#larry hibbitt

[nofatclips]

Hauntology by Lauren Auder

[theart2rock]

Boston Manor veröffentlichen am 06.09.2024 Sundiver

Boston Manor kündigen heute ihr neues Studioalbum "Sundiver" an, das am 6. September 2024 über SharpTone Records erscheinen wird. Die Nachricht über das fünfte Studioalbum der Band kommt zusammen mit der Veröffentlichung der Leadsingle "Heat Me Up". "Könntest du bitte das Fenster öffnen und die neue Welt hereinlassen". Die weise Einfachheit des Anfangstextes von "Sundiver" sagt alles. Boston Manor-Frontmann Henry Cox schlägt das nächste Kapitel einer Geschichte auf, die 2022 mit dem Album "Datura" begann. Jenes Album begann mit den Zeilen "Tu mir einen Gefallen, schließe das Fenster, lass die Heizung an, es gibt ein Feuer im Parkhaus, ich sehe es schwelen". "Sundiver" ist also das Yin zum Yang von "Datura". Sundiver", das am 6. September 2024 über SharpTone Records erscheint, ist das fünfte Album von Boston Manor, das für die fünfköpfige Band aus Blackpool eine neue Ära einläutet. Das Album, das auf einem Nährboden von Optimismus und Nüchternheit gewachsen ist, feiert Neuanfänge, zweite Chancen und Wiedergeburt. Da zwei Mitglieder vor kurzem Vater geworden sind, steckt in jeder Note Hoffnung. Wie alles, was sich zu tun lohnt, wurde auch diese Hoffnung hart erkämpft. Auf "Sundiver" geschieht der Wandel nicht einfach so, er wird gewollt, in der Flamme der Trauer geschmiedet und mit einem Hammerschlag der Positivität in Form gebogen. In Zusammenarbeit mit dem langjährigen Produzenten Larry Hibbitt und dem Tontechniker Alex O'Donovan wechselte die Band für die Aufnahmen von London auf die grüneren Weiden der heimischen Grafschaften. Sundiver strahlt eine Helligkeit aus, die sich wie eine gezielte Abkehr von der Dunkelheit des "Datura" anfühlt. "Sundiver" vorbestellen & vormerken hier bei CeDe Tracklist: 1. Datura (Dawn) 2. Container 3. Sliding Doors 4. Heat Me Up 5. Horses in a Dream 6. Morning Star 7. Why I Sleep 8. Fornix 9. Dissolve 10. What is Taken, Will Never Be Lost 11. DC Mini (feat. Heriot) Die beiden früheren Single-Veröffentlichungen dieses Jahres beschäftigten sich mit zweiten Chancen ("Container") und "Was wäre wenn?"-Szenarien ("Sliding Doors") und brachten eine erfrischte Denkweise mit sich, die Band war eindeutig bereit, etwas Tiefgreifendes zu schaffen, das die unvorhersehbare, glorreiche und zerstörerische Natur des menschlichen Lebens umarmt. Die Texte reichen von Paralleluniversen bis hin zu persönlichem Wachstum, von lebhaften Traumlandschaften bis hin zu rohem Kummer. Einzeln betrachtet sind sie einzelne Striche voller Bedeutung und Magie. Zusammen sind sie eine Landschaft. Leadsänger Henry Cox kommentiert die neue Single "Heat Me Up": "Heat Me Up' war der erste Track, den wir auf dem Album fertiggestellt haben. Wir waren nach Welwyn Garden City gefahren, wo wir das Album aufnehmen wollten, um zu schreiben und einige Vorproduktionen zu machen. Es war unser freier Tag, es war brütend heiß und wir hatten nichts zu tun, also haben wir im Garten gegrillt und einen Song geschrieben. Manchmal braucht man Monate, um ein Lied zu schreiben, aber dieses war an einem Nachmittag fertig. Es ist ein Song darüber, dass man von jemandem total besessen ist und dankbar für das ist, was man hat". Weiter sagt er über das Album: "'Sundiver' ist der Höhepunkt von zwei Jahren Arbeit und vier Jahren der Planung. Schon zu Beginn der Pandemie wussten wir, dass unser nächstes Album ein Doppelalbum sein würde, das in zwei Teilen veröffentlicht wird. Das erste ist ein kurzes, schattenhaftes, elektronisches Album, das in einer Nacht entstanden ist, und das zweite ist ein ausladendes Rockalbum, das den folgenden Tag dokumentiert. Beide Alben sind Produkte ihrer Umgebungen: "Datura" haben wir mitten im Winter in einem fensterlosen Studiokomplex aufgenommen, in dem hauptsächlich Techno produziert wurde; wir gingen hinein, bevor die Sonne aufging, und verließen das Studio, lange nachdem sie untergegangen war. Sundiver" haben wir zwei Sommer lang in Welwyn Garden City aufgenommen. Wir haben jeden Tag gegrillt und sind über die Straße zu einer Wiese gelaufen, um ein Nickerchen in der Sonne zu machen, wenn wir nicht gerade aufgenommen haben. Wir haben im Grunde seit der Pandemie an diesem Album gearbeitet und darauf hingearbeitet. Wir waren besessen davon, eine Platte zu machen, die sich wie glühender Sonnenschein anfühlt, oder wie dieser wellige Horizont, den man bekommt, wenn der Asphalt superheiß ist, aber wir wollten nicht, dass sie 'glücklich' oder 'Dur' klingt. Sundiver" ist bei weitem das beste und ehrgeizigste Album von Boston Manor und wir könnten nicht glücklicher damit sein. Ich hoffe wirklich, dass unsere Fans es genauso lieben wie wir. Weblinks: bostonmanorband.com www.facebook.com/bostonmanoruk Lesen Sie den ganzen Artikel

[passportapproved]

HUNDRED REASONS

The year was 2007—long before Instagram, Uber, Hulu and Venmo were a part of our lives, was the year that Hundred Reasons released their fourth album Quick The Word, Sharp The Action. For many years, it was thought of as the Aldershot quartet’s final studio album. Colin Doran, Larry Hibbitt, Andy Gilmour and Andy Bews recently made the surprising announcement, and quite shocking to some fans, that they weren’t done. In fact, album number five titled Glorious Sunset (SO Recordings) is complete and would be available to fans in February. With 15 years between albums, Hundred Reasons had time to reflect and were anxious to be creative once again. This wasn’t about recapturing previous magic or unfinished business, but more about creating fresh new music and according to the band, it’s their best work since their 2002 debut album Ideas Above Our Station. The lead single “Glorious Sunset” is about being relieved that someone you love is no longer suffering. The sunset in the song refers to the light that many people see when they die.

LINK: www.hundredreasons.com LISTEN: "Glorious Sunset"

[pear-pies]

NME - 2 February, 2002

[sinceileftyoublog]

Riot Fest 2022 Preview: 4 Reasons to Come Early, 1 to Stay Late

Bob Vylan

BY JORDAN MAINZER

This year’s Riot Fest offers a lot in the way of postponements from previous years, whether Nine Inch Nails’ headlining set 1 year in the making or My Chemical Romance’s triumphant return to the stage 2 years late. But there are plenty of great bands to check out before the sun sets. I’ve highlighted 4 bands worth showing up early for and 1 that will make you want to stick around. Oh, and even if you’re not going, you can buy some or all of each band’s music on Bandcamp.

FRIDAY

Boston Manor, 1:30 PM, Radicals Stage

Next month via SharpTone Records, British rock band Boston Manor will follow up their breakout record Glue and last year’s Desperate Times, Desperate Pleasures EP with Datura, their biggest but bleakest album yet. Recorded with Hundred Reasons guitarist, vocalist, and producer Larry Hibbitt, Datura reflects the time-warped days of the pandemic, nights filled with drinking too much and mornings filled with the repercussions of the nights. Lead singer Henry Cox immediately rattles off a series of stark observations on the alien opener “Datura (Dusk)��: “There’s a fire in the cark park / I see it smoldering / Heard my neighbor kill his own dog for going in the bins.” The music of Datura mirrors a similar pervasive sense of dread, harsh noise enveloping the otherwise dreamy guitars of closer “Inertia” and synth bounce of “Crocus”. The rest of the band--lead guitarist Mike Cunniff, rhythm guitarist Ash Wilson, bassist Dan Cunniff, and drummer Jordan Pugh--provide storming instrumentation alongside the pulsating electronics of “Floodlights on the Square” and synth glitches of instrumental “Shelter From The Rain”. 

Live, Boston Manor should play at least a couple of the singles from Datura, such as the reflective “Foxglove” and the dramatic “Passenger”, while also taking the Glue victory lap they weren’t able to experience at the height of the pandemic.

Bob Vylan, 4:15 PM, Rebel Stage

The liner notes on the deluxe version of Bob Vylan’s debut album We Live Here start with the words, “Recorded in 2019, mastered in 2020 and relevant today!” You could follow the same formula for all songs from the UK punk rap duo. Even the song that begins with an order to kill the now late queen may be updated on their current tour to use King Charles’ name instead. Bob Vylan’s music lives in constant urgency. Their second album, the phenomenal Bob Vylan Presents the Price of Life (Ghost Theatre), begins with a sample of a speech from Guyanese historian and activist Walter Rodney: “People in their day-to-day lives will know what it means to be living in a state of economic crisis.” Considering the ever-present ills of colonialism, an unprecedented cost of living and housing crisis, and even some food banks closing on Monday for Queen Elizabeth II’s funeral, Bob Vylan speak from their own experiences and on behalf of others. With a combination of driving guitars, propulsive beats, shouted choruses, and limber flow, the duo target everything from the surveillance state (“Phone Tap”) and big pharma (“Drug War”) to the blissfully ignorant (“Turn Off The Radio”) and fake progressives (“Bait the Bear”). “They say I’m violent,” laughs Bobby Vylan, before declaring, “The whole country’s fucking violent.” Fighting fire with fire out of survival, they’ll bring the riot to Riot Fest in true spirit rather than just aesthetic.

SATURDAY

Alexisonfire, 4:30 PM, Radicals Stage

They reunited 7 years ago, but it wasn’t until this June that Canadian post-hardcore greats Alexisonfire actually released a new record, their first in 13 years. Otherness (Dine Alone) strikes a delicate balance between remaining faithful to what makes the band tick while exploring new genres and styles, like the 8-minute folk, psychedelia, prog metal closer “World Stops Turning”. While they might not whip that one out during their hour-long Riot Fest set, Alexisonfire should churn through Otherness highlights like “Sweet Dreams of Otherness” and the surprisingly soft “Sans Soleil”. Of course, they’ll play classics from albums like Crisis and Old Crows / Young Cardinals, but the Otherness songs should fit in nicely in a live set.

Read our review of Otherness.

SUNDAY

Zola Jesus, 2:50 PM, Riot Stage

On Zola Jesus’ 6th album ARKHON (Sacred Bones), Nika Roza Danilova bares all. The record was born out of a state of vulnerability--heartbreak, change, writer’s block--with Danilova reaching out to collaborators earlier than ever in the creative process, including producer Randall Dunn and percussionist Matt Chamberlain. The result is the most outwardly expressive Zola Jesus album to date. On “The Fall” and “Desire”, Danilova straight up belts, dynamically over a shuffling groove on the former and raw-like over acoustic piano on the latter. “Lick my wounds like you can taste them,” she asks of a partner on “Desire”, making them tangibly consider the end of a relationship. Importantly, though the record is immensely personal, a product of intense alienation, Danilova finds common ground with the listener, finding subtle, clever ways to express the universality of her themes. She sings around syncopated samples of a Slovenian folk choir on “Lost”, the voices individually disjointed but unified in spirit. Her vocals intertwine with Louise Woodward’s chamber accompaniment on the cinematic and thrilling “Dead and Gone”, and with sinewy synths and cascading drums on “Into the Wild”. Ultimately, she speaks for all of us, wondering “How can love be misguided when your heart learns to beat?” ARKHON is forever truthful and empathetic.

Though Zola Jesus is somewhat embedded within the dark wave or industrial realms, her set should be a comparatively experimental outlier within Riot Fest, a can’t-miss at the festival for those looking for something different.

Photo by David Black

Yeah Yeah Yeahs, 7:10 PM, Roots Stage

The firmly rooted NYC three-piece are back, the band responsible for such Aughts indie rock classics as Fever to Tell and It’s Blitz! bringing their beer swilling, microphone swallowing live show to the Riot Fest grounds. More importantly, they’ve got a brand new album out at the end of the month. Cool It Down (Secretly Canadian) is, remarkably, only their fifth album in over two decades of existence, and judging by the early singles, it might be another gem in the band’s catalog. Expect to hear plenty of it on Sunday night, including slow-burning anthem “Spitting Off The Edge of the World” and the building, orchestrated “Burning”.

[tonguetiedmag]

interview: as it is

Wrapping up The Great Depression Tour with only a handful of shows left , I caught up with Patty Walters from As It Is just before the group rocked out a set at The Hi-Dive in Denver to learn more about his favorite vegan eateries, rare studio-moments during the recording of the band’s latest release, and what it’s been like welcoming in a new permanent member.

What’s been your favorite part about this tour apart from other tours you’ve done?

“I think the camaraderie. We love the bands we brought out as bands, and as people. We didn’t know Point North or Hold Close as human beings before this tour, but we were fans of their music and their art, and we’ve gotten to know everybody over the course of however long it’s been, probably about a month now-- it’s bittersweet. Sharptooth were some of my closest friends on warped tour of last year, we’ve seen them on pretty much every day off as well. It’s just been one big happy family honestly this tour; I think that’s the bittersweet part, is you have such a good time when everyone’s here and that just makes saying goodbye a little more difficult. It’s been one of my favorite tours we’ve ever done over 6 or 7 years now.”

What’s been your favorite song from The Great Depression to play live?

“​The Wounded World i​ s always going to be a standout because of the relentless energy of it--I’m just a big fan of songs that really go 100 miles an hour throughout the whole thing, it’s absolutely one of those songs. Equally, opening with ​The Reaper ​has been so much fun, and ​The Question, The Answer​ has been a nice intimate moment. We weren’t sure if we were going to be playing it out here; it’s been such a fun part of the set, it makes it so much more dynamic and intimate. So there’s a couple standouts, but I think ​The Wounded World​ is probably my favorite moment of the set, which is why it’s last in the set and it’s the biggest climax and finale that we possibly could have created.”

Is there any song you wanted to put on the setlist that didn’t make the cut?

“Yes-- and part of the nature and the reason behind is that Ronnie [Ish, lead guitar] is a very new member and only knows so many of our songs right now, so we were limited to songs that we were playing on our most recent EU and UK headline run, which is why this setlist bears so much similarity to that one. But equally, we put so much time and effort and thought into this set so that it does feel theatrical and ... special-- It’s a set that we have all crafted and believed in. Adding “​Such Great Heights” ​[The Postal Service]​ t​ o the equation out here has been really fun, so there were a couple that we did manage to sneak in. I think we’re getting Ronnie there maybe one or two songs per tour, just learning the entire As It Is discography slowly.”

When did you guys know you wanted Ronnie to become a permanent member?

“For a while, it’s been a long time coming. Ron was in the studio when we were writing and recording The Great Depression, but Ronnie has been family for a long time--we met Ronnie in 2015 on the Vans Warped Tour, he was living on our bus. He, in the interim period, served as every different touring crew member...you could imagine, as tour manager, guitar tech, driver, and merch. The thing about it--and I think it’s often a thing that gets viewed from one perspective-- is it’s not only ‘Did we want Ronnie to join?’ (which of course we did), it’s ‘Does Ronnie want to commit to these four people, this lifestyle where he doesn’t get to see his friends and family very often, where he doesn’t get paid as much as he probably could back home. For that reason I think we’re really flattered and humbled that he wants to commit the next however many years of his life to this band and us as people. The first real trial period of tour was warped tour of last year. That was Ronnie’s first time playing onstage with us, but we just kind of knew it in the back of our minds, and the back of his, that this was what we were meant to do together.”

Has the dynamic changed at all?

“Oh massively. Ronnie has the biggest personality of anyone I’ve ever met, for better or for worse; some days you’re not in the mood to be surrounded by such a loud presence. He’s one of a kind and he brings so much more energy and sincerity to what we do to our live performance, and engaging and interacting with our fans on and off stage, before and after the set.”

What’s a favorite memory you’ve made with another band on this tour?

“That’s a great question! Doing Disney world with every band on this tour was really fun, that was a really nice moment. We did an escape room with Sharptooth and Doll Skin in Arizona, that was really fun-- I had never done an escape room before, I don’t think most of us had. We were divided into four, which became two teams due to the nature of the escape room-- it was tons of fun.”

With the stark difference sound-wise between ​Okay ​and ��The Great Depression​, how have you seen the dynamic of your fanbase change, if at all?

“Well, that’s one of the most interesting, kind of humbling things is that, we were uncertain as to who was still going to relate to this sound, enjoy this sound. One of the most humbling things is that so many fans from all around the world, that have been with us for upwards of five years since we’ve been touring internationally are still coming out to shows-- and it’s like nothing has changed, even though so much has changed. I think it speaks to the authenticity of the art that people can totally really love what we do and really believe in what we do. Yes, we’ve embraced a much more aggressive, darker sound, but it was the only natural evolution for our sound as a band for sure.”

Whatever you guys release next, are you gonna take it slow? Do you have ideas?

“I have ideas. Although, it was a conscious decision to be more present and engaged during the release of ​The Great Depression.​ We started writing ​The Great Depression​ three weeks before Okay was released, so when everyone got to really appreciate and consume okay, we were busy creatively, consciously invested in this next album. We didn’t get to live in the moment of ​Okay as much, and I was very aware that it would be a mistake to do that again. We all have ideas for the next record, but we haven’t started writing just yet. Equally, there are exciting expansions of The Great Depression​ that people are gonna get to enjoy pretty soon--we’re really making this one last.”

What motivates you to get up and keep going every day?

“Honestly, I’ve just made more of a conscious effort to live every day for me, as selfish as that sounds. Being as painfully introverted as I am, the most minute interaction often claims a big piece of myself and my energy. So I very selfishly at times hide myself away in my bunk, or in a cafe or something like that. We’re just working on so many exciting things right now that I don’t really have the time or the opportunity to slow down-- speeding away on a million different As It Is related projects, that’s pretty exciting.”

With you spending a lot of time in cafe’s and such, what’s your favorite place when you’re traveling to stop and eat, a place you look forward to?

“I wasn’t familiar with, but loved Arlo’s in Austin, Texas. Although, the thing about seeking out vegan restaurants on tour is that they’re not always healthy, and I’ve made a more conscious, mature decision to be healthier on tour for everyone’s well being, because I feel like trash if I just eat fake meat and cheese all day. Some of my favorites... I wanna say it’s called ‘Blackbird’s Cafe​’ o​ r something, but it’s in Philadelphia. They do an amazing vegan philly cheesesteak, vegan wings-- they have these root beer barbecue wings. That was a rare, indulgent, ‘eat the trash, feel like trash’ moment, but it was worth it.”

How do you personally fight against writers block?

“Something that I’ve found only more recently--over the last year or so-- is that I hold some of my biggest influences to such a high standard, I put them on the tallest of pedestals. Some of my favorite writers/lyricists are Adam Young from Owl City, Lights, Motion City Soundtrack, Death Cab For Cutie, The Postal Service. Something I’ve done more recently is--yes, these artists have written some of my favorite songs--some of which I believe to be the greatest songs ever written-they have also written songs that I just don’t enjoy. I seek out those songs to remind myself that everybody is human, everybody falls shorts at least in my standards [when it comes to] music that I enjoy, and remind myself that just because these people are my biggest influences in the world, doesn’t mean that they write perfect songs every time. I love starting songs, and hate finishing songs. I start a lot more projects than I finish; partly because the potential of an idea becomes very romanticized in my head, and a lot of the time the actuality of finishing that idea isn’t as great as the potential that I see in it-- and that is a very difficult battle to win some days. What I do is remind myself that every great songwriter is human, and falls short, and doesn’t write 10/10 songs every day of every year.”

Who did you guys pull inspiration from when writing The Great Depression?

“So, we very consciously paid homage to post hardcore and emo bands, such as Armor for Sleep, Underoath..But equally, being a band from the UK, and having lived in the UK since i was five years old, I listened to so many british post hardcore bands that never got the international recognition that this band is fortunate enough to have recieved. We paid homage to bands like Hero for a Friend, Hell is for Heroes, Hundred Reasons-- the third track on The Great Depression,​ The Fire, The Dark​ is co-written with Larry Hibbitt of Hundred Reasons. If you’re from the UK, and you grew up in the 90s and 2000s there was no way to not know about this band. They were on mainstream radio, playing festival mainstages, a giant in UK rock music--but I guarantee none of our fans ever hear of that band, and getting to write one of our songs alongside one of the acts that we were paying tribute to was very cool, very surreal.”

The Great Depression also features a lot of smooth, instrumental transitions between sings--what was your favorite one of those to create?

“I think my favorite to create was the transition between​ The Reaper​ and​ The Two Tongues (Screaming Salvation)​. I don’t know if anyone knows this, I don’t know if I’ve ever said this, and I don’t know if you can even tell--but in the buildup into ​The Two Tongues​ there’s a sample of a song called ​The Prisoner’s Song​, and I don’t even remember who its by, but it was written in like 1925. There’s all this guitar feedback and eerie soundscapes, and our mad scientist of a producer, Machine, had the idea of screaming into the guitar pickups-- because screaming “salvation”, it made sense. [There’s] this never seen, never released video of Machine screaming “salvation” into the guitar. You probably can’t hear it- I can hear it ‘cause I was there: right before the song kicks in , there’s this very distorted sound. It’s a guitar, but you can hear that Machine is screaming “sal-va-tion” into the guitar, and maybe if you really listen closely you’ll hear it now. It’s one of my favorite moments, because i feel like modern music--not even just modern rock music--modern ​music​ isn’t as indulgent as it used to be. I used to read about all these incredibly indulgent studio stories that I just feel like don’t exist anymore, ‘cause no one has the time nor the budget to be as indulgent as some of the greats used to be. Getting to play around with silly things that ultimately don’t matter, but equally fulfill ​you​; ​that’s​ why they matter.” 

If you could spend one day jamming with a favorite musician dead or alive who would it be, and why?

“For me it would be Adam Young in Owl City. Just my biggest influence of all time, somebody that I just respect so endlessly. I think he’s just an expert in sound just as much as he is in songwriting, I just love everything he’s ever done.”

What’s a song--either on the setlist or not--just a song of yours that you hold a lot of personal meaning to?

“​Hey Rachel​. Just hearing audiences from every end and hemisphere of the world sing your sisters’ name is always going to be hugely sentimental and personal, and it’s a very personal moment of every set we play.”

What is a song you can rage to no matter what, something that gets you hype every time?

“​Clever Girl​ by Sharptooth. Anytime [when] we were on warped tour of last year I would seek out the Sharptooth set and just get a little more fired up, and a little bit more pissed off at the state of the world, and get a little more inspired-- it’s something that I’ve tried to catch as many times as I could on this tour, cause it makes me so much more excited for my set--it’s such a great song.”

If you had to describe your music to someone who doesn’t hear, how would you describe it?

“Where optimism and pessimism come to kick the shit out of each other.”

If you want to catch the group on their upcoming “The Intimate Depression” run, or see when they’ll be playing near you next Check them out Online:

https://asitisofficial.com/

https://www.facebook.com/asitisofficial/

http://www.fearlessrecords.com/artists/as-it-is/

https://twitter.com/ASITISofficial?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor

Interview by: Liz Holland

[beginagain--]

Check Out Boston Manor's Latest Single, 'Foxglove'

Check Out Boston Manor’s Latest Single, ‘Foxglove’

Currently on an extensive headline tour of North America, packing out some impressive venues, Blackpool’s Boston Manor have released their first new music of the year with a seductively spiraling new single ‘Foxglove’. The track comes from a cohesion of ideas and energy in the studio recording with Larry Hibbitt in Brixton. As frontman Henry Cox says: “We’re in a cool spot in our writing at the…

[852recordstores]

https://www.852recordstores.com/products/sea-girls-homesick-lp-2022

SEA GIRLS - Homesick LP 2022

Following the success of their UK Top 3 debut album in 2020, Sea Girls will release their 2022 album, Homesick. They have teamed up with longtime producer Larry Hibbitt and Grammy Award-winning producers Jacknife Lee, Jonny Coffer and Cass Lowe to co-produce the record. A deeply personal record, singer Henry Camamile returned to his childhood home in Lincolnshire at the wake of the pandemic and found himself reflecting on events from his past.

Hometown

Sick

Lonely

Someone’s Daughter Someone’s Son

Sleeping With You

Paracetamol Blues

Again Again

Lucky

Higher

Cute Guys

Friends

Release Date: 18 Mar 2022

#SEA_GIRLS

#Rory_Young

#Oli_Khan

#Henry_Camamile

#Andrew_Noswad

[lyrics2world]

I Got You Lyrics - Sea Girls

I Got You Lyrics – Sea Girls

I Got You Lyrics from Homesick (2022) is the latest English song sung by Sea Girls.I Got You song lyrics written by Henry Camamile, Gianluca Buccellati and produced by Larry Hibbitt.This song published by Sea Girls. I Got You Song Details Song: I Got You Album: Homesick (2022) Singer: Sea Girls Written: Henry Camamile, Gianluca Buccellati Producer: Larry Hibbitt Label: Sea Girls I Got You…

[calowen]

I AM ROSIE MAY - Dishonest Mind (Music Video) - Coming Soon Producer, Guitarist

[wyrdwaysrockshow]

Hundred Reasons to perform Ideas Above Our Station in full at Sonisphere

Hundred Reasons to perform Ideas Above Our Station in full at Sonisphere

With just four weeks to go, SONISPHERE announced some further additions to the bill.

Originally booked to perform for the 2012 event, HUNDRED REASONS reformed in November that year to celebrate the tenth anniversary of their 2002 Ideas Above Our Station album.  Such was the demand that a second show had to be added in London, Manchester was upgraded, and every ticket was snapped up.  Roll on two…

[lelespeaks]

Larry Hibbitt

[passportapproved]

SEA GIRLS

London–based Sea Girls are set to release their debut album, Open Up Your Head (Island Records), on August 14th. The 14 tracks are emotionally charged, deeply personal and radiate from beginning to end. Produced by Larry Hibbitt (Nothing but Thieves, Sundara Karma, Dinosaur Pile–Up), the album showcases the band’s elevated songwriting, with frontman Henry Camamile stepping into the spotlight as a genuine storyteller for his generation. Their current single, “All I Want To Hear You Say” premiered as Annie Mac’s “Hottest Record” on BBC Radio 1 and is the follow–up to their successful song, “Do You Really Wanna Know?”

LINK: www.seagirls.net LISTEN: "All I Want To Hear You Say"

[lyrics2world]

Friends Lyrics - Sea Girls

Friends Lyrics – Sea Girls

Friends Lyrics from Homesick (2022) is the latest English song sung by Sea Girls.Friends song lyrics written by Henry Camamile, Oliver Kahn, Rory Young and produced by Larry Hibbitt.This song published by Sea Girls. Friends Song Details Song: Friends Album: Homesick (2022) Singer: Sea Girls Written: Henry Camamile, Oliver Kahn, Rory Young Producer: Larry Hibbitt Label: Sea Girls Friends…

[lyrics2world]

Cute Guys Lyrics - Sea Girls

Cute Guys Lyrics – Sea Girls

Cute Guys Lyrics from Homesick (2022) is the latest English song sung by Sea Girls.Cute Guys song lyrics written by Max Wolfgang, Henry Camamile and produced by Larry Hibbitt.This song published by Sea Girls. Cute Guys Song Details Song: Cute Guys Album: Homesick (2022) Singer: Sea Girls Written: Max Wolfgang, Henry Camamile Producer: Larry Hibbitt Label: Sea Girls Cute Guys Lyrics Just…

[lyrics2world]

Lucky Lyrics - Sea Girls

Lucky Lyrics – Sea Girls

Lucky Lyrics from Homesick (2022) is the latest English song sung by Sea Girls.Again Again song lyrics written by Kieran Shudall, Henry Camamile and produced by Larry Hibbitt.This song published by Sea Girls. Lucky Song Details Song: Lucky Album: Homesick (2022) Singer: Sea Girls Written: Kieran Shudall, Henry Camamile Producer: Larry Hibbitt Label: Sea Girls Lucky Lyrics If my brother…