#laura gustavo

[punkgodzilla]

Most listened albums over the last month

[marcogiovenale]

asemic writing: palermo 14 maggio, roma 15 maggio

Due mostre, un seminario e una tavola rotonda. Martedì a Palermo e mercoledì a Roma due importanti appuntamenti asemici. Prendere nota.>> Martedì 14 PALERMOGabinetto dei Disegni e delle Stampe – Palazzo Fernandez Via Papireto 20 ore 12:00 Inaugurazione mostra “Scrittura Asemica. Nuove acquisizioni della Collezione del libro d’artista della Biblioteca dell’Accademia di Belle Arti di Palermo” (14…

[cherubinas]

Matías Recalt wins Best New Actor at the 38th Goya Awards

Buenas noches. Es la primera vez que hago esto así que estoy bastante nervioso, eh, quería agradecer a la academia por este reconocimiento. Muchas gracias. Quería compartirlo con todos mis amigos de la montaña, con mis amigos del elenco, que creo sin ellos no, no hubiese sido posible. Creo que cada plano de cada uno de ellos hace a mi personaje y hubo mucho corazón en esta película y agradecérselo a ellos y compartilo con ellos. A J. Bayona, gracias. No sé qué hago acá, estoy flasheando, diría en argentino. Eh, a María Laura Berch, a Gustavo Saffores, a Emilia, al equipo de casting, a Sandra, Belén, eh, a Pablo Vierci, a toda la gente que hizo La sociedad de la nieve, realmente fuimos muchísimos para hacer esto, y dimos todo. A los sobrevivientes de los Andes, a los que no volvieron, a los familiares los que no volvieron por dejarnos contar su historia. Muchísimas gracias especialmente a Roberto Canessa por ser Roberto Canessa, un gran personaje para interpretar. A mi mamá, a mi hermano, a mis tíos, a mi abuela, a mis amigos. A mi novia, Male, te amo por acompañarme, gran compañera. Y especialmente a mi padre, que lo perdí antes de hacer esta película. Y esto te lo dedico a vos papá. Gracias. Y por último mandar un abrazo muy grande a mi país, Argentina, que está pasando un momento muy delicado y pedir que por favor no se manche la cultura. Muchas gracias y muchas veces. Vamos arriba.

[yesterdayandkarma]

LAURA by Gustavo Combariza

[agronzky]

⠀⠀⠀𝐌𝐎𝐒𝐓 𝐏𝐎𝐏𝐔𝐋𝐀𝐑 𝐁𝐑𝐀𝐙𝐈𝐋𝐈𝐀𝐍 𝐍𝐀𝐌𝐄𝐒. ♡

⠀⠀⠀down below you can find the most popular female and male names used in brazil em 2023 so far.

female

⠀⠀⠀helena, alice, laura, maria alice, sophia, manuela, cecília, isabela, luisa, eloá, heloisa, julia, ayla, maria luísa, isis, valentina, lara, maria clara, lívia, giovanna, lorena, beatriz, rebeca, luna, mariana, isadora, catarina, clara, yasmin, ana clara.

male

⠀⠀⠀miguel, davi, gabriel, arthur, lucas, matheus, pedro, guilherme, gustavo, rafael, felipe, bernardo, enzo, nicolas, joão pedro, pedro henrique, cauã, vitor, eduardo, daniel, gael, henrique, murilo, lorenzo, leonardo, caio, heitor, theo, yuri, erick.

[kp777]

By Olivia Rosane

Common Dreams

Sept. 11, 2024

"Activists and their communities are essential in efforts to prevent and remedy harms caused by climate damaging industries," one campaigner said. "We cannot afford to, nor should we tolerate, losing any more lives."

Almost 200 people were killed in 2023 for attempting to protect their lands and communities from ecological devastation, Global Witness revealed Tuesday.

This raises the total number of environmental defenders killed between 2012—when Global Witness began publishing its annual reports—and 2023 to 2,106.

"As the climate crisis accelerates, those who use their voice to courageously defend our planet are met with violence, intimidation, and murder," Laura Furones, the report's lead author and senior adviser to the Land and Environmental Defenders Campaign at Global Witness, said in a statement. "Our data shows that the number of killings remains alarmingly high, a situation that is simply unacceptable."

At least 196 people were murdered in 2023, 79 of them in Colombia, which was both the deadliest country for defenders last year and the deadliest overall. In 2023, more defenders were killed in Colombia than have ever been killed in one country in a given year since Global Witness began its calculations.

While the government of left-wing President Gustavo Petro has promised to protect activists, organizers on the ground say the situation has only gotten worse for defenders in the past year. Colombia will host the 16th Conference of Parties to the Convention on Biological Diversity in October, and has promised to highlight the role of defenders in protecting nature. This presents a "historic opportunity" to stand up for the rights of environmental activists, Global Witness said.

Overall, Latin America is the deadliest region for defenders, making up 85% of killings in 2023. It was home to the four deadliest countries for defenders—Colombia, Brazil, Honduras, and Mexico—which together accounted for 70% of all killings. Honduras also saw the highest number of killings per capita, both in 2023 and over the past 11 years.

"It is the job of leaders to listen and make sure that defenders can speak out without risk."

The fifth deadliest country for defenders in 2023 was the Philippines, which saw 17 people killed. Overall, nearly 500 people have been murdered in Asia since 2012, with the Philippines remaining the deadliest country in the region during that time. Global Witness recorded four deaths in Africa in 2023, and 116 since 2012, but noted that this is likely a "gross underestimate" as killings on the continent are more difficult to document due to a lack of information.

Global Witness cannot always link a particular industry to the murders of the land defenders who oppose environmental harm. In Colombia, for example, it estimates that half of people killed in 2023 were killed by organized criminal elements. However, for the deaths it was able to connect, most people died after opposing mining operations at 25. This was followed by logging (5), fishing (5), agribusiness (4), roads and infrastructure (4), and hydropower (2).

The threat of even more mining-related violence looms as nations scramble for the critical minerals necessary for the transition away from fossil fuels and toward renewable forms of energy. This dovetails with another component of Global Witness' findings: the disproportionate violence borne by Indigenous communities for defending their homes. Of the defenders killed in 2023, nearly half were Indigenous peoples or Afrodescendants, and almost half of the minerals needed for the energy transition are located on or near Indigenous or peasant land.

Jenifer Lasimbang, an Indigenous Orang Asal woman from Malaysia and executive director of Indigenous Peoples of Asia Solidarity Fund, explained the situation her community faces:

In Malaysia, as in many other countries, we Indigenous Peoples have been subject to wave after wave of destruction. First came the logging and oil palm companies. As a result, nearly 80% of the land surface in Malaysian Borneo has been cleared or severely damaged. Now, as the world moves away from a fossil-fuel based economy, we're seeing a rush for critical minerals, essential to succeed in the transition to a green economy. With Malaysia the regional leader in aluminium, iron and manganese production, extracting rare minerals isn't new to us. But our experience so far has been that this comes at a huge environmental cost. The Malaysian government is issuing an increasing number of prospecting and mining licenses. We know what this new "green rush" means for us. We know it's going to get worse while demand for resources remains high.

Lasimbang said that her community did not oppose development itself, but an "unsustainable and unequal global system" predicated on ever-increasing consumption, and that world leaders should learn from Indigenous communities like hers how to sustain a society without destroying the environment.

"There is only really one thing left to say: Trust us. Let us lead. We will take you with us," Lasimbang said.

While global awareness of the climate crisis and commitments to address it should have translated into greater protections for those on the frontlines of defending biodiversity, that has not been the case. Since the Paris agreement was signed in 2015, at least 1,500 defenders have been murdered, Global Witness said.

Even in wealthier countries like the U.K., E.U., and U.S. where killings are less frequent, governments have increasingly repressed environmental activists by criminalizing protest. In 2023, Global Witness observed that the "global surge in anti-protest legislation persisted."

For example, in 2023 the U.K. expanded its Public Order Act to allow police to prosecute certain protests that disrupted national infrastructure or caused "more than a minor" disturbance. In November of that year, police arrested at least 630 people for marching slowly on a public road to protest new fossil fuel projects.

In the U.S., more than 20 states have passed "critical infrastructure" laws that target protests against fossil fuel projects like pipelines. E.U. countries have passed similar laws as well.

Even in the developed world, the criminalization of protest can turn deadly: In January 2023, police in Georgia shot and killed 26-year-old defender Manuel Esteban Paez Terán, or Tortuguita, as they were camping out in a local forest to prevent it from being bulldozed to facilitate the construction of a "Cop City" training facility.

To protect defenders worldwide, Global Witness called on governments and businesses to document attacks and hold perpetrators to account.

"Governments cannot stand idly by; they must take decisive action to protect defenders and to address the underlying drivers of violence against them," Furones said. "Activists and their communities are essential in efforts to prevent and remedy harms caused by climate damaging industries. We cannot afford to, nor should we tolerate, losing any more lives."

Nonhle Mbuthuma of South Africa, who won the Goldman Environmental Prize in 2024, wrote in the report's forward that both defenders and governments had a role to play in creating a more just and sustainable world as it teeters on the brink of climate and ecological breakdown.

"Now it is my role, as a defender, to push elite power to take radical action that swings us away from fossil fuels and toward systems that benefit the whole of society," Mbuthuma wrote. "It is the job of leaders to listen and make sure that defenders can speak out without risk. This is the responsibility of all wealthy and resource-rich countries across the planet."

[flags-planes-and-fire]

In light of LSDLN being nominated for the Oscars, Gustavo Zerbino and Roberto Canessa, along with Lupe Zerbino (Gustavo's daughter) and Laura (Roberto's wife), have travelled to America! They intend to visit NY and LA.

Caption reads: Con mi querido amigo Roberto amigo de toda la vida viajando a LA y NY con @/laurasurraco y mi hija @/lupe.zerbinoo a promocionar la película para los Oscar .👍💙

(Loose) English Translation: With my dear friend Roberto, lifelong friend traveling to LA and NY with @/laurasurraco and my daughter @/lupe.zerbinoo to promote the film for the Oscars. 👍💙

Above is the photo Lupe posted on her Instagram story, tagging both her father and Canessa in the image.

Gustavo would later repost this onto his own story.

[endlingmusings]

[ A blossoming Pernambuco Holly photographed by Fred Jordão. ]

"When we think of finding species lost to science for decades, even centuries at a time, we often think of mysterious, hidden creatures both big and small, on the move. What comes to mind are roaming, buzzing, slithering question marks within their ecological landscapes, evading researchers until finally being rediscovered in remote corners of the world. But what about the species that don’t move? What about the lost species found right under our noses, growing silently as the world changes around them? Such is the case for the Pernambuco Holly (Ilex sapiiformis), a small, inconspicuous holly tree endemic to the northeastern state of Pernambuco, Brazil and one of Re:wild’s top 25 most wanted lost species by the Search for Lost Species. For almost two centuries, 186 years to be exact, the tree eluded botanists and conservationists. That is, until March of this year, when the expedition efforts of a small team of persistent botanists and ecologists paid off, leading to the rediscovery of the illusive Ilex sapiiformis in Igarassu, a city in Pernambuco’s metropolitan municipality of Recife. While the tree’s rediscovery rules out extinction, the conservation of the Pernambuco Holly has only just begun. Today, the expedition team, led by ecologist Gustavo Martinelli, is mapping out the next steps for bringing the Pernambuco Holly back from its current precarious status as Critically Endangered."

- Excerpt from "Lost and now found, the fight to bring the Pernambuco Holly back from the brink of extinction is only just beginning" by Laura Moreno.

[andrescasciani]

Tenemos el gusto de invitarlos a FILU – Feria de IIustración de Godoy Cruz

Sábado 31 de agosto y domingo 1 de septiembre, de 15 a 22hs

Domingo 1, 20 hs: Charla de Andrés Casciani “Ilustración & expresión” Centro Patrimonial Artístico Cristóforo Colombo (Antonio Tomba 246, M5501 Godoy Cruz, Mendoza) Entrada libre y gratuita, los esperamos!

Durante las 2 jornadas de este novedoso encuentro se desarrollará una muestra con una importante presencia de ilustradores de Godoy Cruz. Además se articularán talleres de fanzine, historieta y creación de personajes orientados a niños y adolescentes; así como también recitales en vivo y disertaciones acerca del oficio de la ilustración. Finalmente, en cuanto a las personalidades del medio gráfico que participarán, estarán presentes Andrés Casciani; Diego Montón; Exequiel Della Penna; Gabriel Vázquez; Hernán Gutiérrez; Adrián Chaparro; Matías Saavedra; Pobla; Bruno Palero; Gustavo Guevara; David Peralta; Pablo Pavezka y Rodrigo Salas. A esta selección se suman Emi Cárdenas; Ana Clara Picco; Salomé Gamboa; Candela Oliva; Laura Barredo; Bruce Liss; Andrea Gallegos; Flor Mestre; Estefanía Jeria; Jimena Gallegos; Celeste Loria; Ayelén Bonelli; Cami Fernández; Lucía Canevari; Laura Acotto; Julieta Civit; Nicolás Viñolo; Laura Barredo y Catinga (Gustavo Guevara).

[silentsockfeet]

tlou hbo s1 ep9 thoughts (w spoilers)

really did love the scene we got with anna i’m just upset that we didn’t get more!! it’s so symbolic to have ashley play ellie’s mother and that moment felt cheapened by the fact that we still know so little about her. why not get to know her, watch her life and how the outbreak impacted her, see more of her relationship w marlene so that when the moment comes where she has to die we know just how much that hurts! there is so much more they could’ve done and i’m mad that they chose to rush through it

okay i’ll stop the rant and talk about what i liked about it now. really loved how much of that classic ellie attitude shines through in anna’s lines, the spunk was inherited i guess. and i really love that you can tell just how much love ashley poured into anna and therefore anna pours into ellie, she is so careful with her and insistent with marlene about taking care of her. ellie was so so loved from the beginning and it is so evident in everything anna does

especially loved how insistent anna was about telling marlene she cut cord before she was bit. it was a flat out lie but she was so intense about it that i almost believed her for a sec despite having just watched the scene. she is so strongly protective of ellie

joel’s goofy dad side really came out this episode every little moment is just him trying to get a smile out of ellie. the line with the dynamite really cracked me up he’s tryin so hard

watching ellie drop the ladder i was sitting there screaming at joel like GET OUT THE WAY ur about to get conked by a ladder!!! lol

giraffe scene my beloved ❤️ that’s all i just love it

“i’ll follow you anywhere you go” thanks i’m but a broken shell of a human!! and when we get dina’s ‘you go i go’ parallel next season i may actually pass away

joel’s admission about trying to kill himself,, it surprised me at first but hoo boy that hit. i like that it almost felt as if he HAD to tell ellie, like it clawed it’s way out of him. it’s his time to finally admit out loud how much losing sarah hurt, but also how much ellie means to him. and seeing them letting themselves be so vulnerable with each other made my heart ache

we got the apocalypse joke so actually this is the best show ever it did nothing wrong

UGH joel storming the hospital while a deep slow orchestral version of the theme plays fUCK ME UPPP gustavo always delivers

laura bailey as one of the nurses 👀 i’m wondering if they’re gonna have her play a bigger character in s2 and give her some connection to abby

i am a bit sad that they didn’t have the whole chase sequence with joel carrying ellie out of the hospital. i get that it probably works better in the game but idk i think they could’ve gotten it to work. that scene is just so loaded bc it’s like you have her and you’re almost there and the tension and fear is so high that when you escape all you feel is relief and happiness that you saved ellie. would’ve liked to have seen that translated into the show

the extra little bits of joel’s lie were fun, especially when ellie asks if marlene was okay. i almost feel like in the game ellie could sort of write off the lie easier bc it was a generalized thing? but since joel adds the extra details here and specifically sort of half lies about marlene for some reason to me it feels even more painful. idk did a bad job of explaining that but yeah i really liked the additions

i know i’ve complained about how they’ve been using pt2’s score for this first season so much but playing ‘unbroken’ after joel lies to ellie is like smart but also so mean. like i’m already dead on the ground you didn’t have to drive the knife deeper

“i’m not saying that you’re not girly-“ “i’m not” i fuckin love ellie so much. gonna get serious for a sec but ellie being super masc is one of the reasons i fell in love with her when i first played the game bc i felt so seen by it and idk just hearing it addressed so directly just made me happy

also loved the fact that joel basically called ellie short. bella said short king rights ig

also also i just loved that whole sequence in general, joel just wants to make sure that ellie knows that she’s not some replacement or that joel doesn’t view her as sarah but as her own person and he’s a dork about it but it was so heartfelt

okay so. i’m not happy that they confirmed ellie kills riley tbh. i was never a fan of that idea in general bc it didn’t feel right to me. and even despite my own personal opinions about how i think ellie leaves riley i think there’s something to be said about having ambiguity around it. leaving it open let’s people form their own thoughts and feelings about it, it engages them and makes the story feel more personal, so confirming what actually happens just feels cheap to me.

the other thing is too, i knew they were gonna confirm it as soon as marlene kills anna bc they were setting it up to be such an explicit parallel. they could’ve still left riley’s fate open ended in that final convo and people would’ve come to the same conclusion bc of the setup beforehand, but at least this time there’s like active engagement and analysis happening with the audience. i just don’t think there was a need to actually have it explicitly confirmed. idk i just did not like it at all.

overall tho i’m glad the ending stuck so close to the original. i liked the changes they made to joel’s dialogue in the final scene, it was like a little surprise

so anyways kinda can’t believe this show is real tbh like wow they really took my favorite game and turned it into a show. and obviously i have some complaints about it but overall it was still super good?? this is a thing that happened??? wack. it’s gonna take a bit for it to sink in that it’s over for now. i’m excited for season 2 tho, bella ramsey is a goddamn power house and they’re gonna fuckin crush part 2’s story

[portalvherszage]

A estreia de Raquel 1:1 nos cinemas brasileiros.

Foto divulgação (Gustavo Kondo)

Raquel 1:1 foi lançado mundialmente em março de 2022 no SXSW, sendo o único filme brasileiro no festival. Participou, e fez sucesso em diversos festivais internacionais de cinema como em Guadalajara e Puerto Vallarta no México, onde o longa venceu o prêmio “Iguana de Oro” do FICPV. Além de festivais na Europa, e Estados Unidos que premiou Valentina Herszage na categoria de melhor performance do North Bend Film Festival por sua interpretação em Raquel 1:1.

O longa estreou no Brasil um ano após sua estreia mundial, trazendo uma estética e fotografia belíssimas que representam muito bem nosso país.

Foto divulgação

Raquel 1:1 abre um portal imenso para reflexões e discussões sobre assuntos que não são tratados com naturalidade em nosso cotidiano. Vale ressaltar, que apesar de ter uma temática com base na religião, o filme vai muito além e apresenta diversas visões e versões de abusos e a violência contra a mulher.

“Raquel é uma adolescente religiosa que chega a uma pequena cidade do interior onde nasceu, em busca de uma vida nova junto ao seu pai. Nesse retorno, ela vive um misterioso acontecimento que lhe faz embarcar numa controversa missão ligada à Bíblia e a traumas de seu passado”.

Tratando de uma temática tão delicada quanto a religião, Mariana Bastos apresenta um filme que requer ampla e aberta visão sobre o que é abordado. Além de mostrar como os acontecimentos se desenvolvem, o longa induz a criatividade do próprio espectador para seguir a história, incitando o uso da imaginação quando traz cenas de lembranças (feedbacks) que são meticulosamente representadas em áudio.

Foto divulgação

Todos os ambientes representados no longa são expressivos e comuns, o que causa uma sensação de reconhecimento por esses locais e personagens. E por falar em personagens, a entrega do elenco é admirável.

Com destaque merecido para a atuação de Valentina Herszage que, como Raquel trabalha cuidadosamente a personagem e a representa com perfeição em cada detalhe. Olhar, movimentos, postura e as expressões de Raquel são absolutamente naturais e reais, em dados momentos, chocantes.

Raquel 1:1 é o tipo filme que te faz compreender a história apenas no final (e vale a pena esperar), o que deixa o espectador com aquele ‘gostinho de quero mais’, vontade de saber o que vai acontecer dali em diante com Raquel, Laura, a pastora, a cidade e a igreja depois de todos os acontecimentos. Há espaço para muita história ser contada.

Foto divulgação

De todo modo, o longa é muito bem executado, e consegue transmitir sua mensagem e fazer o público refletir.

- Este texto não é uma crítica de cinema.

[marcogiovenale]

da oggi, 4 aprile, alla sapienza (roma): "scritture erranti", mostra e incontri al mlac - museo laboratorio d'arte contemporanea

evento fb: https://www.facebook.com/events/s/inaugurazione-scritture-errant/951350783242168/ EVENTI COLLATERALI Giovedì 4 aprile, ore 17:30: – MLAC Museo Laboratorio di Arte Contemporanea, Sapienza Università di Roma (p.le Aldo Moro 5, Roma), vernissage e performance di poesia sonora a cura di EssZetaAtona (Laura Cingolani e Fabio Lapiana). Venerdì 3 maggio: – ore 10:00-11:00, Villa Medici (v.le…

[moon-ursidae]

ALRIGHT YA’LL KNOW THE DRILL HERE

there will be spoilers for all of the last of us part 1 and all of the last of us part 2 under the cut!!

i’ll be sharing my notes and thoughts as i play each session!!

again SPOILERS ARE UNDER THE CUT SO IF YOU DO NOT WANT SPOILERS DO NOT SELECT READ MORE

PLAY SESSION 1 (i am horrified)

i just want to start by saying that i already know a decent amount about this game. i never thought that i, myself, would be playing these games, so i watched playthroughs when they first came out. since then, spoilers have been plastered all over the internet. so. yknow. i’m aware of what i’m getting myself into. ANYWAY to the session log!

total play time: 6 and a half hours

HERE WE GO YA’LL

i haven’t opened the game yet AHH

i know the music is gonna ruin me

my heart is beating so fast

i’m configuring settings and i hear water oh god

FUCK IT’S THE BOAT

AHHHH

OKAY THIS IS REALLY HAPPENING

I HIT START AHHHHH

C H I L L S down my body just seeing the neck of the fucking guitar

i’m already tearing up from joel telling the story to tommy

THAT’S PEDRO PASCAL

THAT IS PEDRO PASCAL BITCH

IN THE CAR WHEN HE LOOKS TO THE SIDE BC ELLIE STARTED STIRRING AWAKE??

THAT IS JUST AN OLDER PEDRO BRO

ANYWAY sorry i just understand very much why they offered him this role

STOP THE CUT TO THE LAST CUTSCENE WHEN THE FIRST GAME ENDS I’M CRYING

AND THE MUSIC

FUCK YOU

this looks fucking amazing.

the fucking music. GUSTAVO. GENIUS BRO.

this is fucking gorgeous. i am taking my fuckin T I M E

STARRING ASHLEY JOHNSON TROY BAKER AND LAURA BAILEY I KNOW THAT’S RIGHT

WOOOO

THAT SHOT?? HIM WALKIN INTO TOWN?? JESUS F U C K

ARE WE ALREADY AT THE FUTURE DAYS CUTSCENE????

omg omg she’s listening to the song she sings in the trailer i think A H H

and the bandages on her arm where her scar is 🥺

the way that joel tucks his shirt in now omg such a dad

THE SAVAGE STARLIGHT POSTER🥹

THE STANCE™️

THE WAY THAT MY DAD DOES THIS SAME FUCKING THING WHERE HE’LL GO TO TELL ME A JOKE HE HEARD AND FORGOT IT

I’M GONNA C R Y LATER

HIS AWKWARD LIL STEPS TO THE DOOR TO GET THE GUITAR STOP

“you wanna hear sumn” JOEL PLEASE I’M GONNA SOB

troy has such a nice voice! and also to voice act while singing simultaneously?? crazy

THEY ARE SO-

UUGGGHHHHHH🥺🥺🥺

it’s always in the prologue that they showcase Joel being a dad and i’m like damn this is how me and my dad are and they’re like “would be a shame if something bad happened” and i SOB

“you kissed dina?” TEA

THE WAY SHE’S LIKE 😶

okay i already very much like jesse he seems like such a nice guy!

again i know what happens just let me have this goddamnit

ELLIE HAS A PS3 THAT’S WHAT’S UP BRO WHAT GAMES YOU GOT??

JAK AND DAXTER SLAY

UNCHARTED 1 & 2 SLAY

this taylor guitar is gorgeous bro AH

the pictures on her corkboard above the bed🥺

i wish we got to see and know more about cat she looks like a cool ass character

is that the toy she stole for sam?? i thought she left that at his grave? so it may be a new one to remember him by? i dunno

DINNER BREAK BEFORE I CONTINUE

okayyyy to the outside… where it’s snowing…. and ellie is wearing this outfit…

and joel and tommy are out scouting…

FUCK

i love how slowly through the environment it tells you how jackson survives. through community. it’s gorgeous worldbuilding.

FIRST CARD HELL YEA

IS THAT BUCKLEY??? AHHHH

AND GUSTAVO!!!!!!! OH MY GOD!!!!!!!

HE’S PLAYING A VERSION OF THE LAST OF US THEME AHHHHHHH

I HEAR MARISHA RAY AND MATT MERCER?? AHHHHHHH CRITICAL ROLE CAST COME THROOUUUGGGHHHH

it’s also really wonderful to see kids being kids during this. especially for their age. they’re too young to deal with the bullshit that comes along with an apocalypse world

PEOPLE ARE SHIT TALKING ELLIE BRO THEY LITERALLY STARTING HUSHING EACH OTHER AS I APPROACHED LMAOOOOO

there are so many people at the bar at fucking 6:30am ya’ll

“i don’t wanna hear what that bigot has to say” as you fucking should ellie

also maria is so pretty!!!!

and dina is patroling w ellie?

sooooo many great signs here 🥲

“bigot sandwiches” SHE’S SO FUNNY

CARD #2 BRO YEEEAAAA

“we’re fine” BC THEY HAD THE TALK ON THE PORCH AND 😭😭😭😭😭😭

DIIIINNNNAAAAAAAA!!!!!!!

“i’m not even playing!” THERE SHE IS FERAL ELLIE

“i hate this kid so much” okay and i love ellie

“you wanna fuck em up?” THEY’RE SO MADE FOR EACH OTHER YOU’RE JOKING

THE SNOWBALL FIGHT WAS SO FUCKING CUTE AHHHHH

DINA IS SO GOOD W KIDS 🥹

THE SPARKLES IN THE SNOW?? GODDAMN

DO I HEAR KHARY PAYTON AT THESE STABLES??

they even included the detail of farriers dude there is someone cleaning this horse’s hoof

AND YURI LOWENTHAL WOOOOOO

shimmer acquired ✅

I DON’T WANNA LEAVE JACKSON DUDE

and the music seems so ominous like HSKAHSKAHSOS

FUCK IT’S THE CABIN

I SAW MEL

I KNOW EXACTLY WHAT IS HAPPENING

THIS EARLY?????

PLAYING AS HER?? THIS EARLY???

THE FABRIC ANIMATION ON HER SLEEPING BAG??? INSANE

listen i have nothing but raging and wholesome love for laura bailey but this one is gonna be difficult

her performance is phenomenal don’t get me wrong. this is just gonna be hard

THIS EARLY??

also they all start exiting a garage

joel rode the horse out of the garage

ellie lives in a remodeled garage/shed

and abby walks out of the garage w owen

idk if that’s a connection at all but just something i noticed i guess

owen also gives me weird vibes idk

this feels wrong being on the stick as abby

yooooooo that’s a really cool camera trick to convey her perception of heights and her fear

the snow and scenery look fucking gorgeous oh my god

FUCK of course he wanted to show her JACKSON

FUCKIN HELL

AND OF COURSE HE SAW JOEL AND TOMMY GO ON PATROL

MOTHERFUCKERRRRRRR

“assuming he’s in there, how do we get to him?”

I KNOW WHO THE FUCK THEY’RE TALKING ABOUT AND I’M SICK TO MY FUCKING STOMACH

AND NOW I HAVE TO LEAD HER TO JOEL???

F U C K DUDE I’M KAVSKABSKSH

i genuinely am so fucking anxious dude

like my hands are sweating and my stomach is turning over and i’m gonna vom bro

this is ALOT of dead folks oh my god

DODGE?? fuck yea

OH MY GOD THE WAY SHE STOMPED ITS HEAD AHHHH

this game is definitely more brutal damn

GOD THE INFECTED ARE SO MUCH SCARIER

“where’s the patrol?” NO WHERE. LONG GONE. SOOOOOOOOO GONE.

ellie and dina are so cute together

THE BONG💀

honestly eugene sounded pretty fuckin awesome i would wanna go out like him too

GOD I LOVE SNOWY ENVIRONMENTS

“i was thinking of inviting joel over for a movie” i- wh- 😭😭😭😭😭

cheesy 80s action movies??? MY KIND OF GUY BRO!

ALSO PLEASE NAUGHTY DOG STOP GIVING HIM MORE HUMANITYYYY AND GRAVITAS IT HUURTS

“you wanna meet up after?” “uhh.. okay. i’ll play guitar for you.” ELLIEEEEEEEEEE I SEE YOU

ANUTHA CARD BABYYYYY

i was wondering when we would see infected

dina worried about ellie dying bc of infection and ellie’s like “deal.” 😶

oh shit this storm is picking up HELLA

EUGENE WAS A FIREFLY

i wish so badly for them to go more into joel and tommy’s time after outbreak day jfc

ANUTHA CARD

ANUTHA PS3

damn i wish we had a ps3 in the library

i love the new weapons upgrade system

like you physically see the gun change and add shit onto it

so dope

DAMN! eugene had WEED bro

but this also means….

it’s super close now..

“smash bradi’s cooch” BRO NOT THE PLAY ON NAUGHTY DOG GAME TITLES

omg plz the way she breaks the joint jar

THERE WAS SOMETHING ELSE I MEANT TO LOOK AT BEFORE THIS CUTSCENE GODDAMNIT

their chemistry is CRAZZYYYYY dude i feel like i’m intruding on their time

THE WAY ELLIE LOOKS AT HEEERRRRRRR

THE WAY THEY LOOK AT EACH OTHERRRRRRRR

THE WAY SHE FLICKS THE JOINT AND GRABS HER FACE WAS SMOOOOOOTH AS FUCK

oh no. ohhhhh no. i am now abby. oh fuck.

fuckfuckfuckfuckfuck

A HORDE???? THIS IS HORRIFYING OH MY GOD

THE FENCE IS GONNA CRUSH MEEEEEEEEE

i have to pause. it’s joel. i-

FUUUUUCK

FUCK. HER REACTION WHEN TOMMY TELLS HER ITS JOEL. FUCK.

LAURA BAILEY IS SO GOOD

AND THE WAY HER VOICE GETS SHAKY?

LAUUURRRRAAAAAAAAAA

TELLING THEM WHERE HER FRIENDS ARE AND THAT’S GONNA LEAD THEM TO THE CABIN AND FUUUUUUUUUUUCK MAN.

GOOODDD LAURA’S ACTING. JESUS.

AND THEN CUT TO ELLIE AND DINA AHHH

WAIT I THOUGHT SHE TOLD DINA SHE WAS IMMUNE LATER???? IS SHE GOING TO RN??

SHE IS. OH MY GOD.

i’m lowkey glad she doesn’t believe it

“tommy and joel didn’t show up”

NOT PREPARED

FUCK FUCK FUCK THEY’RE INSIDE THE HOUSE NOW

i literally feel sick to my stomach i’m so worried for him and tommy and ellie bro

tommy’s being so nice to them offering them supplies and everything too GOOOOODDDDDD

FUUUUUCK THE WAY THEY ALL LOOK UP AT HIM WHEN HE INTRODUCES HIMSELF AS JOEL

FUUUUUCK THE SHOTGUN

when i tell you that i am so close to losing my dinner i am not joking

THE EMOTION IN HIS EYES WHEN HE LOOKED AT ELLIE

HE LOOKED SO TIRED BUT SO SCARED FOR ELLIE

i am pausing. jesus fucking christ. (stopped for a good while here bc obvious reasons)

it hurts me knowing that ellie didn’t even have the strength to even stand up when dina found her and joel and tommy.

tommy coming to check on her😭

she looks about as bad as i do rn

my poor sweet ellie🥺

tommy’s so awkward bc he’s probably like “does joel want me to treat her like a daughter? do i carry on what he started? do i try to forge this relationship with her?” and struggling to tell ellie that they may not be able to afford going to seattle if it means that ALL of jackson would be vulnerable. bc he doesn’t like it either. he wants to go for abby too.

FUCK man.

THE HUG.

F U C K

THE HEADSTONE STOP

the lil chair and wind chimes outside🥹

all the flowers out front??????

he really had an impact on jackson🥺

her hand shaking at the door FUCK

HE HAD A COWBOY HAAATTTT😭😭😭😭

HIS OWL MUG 😭

IS THIS PAGE OF HER JOURNAL WET WITH TEARS?? AND/ OR TEAR STAINED???

THE MUSEUM PAMPHLET A H H

her drawing of him oh my god i’m C R Y I N G

you can tell he loved her so much. there’s pieces of her all over the house.

HE NEVER FINISHED HIS CARPENTRY PROJECT

THE MIRROR IN THE UPSTAIRS BATHROOM IS OFF THE WALL AND COVERED. JOEEELLLL.😭😭😭😭😭

it looks broken as well. maybe i’m reading too much into it. maybe not

THE PICTURE OF HIM AND SARAH IN A WHITE FUCKING FRAME I’M GONNA LOSE MY MIND

AND A PICTURE OF HIM AND ELLIE NEXT TO IT

no one look at me. no one talk to me. no one perceive me. oh my fucking god.

his jacket and how ellie just stays there. oh my god.

THE WATCH.

THE MUSIC.

I’M FUCKING DONE DUDE.

is that his fucking shirt from the night he lost sarah. i fuckin-

NAUGHTY DOOOOGGGGGGGG

the idiots guide to space book and readers on the bedside table😭😭 SO HE COULD TALK TO ELLIE ABOUT SPAAAACE

bless maria’s heart dude. i love her

SEATTLE DAY 1

omg she’s telling dina the story about the hunter that tried to drown joel in the hotel

alright i’m stopping here before going forward bc i’m fucking exhausted emotionally and physically haha

jesus fucking christ is how i would summarize that first session. jesus fucking christ.

[yesterdayandkarma]

Laura by Gustavo Combariza

[lantern-hill]

new albums i've listened to so far this year:

love & affliction - kwaye (r&b, soul)

i can't let go - suki waterhouse (indie pop)

+ bien - gustavo cerati (ambient, acoustic, electronic)

face your fear - curtis harding (r&b, soul)

the navigator - hurray for the riff raff (americana)

short movie - laura marling (indie folk)

desire, i want to turn into you - caroline polachek (art pop)

pang - caroline polachek (art pop)

[aboutanimation]

All Those Sensations in my Belly from Adriatic Animation on Vimeo.

While transitioning from male to female gender, Matia struggles with finding a genuine intimate relationship with a heterosexual man.

Director, scriptwriter, editor: Marko Dješka With participation: Matia Anna Pleše Art director, designer: Hana Tintor Animation: Hana Tintor, Laura Martinović, David Lovrić, Marko Dješka, Draško Ivezić Interviews: Ljubica Letinić, Maja Flajsig Dramaturgy: Ivor Martinić Artistic advisor: Chintis Lundgren Music: Sofie Birch, Gustavo Lima Sound design: Pedro Marinho Sound editing: Bernardo Bento Foley: Francisca Campos Sound mix: Vasco Carvalho Voice recording: Jure Buljević Producer: Draško Ivezić (Adriatic Animation) Co-producers: David Doutel, Vasco Sá (BAP animation studio) Distribution: Bonobostudio bonobostudio.hr/en/distribution/all-those-sensations-in-my-belly .. adriaticanimation.hr/ .. Marko Dješka (1983) is an animation director, scriptwriter and comic book artist. He graduated from the Academy of Fine Arts in Zagreb, Department of Animated Film and New Media. His student films Slaughtered and The Son of Satan, as well as his first professional film Ghost Town have been awarded at numerous film festivals. Marko is one of the founders of the studio for animated film, Adriatic Animation. Filmography:

All Those Sensations in My Belly (2020), Ghost Town (2016) The Son of Satan (2012, student film) Slaughtered (2010, student film)

..

markodjeska.com/ instagram.com/markocomix/ .. All Those Sensations in my Belly awards/mentions: �Best Film in Balkan Competition, Anibar International Animation Festival, Peja, Kosovo 2020 �Special Mention in Croatian Competition, Animafest Zagreb, Croatia 2020 �Best Croatian Short Film, Festival mediteranskog filma Split, Croatia 2021 �Best Film Award, I+N Festival Courts Queer Short Film Fest, Montreal, Canada 2021 �Best Innovation Award, I+N Festival Courts Queer Short Film Fest, Montreal, Canada 2021 � Flickers' Youth Film Jury First Prize for the Best LGBTQ Film, Flickers' Rhode Island International Film Festival, USA 2021 �Special Mention, Festival MiX Festival Internazionale di Cinema Lgbtq+ e Cultura Queer, Milano, Italy 2021 �Best Animation, Linz International Short Film Festival, Linz, Austria 2021 �Best Script, Ottawa International Animation Festival (OIAF), Canada 2021 �Best European Short Film, 3D Wire Fest / Weird Market International Animation Market and Festival, Spain 2021 �Special Mention, Videomedeja Video Art Association, Video Art Library & Festival, Novi Sad, Serbia 2021 �Special Mention, Festival Internacional de Cine de Lanzarote, Italy 2021 �WIA Diversity Award, Spark3D Animation Festival/Women in Animation, Canada 2021 �Special Jury Prize, Большой фестиваль мультфильмов Big Cartoon Festival, Moscow, Russia 2021 �Special mention, Festival Festival Cinéma et Droits Humains, Paris, France 2021 �Youth Jury Award for Best Short Film, Exground filmfest, Wiesbaden, Germany 2021 �Best International Short Film, Tel Aviv International LGBT Film Festival, Israel 2021 �Special Mention, Manchester Animation Festival, UK 2021 �Best Short Film, SocialMed Mediterranean Human Rights Festival, Valencia, Spain 2021 �Special Mention, Merlinka International Queer Film Festival, Serbia 2021 �Special Mention in Monstrinha Competition, Monstra Lisbon Animated Film Festival, Lisabon, Portugal 2022 �Junior Jury Award, Animocje International Animated Film Festival, Bigdozsc, Poland 2022 �Special Award for Outstanding Achievement in Animation, International Filmmaker Festival of New York, USA 2022 �Jury's Personal Pick (Asako Fujioka) in A Slice of Society Category, Hiroshima Animation Season, Japan 2022 �Best film in international category, Animasivo International Animation Festival, Mexico City, Mexico 2022