#laios and falin's mother

[gothiethefairy]

so, i've been thinking about laios's relationship with his mother. we all know about his daddy issues by now, but no one thinks about his mother. i mean, he disowned her as well. he hardly talks about her. he has a lot to say about his dad but when it comes to his mother, the most he'll say is "idk, she was kinda sick a lot."

and i think it was because he did hold her on a high pedestal. she's his mother, his protector. i know for sure she babied him a lot. mothers who's first-born is a son mostly do.

she was the one who even gifted him his precious monster manual!

so, what happened? why did he also lump her with his father and decided "i'm never speaking to them ever again." ?

to put it in simple terms, it was falin. laios was so upset about how his parents treated the situation about the villagers' abuse to falin. both of them didn't know how to handle it, but they both failed at protecting her. the best their father can come up with is sending falin away to the magic school. (without explaining why bc their dad sucked at communicating with his family.)

their village was also very conservative, especially towards magic-users. i always found it to be odd since magic does seem to be the norm in the "dungeon meshi" world, however evidence shows it's not all well-known all around the world. i mean, rin's parents were burnt to death for using magic that was thought to be "black magic".

and falin's natural magical talent being "talking to the dead" would make anyone nervous bc that could be linked to black magic.

their mother is always described to be "frail", and i bet it's mostly because she's very superstitious. gotta be honest here as well, she maybe wasn't mentally healthy. this is just an assumption but their mom comes off as paranoid and anxious, and then does these made-up rituals to try to "heal" her daughter.

hurting falin like this was the final nail in the coffin for laios, because maybe he thought he could rely on her? "hey mom, can you tell dad not to send falin away? please?"

yeah, she had "good intentions", but she still abused her daughter? because she made the situation about herself and went "oh god, it's my fault my daughter is a freak. i have to fix this."

also, laios looking so stressed and haggard here makes me so sad. like, what if their mother did something similar to him when he was younger? he wouldn't care about himself getting hurt, but seeing his own mother doing it to falin is nerve-wrecking.

the way both siblings are portrayed as autistic in different ways is important to their characters. just because falin understood why their parents did what they did, doesn't make it okay. they still hurt her, and laios knows that. and in a way, they hurt him too.

if their parents couldn't protect them from awful, nasty people and expected their children to just bare it, how can laios trust them?

this is scary to see for a child.

after that, he pretty much gave up on his parents and never looked back. but i also think, if he misses them, it's more his mother than his father.

afterall, he did his best to keep his monster manual safe.

[s-aint-elmo]

part 2 of my pining falin agenda aka I STAND WITH MARCILLE THAT DRESS WAS CUNT

part 1

(ID in alt text)

[imaybe5tupid]

In the 18th century, people introduced Lupinus Polyphyllus from North America to countries in Northern Europe as a way to improve the soil there. They’ve wreaked terrible ecological havoc, though they’ve become quite beloved as a colourful icon of Summer. There are also different species of Lupinus that are native to the Mediterranean.

bonus baby Falin and Touden Papa👨‍👧

[possamble]

The hypocrisy of "I wasn't gonna be a kid forever" is devastating but we all knew she would be like this

[orionangeline]

I love dunmeshi bc the fandom is like yeah when they're asking if eating the dragon that ate falin is cannibalism it's cannibalism foreshadowing and then you get the senshi backstory and think you're safe but :)

[blee-bleep]

if we put the dung mesh party in luna nova, laois would prolly eat the faerie staff, fafnir, and professor pisces

[eruhamster]

not to be annoying but i do think a lot of people mischaracterize falin. shes got the most drastic canon v fanon thing going on. which i guess makes sense bc 1. we dont see much of her and 2. lot of the fan stuff are anime-onlies that have seen even less

but i think like a good 90% of the time i see falin-centric art or posts im like hrm hrm hrm thats all wrong no nope no-siree

she's just a cool chick that takes life as it comes, doesn't hold grudges even against a mother that apparently was trying to beat the magic outta her, finds her older brother the coolest person in the world, and has autism about observing life (and death, she loves the ghosts she has a connection to) and nature and taking care of things (including taking care of her brother, which is why she's even in the dungeons; she saw her scrawny mess of a brother and decided she had to fix that).

and i think my favorite part that people don't talk about is... she would have done the same for marcille or laios if it were one of them that was eaten. you could see it in her eyes:

it's what shuro misunderstands about her. it's easy to see her feminine, cute, good girl pieces and forget the rest of her. but she loves things to an ends-of-the-earth extent; the kind of caring that makes you a little insane. and that's how I think she and laios end up on the same page with their weirdness. they have different interests, but they are the same level of committed to those interests.

it's easy to love her, because she probably loves you just as much, if not more.

EDIT: for the love of god stop reblogging this only to add some comment or tag or reply saying 'op you forgot [BLATANTLY FANON INTERPRETATION]'. falin as we know her is not a pushover/people pleaser/infantilized, see this version of my post. also stuff like 'female shuro was in love with laios in the genderbent comic' and 'falin was going to marry shuro because she felt bad' are just things you made up in your head

[tofixtheshadows]

I've been thinking a lot lately about how Kabru deprives himself.

Kabru as a character is intertwined with the idea that sometimes we have to sacrifice the needs of the few for the good of the many. He ultimately subverts this first by sabotaging the Canaries and then by letting Laios go, but in practice he's already been living a life of self-sacrifice.

Saving people, and learning the secrets of the dungeons to seal them, are what's important. Not his own comforts. Not his own desires. He forces them down until he doesn't know they're there, until one of them has to come spilling out during the confession in chapter 76.

Specifically, I think it's very significant, in a story about food and all that it entails, that Kabru is rarely shown eating. He's the deuteragonist of Dungeon Meshi, the cooking manga, but while meals are the anchoring points of Laios's journey, given loving focus, for Kabru, they're ... not.

I'm sure he eats during dungeon expeditions, in the routine way that adventurers must when they sit down to camp. But on the surface, you get the idea that Kabru spends most of his time doing his self-assigned dungeon-related tasks: meeting with people, studying them, putting together that evidence board, researching the dungeon, god knows what else. Feeding himself is secondary.

He's introduced during a meal, eating at a restaurant, just to set up the contrast between his party and Laios's. And it's the last normal meal we see him eating until the communal ending feast (if you consider Falin's dragon parts normal).

First, we get this:

Kabru's response here is such a non-answer, it strongly implies to me that he wasn't thinking about it until Rin brought it up. That he might not even be feeling the hunger signals that he logically knew he should.

They sit down to eat, but Kabru is never drawn reaching for food or eating it like the rest of his party. He only drinks.

It's possible this means nothing, that we can just assume he's putting food in his mouth off-panel, but again, this entire manga is about food. Cooking it, eating it, appreciating it, taking pleasure in it, grounding yourself in the necessary routine of it and affirming your right to live by consuming it. It's given such a huge focus.

We don't see him eat again until the harpy egg.

What a significant question for the protagonist to ask his foil in this story about eating! Aren't you hungry? Aren't you, Kabru?

He was revived only minutes ago after a violent encounter. And then he chokes down food that causes him further harm by triggering him, all because he's so determined to stay in Laios's good graces.

In his flashback, we see Milsiril trying to spoon-feed young Kabru cake that we know he doesn't like. He doesn't want to eat: he wants to be training.

Then with Mithrun, we see him eating the least-monstery monster food he can get his hands on, for the sake of survival- walking mushroom, barometz, an egg. The barometz is his first chance to make something like an a real meal, and he actually seems excited about it because he wants to replicate a lamb dish his mother used to make him!

...but he doesn't get to enjoy it like he wanted to.

Then, when all the Canaries are eating field rations ... Kabru still isn't shown eating. He's only shown giving food to Mithrun.

And of course the next time he eats is the bavarois, which for his sake is at least plant based ... but he still has to use a coping mechanism to get through it.

I don't think Kabru does this all on purpose. I think Kui does this all on purpose. Kabru's Post Traumatic Stress Disorder should be understood as informing his character just as much as Laios's autism informs his. It's another way that Kabru and Laios act as foils: where Laios takes pleasure in meals and approaches food with the excitement of discovery, Kabru's experiences with eating are tainted by his trauma. Laios indulges; Kabru denies himself. Laios is shown enjoying food, Kabru is shown struggling with it.

And I can very easily imagine a reason why Kabru might have a subconscious aversion towards eating.

Meals are the privilege of the living.

[savaralyn2]

Dungeon Meshi - Laios/Falins Mother

[tagasaing]

i have to get this out of the way, re: dungeon meshi discussions

major spoilers ahead, obviously.

you know for a series that focuses so much on platonic and familial relationships it’s weird that dungeon meshi has attracted so much useless ship wars though. the most important driving force in the story is two sibling relationships (laios’s search for falin, thistle’s search for delgal) and one of the central themes is how loving others way too much can lead to your downfall (thistle’s desperate attempt to keep his loved ones leads to his mental state deteriorating so much he starts torturing people he claims to protect, marcille’s fear of losing her friends leads to her being easily manipulated by the main antagonist)

even with regards to falin. thistle wants to bring the ‘brother’ he raised back at all costs, he saw a young human woman as nothing more than a dragon, his tool. marcille wants to bring falin back at all costs, she didn’t care about the repercussions of using monster meat instead of animal meat even though she was an expert at ancient magic and should know why it’s such a dangerous practice.

each and every single one of the major characters has some form of tragedy with their family one way or another: the toudens, marcille and her dad. chilchuck and his wife. senshi’s entire backstory. izutsumi’s hidden desire for a mother. namari’s father. shuro and his family. kabru and his mother(both tallman and elf). mithrun and his brother. thistle and the melinis.

even some of the minor characters: flamela and her dead twin sister. the twins and the floke couple. kuro being the closest mickbell has to a family. etc etc

as someone who has reread this manga several times by now, i wonder if people just… read it once as fast as they could and act like they’re some sort of authority on fan discussion. i’ve seen people brag about reading the entire thing in one sitting as if it’s something to be proud of. this manga isn’t meant to be read that fast, that’s how you get people claiming that laios doesn’t reaaally love falin as much as marcille does.

to these people, laios just gets in the way, as if it wasn’t his idea to go down the dungeon in the first place, it wasn’t him who said his pain doesn’t matter because falin suffered more than him, it wasn’t him who felt immense guilt for leaving falin behind, it wasn’t him who found her skull, it wasn’t him who killed her to save her from her chimera form. i feel like people forget about the ‘too’ part when marcille said “i miss falin too”

marcille knows how much falin and laios love each other. that’s why she asked him if she’s allowed to resurrect her and didn’t act on her own. that’s why when both times a shapeshifting monster copied marcille to trick laios, it was what she looked like at the time she was reviving falin.

as someone who DOES ship farcille, none of the romance is canon. this isn’t meant to be anti-farcille. one of the post-canon comics is about falin gently turning down shuro because she wants to travel the world, “you can’t tie a dragon down” after all. she wants to travel the world and find herself because she doesn’t know who she is outside of marcille and laios. even marcille, who was hoping she’d reject him, tears up because of how beautiful and tragic it was.

there are a lot of ship teases because what author doesn’t like a good ship tease. but to say that dungeon meshi is a romantic love more than it is a story about family(both real and found) is a great misinterpretation of the text.

[loriache]

Butch up that Elf: my Marcille manifesto

TBQH, this came into being because the Falin "dragoness" fanart rewired my brain completely. It's sillytimes, but we're going to make a serious argument: trying out being a little butch would Fix Her.

1. Marcille Gender Discomfort

Now, Marcille LOVES feminity. She loves playing dressup, she loves elaborate gowns, she spends her free time going to the spa - the absolute last thing I want is to deny that. However, there's also a definite vibe that this isn't just a preference. Specifically, the way that she pushes Falin towards femininity suggests that she isn't comfortable with gender nonconformity in the people around her.

If this was something she was 100% confident about ("I'm doing this for myself and nobody else!") surely what other people do wouldn't be a big deal? Of course, you can read this as a little bit of solipsism; "what works for me must work for you too! I think this is so cute and would suit you - wouldn't you agree?"

But for the sake of this argument, all I'm trying to suggest is that gender nonconformity (and probably sexual nonconformity... well, frankly, any kind of sexuality at all) is unlikely to be something that's on Marcille's "radar". She hasn't tried out other ways of presenting and decided she doesn't like them. I do think she'd be a very flamboyant butch - "ouji lolita" vibes, you know? It's a whole new set of wardrobe options she could play dress-up in, even.

After the story ends, she starts dressing like her mother in all black, which makes sense - her mother was also a court magician, so she's probably emulating her in order to project confidence and authority. But I can't say I think she should stick with this. Break away and be your own person, Marcille! Try a fancy waistcoat and frilled jacket!

2. Haircut

This is another potential hard sell, I'm sure. The people she loves doing her hair is a cute symbol of their care for her, and her hair is key to her magic - so there's plenty of reason for her to keep it long. But like... think practically. Having someone do your hair every morning, for the whole of her long life, while it gets messier over the day (because she can't remember to keep it neat)... That's got to be such a pain. My hair gets messy when I put a hoodie on. And I have short hair.

It would require her to go through a change of mind, and probably a little more growth in how secure she feels in her relationships, but - the hairdo's a symbol. The more important thing is the relationships themselves. Eventually I think there might be something liberating about cutting it off, even if she might eventually decide to grow it out again.

The lion, her trauma, took something away from her which was really important to her. The people around her are able to make that easier, and make up for it, and soften that loss, but... Mithrun isn't the person he was before, you know? He's a new person. The relationship he has with his brother is new, and I don't know if it's one that the person he was before could have had. If Falin hadn't died, they wouldn't have gone on that wonderful adventure! They wouldn't have met Senshi or saved Izutsumi and Laios and Marcille wouldn't have gotten so close. So I think it's totally congruent with the themes of the story that the burning away of this part of Marcille's self might eventually create the potential for new growth in a new direction, not clinging onto the parts that are gone.

This also isn't totally out of the norm for elven mages - both Otta and Flamela have short hair. Otta is canonically butch, and potentially Flamela reads that way to elves too, but the point is it clearly is possible to be an accomplished mage without long hair.

3. Desiring (to be) a chivalrous prince

Marcille's succubus is clearly General Halleus from her favourite book series, the Daltian Clan. The fact that this is her ideal man.... it certainly plays into readings of her as Not Straight. But at least, this conveys the way her conception of sex and romance is strongly idealised, dissociated from the bodily and from physical desire.

There are many ways to interpret that, including thinking about what types of desire this fixation is obstructing because she is not comfortable with it, but I am going to focus here on what this desire does signify. She likes the trappings of courtly romance, and is clearly comfortable putting herself in the role of the princess, being taken away on a white horse by a noble (but tormented; eyepatch has "death" on it lmao) prince. (Though I think he's actually the token male lead who isn't royalty; he's a General. There's always one in Romfan, lmao. IYKYK)

A kiss on the hand - this is so chaste, I think it's clear it's more about desire to play a role in a dynamic than it is about desire in a physical sense. There is undoubtedly a big part of Marcille that wants to be a beloved and chased-after princess, but I think it isn't at all impossible that she'd also enjoy being the powerful, cool, and chivalrous "prince" to someone (a pretty girl, perhaps) who needs her protection.

This is a little silly, because it's clearly just aping the shoujo artstyle that articulates basically the same idea as her succubus, that Marcille is attached to highly abstracted and idealised romantic (and Romantic) tropes and ideas. But the imaginary "successful" Marcille from chapter 4 looks quite similar to her succubus. (Another thing I noticed is that in the fantasy she has sharp ears... like full elves have. Despite what she says, I think the cultural messaging that this trait is "attractive" and hers are inferior got to her at least a bit. 😥)

Also, the way that she treats Falin, scolding her indulgently, trying to look after her and wanting to be looked up to and respected by her... that aligns more with the "masculine" role in the trope that her succubus is referencing. "What are we going to do with you...?" I can imagine her saying this to Falin, word for word. Whereas, if anyone real started talking down to her, even affectionately, I don't think she'd like it, given the negative way she reacts when people don't respect her or her skills. Especially after canon, given the way the Winged Lion was treating her.

Her attitude to Falin is partially down to her reluctance to acknowledge Falin as an adult, who is independent and can grow beyond her and leave her behind. But I think even as they move on from that unhealthy dynamic, Marcille is still going to get pleasure from feeling capable, reliable, able to look after and protect Falin. She'd like to pull the chair out for her in a restaurant on a date, you know?

4. Conclusion

Even after the growth she goes through during the story, there are parts of Marcille's character that are very much obstructed. Romance, sexuality, and gender, feel like one of those to me. The way that her discomfort with the messy origins of food betrayed a deeper, more significant discomfort with the cycles of life and death.

Much in the same way, I'd argue that the simplified, idealistic, and safely fantastical way that she views romance, as well as her very "safe" gender presentation and tendency to push it onto others as well, suggest an underlying discomfort in her own gender and sexuality. The character growth she goes through leaves her in a place where it may be possible to safely re-evaluate her relationship with Falin, as well as her choice of clothing and hairstyle, both things that go through a change at the end of the manga. Neither, I think, reach a sustainable stopping point that we see - there will be a point when it's more servants doing her hair than friends, just out of practicality, because they're all going to be so, so busy. The black clothing to copy her mum is cute, but once she gets some more self-confidence in her own skills as a court magician, I think she'll move on from it. And... who knows what direction her relationship with Falin will develop, over the years? I'm rooting for them, anyway.

In all those cases, I think moving outside of the things she's done before, into something really different from the things that are "safe" and expected, will be the most rewarding path for her. Like in the dungeon, things that she would initially reject were actually able to sustain her and broaden her tastes. She loves dressing up, looking after people, and "princely romance". So I say: Butch Marcille! It'll be good for her!!

[lgbtlunaverse]

This page from the adventurer's bible makes me want to cry

Like basically any neurodivergent dungeon meshi fan, I see a lot of myself in the Touden siblings. But I was blindsided by just how much I suddenly related to Falin in this little comic from the adventure bible's complete version.

It's about the Touden siblings' differing relationships with their parents, and why Laios still holds their treatment of Falin against them, while Falin herself doesn't.

We know that Falin was isolated and ostraziced by their village after she saved Laios from a ghost, displaying her uncanny affinity for magic. Her parents, instead of defending her, sent her away, which angered Laios so much he ran way himself before Falin even left for magic school, hoping to make a living so he and Falin could live together alone.

He tells Marcile this, but when she goes to Falin, she says she sees things differently. Her father sent her to magic school to protect her form the rest of the village without having to cause a conflict. He didn't explain that, and we actually see her burst into tears when he says it.

But, well... Laios was gone for a year before Falin went to magic school, and everyone else in the village avoided her. The understanding Falin has with her parents to me looks like one borne out of necessity, she literally didn't have anyone else to talk to.

And this is where we get to the page that made me want to cry

Like I said, I relate to the Toudens because I'm neurodivergent myself. that feeling of suddenly realizing you're disliked, but not knowing what you did wrong or what you should have done instead? Yeah... that's one I recognize.

When I was around 9 years old, the same age Falin is in this comic, a bunch of kids in my class decided to make a "game" where you lost if you touched me. It was basically the 'cheese-touch' from diary of a wimpy kid, except I always had it and couldn't pass it along. They'd pretend I was poisonous or disgusting and run away from me screaming or gagging. The point was to make fun of me. But my autistic little 9 year old ass thought "Oh I get it! It's tag but I'm always it!" So I... played along. Running at a boy and having him fall on the ground screaming in fake pain because you tapped him is, in isolation, pretty funny.

It wasn't until months into the "game" that I realized it was meant to be meanspirited. That the reason I was the one who was always 'it' wasn't an arbritrary rule but the whole point. Because I was weird and gross. I wasn't in on the joke, I was the punchline.

Falin may have come to understand her parents' intentions, but she didn't always. The adventure bible actually tells us that she at first didn't even notice that the rest of their village disliked her. She clearly knows now, but she had to be told. So when her mom tried to exorcise her, she just saw it as an activity she got to do with a mother she usually didn't get to spend much time with because of her poor health. It's only Laios who notices something is wrong.

(Sidenote, Laios being hyper-aware of people's poor attitudes towards Falin but completely blindsided when he's in the same spot, like with Toshiro, is also very relatable as an eldest sibling)

It probably also took Falin months, until after her brother had left and she had no one but her parents, to realize why her mother had been doing all those things.

And I know they're not the same. Even misguidedly, Falin's mom was trying to help her, not make fun of her like those boys in my class. (Though, as a queer person who also cares a lot about the queercoding in Falin's storyline, a parent trying to 'exorcise' their child of a fundamental part of them the parent thinks is evil or corruptive? yeah... that's not perfectly wholesome)

But do you know what I did, when I finally figured out the game was always meant to make fun of me?

To me, it looked like I had a choice.

See, those boys eventually figured out I didn't understand that they were being mean to me. I'd laugh every time I managed to catch one of them, I was visibly having fun. And while it no doubt only made me more of a weirdo in their eyes, they never informed me that I shouldn't be enjoying myself. That the point was for me to feel hurt.

So now that I did know, I had a choice. I could either get upset, and let the insult land as it was supposed to. That wouldn't stop them, because making fun of me was the original goal. Or I could ignore it and go on as usual. They had already accepted that I didn't get it, and they weren't gona stop me from having fun, so why should I?

And the thing is that I had... one friend, in that whole class. One person who actually liked talking to me and hanging out with me. I was lonely. And the 'game' provided me with another social interaction, mean-spirited as it was, that I desperately needed. And it was so delightfully simple. Navigating actual friendships as a kid with autism and adhd was so fucking complicated, and I'd never know when I might break an inivisble rule. But I knew the rules to the game perfectly!

Sometimes, if I was chasing one of them, the others would trap him and hold him down so I could tap him. In those moments it actually did kind of feel like I was playing with them, rather than against them. And it didn't change much, they didnt start actually liking me. But they were willing to roll with the fact that I wasn't upset, and I took advantage of that because I needed to.

So you can look at Falin seeing the best in her parents as her being naïve, but I look at this page and I see myself, at first unable to differentiate between playing and being made fun of. And then later, when I did see the difference, deciding not to get mad about it because that'd mean losing that social interaction, and I couldn't afford to.

Like I said, Falin probably first realized this in the year she spent with her brother gone, and everyone else avoiding her like the plague. If she refused to talk to her parents, like Laios did, she'd have no one left.

I see a lot of people relating to the fight between Laios and Toshiro. that frustration when you realize someone you thougth was your friend actually hates you, and they never said anything, never gave you a chance to fix it because you had no idea that you were even doing something wrong! And I can see that, too. But sometimes, when people don't fully hate you, it feels better to go along with the pretending. Because adressing it won't fix it. Because the problem isn't a specific behaviour, it's you. And if they're willing to tolerate you, despite the fact that it's you, then you'll take it. Because other people do hate you, so this is the best you'll get.

[imaybe5tupid]

This book would have saved them 😔

(redraw of the cover of the book “something different about Dad”)

[possamble]

Needlessly close reading and long commentary on chapter 57 and how the audience actually has an extremely limited view on what Marcille has been like over the course of her life.

I am once again thinking about how pre-dungeon Marcille is so quiet and stoic that she seems like a completely different person. How jarring chapter 57 is for the audience. Like you have Marcille, who has been just the most blindingly expressive person with resting baby face

And then the chapter drops a title page of Marcille hearing from Falin for the first time in four years and it's like.

Who is that. Genuinely. Would you even realize that's Marcille without the context clues?

And then the chapter just keeps coming in with the sucker punches.

We have SEEN Marcille meet strangers. It was never with this understated of a smile.

literally who the hell is this. the few times the audience gets to see some Signature Marcille Faces that they're used to is when she finally gets to see Falin again

when she's testing out her new spells

(and when Laios and Falin are fantasizing about her being their damsel in distress, funnily enough)

And then finally. Finally you get to a fully recognizable Marcille when she fucking DIES and comes back to life to geek out about necromancy.

We know she loves magic. We know she loves Falin. So it's not so surprising that she wouldn't be able to keep a mask up when thinking or talking about the things she loves. But why the mask in the first place? Where does it come from? It's tempting to think that, maybe, Falin's departure just hurt her so much that it turned her into a quiet person.

But that's only half true. If you go back, the first instance you see of this incredibly mild personality is actually introduced much earlier, in chapter 17.

What if she was always like that. What if her default after her father died was to hold people at arm's length, to never really emote past being polite and friendly. What if Falin was the first person who was able to bring her out of her shell, and when she left, Marcille just went back to how she was.

And when comparing her detached demeanour with someone else...

It's not exact, but wouldn't you say there's a resemblance? Wouldn't you think she might be trying her best to imitate what she saw of her own mother working as an accomplished mage?

It would certainly explain why she's hiding behind her portrait in her nightmare, at least.

We aren't told that Marcille has been distancing herself from everyone around her using a mature and dignified personality she modelled off her mother. But we sure as hell are shown it, I think.

[wintergrofyuri]

i think itscrazy how much chilchuck mothers. ofc izutsumi but marcille as well. marcille is like a young adult fresh out of college and chilchuck is in like. the equivalent of his 50's i think. chilchuck has 3 kids and it Shows. he even mothers laios from time to time.

also im not sure if it counts, but that one scene during the chimera falin fight where he makes mickbell hide with him. i really Really want to know what went on in there. if mickbell just stayed curled up or if he clung to chilchuck. i think hes younger than chilchuck, but im not sure by how much.

anyways half foot marcille definitely had him thinking of his daughters the entire time. imagine ur annoying work friend suddenly looked exactly like ur youngest daughter. fucked up.

[ehhgg-art]

you ever think about the fact that laios won not by being a monster but by being human.

monsters as we’ve seen throughout the manga are predictable, they have this rhythm to them that, once someone understands, can be used to take them out. take kelpies like anne where laios states that she is just a monster and cannot be trusted. even kensuke is “just a monster after all”, running away from danger when laios needs it most. kensuke is beloved by laios not just because he is a monster, but because laios, in human fashion, anthropomorphized him in his mind (giving him a name, etc.)

but people are different. they are multifaceted, non-monolithic creatures. long lived races are not all pious and apathetic towards short lived races as we see with marcille and senshi. chilchuck actively works against the prejudice against half-foots. tallmen from every region have their cultural differences as we see with shuro and laios/falin. even “demi-humans” like orcs have depth to them, having rich culture and values despite the general idea that they are a violent pillaging race.

even laios’ family and village, the nexus point for his dislike of people, have depth to them. though their parents did not actively protect their children, they did not wish harm on them either. the exorcisms performed on falin by their mother was harmful in laios’ eyes, but helpful in his mother’s perspective.

laios himself, despite loving monsters and hating humans, is so very painfully human. he hates humans but has risked life and literal limb to save his sister and his party. he loves monsters but is aware of their dangerous nature and spares them no mercy.

(big spoilers under the cut)

the winged lion mistook laios as a one dimensional entity, one which only operates on a one track mind without paradox. it thought laios to operate like a monster, and so it approached his desires like one. it believed that laios, being so obsessed with monsters, must behave like one as well, so completely disregarded the fact that laios could have something up his sleeve.

but laios is not a monster, he is human. he has ulterior motives, overlapping beliefs, contradicting values. it is his humanness that made him explain to his party what to do when things went awry. it is his humanness that allowed him to lie. lie to the world about his true plan as well as lie to the winged lion about his intentions.

sure laios WANTS to be a monster, that much is definitely true. but what he IS is a different story. laios is an unpredictable, sporadic, messy human being. it is that fact which the winged lion overlooked, and ultimately led to its downfall and laios’ victory.