#latinesque

[sheppyscribbles]

I dunno, this has been stuck in my head for a while now. Just a bouncy Latin-style cover of the Pokemon Center theme. Maybe this is what plays in the rural Pokemon Centers in Nama'a?

[jonjermey]

A jazzy Latinesque track with a little bit of chaos

[alexythimya]

Generic latinesque lunch of arroz con frijoles, bag taco salad, maduros, perhaps some chips w guac, y un soda

[charliehopper]

HE’S SO UNUSUAL, no. 3. Esquivel, Latin-esque. With Beck’s “Tropicalia” ear-worming itself through my days and nights since listening to Mutations, I thought the time was right for more weird-ass pretend-Latin-esque stuff. “Space Age Bachelor Pad” is the phrase you find when you Google Esquivel—I can’t remember now who told me about him. @tbrunelle ? @bryanmichurski ? @coolville? @hopbusgus?Sorry if you’re reading this and you’re the one who hepped me to this stuff. Back in the 90s. You never know what Señor Esquivel’s going to do next. A zingy string stab? A piece of percussion that enters and exits suddenly? Little voices that sound bored and sign “Ehh” in harmony between the melody lines? So crazy, man. Ker-ray-zee. #esquivel #latinesque (at Noblesville, Indiana) https://www.instagram.com/p/B__c-rhgaPA/?igshid=1nhmsrg2w7aem

[artmusicchannel]

♫ Caz, Blues Müzik, As I Figure - Latinesque, Kevin MacLeod, Jazz, Blues...

[uiruu]

it's probably almost the 10 year anniversary of my conlang, wtf

it sucks and is nothing like what it was in high school when i started it anyway. the grammar is finally getting better, but I'm a phonology nerd and i mostly use it to try to out sound changes and phoneme stuff

[myrecordcollections]

The brilliant French Hammond organist and pianist Eddy Louiss worked with the likes of Kenny Clarke, Jean-Luc Ponty, and Stan Getz; reed player John Surman and drummer Daniel Humair have long been major forces on the European scene. Louiss also recorded the title piece on Stan Getz’s Dynasty album – here the trio presents a wilder version with fiery solos from Surman’s baritone and Louiss on Hammond. This trio likes their Sabi hot with a Spanish tinge. On the Martinique folk song Zafe Ko Ida, the great Norwegian bassist Niels-Henning Orsted Pederson joins Louiss on Marimba and Humair on drums, keeping with the tradition of the Caribbean before Eddy switches to piano and the three transform the sound of the islands into swinging jazz. Song For Martine brings Surman back on soprano and Louiss once again sitting behind the Hammond with a plaintive balladic feel before moving into an Afro-Latin groove that underpins passionate solos. On Humair’s Out Of The Sorcellery Louiss pedals the Latinesque two-beat bass line on Hammond as he and Humair conjure their magical interplay. A classy trio album with Louiss’ superb Hammond organ play front and center and a glimmering of the Caribbean dancing in the shadows.

[arenitacreations]

Playa Las Lajas 🏝 - Panama, San Félix, Chiriqui | Viajando con Arenita ✈️| S1 Ep 1

#arenitacreations #arenitacreationsshop #arenita #Panama #LasLajas #Chiriqui #DistritoSanFelix

En este episodio estaremos visitando al país de Panama.  Iremos a la Provincia de Chiriqui, Distrito de San Félix donde iremos a nuestra destinación, Playa Las Lajas.

Espero que les guste el video y si les gusto, por favor denme un me gusta y si son nuevo en el canal, no olviden de suscribirse y de apretar la campanita para saber cuando hay nuevos videos.

Arenita Creations Shop:

https://bit.ly/2JXLkza

Youtube songs:

Merengue de Limón - Quincas Moreira Rumba Sabor - Jimmy Fontanez / Media Ri... Beachfront Celebration - Latinesque by Kevin MacLeod is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Source: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1200022 Artist: http://incompetech.com/

[sole-cuore-amore-e-droga]

Tel Aviv 2019: Straight outta Croatia to Eurovision with a confused angel lad and his lowkey over-enthusiastic mentor

Yeah, well, I definitely have hoped for this nation to finally finally bring back Dora as their national selection, as I myself have never really felt their internal entries since they abandoned it (well maybe except Nina from 2012 but even then by now I grew out of it softly). Not even Nina from 2016 which was tipped as a huge fan fave (though I’m so sorry for it getting completely lambasted in Eurovision, especially because of the poor clothing choice and Nina’s warbly notes here and there).

And they did! After like what, 7 solid years??? After the last Dora ending out with a disastrous end result and spawned a person to (more) stardom who even qualified a couple years back and this year he’s there to be a songwriter for his home country because of the Eurovision 2019 slogan inspiring him???? Well... yeah that happened. With having fought 15 other participants made up of familiar faces, up and coming starlets, the already legendary divas or just some people, he won as a songwriter for this next target of my review - the target that is aptly titled “The Dream” and is performed by a 19 year old up-and-coming pop star, Roko Blažević. Yep, Jacques Houdek won a NF but not with himself singing. Man did his magic game get stronger over the years since Dora 2011.

And interestingly enough, Jacques’s wizardry comes in with him being capable of selling chanceless music as something worth buying into. How can that happen???

Well, to be frank with you all, this song is not that bad, unlike everyone thinks it is. It feels like a low-rent musical ballad, sure, but it's not terribly composed or anything... well, I know I usually hate on those songs that like using mostly not the "verse - chorus - verse - chorus - bridge - chorus", but there are plenty of songs that mess with that structure that usually just omit the last two components (radio pop music) or don’t even need one, and they sound great. Here we have the omission of the last two components that more reminds me of “Grande amore” (I am not saying they’re comparable but still), as in, slow ballad in the F minor (”The Dream” even slaps a keychange on) that tries to sound majestic/dramatic, not very much so to be intense, just something theatrical I s’pose. And has a little too little time for another full verse so they just go to a bridge (and "Grande amore" had two long pre-choruses too?!?). I don’t hate this one, if I had to make a 2019 ranking this instant I’d put this in Top 30 somehow.

So what is there to be found that puts people off? They cannot be hating on Roko’s voice, which is really great for a young man like him. (In fact, God forbid I say one bad word about him, because some specific one on Twitter will have a beatdown with me because I dissed her hubby... so I’ll keep my mouth shut about any qualities of his :X) I guess it consists of several factors: 1) the song sounds dated; 2) the lyrics, especially in that chorus (I DREAM OF LOOOOOOVE, YOU DREAM OF LOOOOOOVE~ lol I actually dream of hatred, hatred will prevail >:) ); 3) the vocal volume is loud at parts; 4) the song is English-Croatian and somehow it should be sung in Croatian just to hide away the hideous understandable lyrics. My personal caveats are: 1) the song is too plodding and it shows a lot in that chorus with Roko holding his long notes (can we get tothe point FASTER?!); 2) the chorus lacks productional depth and maybe with a slight revamp (given Jacques wouldn’t be so stubborn about it!) it could have sounded the right amount of dramatic. If anything, I am GRATEFUL that it sounds more palatable than "My Friend", as THAT one was a joyful of cringey clichés tbh. The cheese became rotten and smelly and the sudden violin lead-in into the bridge still creeps me out. Goddamn it Jaq.

Not to mention Mr. Houdek is soooooo optimistic about his song, he finds everything in it perfect enough to not change it! Not the melody, not the language decisions, not the wings (did I tell you Roko wore wings on his NF performance??) - no! Did someone not tell him that Eurovision is rapidly evolving and his fantasies of coming top 3 with this song just better stay fantasies? Oh wait, it's the same man who once sang "dare to dream and make it real", of course he's stuck to his guns like super glue. Can't blame him, there were worse songs in top 3 over the years. Still though, the wings is a stupid idea. There should be something else involved if Jacques wants a performance to be memorable. Roko can't just stand there and only do what he's told to do by his guardian songwriter - granted he has to behave but still...

In the end, how would I summarize this tl;dr? I am one of a handful of folks who find this alright. There's a bigger minority who outright adores the song but I'm just there that likes this and nothing much more, honestly. Everything's just alright. Guess I'm sometimes soft enough to accept cheese, huh. But seriously, the mentoring behind the scenes... it's creepy to say the least. I'm happy Roko's having a helluva good time at least.

Approval factor: Oh I don't know with this one, statistically we can just go ahead and... try approving this? I’m not a huge fan of Croatian entries this decade, at least Slovenia redeemed themselves in my eyes last minute with “Sebi”, while even in my Croatian faves (they mostly are “Nebo” and “Crazy”, and I maaaaaybe like “Lighthouse” a bit too actually?) I see some negative qualities that completely overwhelm my liking for them. But since I legally find “The Dream” okay, I give this one a bit of a pass.

Follow-up factor: Sadly this kind of choice feels to me as a steady divedown in overall quality of what Croatia usually offers us. Well the decline was always on since “My Friend” followed up “Lighthouse” I suppose, or it's just so happens that Croatia sent the duds on this decade only in odd years ("Celebrate" was fun but tragic trash, "Mižerja" was pleasant I guess but everything here was miserable from the beginning and everyone still doesn’t get why��“My Friend” qualified and “Crazy” didn’t). I like it though.

Qualification factor: I’d like to believe that this one can borderline sneak the fuck in to the finals for no reason other than Jacques knowing how to work things in his favour. Yes, I’m not writing this off completely. Although I still see some parts where this wouldn’t work out, it’s actually not 100% doomed... if anything, I at least don’t see it coming last in semi easily! It’s not as LAME as Iceland last year was. And it too was a basic love-peace-dreams message inserted into an older-timey-sounding singalong ballad and was given for a young singer that has a helluva lot of potential later ASIDE Eurovision. That is if they don't pretend Eurovision "ruined [their] careers, njeh!", of course. At least Roko can SANG live and maybe it will happen again that a singer's voice will make this surprisngly qualify over the song? We'll see. For now Jacques should just stay focused on how to make Roko's angel wings (sigh...) more memorable on stage in case the voice is not qualifying but the gimmicks are.

NATIONAL FINAL BONUS

EMA 2019 at least had positive surprises all over for a NF this non-cared-about-by-me. Dora just... did not. Really. This NF did not interest me all that much song-quality-wise, and it even had SIX MORE SONGS than EMA!!! Crazy, huh?? But it’s okay, I can talk about the show to you if you want me to:

• From the Dora participants list announcement I was mostly excited to hear like two entries, and I'll mention both of them right away separately. And it's by two artists I've heard of before a lot! Though this first one kind of made me feel like I've been somewhat betrayed... enter Luka Nižetić who has got a nice vast catalogue of songs now - soft song(s), upbeat summer songs, and so on. And I kinda liked some of those songs of his I heard (if you're looking for recommendations, give "Vječno" a listen!), but “Brutalero”, his actual Dora 2019 entry was... on a whole different level. Dude, when was ripping off “Mi gente” ever useful?? It’s the year people were chasing after “Fuego” as the Latinesque bop to copy, not this! I hate it when people rehash annoying (but catchy) songs, and it’s certainly worse when they do it as their Eurovision NF entry. Brutal. And I actually remember hyping him before hearing the song, which is a bigger facepalm-worthy moment of mine. When will I ever learn?! ;( Thank God for the juries who served this song right. IDC if the revamp version of this made it any better, I’ll be fuming over this not being an inspired song. Oh and the comic book cartoon style made this brutally laughable to me, I said what I said. It might have entertained some kids though. So to summarise, Luka’s capable of having bops out, but “Brutalero” ain’t it, sis.

• Well guess what - Friendship ended with LUKA, Now MANNTRA is my best friend! Hell yeah lol. Did I tell you I like rock music so much? So I really foresaw kind of liking Manntra's song “In the Shadows” and rooting for them based on me knowing their name (just like Luka but oop), and in fact I really did root for them in the end! I wish I supported them more than Luka instead. They’re bangin’. They’re blazin’. They’re pure awesomeness. Their costumes. THAT BREAKDOWN. Magic. Should’ve won, and if them winning were any forbidden because Croatia is just refusing to accept stuff I’d stan for, at least come second. Screw Luka, screw Lorena. Bring the rock music back. ^^

• oh yeah and the others I guess. Well, if I had to recommend a few entries, here goes: if you’re nostalgic for old-timey early 2000′s bops (in the style of “Everyway That I Can”), you go and listen to the aforementioned Lorena Bućan‘s entry, “Tower of Babylon”. If you dreamed of one of the Femminem singers becoming a 60s retro artiste (actually you did not, that sounds very utter random), go check her project’s (Gelato Sisters) entry, “Back to That Swing”. If you’re here for THE QUEEN DOMENICA, go ahead, check out “Indigo”, the ultimate shopping mall background music anthem. My actual other favourite together with Manntra was Beta Sudar though, as “Don’t Give Up” as some really nice pop I guess. You see what I mean when I said that Dora this year did not interest me all that much song-quality-wise? Well ofc some songs were nice but that's all and too much 'just niceness' is slowly breaking me honestly. I would have gladly cancelled the NF and put Manntra through internally instead. Epic boys deserve an epic platform to showcase themselves, I don’t make the rules here.

Thankfully that's that out of the way, now I'm just going to wish this sweet little angel man all the best in Tel Aviv and not to be too upset if he flops. I know Jacques would be upset, but for that he shouldn't put Roko through a similar mind process also...

[sheepfulsheepyardinspace]

hi! i think i can help!

first off, ‘inquisitorius’/‘inquisitorium’ is not a latin word. it is a latin words (‘inquisitor’) plus a nonsense ending (‘-ius’ is not the correct declension in this case). so in that sense, have fun with made-up latinesque space words!

second: if we were looking for the correct latin word, that would be inquisitor, masculine, 3rd declension, (gen. inquisitoris, fem. inquisitrix). if you are looking for a way to say something like “the fortress of the inquisitors” or “the inquisitors’ fortress,” i don’t believe arx inquisitoria is the best solution. inquisitor does not decline with an -a case ending and would not take an -a because “inquisitor” should not be treated as an adjective in this context (that would get you something like “fortress inquisitorial,” which, in the Latin, would mean that the fortress itself is somehow inquisitive).

here, since inquisitor is a job description and not a personal attribute (they are inquisitors [job], not inquisitive [personal]) a nominative appositive does not apply.

i believe your best solution here would be the genitive of possession. in this instance, it would be “arx inquisitorum” (note the lack of the extra i) which is “citadel of [in possession of, belonging to] the inquisitors.” here (i highly recommend dickson college’s commentaries) “ad castoris [aedes]” (quinct. 17) is even listed as an example of a limited genitive of possession, so i think it fits best.

lastly, i would suggest a couple other words instead of “arx.” arx is usually used to refer to citadel that is standing on a hill, within a city, or otherwise attached to a larger castle complex (i.e.: arx capitolina), but the fortress in show is depicted as a stand-alone military installation. castrum, neuter, 2nd declension, works well as a general term for a military encampment (particularly one that is guarded). additionally, castellum, neuter, 2nd declension, diminutive of castrum, is another option—Lewis & Short specifically list it used to mean “bulwark” or “bastion,” in 1, 8 gallic war which is certainly evocative of the fortress functioning as a bulwark against the waves. this would again be the genitive of possession, so it would be “castellum inquisitorum” or “castrum inquisitorum.”

Fortress Inquisitorius is an abomination that I’ve been forced to read far too many times in the last few days, thanks, Star Wars. I swear it should be called the Inquisitorium by standard Latin rules, or maybe the Fortress (Arx) Inquisitoria if they’re feeling fancy

[artmusicchannel]

♫ Caz, Blues Müzik, As I Figure - Latinesque, Kevin MacLeod, Jazz, Blues...

[aaronsmithtumbler]

Funnel vision

God is good. Or, at least, the two words sound similar, which isn't nothing. But these are false friends: they have no direct relationship.

As far as I can tell, the closest living linguistic relative of the word "God" in English is "infundibulum".

The ultimate proto-Indo-European root of "God" is "ghew", meaning "to pour". The connection is supposed to be pouring a libation on an altar = religion = God. "Ghew" passed away sometime in the Bronze Age, but it left behind a whole string of words in the classical languages, most notably Latin "fundo", still meaning "to pour". And Latin "fundo" survives as the pseudo-Latinesque scientific term "infundibulum", meaning "funnel" (which is also a distant "fundo" relative).

To a kabbalist, none of this should be surprising. The basic organizing metaphor of Lurianic kabbalah is God pouring Himself into a series of vessels, which either are or aren't unable to contain Him. Whatever we understand of God is a funnel, trying to pour infinite substance into the material world without spilling it everywhere.

(how is that working for us? Another English derivative of "fundo" is "futile" - the connection is through the idea of leakiness. Who was it who said that nothing you do matters, but that it is very important that you do it?)

There are various anatomical structures called the infundibulum - one in the heart, one in the brain, and one in the lung. The Ve'ahavta says you must love God "with all your heart, with all your mind, and with every breath." This is not a coincidence because nothing is ever a coincidence.

[myrecordcollections]

The brilliant French Hammond organist and pianist Eddy Louiss worked with the likes of Kenny Clarke, Jean-Luc Ponty, and Stan Getz; reed player John Surman and drummer Daniel Humair have long been major forces on the European scene. Louiss also recorded the title piece on Stan Getz’s Dynasty album – here the trio presents a wilder version with fiery solos from Surman’s baritone and Louiss on Hammond. This trio likes their Sabi hot with a Spanish tinge. On the Martinique folk song Zafe Ko Ida, the great Norwegian bassist Niels-Henning Orsted Pederson joins Louiss on Marimba and Humair on drums, keeping with the tradition of the Caribbean before Eddy switches to piano and the three transform the sound of the islands into swinging jazz. Song For Martine brings Surman back on soprano and Louiss once again sitting behind the Hammond with a plaintive balladic feel before moving into an Afro-Latin groove that underpins passionate solos. On Humair’s Out Of The Sorcellery Louiss pedals the Latinesque two-beat bass line on Hammond as he and Humair conjure their magical interplay. A classy trio album with Louiss’ superb Hammond organ play front and center and a glimmering of the Caribbean dancing in the shadows.

[chautzy]

[NƯỚC PHÁP CÓ GÌ HAY?] DU LỊCH PHÁP | KHÁM PHÁ VÙNG HẠ LƯU SÔNG RHÔNE TỪ DU THUYỀN | LOLO BỊ 2 NGƯỜI PHỤ NỮ DỤ DỖ

NƯỚC PHÁP CÓ GÌ HAY?: KHÁM, PHÁ, VÙNG, HẠ, LƯU, SÔNG, RHÔNE, TỪ, DU, THUYỀN, LOLO, BỊ, 2 NGƯỜI, PHỤ, NỮ, DỤ, DỖ, nước pháp có gì hay, nuoc phap co gi hay, tonton in france, Cuoc song mien nui nuoc Phap, Cuộc sống ở Pháp, Cuộc sống Pháp, Cuoc song Phap, Du lịch Pháp, Du lich Phap, Du lich, Nước Pháp, nuoc phap, Thôn quê ở Pháp, thon que o Phap, Cuoc song thon que Phap ra sao, làng quê ở Pháp, nông thôn nước Pháp, nông thôn ở Pháp, khám phá, du thuyền, du lịch, du lịch châu âu, kinh nghiệm du lịch châu âu

creativecommons.org/licenses/by/4.0/Source: incompetech.com/music/royalty-free/index.html?isrc=USUAN1100165Artist: incompetech.com/Luminous Rain by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 licence. creativecommons.org/licenses/by/4.0/Source: incompetech.com/music/royalty-free/index.html?isrc=USUAN1100169Artist: incompetech.com/Lift Motif by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 licence. creativecommons.org/licenses/by/4.0/Source: incompetech.com/music/royalty-free/index.html?isrc=USUAN1100176Artist: incompetech.com/As I Figure – Latinesque by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 licence. creativecommons.org/licenses/by/4.0/Source: incompetech.com/music/royalty-free/index.html?isrc=USUAN1100323Artist: incompetech.com/

𝐒𝐔𝐁𝐒𝐂𝐑𝐈𝐁𝐄, 𝐋𝐈𝐊𝐄 và 𝐅𝐎𝐋𝐋𝐎𝐖 kênh để đón xem sớm nhất các video của “NƯỚC PHÁP CÓ GÌ HAY ? tại:youtube.com/c/NƯỚCPHÁPCÓGÌHAY Liên hệ:

Gmail: nuocphapcogihay@gmail.com

Facebook : facebook.com/profile.php?id=100056621261147 (Thiên Di)

Fanpage: facebook.com/UCgUfik6BuFm0MquOj5IptTw/ (TON’S CORNER

Twitter: Nước Pháp Có Gì Hay

Instagrame:nuocphapcogihay ………………

Kênh Có Đăng Ký Bản Quyền Toàn Bộ Video….© Bản quyền thuộc về NƯỚC PHÁP CÓ GÌ HAY?© Copyright by NƯỚC PHÁP CÓ GÌ HAY?

Do not Reup#NướcPhápcógìhay#tontoninfrance#CuộcsốngmiềnnúinướcPháp#CuộcsốngởPháp#ThônquênướcPháp#CuộcsốngthônquêPháprasao#cuocsongophap#cuộcsốngpháp#cuocsongphapcógìhay?#DulịchPháp#dulich#nướcPháp

Khám phá vùng Hạ lưu sông Rhône trứ danh bằng du thuyền là một trong những mục tiêu của mình trong hành trình khám phá miền Nam nước Pháp. Hôm nay, TT và kênh “Nước Pháp Có Gì Hay?” mời cả nhà cùng chiêm ngưỡng vẻ đẹp cũng như hệ động thực vật dọc đôi bờ sông Rhône nhé!Mời các bạn cùng lên thuyền!#MiềnNamnướcPháp #HạlưusôngRhône#ThônquênướcPhápMatt’s Blues by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 licence. creativecommons.org/licenses/by/4.0/Source: incompetech.com/music/royalty-free/index.html?isrc=USUAN1100165Artist: incompetech.com/Luminous Rain by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 licence. creativecommons.org/licenses/by/4.0/Source: incompetech.com/music/royalty-free/index.html?isrc=USUAN1100169Artist: incompetech.com/Lift Motif by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 licence. creativecommons.org/licenses/by/4.0/Source: incompetech.com/music/royalty-free/index.html?isrc=USUAN1100176Artist: incompetech.com/As I Figure – Latinesque by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 licence. creativecommons.org/licenses/by/4.0/Source: incompetech.com/music/royalty-free/index.html?isrc=USUAN1100323Artist: incompetech.com/

𝐒𝐔𝐁𝐒𝐂𝐑𝐈𝐁𝐄, 𝐋𝐈𝐊𝐄 và 𝐅𝐎𝐋𝐋𝐎𝐖 kênh để đón xem sớm nhất các video của “NƯỚC PHÁP CÓ GÌ HAY ? tại:youtube.com/c/NƯỚCPHÁPCÓGÌHAY Liên hệ:

Gmail: nuocphapcogihay@gmail.com

Facebook : facebook.com/profile.php?id=100056621261147 (Thiên Di)

Fanpage: facebook.com/UCgUfik6BuFm0MquOj5IptTw/ (TON’S CORNER

Twitter: Nước Pháp Có Gì Hay

Instagrame:nuocphapcogihay ………………

Kênh Có Đăng Ký Bản Quyền Toàn Bộ Video….© Bản quyền thuộc về NƯỚC PHÁP CÓ GÌ HAY?© Copyright by NƯỚC PHÁP CÓ GÌ HAY?

Do not Reup#NướcPhápcógìhay#tontoninfrance#CuộcsốngmiềnnúinướcPháp#CuộcsốngởPháp#ThônquênướcPháp#CuộcsốngthônquêPháprasao#cuocsongophap#cuộcsốngpháp#cuocsongphapcógìhay?#DulịchPháp#dulich#nướcPháp Nguồn: DU LỊCH PHÁP | KHÁM PHÁ VÙNG HẠ LƯU SÔNG RHÔNE TỪ DU THUYỀN | LOLO BỊ 2 NGƯỜI PHỤ NỮ DỤ DỖ

from Phong Thiên Quái Lộ https://ptql.org/108333 Visit IFTTT

[boethiah]

imagine how much cooler cwc would’ve been if they’d used like, hebrew or ancient sumerian as a naming base instead of latin. cause in other games latinesque stuff was always refined to cyrodiilic or aldmeri stuff so why would a chimer use it

[atomageind]

Coming soon! . . . #atomageindustries #graphictee #esquivel! #nostalgia #style #slogantee #tshirtstyle #juangarciaesquivel #fashionsinspo #casualstyle #piano #loungemusic #lounge #exotica #spaceagebachelorpadmusic #midcentury #art #spaceagesounds #exploringnewsounds #latinesque https://www.instagram.com/p/CHY4UyEnYzl/?igshid=hmtnwckupu8c