#lancaster bros

[sleepinelysium]

An actually new work!!! Haven’t had one of those in a while.

[vexwerewolf]

Showrooms of LANCER Manufacturers

IPS-N

IPS-N showrooms are what you'd get if you slammed a truck dealership, a hardware store, a camping gear shop and a sports bar together in the Bass Pro Shops Pyramid. We're talking row upon row of shelves stocked with the most precision-engineered engine parts you can print on one side of the floor, and on the other, durable, hard-wearing survival gear. Camping stoves you can run off of your mech's coldcore, sleeping bags that'll survive a HEX charge, automatic camo cloth, the works.

Right down the middle, you've got the mech floor. They've got the Tortuga. They've got the Blackbeard. They've got the Drake. They've got the Lancaster and the Kidd. They've got the Vlad (they put a chain-link fence covered in DO NOT TOUCH signs around that one after the infamous CFO's 10-year-old Incident). They've even got the Raleigh, kinda tucked away a little bit behind the water feature, but it's there!

Everything on the shop floor is ruggedized to the point that you could take a mech's fist to it without leaving a dent - and they sometimes do that to demonstrate the engineering quality. There's a giant screen hanging from the ceiling displaying constant advertising for the mechs and IPS-N in general, usually striding purposefully through idyllic Diasporan wilderness or doing hard, honest work like starship loading or construction. There's a mixtape of the most famous bro-country hits playing 24/7.

Smith-Shimano Corpro

In a word: bespoke. Everything in this place is custom. Each and every desk is individually built according to the height of the salesperson who sits behind it, and manages to be a unique art piece without disrupting the overarching aesthetic of the showroom. Whenever there's a change of staff on the sales floor, they rearrange every single desk so that they're still in ascending order.

All of the salespeople are inhumanly pretty, by the way. This atelier has its own fully-staffed makeup and wardrobe team. You're part of a work of art when you work for SSC. Everything and everyone gleams. Even the most chic visitors might feel underdressed in the midst of all this splendour.

The mechs aren't just there to be sold, they're there to be part of the experience. You might see a Monarch holding up the ceiling like the titan Atlas himself. A Mourning Cloak might be posed provocatively like a nude statue. That Swallowtail - is it in a slightly different position every time you see it, or is that just its camouflage decals? How does it always manage to be just inside your line of sight, even when you're looking somewhere else?

They have a catwalk, like you'd see at a fashion show, but it's sized for mechs. If they really think you might make a purchase, they'll queue up the entire performance for you, and you'll get to see a Viceroy strut.

The mix tape for this showroom is a seamless mixture of complex jazz, psychedelic ambient and classical piano music. It's sophisticated and mysterious.

Harrison Armory

Imagine if America could be a showroom. Harrison Armory mech outlets are part dealership, part museum. Every mech is in its own diorama, depicting some heroic event in the Armory's glorious history. A phalanx of Sherman Mk. Is holds the line against some Diasporan slaver-tyrant's army. A Saladin fends off Karrakin hordes during the Interest War. The Genghis Mk. II? Oh, that diorama isn't open right now, it had to be closed for *coughcoughcough* and *coughcoughcough* but let's move on shall we heh heh

Everyone who works here has been in the Colonial Legion at some point, and knows every specification of the mechs they sell off by heart without even looking at their slate. If possible, the Armory tries to employ people who have actual combat experience with the mechs they're selling; people who can speak to the efficacy of their technology first-hand. It's one of the many programs which the Armory has open for retired veterans; it's easy work for decent pay, good benefits and it looks great on your Social.

The music here is a constant loop of patriotic Armory anthems. If you've ever heard the music from Starship Troopers, or the Outbreak of War from Star Ocean, you'll know what I'm talking about.

HORUS

Being a decentralized omninet collective with no official branding or even consistent manufacturing standards, it should come as no surprise that HORUS has no showrooms.

ERR:CONNECTION_INTERRUPT

CartesianWhisper: P55555t CartesianWhisper: Ignore that 5hithead CartesianWhisper: They don't have any idea what they're talking about CartesianWhisper: You want a mech, kid? CartesianWhisper: And I'm not talking the tra5h the Purv5 try to 5ell you CartesianWhisper: Or that overpriced garbage 55C want5 you to mortgage your genetic5 for CartesianWhisper: Or the macho trucker bull5hit IP5-N i5 trying to hawk CartesianWhisper: I'm talking about the REAL DEAL CartesianWhisper: The PROPER 5TUFF CartesianWhisper: Log on to rgx0582.node-7.c4l.omni CartesianWhisper: I'll 5how you what true power mean5 >:]

[tera-ixie]

Bro does NOT look like Bert Lancaster

[stressedklein]

i think your psychologist is broken. bro needs some pain meds or something

"Lancaster has been through A LOT. But thann you for the worry and notice..."

*Klein speeds off to Lancaster's office, then knocks at his office door repeatedly*

@drlancasterpsychology

[zexapher]

Art Imitates Life

Had this idea in my back pocket for what must be a few months now, but after Akumu_Oukoku’s wonderful ‘Weiss is silly’ meme,  I thought I’d finally put this one together. That, and I wanted to make a little something to celebrate White Knight’s glorious victory in Ship Wars 8! The hordes of r/fnki well and truly descended upon the tournament, and all the better for White Knight!

I think there were a few folks on the regular sub that hadn’t quite realized just how popular White Knight had become within the community, but fnki itself has turned into something of a fortress for the ship, and the results of the tourney speak for themselves. White Knight really wound up dominating, becoming champion by an overwhelming margin, and with just Lancaster and Nuts & Dolts putting up strong competition in the previous rounds.

I’m impressed, and super stoked. It’s really something special seeing White Knight come out so strong after so many years treated as a pariah, having never before made it past the first round but now becoming the champion. The stars had aligned, really. The final round taking place on Weiss’ birthday, White Knight winning the championship being the perfect gift. Volume 9 had given the ship strong foundations to stand on. We can see that expressed in not only the various memes put out over time, but also in the A-Jaune-da alliance and numerous comments inundating the polls in order to promote the ship. White Knight shippers really had an incredibly strong messaging campaign this tournament, I might say no one else came close, and we always kept it positive. Everyone involved should feel proud.

Now, as for this meme, I chose these six characters (and Weiss) because I found it rather appropriate that they have all to some extent shipped White Knight in canon. Jaune, of course, is an obvious one. The story is littered with examples for him all the way through. Similarly, Weiss has been growing fonder of Jaune throughout the show, but Volume 9 saw her interest revealed in a very pronounced manner. Nora has the most tenuous claim here, having shared few moments with Weiss. However, Nora has a moment in Volume 5 where she teases Weiss about liking Jaune’s nickname, going on to tease the Ice Queen about her thawed heart.

Oscar, of course, gets his absolutely stoked look that he throws at Jaune when Weiss accepts Jaune’s invitation to the movies. Like, Oscar is just so happy for his big bro. Blake has a moment or two over the course of the show, notably her happy little glance between Jaune and Weiss at the Argus reunion, her smug look at the ~mature~ line, and how she perks up at Weiss’ giggle with Jaune about his restored youth. No real surprise there, since Blake is actually Jaune’s offscreen super-secret best friend. Yang herself throws a little dating advice Jaune’s way, and gets her ‘one day’ line, when our boy was down in the dumps following a rejection or two. She points out to Weiss that her harshness rejecting Jaune is the sort of thing that earned her the Ice Queen nickname. And, like Blake, Yang gets her own smug look following the ~mature~ line. Then there’s my most controversial addition to this list, Pyrrha. After all, she did walk Jaune through how to ask Weiss to the dance.

Yes, this was all an excuse for me to make a post about every little scrap from the show suggesting the characters ship White Knight. If anyone can think of any more, feel free to share. Maybe Cindere killing Jaune’s rival love interests, yet her attempts on Weiss’ life seem to have only helped Jaune and Weiss grow closer, hmmm. Well, I hope you all enjoy, I had good fun making it!

[jgroffdaily]

The New Yorker Interview

Jonathan Groff Rolls Merrily Back

The actor reflects on his journey in reverse: from his latest Tony nomination to his arrival in New York, waiting tables and dreaming of Broadway.

By Michael Schulman, Photograph by Thea Traff

June 2, 2024

Excerpts:

One of the problems with “Merrily” is its protagonist, Franklin Shepard, whom we first meet as a slick, philandering forty-year-old Hollywood producer. It takes two acts to arrive at the charismatic musician he once was, with a lot of mistakes in between. Putting effect before cause gives each scene a painful irony—but how do you get an audience to care about a guy who’s off-putting for so long? “Merrily” is back on Broadway, in a production directed by Maria Friedman, and it’s finally a hit. One big reason is its Frank, played by Jonathan Groff, whose natural warmth shines through even in the character’s older, sleazier incarnation. When this revival opened Off Broadway, in 2022, The New Yorker’s Helen Shaw wrote, “Groff’s silky tenor and angelic face elevate a part that can sometimes be contemptible—for the first time, I could see Frank as both the dreamer who believes in greatness and the glib charmer who believes every lie he tells.”

Groff, thirty-nine, is now nominated for a Tony Award, alongside Friedman and his co-stars Daniel Radcliffe and Lindsay Mendez. He was previously nominated in 2016, for “Hamilton,” in the scene-stealing part of King George III, and in 2007, for the indie-rock musical “Spring Awakening,” as the rebellious schoolboy Melchior Gabor—his breakout role, opposite Lea Michele. Groff had come to New York three years earlier, as a stagestruck, closeted nineteen-year-old from Lancaster, Pennsylvania, where he grew up among Mennonites and was obsessed with the original cast recording of “Annie Get Your Gun.” “Merrily,” with its themes of aging, idealism, and the vicissitudes of show business, has had Groff thinking about his own path toward stardom. “Doing this show on Broadway at this time, moving to New York twenty years ago, I’ve now lived the time frame of the show,” he told me recently.

We were talking at a bakery north of Washington Square Park. Groff had glided in on a bicycle. As we spoke, he frequently welled up with tears—he’s a crier—but regained his composure by focussing on a pair of googly eyes affixed to the wall behind me. For our conversation, which has been edited and condensed, I had an experiment in mind.

Let’s start with the extremely recent past. Three days ago, you went to the Met Gala. How was your night?

The big headline for me was Lea Michele was pregnant, and I sat next to her at the table, holding her giant train thing while she peed. She took it off, and I was holding that and her purse. I saw Zac Posen, who was at our table, help Kim Kardashian up the little tiny stairs, and I said to him, “Wow, that was such a sweet moment of the gay helping the diva.” I was relating to him, like with me and Lea. It’s a zoo of famous people. I was going to go to the after-parties, but my body was just, like, “No.” I hit a wall from the shows and the epicness of the week, with the Tony nominations. So I was home by eleven-forty-five, and in bed by midnight.

The Broadway production of “Merrily” opened last fall. You told Jimmy Fallon that Meryl Streep came to your dressing room, where you have a bar named BARbra, and she took a video of you and sent it to Barbra Streisand. Who else has been there?

The first thing that comes to me is sitting in BARbra in October or November, drinking whiskey with Sutton Foster. I came to New York as a teen-ager and saw her six times in “Thoroughly Modern Millie”—now she’s in BARbra, dropping in for, like, an hour and a half after the show, and it’s so full circle. Who else? Patti LuPone was there—another big one for me. Phoebe Waller-Bridge and Martin McDonagh. Glenn Close sent back a bottle of champagne to be chilled in BARbra, which we drank together.

This show, like every Sondheim show, is very dense. Over the course of three hundred-plus performances, are there certain moments that have suddenly hit you a different way, or that you realize have a double meaning?

Double, triple, quadruple, infinity. I’m still having revelations, which really makes me believe that it’s a true work of art. Maria [Friedman] talks about how, with Sondheim’s writing, he “leaves space,” which is why it’s always new. He always needed to work with a collaborator, and she talked about the actor being an essential collaborator. She said the lyric he wrote in “Sunday in the Park with George”—“Anything you do, / let it come from you, / then it will be new”—is Sondheim’s directive to the actor.

The Tuesday after the Tony nominations, I got to the theatre, screamed with Lindsay [Mendez], screamed with Dan [Radcliffe]. [He chokes up.] Then I was singing “Growing Up”—“So old friends, don’t you see we can have it all?”—which has meant so many different things to me in the run of the show. At yesterday’s matinée, Dan and I were sitting on the roof singing “Our Time”: “Up to us, pal, to show ’em.” We’ve done it a million times. We look at each other, and Dan just fucking loses it crying. He had to look away from me. We talked about it afterward, like, “What the fuck was that?” I don’t know. Something just happened.

When you started the show, in 2022, at New York Theatre Workshop, were there kinks in your performance that you’ve since figured out?

I remember feeling shocked at being disliked for so long in the first half of the first act. It was very clear from the energy of the audience that they loved Mary in the opening scene—immediately, they’re on her side. I’m out here as a gay guy, playing this straight, two-timing Hollywood producer who’s cheating on his wife. I’m already having to feel confident in a way that I don’t in my everyday life, this sort of swagger. And the audience hates me. I remember feeling scared and self-conscious. Maria, in that preview process, really helped with that, because she talked about the value of when it’s real, and you’re not playing ugly just to be ugly. The one line that I really struggled with was “I’m just acting like it all matters so people can’t see how much I hate my life and how much I wish the whole goddam thing was over.” That is a really confronting thing to say.

People might say that this is one of the fundamental flaws of “Merrily We Roll Along”—that you’re confronted with this cynical, smarmy Frank in the first act, and you don’t really understand him until the show’s over. I can imagine going into this not knowing if that’s a solvable problem, because it hadn’t been for decades.

Well, Maria wanted us to find the truth. She really believed that these characters weren’t archetypes, that there’s humanity in the writing from beginning to end. I found it after that first week or two of previews, not being so afraid. The line that made me want to do the show was “I’ve made only one mistake in my life, but I’ve made it over and over and over. That was saying yes when I meant no.” I’ve done that a lot in my life, and there was something that felt like the closeted version of myself. George Furth and Stephen Sondheim—I can only imagine being gay at the time that they were gay. Even though Frank is straight, there’s so much repression that feels very familiar to me.

Except that you felt it at the beginning of your life and not the middle, as Frank does.

Yes and no. I still feel it. I’m still trying every day not to go back. I’m obviously out of the closet, so that’s a huge relief, but I’m always going to be reckoning with the Republican upbringing that I had. I’m always negotiating whatever homophobia I’ve got. It’s all in there, still. What we see as ugliness in the top of the show, to stand and say, “I want to fucking kill myself, I hate my life,” and not overdramatize it but try to find it in the most pure, truthful place—it’s still, every night, a meditation to go there.

Let’s wind back. In 2021, you played Agent Smith in “The Matrix Resurrections.” Any good stories about Keanu Reeves?

Getting to play Agent Smith really unlocked rage inside of me that I didn’t know was there. That’s helped me so much with “Merrily,” particularly in the first act. Learning the kung fu was, like, months of fight training. They called me the Savage, because I was so into it. We were shooting a big fight sequence with Keanu, and, after the first few takes, I remember Lana [Wachowski] at the monitor, like, “Jonathan, come over here. Who is that?” I was, like, “I don’t know.” And she was, like, “And what is that?” I said, “Gay rage?”

I’d never shot a gun before. I shot Keanu and thought I had peed my pants, because I had this hot feeling. You know when you pee yourself and it’s warm? It lasted about ten minutes and then it went away. I sat next to Keanu and said, “Keanu, I just had extreme heat from my groin for, like, ten minutes.” And he was, like, “You opened up your root chakra.”

You turned thirty that year [Hamilton]? How was that?

I remember it vividly. We were at the Public Theatre. There was a fire in the East Village, and the show was cancelled that night. I got a cupcake at the deli around the corner from my apartment, on Sixteenth Street, and ate it by myself. I can be a bit of a loner, so that was a happy birthday for me.

(On Looking being cancelled)

But, in 2015, Michael Lombardo was our executive at HBO, and I was crying into my salad at some restaurant in West Hollywood, trying to convince him to keep the show going, right before getting on the plane to come do “Hamilton” Off Broadway.

I loved Raúl Castillo, who played your love interest Richie on the show. I interviewed him around then, and he told me that, since he’s straight, you all had to teach him some of the mechanics of what gay people do.

Oh, yeah! God, I love him so much. I officiated his wedding in July.

Let’s go back to 2013, when “Frozen” came out. You voiced the iceman Kristoff and the reindeer Sven. How did that film change your life?

It’s funny—I remember recording some of “Frozen” in San Francisco. I would be teaching Raúl, like, how to lick my asshole while jerking me off—not teaching him, but sharing the ins and outs of gay intimacy—and then going into the recording studio on a Saturday and being Kristoff and Sven in a Disney movie.

When they showed me “Let It Go” for the first time, I was, like, Oh, my God, this will help millions of people come out of the closet. This is the gayest thing I’ve seen in my life! That was the thing about “Frozen”: I don’t think anyone who worked on it thought it was going to be a juggernaut. It’s so weird to think of this now, but when it came out it felt quite alternative, because there was no villain, really, and the love was between two women. Now there are, like, tissues with Elsa on it.

Now we’re moving backward to “Spring Awakening.” By the time it moved to Broadway, in 2006, you were the twenty-one-year-old lead of the coolest musical in town. What was your actual life like?

I was so not cool. The show was cool, and the music was cool. I had people dropping me off joints at the theatre. And I remember fully understanding the stark difference between who I was playing onstage and who I was in real life, which was an extreme theatre nerd who wanted to be in the ensemble of “Thoroughly Modern Millie” and never would have imagined playing Melchior. It’s his gravitas. And trying to tap into that side of myself, which was a side I’d never experienced before.

Tell me about your audition.

I went to the open call and knew who Michael Mayer was, because he had directed “Thoroughly Modern Millie.” But it was “Spring Awakening” and I was, like, There’s a beating scene? This is so intense! They called me in for Melchior, then had me sing “Hey Jude” in a falsetto, and Michael was, like, “That was your falsetto?” And I laughed at him sort of making fun of me. Tom Hulce, who was our producer, told me years later that he moved my head shot from the “No” pile into the “Yes” pile because I had laughed at Michael in the audition, and he thought, This kid has the ability to let Michael roll off his back. We should bring him back in the next month or two.

It was, like, ten people up for Melchior. They brought me in first, because they thought they would just see me and cut me. But I had worked so hard on the audition material. I remember calling my dad the night before the final callback and saying to him, “I know I can’t be this character all the way yet, but I—”[He tears up again.] I really got to get my shit together! Why does this keep happening to me?

Because we’ve gone on an emotional journey.

I guess so, in reverse! Fuck me. [Pauses.] I knew that I had it inside, if they would just give me the chance. That’s all I was trying to say, but I guess I can’t stop crying while I’m saying it.

In 2005, you made your Broadway début, as an understudy in “In My Life.” Now, this was the weirdest musical I’ve ever seen. As I recall, there were dancing skeletons in a song about how everyone has a skeleton in their closet, a giant lemon that came from the sky at the end, and a girl on a scooter who turns out to be a ghost. And it was written by the guy who wrote “You Light Up My Life,” who then came to a dark end.

And his son!

Yes, his son killed his girlfriend. What the hell was going on with that show? Did you ever go on?

I went on for the ensemble members. I was so excited! I was in my first Broadway show, at the Music Box Theatre, walking in where it says “Stage Door.” And you couldn’t give away tickets to see the show. People were coming to laugh at the show from the audience.

Like “Springtime for Hitler”?

Exactly. And the cast had to do the show, even though people were laughing at them, which is devastating for the actors. But we formed a little family. It’s the plight of the actor. You’re just out there, like Sally Bowles in “Cabaret.” I was twenty years old, so I was lit.

Had you been waiting tables?

Yeah. The whole year before that, I was at the Chelsea Grill, in Hell’s Kitchen. The day I got to New York—October 21, 2004—I moved to Fifty-first Street and Ninth Avenue, before it was super gay, and I walked down Ninth and got a job waiting tables. A week later, I waited on Tom Viola, who runs the charity Broadway Cares, and became a bucket collector. I’d watch the second act of shows and then collect the money at the end. I went to hundreds of auditions, trying to get my Equity card. That, to me, was “Opening Doors,” from “Merrily”—that moment of sheer will and ambition and ignorance.

We’ve now reached our finale, which is 2004. Can you tell me about the decision to move to New York?

My mom was a gym teacher and my dad is a horse trainer, and they didn’t really understand anything about the performing world. But my dad grew up on a dairy farm, and he was supposed to take over and become a Mennonite preacher, which is what my grandfather was. My dad didn’t like cows—he liked horse racing, so he sort of rebelled and did his own thing. My mom always says that nurse, secretary, or teacher were the options for women in a small town at that time, but her passion was sports, so she ended up being a coach.

So they understood the power of fanning the flame of passion. When I was a kid and into acting, they drove me to play practice. They drove me to community theatre. My senior year of high school, my mom drove me to New York to audition for this bus-and-truck tour of “The Sound of Music.” I got that tour, and deferred my admission to Carnegie Mellon. I made ten thousand dollars after a year on the road, and I learned so much from getting to act every day. I wanted to take my ten thousand and move to New York, and my parents were super supportive: “If you feel like you need to go to college, you can always go to college. But take a gamble and move to the city.” I’d worked at this theatre in Lancaster called the Fulton Opera House, where I’d met this girl who wanted to move to New York, so she became my roommate.

To me, “Merrily We Roll Along” is about how difficult it is to stay in touch with the person you were as adulthood knocks you sideways and forward. When you think about nineteen-year-old Jonathan coming to New York, do you feel like you’re the same person? What’s changed?

[He bursts into tears.] I can’t tell why I cry! When we were about to start rehearsal for “Merrily,” I would listen to “Our Time,” and I couldn’t sing it without crying. And, when I think about that version of myself—I think it’s because that person who brings you here does diminish. Maybe it’s the grief for that person. The whole reason that I’m here now is because of that person, but that person no longer exists.

But that person is still in there, somewhere. That voice is so quiet now, but it’s still driving my choices. You have to make choices. You get older, that pure inspiration dies, but it doesn’t have to go all the way away. I think that’s the whole point of the show, why it goes backward. Maria says that Sondheim put all of his regret into it, so that we could have less regret for ourselves. And perhaps the reason it ends with these people, with these versions of ourselves that we remember when we see it, is that it’s an invitation to remember and honor that person.

Why does that make me cry? Is it grief? Is it joy? I don’t know, but I’m so grateful for that purity and that optimism. The first month that I was here, feeling so lost and confused, I pulled the Bible that my Mennonite grandmother gave me off the bookshelf. She gave me that Bible before I left town. I was alone in the apartment thinking, What the fuck am I doing in New York? Or not even “what the fuck”—I didn’t swear until “Spring Awakening,” and when I would sing “Totally Fucked” I would get beet red. And I remember putting the Bible down and thinking, This is not the answer. This is not making me feel good. And then running to Central Park and standing in front of the Bethesda Fountain. I was nineteen, and I was, like, This feels better—but, like, What? Who am I? What am I doing here? I know I want to act, but I’m so scared. And gay. But it was something—some voice, some passion, some inspiration. Some something brought me here.

[wu-sisyphus-gang]

9 Days of Lancaster: Partners

Jaune: I have no partner.

Ruby: What about me?

Jaune: You have Weiss... she's your bestie or whatever. I can't just call you my partner. Not with Weiss around. It has connotations for hunters. I never really had that either. A best friend. Ren is for sure my bro but he has Nora. A bit of an insecurity of mine.

Ruby: I'd like you to be my partner. Weiss isn't here.

Jaune: Sure. Just until you and her are reunited.

Ruby: Fuck off.

Jaune: Beg pardon?

Ruby: You heard me. I love you. You frustrate me sometimes. I feel like I need a can opener with you.

Jaune: What? You want more?

Ruby: More! When are you going to tell me more about you?

Jaune: I thought I made it clear I wanted you to like me?

Ruby: I love you! You goofball! You butt! Tell me everything.

[draws-danny]

Walking begrudgingly down the hall towards his last class, Danny sat down in his assigned seat at the back. A plastic wrapper flew by him. Another hit him in the back of the head. “Not today Baxter.”, Danny said, in a tone Dash couldn’t quite place. He decided it was best he stopped.

Mr. Lancer taught class, as the clock slowly ticked on. Danny was the first one to sling himself out his seat once the bell rang. “Mr. Baxter, Mr. Fenton, I’ll need to see you two for a moment.

The weight of guilt and embarrassment washed over Dash. Visibly shaking, he took a seat beside Danny at the front the class. Mr. Lancaster lay papers before them. A big red F was printed on both.

“You two are better than this I know. You want to still be on the football team, yes?” , he said looking straight into Dash’s soul. He nodded hastily in agreement . Danny’s face deadpan, he looked straight ahead. “And you Mr. Fenton. You seemed like you knew what I was talking about earlier, and yet you barely managed to write your name down, let alone get the first answer. You’ll need a tutor. “ A scowl crossed Danny’s face as he looked down and face planted onto the desk, arms over his face.

“You did this to yourself, but you’ll be able to fix it with help from Mr. Baxter.” Both Dash and Danny shot each other a look. Mr. Lancer gave each of them another paper, and let them be on their way.

Danny slung his backpack around his shoulder and was steady pacing away when Dash came running up beside him. Looking at the floor he said, “ I guess we’ll have to work together on this, you’re smart right Fenton?” “Sure ”, Danny sighed.

Later that night Dash called some friends and Danny over to help him study. Quan was the first to show up. They high-fived each other . “What’s up bro?” “Got this paper I’m supposed to do with Fenturd, so I can continue to play football.”

Thinking about skipping out on studying, Danny balanced himself halfway out his window, changing his form. He sent Dash a text , and slipped off into the night.

Intangible, Danny looked into Dash’s living room window. It was so typical of him to have dumbbells and a weight set in the living room, right beside the pool table. Disgusted with what he was about to do, he rang the doorbell.

Dash answered, stunned to find Fenton at his doorway. Dash walked away, leaving the door ajar. “Yea, sure I’d love to come in”, Fenton said sarcastically as he came in and closed the door.

He followed Dash up a couple flights of stairs, and into his room. “ You think a guy could get something to drink?” Dash pointed towards a mini fridge in his room, and Danny grabbed one for Dash and himself.

“Thanks,”, Dash said as he handed it to him. His face, forcing a smile. Dash pulled out the notes from class after rummaging through a bunch next to his computer.

“So you know anything about this, dweeb. I mean Fenton.”, Dash said wearily. Danny looked at him, and a bit of anger must’ve been seeping through his skin, because the best thing he knew, Dash took a few steps back from him. Crunching his other fist up, Danny pulled his own notes out and the last thing he remembered was them beginning to study.

Danny blacked out. When he awoke, he was sprawled out on top of Dash. Dash’s face amuck with terror, red and black and blue on the side, where he has pummeled him.

He thought for a moment. He thought how this could’ve happened. He wasn’t as calm as possible, but he could manage his anger well he thought.

He carefully got up and took a few steps back. A red liquid dropped off his face and onto the floor just beneath him. He looked over at the mirror on Dash’s wall. A monster , covered in blood stared back at him. He didn’t know why, but he felt victorious, and couldn’t stop smiling.

[stacygoforthauthor]

Dragonfly Book Release Day

My book has launched!!! I'm so excited to bring you Dragonfly: Book One of the Lancaster series! The small town romance with heart!

Samantha Lancaster never thought she'd see Blake Forrester again. He was her high school crush, her unrequited first love, and her older brother's best friend. But when she returns to her hometown to help her brother recover from a motorcycle accident, she's suddenly thrust back into the world of know-it-all blonde bullies and awkward sexual tension. And to make matters worse, she can't seem to stop sticking her foot in her mouth.

Blake Forrester and Dylan Lancaster lived by a strict bro-code. But with Sam back in town, Blake can't stop thinking about her. He knows he shouldn't break the code, but the temptation is too strong. And with each passing day, the bro-code seems to become more and more complicated. Will Blake be able to resist his feelings for Sam and stay loyal to his best friend, or will the pull between them be too strong to deny?

For fans of forbidden romance and small town drama, "Dragonfly" is a must-read. With relatable characters and a steamy love story, you won't be able to put this book down.

[freddiemercurylegendabovelegends]

Today - March 5th, 1976

Eddie Howell "The Man From Manhattan" 7" single released

Freddie Mercury: producer/piano/bvs

Brian May: guitar

Excerpts from an interview

Jacky Gunn-Smith - Official International Queen Fan Club

Eddie Howell’s ‘Man From Manhattan‘ is one of the best known and best loved of all Queen’s collaborations.

Recorded in mid January 1976 at Sarm East Studios in London, the song was produced by Freddie Mercury, who also played piano and sang backing vocals on the track and featured Brian May on guitar. The record is so reminiscent of “A Night At The Opera” in both instrumentation and mood, that many fans regard it as virtually an “Opera” out-take. When it was launched as a single on Warner Bros records in 1976, it became a turntable hit in the UK and looked set to chart until music industry bureaucracy halted it in it’s tracks.

Birmingham born Eddie Howell began his professional career in the late 60’s, when Chrysalis music picked up on his songwriting demos and introduced him to an independent record producer, who in turn licensed his first single “Easy Street”, as a one-off deal to Parlophone in 1969.

Working as a songwriter throughout the early 70’s, Eddie’s next venture into recording came in 1975 when he signed to Warner Bros records as an artist. thursdaysHe released two singles, “Long Story” and “Can’t get over you”, and his debut LP “The Eddie Howell Gramophone Record”, which featured members of “Brand X” and guitarist Gary Moore.

The album was launched at a promotional gig at Thursday’s club in Kensington. Eddie’s band included Phil Collins on congas, Jack Lancaster on saxophone and Robin Lumley on keyboards. Explains Eddie, ”In the audience that night was Freddie Mercury who had been brought along to the gig by my manager David Minns. It was there that he first heard “Man From Manhattan”, which was a newly written song included in the set. After the gig we met and he was very complimentary about the song and offered to produce it. I remember we all went down to ‘The Elephant on the River’ to celebrate”.

Enthused by the prospect of his first foray into production, Freddie wasted little time in getting started. ”I gave him a two track guitar/vocal demo of the song” recalls Eddie, ”and a couple of days later he called and said let’s get going. Studio time was booked at Sarm East Studios and true to form, Freddie quickly took control of the sessions; ”He did lots of pre-production work on the song’s structure and the harmony arrangements”, reveals Ed. ” He had a mini cassette recorder loaded with ideas for the track, backing vocals and answering phrases”.

”We took a week to record the song”, remembers Eddie, ”which was a long time in those days, but because of Freddie’s involvement, Warners gave us a blank cheque. The sessions were quite intense, there was never a lull. Brian came in to play hismikestone2 guitar parts and the musical rapport between him and Freddie was plain to see, they were on the same page. One day, a hand-held spinning bell-cymbal in the key of ‘D’ was required by Freddie for one ping at the end of the track and the studio didn’t have one, so a runner was dispatched to scour the streets of London in search of one. The session was adjourned for half a day while we waited down at the Shazam Indian restaurant in Brick Lane for the bell to arrive. It eventually arrived and took about a minute to record, it must have been the most expensive ping ever recorded”.

On the final day of recording, a trio of Warner Bros top brass flew in from California and made a beeline for Sarm East studios to meet Freddie. Recalls Eddie, ”They probably thought the red carpet would be rolled out as they were paying for the recording sessions, but instead they were kept waiting in reception for about four hours. When they were eventually granted an audience, the charm offensive was full onlongstory3 and it was all smiles and bonhomie. At the end of the session, after the final playback, Freddie turned to me and said, ‘If this isn’t a hit, sue Warner Bros ‘ ”.

The finished article obviously had a heavy Queen influence with the presence of Freddie and Brian on the track, but ”Man from Manhattan” was far from a tribute to Queen. ”I wrote the song after my first trip to Manhattan in late 74”, reveals Eddie, ”I was reading ‘The Godfather Papers’ by Mario Puzo and the song was about those mafia characters who lead a double life. Musically, I had ‘Dead End Street’, by the Kinks in mind, complete with trombones and a walking double-bass”.

Prior to the ban, ”Manhattan” made top 50 in the UK, top 20 in Australia, Belgium and South Africa and top 5 in Holland, but sadly, as a consequence of the ban, it was never released in America or many of the world’s other major territories.

When it was issued as a single in 1976, Warner’s publicity department played up the Queen connection as much as they could, and “Manhattan” rapidly became a turntable hit in the UK. The record received heavy rotation on the airwaves – particularly in Europe where it became a big hit. Then, just when it looked set to climb the charts in the UK, the Musicians Union mysteriously discovered that Jerome Rimson, the American bassist hired by Freddie for the sessions, had been working in Britain without a permit. This obliged them to place a ban on any and all further UK media exposure due to his ‘Illegally’ recorded playing. A decision which effectively killed off the record.

Having recently regained the rights to his back catalogue recorded during his time with the label, Eddie is now releasing the tracks digitally. ”Man from Manhattan” is first up, more to follow…

(source: https://manfrommanhattan.wordpress.com/)

📸 Pic: Freddie Mercury and Eddie Howell in control room

[gumballfan888]

Another short little comic!! <:D

This is a short little comic also based on a true story. My dad and I drove all the way to Bridgeport, Connecticut to go to a store called Money Talks Wireless owned by a guy named Ozzy. Ozzy is an extremely nice guy and personally, I feel like it's worth the hour and a half drive just to come and see him and Ice! (His Husky.) <:D Basically, last year, I was trying to earn money for a one week trip to The Cartoon Network Hotel in Lancaster, Pennsylvania with my Best Bro @kirbykid133. I did end up succeeding and we went on the trip together!! It was lots of fun!!! <:D But it wasn't easy...it took a whooooole lot of planning and effort...so, I went to Ozzy's shop in Connecticut. You may recognize him as the famous phone repairman and the "Don't Worry, I gotchu" guy over on YouTube. <:D I went there to try and sell a couple of things to him. Now, this comic has a couple of errors that I didn't quite get to fix. One is that I'm getting $100 for a phone in the comic. I had drawn this prior to the shop visit and instead of getting the money for that phone, I ended up trading it in to pay for my mom's OnePlus 10 Pro repair. It had gotten repaired due to water damage over there. However, I did end up getting money for some laptops that I didn't use anymore! So, it worked out!! :) After that, I saved as much money as I possibly could for the trip. Second, please excuse my terribly drawn Subaru car door. I know, I'm terrible with doors. 😅 And third, please also excuse my crazed look in the middle panel. '0~0 If you knew exactly just how hard it was to save up for this trip, you'd understand... XD Anyways, that's my story! Enjoy!! <:D

[clownculler]

hey, you guys know anything about Lancer?

I like mechs. I have been incredibly autistic about mechs at multiple points in my life. and through the ancient, well guarded, and infallible technique know as the "vibe check", I have determined that each and every Homestuck character is the appropriate type of autistic to also obsess over mechs. No, seriously, I want you to tell me you cannot picture them all grease monkeying about in a mech bay.

"but Io", you might say, "@vexwerewolf is already writing that shit."

to which I say, "yeah, duh, go check it out." but also, watch me tell you what mechs all the kids run, because to my knowledge they haven't done that, or at least haven't told anyone.

John/June: Our friend Egbert strikes me as someone who picked their mech based on what struck them at the time. That is to say, they pilot a Vlad and stumbled ass-backwards into the licenses to construct a terrifyingly effective melee-cqb build. Mostly IPSN with some bits and bobs from SSC and Harrison.

Rose: Mostly Metalmark and Mourning Cloak. She has, on multiple occasions, had to bite back frustration at having lied in the perfect sniper nest or ambush spot, waiting for the perfect moment to strike, only for John and Jade to steamroll the target while she's still out of range.

Dave: This one's a bit tricky. I figure Dave runs either a Raleigh, covering June's back in what is probably a pretty sick display, or a Nelson, running down anyone who tries to flee the Harleybert onslaught. I could also potentially see him forcing a Lich into a more combative role with core bonuses and mods, but that hinges on him getting mixed up with Horus in a way the other alpha kids aren't likely to (although I can totally see Bro pulling that kinda shit.)

Jade: The Monarch/Sherman/Barbarossa artillery platform run by Jade Harley is the stuff of legend, often talked of in excited tones from core worlds to the long rim. Imma be honest I'm not too clear on the build details. Hell, there's a chance she runs some Pegasus stuff too. Point is: she lays waste to the surrounding environs and often plays a role in breaking enemy formations.

Jane: Minotaur, oddly enough. She's been questioned on why she doesn't run a Lancaster and she replies that its lame as hell. She might be as close to objectively wrong as is possible in this assessment, but I respect her opinion. Roxy has a tendency to cackle like a madwoman when an enemy's movement gets fucked in this way.

Jake: Almost definitely a Raleigh but with the worst optimization you have ever seen. Imagine if John's strategy of "that looks cool" didn't have the safety net of narrative contrivance. This man has the most useless licenses he could get his hands on. He has no synergies, he has no combat loop. Okay that's not quite true; he actually is sitting on a god-tier build, but refuses to swap away from Raleigh.

Roxy: A couple possibilities. One is that she is a pure hacker, using Goblin and Minotaur to wreak havoc on the enemy positioning. Perhaps some Kobold if she feels like being more involved in the action. The other possibility is that she does what I do, and stacks a shit ton of nanocomposite mods on a Pegasus platform.

Dirk: Oh you already know. Get your MGRR memes and textmashes ready because this motherfucker is running Atlas. Also flicker field projector, because what else could a flash-step possibly be. Same goes for Dave btw, I just forgot to mention it. He will never admit the extent of his disappointment that Jane will not pilot the horse mech.

I'll probably come back for the trolls.

[burnsoregonphotoblog]

Main St Burns Ore

1930 Heck Photo

Looking South on Main St businesses on the left include Lancaster Drugs, Tijuana Club Coffee Shop, Dixie Cafe, Cashman, and Harney Cafe.

Along the right hand side Reed Bros Drug (the Rexall Store) The Burns Hotel and in the distance a Chevrolet sign.

I'm really surprised at the amount of neon on Main Street at this time.

The Google Map link below is the approximate location of this photograph in 2022.

https://maps.app.goo.gl/VxiCePeDXkvmT7YUA

[howlingday]

Ruby's Handlers Pt. 4

Pt. 1 / Pt. 2 / Pt. 3 /

Ruby: It's pretty cold up here.

Jaune: Do you want my hoodie?

Ruby: Wh- Then you wouldn't have a jacket.

Velvet: She won't fit! It's too big for her!

Ruby: Yeah, and I have more blubber than you!

Jaune: (Takes off his hoodie) No, it's okay, here. (Hands over hoodie)

Audience: AAAW~!

Ren: Will it fit you?

Ruby: (Putting on the hoodie) Oh, it smells like you, too~!

--------------------------------------------------

Video Game Girl: Hm... Could you let me think about it~?

Jaune: OOOOOOOOOH! OH MY GOD!

Ruby: COME! ON! I GAVE YOU! A LACE PARASOL! A TEASET! A BRACELET!

Jaune: She's just not that into you, bro.

Ruby: I! AM! IN! LOVE! WITH! YOU!

Jaune: You just gotta let it go.

Ruby: I WANNA PUT MY FACE BETWEEN YOUR BOOBS!

Jaune: Er, well, I mean... I think that goes without saying.

Jaune: Here. Come on, dude. Bring it in. Bring it in. Bring it in. C'mon, bring it in. C'mo- There you go! (Hugs, Pats) There's my special girl~! It'll be okay. It'll be okay, Ruby. It's gonna be okay~.

Ruby: (Sobbing into his lap)

Jaune: C'mon. Let's check out one of the other islands. (Sniffs) Your hair smells great.

Ruby: (Quietly) Thank you~. (Loudly sobs)

Jaune: I know! I know! (Laughing)

Ruby: SHE SAID SHE'D THINK ABOUT IT!

Jaune: D-Don't nestle into my lap like that!

Ruby: SHE SAID SHE'D THINK ABOUT IT AND SHE DIDN'T THINK ABOUT IT! SHE JUST WENT ON AND TOOK HER SHOWER! "OOH, IT'S TOO HOT~!"

Jaune: Weiss?! WEISS?!

Ruby: IT'S NOT HOT AT ALL! (Sobbing)

Jaune: WEISS?! COME GET YOUR GIRL!

Ruby: (Babbles) A parasol! So she wouldn't get hot anymore!

Jaune: Okay, next time on Lancaster- (Laughing)

Ruby: A teaset so she could drink with her friends! NOT ME OBVIOUSLY!

Jaune: ...C'mon. Let's play some Hokor, okay? C'mon, buddy. It's alright. Velvet and Yang are gonna come over and we're all gonna hang out and have a good time, okay? I'll get you ice cream. You want some ice cream? I can craft it into that video game girl's boobs.

Ruby: ...

Jaune: ...AAAAAAAAAAAAAAAAAAAGH!

Ruby: (Cackling with Jaune)

--------------------------------------------------

Ruby: Where'd my controller go?!

Jaune: I dunno.

Ruby: Where's mine?!

Jaune: That's weird...

Ruby: JAAAUNE~!

Jaune: It's up there, on the- on the thing.

Ruby: Where?! Oh, there it is.

--------------------------------------------------

Ruby: What's this?

Jaune: That's a Monsieur Marcel.

Ruby: What's in his hands? Taxes?

Jaune: No, kids don't really play with taxes. But if you put all the papers in his hand, and they stay, then we're all living in a reality~! But if you can't then-

Ruby: (Grabs paper) ZHEE~!

Jaune: Okay, and- Oh, that is "zhee"! Very good, Ruby-

Ruby: (Raises hand for high five)

Jaune: No, wait, that's something else... It's, uh, the one that's backwards of that...

Ruby: (Lowers hand) Verbert?

Jaune: That's... not a letter.

Ruby: (Grabs papers) Look, there's zhee, there's verbert-

Jaune: Doo-blah-veh.

Ruby: Macaron-

Jaune: That's a dessert.

Ruby: And there's... delicious onions~.

--------------------------------------------------

Ruby: And they're all, "HEY, KIDS, COME LICK THE SPOON~!"

Ruby: (Licks spoon)

Jaune: RUBY, THAT HAS RAW EGGS ON IT!

Ruby: (Retches, Spits away) Mm~! De- Delicious~!

--------------------------------------------------

Jaune: Ruby, Weiss brought you TWO oven mitts! For BOTH of your hands!

Ruby: (Mockingly grubmbles)

--------------------------------------------------

Ruby: I AM... THE NIGHT!

Weiss: I am the night, and you got that Ru-booty~.

Ruby: No, Batman has that booty. I have an old lady's booty.

Weiss: Oh, will you stop? No one wants to hear you say you're ugly because you are clearly not!

--------------------------------------------------

Jaune: "Find the right colored ball and be showered in kisses."

Ruby: I play this game with Weiss all the time~.

Jaune: (Laughs) "Find the right colored ball, Weiss~. They're blue. AGAIN!"

[luv-beam]

HI TARA!!! my thoughts while reading are under the cut :'))) but i gotta say that i fall in love w ur writing every time i read something from u:

• i would like to start off w the fact that u set the scene so incredibly well, like im in awe and envy at this beautiful scene ur painting for us 😭 not to mention that it all flows really well too; just a strong opening paragraph

• awwwh PLS THE BIG BROTHER LITTLE SISTER DYNAMIC!!! when the little sis thinks the absolute world of her big bro :'))) and when she's even more mad than he is LMAO the TOAD LINE??? damn seokmin i was not aware of ur game

• lowkey i would have folded that fast too if duke lee seokmin of lancaster played along and kissed my hand

• this starting line ^ crazy good... like i'd like to sear this into my mind so i never forget it?? the social szn unfolds like a delicate fan??? adding another layer to the tapestry of ur life??? lee seokmin????

• HE HAS AN UNCANNY ABILITY TO ELEVATE THE ORDINARY UGHHHHH WHAAAAT A LINE i love that so, so much and it's so true as well

• awwwh yn and seokhao's goodbyes are so sweet :'')))) im so glad they all hold so much affection for one another

• "your penchant for wool is far more than my eyes could bear" im cryingksnfkdnjf seokmin sulking over the wool while he's away,, sometimes i like to imagine him as a damsel draping himself out of the window sill of a tower

• i love how yn describes herself feeling empty while hes away like heh... i know something u dont... heh :))))) and crocheting? me too!!! so cute that she made him smth

• TARA U R A MASTER AT IMAGERY!! the opening lines of age 15 are mwah chefs kiss like if i could draw/paint, i would literally turn this fic into a graphic novel for u

• tulip... brb while i burst into tears

• started grinning like an idiot while reading this ^ i can see his playful melodrama and the smile on his face,,, im so down bad like i would fold like a lawn chair if we played around like this irl (i say as a grown ass woman)

• oh how i do love the classic brushing of the limbs that gets the mcs blushing like hell... also love what u did there w the planting seeds in ur mind to decode later while they're literally planting flowers... i see u tara u genius

• oh wow the total 180 w the reveal of the duke's death (also seokmin addressing her as my dearest tulip TT) — thinking of seokmin entering the social szn as a recently-made duke and all the girls hounding after him in his fresh grief......

• this section (seok and hao just got back after the death reveal) is short but so bittersweet. like when u give seok the swords from the flower bed and he just kind of chuckles like yes... days gone by huh... UGH

• it breaks my heart to know that seokhao now have their dead fathers as something in common 😭😭😭 its sweet tho to know they're all looking out for each other. im w yn tho, i hope hers and haos relationship isnt negatively affected by this :'))

• THE RETURN OF THE TAPESTRY METAPHOR

• okay i have to confess something... this is my second time reading thru... and so im reading the part where minghao and yn talk in the garden and he's warning her of the whispers springing up abt her and seok and im like... freaking out bc i KNOW WHAT HAPPENS 😭 IM GNAWING MY FIST LIKE IK THAT HAO'D CONCERN IS SINCERE AND IM JUST SJFNKENFKFJF THIS SCENE HOLDS SO MUCH MORE WEIGHT DURING A REREAD (why i love comparing my thoughts btwn a first and second read tho, like u see things /differently/)

• i love the teasing and sweet assurances in the letters 😭 like they're so genuine and cute (rip minghao)

• AHHHHH THE SMOKING SCENE FROM SZN ONEEEE i like this change of dynamic tho instead of being btwn siblings, it's now btwn two love interests friends

• WE CANT ALWAYS HAVE WHAT OUR HEARTS DESIRE???? WHILE LOOKING AT US LIKE THAT LEE SEOKMIN????????? HHEHDJDJFJFJKFKFK

• sure sure fencing BUT YEARNING TO FIND LOVE?? BUT MY DEAR SIR?? YOUR GRACE, YOUR LOVE IS RIGHT NEXT TO U

• THE LONGING AND ASPECT OF THE FORBIDDEN MAKES THE SMALL DISTANCE BTWN U YAWN LIKE A CHASM AHHHH THIS PASSAGE!!!! like oof... i love angst and yearning like this, where im screaming at my phone screen to just kiss her already (knowing the... perilous journey ahead... heh...)

• friend.... FRIEND???? brb gonna go waltz into oncoming traffic

• oh the way this ends 😭😭😭 like my heart is being squeezed,,, the way he whispers tulip and the roots of ur love for him take hold UGGGHH!!! I CANT DO THIS

i will have to endure for another day tho and i will return for chapter two tmrw! i loved this even more than the first time i read it (and i loved it a lot then too)!! i was really able to sit w ur words this time, and i do have to say tara that u have such a talent for imagery, like omg this was so beautiful TT but thank u for writing this!! hope ur having a lovely day/night and i'll be back o7 💖

The Somerset Affair | Chapter 1: Whispers in the Garden

pairing: lsk x fem!reader genre: Bridgerton AU, friends to (?????) to eventual lovers, brother’s best friend, SLOWWWW BURNNN chapter wc: 8.2k warnings: alcohol consumption, societal expectations, eventual smut, more to be added a/n: CHAPTER 1 IS FINALLY HEREEEE // as always, ENORMOUS thanks to indi @wongyuseokie for this GORGEOUSSSS banner // and to my lovely betas shu @welcometomyoasis lou @tusswrites haneul @chanranghaeys this could not have happened without you // 2nd chapter will be up soon!!!

summary: lee seokmin is a scoundrel for having beaten your brother at fencing. or... is he?

comment to be tagged when chapters are posted, or join the fic taglist here!

Age 8

Mayfair is alive today. The Somerset estate hums with energy, a ripple of excitement passing through the gathered crowd, their eyes all fixed on the fencing match taking place in the wide, manicured garden. The afternoon sun casts a golden haze over the scene, warming the air and wrapping everything in a soft, honeyed glow. Laughter and chatter float like music across the grounds, underscored by the occasional ring of steel clashing against steel. The sweet fragrance of roses drifts on the light breeze, mingling with the fresh scent of cut grass. You sit near the front, your small hands gripping the edge of your chair, bouncing with excitement as you watch your older brother, Minghao, spar against a boy you've never seen before.

This new boy stands tall, his dark hair tousled in the breeze, and a sharp determination shines in his eyes. The way he moves—it’s confident, with an energy that seems far beyond his years. Your brother, usually so self-assured, falters as the boy steps onto the mat. A flicker of unease passes through you, twisting in your stomach. You can feel the tension, see it in the way Minghao adjusts his grip on his sword. The match begins, and every time the swords collide, the sound reverberates through your chest. Your heart sinks a little more with each point your brother loses, and soon, the inevitable happens—the newcomer disarms Minghao with a flourish so smooth it draws gasps and murmurs from the audience.

"Such skill!" someone whispers, while others erupt in applause, their cheers filling the air. But you remain still, arms crossed tightly over your chest, brows drawn into a deep frown. How dare this boy defeat your brother? And so effortlessly! You want to scowl, to hold on to your anger, but the sound of the crowd’s cheers washes over you, making your resentment grow.

Seokmin—that’s his name, you overhear—steps forward, offering Minghao a hand, his smile wide and bright like the afternoon sun. "A splendid match, my lord," he says, his voice rich and full of youthful pride. "I must confess, I didn’t expect to come away unscathed!"

You narrow your eyes, watching as your brother, ever gracious, accepts the handshake. There's a mixture of admiration and annoyance in his expression, a good-natured acknowledgment of defeat. They exchange lighthearted jests, their laughter mixing with the lingering applause. But you? You're fuming. This boy, with his easy smile and seemingly endless charm, had just bested your brother, and you feel a burning need to dislike him for it.

Then, as if sensing your discontent, Seokmin turns to you, his eyes glinting with mischief. “Ah, you must be Lord Minghao’s sister?” he says, his grin widening into something playful, teasing. “Goodness, you make him look like a toad by comparison!”

Your mouth drops open in shock, a wave of indignation rushing through you. How dare he say such a thing? And worse—how could your brother laugh?  "I beg your pardon?" you snap, standing as tall as your small frame will allow, arms crossing even tighter across your chest.

"Oh, I mean no offense, miss," Seokmin chuckles, clapping Minghao on the shoulder. "I jest, of course! Merely saying that you’re far lovelier than your brother—though, admittedly, it’s not a particularly high bar."

Despite yourself, your scowl begins to soften. There’s something about the way his eyes crinkle at the corners, the lightness in his voice. It’s hard to stay angry when he looks at you like that, as if daring you to join in on the joke.

“Mama says men who try to charm without revealing their titles aren’t to be trusted,” you counter, lifting your chin with defiant pride. The quip comes out sharper than intended, but you’re determined not to let him get the better of you.

Minghao gasps, hands raised in mock horror. “Sister, truly, must you always speak so boldly?” He turns to Seokmin with an exaggerated sigh. “Please Seokmin, do forgive her. I assure you, turning eight has done little to improve her temperament.”

“You’re only two years older than me, brother!” you huff, your voice a touch more indignant. Before you can continue, though, Seokmin drops into a low, dramatic bow, the movement exaggerated and theatrical.

“The fault is entirely mine, my lady,” he says in mock seriousness, rising and extending his hand toward you. “Lord Lee Seokmin, future Duke of Lancaster. At your service.”

Two years of etiquette lessons flood your mind, and with a sudden burst of excitement, you place your small hand in his. Seokmin bows once more, this time dropping a playful kiss on your knuckles as you curtsy. You can hear Minghao’s exasperated sigh as he rolls his eyes, but you ignore him, a smile tugging at the corner of your lips.

Maybe Seokmin isn't such a scoundrel after all.

As the day wears on, you find yourself watching Seokmin from the corner of your eye. Despite your earlier indignation, there’s something undeniably captivating about him. You notice the way he treats everyone with kindness, far beyond what’s expected from someone his age. When a younger child stumbles near the fencing ring, it’s Seokmin who rushes to their side, kneeling in the dirt, his voice gentle as he asks, "Are you alright?" He helps the child up, brushing off their clothes with such care, you can’t help but be touched. "Fear not," he says, a smile returning to his face, "you’re not a toad—you’re a knight in training!"

The sight makes your heart soften further. How could someone so infuriating also be so kind? The lines of irritation you had drawn between you and Seokmin begin to blur, shifting into something more like curiosity.

As the sun sinks low, casting a warm amber glow over the estate, you find yourself gravitating closer to where Seokmin and Minghao stand, their voices rising and falling in animated conversation about fencing techniques. Seokmin’s laughter, bright and carefree, fills the air like music, and before you know it, you’re smiling too; there’s something undeniably magnetic about him.

Despite your best efforts, you can no longer deny the strange fluttering in your chest—a curiosity, perhaps even fascination, that you hadn’t expected. Maybe, just maybe, Seokmin isn’t such a scoundrel after all.

The days of the social season unfold like a delicate fan, each gathering adding another layer to the tapestry of your life, and with every event, Seokmin becomes a constant presence. He is no longer just an occasional guest—he’s a breath of fresh air, his laughter ringing through the halls of your family’s estate, turning even the dullest moments into something lively and bright.

The lively soirées your parents host become a stage for his effortless charm. Ladies in the latest fashions exchange flirtatious glances in his direction, while gentlemen engage in animated debates about politics and sport, the buzz of conversation always punctuated by Seokmin’s easy laughter. His presence transforms these gatherings, turning what once felt like routine social maneuvering into vibrant affairs filled with warmth and genuine joy.

Whether he’s lending a hand to your mother in the garden, his sleeves rolled up and face relaxed in concentration, or sparring with your brother in a friendly match, Seokmin has this uncanny ability to elevate the ordinary. What might be a simple afternoon stroll or an idle conversation becomes a moment of significance when he’s around. Sun-drenched afternoons spent wandering the estate take on a new glow, each moment painted with the sound of his voice, the infectious energy he brings.

Age 14

The day Minghao and Seokmin leave for Eton is etched in your mind with vivid clarity, every detail sharp and impossible to forget. The morning is cool, yet the sun spills across the courtyard in golden rays, casting long shadows from the trees that sway gently in the breeze. The scent of dew-laden grass mixes with the faint perfume of your mother’s rose garden, but even the beauty of the estate feels muted by the melancholy lingering in the air.

Minghao, ever composed, stands with the straight posture expected of him, his hands clasped behind his back, looking every inch the young man ready to step into his responsibilities. His face, though calm, carries the weight of leaving home, but he hides it well, his eyes betraying only a flicker of the emotions swirling beneath the surface.

Seokmin, on the other hand, struggles more visibly with the impending farewell. His usual cheerful grin falters, the lightness of his presence dimmed as he glances between you and Minghao. He tries to keep up his usual charm, cracking jokes that feel just a little too forced, his laughter not ringing as true as it normally does. There’s a vulnerability in his eyes, a softness you haven’t seen before, as if he’s trying to hide his own sadness behind that well-worn mask of joviality.

As they load their trunks into the carriage, a heavy knot forms in your chest. You know you’ll miss your brother, but it’s Seokmin’s departure that stings deeper. He’s been more than a friend these past years—he’s been a constant, a steady warmth you’ve come to rely on. His laughter, his easy charm, the way he could turn even the most mundane day into something special. The thought of him being gone, of not seeing him wander the estate with his boundless energy, makes your heart ache in a way you didn’t anticipate.

You step forward, your fingers trembling as you reach for Seokmin’s hand, your grip tighter than intended. “Promise me you’ll write?” you ask, your voice barely more than a whisper, each word trembling with the effort to hold back tears.

Seokmin’s eyes soften as he looks down at you, his usual grin giving way to something gentler. "Of course," he says, his voice steady but quieter than usual. He squeezes your hand, his thumb brushing over your knuckles in a gesture meant to comfort. “I’ll make sure you get the best letters—no boring stories, only adventures, I swear.” His grin returns, albeit a little weaker. "Besides, my lady, your brother and I will be back to torment you again come springtime!"

Minghao coughs politely. “No tearful goodbye for me, sister?”  he asks, his voice teasing, but there’s an undercurrent of affection in his words. His eyes flicker between you and Seokmin, amusement tugging at the corners of his lips, though his posture remains upright and composed as ever.

You tear your gaze from Seokmin and offer your brother a watery smile. “Do not fret, dear brother,” you say, a bit of your usual wit returning. “I’ll save the tears for later, when the house is quiet without the two of you causing chaos.”

My Dearest Y/N,

I trust this letter finds you in fine spirits, though I daresay it is far more likely that you are wrapped in the cozy embrace of your favorite blanket, lost in a book, while the world outside continues on its merry way. I cannot help but smile at the thought, for you have always possessed the rare gift of finding joy in the mundane. 

Eton is quite a spectacle, I must confess. The architecture is enough to make one feel as though they have stepped into a storybook. However, I must admit my fellow classmates lack the charm and wit of my beloved friend.

Oh, how I miss our little chats! It is a curious sensation to feel so far from home, yet I am bolstered by the knowledge that you are there, keeping our little world intact. Do tell me that you have not yet taken up knitting—your penchant for wool is far more than my eyes can bear. 

Yours most fondly,Seokmin

My Dearest Seokmin,

Eton sounds positively enchanting.I must admit, the thought of you amidst all that grandeur brings me no small measure of joy—though I do hope you have not yet been swept away by the grandeur of it all! I find it impossible to imagine anyone there being quite as dashing as you.

Life here, as you suspected, is a touch quieter without your vivacious presence. I feel compelled to admit that I found myself rather melancholic the day you left. It was a curious sadness, one that clung to me like a shadow. The house feels a touch emptier, and while I do find solace in my books, nothing compares to the ease of our conversations. The warmth of your laughter is a melody I find myself longing for, especially on the coldest evenings.

Do keep writing, dear friend. Your tales from Eton are the very lifeblood of my days, and I shall regale you with the ongoing drama of our little realm. Until then, consider me your most devoted fan, ever eager for your next missive.

With all my affection,Y/N

P.S. You will take great pleasure in knowing that I have, in fact, taken up crocheting. A lovely cap, perfect for early springtime chill, awaits you at the estate. 

Age 15:

Seokmin’s return each spring is as reliable as the first crocus peeking through the thawing earth, marking the true end of winter. His arrival is never just an event—it’s a burst of life that sweeps away the dullness left by the cold months. Every year, your excitement bubbles over as you anticipate that familiar moment when the world feels a little brighter with his return. The sunlight bathes the garden in warmth, a golden hue spreading like liquid over the well-trodden path he walks down, Minghao beside him. Their laughter floats through the air, a melody that harmonizes with the soft rustle of blooming flowers and the hum of spring.

When they finally come into view, your heart quickens, as if drawn into the rhythm of their steps. With Minghao’s ever-amiable grin and Seokmin’s radiant energy, they are a pair that seems to make the world tilt just a little toward joy. Every spring, it's the same—they stride toward you as if no time has passed, as if the long months apart were nothing but a brief blink in the grander scheme of your lives. And each time, the three of you fall into the same routines as though nothing has changed.

It usually begins with some mischief. They never fail to poke fun at you until you’re red-faced with exasperation. Seokmin, with that teasing glint in his eyes, will say something absurd or playfully condescending, and Minghao, ever the instigator, will back him up with a sly smirk. It’s only a matter of time before you lose your patience, yell, and stomp your foot, your protests ringing louder than you’d intended.

Your raised voice inevitably draws the attention of your mother, who reprimands you from the kitchen window with her usual fond disapproval. "Now, now," she’ll chide, a soft laugh hidden in her voice. "There’s no need to shout, dear. They’re only playing."

Of course, that’s the cue for Seokmin and Minghao to burst into laughter, doubling over in amusement at how easily they’ve ruffled your feathers. You scowl at them, but it’s hard to keep a frown on your face when they’re both so gleeful, their joy infectious, lighting up the entire garden.

One afternoon, not long after their return, Seokmin and Minghao find their old practice fencing swords—long forgotten and buried deep in the flowerbeds, peeking out from beneath the tulips. You watch as they unearth the swords with a mixture of surprise and amusement, both of them laughing as if uncovering a treasure trove of memories. Their faces are bright with nostalgia as they pull the dirt-encrusted weapons free, brushing off the petals clinging to the blades.

It's then that Seokmin starts to call you "Tulip," a private little nickname he utters only when it's just the two of you. The first time he says it, there’s a lightness to his tone, his lips curling into that mischievous smile of his. “You know,” he says, leaning in closer as you both watch Minghao attempt a ridiculous fencing stance in the distance, “it only makes sense. After all, you’ve been hiding our swords with the tulips. I think ‘Tulip’ suits you.”

At first, you roll your eyes, feigning annoyance, but there’s a warmth in your chest at how easily he’s assigned you such a tender nickname. 

One particularly warm afternoon, your mother summons you to help her with the flowerbeds, a chore you reluctantly take on. The sun beats down, the heat pressing into your skin and the earth beneath your fingers, while the scent of soil and fresh blossoms hangs thick in the air. You sigh, resigning yourself to the tedious task when, suddenly, a familiar voice cuts through the stillness.

“Ah, the fair lady in her noble endeavor!” Seokmin’s voice rings out, full of his usual playful grandeur. He strides through the garden gate, sweeping an imaginary cape behind him with exaggerated flair. His smile is as bright as the sun itself, lighting up the whole space. “Fear not, for I shall be your loyal squire in this quest for botanical beauty!”

Despite your earlier annoyance, a reluctant smile tugs at the corners of your mouth. Seokmin has a way of making even the most mundane tasks feel like an adventure. You watch as he bounds toward you, his movements light and full of energy. With an exaggerated show of determination, he rolls up his sleeves, pretending to prepare for battle. The weight of the day feels lighter already.

Together, the two of you dig your hands into the soil, your fingers dirty and the air filled with the soft rustling of the leaves around you. Laughter bubbles up between the two of you, mingling with the breeze as Seokmin’s animated voice brings life to the still afternoon. As you plant flower after flower, he regales you with tales of his fencing matches at Eton, his voice lively, arms waving dramatically to mimic the grand duels he’s fought.

“You wouldn’t believe it,” he says with mock gravity, “this boy was at least twice my size, and I won the match with nothing but clever footwork and a flick of the wrist!” He pantomimes the move, his arm cutting through the air like a sword.

You laugh, shaking your head at his theatrical retelling, the tension of the task dissolving with every story. It’s impossible not to get caught up in his enthusiasm. “Is that so?” you tease, barely holding back a grin.

“I daresay, footwork in fencing is quite the advantageous skill,” Seokmin says, dropping to his knees beside you with faux-seriousness, inspecting the flowerbed as though it holds the secrets to the universe. “If one can move with the grace of a dancer, one can—”

Just as he gestures again, his elbow brushes against your arm, and suddenly, time seems to slow. The lighthearted atmosphere is pierced by a spark, a ripple of warmth that travels through you. Both of you freeze, his eyes widening in surprise. His cheeks flush a light pink as he quickly pulls back, his confidence faltering for a brief second.

“My sincerest apologies,” he stammers, the usual brightness in his voice now tinged with uncharacteristic bashfulness. He resumes his work, his fingers trembling slightly as they sift through the soil. The warmth of the sun suddenly pales in comparison to the heat between you.

“It’s quite all right,” you reply, your voice shaky, your heartbeat far more rapid than you’d like. “Just... gardening, after all.” You try for casualness, but the words sound ridiculous even to your own ears, given the charged air lingering between you.

Moments later, you stand to stretch, hoping to shake off the strange energy that has settled over the both of you. Seokmin leans in to grab a nearby tool, and his shoulder brushes against yours again—this time, the contact lingers for just a second too long. The heat of it sends another jolt through you, making your heart stutter.

You gasp, startled by the unfamiliar sensation, your breath hitching. The warmth spreads from your chest down to your fingertips, a strange, foreign feeling you can’t quite name.

“Goodness! I beg your pardon again,” Seokmin says quickly, his sheepish smile returning, though this time it’s softer, more hesitant. His eyes flicker with something you can’t quite place. “It seems I have a propensity for unintentional collisions today.”

That smile—it makes your chest tighten. His presence, usually a source of comfort, now awakens something new within you, something unsettling yet undeniable. Gardening, once nothing but a mundane chore, has transformed into something far more intimate with Seokmin by your side. The flowerbeds seem to flourish under his laughter, vibrant blooms swaying as if they, too, revel in the joy of the moment.

But that foreign sensation? You tuck it deep into your mind, burying it along with the seeds you’ve planted, afraid to decode what it could mean. After all, this is Seokmin—your friend, your constant. And yet, the warmth of his touch lingers on your skin longer than it should, as if it’s quietly asking you to look closer.

My Dearest Seokmin,

I hope this letter finds you in moments of solace amidst the tumult of your recent loss. It is with a heavy heart that I pen these words, having heard of your father’s passing. The news struck me with such a weight, as though the very air around me had grown thick with sorrow. I cannot begin to fathom the grief you must be experiencing, yet please know that my thoughts and prayers are ever with you during this difficult time.

Your father was a remarkable man, a beacon of kindness and integrity, and his absence will undoubtedly leave a profound void in the hearts of all who had the privilege of knowing him. I remember fondly the stories you shared, of his wisdom and warmth, which have clearly shaped the exceptional person you have become. His legacy, I have no doubt, will endure through you.

With his passing, I know you now bear the title of Duke. While this new responsibility may feel daunting, I have every confidence you will honor his legacy with the same grace and strength he embodied. I want you to remember that you are not alone. I am here, dear friend, steadfast and unwavering, ready to support you as you navigate this uncharted territory.

I eagerly await the day when I can see your smile again, and we can talk about the flowers in the garden, just as we always have.

With all my love and deepest sympathies,Y/N

My Dearest Tulip,

Your letter brought me a flicker of light amidst the shadows that have enveloped me since my father’s passing. It is a solace to know that you, too, share in my grief, and your words resonate deeply within me, reminding me that I am not alone in this turbulent sea of sorrow.

Thank you for your kind remembrance of my father. He often spoke of you with such fondness, and knowing how he impacted your life brings me a measure of comfort. His lessons of kindness and integrity remain etched in my heart, and I strive to honor his legacy in every decision I make as Duke. It is a weight I carry with both pride and trepidation, yet the knowledge of your unwavering support gives me strength.

Though this season feels uncharted and daunting, your friendship is a cherished constant. I, too, long for the day when we can stroll through the gardens, exchanging thoughts about the flowers and sharing laughter, just as we once did. Until then, I will hold onto the warmth of your words and the memories we’ve created.

With heartfelt gratitude and affection,Seokmin

Age 16: 

When Seokmin and Minghao return home the next spring, it’s clear that Seokmin carries more than just the usual joy and liveliness he always brings with him. A new weight settles over him, one you haven’t seen before. The responsibility of the Dukedom starts to bear down on him, heavy as the cloak he will one day wear. His laugh remains bright, his smile still warm, but there’s something different now—an unspoken awareness that the carefree boy of the past is slowly giving way to the man he is becoming.

He has grown taller, his limbs long and strong, and the way he carries himself now commands attention. The once-boyish face is now defined, the angle of his jaw sharper, while his arms, corded with muscles, show the signs of hard work and training. It’s as if each inch he’s gained has come with a newfound strength, and when he meets your gaze, his eyes hold a certain seriousness, as if he is seeing everything with a fresh perspective.

The easy rhythm of your old routines stays intact—Minghao teasing you until you yell, Seokmin’s booming laughter echoing across the fields, and the reprimands from your mother when your playful shouts interrupt her afternoon peace. It all feels the same, yet beneath it all, you know things are changing.

On one such afternoon, you discover their practice swords—once lost and forgotten—buried haphazardly in the flowerbed among your mother’s beloved tulips. You pull them free with a gasp, the soil still clinging to the metal, and when you bring them to Seokmin, he chuckles, the sound a little sadder than you remember.

“Well,” he says, wiping the dirt from the hilt, “seems like even the tulips want to keep us from growing up too fast, eh, Tulip?”

Despite the weight of responsibility that now shadows him, he still calls you “Tulip.” The name slips easily from his lips, playful and tender, a thread that ties your past to the present. The quiet nickname carries the bittersweet truth: your days of carefree adventures and playful banter are slowly fading, giving way to the responsibilities of adulthood. And while the world around you shifts, that name—whispered in secret—feels like a promise that some part of him, some part of both of you, will always stay the same.

My dearest Tulip, 

It is with a heart full of sorrow that I write to you, upon receiving the most distressing news regarding your father’s passing. The world seems dimmer without him, and my thoughts are consumed with the weight of your grief. I wish I could be there, to hold your hand and share in the memories of a man who undoubtedly brought so much light into your life.

When the silence envelops you, when the days stretch long and heavy with unshed tears, know that I am here for you. You need not wear a mask of strength; I shall not expect it. Life has a way of changing in an instant, and though we are thrust into roles we may not be prepared for, there remains solace in companionship.

Please remember, my dear friend, you are not alone in this journey. I stand with you, ready to lend my support and share in whatever you need.

With the utmost affection,Seokmin

My dearest Seokmin, 

Your letter reached me at a time when silence has settled heavily over the estate, wrapping around us like a shroud. It feels as though the laughter that once danced through these halls has been swallowed by a void, leaving behind a hushed emptiness. My mother, once so vibrant, now moves about with an air of resignation, her spirit dimmed as if she carries the weight of the world upon her shoulders. The joy that once bloomed within her seems to have withered, and even the flowers in the garden appear to droop, their colors muted in sympathy for our grief.

I often find myself worrying for Minghao. The new title of duke weighs upon him like a heavy cloak, and I fear that the responsibilities thrust upon him will change him in ways I cannot yet understand. I can only imagine the burden he feels, trying to uphold our father's legacy while grappling with the uncertainties of leadership. It frightens me to think of how this shift may alter our relationship, how he might feel compelled to step into a role that distances him from the brother I’ve always known. I fear I may lose him just as I have lost my father.

Yet, amid this uncertainty, your words bring me a flicker of comfort. The knowledge that you stand with me during this turbulent time is a balm for my spirit. I long for your return, for the laughter and warmth that you bring.

Until then, I hold your friendship close to my heart, a gentle reminder that even in the darkest of times, I am not alone.

With all my affection,Y/N

Age 17: 

At the onset of spring, when Minghao and Seokmin return to the estate, the world feels subtly transformed. The air is perfumed with the scent of blooming flowers, yet there’s an unmistakable weight in the atmosphere, a quiet acknowledgment of the changes that accompany their new titles. As dukes, both acquire an aura of responsibility that overshadows the playful ease they once share.

The lighthearted teasing that characterizes your interactions is now less frequent, often replaced by a more thoughtful camaraderie. It’s as though their titles impose a certain decorum upon them, one that even the most mischievous of spirits cannot easily shake off. Their laughter, while still present, bears the faintest echo of seriousness that wasn’t there before.

Yet, despite this change, you find immense joy in their company, particularly when they engage in spirited sparring sessions in the training yard. As wooden swords clash and echo, it’s impossible not to feel a thrill at the sight of them—two young gentlemen, once boys, now embodying a gravity that demands respect even in their play.

The matches become a spectacle, each clash of wooden swords accompanied by shouts and laughter that echo through the estate. You perch on the sidelines, an amused spectator, as Seokmin and Minghao banter playfully between bouts. “You call that a strike?” Seokmin teases, deftly dodging your brother’s advance with a lightness that seems almost effortless. “I’ve seen more ferocity from a kitten!”

Minghao rolls his eyes, the corners of his mouth betraying a grin despite his best efforts to maintain an air of dignity. “One day, Seokmin, you shall learn that mocking your opponent is a perilous game.”

You perch on the sidelines, unable to stifle the laughter bubbling forth at their antics. Each exchange between them is a delightful dance, weaving a tapestry of shared history and unspoken affection. Yet, as you watch, you cannot help but feel a twinge of wistfulness; the exuberance of their banter now seems to emerge from a place tinged with nostalgia.

The sun dips low in the sky, casting a warm, golden glow over the training yard; both young gentlemen wield their wooden swords with a fervor that sends a thrill through the onlookers. You remain at a distance, your heart pounding in rhythm with each clash of wood, an exhilaration mingled with unease coursing through you.

Seokmin, with his characteristic bravado, flashes a teasing grin as he engages your brother. “Come now, my lord! Surely you can do better than that!” The laughter in his voice rings like a bell, though you can’t help but feel a knot of apprehension tighten in your chest.

As the match continues, you find yourself transfixed by Seokmin’s agile movements, the way he dances about the training yard with a carefree spirit. However, just as you begin to relax, a delicate butterfly flits past, capturing Seokmin’s attention momentarily. It is in this fleeting distraction that your brother seizes his opportunity, lunging forward with surprising speed.

“Seokmin!” you cry out, the word escaping your lips before you can restrain it. Time seems to elongate as you watch, breathless, as Seokmin turns just in time to evade the wooden sword’s path. He stumbles slightly, regaining his balance as he casts a quick glance your way, surprise etched upon his handsome features.

With your heart racing, you dash to his side, adrenaline coursing through your veins. “Are you quite well?” The urgency in your voice is unmistakable, for the thought of his injury sends a chill through you.

“Indeed, I am unharmed,” he replies, though the forced joviality of his laugh belies the tension of the moment. “Merely caught off guard, I assure you.”

Yet your heart refuses to calm. “You cannot be so reckless! What if you had been injured?” The fervor of your concern envelops you, and you see a flicker of something unspoken in his eyes as he steps closer, the air between you thick with a burgeoning intimacy. That same foreign sensation – the one from years ago when he had brushed against you in the gardens – ignites within you, one you had tucked away and kept hidden, rearing its head in this moment of vulnerability.

“Thank you, Tulip, for your ever-present concern for my well-being,” he murmurs, his voice lowered as he meets your gaze, the world around you fading into an indistinct haze. Just then, Minghao loudly clears his throat, and Seokmin drops his eyes, a bashful blush appearing on the apples of his cheeks.

You step away, embarrassed, your heart pounding against your ribcage.

Minghao corners you in the gardens that night, the cool summer breeze brushing against your skin as you take a walk, seeking solace from the tempest of thoughts swirling in your mind. The encounter with Seokmin lingers like a gentle whisper, an unsettling mixture of warmth and confusion that dances at the edges of your consciousness, teasing you with emotions you struggle to understand.

“Sister,” he begins, his voice so soft that you nearly startle. In an instant, he presses a hand against your mouth, his finger raised in a quiet plea for silence. “It’s only me, Y/N. I fear you’ll wake the entire estate.”

“It’s your fault for skulking about the gardens like a common thief!” you whisper back, fiercely. “What on earth could possibly require such urgent discussion that you couldn’t grant me one night of peace?”

His expression grows serious, the playful glint in his eyes replaced by an intensity that sends a shiver down your spine. “You must be careful, sister,” he admonishes, and in that moment, he seems less like your brother and more like the Duke of Somerset—tall, proud, and formidable. “There are whispers… about you and Seokmin.”

“Whispers? Whatever do you mean?” You search his face for clarification, anxiety bubbling within you.

Minghao shakes his head as if dismissing the very idea of this conversation. A wave of indignation washes over you, eager to burst forth. He may be only two years your elder, yet he still insists on treating you like a child. “Your debut into society draws near,” he continues, his voice measured and resolute. “You mustn’t jeopardize it.”

“But Minghao—” you begin, but he raises a hand, silencing you with a mere gesture.

“Listen. You know how these things unfold. A mere hint of impropriety could tarnish your reputation. I don’t want you to suffer from the kind of gossip that twists the truth.” His tone softens, revealing a hint of genuine concern that pierces through your indignation. “I only want what’s best for you.”

You meet his gaze, the weight of his words pressing down on you. “I am not a child anymore,” you protest, the tremor in your voice betraying a mixture of frustration and uncertainty. “I am capable of making my own choices.”

“Perhaps,” he replies, his eyes steady and unwavering. “But I have a responsibility to protect you, Y/N. I don’t wish to stifle your spirit, but you must grasp the implications of your actions.”

The night air grows thick with unspoken sentiments, and as the stars twinkle overhead like mischievous spectators, you grapple with the tumult in your heart. There’s something about Seokmin that sends ripples of confusion coursing through you, a fluttering sensation that stirs your chest whenever his name crosses your mind. You do not fully comprehend what it is, but it’s undeniably present—a flicker of something more, leaving you teetering on the precipice of feelings you are not yet ready to confront.

My dearest Seokmin, 

As I sit here with this pen in hand, I find myself quite at a loss. The arrival of my debut looms on the horizon, and while I am certainly filled with anticipation, I must confess that trepidation dances in my chest, quite uninvited. The notion of standing before an audience of peers—well-bred and well-mannered—fills me with an unease I cannot quite articulate. Will my words tumble forth in a jumbled mess? Or worse, will they fall on deaf ears?

I cannot shake the dreadful thought that I may never find a match. What if I enter that grand ballroom, adorned in my finest gown, and am met with indifference? Will the charming suitors twirl past me, whisking away others while I stand, forgotten, on the periphery? The idea sends a shiver down my spine, as I fear I may spend the evening watching the festivities unfold without me.

As I consider the expectations that accompany my debut, I can’t help but reflect on how you and Minghao have gracefully embraced your new roles as dukes. You carry the weight of your responsibilities with such elegance, while I find myself yearning to flourish in a world that feels daunting. Will I, too, be able to navigate this landscape of expectation and propriety, or will I falter under its weight?

Forgive my ramblings, dear friend. I suppose I am merely hoping for reassurance, a kind word from you. Perhaps if I know you will be there—your presence a familiar balm—I might muster the courage to dance and revel in the splendor of the evening.

With warmest regards and hopeful heart,Your Tulip

My Dearest Tulip,

Your recent letter has landed in my hands like a most delightful spring breeze, though I must confess it carries with it a hint of unease that quite unnerves me. How is it that my steadfast friend, who has faced the world with such spirited determination, now frets over the prospects of the ballroom?

First and foremost, allow me to put your mind at ease. The mere thought of you standing in that grand ballroom, adorned in the finest gown, is enough to illuminate the dimmest of corners. Your charm will be as radiant as the most exquisite of chandeliers, drawing the gaze of all who are fortunate enough to cross your path. I assure you, the gentlemen will hardly be able to focus on anything—or anyone—else.

Now, I cannot let this opportunity pass without a bit of teasing – regarding your step upon my toes during our lessons –  I daresay I must bring up a rather amusing memory. I cannot help but recall how you sent both Minghao and me reeling across the room, much like a pair of wayward marionettes! One can only hope that with age comes grace—or at the very least, a better sense of foot placement! If not, I shall be prepared to don the most resilient shoes in all of England.

Worry not, dear Tulip. I shall be by your side the entire season, if you shall have me (although, I am not entirely certain your dear brother will be entirely pleased by this idea). 

Your most loyal servant,Seokmin

Dearest Sister, 

As I sit at my desk, I cannot help but feel a mixture of pride and exasperation as I pen this letter. Our infrequent exchanges have become quite the tradition, have they not? I find it amusing that as your brother, I am often left to await your words while Seokmin is constantly regaled by your stories. 

With your debut looming closer, I feel it is my solemn duty as both your brother and your Duke to remind you of the delicate nature of polite society. Your debut is not merely an occasion to don a gown and curtsy to the queen; it is a rite filled with expectations and decorum. I implore you to be mindful of the company you keep and the propriety that is expected of you as a young lady and the sister of the Duke. I have taken it upon myself to speak to Seokmin, warning him of the same – he has a habit of forgetting his own station in moments of levity. 

While I know you must find these constraints stifling, know that the eyes of the ton will soon be upon you, not only assessing your beauty but also your character. You are the jewel of our family, and I trust you will shine brightly, even amidst these expectations. 

Write to me when you can, dear sister, even if it is infrequent. Your musings are treasures to your dear elder brother, and I await them constantly. 

With all my love, Minghao

Dearest Brother, 

I say this with the utmost love and devotion:

Damn you. 

(Please forgive my language, and please, do not show this letter to Mama. I fear her admonishments may never end if she hears of my vernacular)

I am acutely aware of the expectations that accompany my debut – how could I forget when both you and Mama loom over me like a pair of hawks? While I recognize your intentions, your words do little to alleviate my anxiety. 

Your warning regarding Seokmin only serves to make me laugh. It is amusing, truly, to envision the Duke of Lancaster being chided by my brother on the virtues of propriety. I promise to keep my wits about me and to present myself with all the elegance expected of a young lady of my station (the sister of a Duke, no less!). 

I will do my utmost to avoid a scandal – or at the very least, I shall ensure that you do not hear of it. I shall write again soon, if only to unleash more of my exasperation upon you. 

Yours, in (implied) rebellion, Y/N (Sister of the Duke of Somerset)

Age 18: 

On the eve of your debut, you find yourself seated on the swing in the garden of the Somerset townhome, the night cloaked in an almost palpable tension. The sounds of Mayfair filter through the stillness—a symphony of distant laughter, the soft clatter of carriages, and the occasional rustle of silk skirts—as the ton settles into slumber. The air feels electric, crackling with anticipation, as if the entire world is holding its breath, waiting for the events of the morrow to unfold.

You take a deep drag from the cigarette you swiped from Minghao’s rooms, the smoke spiraling into the night like a fleeting thought. With each inhale, you hope to drown out the anxious fluttering of your heart, a dissonant rhythm that accelerates at the mere thought of tomorrow’s debut.

“Why, Lady Xu Y/N, are you smoking?” The voice breaks through your reverie, causing you to sputter and cough, hastily attempting to conceal the cigarette behind your back. You turn to see Seokmin, leaning casually against the sturdy oak tree that secures the swing, his figure silhouetted against the moonlight.

His presence is both familiar and disarming, the boyish charm of his smile juxtaposed against the weight of his title. “No, Seokmin, I—” you stammer, flustered.

“Shove over,” he commands lightly, and before you can protest, he plucks the cigarette from your frozen grip, taking a deep, leisurely drag. The sight of him—so confident, so carefree—sets your heart racing in a way that both delights and terrifies you.

“What on earth are you doing here?” you ask incredulously, half-exasperated, half-amused.

“I was with your brother at White’s,” he replies, amusement dancing in his eyes. “It was my mistake to forget how little he can imbibe before devolving into an utter fool. I was merely making sure he returned home safely.” His tone shifts, curiosity sparkling in his gaze. “Are you excited for tomorrow?”

“Excited? Hardly,” you grumble, kicking at the scattered rocks beneath your feet. “What my heart truly desires is to run away—pack my things, flee to Paris, and open a quaint little bookstore. Perhaps live out my days as a spinster, surrounded by novels and solitude.”

Seokmin’s expression shifts, a shadow of understanding passing across his features. “We cannot always have what our hearts desire,” he says, his voice tinged with a hint of sorrow as he exhales a plume of smoke. “Sometimes, we must accept that we can find happiness in what we have, not in what could have been.”

You watch the smoke dance and dissipate into the night sky, thoughts swirling as restlessly as the tendrils of fog around you.

“And you?” you ask quietly, the question escaping before you can catch it. “What does your heart desire?”

“Desired,” he corrects, taking another deep drag. “I once dreamed of being a fencer, of dueling beneath the sun. But above all, I yearned to find love.”

Your heart stutters at his admission. His thigh brushes against yours, an electric touch that feels so scandalously intimate you can hardly breathe. You suddenly become acutely aware of the nightgown you wear, the thin fabric doing little to shield you from the heat radiating from his body. If Minghao were to catch you in this moment, you are certain he would demand that Seokmin either marry you on the spot or duel him for your honor.

The very thought sends a shiver down your spine—an improper thought that both terrifies and thrills you. You are a young lady, poised to make your debut, and here you are, perched so closely to an eligible duke, the expectations of the ton looming like a dark cloud. What would society say if they were to discover you in this clandestine moment? The whispers would be deafening, your reputation in tatters, and yet… the thrill of it, the danger, pulls at you like a siren's song.

“And you believe you shall never find it?” you ask, your voice barely above a whisper.

“I am a Duke, Y/N,” he murmurs, his voice so soft it barely pierces the night air. “Duty must come first. If there is any part of me left, which there rarely is, only then can I pursue love.”

The distance between you feels both impossibly vast and achingly close, the weight of his words pressing against you like an invisible force. You can see the vulnerability in his eyes, the unspoken longing that mirrors your own.

You hum, encouraging him to continue, yet the weight of his words presses down on your chest.

“But how fortunate am I,” he continues, his gaze piercing through the night like a beacon, “to have found such a remarkable friend who stands by me even as duty threatens to drown me where I stand.”

A friend. The word lingers between you, heavy and loaded. Is that truly all he sees you as? The realization sends your mind reeling, your heart racing in an entirely different way.

No, the trees whisper, urging you to reconsider.

Could it be…love?

That foreign sensation, long buried beneath layers of propriety and friendship, now unfurls within you, roots taking hold. You realize with a start that you have loved Seokmin, perhaps from that very first kiss on your hand all those years ago, long before you could articulate the feelings swirling in your heart.

Panic courses through you, and you leap up from the swing as if it has burned you. “It is late, Lord Lee. I must take my leave now,” you stammer, unable to meet his gaze. “I hope you find your way home safely.”

He reaches out, his hand brushing against your wrist, and your breath hitches at the contact. “Wait,” he says, his voice low, almost laced with concern. “Are you alright? You seem... distant.”

His eyes search yours, and you feel the weight of his gaze, an anchor that both comforts and terrifies you. Your pulse quickens, a frantic rhythm echoing in your ears. What would it mean to linger here a moment longer, to let the night wrap around you like a cocoon?

But all the books you’ve read offer no preparation for the heartache that comes with knowing he regards you as merely a friend. A friend, just like your brother. You are his friend, and the shattering realization settles in: he will never love you back.

“Tulip?” he adds softly, the word a whisper that brushes against your skin like the wind.

You swallow hard, every part of you aching to give in, to lean into the connection pulsing between you. But the truth looms like a storm cloud overhead, dark and inevitable.

You love Lord Lee Seokmin, Duke of Lancaster, but he will never love you.

And with that heavy knowledge weighing on your heart, you turn to leave, every step toward your room feeling like a betrayal to the emotions simmering just beneath the surface. 

You don’t sleep at all, thoughts consumed by a boy you had once known and the man you now love. 

Tagging: @kibs-and-bits @moondustmemories @shinwonderful @ivehypnosis @gwend0lyne @thestoryofana13

[stacygoforthauthor]

Read the review of Dragonfly from Reader's Favorite:

Reviewed by Mimie Odigwe for Readers' Favorite

A motorcycle accident pulls Sam Lancaster back to her hometown, Titusville, and straight into the arms of Blake Forester, the star of her teenage fantasies and her brother’s best friend. As they run into each other around town, and Sam visits his family’s diner often, giving in to Blake is a dream come true. For Blake, Sam has always been the firecracker little sister of his best friend, Dylan, and off-limits. But now? She’s all grown up, stubborn as ever, and impossibly sexy, and she’s the only person who made him feel relaxed and open in a long while. With Sam’s days in Titusville numbered and the “bro code” looming over them, can they have a happily ever after in Dragonfly by Stacy Goforth? With small-town shenanigans, a tight-knit, albeit meddling family, spiteful exes, and a tender and warming love declaration at the end, I can picture Dragonfly by Stacy Goforth as a Hallmark movie. It’s like Goforth knew how engrossing her book was, so there will be other books featuring the whole clan. Yay! The side characters are supportive, humorous, and have believable development. My favorites have to be Jax, Sam’s perceptive and wry eldest brother, and the sassy, unfiltered Kelley, Blake’s younger sister. Dragonfly isn’t all fluff and flirtations; it explores how different families react to grief, the sacrifices made for family, and with just the right amount of romantic tension to keep pages turning well past bedtime. Dragonfly is for lovers of heart and heat, and anyone who has never really gotten over their crush.