#la madrague
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J'essaie de rattraper mon retour : ces photos datent de fin juillet, lors de la visite de mon ami breton, Christian (ici en ange) !
Marseille, la Madrague-de-Montredon la nuit.
Pour info, les arapèdes est le nom régional pour "patelle"...d'où l'expression locale "collé comme un(e) arapède"... "Un" ou "une" ? Je n'ai jamais su)
#marseille#la madrague#la madrague-de-montredon#montredon#mont rose#filets#canoë#arapède#régionalisme#argot marseillais
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La madrague
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Mes nuits sans Bardot
Simonetta Greggio dialogue avec Brigitte Bardot en s'imaginant admiratrice de l'actrice déposant ses lettres à la Madrague et faisant parler la nonagénaire. Deux voix qui remettent en perspective la carrière, les amours et les engagements d'une femme.
En deux mots L’admiratrice de Brigitte Bardot vient régulièrement déposer des lettres sous un caillou devant la Madrague, espérant une réponse. La star, à la veille de ses 90 ans, ne lui répond pas, mais s’appuie sur ces écrits pour raconter sa vie, ses amours, ses engagements. Ma note ★★★ (bien aimé) Ma chronique Derrière les initiales BB Simonetta Greggio dialogue avec Brigitte Bardot en…
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#Amour#BB#Brigitte Bardot#cause animale#cinéma#Colette#Gilbert Bécaud#Gunther Sachs#Jacques Charrier#Jean Vadim#Jean-Louis Trintignant#La Madrague#Marlon Brando#modernité#mystère#Passion#quête#Saint-Tropez#Sami Frey#Serge Gainsbourg#Souvenirs#star#vie de couple
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i just finished la madrague and it was so beautiful, i had to come say thank you for writing it. apologies for not leaving a comment, but it feels so personal that anon makes this easier.
i am always hesitant to consume fics that address grief, let alone revolve around it, because i’ve experienced a pretty significant loss. it’s not always triggering, but it can be frustrating to read inaccurate, insensitive, or otherwise just off depictions of loss and the grieving process. this fic is so far from that. it is raw and realistic and so deep, and it really really touched me. i have a lot of admiration for the way you wove in the feeling of resentment, because that’s so hard to feel, let alone to write about, but you captured it in such a perfect way. what i appreciated most though was the give and take of daniel and maxs relationship. they are refreshingly healthy and in love, even with everything max is facing, and it was super comforting to read something where ones partner is supportive in grief without their needs in the relationship being neglected. that’s something i’ve worried about in the past in my own life, and was not expecting to be so touched by. there are plenty of other aspects of the fic that i loved and could speak about forever, but at its core it is a genuinely good piece of writing about a genuinely good relationship focused around a genuinely good depiction of grief, and i am better because i have read it <3
thank you so much for sending this! i really did love writing this fic, it was a piece I wrote almost in a day because i was so inspired to write it.
i've never personally experienced grief like this (thanking my lucky stars for that) but i'm glad it holds true.
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My Algeria 🇩🇿❤️
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Brigitte Bardot with her dogs driving her Mini Moke, at La Madrague, 1980 - by Michou Simon (1931 - 2002), French
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Sur la plage les coquillages
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La Madrague, Aïn Benian , Alger - Algérie 🇩🇿 🤍
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june mood: reading at the beach, "la madrague" by brigitte bardot, moonlit dinners, sofia wine, dressed in silk, rose ice cream, jewelry making, roman holiday (1953), dancing under the stars, honeysuckle aromas, and dreamy summer romances ౨ৎ
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Brigitte Bardot in her villa in La Madrague, 1965
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J'essaie de rattraper mon retour : ces photos datent de fin juillet, lors de la visite de mon ami breton, Christian (ici en ange) !
Marseille, la Madrague-de-Montredon la nuit. Derrière le Mont Rose (dernière photo) et le Massif de Marseilleveyre (photos 1, 2 et 3), la lune se lève.
Une tarente en profite pour prendre l'air.
#marseille#la madrague#la madrague-de-montredon#montredon#mont rose#marseilleveyre#massif de marseilleveyre#lune#nuit#tarente#lacertilien#gecko
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Brigitte Bardot at La Madrague, 1970s
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In honor of the completion of HLS, the most hopeful and heart wrenching piarles and maxiel narratives ever, what inspired you bring phantoms and la madrague together and continue their stories?
How long did you imagine the events of HSL before you began writing it?
originally i was going to publish a different maxiel fic but the story just wasn't working and it wasn't sad enough imo. i started daydreaming about PAPM but i didn't want to be entirely in pierre's POV again and i felt like going into charles's would be cheating, since a lot of what i love about PAPM is that we're never in charles's head.
the original arc of HLS had a much darker ending, and the fic was going to be very piarles focused. more under the cut (+ spoilers)
i don't remember exactly what spurred me to bring the two stories together, but once i started thinking about it, it really worked. of course, PAPM has a chapter where max is married to a woman with a daughter, but that was the only retcon i really needed, and it wasn't the important part of that story. i didn't want to develop a whole new maxiel, and then the parallels between max and pierre started showing and i dove in.
originally, pierre was going to regain his memories like he did, but then the side effects would get so bad (essentially his brain never turned completely off so even while sleeping he would be burning his brain and exhausting himself) that eventually he would have to choose between being bedridden but with memories, or choose to forget himself every few months and start over each time. it was going to end with pierre waking up after making that decision, once again not knowing who charles was.
but every time i thought about max and what he was going through, it hurt so much more. pierre's memory loss isn't painful for him, just confusing and frustrating. max was just surrounded by pain and grief and his worldview is so fucked up, and his family is so fucked up, there was just so much to explore. so, i gravitated toward that story. max took center stage and i decided not to add more angst with pierre's original arc--it just didn't work the way i planned, and max's role took on a new life.
i said it in the discord, but max was also supposed to go through with the suicide attempt on the houseboat. i planned for him to wrap the anchor chain around his neck, slip on the deck, then get up and jump in and go to "heaven"... only for us to figure out that when he slipped on the deck, he hit his head and went into a coma and never actually jumped in the water. but one night while i was playing the story out (i "watch" the next chapter before i go to sleep lolol) i thought about mack truck and the accident took shape. that fit a lot better with the story, especially for daniel, who would never have forgiven himself if he found out max actually tried to kill himself (daniel still doesn't know max was planning to, the same way max doesn't know his family went after his money).
the museum scene with daniel was heavily inspired by What Is And What Should Never Be aka S2 Ep30 of Supernatural aka the Djinn episode, when Dean realizes his perfect world is fake and he's actually dying in real life. That episode hit me so hard and every time i watch it, it still hits. I wanted the same type of scene with Daniel finally appearing in Max's world and making him realize what was really going on.
the supernatural elements of HLS aren't particularly supernatural to me. many people i know have seen or experienced something they can't explain. there are plenty of weird happenings in my own extended family that aren't scary, just strange and maybe unsettling. kids also see the world differently and i feel like theo seeing marshmallow or the kids seeing squalo goes along with that. maybe max only sees it because of his grief, or maybe that's the part of the boys that's always with him.
overall, i wanted to end HLS with the understanding that there is no way to completely heal from what max went through. he'll always, always grieve for his babies, but he doesn't have to hold space for that grief anymore. it will always be there, but he's living life despite that. he's carefully choosing daniel, over and over, and now he knows it's okay to do that. his love for daniel doesn't have to detract from his love for his boys. i don't think he ever would have learned that without the supernatural element at play.
camp bluefin is the purest form of max's love for his daniel, not only because he's allowing children back into their lives, but because he's allowing himself to enjoy having a "family" again. <3
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