#koushiro x taichi x menoa

[izzyizumi]

{D I G I M O N} Adventure (F r a n c h i s e) ~ Adventure, 02, tri., tri. S t a g e-p l a y, L a s t E v o l u t i o n: Kizuna, & Adventure: [2020 R e b o o t] + KOUSHIRO I z u m i + {F R A M E D In} S U N S E T {S}/{C O L O R S} + {KOUTAI} / {Taishiro} / {TaiKou} (Koushiro{u} I z u m i & Taichi Y a g a m i) {As Ship} + Koushiro & M e n o a Bellucci

+ {L O O K I N G}/A i m i n g Towards the F U T U R E {F O R W A R D}

Originally I wanted to make this for @taikouvember 2 k 2 4! (It could have fit for "L i g h t"!) {Though I made it a bit e a r l y!}

[koushirouizumi]

{Index} KoushirouIzumi's DigiAdvs Things

(Img's in general, extra not-O.T.P A.M.V.s, etc. KouTai O.T.P stuff etc....!)

{Note: I am always adding to this. New works may be added sporadically. If you Interact on any of my works, please read my F.A.Q to see if I've already answered a question.}

{+on taggings methods: What’s the deal with the variations in spellings for Ko[u]shiro[u]’s [+Jo{u}’s] Japanese names?} [x]

(for conveniences’ sake, I use the US version, “Koushiro” which has also been used in some official merch/usages on the J.P.N side. (Most obvious example being Tri {Saikai}) Please respect my choice and understand instead of bothering me to or demanding I change it, because I won't, thank you) {As I have made close to 50+ postings (likely now 100+) about Koushiro it would be difficult to go back and edit any particular posting with any particular spelling, and I’m most used to the US version’s way from his full name; “Koushiro ‘Izzy’ Izumi”.} (I do leave out ‘Izzy’ when I’m indicating the J.P.N version specifically. I note it can be ‘Koushiro[u]’ when listing out characters included/etc.)

{Taishiro / KouTai OTP}

My A.O.3 : Hikari @ A.O.3 {"Novel/Story Route"} Fic Index: [x] Other KouTai A.M.V.s Index: [x] (Any other tagged charas/ship's may also appear if briefly)

KouTai A.M.V.s - REPEAT?_Verse [x] {"Music Route"} KouTai F.S.Ts (Fan Sound-tracks) F.S.T #1 - READY?_ [x] F.S.T #2 - BEGIN [x] (To be Completed)

Main Index: “izzyizumi taishiro gifs” tag (Chronological Postings) [x]

KouTai{/shiro} O.T.P of O.T.Ps Compilation (with Moments across all medias) [x] Our War Game {/“Children’s War Game”} [x] 02!Taishiro [x] [x] Tri!Taishiro [x] [x] [x] 2020!Taishiro [x] [x] [x] [x] {This section to be Completed} (Very out-dated Index, check chronological postings above!)

JouxMi / JouMimi {Jou & Mimi} {JouMi Challenge} [x] [x] [x] (etc) [x] Michi / TaiMimi {Taichi & Mimi} [x] [x] [x] Soraxto / YamaSora {Yamato & Sora} [x] [x] [x] KouxMi / KouMimi {Koushiro & Mimi} [x] [x] Mimaxto / YamaMimi {Yamato & Mimi} [x] [x] [x] So{ra}Mi{Mi} / MimiSora {Sora & Mimi} [x] [x] [x] [x] Joushiro / Jyoushiro {Jou & Koushiro} [x] Taixora / TaiSora {Taichi & Sora} [x]

{Familial & Etc. Friendships} Yagami{s} (Duo) [x] Yagami Family [x] [x] Sora & Mrs. Toshiko Takenouchi [x] Koushiro’s "American" Friend? Info + {Lore/Tri musings/refs} [x]* [*Note: Planning to revise/Update]

Adventure 02 Daisuke Motomiya [x] Daixkari / DaiHika {Daisuke & Hikari} [x] [x] [x] [x] Kenxyako / KenMiya {Ken & Miyako} [x] Kensuke / KenDai {Ken & Daisuke} [x] [x] Miyaxkari / MiyaHika {Miyako & Hikari} [x] [x] [x] Miyakeru / TakeMiya {Miyako & Takeru} [x] [x] Kou+Miya Friendship {Miyako & Koushiro} [x] Bi!Miyako [x]

Tri Meixchi / TaiMei {Taichi & Meiko} [x] [x] [x] [x] [x] MiMei {Mimi & Meiko} [x] [x] [x] [x] SoMiMei {Sora & Mimi & Meiko} [x] [x] SoMei {Sora & Meiko} [x] [x] [x] Tri!Hikari’s Storyline Explanation / Parallels with 02!Hikari’s Storyline [x]

Kizuna Kizuna!Koushiro & Novels Kizuna!Koushiro {+Taichi; Tentomon; Menoa} [x] KouMeno {Koushiro & Menoa} [x] KouTaiMeno {Koushiro & Taichi & Menoa} [x] [x] (Note: TaiMeno in general may appear as an aside to anything listed above.) Adventure: (2020) 2020!Soraxto / YamaSora {Yamato & Sora} [x]

Poly-ships:

Ship Compilations: - MxF [x] - MxM & FxF [x] (+2020)!TaiKouMi [x] [x] YamaKouTai [x] TaiJouMi [x] YamaxJouMi [x] YamaxJouraMi [x] {Tri/BNM spoilers} KenDaiHika [x]

Other A.M.Vs: Older A.M.Vs (Made during my childhood/pre-tumblr days) I’ll Turn My Courage Into Wings {Adv-02 Taichi-centric/Taichi & Friends} [x] Walk on the Edge {Adv-02 Yamato/Yamato & Friends [+bonus YamaxJou} [x]

Newer A.M.Vs: Ashita wa Motto [Tomorrow I’ll Be] {Adv-02 Sora-centric & Soraxto} [x] She Said {So[ra]Mi} [x] Numb {Meiko & BNM!/Tri!Taichi} [x] Encore (Adv+Tri!Chosen & Meiko Positive) {Gen} [x]

Warriors {Frontier} [x] A.M.Vs Index for the Rest: [x]

[digitalgate02]

Oh hey, hello! I saw you were struggling with that part from the movie, so allow me clarify it for you!

1- there's no novelization for either 02 and 02TB. The Adv'99 novels do not depict the epilogue, and Kizuna's novels are just the same thing as the movie with extra details and the inclusion of a few scenes (in the Dash X novel case, two of the Memorial Stories released via crowdfunding and the first of them was released on YT for free and with official subs to promote the movie)

2- Yes, this is correct. No digivice is shown or featured in the epilogue scenes in 02. And looking this way, it makes sense for a world where humans and digimon can live together to not have digivices to form bonds. The digivices are just like the Tags and Crests in Adv'99 -- just an item to help you evolve and train your digimon properly. 

And we saw in Kizuna that Koushiro had made an app for phones which can link to their digivices; plus any phone can open gates now -- Menoa opens the Digital Gate from her own phone, not from a device similar to the Tokyo twelve (Taichi + Daisuke groups) -- and this is also stated by Yamato at the beginning of the movie, when he and Taichi are at the barbecue restaurant Buchi Horumon Yakiniku talking about their own problems.

I read the interview translation in which the director said that he intended to go in line with 02 epilogue hence their digivice's disappearance. Me who has a bad memory and not read the novelization: wait what!?

[shihalyfie]

Shihanne’s Kizuna meta -- Part 1: The meaning behind Kizuna, and the actual cause of partnership dissolution

Kizuna is a very easy movie to misunderstand, and it’s not helped by the fact that the official translation kind of sucks. (Seriously, I highly recommend you check out the translation of one of the novels -- the Dash X or the Shueisha Mirai version -- because of how badly the official one sucks.) On top of that, a lot of its information is packed in the subtleties of a lot of its lines, which means that, without paying very close attention, you can walk off with a completely misleading interpretation of what the movie is trying to say. A lot of times I see people talking about how the movie’s message is about adulthood sucking, or partnership dissolution being an inevitable thing...when the movie actually makes multiple indications that this is not the case.

(The rest of the post contains major spoilers for the movie, so be warned.)

Do note that the below is only my personal interpretation, and because there is a lot to unpack with this movie, please feel free to disagree with or disregard any of my interpretations here.

Kizuna has a lot of things to say about adulthood, but the most obvious theme is, of course, “don’t be too trapped in nostalgia” -- represented by Menoa’s desire to trap everyone in Neverland so they can never move forward, and, on a meta level, the ridiculous amount of Adventure imagery associated with people who can’t move on (yeah, they weren’t really subtle about that part...). But as a result, the idea behind the movie is often taken the wrong way -- does this mean that they’re trashing on the very series they’re meant to honor? Is the movie about people having to swallow adulthood being painful? After all, the movie says that partners disappear when you become an adult! Isn’t the movie saying we all have to accept that (even though the sheer existence of the 02 epilogue should imply otherwise)?

Nope! The movie actually does have another inner layer about what it means to become an adult, and how to develop a healthy relationship with your adulthood that isn’t just violently cutting everything away -- in fact, it considers that to be another unhealthy extreme that it warns against. It’s just that this theme is a little more latently hidden, and you have to connect the dots a little to figure that out.

I think a lot of the reason so many people miss this is predicated on the fact that you are not supposed to take Menoa’s statement at face value. It’s her statement as presented in the official trailers and a lot of the advertising material, so it’s easy to think that she’s supposed to be the deliverer of the movie’s message, but that is very much not the case! Understanding this is key to understanding the core theme of the movie, and what it’s trying to say in terms of a lead-up to the 02 epilogue.

Menoa’s statement on adulthood, which is what the concept of partnership dissolution is supposedly predicated on, is the following (quoted from onkeikun’s translation of the Dash X Bunko novel, which uses the movie script):

Do all of you know why it’s children who are chosen to be partners with Digimon?... It’s because children are full of possibilities... The future is rife with limitless choices. You grow as a person by making those choices. “Growth” and “possibilities” together produce vast energy. As I’m sure you guys are already aware, the evolutions of your Digimon partners are triggered by your growth... When that power is gone… Your partnership with your Digimon ends.

Keep in mind that Menoa has built this “theory” based on her own experience. She’s convinced that her “choice” to become an adult was what took Morphomon from her. She’s convinced that Adulthood is Bad, and that Choices are Bad. Menoa is very much biased from her own experience, and her theory is not reliable. Seriously, do you think someone who eventually decides that forcing everyone into an eternal loop of their childhood is an excellent idea is a reliable source for these kinds of things?

Not only that, she’s also claiming that this is supposed to apply to all adults just because this happened to her. Although she claims that this is part of her research, there clearly have not been enough cases of partnership dissolution for this to be a well-known issue. Given that she lost Morphomon at a young age, and she’s one of the oldest Chosen Children, it’s natural that she might think that this might be a universal phenomenon and that it might not have “kicked in” for everyone else, but nevertheless, she’s committing a major no-no in scientific research -- extrapolating based on a painfully small sample size, and letting her own biased perception of events manipulate what she sees as the result.

When Gennai supposedly “confirms” the partnership dissolution phenomenon, note that he does not actually confirm Menoa’s theory.

Unfortunately, you are experiencing the case where your partnership is dissolving... But if you guys still have infinite possibility…Then it’s possible…

The fact that Gennai refers to it as a “case” is very important (it’s very clear in the Japanese line too, jirei). This is a thing that may happen. It is not a thing that is guaranteed to happen, and it’s not necessarily a thing that comes with adulthood like Menoa thinks. What’s more, he even acknowledges that “having infinite possibility” is still possible for adults -- something that doesn’t fit with Menoa’s theory on Adulthood Being Bad and how it diminishes possibility.

As the movie eventually goes into Menoa’s plan for “saving” Chosen Children, she justifies her motive by saying that losing partners is “fate” (shukumei). She thinks that losing partners is an inevitability. She thinks that this is just something that comes with adulthood, and that unless she forces everyone to stay in their childhood, their only recourse will be to suck it up and to be miserable.

This is why the climax is dedicated to Taichi and Yamato proving her wrong.

“What you’ve chosen wasn’t a mistake!” “But no matter what waits for us after making that choice…!” “We have to live with the decisions that we make!”... “We might not be able to change our fate. But!” “We can change our destiny!”

In essence, Taichi and Yamato are disproving both parts of Menoa’s theory on Adulthood Being Bad. It’s not that choices are inherently bad, it’s just that sometimes there are consequences of said choices...but it’s not like said consequences lead to dead ends. Taichi and Yamato, in contrast to Menoa’s belief in “fate”, believe in “destiny” (unmei) -- the difference being that they believe in being able to change that predetermined fate by their own efforts.

The concept had come up earlier in To Sora, too --

Hey, Sora-san. I think it was destiny that we became Chosen Children. But I don’t think it was fate.

It’s a completely different conversation, but Mimi is basically talking about the philosophy that pushes the Chosen Children forward -- that sure, some things seem to be predestined and beyond simple luck, but also that they’ve had choice in manipulating the events and changing what seems normally inevitable.

So if Menoa’s theory about partnerships dissolving in adulthood is questionable to begin with, then what does cause partnership dissolution? Again, it’s not actually established that this is something that happens to everyone. We only have four confirmed cases within the scope of the movie: Menoa herself, Taichi, Yamato, and Sora. So what do they have in common?

Well, the night before the ring appeared on Taichi and Yamato’s Digivices, they had this conversation:

“You should take Gabumon with you to your classes,” Taichi said jokingly. Yamato smiled wryly. “Don’t be stupid. Why don’t you take Agumon to your classes?” “It’s not that simple. I have my own life to live.”

And during the events of To Sora -- which presumably happened right before the ring appeared for Sora -- this happened:

When Piyomon had come to inform her that Koushiro had sent a message, Sora had said to her angrily, “Don’t bother me!” The distress and irritation of her practice not going well had caused Sora to take it out on her. But even when lashed out by that irrational anger, Piyomon had been the one who apologized. When she saw Piyomon hanging her head apologetically, Sora had felt a surge of regret but no room in her heart to apologize as well. “I need to focus on this right now…” She had said as her excuse, and looked away.

And in Menoa’s case, a certain something shows up in the Shueisha Mirai Bunko version of the novel -- it’s implied in the movie itself, but the novel itself says it pretty explicitly:

Waiting in front of the swing at her family’s home, where they’d always played together when Menoa was a child, was her beloved friend. Lately, she’d been studying so much that they hadn’t been talking to each other at all, so she wanted Morphomon to lavish her with praise. She wanted her to say, “Menoa, you’re amazing!”

See a pattern? All of the known cases of partnership dissolution involved neglect of their Digimon partners in pursuit of “adulthood”.

Taichi and Yamato ditched Agumon and Gabumon at the start of the movie and left them with their siblings. Agumon hadn’t even been to Taichi’s room before, even though Taichi lives by himself and is clearly lonely -- his reaction when Agumon finds his AVs, “you have to be an adult -- “ tells all, because he clearly thinks of Agumon as “a child” who shouldn’t be near his New Adult Life. Sora may have apologized later, but it sounds like there’s been a constant pattern of her starting to focus so much on her studies that she’s emotionally neglected Piyomon. And, of course, Menoa herself rushed so much to become “an adult” that she neglected her beloved partner in the process -- they weren’t even talking anymore! And the fact that the swing is discussed in past tense, when Menoa was a child, indicates that Morphomon may not be the only thing Menoa had tossed away in pursuit of “becoming an adult”.

(Note how Menoa constantly talked through the movie about the fact she and Morphomon had “always been together”, as if Morphomon had been ripped unfairly from her suddenly and for no reason...only for the revelation that Menoa was guilty of neglect to drop at the end. I repeat: Menoa is not a reliable person to be taking words at face value from.)

It really, really doesn’t seem like coincidence that Taichi and Yamato’s Digivice rings appeared the day after they flippantly laughed at the idea of taking Agumon and Gabumon to school because it would get in the way of “having their own lives to live”. Recall that Digimon in the Adventure universe have always generally been taken to represent an alter ego, or a part of oneself. (They were literally developed to represent part of the human soul in physical form.) On a symbolic level, your partner disappearing is representative of you losing touch with yourself -- and your own childhood innocence -- because of some arbitrary, societally-enforced standard of “becoming an adult”.

Fun side note? As mentioned in the movie, Eosmon is named after the Greek goddess of the dawn, who also has another interesting story about her: she fell in love with a mortal man and, not wanting him to die before her, requested that he be given eternal life, but neglected to ask that he be given eternal youth, and was forced to watch as her lover kept living on and on and withered further and further with age. Neglected the concept of youth, huh.

That’s why partnerships seem to dissolve with adulthood, but it’s not from the simple act of becoming an adult -- it happens when you take that adulthood and decide that you’re going to reject all of those “childish” things about yourself in pursuit of that goal, and lose yourself in the process. And sure, they may have tried to fix it right away, but these things aren’t just momentary moments of weakness; they build, and build, and build, and build, until you’re at the point of no return and need to take drastic measures to get it back.

And in fact, if you inspect the staff interviews (which have been, presumably, deliberately vague about this in the hopes of having the audience figure it out), they hint at it, too:

For this movie, we had the concept of "separation from their Digimon", which means being able to completely separate yourself from your past self, or rather, wondering if it might be better to cut yourself entirely from your past adventures in becoming more like an adult.

Not only that, but this explanation tracks much better than what Menoa claims is the case. Under Menoa’s explanation of choices diminishing possibilities, characters like Daisuke and Jou who had their paths already determined from an early age should have lost their partners a long time ago, and conversely, Taichi and Yamato, who weren’t sure on what to do with their lives at the beginning of the movie, should not have lost their partners. But “emotional neglect from the obsession with growing up” tracks even with our “outlier” cases -- Menoa “forced” herself to become an adult at the very-not-adult age of 14 and lost her partner, while Oikawa also didn’t actually get to “meet” Pipimon until he accepted that exact same thing -- that he needed to embrace the “power to dream” instead of considering himself a “tainted adult”.

(Ichijouji Ken, who could be argued to be guilty of emotional neglect of Wormmon in some sense, initially seems like a violation of this principle, but closely observing the Kaiser’s behavior during 02 indicates an often paradoxical thread of behavior implying that he seemed to have been rejecting and yet wanting him nearby at the same time, which is part of the reason Wormmon’s death breaks him so badly. In fact, it often feels like he goes out of his way to acknowledge Wormmon for the specific purpose of rejecting him. In a metaphorical sense, knowing that Wormmon is representative of Ken’s own inner self, the metaphor of Ken being in perpetual internal conflict of constantly trying to outwardly reject his own heart for being “weak” yet never truly being able to escape it until he’s finally forced to accept it for good is not lost. It was not a positive relationship with Wormmon by any means, but it was, nevertheless, a conscious and active relationship, for which “neglect” does not feel like an appropriate word.)

When you look back at Menoa’s life and backstory, it then becomes clear how she made her mistake in her theory. Menoa basically threw away her childhood in order to become an adult, and she never learned to embrace the happy medium between having an unhealthy attachment to the past and violently cutting it off. Late in the movie, she claims that there’s nobody else who understands how she feels, and we also learn in her flashback that she had an obsession with doing things “on her own”, or in other words, she cut off any potential friends or people who could help her (Morphomon seems to have legitimately been her only friend and confidant). So in her mind, “losing touch with your inner self and having no connection to the happiness of your childhood” is fundamentally synonymous with becoming an adult. That’s how she develops her mentality of “adulthood is drudgery and has no value, and we’d be better off never getting there” -- and that adulthood strips people of possibilities and therefore provides no recourse from losing your Digimon partner, and that the only way to reclaim anything from your childhood is to just shove yourself back into its box. Her own life had no such hope in it, so she projects that lack of hope onto everyone else.

With that in mind, the two major questions that come from this:

Will this happen to everyone? Hard to say, but I don’t think it would necessarily. Remember, even though Menoa is one of the oldest Chosen Children and had this happen to her at an abnormally early age, not everyone has such an unhealthy relationship with adulthood, nor is as likely to neglect their partners nearly as much in the process of figuring out what adulthood means to them. That doesn’t mean that those it does happen to made some “mistake” or “messed up”, though -- press materials and the BD commentary made it clear that this was not a movie intended to endorse “one way to live”, and sometimes the degree of introspection and experimentation with what adulthood means to you does result in momentarily trying to cut things away until you figure your life balance out, especially if you want to take on a challenge with as high of a hurdle as Taichi’s road to becoming a diplomat.

So what’s the solution? Although it’s still left to everyone’s imagination to figure out the details, at the very least, figuring out yourself and snapping yourself out of this very unhealthy relationship with “growing up” and holding yourself to arbitrary, false standards is probably a great start! Menoa had her “vision” of Morphomon the moment Taichi and Yamato’s words reached her within Eosmon. Gennai specifically says that partnership dissolution will cause the Digimon to disappear in terms of losing their “form” (sugata), but given that Digimon in the Adventure universe are supposed to represent a part of yourself, they’re probably still there (just not there)! In that light, getting them back...is probably not actually all that hard, if they can sit down and take some time to figure themselves out. That’s why Menoa never figured it out this whole time in the last eight years; she was so busy focusing on “scientific” ways to get Morphomon back, and staying perpetually stuck in a twisted nostalgic version of her past, that she never actually sat down to think about herself and what she was doing. And that’s why the movie’s climax is about Taichi blowing the whistle to wake everyone up -- it’s still about moving forward, but it’s about using your past to move forward, instead of gravitating to the extremes of either latching onto it eternally or attempting to abandon it outright.

So really, the solution is for everyone to get some damn therapy.

Given that, the path to the 02 epilogue doesn’t actually seem that particularly difficult compared to how Menoa made the problem initially sound like. It’s not like every adult is going to inevitably have this happen as a process, and thus it’s not like everyone has to find some magical technical solution that’ll rectify one of the laws of the universe. The solution is really more somewhere between the unhealthy extremes presented in the movie -- Menoa’s fixation on nostalgia and the past being the only good thing in her life, and Taichi and Yamato (initially) rejecting said childhoods in favor of “adulthood” -- and figuring out how to use and cherish your childhood, past experiences, and inner self to move forward.

And given Sora’s revelation in To Sora about taking care of herself more, and Taichi and Yamato starting to settle on their career decisions for real by the end of Kizuna, they’re already on their way to figuring things out. Or, in other words, it’s likely that they’ll get their partners back simply through the natural course of making their way to the epilogue. Taichi’s starting to value his childhood experiences as important in his future work in diplomacy. Yamato, according to the Shueisha Mirai version of the novel, is becoming an astronaut to entertain the “romantic” dream of going to space with Gabumon. Sora, as per the 02 epilogue, will end up known not for being an iemoto heir but a kimono designer -- a skill that she’s presumably going to be discovering on her own, and not under obligations to others. Gennai himself said that there was hope as long as they still had “infinite possibility” -- something that Taichi, Yamato, and Sora were closing up on themselves at the beginning of this movie, but were starting to re-open the door to again once they started reconnecting with themselves and embarking on some proper paths by the end of it.

“We’ll definitely come to see you” -- indeed, they will.

(Next is the sequel to this meta, where I discuss Kizuna’s relationship with not only 02′s epilogue but also 02 itself as a whole, and the reason the 02 group has such an unusual position in this movie.)

[izzyizumi]

Digi-Adventure{s} (Series) ~ Taichi Yagami & Koushiro[u] Izumi {A.M.V. Out-lining/Timeline} for Koushiro x Taichi A.M.V.: "'STUDY ME'? / Figure it Out / I'M NOT A PROBLEM TO BE 'SOLVED'" (View here!) [#Tri Spoilers, #Kizuna Spoilers, #Digimon Adventure: Spoilers]… This is the current initial ‘previewed’ look of a mostly-finished A.M.V., but with sections I can easily jump around and edit in if I ever go back to it in the future.

This A.M.V. was 100 clips + splices EXACTLY. (More splices this time, but) It began crashing my editor almost exactly as I finished, saving it began the process of repeated multiple crashings.

You may notice some frames look "glitched", this is because I'm using a version of Windows Movie Maker and this can apparently happen depending on file type used and where I 'trim' the clip (resulting in a glitched frame on the timeline, in places.) {Which is also not fun when there's a lot of them and I need to remember where splices are placed! Fortunately, there's not as many here this time, but.} - Any clip with four squares on top has an Effect on (mainly 'fade-in' from white or black, or 'fade-out' to black or white.)

This took me almost a full 'work' day (6~ hours.) It was in actuality spread out over most of my evening. I had to up-load the finished thing pretty late, - around 'holiday' time.

So, fun facts about the process of making this one.

It was end-of-the-year.

I was travelling to see my immediate / (also) very close end of family, which only happens for me a handful of times per year.

The trip involved takes 5+ hours of driving time (I wasn't driving. It's still a hassle just getting there, then resting up after)

I was having a really stressful day, not because of family or anything, but due to the trip itself, tiredness and such.

At the same time I was already really wanting to make this once I heard the fun track involved.

I hadn't actually watched its original vid before making my own, so it was also really fun to compare them after!

However...

Even this most recent A.M.V. was a highly personal work made at an actually random (for me) time, with almost 0 advanced planning for once (I literally heard the song the night before. Most A.M.V.s I make take weeks to months of drafting, outline, re-listening for timing matching purposes, and first attempts at editing to make sure the editor won't crash on me by the end).

So, when I post these 'finished' (1st draft, typically) outlines, I'm basically trying to show even a little of what's actually going into my editing process and how extensive these can actually get.

It'd just be cool if people could remember to... respect such things when interacting with any of my works, especially these A.M.V.s.

I create for KouTai / Taishiro specifically because I appreciate them, especially on a personal level. I don't mind if non-shippers, or people not as heavily involved with them interact with my works - I even often leave these semi canon-compliant to a degree for such fans - but please understand the focus is on Koushiro and Taichi for a reason, and while I do step outside of my preferred box at times, A.M.V.s in particular take a wild amount of energy and planning (and also, for example, decent footages existing) that most people may not expect at first glance.

So, here was an example of another 100~ clips A.M.V., created for a dynamic and characters that I personally highly appreciate. (I felt much better after finishing this and managing to save it!)

[Note: replying/Tagging Positively/respectfully is OK!]

[izzyizumi]

Digimon Adventure LAST EVOLUTION: Kizuna [Bonds] featuring (Focus) Character: Koushiro[u] Izumi (+Ship) Koushiro Izumi x Taichi Yagami {KouTai} (+Side Character) Menoa Bellucci ~ Important SCENES (& Framings) ~ Character ANALYSIS

“ You can TAKE Your

‘ ““ Perfect ”” World ’

Where NO ONE ever experiences ANYTHING ABOUT

‘ LIFE ’

... And

‘ Forget About It ’ !!!! ”

- What I would say if I was Koushiro Izumi in this exact moment and it wasn’t just a certain reveal scene

BONUS:

[koushirouizumi]

"I hope that the {"strength?"} that keeps YOU THINKING OF ME is {STILL} ["Troubling"] YOU, even just 'a little';

Saying {"THE Answer"} WAS A ["SACRIFICE"] That it (WOUNDED), that it was ("INEVITABLE"), that it ['HURT'],

...All sounds so {CHEERFUL}, 'DOESN'T IT'?"

(If you couldn't tell, the entire AMV showcases an AUTISTIC!Koushiro Izumi headcanon using canon-inspired scenes with canon contexts):

"Being a POPULAR GUY isn't easy." - Taichi, joking (and perhaps half-serious); {00:00~00:10 timemarks}

Digimon Adventure (Series) + 2020 reboot series x Zutomayo -

"STUDY ME?" / "Figure it Out" / "I'M (/KOUSHIRO'S) NOT A 'PROBLEM' TO BE 'SOLVED'"

featuring duo/ship/O.T.P. KouTai / Taishiro[u]; Koushiro x Taichi

(Characters Koushiro is otherwise involved with, like Izumi family, Tentomon, Jou, Yamato, Menoa, and Mimi; + vs. Vademon also show briefly at times but the focus is Koushiro & 2020!Koushiro + KouTai with minor spoilers from tri, Kokuhaku, BNM, Kizuna, and 2020 + its ending)

It is recommended you read the lyrics before or after watching!

This A.M.V. was pretty much made on a complete whim after I heard this thanks to a J.P.N TaiKou fan recommending another by this group as "DEFINITELY a TaiKou song" and let's just say Yes I see a Theme & Patterns going and I am Spilling Koushiro Thoughts Via Analysis by A.M.V. As a result it IS in actuality semi canon compliant to a very strong degree, but please keep in mind the intended pairing is mainly KouTai (though I ship various other Koushiro ships too!)

{DO NOT COPY OR REPOST!}

{DO NOT RE USE WITHOUT PERMISSION}

{I do Not own DigiAdvs / DigiAdvs (C) Toei; this is FAN MADE}

[izzyizumi]

Digimon Adventure: Last Evolution Kizuna ~ A.M.V {Anime Music Video} / (“Trailer”-like) {Edit} Featuring implied Duo/Ship: Taichi Yagami x Koushiro(u) Izumi as Implied Ship: {KouTai} / {TaiKou} / {Taishiro(u)}; as well as featuring prominent new Kizuna Side character Menoa Bellucci (with small cameos of other “Kizuna”!Adventure Chosen)

“Objection!!!”

”{This incident} HAS A ‘Reason’ {Answer!!}” {Professor Layton vs Ace Attorney [DS] Main Theme} (C) Level-5 Digimon Adventure (Franchise) (C) Toei Animation / Bandai

Contains minimal dialogue lines from 1st longer Kizuna previews, Translated under the ‘read more’!

“HEY, TAICHI...”

“WHAT’S GONNA HAPPEN to the 300 people WHO WERE TAKEN?...”

“...HEY, TAICHI -- IS IT TRUE that WE HAVE TO SAY GOODBYE ONCE YOU ‘GROW UP’?”

“... AS I THOUGHT,

YOU REALLY ARE A ‘GENIUS BOY’.”

My Commentary:

I got reminded Professor Hershel Layton is STILL not a playable character in Smash after ALL THESE YEARS and, uh, THIS was the result ?

ANYWAY, all I’m saying is Koushiro Izumi would highly respect that good gentlemanly Professor YES AND PRETTY MUCH CHANNELS THE SAME THOUGHT PROCESS FOR THE MOST PART WHEN HE’S NOT SUFFERING

+ somehow Koushiro Izumi also simultaneously pulls off BOTH Prof Layton and Phoenix at once ??? BUT I HAVE TAICHI GOING THROUGH LAW SCHOOL IN MY FANFIC VERSES ..... UH GOOD LUCK TAICHI {OK he’s Also a psuedo-Phoenix on the side}

ANYWAY HAVE AN AMV BECAUSE I LIKE TO SUFFER

This AMV showcases Kizuna up to the point of “ The Reveal ” of a certain character - basically it’s mainly Koushiro’s scenes - the actual final battle however is not shown in extreme detail - from that battle, only a couple shots previously in trailers are included * While not made directly for my other fanfiction / AMV ‘verses it can definitely be read in to those However, this can also be watched as a stand-alone !

[ Note: commenting/tagging positively/respectfully is ok ! ] [ please click on the above banners to enlarge ! ] [ PLEASE READ THE ABOVE BANNERS BEFORE INTERACTING ]

[izzyizumi]

Digimon Adventures / Tri ~ x K@gerou Project / Mek@kucity @ctors “ Jinzou Enemy ” [“ Artificial Enemy ”] A.M.V [ music ( C ) Jin ] [ V O C A L O I D : M I K U . H A T S U N E ] featuring implied DUO/SHIP/O.T.P.: Taichi Yagami [“Tai Kamiya”] x Koushiro(u) Izumi [“Izzy Izumi”] also known as [Taishiro(u)]

PAST AMVS / VIDEO EDITS IN THIS SERIES: Kagerou Daze (Heat-Haze Daze) / Children Record [+Adv Chosen] / RED / Additional Memory and Imaginary Reload music edits for KageDaze / Days (short edit) / Lost Time Memory / Yesterday Evening / Summertime Record / Shounen Brave [+Jou] / Outer Science [+Villains] / Headphone Actor (short edit) / DAZE (short version / TV Size OP) / KOUSHIROS ? CYBER JOURNEY [+Maki] / Brave Heart x Kaien Panzermast [+Chosen Children] / Night Tales Deceive [Yobanashi Deceive] / [KOUSHIRO’S] Imaginary World / Mekakushi Code [Blindfold Code] [+Yamato&Sora&Adv Chosen] / Ultramarine Rain [+Mrs Yoshie Izumi; Izumis] / Imagination Forest [+Mimi&Jou] / Transparent Answer [TaiKou+Meiko]

Lyrics under the Read More (Inspiration from This FANmade P.V/Video) <- (NOT OFFICIAL) A.M.V initially finished: around midnight on August 31st, 2020 A.M.V creation began on: August 20, 2020

* THIS IS A P R E V I E W. TECHNICALLY, IT IS INCOMPLETE, A.M.V. MAY CONTAIN GLITCHINGS, ETC. I am aware of glitches / scenes that cut in too quickly and will fix them as I have time in the future. * NOTES / WARNINGS / SPOILERS / LYRICS UNDER READMORE

REPEATVERSE/EXTENDED STORY INTRODUCTION: HERE REPEATVERSE FIC/VERSE: HERE ( *note: extended summary contains some spoilers for the fic ) [however, it also explains the worldbuilding involved and plot setup!] ( YOU DO NOT NEED TO READ THE FIC TO WATCH THE AMVs ) [ This is INTENDED to provide an alternate means of storytelling !! ] ( * It’s ok to start on/only watch this current AMV ! ) [ *You may understand the story/implied timeline of things better if you begin from my “Kagerou D@ze” AMV, though it’s also not required! “Children Record” is also recommended as a starting point/upbeat song! ] { NOTE : PLEASE read my FAQ and “about” sections BEFORE interacting } [ Seriously, PLEASE, or I may / will likely block / not interact, or cease, interacting if it’s clear you blatantly didn’t ]

[ CONTENT WARNING: The song lyrics have heavy intended Depictions of D.e.p.r.e.s.s.i.o.n (in its original song/series format); In the fan P.V/original series., implied suicuide / self-sacrifice In this A.M.V, implied as P.T.S.D (more particularly) ] ( though self-sacrifice to a degree / psuedo-deaths are shown, it is not nearly shown as severe as in the original fan PV. ) { it is recommended to watch until the last second of this A.M.V. } [ also heavily implied: ANXIOUS!TAICHI ] [ KOUSHIRO probably shares much of the same ] { IMPORTANT NOTE: in this ficverse, I also headcanon BOTH being @.UTISTIC + ANXIOUS } { Please note I AM @.utistic myself } { So YES, I do know what I’m doing when creating about such. Thank You } (NOTE: The AMV here WILL end on a somewhat better implied note than … the Original fan pv/series, please just * TRUST ME on this) { * Linked: a spoilery chapter of the ficverse that ends the main story arc. } { DIGIADVS SPOILERS WARNING: a) some Tri!Taichi and Tri!Koushiro not-majorly-spoilery solo shots / light interacting moments from: Saikai, KOKUHAKU, Bokura no Mirai. b) A few particularly spoilery Koushiro-involved scenes from Kizuna. ( including a few particularly notable / spoilery moments involving Menoa ) [ the most major spoiler of the scene isn’t shown, but the aftermath is ] ( These Koushiro scenes have mostly all been covered by the Kizuna tie-in novels, [a second one here] along with the various TV spot previews, spoilery official caps and the like ) c) a scene from the final battle of Kizuna (involving Taichi) + (a certain Notable ITEM towards the end of the fight) } (this is also covered in the novels, but shown here in animated form) d) a couple very quick/brief scenes w/Taichi and Koushiro from DigiAdv 2020 01 ~ 03 * ( * also, a quick scene involving a certain Digimon from said eps )

- short version of implied story/plot of this series: T I M E L O O P S - Tri is here because … ah … … - let’s just say it’s probably AT LEAST ONE part of the “start” of it all ah - KOUSHIRO IZUMI VOICE : ( ‘ W H Y ’ ) - DO THEY MAKE IT TO THE END - @ TAICHI & KOUSHIRO, ARE YOU SURE YOU /WANT/ TO ——- - TBH HOW MUCH do KOUSHIRO or TAICHI even REALLY REMEMBER - MUCH LESS THE REST OF THEM - who even knows after a certain point anymore - timeloops are fun !! ! ! ( this particular song explains SOME of it … ) { WATCHING TO THE FINAL MOMENT IS RECOMMENDED }

LYRICS:

[ VERSE 1 ] “ ‘ When YOUR DREAMS have GONE, Then WHY R E P E A T THE DAILY G R I N D ? There’s     NO POINT     TO IT ’ ” …

A “ FANTASTIC” thing  TO SAY …

And  YOU,  TOO: “ I’m in love with NON-REALITY. ”, YOU SAY IT WITH Your Fingers, THOUGH YOUR M O U T H SAYS NOTHING …

[ VERSE 2 ]

PEOPLE WITHOUT FACES AND VOICES, Yet you feel some “ CONNECTION ” WITH THEM, Of course, though, that CAN’T BE A “ MUTUAL L O V E ”, … ?

… Still, that’s the way it goes, CLOSING OUT ANOTHER DAY

But you P R E T E N D TO HAVE  L I V E D, And then   GO TO     S L E E P …

[ INTERLUDE VERSE ] “ AH, IT’S SUCH A BORE ”

So you TRY to AVERT YOUR EYES,

EVEN THOUGH YOU     CAN’T C L  O S E THEM. …

HEY, considering you REFUSE     TO ACKNOWLEDGE “IT”,

ARE YOU WEARING A BORED FACE AGAIN

... AS YOU WATCH ME          BEHIND THE   S C R E E N ? [ CHORUS 1 ] > THAT’S NOT THE BEST PLAN OF ACTION < AND I K N O W     YOU KNOW IT. TO DROWN IN DARK, WITHERED DAYS . . . MUST NO DOUBT     BE P A I N F U L IF REALITY          ISN’T A L I E, THEN WHAT IS IT ? IF YOU DON’T UNDERSTAND,     T H E N , HOW DOES IT SOUND     LIVING TOGETHER IN A WORLD     FABRICATED     BY MEN ? [ POST-CHORUS VERSE 1 ]

IS THERE ANY POINT  TO  A PLACE     THAT WOULD ONLY DENY YOU? JUST SAY “ NO ” TO EVERYTHING

... AND LOOK ONLY AT ME -----

[ VERSE 2 ] “ AH, TRULY FANTASTIC, ”

... YOU CAN CLAP FOR ME ,

BUT  L I E S     HAVE FILLED THE OUTSIDE WITH “JUNK”.

SAY, SINCE YOU’RE     BURIED DEEP IN IT TO THE POINT OF P A I N

THEN WHY ARE YOUR EYES A V E R T E D NOW

... AS YOU S T A R E AT ME     COLDLY ?

[ FINAL CHORUS ]

> THAT’S NOT THE BEST PLAN OF ACTION < AND I K N O W     YOU KNOW IT. AT THE END OF IT, YOU KNOW YOU’LL FIND . . . A BOUNDLESS     I S O L A T I O N . AS YOU   R E P E A T   YOUR  D A Y S ,

IN A ROOM WITHOUT     L I G H T

I BEGIN TO     C R U M B L E , AND MY     N O I S E     RESOUNDS

“ I DON’T UNDERSTAND THIS AT ALL ! ”

I CRIED, AND  Y O U  SAID TO   M E,

“ AS A TOY     ONLY FOR     TALKING TO ,

. . .   I’VE   GROWN     B O R E D   OF

--- Y O U ? ”

. . . ???

[izzyizumi]

TAICHI YAGAMI AND KOUSHIRO IZUMI ARE ACTUALLY BEING ALLOWED WITHIN A DISTANCE WHERE THEY CAN SPEAK TO EACH OTHER

THIS IS NOT A DRILL

[koushirouizumi]

Digimon Adventure/02/tri./Kizuna x Suga Shikao A.M.V. (Preview) Title: “19sai” Featuring O.T.P: Koushiro[u] Izumi x Taichi Yagami [KOUTAI]/[Taishiro{u}] + (Side) Koushiro & Menoa Bellucci* {*Can be read as ship(??) or as Gen/Mutually Unrequited} Song (C) Suga Shikao {of CLAMP’s “xxxHolic” fame} Digimon (C) Toei Animation

A.M.V. By Me {DO NOT re-post} {DO NOT remove Caption} {I do not own DigiAdvs / DigiAdvs © Toei; this is FAN MADE}

Notes: Made in just under 1 hour; 18~ clips so far (using mostly Kizuna and bits from 02′s 1st movie + Mugendramon arc.) It’s unlikely I’d actually finish this one, but if I did, it’d probably go through Koushiro’s various relationships with an emphasis on the O.T.P [KouTai] by end {but still showing significance of the others as well} (Possibly also throwing in some 2020!Koushiro but right now it’s mainly opening on Kizuna!Koushiro.)

Mostly I’m laughing because Suga Shikao’s also singing for the next/new GhostGame ending theme and I knew about this singer since like around that 2010+~ era {Holic anime started in 2006?~ but I got to it a bit Late/read manga first} and both these series are about Yokai stories... (And also Holic has a ton of “Butter-flys” imageries too, go figure)

Edit: And then GhostGame’s ended up being a quite fun end theme in comparison, go figure!! But I still want to finish this someday~

Compare!: (Note: It’s xxxHolic by CLAMP’s Opening... Yeah)

[izzyizumi]

{Index} IzzyIzumi / KoushirouIzumi's AMVs for Koushiro Izumi, Taichi Yagami, & Koushiro x Taichi

One (Digi)-Week (with Taichi & Koushiro) {made pre-2011}

Beautiful Disaster

In the rain {Miraculous!Inspired Koushiro A.U.s}

"Miraculous?" Koushiro {Miraculous!Inspired Koushiro A.U.s}

Chosen Family [+Izumi Family; 02; Tri]

OBJECTION!! (Every Puzzle Has An Answer?)

I'll Be There For You

To A Brand-New World {Sailormoon!Inspired A.U.s}

Oshiokyo!! {Sailormoon!Inspired A.U.s} [+Mimi] (In-Progress)

Southern Cross Waltz [+2020!KouTai}

In the Infinitely Distant Sky

"KOUSHIRO on Self" (In-Progress)

Who Is Koushiro Izumi? {BELLE!Inspired Parody}

Forget About Love [+Kizuna; 2020!KouTai]

Spring Night Love Song [+Sora; Taikoura{to}; KouTai+YamaSora]

Love-Lost Elegy [+2020!KouTai]

Tsuki no Uta {Moon's Song} [+Kizuna]

{Dirty} Computer [+Tri, etc]

19sai [+Menoa; Kizuna] (In-Progress)

"rob0t" b0y [+Tri, 2020, etc] [+2020!KouTai]

Moon Rain [+2020!KouTai] (In-Progress)

Moon Revenge [+Frontier crossover; 2020 A.U.] (In-Progress)

Part of THIS World

KIMIPedia {YouPedia} [+Kizuna]

"BOKU" / "I" {Chobits!Inspired Character Introspection} (In-Progress) Parts: 1 / 2 / 3 / 3 End (Ongoing!)

The Only Exception [+Izumis; Yagamis; Advs&02 Chosen]

"STUDY" ME? / "Figure it Out" I’M (/KOUSHIRO’S) NOT A ‘PROBLEM’ TO BE 'SOLVED’

"JIGOKU" Together [(Platonic) Izumis supporting Kou(+Tai)]

Further information under the 'read more'!

NOTICE: Lately, the video player has been having Issues displaying videos that I use the uploader for at time; this Issue has particularly been affecting "Study Me", but may also affect other more recent ones like "Part of Your World", etc. IF YOU Notice a video doesn't appear, please check back in a few days. If it still hasn't displayed again, PLEASE PING ME, PREFERABLY by the chat {messaging} feature, NOT ASKS OR @'NG (I might miss Asks and frequently miss @'s!!), and I'll see what I can do!! (In the meantime, you can also try watching one of my other A.M.V.s instead, as many of them are still functioning properly!!)

This post is not rebloggable (sorry!!) but I'll have another linking to it soon!

(More info under the 'read more'!)

All of these can be watched as stand-alones! Though they can also tie into my fic-verse / other A.M.Vs-verse; All of these are fine to watch on their own. The songs here tend to be much calmer than my other 'Verse, but even some of these can be passionately intense (which isn't very bad 'fitting'-wise for even direct Koushiro or Taichi focus specifically!)

Some are still currently being worked on (marked with "In-Progress") and may take a while to reach full Completion, but feel free to check back to this Index!

Please be sure to read ALL Notes on A.M.V.s before watching! (I add in Notes and attempt {for most all edits} spoiler warnings for your convenience. Please USE THEM) [If I forget to mention a part, I apologize! A lot of scenes tend to be used, but I try my best to indicate!]

Tip: Click any "H.D." button on a player so the quality is more smooth! Tip #2: Not all of these are Download-able, sorry! But if one is on Vimeo check the arrow icon in the corner of the player!... (You didn't hear it from me)

Not everything has been sub'd yet, (especially later ones) but I'm trying my best to eventually add in sub's for all the rest as I go / find the time! (In the meantime, please feel free to refer to any linked fan translated materials!)

Some A.M.V.s contain alternate ships depending on 'verse. (Alternate!-Universe) or not, Poly-ships and semi-canon compliancy, may also be represented and included. Please read ALL notes re ships on posts before Interacting!

I WILL BLOCK PEOPLE WHO Ignore these rules. My fan-works are for people who appreciate the series, Koushiro, and Taichi, NOT for people who hate the series as a whole or most any aspects of them canonically. They are also not meant to promote any sort of hate for any other Chosen or ship, regardless of their current focus. PLEASE try to Understand & remember this. I may also Block people who leave overtly negative commentary on any series character or ship featured. That is NOT the point of me making my fan-works, Please respect this if you choose to Interact.

I HAVE an 'About' and 'F.A.Q' (I am planning to make a newer / updated one for this blog specifically eventually. In the meantime please refer there, thanks.) Please read them before asking questions/sending messages! THANK YOU.

"Why are you doing this?"

Because when I was much younger, so many other ships already had LOADS of A.M.V.s and I never found very many for Koushiro or Taishiro / KouTai specifically, which I always found very odd, because they had more than just enough material to make full-length A.M.V.s out of... (and maybe more than you expected!!)

Years later, I'm evening out the playing field for Koushiro!!! (But more seriously, it's because I seriously enjoy making these and if I don't make them the idea is going to repeatedly echo in my head until I finally have it DONE, also as many of these were planned for many months~years and the outlines can take equally as long!!)

I'd be really happy and glad if anyone can come to understand Koushiro, Taichi, or KouTai (/Taishiro) more via these A.M.V.s, including from my own perspectives.

I'd be really happy to hear your thoughts or tags rambles!! Please let me know if something intrigued you or stood out to you, or if you liked a particular edit I made on a scene or sequence of scenes!! A lot of these can be quite hard for me to achieve! Respecful Feedback helps me improve and I may branch out further to other parts of the series + characters later on once I wrap up as many of my currently planned A.M.V.s as possible.

I AM NOT TAKING REQUESTS AT THIS TIME. PLEASE DO NOT ASK ME, I will have to REJECT. THANK YOU FOR NOTING. (Full-length A.M.V.s can be really time consuming!!) If I'm open to requests, I'll usually note it (or ask mutuals for ideas). However this is NOT common and at this time, I have not officially opened requests. Thank you for understanding!

[koushirouizumi]

{DigiAdvs} A.M.V. (Preview)/(Unfinished)/{CONCEPT ONLY} x Adv, tri, Kizuna, 2020 Ship: TaiKourato (Sora x Yama x Koushiro x Taichi) as Poly-ship {Menoa also appears; Meiko MAY appear in a full version; side mutually unrequited Menoa->Koushiro can be read in) Song: "Moon Rain" by Kisho Taniyama

Notes: This song is currently un-translated, so this A.M.V. preview for now is mainly just a concept. Thus, re-blog function is turned off for now, but I won't mind any "Likes". (A.M.V. finished in about 25 min on 9/06/22) Contains Spoiler for: - Adventure {Eps. 21; 24; 48} -- Ep. 51: YamaxSora(+Jou) Moment - tri. {Kokuhaku Mid-End; Koushiro & Tentomon} - Kizuna {major mid-end spoiler; Koushiro & Menoa relevancy} - 2020 {Eps. 02; 03; 36 - KouTai + Koushiro relevancy}

Summary:

"Sayonara"

"MY Precious,"

"A small..." {FLAME}

"Hitori ja nai" / "{You're} Not Alone"

"Same time..."

{DO NOT Copy} {DO NOT re-post} (This work is being shared as a FAN Work) {Disclaimer: I DO NOT own Digi-Advs ( C ) T0EI A n i m a t i o n / "Akiyoshi Hongo" nor this song which is ( C ) Uta-puri series / Elements Garden}

[izzyizumi]

Digimon Adventure (Series) + 2020 reboot series x Zutomayo - {note: if top is not displaying properly, check the above link!}

"STUDY ME?" / "Figure it Out?" / "I'M (/KOUSHIRO'S) NOT A 'PROBLEM' TO BE 'SOLVED'"

Featuring duo/ship/O.T.P.: KouTai / Taishiro[u]; Koushiro[u] Izumi x Taichi Yagami

It is recommended you read the lyrics before or after watching! (Check under the 'read more' for more info/lyrics!)

(Characters Koushiro is otherwise involved with, like Izumi family, Tentomon, Jou, Yamato, Menoa, and Mimi; + vs. Vademon also show briefly at times but the focus is Koushiro & 2020!Koushiro + KouTai with minor spoilers from tri, Kokuhaku, BNM, Kizuna, and 2020 + its ending)

This A.M.V. was pretty much made on a complete whim after I heard this thanks to a Japanese Taishiro/TaiKou fan on Twitter recommending another by this group as "DEFINITELY a TaiKou song" and let's just say Yes I see a Theme & Patterns going {with this group's songs+lyrics!} and I am Spilling Koushiro Thoughts Via Analysis by A.M.V. As a result it IS in actuality semi canon compliant to a very strong degree, but please keep in mind the intended pairing is mainly KouTai (though I ship various other Koushiro ships too!)

{DO NOT COPY OR REPOST!}

{DO NOT RE USE MY EDITING WITHOUT PERMISSION}

{I do Not own DigiAdvs / DigiAdvs (C) Toei; this is FAN MADE}