to film, they wanted to do a story that can be a comic book and nothing else because of how much it's about comic books. A major theme thus far has been characters coming to terms with the lives they were supposed to lead, for better or for worse, and half of what's clever about this thing is banking on your ability to contextualize where the bit players are in life in this story versus where they wound up in other continuities. I also interpret the entire project as sort of a love letter to the phenomenon of trying to create revised, tightened reboots of long-running continuities that spiral out of control in their own right- the entire joke is that one of the two characters kept around by real-life editorial after the last, kinda-poorly-received attempt at a reboot universe like this is trying to make his own timeline with blackjack and hookers, only for it to spiral out of control in turn. (We Are Never Getting Out Of Here)

All in all, I've mentioned in other posts on this project that I've kind of lost the objectivity necessary to know whether this is at all good, legible or enjoyable if you aren't plugged into the big-two comic-book torment nexus. This shit is my Feldspar and Quartz. If you want to roll the dice, the reading order is Ultimate Invasion, Ultimate Universe, and then as far as I know Ultimate Spider-Man, The Ultimates, Ultimate Black Panther and Ultimate X-Men can be read in any order. The fact that I had to give you a reading order probably on some level answers your original question, though

#ultimate marvel #new ultimate universe #If I've fucked the reading order please issue corrections as necessary #thoughts #meta #ultimate spider man #marvel #marvel comics #ask #asks

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docgold13 · 11 months ago

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Profiles in Villainy

Hordak

There have been multiple versions of the malevolent menace known as Hordak. In the original continuity established in She Ra: Princess of Power (and by extension He-Man and The Masters of Universe), Hordak is an extremely powerful tyrant of mysterious origins who will stop at nothing until he conquers all of both Etheria and the neighboring dimension of Eternia. Heralding from the shadowy ‘Horde World,’ Hordak’s powers were derived from a strange combination of sorcery and science.

Hordak was originally headquartered in Snake Mountain where he had taken on the villainous Skeletor as an apprentice. When the forces of King Randor were closing in on Hordak, he fled to Ethernia, leaving Skeletor in charge of Snake Mountain (and thus leading to the longstanding conflict between Skeletor and Randor’s son, He-Man). Reestablishing himself on Etheria, Hordak took over the Fright Zone; and from here he and his Evil Horde began its war against She-Ra The Princes of Power.

In the 2018 reboot of the narrative, Hordak was shown to be a semi-defective clone of the entity known as Hordak Prime. This Hordak Prime sent versions of himself to countless worlds to conquer in his stead, all part of an effort to claim absolute dominion over the entirety of the cosmos.

Hordak’s ‘deficiency’ was his unexpected capacity for independent thought. This led to feelings of ambivalence that would manifest in malfunctions in his powers and the mechanical aspects of his physical form.

Although a cruel master who sent the forces of his Evil Horde to conquer Etheria and crush the Princess Rebellion, Hordak also struggled with doubt and was confused by his falling in love with his lieutenant, Entrapta. His other lieutenant, Catra, surmised these weaknesses in Hordak and used them to her advantage, ultimately unseating Hordak as the new master of the Evil Horde.

This ultimately facilitated the mighty Hordak Prime coming to Etheria. The villain was defeated by She-Ra and her various allies. In the wake of this, Hordak was free from his former master and he and Entrapta were reunited to forge a life together.

Actor George DiCenzo provided the voice for Hordak in his original appearances in the 1985 series, She-Ra: Princes of Power; the great Kevin Conroy voiced the villain in the 2002 series Masters of the Universe vs. The Snake Men; and actor Keston John voiced Hordak in the 2018 series, She-Ra and the Princesses of Power.

#Profiles in Villainy #Hordak #She-Ra #He-Man #she ra and the princesses of power #cut-out #paper art #Villains!

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sonic-hot-takes · 1 year ago

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New Sonic media needs to introduce more heroic male characters to the lineup.

Normally I like my takes quick and spicy and let people come to their own conclusions with them, but out of all my thoughts on the series that I’ve shared with fellow Sonic fans, this one tends to get the most ire. Bellow the cut are my more in depth thoughts on the matter.

I may be forgetting someone but I’m pretty sure the last character the series introduced that was simultaneously a guy, a hero, and had any sort of staying power was Silver all the way back in TWO THOUSAND SIX. This applies to ALL Sonic media/canon, by the way (be it the games, comics, spin offs like Boom, etc.)

The closest character I could think of that fills this criteria is Razor from the post-reboot Archie comics—he did appear in both the main comic and Sonic Universe, and was the only new character to get his own SCO backstory—but for obvious reasons he’s not showing up again any time soon. I don’t count Chip or Yacker since they’re pretty blatantly meant to be one off characters that fill a specific niche for that game’s plot. Also let’s be real they’re both mid as hell

Compare this to the girls: Sticks, Tangle, Whisper, Sage (who is framed as more of an antihero in Frontiers than a villain), Trip, this new girl from Dream Team…

People scream sexist at me whenever I bring this up, which is ironic because I am a Girl™ myself. My favorite Sonic character, Blaze, is a Girl™. Sticks is one of my favorite additions to the series in a long time, and she’s a Girl™. I’m not against Girl™ in Sonic.

BUT it does make me raise a brow looking at the track record of new characters that have been introduced to the series, specifically when it comes to gender and morality alignment. This is a lot more prevalent in the IDW comics than in the games, but it’s present in both.

Since Colors (which signaled a shift in direction in the series), the new antagonists we’ve gotten in the games are: Orbot and Cubot, the mostly male Deadly Six, the Hardboiled Heavies (if you wanna count them), Infinite, and Sage (kind of). In the IDW comics, we’ve gotten Rough and Tumble, Dr. Starline, Mimic, Clutch, Kit, and Surge.

In the same time period, the new leading/supporting protagonists we’ve gotten in the games are Yacker, the Forces OC, Sage (kind of), Trip, and Ariem (the new girl from Dream Team). You can also squeeze Sticks in here since she’s the only Boom character to get any extra relevance or spotlight on her outside of that spin off. In the IDW comics, we’ve gotten Tangle, Whisper, Jewel, Belle, and Lanolin.

Sure, there’s a little overlap here and there. But you should notice a pattern.

Do not interpret this as me saying that Sonic Team or the writers at IDW have some kind of anti-men agenda going on. That’s not what I’m suggesting. BUT I am getting tired of every new hero being a girl and just about every new villain being a boy. Can’t we switch it up a little?

Even the most prominent female antagonists in the series have some kind of sympathetic edge to them. Surge was brainwashed and experimented on by Starline. Sage’s character arc is supposed to be the focal point of Frontiers, and she only does evil things under Eggman’s command. Trip isn’t even evil in the first place, she just ends up working with Eggman and Fang for…reasons, and ultimately turns against them and becomes a playable hero. They’re not framed the same way that most, if not all of the male villains are. Not even Merlina is fully immune of this.

Outside of the sexist allegations, I usually get one of two responses whenever I bring this up:

A lot of Sonic fans are girls, so the series should introduce more female characters in order to appeal to their female fans.

The series already has a lot of male characters, so they need to balance out the cast with more girls.

Both of these points have their merits and flaws. I think that both of them are/were true up to a certain point, but nowadays they don’t hold up as well after we HAVE gotten tons of new female characters. When Sticks and Tangle were first shown off, I was ecstatic! Sticks being a fourth wall breaking conspiracy theorist is both tons of fun and a character archetype that the series hadn’t explored until then, and Tangle has one of my favorite designs of any Sonic character. But at some point, I started to notice the trend of every new hero being a girl and every new villain being a boy, and it really started to bother me. For IDW Sonic it was around the time Belle and Clutch were introduced (with Lanolin ultimately being the straw that broke the camel’s back—she insists upon herself), and for the games it was after seeing Ariem in Dream Team (I probably would’ve been more annoyed by the Fang/Trip dichotomy if I wasn’t absolutely joyous that the Nack Is Baaaaack). The whole “we need to introduce more girls to the series” angle doesn’t hold up as well when the series seems reluctant to commit to a straight up evil girl. Sonic desperately needs to flesh out his rouges gallery in the games, so why not add an absolutely psycho female antagonist?

Also this is a more personal note but I hate hate HATE it when people allege that girls can’t relate to male characters, so franchises need to introduce the Girl™ character so the Girls™ can relate to her. Can girls not relate to boys? Can boys not relate to girls? Once again, not against female characters in general, but that particular mindset has and will always bother me.

Who knows, maybe Ariem will end up being the main villain of Dream Team. It’d be cool, but I don’t see Sonic Team taking that route, especially not on an Apple Arcade exclusive. I don’t expect any big twists in that game.

Those are my two cents. I just think it’d be cool if we got a new boy as well as all the new girls we’ve been getting.

#I think I’ve brought this up here before but I don’t remember #sonic the hedgehog #sega #idw sonic #sticks the badger #tangle the lemur #whisper the wolf #sage the ai #surge the tenrec #dr starline #ariem the sheep #sonic dream team

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walkergirlsposts · 10 days ago

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With all the work he has on TB and its spin-off series, I don't think Kripke has the time to do a reboot of SPN, not because of his time management. Maybe in a few years there will be a reboot of the show, with or without the main characters, it wouldn't be the first case of a successful reboot of old shows for new audiences.

Honestly, who knows when will be the right time for a reboot. People love to reboot shows with a new look on them. Ghosts, The Office, X Files, Charmed. I think 7,8 years it could be done without J2 once the nostalgia has worn off. But right now I don't think one could work without the leads. I doubt there's hardly anyone who would be interested in a Men of Letters spinoff.

#supernatural reboot

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morose-magnetrix · 9 months ago

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Hi I saw that you’re a big Lorna Dane fan and that you’ve read a lot of her comics. Do you have a recommended reading list for her?

Hey there! 💚🧲 Thanks for the ask!

I use Travis Starnes’ reading order for my Polaris-athon (https://cmro.travis-starnes.com/character_details.php?character=426) but if you’re just wanting to get into her stories it’s way too much tbh. She has a lot of appearances and it can be difficult to sort through the meaningful ones and the ones where she’s just on the page as a recognizable cameo.

I haven’t managed to read all of her appearances yet - I’ve gotten up to the early 90s, and I’ve read most of her appearances from, like, 2016 onwards. I’m a little behind on Fall of X as well. So there likely are going to be some gaps here, but this would be my recommended reading list for Polaris 🧲 :

Krakoan Age (2019-)

this is the golden age for Polaris in my opinion, and where I’d honestly recommend you start reading!

Leah Williams’ X-Factor: This is where the modern revitalization of Polaris into the It Girl of Krakoa really begins. There is controversy surrounding the final issue of the series due to Prodigy's storyline (see here, here, and here for more info), but overall I really love this run. It’s very queer and does a great job of taking Polaris’ spotty characterization and having her begin a journey of self discovery.

Gerry Duggan’s X-Men: Gerry follows up on Leah’s work here and Polaris really starts to shine. Issue #5 is a standout and a personal favorite, if you only read one issue, it should be this one. She’s in vol. 1 as a main member of the team, and the spin offs from this period (Devil’s Reign X-Men and Death of Doctor Strange: X-Men/Black Knight) are really fun. Plus, Pepe Larraz’s redesign of her for this book is STUNNING.

Alex Segura's 'Control' arc in X-Men Unlimited (#96-99) : this is exclusive to the Marvel Unlimited app, but it’s really great. Lorna’s a cameo queen after leaving Gerry’s book, so it’s a nice centering of her and revisits some of her greatest villains.

Steve Orlando’s Scarlet Witch: Issue #3 is a must read in my opinion, particularly if you’re interested in Lorna’s relationship with her family (it builds off of Williams’ Trial of Magneto, which I love and establishes her PhD, but ultimately I think you can probably skip, it’s more of a Wanda focus).

The Lost Era (2010s)

This is the time period following the Decimation, where a lot of stories... tread water, tbh! Nothing here is essential reading for Polaris.

Lorna spends a lot of this era in the hands of Peter David, who is a vile scum sack of a person (see here for an example). I've read All New X-Factor (2014), where he characterizes her as someone who is completely unhinged and a danger to animals. It's not a fun time tbh. And again, it's Peter David - so I would skip this. You aren't missing much.

Cullen Bunn's X-Men Blue (2017): I've only read the first arc of this run, but it focuses on the time-displaced O5 X-Men (Jean, Warren, Scott, Bobby, Hank). Magneto is mentoring them, so Polaris steps in to keep him from making them too ~evil~. I haven't heard anything good or bad about her appearances in this book, so I can't really recommend one way or another. It's probably safe to skip.

Ed Brisson's Uncanny X-Men (2018): Again, I haven't read this one yet! It's the lead up to the Age of X-Man event, where she also appears. Similarly to X-Men Blue, I haven't really heard anything good or bad about this one. You can skip it if you'd like, it's right before Krakoa pops off which is a soft reboot from the entire franchise.

Decimation Era (2000s)

John Byrne's X-Men the Hidden Years: I haven't read this either yet, but I know some people really like it. It fleshes out a lot of the Silver Age stuff, and it's where Polaris uses the codename Magnetrix (where I got my blog name from lol).

Apocalypse: the Twelve: I have not read this. I have heard only bad things about it lmao. Polaris and Magneto are part of a prophecy about defeating Apocalypse, but it doesn't turn out the way they expect. Skip.

Grant Morrison's New X-Men #132: A transformative issue for Polaris and a HUGE milestone in her character. It deals with the Genoshan genocide, of which Polaris was one of the few survivors. Highly recommend.

Chuck Austen's Uncanny X-Men: So this run is very ~your mileage may vary~ - I haven't read it yet myself. BUT from what I know, Austen really builds on Morrison's trauma that they gave to Lorna, and really takes her away from the assimilationist characterization Peter David gave her. Plus, it has the iconic Magneto wedding dress panel (Uncanny X-Men (1981) #426)

House of M (2005): she's in it, she doesn't really do much! Skip.

Peter Milligan's X-Men: Polaris becomes Pestilence, the horseman of Apocalypse in the Blood of Apocalypse arc beginning in X-Men (1991) #181. I haven't read it, but tbh most Apocalypse storylines between the original X-Factor arc and the Krakoan age are bad, so it's probably safe to skip.

After her spin as Pestilence, Lorna goes to space and joins the Starjammers. I haven't read this yet either, but it seems like fun! Relevant titles would be Uncanny X-Men (1981) Rise and Fall of the Shi'Ar Empire (#475-486), X-Men: Emperor Vulcan #1-5 (2007), and then the War of Kings (2009) event.

1990s

Skip this entire era. She's basically just in Peter David's original run on X-Factor (1986). The artwork is pretty, but the writing comes off as very male gaze-y to me and her character arc is somewhat repetitive.

X-Factor (1986) #186 (eXaminations) is famous for being an in-depth character study of the entire team. It's where we first see Lorna's eating disorder pop up. It's well done, just, well - fuck the writer lol.

Claremont Run (1975-1980s)

Lorna's storyline is overall a little confusing and hard to follow in the Claremont era, mostly because she is a) mind-controlled for most of it and b) not the main plot. So she ends up appearing in random issues, sometimes gone for huge lengths at a time, and then reappears. It's really clear that Chris was interested in working with this character and had some great ideas for her, but she was never one of his main blorbos.

These are the issues you should check out:

Giant Size X-Men (1975): Claremont didn't write this, Len Wein did, but this is really the start of the Claremont run. It has some cool moments for Polaris, including an early example of a mutant circuit between her and Storm!

X-Men (1963) #97: Lorna and Havok are mind-controlled by Erik the Red (don't worry about it) to fight the X-Men.

X-Men (1963) #125-129: the Proteus arc, Lorna is on Muir island with Havok and helps out. Nothing super critical happens, she just sorta vibes (and enjoys not being mind controlled).

Uncanny X-Men (1981) #145-146: Arcade has kidnapped loved ones of the X-Men, tbh I would recommend reading this just for Polaris' outfit. It's this witchy purple thing that is INCREDIBLE.

Uncanny X-Men (1981) #218-219, 221-222, 239-241, 243, X-Factor (1986) #39: Polaris is possessed by Malice, so now she's fighting against the X-Men... and working for Sinister! It's not technically her, but it's iconic and is a prime example of a running motif of possession for her.

Uncanny X-Men (1981) #249-250: ZALADANE! An iconic retcon, we meet Lorna's long lost sister (again).

Uncanny X-Men (1981) #253-255, 257-258, 269, X-Factor (1986) #69, Uncanny X-Men (1981) #280, X-Factor (1986) #70: Big!Lorna and the Muir Island saga. It's very weird! But I love big!Lorna and her muscles, so we stan. This is also the very weird end of Chris Claremont's main run on the X-Men, where it's very clear the plots got messed with in the wrap-up.

After this, Peter David takes over X-Factor, and he's garbage!

The Silver Age (1960s)

So this is Lorna's debut era, she's an OG member of the X-Men! Unfortunately even here, they never quite know what to do with her. She's very much intended to function as Bobby's love interest, which... doesn't really work out lmao. But I do think this era is fun to read, especially knowing what retcons they're going to build out later on for her, particularly with regards to Magneto.

She's not in too many issues:

Arnold Drake's X-Men (1963) #49-52: Lorna's first appearance! It's super fun, definitely check it out.

Linda Fite's X-Men (1963) #57: Lorna fights a sentinel!

Roy Thomas's X-Men (1963) #58-62: Some more fun moments - Kazar/Sauron arc, and the first appearance of Havok!

Dennis O'Neil's X-Men (1963) #65-66: The Z'nox invasion, Lorna has some cool moments here. Still no codename tho lol.

I'll try to update this as I fill in my gaps, but happy reading!! 🧲💚

#asks #answered asks #lorna dane #polaris #x-men #marvel reading order #polaris reading order #shoutout to cerebro for helping me contextualize all her appearances #connor does the lords work #marvel comics

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lizzie-wendigo · 1 year ago

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Pucca: Love Recipe (review)

Okay, as I said, I hadn't the slightest idea that the series had a reboot that apparently came out in 2018. And it's not surprising, it seems that it was not even released in my country, since even most of the chapters are blocked and much less dubbed into my language.

So I had to watch the few chapters available in English, it was not a problem for me, since I understand it. So based on what I could see of this series, I'd like to make a little constructive criticism, comparing it a bit with the original series and of course at the end I'll give it a specific rating, don't forget that this is my personal opinion.

Dynamics and plots of the series:

Many people believe that Love Recipe counts as a third season, but the reality is that it's a reboot, since it doesn't even have a direct connection to the original series. Pucca only had 2 seasons, but Love Recipe doesn't seem to be a concrete third season. This series even depicts Ring Ring as a new person on the island, who appears to be a rich girl who is dependent on technology and opens a new restaurant, which happens to be Go Rong's new competition.

Many of the plots of the chapters are simple recycling of plots that were already shown in the original series, such as: the separation of Won from the head of ching or the beauty competitions, or even garu put in jail. I understand that they want to change the context of these chapters, but they don't stop being recycled.

Character interaction and role changes:

This point is both good and bad. I like that they've changed Garu's interaction with Pucca, in the original series Pucca was more intense with Garu, so much so that he pushed her, and was even paranoid at times, making their interactions together rarely calm; This aspect is corrected in Love Recipe. Although Pucca chases Garu, he even lets her kiss him, and his reaction is almost the same, without showing annoyance or displeasure. I have also noticed that Garu is less cold and distant with his friends and other people in general, now working in Go Rong as an ingredient collector. Besides that now he seems to be closer to Pucca (especially in the final chapter, where he already makes sure that he does loves Pucca).

Unfortunately, I can't say the same about other characters, the most obvious examples are Ring Ring and Tobe, Both used to be complete antagonists of the main characters (Pucca and Garu), Antagonist is not the same as villain. And yes, both were the complete opposite of the leads. Tobe was the complete opposite of Garu (Cruel, impatient, dishonest, cheating and obsessive) just like Pucca's Ring Ring (Bossy, conceited, spoiled, materialistic and narcissistic), and all of these were reasons for the original series to give us battles very epic among these. Well, all of that went to waste in Love Recipe, Ring Ring went from being Pucca's antagonist to being her love rival and simple comic relief, her powers are completely wasted to make garcia-less jokes (not to mention that now her transformation and screams seem to cringe), the same for Tobe, who also happened to be simple comic relief. The same also applies to other characters that became simple comic reliefs and fillers, such as Ching, Dada, Pucca's uncles, among others. Even the original series gave us more endearing episodic characters (like the Texans, Santa's ex-friend, Mel)

In addition, it seems that they eliminated other characters from the original series (such as Destiny, Muji, Doga, Chief, Clown and Shaman), only to add others less funny and endearing, (such as Rin Ring's employees, Ring Ring's father, Go Rong's other employee; I don't remember his name, the bee aliens or the person who parodies the men in black) They even changed Santa and it's less laughable and less relevant than in the original series!

Humor and jokes:

Okay, there are jokes in this series that I found somewhat funny or at least made me smile, but most of them are duller than the original series. And I don't know about you, but at least I'm not a fan of poop and fart jokes at all. In the original series they did, but they were not recurring. In Love recipe they even have a WHOLE chapter dedicated to it! WHY!? They don't abuse those jokes, but when they do, they overdo it a lot! I'm totally against these jokes, they are not funny at all.

Music and Acting:

Well, the most notorious thing regarding the music is that the original series only had an opening and ending theme, "Pucca funny love", a song that they not only used for it, but also as a battle theme. It didn't bothered listening to it in every chase, in fact I liked the song so much that I was happy to listen to it in every fight scene, of course they also used other soundtracks from time to time, but they almost always used this one. In Love recipe they don't do this, they have a new opening and ending theme, they are catchy. Although they don't use them for battle themes, since NEVER IS THERE!! And when there are, they're quite fast and boring.

Regarding the acting, I don't have much to say, because I saw them in English and now it seems that their original dubbing is not English, but Korean (where the series originally came from). Although I made a small comparison with the English dubbing of the original series with Love recipe, and I liked the performances of the original version better. But the most notorious change was that of the protagonists, if we remember, in the original series, they rarely acted, they often recycled many of the default sounds that the actors made, (Like laughter, moans, screams, etc.) although in one specifically chapter Garu speaks, I'd say that it's an exception. In Love Recipe, the actors seem to act out every mime the characters do. Personally, this change in voice doesn't bother me, pucca sounds just as cute as in the first series, and garu now sounds softer (it fits with the new personality they gave him).

Design and Animation:

We come to the last and most notorious point of this series (clarification: design is not the same as animation) Let's start with the designs........ WHAT-THE FUCK-IS THAT!? There's not much to say about the original characters, since they only underwent a couple of modifications (Like Dada, Master Soo or Santa), but the new characters... EUGH... They look like fucking avatars made on a wii. Their designs are horrible.

This goes hand in hand with the animation, many people complained that Pucca had a bad animation just because it was animated in Adobe flash, but I can assure you that it had much better quality than Love Recipe, I like that the expressions remain the same and even add more, but it doesn't make up for the poor quality of the animation. It's too generic (if you don't believe me, take a look at netflix original children's series, like Jurassic Park or their original movies, they all have the same animation). In the original series, they even had episodes where they traveled to other locations or in other universes, and they bothered more to improve or adapt the character designs (Like Puccapatra, Umberjacked, Ching it on, The bride of Muji, Surf ninjas, Garu of the Jungle, Etc) They even have a damn star wars parody!! STAR WARS!!! Even the Ring Ring's transformation looks much better and more detailed than in Love recipe, where she barely transforms. It also seems that in love recipe they never leave the island, and even so they don't put any effort into the animation, the settings seem very static and bland. It almost seems like they made this series with less budget than the original series.

Well, I can't say that this series was very bad, but it wasn't very good either, I honestly didn't expect everything to be the same as the original series, since it's a reboot; but as you can see, it could have been better, some aspects improved and others worsened.

So as a personal rating, I give Pucca: Love recipe a 4/10.

I want you to know that this is my personal opinion, although I tried to be as objective as possible. But you can leave me your opinion about this series if you wish (of course if you just come to insult me because I don't like it, you can go to hell)

#lizzie-wendigo #pucca #pucca funny love #pucca love recipe #review

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m-s-justice · 2 months ago

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it's 2050. they're rebooting codz. and they made it WOKE.

a GAY MAN, Edward Fagtofen is the MAIN CHARACTER. He leads three other ""people"" (the woke mob won't let us use MEN anymore). """they""" are, Wokeolai Belenski (the metaphorical representation of the destruction of the nuclear family ((xer [probably trans] wife is DEAD)), twinkeo masaki (A ""PERSON"" who is NOT WHITE) , and Tank Dempsey (see the object monkier? """his""" CHOSEN NAME? CLEARLY A SIGN OF TRANSSEXUAL NONBINARYISM).

another major character, SAMANTHA MAXIS (a woman) who wields UNSPEAKABLE, UNPARALLELED POWER. (feminism)

EVEN MORE TELLING is the villains of the series, DR →MAN←TY and the SHADOW→MAN← (the former being a representation of the biological reality of MEN and FEMALES as SEPARATE, DIFFERENT ENTITIES (hence the title of dr); the latter being a somewhat more obtuse metaphor for the olden days where MEN WERE MEN and FEMALES WERE PROPERTY. hence his name being the SHADOWMAN, America, and men by extension, now being a SHADOW of their former glory.) NOT TO MENTION they are BOTH OLD WHITE MEN, contributing to the MODERN RACISM AND OPPRESSION AND DISCRIMINATION faced by men today.

IT DOES NOT STOP THERE, HOWEVER.

Dr. ludWIG Maxis (undoubtedly a drag queen as alluded to in his name) is an allegory for Fatherhood and the sissyification of men. Notice how he's borderline irrelevant. The only thing of note he does is COHABITATING WITH ANOTHER MAN IN AN IDEALIZED HOUSE (the future the gays want, exhibited by Fagtofen leading his They/thems there), and DIE (yet another metaphor for the death of masculinity).He is a complete pushover and only exists to serve OTHER MEN and FEMALES (his daughter).

except it isn't 2050. this is 2015.

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lol-jackles · 1 year ago

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I can't help thinking the best and easiest way for JA's company to make a hit production is to buy any original script abt two men in love (non-SPN), no matter how flimsy the story is, make JP & JA the leads, give JP executive freedom, throw in a bunch of jealous scenes where JA's character is possessive of JP's character (grabbing JP protectively & putting his hands in JP's hair etc; all the stuff JA added to Dean) & make JA lose the douchy long hair & give him sth close to S7 Dean's hair (the longest it ever got while staying Deanish).

J2's unparalleled chemistry will elevate the script. JP's excellent eye as producer will keep the company safe from its own incompetence & could even snag an excellent script in the first place.

The Wincest and J2 shippers plus every viewer hungry for man-on-man romantic scenes will bring in enough money & drool to rake in a very neat profit.

It'll have lasting cultural value because the Wincest & J2 shippers will fill all SM with gifs & fan vids from the movie as if it's from Sam & Dean's lives, and man-on-man viewers will do the same in non-SPN circles.

End it tragically & get the usual crowd braying abt bury ur gays, keeping it in everyone's minds nevertheless. Or end it happily & have all the viewers salivating & rewatching for J2 (SPN crowd) or for two hot dudes kissing or more (non-SPN crowd who do this anyway with man-on-man scenes; I dislike calling it gay scenes because men who sleep with men can be bisexual, and gays have been famously hypocritically biphobic to bisexuals like me).

Anyway what do you think? Would it really succeed or am I just a simpleton who would die to watch Sam and Dean kiss but has no understanding of what movies need to succeed? Love your blog btw.

I'm posting your idea in full because it's a giant prompt for J2/Sam&Dean fanfic writers.

Your ideas had me thinking of a Good Omen reboot with Jared and Jensen playing Azri and Crowely. The scenarios you presented can all take place at different points in the past, making the series more of an anthology. In 10 years, J2 will be in their 50s, the same age David Tennant and Michael Sheen are currently. If J2 are game, it could work! One of the reasons why Loki is one of the better Disney+ series is audience like the chemistry between Tom Hiddleson and Owen Wilson. Going by the conventions, the chemistry between Jared and Jensen is still going strong.

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weclassybouquetfun · 2 years ago

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Hannah leading the TED LASSO pack.

Doing tourist tings.

"We saw you from across the bar and we like your vibe.."

With TED LASSO ending (and it is ending. I don't care about all the hedging that still persists about, "We told *this* story", the show's done. They need to hush their butts with that) it's time to look towards the future. What is on the horizon for AFC Richmond.

The cast next gigs...Oooh whee, what's up with that? What's. Up.With.That?

-Jason Sudeikis will appear in Charlie Day's directorial debut FOOL'S PARADISE.

-Hannah Waddingham: Will co-host Eurovision next month, appears in the four part Masterpiece mini TOM JONES

, will appear in THE FALL GUY with Ryan Gosling, MISSION IMPOSSIBLE: DEAD RECKONING Part 2, will have a Christmas special and will do voicework in Dan Harmon's animated series for Fox KRAPOPOLIS (alongside Matt Berry and Richard Ayoade) and voicework in 2024's animated film GARFIELD with Chris Pratt voicing the titular lasagne loving cat.

-Brett Goldstein: Brett will also do voice work for GARFIELD. He's also currently writing series two of Apple+'s SHRINKING

-Toheeb Jimoh can be currently seen on POWER on Amazon Prime. He's currently in rehearsals for his return to the stage in ROMEO AND JULIET for the Almedia Theatre.

-Nick Mohammed: Unsure whether the series that he created/writes and stars in INTELLIGENCE will be renewed as a series or as a wrap-up film, Nick has other works going. He costars in MAGGIE MOORES directed by John Slattery (MAD MEN) and stars Tina Fey and Jon Hamm; he will do voicework in the sequel to CHICKEN RUN titled CHICKEN RUN: DAWN OF THE NUGGET and he has a role in the upcoming Disney+ historical series THE BALLAD OF RENEGADE NELL which will star Alice Kremelberg (ORANGE IS THE NEW BLACK), Frank Dillane, Joely Richardson and Craig Parkinson.

-Jeremy Swift: Will do voice work in the animated cat caper 10 LIVES joining Bill Nighy, Sophie Okonedo and Simone Ashley. Jeremy also joins the Disney Descendants universe for the musical DESCENDANTS: THE RISE OF RED. He currently has a cd out.

-Phil Dunster: Phil is sticking around Apple TV+ for the time being as he joined series two of their drama SURFACE which stars Gugu Mbatha-Raw (the first season saw her opposite Oliver Jackson-Cohen).

-Juno Temple: Juno was already in the DC universe with a role in THE DARK KNIGHT RISES, but now she joins Brett and Cristo in the Marvel world with a role in the upcoming VENOM 3. She also has a role in the upcoming EVEREST about George Mallory's attempt at scaling the mountain. It will star Ewan McGregor, Sam Heughan and Mark Strong. However, before all that, expect to see her in series 5 of FARGO.

-Cristo Fernandez is a jobbing actor. You will hear him in TRANSFORMERS: RISE OF THE BEAST as Wheeljack

he will do voicework in SCOOB! HOLIDAY HAUNT, he appears in four shorts, the feature 3 FLOWERS and it was just announced that he's joining series 3 of Apple TV+'s ACAPULCO and the Disney+ adaptation of ALEXANDER AND THE TERRIBLE, HORRIBLE, NO GOOD, VERY BAD DAY.

-Moe Jeudy-Lamour (Thierry Zoreaux Van Damme) will costar in the sequel to cousins Stephen and Robbie Amell's film CODE 8. It will be released on Netflix.

New Village People has dropped.

-Moe Hashim: Moe will costar in Roland Emmerich's gladiator series THOSE ABOUT TO DIE.

-Charlie Hiscock: Will appear in Yorgos Lanthimos' POOR THINGS alongside Margaret Qualley, Emma Stone, Willem Dafoe and Mark Ruffalo.

-Sarah Niles: Will turn up in the long gestating reboot of THE TOXIC AVENGER starring Peter Dinklage, Jane Levy, Elijah Wood, Kevin Bacon and Jacob Tremblay. She can currently be seen in ITVX's RICHES.

-James Lance: Always one for voicework, James has lent his talent to the short HANGING which is the writer debut of background Greyhound Joe Street (far right).

#ted lasso #ted lasso cast #jason sudeikis #hannah waddingham #toheeb jimoh #james lance #cristo fernández #brett goldstein #phil dunster #jeremy swift #moe hashim #sarah niles #juno temple #moe Jeudy-Lamour

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mikefaistinfo · 6 months ago

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Interview: Mike Faist Isn’t Sure About This Whole Acting Thing

“I can’t tell if I hate acting or if I love it too much,” he said ahead of the debut of the Amazon series “Panic.” Coming soon, a major role in Steven Spielberg’s “West Side Story.” For now, he’s going to Ohio.

By Elisabeth Vincentelli Published May 27, 2021

Tall and lanky, looking as if he were born wearing Wranglers, Mike Faist cuts quite a striking figure in the Amazon Prime series “Panic”: His character, Dodge Mason, is a Stetson-wearing rodeo dude who breaks untamed horses, then soulfully gazes into their eyes.

That, however, is not at all how the character was written in the Lauren Oliver young adult novel that inspired the show, debuting Friday, in which Dodge and a dozen other small-town teenagers face off in a series of life-threatening challenges — think a naturalistic “Hunger Games” with more class war.

After shooting a pilot in 2018 in upstate New York (where the book is set), the production completely rebooted in Austin, Tex., a year later, and Dodge’s back story was changed to better fit the new locale. Suddenly, the school wimp who was interested in cards and magic had been turned into a Western archetype: the strong, do-right loner who doesn’t say much. Faist went with the flow.

“Ciphers can be really boring,” said Oliver, who also wrote the screenplay, “but he manages to capture the power inherent in a certain level of invisibility.”

Dodge is quite a departure for Faist, who is best known for his Tony-nominated performance as the tormented, cynical Connor Murphy in the Broadway musical “Dear Evan Hansen.” Blessed with a rangy charisma and a bone structure that appears to have been carved with a scythe, the actor, now 29, could have easily coasted in “Panic.” But his sensibility is closer to that of such atypical leading men as Adam Driver, and he modernizes a potentially boilerplate part.

“Mike really didn’t want to be a caricature, but I don’t think he ever could be,” said Jessica Sula, who plays Natalie, Dodge’s love interest in “Panic.” She recalled that when shooting resumed in Texas after a Covid-19-imposed pause, Faist chose to live in a trailer on a plot of land with his rescue dog, Austin.

“He’s just so fabulously ridiculous and wonderful,” she said of Faist, laughing fondly.

Faist’s own course has been ascendant since he dropped out of acting school at 18, and his plum role in Steven Spielberg’s highly anticipated “West Side Story” as Riff, the leader of the Jets, should put him on Hollywood’s speed dial when it debuts in December. (Shooting wrapped in September 2019.)

And yet the actor spent much of a recent conversation candidly admitting to ambivalence and incertitude. He spent some of the past year driving around the country with Austin and writing a screenplay. He has been turning down offers and is now selling his Brooklyn apartment and heading back to Ohio.

Faist was warm and laid back on a recent sunny morning in Park Slope, and he laughed a lot in what seemed to be protective self-deprecation as he pondered his future, professional and otherwise. These are edited excerpts from the conversation.

How did they spring the new Dodge on you?

It was still the same elements in terms of, “Oh, here’s the new guy,” but instead of, like, a weird magician, he’s now a … cowboy? I was like, “What do you mean, I’m now a cowboy?” They were like: “Yeah, yeah, you’ll be fine. Maybe try an accent.”

You do look pretty comfortable playing a horse whisperer.

I’d never worked with a horse in a production before. There were two of them: a very calm, gentle horse and a skittish one. We just ended up working with this skittish horse because it was actually doing stuff. The scene where the horse moves toward me was not planned or choreographed at all. They are, you know, unpredictable.

It might have been less intimidating than a sex scene. Is the one with Jessica Sula your first as an actor?

Maybe. I don’t know.

Wouldn’t you remember?

You’d think! I did do a romantic scene [onstage] in “A Month in the Country” with Taylor Schilling. I remember getting a pretty [expletive] review. [Laughs.]

Since the fall of 2018, you’ve gone back and forth between “Panic” and “West Side Story.” How did you handle these very physical projects?

For “West Side,” I found these Bruce Davidson photos of Brooklyn gangs from the late ’50s. If you look at their photos, these guys are emaciated, they have tattoos, and they look wired. Any money they had, they would pool and buy cheap wine and maybe they would have French fries or something. Then they were doing drugs. So I was like, “I need to lose some weight.” But my body was totally breaking down. Then I tried to bulk up as much as possible for “Panic” — just eating potatoes.

Did you do any kind of special training?

I started going to the Mendez boxing gym in Manhattan for “West Side.” I was working with John Rosado, who was raised in New York, Puerto Rican, badass. He was like, “I can’t believe I’m training a Jet!”

Your first big job was in the Broadway musical “Newsies,” which is quite dance heavy. Still, was it daunting to audition for “West Side Story”?

I put together a tape, and then they said, “We want you to come back in and dance.” I was like, “Is there any way you could not have me dance?” They were like: “What are you talking about? This is ‘West Side Story’!” The only saving grace is that Justin Peck [the choreographer] and I have similar body types: tall, nothing but arms and legs. They had their work cut out for them in order to get me up to snuff.

Why aren’t you in the upcoming “Dear Evan Hansen” movie alongside your former co-star Ben Platt?

I feel like I couldn’t do it. I started that when I was, like, 21, and was with it for five or six years. When you’re doing eight shows a week, it very much turns into relying on your technique and the job of it. And the show was such a zeitgeisty thing. It really took a lot out of me, and I didn’t really have it in me anymore.

With “Panic” and “West Side Story” behind you, what are you lining up?

Maybe this is so pretentious, but “West Side” was everything I had ever hoped to accomplish as an actor. It’s really crazy, but it was transcendental: either I didn’t feel like I was myself, or I was the most authentic version of myself. I can’t really tell which one. Having gone from having no money, wanting to just be a working actor — I don’t want to just be a working actor anymore. I had that experience. It [expletive] me up.

What did?

“West Side,” in the best of ways. I can’t unsee what I’ve seen. The pandemic nearly killed us and — what, I just want to be an actor? That’s ridiculous. [Laughs.] I don’t care enough. It’s a weird thing: I can’t tell if I hate acting or if I love it too much. It’s not like I don’t plan on doing it. I just don’t want to follow the trajectory of what the industry wants me to do.

Which is what?

Put on a cape and wear a mask. I need to take more agency because no one’s going to do it for me. It’s tricky, but it’s interesting and pretty exciting. I’m going to hang out with my family in Ohio and then start to figure out where I’m going to go. I would like to ultimately be of service and of use; that’s when I feel at my best.

You can find here: https://www.nytimes.com/2021/05/27/arts/television/mike-faist-panic-west-side-story.html

#mike faist #interview #2021

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co-mixed · 1 year ago

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Fall of X (either a breakdown or a rant)

Full of spoilers

We all know Marvel has an affinity for soft reboots. It seems things are going to change radically. But then after a big boom nothing really changes. I personally am still wondering whether Fall of X is going to be like that or if it’s about to shake up the status quo (again).

I don’t know. I hope changes are coming because Krakoa isn’t my type of setting. But even if not much is changing, I’m still here for the ride. Because the ride is really something.

What’s up

After yet another Hellfire Gala things go awry because of a series of simultaneously executed attacks. Because the majority of Mutants are forcibly relocated from Earth (supposedly), we are left with a small group. Among them are Kamala (who is still coming to terms with even being a mutant), Emma (who is rightfully pissed but surprisingly well prepared), Nightcrawler (who is now spider-man), Firestar (playing a traitor), Shadowkat (who now kills) and some others.

See that’s why this arc works for me. Everyone is pushed to their absolute limit, and everything they do now is dictated by revenge and despair. Say whatever you want, functional and healthy doesn’t work in fiction quite as well as the opposite.

That’s why I already love this event.

Nostalgic vibes

It started for me with Mutant First Strike. An attack on a small town is staged by Orchis to look like an act of mutant aggression. We see a Krakoan relief team at work and it’s quite enjoyable. Because the whole thing reminds me of the classic X-men motto - protecting those who fear and hate them. It’s an idea that Krakoa stepped away from and for me, it never felt true to the core idea of the series.

And then, narratively, the story pushes you back to the good old Civil War days and Stamford.

Naturally, you see propaganda at work, Orchis and comrades spinning the events to present a twisted image of what had happened. It’s vivid and very actual. But that’s when I felt that the classic X-men aren’t really that far gone.

Reliving past experiences

The event sure has many great storylines. Like yet again Jean dies (or so, again, we think). This leads us to a story by Louise Simonson which kinda works as a stunning epilogue for the character. Jean goes back to pivotal events in her life and wonders what could she have done differently. A what-if style story that Simonson gets very right because come on, mutant legend here. The issue with time-displaced Jean stuck with me more than the rest. Maybe it’s because I genuinely enjoy AUs, or maybe it’s because Jean is still very much a plot device and her young version isn’t. She also makes a pretty sick old-school Magneto.

The other arcs are about Phoenix and Maddie. The former is as big and bad as ever, the latter just reminds you how lousy some characters have it. Maddie really deserves better (but that’d be boring).

Jean though… she comes to terms with all she’s ever done and accepts it. I mean… if there’s a perfect moment to let her die for good, this is it. But what are the chances…

Origins

I love an origin story, the last one I got with Escapade (loved it!), but now it’s Ms. Marvel. Let’s skip the story of why she has to be a mutant and get to the interesting stuff. Kamala is all about her identity. Her hobbies, her family, her friends and teams, being inhuman, hero, etc. But as soon as she awakes on Krakoa, she embraces another identity. And see, I love how she almost immediately puts on an X-men uniform. (Unlike Disney’s Kamala who just throws away mutation as another label! What’s wrong with ya girl???)

Anyway, before she gets to snap on the X-belt, she has a fantastic exchange with Emma. Because let’s be fair, no one schools teens better than Emma. When Emma continuously tells Kamala that she has to be really careful because being a mutant on Krakoa and being a PR stunt for a thriving nation is one thing, but living what they’ve been living before is completely different. and now with Orchis getting the upper hand, it’s straight up terrifying. Of course, Kamala doesn’t listen, she actually rushes into it because she wants to stand with her fellow mutants and that’s amazing (regardless of her mutant power never having been activated). Which is another thing well approached. It’s not even about power, but it’s about who you are.

Multi-layered, right? From Hellfire Gala we spin into the story co-written by Sabir Pirzada and Iman Vellani. It’s a character story with a ton of self searching and it’s definitely something that hasn’t been as common for mutants lately. More of them deserve their own arcs away from teams. I don’t know how well Marvel’s gonna do with separating Ms. Marvel from the X-men but so far she has enough on her plate. Plus, the character’s pretty popular so… who knows.

This was definitely one of my favorite runs in this event.

Weddings (and still no funerals)

But let’s get back to Emma. If life on 616 is a chess board, Emma is a queen. You always expect her to be two steps ahead of everyone and she’s been very very smug. But after the gala she, while still reasonably prepared, is devastated. She believes the cuckoos are dead, her teammates are scattered, and she is pissed at everyone. Plus, she doesn’t know it but Kate’s killing humans now. Things are pretty bad.

She teams up with Tony, things for him suck too with Feilong taking over his company and tech. In the process, comics threw in giant iron-man-looking sentinels which is something I’d love to see in the MCU. So Emma and Tony accidentally come across each other while fighting an iron sentinel, and end up in sewers plotting revenge on Feilong.

That’s what leads to their “wedding”. No, they aren’t actually married, and Emma didn’t even use her real identity. But you know what… you know what? Emma and Tony have always had good chemistry and despite this being an almost business relationship, it really should be more. I mean if anyone could be a power couple… they’d be like ‘Roro and T’Challa but without the crown. And we could use a power couple. Not like Scott and Jean who are pretty much just a couple and not like Emma and Scott, the living proof that behind every mediocre man, there’s a great woman.

So yeah I’m rooting for them. Give me a fake relationship romance in the middle of my superhero story. Note - all the fun parts happen in Invincible Iron Man, not in any of the X-Men titles.

Where the hell is Storm?

I already mentioned that Krakoa was attacked but so was Arakko. And this is where I have some room for a negative rant. I don’t particularly enjoy this sci-fantasy setting. It gave Storm and Sunspot a couple of good stories mostly showcasing their power and smarts. But really, I think they both should be on Earth. Arakko mutants are really random, their dynamic is very fantasy-like, they have no thought-out place in any story so they’re stuck between being an interstellar problem and something four or five mutants from Earth have to deal with. Neither really works. Not for me anyway, and this is my breakdown.

The amazing Spider… crawler

Kurt’s never been bitten by a radioactive spider but yet there he is, wearing Peter Parker’s backup suit, and getting into a complicated ship with Silver Sable. The fun part is he’s doing whatever (or whoever) a spider would do. All the elements of a classic spider story assist Kurt in trying to reimagine himself and atone for the little murder rampage. But of course, being a mutant and pretty much banned from Earth, how well do we think this is gonna go? I love this run because it’s a fun mix and again, character-centric. Plus, it has romance or at least strong character chemistry. And to make things more interesting a distressed delirious Mystique is running around. Meanwhile, in another book, Destiny is falling apart because she believes Mystique is dead.

Let them people go

Actually, this is one of two other arcs I don’t particularly get. One focuses on the misplaced mutants on a piece of Krakoa with Mother Righteous, Hope, and Exodus with religious euphoria turned up to a 100. Does Krakoa sound more and more like a cult? Yeah, it does.

And then Realm of X is Saturnyne again. I was tired of her after X of Swords. So I read it for continuity but I don’t really feel like talking about any of it. Skip.

Everyone gets an arc

Iceman gets a solo arc. He’s dead and preserved by his inhuman boyfriend. The concept is certainly interesting and I’m excited to know what’s happening next. Because if there is poetry in it, I’d like to see where it leads.

I love when mutants mingle with the rest of the world as much as possible. That’s probably why I was pretty happy to see Unity Squad back in action. It’d be absurd for the rest of the heroes to just ignore mutant issues like they often do. So only fair that they try and rebuild at least some of the trust. Can’t be easy with heavy propaganda but will definitely open up possibilities for creating good stories.

Here we go again

I definitely have to mention murderous Shadowkat. All her recent development culminates in that. And it’s pretty damn realistic. On one side, who can blame her? On the other, kill no human and all that.

But to me, that’s what Krakoa was always about. Not peaceful coexistence (which may not even be possible) but a utopia that eventually leaves you hollow and angry. Which brings to mind parallels with Jasmine’s world peace from Angel s4.

Also, this again reminds us how cultish Krakoa is (was?).

Kate’s actions though, like Emma’s are rooted in despair. Both are convinced that the desert-dwelling portion of non-combatant mutants is dead forever. That feels sorta like Age of X-man, in my opinion, unfairly hated for no good reason by many fans. I genuinely enjoyed that arc. But remember how Blindfold kept saying that this is forever and Scott was convinced she meant that everyone else is forever gone. Yep, same thing. (Except it’s with the Five alive and well so resurrection is still present. And still bugs me a lot.)

I’m still not fully caught up on what’s up with everyone. For instance, I haven’t been keeping tabs on Rogue and Gambit, mostly because first their Excalibur stint bored me and then they lost the spark they had when they weren’t married. I might still change my mind but I’m not holding my breath.

I might not like everything that’s going on but there are arcs and runs I enjoyed immensely and that’s more than enough reason for me to keep coming back to X-runs.

All that writing and I still forgot Children of the Vault. What's even up with them? Idk but looks interesting.

#x men #xmen #marvel #marvel characters #marvel comics #mutants #long reads #comics #comic books #krakoa #fall of x #jean grey #emma frost #kurt wagner #kate pryde #iron man

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thealmightyemprex · 2 years ago

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Sci Fi Month Review 7 : Roger Cormans Fantastic Four

For this review…..We're looking at something special,the unreleased Fantastic Four movie

In this 1994 film Scientist Reed Richards(Alex Hyde-White ) and his companions Sue Storm (Rebecca Staab ),Johnny Storm (Jay Underwood ). and Ben Grimm(Michael Bailey Smith) take a space flight to study a comet,but things go wrong and the four find themselves changed with extraordinary powers and in the clutches of the mysterious figure named Doctor Doom (Joseph Culp )

So Marvel is huge now in mainstream American pop culture ……But that wasnt always the case.I'll just be honest people ,I am hesitant looking at pre Blade/X Men/Spider-Man live action Marvel adaptations cause they can be …Rough .I mean theres some gems ,I will always love The Incredible Hulk TV show starring Bill Bixby and even have a soft spot for the subsequent TV movies based on that show …..But then you have the 1990 Captain America movie ,Nick Fury Agent of SHIELD starring David Hasselhoff and of course,Howard the Duck .One that has always fascinated me is this film because in fandom circles for many years it was infamous for being the Marvel movie so bad ,they never released it (Which isnt the case truth is more complicated and capitalistic ,basically the film was a way to maintain rights ),a film you could only find as bootlegs at conventions,seen as a geeky oddity along the same lines as the Star Wars Holiday Special .Now you can find it on youtube (Which is how I watched it ) ,and having watched it……I think this film is kind of underrated and I am sad it did not get a proper release

So I gotta explain myself :As a kid some of my earliest comic memorie were reading the Stan Lee and Jack Kirby run of Fantastic Four ,and my dad had the complete series of the 90's Fantastic Four cartoon ….So the Fantastic Four have a special place for me .From the pathos of the Things plight ( a man trapped in the body of a monster ),to the sci fi adventure,to the romance of Reed and Susan ,to the grand villainy of Doctor Doom(Heck a slew of great villains),to the feeling of family ,the Fantastic Four appealed to me .....And I am kind of grumpy that Fantastic Four lacks a great adaptation that captures the spirit .Now there is no shortage of Fantastic Four adaptations out there.....But most of them,at least for me,are kind of mid ,specifically the film adaptations have left a lot to be desired .The Tim Story duology has the humor and the four leads relatively right ,but drops the ball in that they dont DO much and completely misrepresent the villains ,and 2015's Fant4stic might be the worst comic book movie I have ever seen .However this film ,while not the definitive film version I crave and not really a great movie .....IS the BEST movie version of the Fantastic Four and a fairly decent super hero film I feel

Now there is a lot I could make fun of ,its very flawed,like keep in mind ....This was produced by Roger Corman ,they didnt have much of a budget ,so the visual effects are a bit cheesy and bad(The CG Human Torch looks like he is straight out of Reboot ) but I dunno I find them charming .The only lack of budget thing that bothered me is the dialogue of Doctor Doom.....In that they didnt either have the money to loop him or think to loop him(HAve him record his lines later ) which is a problem cause Doom is clanking about and is wearing a mask that muffles his speech......So I dont know what the main villain is SAYING sometimes (Credit to Joseph Culp who does project very well so I know 75% of his dialogue but that 25 % is annoying ).My main flaws are the romance elements ,from the creepy Reed falling for Susan who he knew as a child to Ben and ALicia being in love despite meeting ONCE(And even that scene is a bit creepy ).We also have a subplot that frustrates me as the film has two villains ,Doctor Doom of course.....But then you have the Jeweler.Now the Jeweler was supposed to be the Mole Man ,a guy who due to his physical appearence has cast aside society to live underground and was actually the fours first villain.....Till Marvel said "NO you have the rights to this select group of character,not the Mole Man " ,so he was reworked into the Jeweler ....And I think they should have cut him out.Now I like the idea of his subplot ,him falling for Alicia and trying to make her his queen ,inviting Ben who has now become the monstrus thing to joing his group and Ian Trigger actually gives a great performance ,being creepy but also having a sense of sadness (He reminds me of what Tim Burton tried to do with the Penguin in Batman Returns ) ,and while the name is changed,its a good adaptation of the Mole Man .........Pity he adds nothing to the film other then causing the accident that makes the four the four and kidnapping Alicia,things that Doctor Doom couldve easilly done .I mean it folks in the grand scheme of things,the Jewler is pointless,he never fights the Fantastic Four and he just kind of runs off before the third act .I like the performance and the plot idea,but it shouldve been reworked or cut

Thaaaatttt said.....I still like the movie.....BEcause of the Fantastic Four movies.....Its the bonly one to get that Fantastic Four feel to me:A fun lighthearted sci fi adventure and thats what I want from Fantastic Four .The Four feel in character,its accurrate to the source material andits the only one to get Doctor Doom right at ALL(Actually keeping that he is the King of Latveria and hinting at doombots ).Yes the film is low budget but it makes that budget work ,heck the comic accurate sewn spandex costumes for the Four are charming to me because in universe the costumes are made by Susan and they legit look like something she could make herself (An issue I have with a lot of superhero movie costumes ment to be handmade ).Doctor Doom looks like he stepped right out of the comics with the green cloak and tunic combo and metal mask /armor ,I love this look for Doom .The Thing looks pretty good too with an animatronic face that brings to mind the old Jack Kirby design and stunt man Carl Ciafalio gives a good physical performance (THoughI do find it amusing that the Thing is SMALLER then his human persona Ben Grimm,played by Michael Bailey Smith ) .No one in the main cast is bad ,alll these actors are giving it their alll .I have already discussed my soft spot for Ian Trigger as the Jewler, Rebecca Staab is a good Susan ,and Jay Underwood is a suitable Johnny .Michael Bailey Smith is a good Ben Grimm and he also does a decent job voicing the Thing and bringing the appropriate pathos (Though I do wish he had the Things signature Brooklyn accent ).Alex Hyde White might be my favorite Reed Ritchards really selling both the scientist and the leader aspect .Biggest props have to go Joseph Culp,who delivers a great performance despite being in a vfery uncomfortable costume with a mask that muffles his speech,and is able to project well ,make grand gestures (Inspired by real tyrants like Mussolini ) but also make him a fun eloquent villain who still has a sense of humor with a good hero villain dynamic with Reed .Also he is CONSTANTLY evil laughing ,and I dig it

I like this movie ,there is clearly a lot of heart in this movie .....Which makes me sad that the film was mistreated by those at the top.Its not a lost masterpiece ,but it is an highly entertaining B movie that pays tribute to its source material

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