#krakoa era reading list

[pacing-er]

The Krakoa Era Reading List Cherik Version (PART 1):

(In order of timeline)

1. House of X/Powers of X

Tons of Cherik interactions with a lot of emphasis put onto their relationship. Moira/Charles is mentioned but very minor and in the end Charles chooses Erik over her. Highly recommend reading the whole thing since it establishes the universe and has a lot of ship bait.

2. Dawn of X

Some cute moments but overall they do not play a huge part in this series. A majority is dedicated to world building and other characters. Worth reading for the small parts they are in which are unfortunately dispersed throughout 15 volumes. I recommend skimming through it since the moments they are in are good but it is overall skippable.

(Highlights: Charles is assassinated and revived. There are a few angsty scenes with Magneto and their reunion is a little lackluster but sweet. Charles and Erik go to speak at an international meeting and it's cool. Logan gets Magneto drunk so he can steal his helmet, Magneto is a cute chatty drunk. I recommend reading that part at least bc I love it sooo much.)

3. X of Swords

Most of their appearances are in silent counsel meetings and Charles is shown several times in the resurrection chambers. Again they play a much smaller role in this series. The most noteworthy things to come from this series are the cute co-parenting moments between Erik and Charles. Since this one is much shorter (5 volumes as opposed to 15), I will include the moments I personally enjoyed. Aside from these moments I think this series is skippable.

Erik and Charles co-parenting an angsty Polaris (Magneto's daughter):

Erik and Charles being proud of their son Cyclops:

And I just really loved this scene XD Someone hatched from their egg mad as hell and Charles was NOT having it

I am planning to make a series of posts as I read through the Krakoa Era, so for now this is only Part 1. My memory isn't great and I pretty much just scroll until I see Erik or Charles and only read those parts so I'm missing some major context LMAO but I hope this is helpful to anyone

[seaweedstarshine]

RIP Krakoa 🌹 I can’t lie I’ve been kinda behind since midway through Fall of X I’m gonna catch up before my first SDCC this summer but I hear Vulcan didn’t see much action anyway. Anyway my hand slipped and I found myself looking into the eyes of my canonically psychotic son the best Summers brother who’s never done anything wrong in his entire life, (he’s done lotsa wrong things but I love him more for it)

[jewishcissiekj]

my current top 5 locg characters,,, I fear Cassie will not be there for long

[xxplastic-cubexx]

reading Krakoa era out of order bc reading lists online make it confusing and my local library only has so many books

just as god intended right on my friend you're doing everything right and don't let anyone tell you otherwise

[thequiver]

Guthrie Family Reading Guide Masterlist

Lucky for you, I've created a reading list for each of them and have compiled them all here in a masterlist for your use! All information and links are under the cut!

Sam Guthrie | Cannonball

Sam is the oldest Guthrie sibling and with over 700 appearances, his reading list is in two parts, reblogged together for ease of use. Sam has been a member of the New Mutants, X-Force, the X-Men, X-Corporation, and the Avengers. Sam has also been staff at the Xavier Institute.

Paige Guthrie | Husk

Paige is the second oldest Guthrie sibling and has over 200 appearances. Paige has been a member of Generation X, X-Corps, and the Legionnaires. Paige has also been staff at the Xavier Institute.

Jay Guthrie | Icarus

Jay is the third oldest Guthrie sibling and has around 50 appearances. Jay was part of the New X-Men during the Academy X era.

Melody Guthrie | Aero

Melody is the fourth oldest Guthrie sibling and has less than 20 appearances. Melody was part of the Xavier Institute at the same time as her brother Jay, and was one of the mutants depowered after M-Day. She was the first mutant to undergo the crucible on Krakoa in X-Men (2019) #7!

Jebediah Guthrie

Jebediah is one of the younger Guthrie siblings and has 9 appearances. Jeb has never attended the Xavier Institute or ever joined a team, he is a depowered mutant who did not seek to regain his powers by undergoing the crucible on Krakoa.

[popculturebuffet]

X-Month Finale: My Top 10 X-Runs

Welcome one and all to the grand finale of X-Month. A thing or two got changed and moved around but i'm overall proud of how it went this time. We've looked at darkwing duck, the greatest x-men cartoon ever, and Nightcrawler's two moms. Now we end this month with A look at something diffrnet but personal to me. These are my top 10 x-runs, the runs of x-men and it's various spinoffs that I truly love, that define the book for me and define this part of the franchise. There the books that either made me love mutants so much in the first place or helped reaffirm why. They run the gammut from the just ended at the time of this article Krakoa era's majesty all the way back to chris claremont helping retool a struggling half baked idea into one of the greatest comics ever. These comics are why I love x-men and i'm happy to share them with you and hopefully get you to read them and hopefully i'll be able to cover them all some day. But for now this is a nice smorgoseboard of what makes the strangest mutants of all marvel's best part, a small pocket full of creativity, commentary , change and artistic glory.

So a few guidelines: For longtime readers, I usually do top 12 lists, to the point i'm shirnking my best animated episodes list down to it, but with all the x themeing in the krakoan age it felt right to slim it down to a nice sharp x. The second is that i'm crediting every artist who worked on at least three issues. I'd credit all of them but the runs from the 2010's and 2000's are caked with one off fill ins and 80's comics tended to have a ton of one off fill ins or other people doing the annuals. I'm not against it, if you have someone who can do great art or guest on a run do it and it's thanks to this kind of thing we got walt simonson for one glorious issue of x-men, I just don't want the art credits to be 80 pages long, but DID take the effort to comb thorugh every run and find every artist that at least did an arc on the books honored here, as i'm trying to break out of only propping up the writers when it comes to comics. Their a VISUAL medium and the artists are often what makes a run. So to under the cut my x-men for the uncanny, the astonshing and my faviorites.

10. The New Mutants Written By Chris Claremont Drawn by Bob McLeod, Sal Buscema, Bill Sienkiewicz, Steve Leialoha, Mary Wilshire, Rick Leonardi and Jackson Guice Marvel GN #4, New Mutants Vol 1 , #1-54 + 3 Annuals, NM Special #1 59 Issues

It was the 80's and the Uncanny X-Men was marvel's best selling comic. Chris Claremont and a slew of talented game changing artists had turned a once niche property into one of the most layered, engaging and compelling books out there. So naturally Marvel wanted MORE money and to spin off this mother. Chris was reluctant because he wanted the main book to be special and it's own thing.. but was then threatned that if he didn't do it someone else will, so he found a concept he liked: Focusing on teenage emerging mutants something lightly glanced at with Kitty Pryde in Uncanny but this book brough to the forefront.

In the process Clarmeont and Bob Mcleod created a bunch of my faviorite mutants: The outspoken but Compasionate and tactical Dani, her bestfriend/sorta girlfriend and heavily abused prior to her coming to the team Rahne, naive country boy Sam, smooth talking only in his head and hot headed in everywhere including his body and my adopted son Roberto. Theree was also Karma, a later revealed to be queer immigrant (While not done by Chris Claremont here he certainly is responsible for it later int he 2000s', so respect) trying to care for two siblings the book quickly writes out.

The book would add four more to the mix: Amilla who thanks to a messy backstory and not a lot of use is eh, and three of my faviorites: Illyana, Kitty Pryde's best friend and a sorceress who was kidnapped and tortured by a demon man, Doug Ramsey, kitty's other friend and a computer genius who can read any language and in this era was a non combatant and Warlock, doug's best self friend, a goofy gloriously weird looking alien on the run from his abusive dad.

If your thinking this team has a lot of angst you'd be correct: Rahne is introduced running from an angry mob, Dani having to go with a white man she resents after her grandfather is shot, Roberto's girlfriend being killed by bigots and Sam barely able to keep his family fed having to mine in his pa's place after his dad died. The X-Men as a rule carry baggage but these poor kids had a whole planeload, not helped by being hated and feared.

And yet they perservere: they find love, find strength in each other. They sometimes clash, poor Illyana gets accused of being evil due to her demonic powers far too often, Sam has a one sided crush on Amara, and Doug grapples with being the only one on the team whose powers don't make him fight good.

The book also has a fantastic horror tone at times , something uesd early on as the Professor Xavier who brought these kids together to train them, and to not fight which being mutants is still something they run into constantly. While the issues after tried to go for a more conventional superhero book, Bill Skinewietz arrival, gloriously scratchy pencils and endlessly awesome covers helped cement it: these were kids dealing with terrible horrors: aliens who'd kill their own children, the DID ridden head of Charles Xaviers son, demons internal and without, and a demonic bear following Dani Moonstar I still don't fully understand, but still slaps.

New Mutants is one of the best x-books of the 80s, with X-Factor close behind it (It didn't make the cut but I still love Louise Simonson's Run), and one other just ahead. It's a book full of creative swings, ideas that would last the franchise a while and some of the best mutants ever made.

9. Iceman Written by Sina Grace DB Alesandro Vitti, Edgar Salazar, Robert Gil, and Nathan Stockman Iceman V3 1-11, Iceman V4 1-5, X-Men Winters End 17 Issues

This is the shortest out of these runs and that's for a very simple reason: Marvel's Editorial was very shitty to writer Sina Grace. They lambastated him for going on podcasts in a way that was subtly hompohobic, brought him back for another run.. and then cancled it 5 issues in. Grace has since done work for DC and marvel needs to both apologize and either bring him back or at least collect his run.

Iceman comes from RessuXion, Marvel's kinda sorta push to bring the x-men back after trying to kill them with the previous era. That's not hyperbole, there was a giant murder cloud, most of ya'll likely know, and Ike Pearlmutter was thankfully gone so the X-Men got something resembling a push and the fantastic four were reunited. That last part isn't relevant.

Ressurxion was only a half measure: the x-men really didn't interact with the rest of the lines still, one of the two flagship titles X-Men Gold, was a mediocre rehash of a bunch of previous stories wasting the great idea of having Kitty Pryde lead, and X-Men Blue, while awesome and only barely not making this list at various points, felt very weel spinny as Cullen Bunn wasn't alowed to change much as Hickman's run was on the horizon but not set ins tone. Which is stupid and something I doubt HIkcman actually approved or asked for.

Still Ressuction had a hidden gem alongside Blue: Iceman. So long story short that's going to sound weird even to fans who were there: The Original Five X Men were brough to the future by Beast in a stupid move that left them stranded and traumtized. Jean being about as tactful as a hurricane during Bendis run , OUted bobby claimed "he's not bi he's full on gay" and kinda shoved him out of the closet. While this was well meaning as Bobby still was in the closet in present day, it was done hamm handledly with a slice of accidental bi erasure.

Our Bobby coming out though was thankfully handled better with him admitting he didn't admit he was gay and while Bendis handeld the first part of the coming out with a sledge hammer, several previous x writers had left the seeds that the og class clown was indeed gay and it' sa move I support: the grounding was there and even with him dating women he never seemed that invested for the most part.

So the next era was too busy with the murder cloud to do anything of note with him being out, but thankfully they gave bobby to Sina Grace. Iceman is a fantastic solo and a fantastic queer superhero book, with Bobby figuring out what Coming Out means in his late 20's, and being both out and proud.. but still having struggles. He dosen't know how to put his profile together, has an akward mission with his last het romance kitty, a romance that in hindsight perfectly comes off like someone trying badly to pass as straight, and flirts with wolverine's disaster bisexual son who serves as the main antagonist. It's a book that explores just how fun bobby can be and sold me on a character I didn't care about before.

It also goes into his awful parents. His dad was a massive asshole in the 90's, tried to change but snapped back and while the snap back is a bit o fa continuity gafe, it's one that works as Bobby has to come out to two parents who already barely accept he's a mutant, and now have to accept he's gay. And then try to groom his past self to be the perfect son they always wanted.

It's a great run that not only lets Bobby show off his powers but his heart, humor and what makes him a great character. Check it out of you haven't and hopefully we'll get a one volume edition one of these days. Also just so I dont' have to say that a thousand time that goes for EVERY run present.

8. Wolverine and the X-Men Written by Jason Aaron Art by Chris Bachalo, Nick Bradshaw, Jorge Molina, Ramon Perez, Pepe Larazz and Ed McGuiness 42 Issues + Annual + AU Issue + Amazing X-Men 1-5 49 Issues

Wolverine and the X-Men is the big breakout of one Jason Aaron, a writer I have mixed feelings about. He has written comics I like, this one, doctor strange and so far his TMNT run, but has a weakness for putting over the top spectacle over character or cohesive plot, his Thor run degrading with time and his Avengers run having great ideas for plots but no real meat to said plots.

Wolverine and the X-Men does run into that a little, mostly with the x-men themselves as only WOlverine really gets an arc: most of the team gets a spotlight issue, but still spend the bulk of their time in fight scenes. Kitty Pryde is the only one besides logan to net decent focus and that gets thrown out as Brian Micheal Bendis called dibs as soon as he joined post avx. This was the first book I read with rachel summers but outside of her spotlight she's mostly there to be the token telepath. We never really get a sense of what she WANTS out of the school, how she feels about what Scott's up to anything personal. Cannonball, Sam from New Mutants, gets it worse as he's really just there for his sisters subplot and nothing else. I won't evfen get into the horny bird lady sexually harassing iceman. Ther'es also a bad tendency to treat Cyclops as some form of despot and not that guy what over at the other place.

That said the series manages to dodge this being a complete issue with the kids: Wolverine and the X-Men is at it's core a teen x-men book and the reason these teens are back in school at all also provides nice motivation for Logan to be running a school, something the book frequently lampshades is kinda nuts. With mutantkind dwindling at the time, Cyclops kept militarizing the children and Logan, tired of it and wanting them to live rather than surivvie, took half the x-men and any willing students.

The result is a diverse and intresting student body focusing mainly on Idie, a young religoius african teen who sees her powers as a curse and herself as a monster, Broo, my faviorite x-child period and an adorable nerd who happens to be a brood, a group of aliens that try to eat the x-men regularly with the mutation to not be a bloodthirsty monster, Gensis, a cloned apocalypse who was given superman's upbringing in stasis. And of course theirs Quinten Quire whose been overused sense this but hadn't really got to do anything. He's a punk who after a breakdown at finding out he was adopted decided to throw a riot at the school. He'd rather be on Cyclops Island but gets dragged to Jean Grey's School for Hire Leanring, renamed from "I did your wife school of hire learning". It' shis evolution tha'ts intresting: going from a mouthy twerp with way too much power and ego to.. well still a mouthy twerp but one with an actual heart and friends. We also have Kid Gladiator, son of the shiar empreoro gladiator and boisterious hilaroius jock. We also get great additions like eyeboy, sprite and shark girl, albeit none getting a ton of focus here.

While the main cast is great, what throws this series over the top its it's gonzo creativity. More than any writer since morrrison and until hickman, Aaron embraced the batshit insanity of the x-men and grasps at it with a gonzo whimsy few can match. Jason Aaron has had his issues with reining it in but with x-men it's just the right ballance.

The first arc alone, one of my faviorites despite not being a fan of chris bachelos art, Wolverine opens school, and find sit under siege from a revamped hellfire club, now a bunch of tweens lead by Kade Kilgore. Given hellfire was reduced to "sebastian shaw on occasion maybe" by this point, it was a needed revamp and I get it's not everyones taste but for me it works. Especially when one of Kade's minons is a frankenstien (the doctor not the monster man), who grenade launches frankenstiens at our heros and mutates two members of the school board into a wendigo and a sauron. Oh and the schools grounds have become a baby krakoa, the hisland that wallks like a schoolyard, which wins the day and soon becomes my faviorite part of the book. I loved krakoa since I was a teen so seeing him get revamped as this adorable adiditon was great and I still wonder what happened to them and why the krakoa era never adressed them.

Our heroes fight weaponized brood pregancies, go to space casinos to raise funds, deal with angel having come back as an actual angel and possed by.. something, too many tie ins, a murder circus lead by frankenstien, a field trip to the savage land and a final showdown with the hellfire club. It was a wonderfully creative, batshit insane story with tons of great ideas that have been barely touched, like School-Krakoa, Toad as a good guy or Logan's brother dog coming back as a time traveling badass. There are better books than Wolverine and the X-MEn but few have this much fun.

PS: Almost buried the leap, this book brought doop from x-statix back and i'm eternally greatful and his spotlight issue, drawn by co-creator mike allred, is easily the best of the run. I mean it has this alone

So speaking of doop

7. X-Statix Written by Peter Milligan Drawn by Mike Allred X-Force 116-129, X-Statix 1-26, Dead Girl 1-5, Wolverine/Doop 1 and 2 46 issues

X-Statix came about as part of marvel's big relaunch of the X-Men with New X-Men, canceling several titles, relaunching a few and changing up the few left. In this case X-Force, previously about the new mutants as they grew up and got guns then got their personalities back once Rob Liefield left, they instead completely upended it. The old cast was gone, the old premise was gone, and a whole new idea and cast of mutants were introduced.

The series had a genius premise: A shady reality show producer, Spike Freeman, starts up a mutant reality show at the height of the reality show boom starring a bunch of mutants who are desperate to be loved and adored by becoming rich and famous, often being conceded assholes like any reality tv star.

The catch was revealed in the first issue as the bulk of the team is gunned down: Only angry black man with internalized issues about his race Anarchist and the egotistical , pill popping shocking compitent u go girl are left as the team is rebuilt, now lead by the orphan, a man with super sensitivty and a ton of lampshaded angst, Vivisector, an erudite wolfman who later turns out to be gay, Phat, one of the many white kids approraiting black culture at the time, and Dead Girl. THere's many more but this is the core of the cast for most of the book, which was later relaunched as X-Statix. Many a member dies, no one is safe, and it's cyncial as fuck, making fun of celebrity, events, and mutant cliches. Some of the shine has rubbed off this one as a lot of these jokes have been made a lot, but it's still fun thanks to it's compelling cast who get fleshed out amazingly, meditations on fame, and Doop, the little ball of tumors that follows them around. It's it's own neat little pocket of the marvel unvierse: it's revivial is pretty detached from Krakoa and something I need to check out and it's cast, due to mbeing dead a alot, havne't really crossed over. But the book itself stands as a nice unique pocket

And saving the best for last no discussion would be complete without Mike Allred, an artist with a unique style remincent of jack kirbys btu still his own that's this nice art deco chunky goodness and works perfectly here, both giving the mutants all really fantastic designs and nicely giving everything a splash of color to contrast the dark tone. This is one I picked up in high school in backissues and hasn't left me since.

6. Uncanny X-Men Writer: Kireon Gillen Artists: Carlos Pachcheo, Terry Dodson, Greg Land and Daniel Acuna Uncanny X-Men V1 #534.1-544, X-Men Regenisis, Uncanny X-Men Volume 2 #1-20, AVX Consequences 1-5, 36 Issues

So when I first got back into comics reguarly I figured from both is more dangerous new design where he can't see too good

And the way both bendis own much worse companion book and various others like Uncanny Avnegers or Wolverine and the X-Men talked about him and AVX that Scott Summers had become the new magneto and a dangerous edgelord man.

Instead the truth was more nuanced as i'd learn: Some writers made Scott a bit of an ass during his time leading utopia, the slap of concrete what contained all the muants left. But despite some questionable actions down more to bad writing, he wasn't evil. He asn't purely good either as the schism I mentiond proved, driven to do whatever it took to survive. He was shady but never quite took the heel turn, instead being an intrestingly pragmatic character. Also while he did kill charles xavier it was while hopped up on the phoenix force, something he points out reguarly making everyone else come off as assholes for giving Jean a pass but not scott.

And the man who wrote this best was Kireon Gilleon, scottish writer and maestro who came along after a decent but forgetable run from Matt Fraction and gave the franchise the injection it needed.

His run started with the x-men on utopia nad not only reballanced Scott after said bad writing, but showed off the good and bad of Scott: he's repessed and obessive, but also a stategic mastermind determined to save his people. The early part of his run does what the run before it by Matt Fraction did: uses the whole of mutantkind for huge spectacle as well as return Kitty Pryde to normal, she was a ghost for a while, so she can go off with the other book. The highlight is it's climax: juggernaught, jacked up on the power of a god and a hammer like thor, is more unstoppable than normal and Scott throws EVERY plan he has at the guy and every mutant he has at the guy which is ALL OF THEM who aren't children. And even a few children because the situations that bad.

The real meat is the sadly short livedb ut awesome second volume of uncannY: After the schism, Scott splits up, getting Emma because she loves the guy, Namor because he wants to do Emma and i'm not exagerating he's blatant about it, Storm because Scott dosen't trust himself, Hope the mutants own personal jesus, Danger, the former danger room having gained snetience and tried to kill charles for enslaving her

Dr Nemisis, an immortal nazi hunter, Colossus, current host of the juggernaught powers, his sister Magik, Psylocke, and of course Magneto, who'd recently joined up and is master of magnet.

This team of scary motherfuckers is the exctinction team and that name is unsettling on purpose but also dosen't mean kill everyone.. it just means they could and Scott is both helping mutantkinds rep AND scarring the shit out of it's eneies my taking on extinction events: if something can wipe out huamnity it's their job and it's a fucking briliant setup. Take the strongest x-men left on scott's side, which is really most of THE strongest in general and put them against the worst.

This also sets up the big bad of the series and Kireon's best achivment: Sinister. Gilleon revamped him from a fairly sterotypical and deranced mad science man to a campy as hell horrible as hell man who sets out to remake the world literally in his image, thinks turn of the century britan was just fine, hates women and isn't lacking for quips or meance with our heroes stuck in a city of him that can develop safe guards every time they kill one. And he does so by stealing a celestial's head, which means the first mission alone is stop a space god AND a madman.

There's other good romps but sinister is the core and the series weathers the avx tie ins decently, weaving them into what's writtne. IT's ending, consequences, isn't nearly as good, with scott feeling out of character and was meant to set up further adventures that instead got handed off to bendis, but Gielleon's runs a great mediation on absolute power , scare tactics and the meaning of fear regardless and is still a joy to read every time.

5. X-Men Red/S.W.O.R.D. By Al Ewing Art by: Valerio Schiti, Jacopo Camagni, Stefano Caselli , Jacopo Camagni , Yildray Cinar and Luciano Vecchio S.W.O.R.D. V2 #1-11 , Cable Reloaded, X-Men Red V2 1-18 and The Resurrection of Magneto 1-4 34 Issues

Al Ewing is one of my faviorite writers in comics. easily. Starting with Mighty Avengers, i've adored his runs on Immortal Hulk, his ant-man/wasp trilogy, his character defining run for Roberto decosta on new avengers and usa avengers and what i've read of immortal thor among others. Al Ewing is Marvel's best writer these days and in a pool that includes Jonathan Hickman and now once again Gail Simone, tha'ts the highest praise.

So naturally given Ewing had a clear love of x-men from new avengers alone and a deep love of continuity I was chomping at the bit for him to join the krakoan age, a bit disapointed he wasn't in the first round of books but knowing he had ot show up he just had to.

Thankfully my prayers were answered as not only did Ewing arrive he arrived in style, bringing back SWORD, once shield's extraterestial arm now krakoas. Ewing at the time was reworking marvel's space with his Guardians run and wrote SWORD in concert with it, as big evfents happened and SWORD stood ready, while bringing earth, or sol as it's called onto the galactic stage, starting the run with stealing a mystery metal from the heart of creation and then using it to fund the galactic economy. SWORD was a solid captivating book, amping up the idea of mutant circutis (a bunch of mutants working in concert), galactic marvel and earth's place in it.

What's brilliant in hindsight though as while a great book on it's own, making characters I thought were highly underused like Wiz Kid or Frenzy rise to full potetial and making previously also ran mutant Peeper into a star overnight. I mean look at him

I also love Magneto is so .. happy to see him.

While SWORD is great what followed is truly incredibly, some of ewings best work and all the groundwork was laid in sword, from Magneto regretting his past in the hellfire gala tie in to said gala leading to one of the best events in x-history: Arakko. A bunch of mutatns who'd become a warrior civilization needed a home so thier island was put on mars giving them a planet and possible peace... and storm was put there as regent.

This leads to an even better sequel as ewing keeps SWORD head abigail brand on as big bad, wanting to destroy mutant civilzation and make earth a real power in the universe, and thus Arakko is a great chess piece as Storm plays against Abby for it's future for the first two arcs. Storm is a fantastic character and ewing gets her down pat, her grace, her badassery but also her humanity, kindness and mohawk. Helping her are my two faviorite mutants, no really 1 and 2 respectively, Magneto and Sunspot. Magneto was already eating well in the krakoan age, but ewing gives the old man humanity, with Magneto realizing his lost daughter Anya wasn't a mutant.. and thus can't be brought back and wondering what all this was for, being cojolled into things as he realizes as much as he wanted to retire he can't. Roberto meanwhile had a rough start in Krakoa as Jonathan Hickman took out all his brains for some reason despite being the one who started to emphasize that he's more than just a pretty face.

Ewing in his avengers runs made roberto into a master stratageist and chessmaster bar none who still loved parties, champaign robots and the mission impossible theme, so I was utterlyt hrilled to see berto on the cover. Now a consort to Shiar regent Deathbird and having a stake in the game, Roberto comes to arakko to play and quickly gets involved in things, using his skills to help his new team. Ewing is the man who truly made the best roberto decosta and it's so gratifying to see he got a second lap.

Ewing also builds up arakko well: it's culture, i'ts changes, and the challenges storm and magneto face in changing it, concluding in a massive war that ends the series as arakko's past rule comes knocking. Add in a great epilogue exploring magento and storm and you have one of the finest comic runs in recent memory.

4. New X-Men Written by Grant Morrison Art by Frank Quitely, Evan Van Sciver, Igor Kordey, Phil Jiminez, Chris Bachalo, and Marc Silvestri 114-154 Plus Annual 41 Issues

It was the early 2000's and the x-men had hit a fucking a wall. The 90s while fondly remembered for the jim lee outfits, awesome cartoon and other delights, were a nightmare time for the x-men. Just trying to read that era of uncanny and adjectivless to fill the gaps in my knowledge was a waking nightmare with only a few bright spots. I got as far as just after operation zero tolerance and bailed and despite bringnig back heavyweights like Alan Davis or Chris Claremont, restrictive ediotrial mandates, overdone crossovers and other nonsense had left the x-men barley standing.

Desperate Marvel had a bunch of creators pitch various ideas for a bold new take on the x-men.. and the winner was the one, the only Grant Morrison. Grant had already made big splashes at DC with their runs on Doom Patrol, Animal Man and more, had a penchant for writing gloriously weird, sometimes incomprehnsible stories with a beating human heart. So being both a hot writer from the other company and having a bigger bolder vision, and needing badly for the comcis to recover to cash in on the recent film and upcoming X-Men Evolution, they agreed.

The result is the run that made me the x-holic I am today: while I read x-men stories i loved before this, with Chris Claremont and Paul Smith's run being the first this is the one that got me as hooked as I am: a stylish run with what morrison called a kinetic strut, aided by Frank Quitely's weird and awesomely unique art and a variety of other artists of varying quality brought out a vision of a bold new era.

The run came out hot: it stripped it's cast down to a core of iconic x-men, added in Emma Frost finally fully reforming but still 100% that bitch, and threw in curveballs with kind monk with a hell of a look xorn and xavier himself getting his legs back. There were set backs as Colossus was killed before Morrison could use him and Claremont called dibs on rogue and storm for X-Treme X-Men, but they pivoted well.

However a flashy new look wasn't what made the book, it was it's frantic pace and bold new vision: Morrison recontexulizted the x-men as an actaul minority, giving them a culture, a voice and making many weirder and wilder than ever before, showing that not every mutant got to pass. He also threw the x-men out of the shadows: formerly, a group of outlaw mutants hated and feared, they weere still that but thanks to Professor Xavier's twin who tried to choke him in the womb, he's outed to the public and rolls with her , using his body as a suit at the time, doing so to change the x-mens mission, now doing more search and rescue with slick leather jackets. They aren't traditional superheroes anymore, but just a trained team of the best trying to help their own. The X-Men now hav ea worldwide reach with x-corp with missions going from paris to shang hai.

Morrison took plenty of other hammers to the status quo: Xavier and Lilandra broke up, he could walk, Genosha got destroyed in a devistating act, scott and jean had marriage crissi as Emma gaslit him into an affair and Beast got his awesome lion look. The run also isn't afraid to get weird with xavier's twin he seemingly killed in th womb Cassandra Nova, a corrupt general whose skin becomes golems, and a special class made of mutants all with weird borderline useless powers, most of whom would become fan faviorites.

Years ago this would've been my easy number one but age for both me and the comic have revealed cracks; Some bits haven't aged well like Dust, whow hil ea good character now was done with no real research or depth, the u men dangling way too close to a parody of trans people, being just fringe enough to avoid it but still far closer than they should be.

The biggest knock though is the final two arcs: everything up to that is minty fresh and full of cool ideas warts and all. The last two arcs have Morrison try to rerail magneto back into a hateful monster instead of the complicated monster he'd become, something already tried in the 90's but even worse here, with Magneto reduced to the boring silver age villian that got old fast. I'm not against holding his feet to the fire for his worse actions, but this one was too far and swiftly retconned.. in a very dumbass way but still, you uusally only get a patch on a bad story that fast. Here Comes TOmmorow likewise is a trippy and mediocre finale to the run. Not as bad as what just came before, but it's grant morrison at their most self indulgent... that i've read.

Still despite the runs issues.. it's a good ride and worth it for classics like E is For Extinction and Riot at Xaviers alone.

3. X-Men By Jonathan Hickman Art by Pepe Laraz, R.B. Silva, Lenil Francis Yu, Mahmud Asrar and Valerio Schiti House of X 1-6, Powers of X 1-6, X-Men 2019 1-21, 5 Giant Size X-Men One Shots, and Inferno 1-4 42 Issues

Anyone whose read this blog a long time knew this was coming. I mention X-Men as much as possible and the krakoan era, being so weird and wonderful, was something I brought up a lot. Especially the x-men colonizing mars. And I probably will again. The Krakoan age is one of the best eras of x-men and while it ended in fire and a whimper, it started with a bang.

The x-men were in a bad place in 2019. Ressurxion as I mentioned wasn't horrible but wasn't really a reinvention, partly because they woudln't let anyone make any real changes which... again this run could've easily dealt with fine. Before that Marvel , and once again entirely serious tried to kill the x-men, showving them to the side and trying intitally to make the inhumans symapthetic when they needed to get rid of their murder cloud. And the inhumans books WERE great, but no one could get the taste of ike pearlmutter trying to make them the new x-men out of their mouths.

And like the last time the x-men were in a bad spot, marvel sought a hot creator, gave them creative control and let them do a hard stylish reset. Last time it was grant morrison, , this time it was Jonathan Hickman.

Hickman is one of my faviorite marvel writers. While he started slow yet awesome with a small run on secret warriors, a book that remade shield and did black ops glory, he rose to his biggest success with Fantastic Four, taking one of marvel's greatest teams and plunging them out of their rut with a big sweeping sci fi plot, clever ideas like 4 great cities about to go to war, a council of far less moral reed richardses, and smaller scale but no less game changing ideas like havnig the fantastic four open up a think tank for children, the future foundation, finally once and for all resolving ben grimm's on and off state of being cured, and giving the richards kids fleshed out personalities.

I could gush about this run all day but i'll save that for next year.

The point is HIckman had a talent for big wordy sweeping epics and was quickly tapped to follow up Brian Micheal Bendis on avengers, which had also gotten old for some, expanding the team's scope, having a meta plot about the multiverse dying and combining a core of familiar faces (including hulk's first longterm run as an avenger), with people who had yet to wield the circle a like Cannonball, Sunspot and SHang Chi, giving all three a needed boost.

So him doing X-Men was a natural next step that seemingly just.. didn't happen. Ike Pearlmutter's attempt to dempahsises it probably is why and Hickman having completed his sweeping epic across several titles, was ready to go to dc. THen Marvel, desperate to revitalize the circle x.. offered it to hickman. And a thing I didn' tknow is while he got what made the ff and avengers work perfectly.. hickman wasn't a fan of either going in. He did his through homework and you honestly can't tell he dosen't, but X-Men on the otherhand was his teenage obession. Like me, it consumed him and he jumped at the chance to do it his way.

He also saw a franchise that post avx had stagnated, not really inovating and growing and gave it a shot in the arm. Just like New X-men before it, Hickman decided to ditch where the franchise had been stuck, in schools with never aging classes and wars with each other and try something entirley new, something that could not be walked back easily and that even going back to basics, the current run is still feeling the repurcussions of. With 6 golden words:

Hickman in his epic pair of mini series that are really one big 12 issue series, House of X and Powers of X flipped up the wohle gameboard and erased problems that had been plauging the x-men: The constant climate of fear? The X-Men decided to fuck off to their own island nation, Krakoa, the island that walks like a man and is now cool with them. Humanity hating and fearting them? still a problem but they can sue for peace with some mmmm drugs and deal with those who don't take the mmmmm drugs. And they could just give these mmmm drugs that cure brain diseases free but after the rampant genocides, not hyperbole they have a statistic

Their saying enough. And the various mutants killed off for shock value? Well... death no longer matters. In a game changing final reveal, mutants can now be revivied from teh dead thanks to 5 working in concert. Add in a meta riff with Moria Mactaggerts 10 lives and you have a brilliant start

And HIckman did'nt stop there, as his next book , X-Men and i'ts companion piece Giant Sized X-Men was less one long narrative and more a series of ideas for the universe he was creating, a series of brilliant one shots following Scott Summers in a good place in his life: His wife is back from the dead, their embracing polyamory so he can still see emma and Jean can see wolverine who lives with them, both their kids are alive and well. It's a dream. And with every issue hickman provided a great adventure from magneto standing against a tie in, to discovering Krakoa's lost sibling setting up the massive x of sowrds crossover, to a family roadtrip into space to dela with the brood, to the savage land ot fight the golden girls, to a hidden vault to face the future, there was never an end to his creatviity or clever ideas.

Sadly there was an end to his run with Inferno which left on a high tying up some threads and leaving the rest open for those to take up the sword after he left. Hickman's run is gorgeously drawn by a bevy of the best in the buisness, well throught out and stylish and I will likely read it forever. While Krakoa sadly didn't last this run stands forever as what it is : MUTANT.

2. X-Factor By Peter David Art by Peter David and Pablo Raimondi, Ryan Sook, Dennis Calero, Renato Arlem, Roy Allen Martinez, Khoi Pham, Scott Eaten, Valentine De Landro, Larry Stroman, Marco Santucci, Bing Cansino, Emanuela Lupacchino, Leonard Kirk, Neil Edwards, and Paul Davidson Madrox 1-5, V3 1-50, 200-262 , X-Factor The Quick and the Dead, X-Factor: Layla Miller and Nation X: X-Factor 119 Issues

Peter David might be my faviorite x-writer and is the other major reason I fell as hard for x-men as I did. Starting off at marvel with his character defining run on Incredible Hulk, he did a short stint on the x-side of things with X-Factor, following up the original run by focusing on a bunch of lesser focused mutants who weren't afraid to pepper things with jokes, weren't immune to tragedy, and threading a nice line between real danger and humor. It sadly didn't last long, but what we got was great.

So come the 2000's, he returned to marvel after a long stint at dc and another sensational run with young justice, Peter David asked "Are you ready for the sequel?" So came X-Factor, also known as X-Factor Noir to defretate it from the previous two runs, a decade long run rivaling Chris Claremonts in character, franchise impact and sheer girth. David's come the closest to Claremont's flair for shakeups, cast rotation and soap opera.

X-Factor primarily stars Jamie Madrox, an also ran mutant who could multiply who was the comic relief in David's previous run then kinda thrown aside like garbage and used in backgrounds. Clearly liking Jamie and seeing potential in him, David brought his boy back as a private eye working cases in mutant town. What was once the mutant burogh of new york is now filled with those who lost their powers on m-day, something our heroes also investigate as Wanda's mental breakdown wasn't exactly common knowledge.

Helping Jamie in his noir detective fantasy are Strong Guy, his best friend and the best character of the previous run, Wolfsbane, who was also on that team but is now older and angister, even more so after she leaves the team breifly to join x-force, Siryn, jamie's dupes ex and daughter of the banshee and M, monet st croix whose better than you and knows it. Monet is STILl a major fan faviorite and player to this day thanks to this run and everyone got a bump. This included later additons longshot and shatterstar, the latter of whom became a pansexual icon.

The run is massive and something I hope to cover someday in SOME form but loops our heroes as they do buisness in mutanttown, move to the east for goverment work, come back to nyc, and deal with everything from a manical man from the future to the invisible woman going missing. It's a fun run full of deep character development, well executed twists and while I used to feel it had a huge downturn, it seems far more coherent now.. though i'd still have to reread to see for sure. But what's ther eis one of the best runs in x-men , one of my faviorites.. and only one tops it you can transparently see coming

Uncanny X-Men By Chris Claremont Art by Dave Cockrum, John Byrne, Paul Smith, Frank Miller, John Romita Jr, Barry Windsor-Smith, Marc Silvestri, Rick Leonardi, John Bogdanove, Al Milgrom, and Jim Lee Uncanny X-Men 94-279, X-Men Annual #3-12, 14, Marvel Graphic Novel #1, Wolverine #1-4, Kitty Pryde and Wolverine #1-6,X-Men/ Alpha Flight #1 and 2, X-Men Vs Fantastic Four #1-4, X-Men #1-3 214 Issues

Hail to the King Baby. Having recently finally read EVERY issue of this run, I can say Chris Claremont defines the x-men. Even as things change, the basis was set by him. While Lee and Kirby created the x-men, Chris Clarmont made them truly exceptional.

Most of you don't need an intro but just in case: Chris Claremont was an up and coming writer at marvel who exploded when he took over x-men from Len Wein. Wein had relaunched the x-men with giant sized, creating a brand team with artist Dave Cockrum: Xaviers Original students were quickly written on in Wein's planneed next issue leaving only Cyclops, now moodier, as the vetral to command a group that was not 5 teenagers with attitude, later 7, but adults from radically diffrent backgrounds: A near feral and terse secret agent who once fought the hulk, a russian farm boy who can turn to steel, a woman from cairo who lived as a goddess in kenya, a former foe turned experinced ally, and a circus performer with the face of demon but the kindest soul of all.

Claremont would take this great setup and run with it once given full control. He reinforced the mutant metaphor which was present on and off in Lee's run, but now came blaring out, with the series first overarching villian being a mad scientest who speaks of mutants like a feral monster and has an army of shiny new sentinels, as opposed to the misguided previous users of them. The X-Men's rep takes a hit as the series goes and their forced to wipe goverment records as it plots against them. As the run goes on the racisim grows, as the goverment turns against them and the x-men are left as outcasts even among other heroes, going to war with both the ff and the avengers for diffrent reasons. In his most powerful use of this the x-men have to face Revered Striker, a fire and brimstone preacher with a secret paramilitary death squad.

But more than that he gave the franchise humanity: The X-Men here are fully fleshed out people: Scott strains under the role he's been given and trained since childhood and his rough past, Logan grows from a feral asshole who nearly kills nightcrawler for laughing at him, to Kurt's best friend and a wise if still gruff man who loves his found family. Ororo has the biggest evolution: from a shy woman discovering the world, to a goddess, to someone grappling with the darkness in her and the things she must do to keep her found family safe. Colossus grapples with the violence and confusion of his new world and of finding love even if it hurts someone he cares about. Things only get richer as new characters are rotated in: Jean is thought dead after joinnig breifly and leaves an impact and banshee goes to join his true love on a scottish island. This leaves the board open for Kitty Pryde, a 13 year old written shockingly well who grows up year by year and has to deal wtih the reality of being an x-man and of having a crush on a 19 year old and Rogue, who goes from a foe of the x-men they slam the door on badly haunted by her fractured psyche to.. well the last part dosen't go away but she's one of the most trusted x-men with time .

Claremont wasn't afraid to shake this up either: over the course of his run the x-men are thought dead by xavier and left to their own devices, loose jean, cyclops leaves, the mansion is breifly destroyed and their forced to live on magneto's spooky island, the new mutants arrive, and you never get a full sense of peace. When one status quo has set in a while, it flips. Just when the x-men were getting used to rachel summers, jean's troubled daughter from the days of future past, rachel flees and half the team is horribly mauled and they have to almost start over. The x-men sacrifie themselves and use their newfound supposed death to strike from the shaodow. and the final stretch of the run has the x-men scattered to the winds and coming back together.

Change is the constant as is a parade of intresting foes: Magneto is reconfigured from cackling super villian early on, to the troubled complicated man he becomes later, trying hard to be better while the world says no. The Brotherhood of Evil Mutants is reformed into a more modern for the time terroist group with the cunning mystique.. who tehn has the team work with the goverment when she finds that safer. Mastermind is taken from Magneto's lackey to a truly frightining figure whose only beaten because the person he was manipulating with. Then Claremont adds his own: The Hellfire Club, rich mutant assholes hiding in plain sight woh easily outflank our heroes, Nimrod, a robot from the future sent to kill mutants but who sees himself as a hero, the Brood, terrifying xenomorph knockoffs, and the Shadow King: Xavier's oldest and deadlist foe.

Ther'es a lot here: Our heroes go to space, grapple with demons literal nad metaphorical, spend time in the outback with a wiseman who can teleport, go to another dimension or two, there is FAR too much in this decade to recap but it is special

The run isn't without flaws and the age spots may be an issue: there's the entirely stupid and gross kitty pryde and colossus romance which is thankfully kept to mostly a crush but wolverine treats like Colossus wronged her by.. not wanting ot date a 13 year old and finding someone else. The bunche sof brainwashing. Kitty Pryde using the n-word twice. Coloring native american characters bright red. Ther'es a lot of stuff left over from the 80s in here that we'd rather throw back. Now Claremont's bdsm fetish on the other hand.. eh fair enough.

But if you can get past it, you'll find an epic like no other, one continuious story that nicely weaves with it's sister book new mutants. A story you can hop in at any point and enjoy (except maybe those last two years. Yeesh) yet as this glorious whole i've discovered now owning most of it and reading it often, it's a wonderful saga with tons of planning, and it'll likely never be topped in scope, though many of these fine runs equal it in quality. It's the basis for some of the best comic si've ever read, and I'm pleased to have read it all. Thanks for reading and please.. read some of these.

[morose-magnetrix]

Hi I saw that you’re a big Lorna Dane fan and that you’ve read a lot of her comics. Do you have a recommended reading list for her?

Hey there! 💚🧲 Thanks for the ask!

I use Travis Starnes’ reading order for my Polaris-athon (https://cmro.travis-starnes.com/character_details.php?character=426) but if you’re just wanting to get into her stories it’s way too much tbh. She has a lot of appearances and it can be difficult to sort through the meaningful ones and the ones where she’s just on the page as a recognizable cameo.

I haven’t managed to read all of her appearances yet - I’ve gotten up to the early 90s, and I’ve read most of her appearances from, like, 2016 onwards. I’m a little behind on Fall of X as well. So there likely are going to be some gaps here, but this would be my recommended reading list for Polaris 🧲 :

Krakoan Age (2019-)

this is the golden age for Polaris in my opinion, and where I’d honestly recommend you start reading!

Leah Williams’ X-Factor: This is where the modern revitalization of Polaris into the It Girl of Krakoa really begins. There is controversy surrounding the final issue of the series due to Prodigy's storyline (see here, here, and here for more info), but overall I really love this run. It’s very queer and does a great job of taking Polaris’ spotty characterization and having her begin a journey of self discovery.

Gerry Duggan’s X-Men: Gerry follows up on Leah’s work here and Polaris really starts to shine. Issue #5 is a standout and a personal favorite, if you only read one issue, it should be this one. She’s in vol. 1 as a main member of the team, and the spin offs from this period (Devil’s Reign X-Men and Death of Doctor Strange: X-Men/Black Knight) are really fun. Plus, Pepe Larraz’s redesign of her for this book is STUNNING.

Alex Segura's 'Control' arc in X-Men Unlimited (#96-99) : this is exclusive to the Marvel Unlimited app, but it’s really great. Lorna’s a cameo queen after leaving Gerry’s book, so it’s a nice centering of her and revisits some of her greatest villains.

Steve Orlando’s Scarlet Witch: Issue #3 is a must read in my opinion, particularly if you’re interested in Lorna’s relationship with her family (it builds off of Williams’ Trial of Magneto, which I love and establishes her PhD, but ultimately I think you can probably skip, it’s more of a Wanda focus).

The Lost Era (2010s)

This is the time period following the Decimation, where a lot of stories... tread water, tbh! Nothing here is essential reading for Polaris.

Lorna spends a lot of this era in the hands of Peter David, who is a vile scum sack of a person (see here for an example). I've read All New X-Factor (2014), where he characterizes her as someone who is completely unhinged and a danger to animals. It's not a fun time tbh. And again, it's Peter David - so I would skip this. You aren't missing much.

Cullen Bunn's X-Men Blue (2017): I've only read the first arc of this run, but it focuses on the time-displaced O5 X-Men (Jean, Warren, Scott, Bobby, Hank). Magneto is mentoring them, so Polaris steps in to keep him from making them too ~evil~. I haven't heard anything good or bad about her appearances in this book, so I can't really recommend one way or another. It's probably safe to skip.

Ed Brisson's Uncanny X-Men (2018): Again, I haven't read this one yet! It's the lead up to the Age of X-Man event, where she also appears. Similarly to X-Men Blue, I haven't really heard anything good or bad about this one. You can skip it if you'd like, it's right before Krakoa pops off which is a soft reboot from the entire franchise.

Decimation Era (2000s)

John Byrne's X-Men the Hidden Years: I haven't read this either yet, but I know some people really like it. It fleshes out a lot of the Silver Age stuff, and it's where Polaris uses the codename Magnetrix (where I got my blog name from lol).

Apocalypse: the Twelve: I have not read this. I have heard only bad things about it lmao. Polaris and Magneto are part of a prophecy about defeating Apocalypse, but it doesn't turn out the way they expect. Skip.

Grant Morrison's New X-Men #132: A transformative issue for Polaris and a HUGE milestone in her character. It deals with the Genoshan genocide, of which Polaris was one of the few survivors. Highly recommend.

Chuck Austen's Uncanny X-Men: So this run is very ~your mileage may vary~ - I haven't read it yet myself. BUT from what I know, Austen really builds on Morrison's trauma that they gave to Lorna, and really takes her away from the assimilationist characterization Peter David gave her. Plus, it has the iconic Magneto wedding dress panel (Uncanny X-Men (1981) #426)

House of M (2005): she's in it, she doesn't really do much! Skip.

Peter Milligan's X-Men: Polaris becomes Pestilence, the horseman of Apocalypse in the Blood of Apocalypse arc beginning in X-Men (1991) #181. I haven't read it, but tbh most Apocalypse storylines between the original X-Factor arc and the Krakoan age are bad, so it's probably safe to skip.

After her spin as Pestilence, Lorna goes to space and joins the Starjammers. I haven't read this yet either, but it seems like fun! Relevant titles would be Uncanny X-Men (1981) Rise and Fall of the Shi'Ar Empire (#475-486), X-Men: Emperor Vulcan #1-5 (2007), and then the War of Kings (2009) event.

1990s

Skip this entire era. She's basically just in Peter David's original run on X-Factor (1986). The artwork is pretty, but the writing comes off as very male gaze-y to me and her character arc is somewhat repetitive.

X-Factor (1986) #186 (eXaminations) is famous for being an in-depth character study of the entire team. It's where we first see Lorna's eating disorder pop up. It's well done, just, well - fuck the writer lol.

Claremont Run (1975-1980s)

Lorna's storyline is overall a little confusing and hard to follow in the Claremont era, mostly because she is a) mind-controlled for most of it and b) not the main plot. So she ends up appearing in random issues, sometimes gone for huge lengths at a time, and then reappears. It's really clear that Chris was interested in working with this character and had some great ideas for her, but she was never one of his main blorbos.

These are the issues you should check out:

Giant Size X-Men (1975): Claremont didn't write this, Len Wein did, but this is really the start of the Claremont run. It has some cool moments for Polaris, including an early example of a mutant circuit between her and Storm!

X-Men (1963) #97: Lorna and Havok are mind-controlled by Erik the Red (don't worry about it) to fight the X-Men.

X-Men (1963) #125-129: the Proteus arc, Lorna is on Muir island with Havok and helps out. Nothing super critical happens, she just sorta vibes (and enjoys not being mind controlled).

Uncanny X-Men (1981) #145-146: Arcade has kidnapped loved ones of the X-Men, tbh I would recommend reading this just for Polaris' outfit. It's this witchy purple thing that is INCREDIBLE.

Uncanny X-Men (1981) #218-219, 221-222, 239-241, 243, X-Factor (1986) #39: Polaris is possessed by Malice, so now she's fighting against the X-Men... and working for Sinister! It's not technically her, but it's iconic and is a prime example of a running motif of possession for her.

Uncanny X-Men (1981) #249-250: ZALADANE! An iconic retcon, we meet Lorna's long lost sister (again).

Uncanny X-Men (1981) #253-255, 257-258, 269, X-Factor (1986) #69, Uncanny X-Men (1981) #280, X-Factor (1986) #70: Big!Lorna and the Muir Island saga. It's very weird! But I love big!Lorna and her muscles, so we stan. This is also the very weird end of Chris Claremont's main run on the X-Men, where it's very clear the plots got messed with in the wrap-up.

After this, Peter David takes over X-Factor, and he's garbage!

The Silver Age (1960s)

So this is Lorna's debut era, she's an OG member of the X-Men! Unfortunately even here, they never quite know what to do with her. She's very much intended to function as Bobby's love interest, which... doesn't really work out lmao. But I do think this era is fun to read, especially knowing what retcons they're going to build out later on for her, particularly with regards to Magneto.

She's not in too many issues:

Arnold Drake's X-Men (1963) #49-52: Lorna's first appearance! It's super fun, definitely check it out.

Linda Fite's X-Men (1963) #57: Lorna fights a sentinel!

Roy Thomas's X-Men (1963) #58-62: Some more fun moments - Kazar/Sauron arc, and the first appearance of Havok!

Dennis O'Neil's X-Men (1963) #65-66: The Z'nox invasion, Lorna has some cool moments here. Still no codename tho lol.

I'll try to update this as I fill in my gaps, but happy reading!! 🧲💚

[colossal-niamh]

Just a big list of some stuff I think is neat

I haven't been super active on here in a minute so I'm just gonna lighting round a bunch of stuff I've been watching/reading X-Men '97- Fucking incredible. This is probably my favorite piece of non comic superhero media since Spectacular Spider-Man. The animation, the melodrama, the narrative showcasing the struggles of building a better tomorrow and existing in a world where your existence is perceived as a threat. Can't wait for season 2 The Crow (1994)- Wanted to get to this before the remake comes out. This is very much a situation where I procrastinated on watching something I knew I'd like and when I finally got around to it I went "Yeah I was right I liked it a lot!" The Crow is equal parts mournful as it is hopeful for a better tomorrow, a balancing act between the grief of loss and celebration of life. A damn shame we lost Brandon Lee so young because he was enthralling the entire film, an irreplaceable talent. The Venture Bros- I was making my way through the series on my own for a good while now. Showing it to some irl friends gave me the excuse to rewatch it all before I see the final season because I LOVE Venture Bros. it has firmly cemented itself as one of my favorite shows ever. I can't even get into it here or this will just become a Venture Bros gush fest. X-Terminators (2022)- Literally just read this today, what a delightful little book. it's a bit weird dropping in here as the book's smack dab in the middle of the nearly finished Krakoa era of the X-Men books. Luckily this needs little to no context as it's 4 of most fun women in the X-Men cast cracking jokes and kicking Dazzler's shitty ex in the dick. Also said ex is a literal blood sucking vampire Shin Ultraman- The last of Hideaki Anno's Shin trilogy I needed to see. Ultraman is admittedly the one I'm least familiar with out of the tokusatsu big 3, but this film made me far more interested in it than I was before. a great action flick about keeping the flame of hope lit even in dire situations. I liked all of the Shin movies but here's how I'd rank them; 1. Shin Godzilla 2. Shin Ultraman 3. Shin Kamen Rider Steven Universe- Soooo, I was one of those kids that listened to shitty criticism of SU back when it was airing and it ruined my perception of the show for years. It took until recently to realize the critics I listened to were not only bad at media analysis (and just a bad person in general) but also outright lying about the contents of the show. to rectify this mistake I've been rewatching SU and man, I was so wrong about this show. It's exceptional stylistically and narratively, and teaches some genuinely well thought out life lessons to it's target age demographic. It's not garbage, it's great! RRR- Admittedly I watched this further back than anything else on this list but that doesn't matter because YOU NEED TO SEE RRR! This movie is 3 hours of distilling the power of friendship and anti-colonial sentiment into the most Dudes Rock movie ever put to film. by the end I was screaming my head off like a crazy person for 20 minutes straight. what are you even doing here reading this? GO WATCH RRR!

[brw]

Gotta say though, there is something really funny conceptually of a bunch of people reading X-Force, knowing nothing about Hank and thinking of him as a monster and thinking all his fans are idiots who lack the reading comprehension to see he was evil all along, only for Hank to go against the plan he'd been pursuing for 50-100 odd issues and sacrifice himself, condemning him to an eternity in a pocket universe completely alone with only the void and his thoughts and his plant space suit for company, all because after 5 years of never thinking about him once he was face to face with some d list Avenger-actor and he couldn't bare the idea of endangering Simon for even a moment, the plan he made be damned. His other younger clone self also ran from the Arctic Circle to California just to see Simon. Like imagine knowing nothing about that guy and reading all this and still having zero context for how they met or anything. That is the reality for like, at least 50% of the Krakoa-era X-Men fandom.

[pacing-er]

The Krakoa Era Reading List Cherik Version (PART 3):

5. Hellfire Gala

This one confused me a bit since I expected it to be considered its own separate collection of stories. It was actually entirely contained within Reign of X. Not to be confused with the 2022 and 2023 runs which are separate and may be ignored for now. See the Part 2 of my Krakoa reading list for my thoughts.

6. Trials of X

The start of this series was my absolute favorite. You got the Trial of Magneto which was just a great story with lots of twists and fun characterization moments for Erik. It takes off immediately after the dramatic ending of the Hellfire Gala/Reign of X storyline, and you have the option to read only the parts with Magneto via the Trial of Magneto TPB. If you read this as part of the entire Trials of X collection there will be other side plots and issues dispersed throughout, which Charles and Erik will largely not be included in. Trial of Magneto is contained in Volumes 1-2 and Volume 3 is entirely skippable.

After this we get the continuation of the Nightcrawler/Legion vs Onslaught storyline, which was super trippy and a fantastic read. There are several mentions of Onslaught and Legion being half-brothers and Onslaught refers to his creators as "fathers" lol any mention of Onslaught being Magneto and Charles's lovechild just made me super happy. Legion's characterization in the Krakoa era is super endearing and there are several scenes where we get to see his unhealthy dynamic with Charles (mostly on Charles part lmao he is a terrible father, poor David was just tryna help 😭).

A moment of appreciation for these covers, I'm obsessed with them.

As for Cherik levels, the fact that their kid(s) are a large part of this story makes it worth reading, but we don't actually see Onslaught referred to as a son by either of them. He is more of a "thing" and a problem, which is fair bc he is literally the manifestation of both of their evils. There is a scene where the possessed!Erik is viciously protecting the possessed!Charles, which I really liked even though it was brief. Then the anti-Onslaught team (including Magneto) is chasing down a possessed!Charles cornering him in a clever trap designed by Legion. Once released from Onslaughts control we get this super cute panel:

Look at him holding Charles hand 🥰🥰🥰 They then immediately get vaporized and we hardly see them again for 5 whole volumes. Spoilers aside I really loved the solution to the Onslaught problem and thought the end of this arc was very satisfying! All of this was neatly contained in Volumes 4-5 of the Trials of X TPB, but there may be a collected version of just Nightcrawler and Legion's storyline that I'm unaware of. I hope so bc I really loved it and there's just WAY too many side plots that I don't care about even a little bit in the main collection. The Onslaught saga is distributed throughout Reign of X and Trials of X and it'd be great to see the complete story without interruptions.

As I mentioned, we then don't see Charles and Erik again until Volume 10. I had expected a resurrection scene bc they did both die but I guess that's implied to happen off screen? Anyways Volumes 6-9 I think there are literally only two panels that have either of them in it so safe to say you can skip those if you are only reading for Cherik.

Their inclusion in Volumes 10-12 are sparse with them mostly having their moments in Silent Council meetings and impersonations of Charles in the Hole™. They finally reveal what goes on in the Hole™ which was super interesting and worth reading imo. Also it's great to see them get along in these volumes, they finish each other's sentences and even when they disagree they are mostly civil XD

Overall some great stuff despite the long lull in the middle 👍 See the rest of my Krakoa reviews under #krakoa era reading list

[natavinsmoke06]

About to see the new Deadpool movie, gonna be honest I don't like Deadpool but I'm the greatest X-Men fan, I'm literally doing a reading list for reading the whole Krakoa era taking advantage of that it ended, plus it works for a pause of the Superman comics

[devilbarista]

WOA I DIDNT EVEN KNOW THE KRAKOA ERA ENDED... i might have to go thru that reading list myself since ive been meaning to get back into reading x-men >.> tahnk youu for the recs 🫶🫶

YAAAAA IM REALLY LIKE 👀 I haven't caught up on modern stuff so idk what happens but I know the final issue of the 2021 main title series came out in June.... of course there's a billion spinoff titles as is typical of X-Men BUT BRAND NEW ERA NEXT WEEK I WILL BE SEATED AT THE SHOP

thanks for thinking of me at first I was like uh oh but then I realized I have consumed a lot of comics in a short amount of time and I could indeed put together a rec list YIPPEE

[tredawakandan]

5 Of My Favorite Krakoa Era X-Men Moments

(Storm won't be included since I already always talk about her from time to time😅💯. Just search Storm or Ororo Munroe on my page 👌🏿)

1. Charles and Magneto vs Nimrod and Omega Sentinel.. Been loving the Orchis involvement and how Charles and Magneto ultimately started Krakoa with one of their first missions being to stop Nimrod and the organization. Ultimately they failed and this was the first meeting of theirs during this era. Cool deaths and dope rage moments 👍🏿

2. Magneto Dying for Arrako .. Definitely was the dopest part of the event . Although i disliked how Uranos ran threw the Arrako mutants(in general i have a problem with the lack of development from the writers regarding the Arrako Mutants) Magneto death was very impactful since as we know him and storm have refused resurrections.. He survived being punctured and managed to raise hell for his remaining time. Salute To Erik💯

3. One of the benefits of resurrections for mutants are the natural buff they get. Having been shown to get stronger after they die is a dope concept and great way to write in unexplainable instances where characters seem stronger then they would be normally 😅. Also loved seeing writers become more intimate on how mutants can use their powers. Mentioned before but Manifold/Eden reveal is still my favorite. I feel in the future just how we got the Omega Mutants list at the beginning of this era we need either a redone copy(with prominent Arrako mutants listed as well) or A near Omega pending list that would include Synch ,Eden,Polaris, Cable(Although he technically is Omega) etc

4. The reunion of Synch and Old woman Laura was dope. Having spent centuries together and Laura sacrificing herself for him ,it was assumed to be a tragic heartbreak. But seeing her having survived and come back is definitely a moment I felt genuine happiness for Synch👌🏿

5. Although I didn't read New Mutants I enjoyed the issue with John and James reunion. Warpath has been a favorite mutant of mines since The Gifted show(was dope & you should definitely check it out) . Also love seeing him in comics. With his wife variety of abilities he should be on a X-Men team or at least another comic regarding mutants. Also loved John Proudstar new costume.

[smashpages]

do you know what the reading order for Mystique and Destiny is? I would love to read about their story

I'm not sure if there's a consolidated list for both of them, but Comic Book Herald has separate lists for each character:

I think you could just read what's on the Destiny list before she died and be covered on the duo, as most of Destiny's appearances were with Mystique. Mystique's list is much more extensive, as she had plenty of adventures of her own. Also, a lot of Destiny's list is actually focused on the "Destiny Diaries," a plot device that popped up several times after her death. Destiny died back in Uncanny X-Men #255, killed by Legion (who was possessed by the Shadow King at the time), so most of her "appearances" after that were in the forms of diaries she had left behind with her predictions for mutantkind ... they popped up a bunch after her death.

One thing to keep in mind about those earlier stories involving Mystique, Destiny, the Brotherhood and Freedom Force ... Mystique and Destiny's relationship was more of an "off the page" one that creators had to suppress because editorial and the Comics Code Authority at the time wouldn't let them do an overt relationship between two women. It's really only been with the current Krakoa/Quiet Council/Jonathan Hickman-spearheaded era that creators have been able to "fill in the blanks" on what they really meant, and mean, to each other.

As for my personal favorite Destiny/Mystique stories, pre-Krakoa, I'd suggest:

Days of Future Past in Uncanny X-Men #141-142

Avengers Annual #10, which also featured the debut of Rogue

Rom the Spaceknight #30-32, where the Brotherhood had to team with Rom to fight Hybrid

Uncanny X-Men #199, when the Brotherhood became Freedom Force and brought in Magneto (leading into the Trial of Magneto in the next issue)

Fall of the Mutants

X-Factor Annual #6, where Mystique scatters Destiny's ashes after her death

The Destiny/Legion plotline would be picked up later, as a "ghost" version of Destiny tried to tell Legion how he could help make his father's dreams a reality. This led to Legion trying to kill Magneto but instead accidentally killed his dad, Professor X, and created the whole Age of Apocalypse timeline.

For actual appearances of Destiny after she died (this is comics, after all, and no one's really ever dead and gone!), she played key roles in the Necrosha crossover, which brought back a bunch of dead mutant characters, and Chaos War, which brought back a bunch of dead Marvel characters ... temporarily, anyway.

Hope that helps!

[thequiver]

Who is....Jay Guthrie | Icarus? - A Reading Guide

Joshua "Jay" Guthrie is an X-Men affiliated mutant from Marvel Comics first introduced in 1984. Jay is the younger brother of Sam and Paige Guthrie, and the older brother of Melody Guthrie. Despite being part of the New X-Men during the Academy X era, Jay is most known for being part of the Guthrie family, as he has a number of appearances with them prior to attending the Xavier Institute and his family/home drive many of his motivations and choices. Jay has bright red feathered wings, a healing factor, and can harmonize with himself when he sings.

Jay's story deals very heavily with grief and suicide, if you're sensitive to those topics please keep that in mind before you continue the reading list.

Reading list under the cut!

Family Matters

These issues give us a look at Jay's experiences at home and his relationship with his family (largely focusing on the parentification of him and his older brother Sam). Later issues in this section also touch on grief and suicide.

Rom (1979) #Annual 3 New Mutants (1983) #42 X-Force (1991) #32, 36 X-Men (1991) #36 Uncanny X-Men '95 (1995) #1 Uncanny X-Men (1981) #437-441

Academy X

After the horrifying events of Uncanny X-Men #437-441, Jay is brought by his mother to the Xavier institute against his will. Things get....bad for Jay and the family Guthrie, ultimately resulting in Jay's death and yet another disappointing but yet completely expected parenting fail from Lucinda Guthrie.

X-Men (1991) #157-159 Uncanny X-Men (1981) #444 New X-Men (2004) #1-6 X-Men Unlimited (2004) #3B X-Men (1991) #162, 164-165 New X-Men (2004) #7-9, 12-15 New X-Men Yearbook Special (2005) #1 New X-Men (2004) #20-28, 32* *this is Jay's funeral and Lucinda speaks to his classmates...though remarkably little about what she says is actually about Jay

Krakoa

Jay was brought back to life on the mutant island of Krakoa where he..... doesn't really do a whole lot.....

X-Men (2019) #7 X-Force (2019) #32 X-Men Unlimited Infinity Comic (2021) #101 (Jay's only in one panel but it gives us SOMETHING about what he's up to on Krakoa) X-Men: Before the Fall - Mutant First Strike (2023) #1 (again, Jay's only in one panel, but i's SOMETHING)

[cinnamon-ginger]

Fellow X-23/Laura Kinney/wolverine fans, can someone help me read through krakoa era Laura Kinney in order? Marvel unlimited’s appearance list is only vaguely accurate and krakoa era stuff is confusing. I’ve read up to age of xmen right before house of x stuff for Laura Kinney and I’m trying to read her entire life story basically in timeline order. Thanks for any assistance!