#laila tyabji

[theccrafttree]

Why to choose The CCraft Tree As Your Ultimate Corporate Gifting Place

In ancient India, crafts and art were one—both synonymous, both an integral part of home, worship and everyday life, not segregated into gallery displays or marketplace commerce. – LAILA TYABJI India’s crafts are as diverse as its populace. But just as the idea of India, we believe that craft has a diverse universe of opinions…

[subharghyadas]

This article by Laila Tyabji, an award-winning writer, designer, and craft activist, sums up India's premium on fair skin as a society of people of predominantly brown color. Week 7 Post #3 ART2103

[ndtvindia24hrs]

India's craft sector needs more than selfies and hashtags

India’s craft sector needs more than selfies and hashtags

[ad_1]

Can we expect a new and dynamic platform for artisans from the government to lay off handloom and handicraft boards before National Handloom Day?

Craft World announces handloom notice from Development Commissioner Abolition of AIHBThe nearly 70-year-old All India Handloom Board, established in 1952 by Pupul Jayakar and nurtured by Kamaladevi Chattopadhyay. Without a whisper of warning,…

[newsresults]

For the first time since the pandemic, craftspeople have reason to celebrate

For the first time since the pandemic, craftspeople have reason to celebrate

[ad_1]

Written by Shiny Varghese | New Delhi | September 28, 2020 8:50:30 pm

The 10-day exhibition has begun. (Source: Amit Mehra)

Kalighat artist Mamani Chitrakar, with her bold strokes and vibrant colours, tells the story of the corona rakshasa who is overpowering people with its deadly fangs. She has drawn a vertical scroll that…

[news24fresh]

When Indian folk art finds a viral muse

When Indian folk art finds a viral muse

[ad_1]

Lord Krishna has begun wearing masks and carrying sanitisers — on canvas. Another painting has churches, temples and mosques banding together to fight the virus. If this doesn’t make Indians take Covid-19 seriously, nothing will!

Even as makers of fine art internalise and reflect upon Covid-19 (only a few such as Dhruvi Acharya are creating right now), folk artists are getting out their…

[ds4techofficial]

India’s craft sector needs more than selfies and hashtags

India’s craft sector needs more than selfies and hashtags

[ad_1]

With the government scrapping the Handloom and Handicrafts Boards ahead of National Handloom Day can we expect a new and dynamic platform for craftspeople?

The craft world is reeling from the Development Commissioner for Handlooms’ notice, announcing the abolishment of the AIHB, the almost 70-year-old All India Handloom Board, established in 1952 by Pupul Jayakar and nurtured by…

[col-life23]

India’s craft sector needs more than selfies and hashtags

India’s craft sector needs more than selfies and hashtags

With the government scrapping the Handloom and Handicrafts Boards ahead of National Handloom Day can we expect a new and dynamic platform for craftspeople?

The craft world is reeling from the Development Commissioner for Handlooms’ notice, announcing the abolishment of the AIHB, the almost 70-year-old All India Handloom Board, established in 1952 by Pupul Jayakar and nurtured by Kamaladevi…

[netbreakingnews9]

Sabyasachi responds to open letter

Sabyasachi responds to open letter

Designer Sabyasachi’s collaboration with international fast fashion brand H&M seems to have brought him more despair than satisfaction. After bloggers accused him of associating with a brand that has often been often been charged with greenwashing, the Indian artisan community has raised concerns about the collaboration. In an open letter to the designer, textile revivalist Laila Tyabji, Jaya…

[buzz-london]

The Uses & Abuses of Religion - Devdutt Pattanaik, Laila Tyabji & N Ram - 8 Feb 2016 (an hour’s conversation)

https://youtu.be/sNCpWECSGR4

[globalworship]

India Paintings in Pandemic (Arts & Community Development)

Note: everytihng in this blog post, except the song at the end, is excerpted from this article: “Gods in face masks: India's folk artists take on Covid-19“ Published online 2 May 2020 at https://www.bbc.com/news/world-asia-india-52464028

+++

Apindra Swain's art shows mythological figures wearing face masks

India's prominent folk artists have released a series of paintings to spread the message of social distancing and hygiene to prevent the spreading of coronavirus, writes Sudha G Tilak.

Working during the lockdown, which has now lasted more than a month, a group of folk artists and craftspeople across India have produced these illustrations and paintings in traditional styles.

"Though many fear the impact of Covid-19 may be the end of craftspeople, it is their creativity and resilience that could save them," Laila Tyabji, chairperson of Dastkar, India's prominent society for crafts and craftspeople, told the BBC.

Since March, folk artists who work with Dastkar have produced artwork that convey the importance of social distancing, wearing face masks, washing hands with soap and avoiding group travel. There are also scenes depicting hospitals treating Covid-19 patients....

+++

Ambika Devi's art shows people wearing face masks

Ambika Devi is an artist from Rashidpur village in the northern state of Bihar.

She uses a folk art form called Madhubani - which takes its name from a district in the state.

The art uses natural pigments for colour and are illustrations on walls of homes and in modern times on handmade paper ....

+++

Apindra Swain drew this artwork specially for the BBC

Apindra Swain is a Pattachitra painter from Raghurajpur in the eastern state of Orissa.

This art form dates back to the 5th Century and is famous for its bright hues and faces drawn in profiles using natural colours. Her paintings show mythological figures wearing face masks.

+++

Kalyan Joshi drew while he was locked down in Bhilwara, a coronavirus hotspot

Phad painting is native to Rajasthan and dates back to medieval times.

They were traditionally painted on large cloth panels showing royal scenes of festive processions and wars.

Kalyan Joshi is a Phad artist from Bhilwara in Rajasthan, an early Covid-19 hotspot.

His paintings carry messages in the local language about maintaining social distancing and wearing face masks.

+++

Tulsidas Nimbark's miniature shows a saint sitting near a bottle of liquid soap

Tulsidas Nimbark has painted in the 17th Century Rajasthani miniature tradition.

It shows the Hindu deity Krishna dancing in a garden with a venerating saint wearing a face mask and sitting near a bottle of hand washing liquid soap.

+++

Read the entire BBC article, and see more pictures, at https://www.bbc.com/news/world-asia-india-52464028

All pictures copyright Dastkar https://dastkar.org/

It doesn’t appear that any of these particular works are for sale through the website, but you can support Indian artisans once they get their online store ready.

+++

Friends of a friend in north India created this song in hindi to teach about health in the time of the pandemic. (English translation of lyrics there.)

https://www.youtube.com/watch?v=n8H7Gz7ps_c&feature=youtu.be&fbclid=IwAR3USD65T9L_-nIs8T1OFWIvGmF0X3MC37Sijd-2kPFxZx1FZEb6BatoxW8&t=0s

[theccrafttree]

Why to choose The CCraft Tree As Your Ultimate Corporate Gifting Place

In ancient India, crafts and art were one—both synonymous, both an integral part of home, worship and everyday life, not segregated into gallery displays or marketplace commerce. – LAILA TYABJI

India’s crafts are as diverse as its populace. But just as the idea of India, we believe that craft has a diverse universe of opinions on what constitutes craft Products that are produced by artisans, either completely by hand or with the help of hand-tools or even mechanical means, as long as the direct manual contribution of the artisan remains the most substantial component of the finished product… The special nature of artisanal products derives from their distinctive features, which can be utilitarian, aesthetic, artistic, creative, culturally attached, decorative, functional, traditional, religiously and socially symbolic and significant.

The proposed definition of handicrafts according to EPCH –

-UNESCO

“Item or product produced through skills that are manual, with or without mechanical or electrical or other processes, which appeals to the eye, due to the characteristics of being artistic or aesthetic or creative or ethnic or being representative of cultural or religious or social symbols or practices, whether traditional or contemporary.

These items or products may or may not have a functional utility and can be used as decorative items or gifts”.

The CCraft Tree is aiming to connect Indian handmade gift boxes to urban markets and global markets .Their designer boxes have ethnic touch with a global theme. The CCraft Tree huge collection is sourced different states of India with an aim to promote local artisans

What are the different categories of gift boxes that CCraft Tree provides?

Pinewood 

You can get gift boxes, trays or gift baskets made of pinewood at CCraft Tree. The company being one of the leading wholesale gift packaging box manufacturers in the country, the services are never a disappointment. In the case of wooden gift items, going for pinewood is the best option. Pinewood gifts are excellent in quality. 

Agate and Resin

You can find an amazing agate and resin gift at CCraft Tree. The company offers a wide assortment of gifts that come under a variety of categories. So if you want to give your significant other something unique and extraordinary CCraft Tree is your destination. Professionals craft the handmade Agate and Resin gifts that the company offers at the company. Moreover, these gifts fall within the budget and do not put a dent to your pocket. 

Metallic gifts

You can find amazing metallic gifts at this company. You get to customise the gifts and packaging. It is the perfect place for people who want their gifts to be solid and enduring. You can have gifts which are durable in nature along with uniquely designed shaped metallic gifts. All the products manufactured by the company are made by utmost diligence. The team of professionals put in their creative work and never fail to surprise their customers. All the artisans on the team are very experienced in handcraft and metallic work.

Embellished gifts

You can find an amazing gift with embellishments from The CCraft Tree. Usually, people prefer gifts with embellishments which are likely to look good on caskets to hold jewelry. Moreover, people like to have jewel baskets with good designs on them. A little gaudy feeling would not hurt anyone! The CCraft Tree company provides a wide range of designs that clients can choose from as per their requirements. The specialized artisans of the company put in great effort to make sure they deliver their production perfectly. 

Wood and resin gifts

You can find perfect and extraordinary handcrafted gifts made of wood and resin mixture at The Ccrafttree. The company is one of the leading gift service companies in the company. The several gifts made up of wood and resin combination are very appealing to the majority of the clients. The company’s artisan team is very professional. They help design and develop high-quality handcrafted gifts from wood and resin. 

The company offers a wide variety of wood and resin mix gift collections. The products that they manufacture are always extraordinary and unique in several aspects. 

Corporate gifts

You can get extraordinary corporate gifts and packaging at this company The CCraft. A corporate gift box is quite different and tends to stand out from the rest of the gift items. However, such gifts can be meaningful and put a lasting impression between employees and their employers. Being one of the many leading gift box manufacturing companies in Agra, The CCraft Tree delivers what they promise. 

To Wrap Up

The company offers a wide variety of gifts. Clients are at liberty to choose from the several categories. Also, the gifts that they manufacture fall well within the budget of their target population. The Colorful Gift Boxes Wholesaler company also offers amazing delivery services within affordable services.

[liveindiatimes]

An appeal to go Swadeshi to help revive Indian crafts post lockdown - fashion and trends

https://www.liveindiatimes.com/an-appeal-to-go-swadeshi-to-help-revive-indian-crafts-post-lockdown-fashion-and-trends/

Coronavirus pandemic has hit businesses hard, especially the unorganised sectors. To help Indian crafts people and weavers, organisations including Crafts Council of India, Dastkar, Craft Revival Trust, Weavers Association of Andhra Pradesh, and several designers have come forward for the initiative #HandmadeInIndia. In a way, it alludes to making and buying local, a hat tip to the Swadeshi movement led by Mahatma Gandhi in 1905.

Laila Tyabji, craft revivalist, says, “The orders and sales have come to an end. The crafts people have no access to any capital or raw material. They don’t have insurance, pension or stable income. We want to draw attention to that. During the lockdown, there has been no discussion around this. We, at Dastkar, started a relief fund and have been disbursing money all over India. But we thought that a collective message would reach out to more people, the media and the government.

Read: FDCI sets up COVID-19 support fund, Smriti Irani expresses her gratitude

Tapping into the power of this soft power of the country, Purnima Rai, former president of Delhi Crafts Council, says, “The strengths of the handloom sector are now going to sustain it through this crisis. We foresee problems in terms of the stock that they have, and ways to market it. Online marketing is a possibility. We have to get this message that craft provides livelihood to millions and this is something we have to do for ourselves.”

The poster has been translated and designed in various Indian languages.

Designer Gaurav Jai Gupta, who specialises in woven textiles, says the problem also lies in there being a lack of centralised policies. “Since this sector is not organized throughout, it does not get spoken about in bigger scheme of things. It’s a living heritage of our country and needs support. We require an equitable economic. As of now, there are no government schemes that are directly helping the craftsmen,” he says.

Designer Rina Dhaka, who has been involved with the country’s handloom belts like Kota and Bhuj to work with the crafts people, feels that it is important to adapt and innovate to keep the crafts relevant. “The design industry, including the students and buyers, has to get more involved and make facilitations. The designer holds the pulse in setting trends,” she says.

Read: Coronavirus outbreak: FDCI issues refunds to designers

Designer Gunjan Jain has been working closely with weavers and crafts people of Odisha for the last 12 years. She feels that to homogenise the industry would be to kill its strength. “We have to treat them as equal partners. We have to holistically design a system,” she says. And moving forward, crafts will lead the way towards a greener way of life. “We are looking at a more sustainable way of life going forward. The crafts community has been offering us all these solutions — it has a low carbon footprint, it is decentralised and helps curb migration. Sweatshops produce millions of metric tonnes of fabric which ultimately goes into landfill,” she says. With a hope that the public, media and government take notice, Jain concludes, “The crafts sector is dependent on the market forces and I hope it recovers soon. Most of these weavers live hand-to-mouth and I hope they take notice of this industry.”

Interact with Etti Bali @TheBalinian

Follow @htlifeandstyle for more

Source link

[vsplusonline]

Covid-19: Should we have a fashion rescue fund?

New Post has been published on https://apzweb.com/covid-19-should-we-have-a-fashion-rescue-fund/

Covid-19: Should we have a fashion rescue fund?

On his official Instagram account, fashion designer Sabyasachi Mukherjee shared Smriti Irani, Union Minister of Textile’s appeal to the buying industry not to cancel a single order as the world is “engulfed with coronavirus”. Dastkar’s (a society for crafts and craftspeople) chairperson, Laila Tyabji has spoken out on how this community is the most vulnerable during lockdown and will continue to be so after the pandemic subsides.

Globally, Covid-19 is the biggest crisis to date for the apparel and fashion industry. In India, where the textile industry is the second largest employer, its health is critical to the country’s welfare. Will the fashion design industry, important to the sector’s ecosystem, be another casualty? Sandeep Khosla of prominent label Abu Jani and Sandeep Khosla (AJSK), known for reviving crafts such as chikankari, agrees with Tyabji’s sentiment but points out, “If we go bust as designers, we lose the ability to be employers and safeguard our workforce.”

Designers and craftspeople are intrinsically linked. “We need our craftsmen as much as we need our blue collar workers in order to sail through these times and in the years to come,” explains Narresh Kukerja, creative director of what many consider the country’s first swimwear label, Shivan and Narresh. A younger label at just 10 years (who delayed this month’s celebrations around this landmark due to the current situation), their store in Mumbai’s Kala Ghoda was on the anvil, but will now be put on hold.

Trickle-down effect

Rahul Mishra, India’s first designer to be invited to show at Paris Haute Couture Week, has a workforce of 1,000 people who work with him directly and indirectly. He explains that “the one on top of the hierarchy often finds [themselves] responsible for various people — whose families’ lives depend solely on the salary they are paid. With sales gone down to zero in the past month, the inflow of money is completely on halt”.

Designers Abu Jani and Sandeep Khosla  

Fashion designers are trying to do their best for their employees — for example, AJSK are paying full salaries to staff despite the lockdown and hope to be able to do this for as long as they can. “Of course, this will not be possible indefinitely as we are not a corporate with a long-term financial buffer,” says Khosla, adding that it is essential for the government to intervene to support the industry. Even after the virus’s containment period, businesses may go back to normal operations, but consumption patterns are set for a complete disruption.

But what about the ₹1.7 lakh crore Gareeb Kalyan Yojana announced by Union Finance Minister Nirmala Sitharaman on March 26, to help the poor tide over the coronavirus lockdown? Fashion designer Tarun Tahiliani has this to say: “I’ve not seen the entire thing, but [it seems] a series of paltry measures that don’t address industry and job creation. Collateral-free loans mean there is no security and may add to bad debts. And EPF is a minimal thing. Frankly, it sounds better than it is.”

The big Indian wedding no more

While a few labels are encouraging pre-orders to ostensibly help their artisans earn and stay occupied at their homes, the situation is grim. “With no cash inflow in the markets, buying will be hugely hurt, especially in this niche segment,” says Sunil Sethi, president of the industry’s apex body, the Fashion And Design Council of India (FDCI). Weddings, the mainstay of Indian couture, have been postponed indefinitely. “We are in the business of crowds and while there is even the slightest doubt in people’s minds that there could be a second wave of the pandemic, and until there is a vaccination against it, I think people are going to be wary of going out,” continues Tahiliani. The domino effect will be that retail footfall will drop, as will the occasions that designers dress clients for.

Fund for emerging designers

So what can be done to help the fashion designers themselves? According to the industry’s digital trade resource, WWD, The Council of Fashion Designers of America, British Fashion Council, Italy’s Camera della Moda and France’s Chambre Syndicale have also had conversations on how they can be aligned. As the current trending hashtag #inthistogether suggests, collaboration is the need of the hour. In India, the FDCI is planning to take a proposal to the Ministry to help the designers. “There is also a plan to set up a relief fund for greenhorns who most likely will be struggling with production and loss of revenue as they don’t possess a consortium of funds,” says Sethi. The details of this proposal have not yet been disclosed, but the designers themselves have a clear understanding of what the relief packages should be. Like Tahiliani, many feel that, as of now, the government has not made any practical noises.

Rent, GST and loans

For Kukreja, the main concern is rent and he says, “A big chunk of a designer’s revenue is spent on rent to landowners. The government must intervene and come up with a plan for business owners as well. We’re a country of job creators and if you don’t support business owners then you can’t support the bottom of the pyramid much longer.” Khosla feels that a three-month GST freeze period could help. Tahiliani takes it a step further feeling this is an opportune time for the government to re-examine the GST system. He feels there are practical issues with the tax system. “It makes shipping much more difficult and also hard to work as simple employees. So the idea of the craftsperson being self-sufficient and self-sustaining is necessarily skulled by that. Now, for the greater good, perhaps the country needs a completely different system,” he opines.

Khosla also hopes for support from banks on delaying interest or repayment of loans to recover from losses incurred by Covid-19 outbreak. Meanwhile, Mishra is already in touch with a few banks to figure best solutions for any liquidity requirements.

The writer is a former editor, luxury consultant and author.

You have reached your limit for free articles this month.

Register to The Hindu for free and get unlimited access for 30 days.

Subscription Benefits Include

Today’s Paper

Find mobile-friendly version of articles from the day’s newspaper in one easy-to-read list.

Unlimited Access

Enjoy reading as many articles as you wish without any limitations.

Personalised recommendations

A select list of articles that match your interests and tastes.

Faster pages

Move smoothly between articles as our pages load instantly.

Dashboard

A one-stop-shop for seeing the latest updates, and managing your preferences.

Briefing

We brief you on the latest and most important developments, three times a day.

Not convinced? Know why you should pay for news.

*Our Digital Subscription plans do not currently include the e-paper ,crossword, iPhone, iPad mobile applications and print. Our plans enhance your reading experience.

Source link

[eanythingindianlove89]

3 Best Ways to Style a Chikan Kurti for All Events

The History of Lucknowi Chikan

Chikan work is believed to have begun in India way back in the 3rd century BC. It was Megasthenes, Alexander’s companion, who first mentioned the use of floral embroidery by Indians called Chikankari. Laila Tyabji, says that Chikankari stemmed from the white on white embroidery of Shiraz and came to India from the Persian court, where the nobles wore clothes with this form of embroidery.

 There is also a story in which we hear that a peasant in Lucknow was taught Chikankari by a traveler in return for water. The most famous story is that of Noor Jahan, Jahangir’s wife introducing Chikankari to India.

The Modern Chikankari

Lucknowi Chikankari design can be found on many Kurtis, Sarees, Salwar Suits and lehengas. These designs are entirely distinct and the embroidery or the polish on Lucknowi Chikan never fades away.

Let Lucknow’s timeless craftsmanship thrive in all its glory with Lucknowi Chikan Kurtis. A basic Lucknowi chikan decent light blue color Kurti is a style staple and a must-have for your wardrobe.

To style a Kurti, all you really need is a little imaginativeness and coordination to alter the normal Kurti into a style statement, that will portray your fashionista side.

Chikan Kurti with Palazzo

Is it a truth that you are literally bored of the age-old Lucknowi chikan salwar kameez with churidar? If you are looking for a decent change in your wardrobe then pairing your chikan kurta with a pair of sassy palazzos is just the right idea. Palazzos have made a wave in the market and Chikankari kurtas really look amazing with palazzos.

Chikan Jacket

Did you know that a Chikankari kurta can be easily paired with a chikan jacket? Chikan jackets can make heads turn and are also known as “Koti”. These have become a big favorite amongst college girls. These coats are available in hundreds of different styles and designs. Select a coat according to the color of your Kurti or something in absolute contrast.

Chikan Dupatta

Dupattas make up for an important part of the Indian ensemble. They make even a simple Kurti or the worst looking salwar kameez appear spectacular. You can create a dazzling look with a dupatta paired along with a Lucknow Chikan Kurti. If you find a Lucknow chikan dupatta to be paired along with your Kurti that will look even better.

Chikan Handbags & Purses

You can also style your Chikankari zari Kurtis with chikan handbags. Be the Chikankari princess with Chikankari bags, Potlis, clutches, and sling bags. The Chikankari clutch is a mini bag with a metal frame that retains its shape. It is uber chic and comes in the perfect shape to store all your essentials. You can grab these Chikankari bags in different shapes and styles from eanythingindian at the best prices.

Lucknowi Chikan Kurtis, a Staple for Kathak

Those who learn Kathak, especially the Lucknow Gharana of kathak are always suggested to wear Chikankari suits and Ladies Kurtis. Lucknowi chikan Kurtis looks good in all kinds of bright colors as well as in pastel shades. What are you waiting for? Be a Chikankari diva today!

[news4me]

Women's Groups Write to PM over Hate Speeches Made by BJP Leaders Using 'Fear of Rape' in Rallies

Women’s Groups Write to PM over Hate Speeches Made by BJP Leaders Using ‘Fear of Rape’ in Rallies

[ad_1]

Prominent among the signatories include feminist economist Devaki Jain, activist Laila Tyabji, former Indian Ambassador Madhu Bhaduri, gender rights activist Kamla Bhasin, and groups like AIPWA, NFIW. PTI

Updated:February 3, 2020, 12:57 PM IST

New Delhi: Prime Minister Narendra Modi addresses during the launch of the Atal Bhujal Yojana, a mission to help in supplying water to…

[marwahstudios]

Art & Culture Samman to Veterans at PHD

New Delhi: The second edition of Art and Culture Samman under the title ‘Unity In Diversity’- to the veteran of art and culture in India was organized by the Art And Culture Committee of PHD Chamber of Commerce in association with Marwah Studios under the Chairmanship of Dr. Sandeep Marwah.

“Art is an effort to create, beside the real world, a more humane world. A work of art is a scream of freedom. The first step to controlling your world is to control your culture. To model and demonstrate the kind of world you demand to live in. to write the books. Make the music. Shoot the films. Paint the art.” said Dr. Sandeep Marwah President of Marwah Studios and initiated the program.

The evening also witnessed a special performance by Padamshree Kathak Guru Shovana Narayan and group. Legendary Padma Vibhushan Katahk Maestro-Pt. Birju Maharaj Ji and renowned Film, theatre & TV Actress Sushma Seth graced the occasion,

Senior Vice President, PHDCCI, Dr D K Aggarwal,immediate Former President, Anil Khaitan; Chairman, Chairperson – PHD Family Welfare Foundation-Ms Anuradha Goel; Chairman – Entertainment Committee Mukesh Gupta; Co-Chairmen, Tourism Committee, Kishore Kaya and Rajan Sehgal and Secretariat led by Yogesh Srivastav were also present there.

The Samman given away to Guru Dr Saroja Vaidyanathan, Guru Dr S Raja Radha Reddy, Guru R K Singhajit Singh, Guru Madhavi Mudgal, Ms Prathibha Prahlad, Guru Sharon Lowen, in the field of dance and to dance critics Ms Leela Venkataraman and Mr Ravindra Mishra

In the area of Music Samman were conferred to Pt. Rajan and Sajan Mishra, Pt. Laxman Krishnarao Pandit, Ustad Iqbal Ahmed Khan, Pt. Vidyadhar Vyas, Ms Malini Awasthi and Ms Deepmala Mohan.

Samman were also given away to Ms Arpana Gaur, Ms Alka Raghuvanshi, Mr Naresh Kapuria, Mr Niren Sengupta, Ms Shruti Gupta Chandra and Mr Sudhir V Phadnes for their contribution in the field of Art-Painting & Sculptures and Ms Laila Tyabji received the Samman in the field of crafts and handicrafts.