#korea ql

[arthoewholoveseverything]

I swear to God if it is revealed that they are childhood friends I'm going to fucking lose it-

WELL THEN. There's more to this story than meets the eye, apparently. Though it does explain him not using any honorifics but also like.... what happened? What does he remember that he doesn't?! The teasing was meant to be friendly and something shared but instead it was just bullying to him.

And look at how annoyed he looks! He's so done except he's also the one who started this, at least this part. But also like... what happened?! Auuugh. Thsee boys.

[dekaydk]

New K-QL: FC Soldout

On a whim I started watching. Mostly comedic so far, setting up the story of a once-promising football team whose sponsor went bankrupt, leading to a loss of players and team ability.

They're bought by an entertainment group whose idea is to make the players all be marketable for their looks.

The first ten seconds we get the main character…

…right before he gets the news that the team's in trouble. In a flashback we see that he didn't, um, take the news well. Drunk, he wanders into a cinema to watch a movie about a football player and emerges as a fan of the actor. Quite a fan.

A couple of his teammates, discussing the team's issues.

Later, when the new entertainment CEO arrives to introduce himself, he's arrogant and doesn't make friends. But he brings along his new, more attractive players-to-be and of course one of them is the actor form the football player movie.

Live reaction from our main character:

Well, the dude is tall, dark and handsome. Very tall.

The other players-to-be:

Almost everybody in both the actual players group and the new group seems to be a bit of a lovable loser or in some kind of career slump explaining why they're in this situation, and seems to be part of why the CEO thinks he can make it happen.

The first episode ends on a locker room scene where the two groups are together in uniform for the first time. Something suggests that this show will not be short of pulchitude on parade.

I'm putting this on my "comedy QL to watch" list.

[khaopybara]

❝I just... want to be your comfort zone. That's all.❞

HAPPY ONE-YEAR ANNIVERSARY, BE MY FAVORITE!

[thisautistic]

15 day BL challenge time!

OG here 🩵

Day 10 Most Emotionally Pleasing Love Scene

(might be one or two repeats sorry)

chisoo gitae's second love scene gets two because it's more like three or four scenes lolol

pleasing/devastating....same thing, right?

as if i would leave them out

[dragonsareawesome123]

The lesbian yearning and pining and angst in Pyramid Game.. I’m going to pass away 😭😭😭

[scarefox]

Anyways have my favorite Taiwanese BL OSTs as Spotify and Youtube links

The On1y One [yt]

Kiseki: Dear to Me [yt]

The Unknown [yt]

[i68hyun]

　⁰　　　　　　ハン・ソヒ　　 　∿　　 🌋　　. 　⁾⁾　 　±

[thebroccolination]

There are some Thai BL series I don’t like or never plan to watch but the second anyone pulls some anti-Thai nonsense, those series are all my biological children and I’ll die for them.

people act very highty and mighty when it comes to JBLs and KBLs and undermine Thai ones to favor the other 2 most times and this adaptations highlight it with people acting like a thai adaptation is always gonna be inferior to the original one often without even watching the show

Dr. Thomas Baudinette actually has a fascinating thread about this on Twitter that I will link in its entirety below, but here are some highlights.

(via)

(via)

I want to be clear, however, that at least in the case of Ossan’s Love specifically, most of this backlash is not actually coming from Japanese fans, but rather foreign fans of the original. The Thai version of Ossan’s Love has continually topped the charts on the Japanese streaming apps where it airs and I believe they just got news recently that it’s about to start airing on TV over there as well.

But this is definitely a problem, even here on Tumblr. Thai productions are held to a higher standard than their Japanese and Korean counterparts and you will often see posts critiquing individual shows that mention things they perceive as problems within the Thai BL industry as a whole (sound effects, tropes, plot structures) without accounting for the fact that tastes vary between countries and suggesting that your personal taste is the only one that matters is, well, xenophobic.

Personally, I find it very difficult to follow BLs outside of Thailand live simply because the fandoms are so biased against Thai BL. I remember when Love for Love’s Sake was airing, my posts would frequently be reblogged with things like “Thai BL could never.” It’s very frustrating and is one of the reasons I tend to stay in my little Thai BL bubble most of the time.

[respectthepetty]

This is not directed at any particular show, but Jack & Joker could give me a two-hour episode, and I would gladly eat it up, but for these other Thai QLs, I'm going to need the edited version, and that version needs to be under one hour. If Jack & Joker wants to give me five minutes of putting the product placement face cream on each boy's face, then so be it, but if any other Thai QL tried this, I'd be pissed.

I saw that ONE HOUR AND TWENTY MINUTE length on this episode, and I was giddy! No other show could get that from me. At this point, if an episode was UNDER an hour, I'd riot. If the show wants to throw a special episode at me, it better be over an hour too! Korea only needs 10-25 minutes per episode, Japan has a lock on 30 minutes, Taiwan wants 25-45 minutes, and Thailand can have 40-55 minutes, but ONLY Jack & Joker can have over an hour.

This entire episode could've been these two sitting exactly like this in that waiting room for over an hour, and I would've watched it.

The episode could've been pure silence with little glimpses of Aran sitting next to Tattoo, and I wouldn't have complained about a thing.

Eight episodes in, and this show has not faltered once. Every second is being utilized. No minute is being wasted.

And I'm in heaven.

[my-rose-tinted-glasses]

Rose Recaps QL 2024 - Favourite Kisses

Continuing my lists using @abstractelysium prompts. I skipped favourite scenes because they will be on my favourite shows by country recaps (posted Korea already), and favourite lines because my memory sucks. I might go back to that one later if I have the time.

I know I'm repeating myself but it's not like I could leave it out. So I'll start with THE KISS - The Time of Fever

No need to say anything else.

The rehearsal - At 25.00 in Akasaka

The editing and the acting in both of these scenes is amazing. I'm still unwell about it.

The Magical Kiss - Cherry Magic Thailand

They kiss so pretty. I screamed, I cheered, I died. The fact that Achi initiated it was perfection.

Stolen Kisses - Let Free The curse of Taekwondo

Domesticity my beloved. They are too cute. The matching pijamas.The food giving. The music player. And all the kisses. I love them.

The Under the Bed Kiss - Boys Be Brave

What a glorious first kiss.

The Proposal Kiss - Perfect Propose

"It feels like a proposal, doesn't it? It is." I need more of them. 6 episodes is not nearly enough.

The Truth or Dare kiss - Jack & Joker

We waited for so long and were well rewarded. This was an outstanding kiss. YinWar just have amazing chemistry.

The First and the Second Kiss - Love is Better the Second Time Around

I love a good editing moment. And although the kisses are different, there's a nervousness in both of them. I love how these scenes play out parallel to each other.

The long awaited and the softest of the kisses - She Loves to Cook, She Loves to Eat

I love them. This moment was perfection from beginning to end.

And... I wanna include two shows that are still airing but that kept coming back to me while I was making this list.

The Under the Covers Kiss - Caged Again

BEAUTIFUL.

Smiling Kisses - See Your Love

These two bring me so much joy. What a glorious moment this was.

I'd like to thank all the gifmakers, @pharawee @pothame @wanderlust-in-my-soul @jimmysea @itsallaboutbl @hantaebaram @chinzhilla @theside-b @forcebook, for all the beautiful gifs I used for this post. You are all so talented and you inspire me everyday with your beautiful work. As do so many others here. I invite you all to share your favourite kisses if you are so inclined. No pressure of course.💜💜💜

[maybe-boys-do-love]

It's wild that the whole global trend of gay-focused happy ending romance shows and movies has only been going on for *looks at calendar* a measly ten years!

Just ten years ago. 2014. That's when you get the discovery of a market for queer romance series and films with happy endings. That year the OG Love Sick in Thailand came out. Brazil puts out The Way He Looks, which deserves so much more credit than it receives for influencing the aeshtetics of the genre. Looking premieres on HBO, and although it had low ratings, it's an important touchstone. And, despite Nickelodeon’s censorship and shifting the program from tv to its website, the Legend of Korra confirms Korrasami in its season finale.

The next year, in 2015, we get Love Sick season 2, and China, pre-censorship laws has a few options: Happy Together (not the Wong Kar Wai one lol), Mr. X and I, and Falling In Love with a Rival. Canada, premieres Schitt's Creek. In the US, Steven Universe reveals Garnet as a romantic fusion between two female characters, and will proceed to just be so sapphic. Norwegian web series Skam premieres and sets up a gay protagonist for its third season, which will drop in 2016 and entirely change the global media landscape.

Then, 2016! This is the MOMENT. That aforementioned Skam season happens. Japan puts out the film version of Ossan's Love and anime series Yuri!!! on Ice. China has the impactful Addicted Heroine, which directly leads to increased censorship. The US has Moonlight come out and take home the Oscar. In Thailand, GMMTV enters the BL game and Thai BL explodes: Puppy Honey, SOTUS, Water Boyy, Make It Right, plus, the Thai Gay OK Bangkok, which, like its influence, Looking, is more in the queer tradition but introduces two dramatically important directors to the Thai BL industry, Aof and Jojo.

By 2017, Taiwan enters the game with its History series. Korea’s BL industry actually kicks off with Method and Long Time No See. Thailand’s got too many BLs to mention. Call Me By Your Name, though not a happy ending, makes a big splash that will send ripples through the whole genre, and God's Own Country offers a gruff counter-argument to problematic age differences and twink obsessions. This is also the year of Netflix reboot of One Day At a Time bringing some wlw to the screen, and the Disney Channel has a main character come out as ‘gay’ on Andi Mack ( I’m am ready to throw fists with anyone who thinks the Disney Channel aesthetic isn’t a part of current queer culture). And I'd be remiss not to mention the influential cult-following of chaotic web-series The Gay and Wondrous Life of Caleb Gallo: "Sometimes things that are expensive...are worse."

All this happened, and we hadn’t even gotten to Love, Simon, Elite, or ITSAY, yet.

Prior to all this there are some major precursors some of which signaled and primed a receptive market, others influenced the people who'd go on to create the QLs. Japan has a sputtering start in the 2010s with a few BL films (Takumi-Kun, Boys Love, and Jujoun Pure Heart). Most significantly in the American context, you have Glee, and its ending really makes way for the new era that can center gay young people in a world where queerness, due to easy access to digital information, is less novel to the characters. And the QL book and graphic novel landscape was way ahead of the television and film industries, directly creating many of the stories that the latter industries used.

There's plenty of the traditional queer media content (tragic melodramas and independent camp comedies) going on prior to and alongside QL, and there are some outlying queer romance films with happy endings that precede the era but feel very much akin to QL genre tropes and goals, many with a focus on postcolonial and multicultural perspectives (Saving Face, The Wedding Banquet, Big Eden, Maurice, My Beautiful Launderette, and Weekend). I don't mean to suggest that everything I’ve listed ought to be categorized as QL.

Rather, I want to point out how all of these new-era queer romance works are in a big queer global conversation together, in the creation of a new contemporary genre, a genre that has more capacity and thematic interest to include digital technology and normalize cross-cultural relationships than other genres (there's a reason fansubs and web platforms are so easily accepted and integrated to the proliferation of these series).

You're not too late to be part of the conversation. Imagine being alive in the 1960s and 70s and participating in the blossoming of the sci-fi genre. That flowering is where gay romance sits now. Join the party.

[heretherebedork]

When fanboy meets fanboy... who thought we'd get a sports meets idol/fan BL from Korean to start 2025? @absolutebl Tiny blessing.

[lurkingshan]

Shan's Favorite Dramas of 2024

The year is wrapping up and I have forced myself to narrow down to a list of 15 (I tried 10 but the choices were too hard!) of my favorite 2024 dramas across genres and countries of origin. This is not every drama I liked this year (that list would be incredibly long), but these are the ones that inspired the most brain rot and really stuck with me.

At 25:00 in Akasaka (Japan, Gaga)

The mood and tone of this drama was just perfect, and I loved the way it explored the blurred lines and confusion that can result when the real and fake aspects of a professional relationship get all mixed up. Hayama was a great character and I loved his arc, in particular.

Cherry Magic (Thailand, Viu)

I still can't believe how much I loved this adaptation. A fantastic example of taking a work from another culture and translating it to a new context while not only retaining the core narrative, but even enhancing it. This show gave us what the Japanese version didn't--the resolution to the physical intimacy arc at the core of the premise--and retained all the charm of the original while adding new humor. And delivered one of the best romances of the year while it was at it!

Don't Care for an Old Man's Underwear (Japan, fansub)

Oppan, my beloved. Easily the best family drama of the year, loaded with excellent messages while (mostly) avoiding feeling like an after-school special. Makoto's journey to update his thinking with Daichi's help, and the mutual friendship that developed between them, is one of my favorite relationships of the year. I loved every character's story; there is something for everyone to connect with in this show.

Fangs of Fortune (China, iQIYI)

This drama was just so much FUN. A gorgeous feast for the eyes, a wealth of fascinating characters and relationship dynamics, and a fast-moving plot that you don't need to try too hard to understand. It was a great binge and Li Lun was easily my favorite villain of the year.

Gyeongseong Creature (South Korea, Netflix)

A gorgeous period piece set during one of the darkest chapters of Korean history, this one took me by surprise (I am usually not a horror girlie). The writing for this show had surprising depth and I loved its themes around family and loyalty and survival under fascism.

Knock Knock Boys (Thailand, Gaga)

My boys! I loved this show about a group of four queer men living together in a shared house, getting into mischief and supporting each other through school and work and relationship struggles. The show is funny and breezy but also manages to tackle some serious issues with grace while delivering two strong romances and my favorite coming out narrative of the year.

Let Free the Curse of Taekwondo (South Korea, iQIYI)

Winner for best QL of the year, and a romance that will be sticking with me for a long time. Dohoe is one of the most honest and unflinching depictions of a an adult psyche shaped by childhood abuse that I have ever seen on my screen. It was healing to see him treated with such compassion and to see him and Juyoung find their way to a happy life together. An absolute must watch for all you angst with a happy ending fans.

Love for Love’s Sake (South Korea, iQIYI)

It's so hard to get a high concept premise like this right, but this drama did an amazing job with it. It's one of those shows where you can go back over everything that happened in retrospect and it all adds up, and I loved that the ending lent itself to so many different interpretations. One of the best watch experiences of the year.

Love in the Big City (South Korea, Viki)

Go Young, my beloved. This drama adaptation of the internationally successful novel exceeded my wildest expectations, and I am still a little stunned that we got the privilege of seeing it. It is, bar none, the most authentically queer show on this list, and a beautiful depiction of all the significant relationships in one young man's life. I will be rewatching it many times and keeping it close to my heart.

Love is Like a Poison (Japan, fansub)

A masterful blend of comedy, action, and romance, this drama about a lawyer with delusions of grandeur and the scam artist who decides to become his partner was a constant delight and gave us my favorite battle couple of the year.

Marahuyo Project (Philippines, YouTube)

I can't tell you the joy and relief I felt to get another high quality queer drama from the Philippines this year. And this one had such a great cast of characters, anchored by one of my favorite protagonists of the year in King. It's funny, it's romantic, it's touching, and as always for a JP Haboc production, it has an amazing soundtrack.

She Loves to Cook and She Loves to Eat (Japan, fansub)

My girls! I'm still amazed by how much this drama gave us in its second season by expanding the world of the show beyond our two main characters to include so many other women whose stories were just as fascinating. This is the season where Nomoto and Kasuga really came into themselves and started building the life they want to have together, and it was a real joy to watch.

Tender Light (China, YouKu)

The way this show had me in a chokehold while it was airing! Visually stunning, incredibly well-constructed, and featuring one of the best performances of the year from Zhang Xin Cheng, it's an exhilarating mystery and a very touching story of the unusual bond between a student and the older woman who fascinates and terrifies him.

The Midnight Romance in Hagwon (South Korea, Viki)

You know a drama is good when it has you deeply invested in a random topic you never thought you were interested in. In this case, that's the intense debate on pedagogical methods between the public schools and hagwons in Korea. Alongside delivering a great romance, this drama was passionate about teaching and it sucked me right in to the Korean literature lessons at the heart of the story.

Unknown (Taiwan)

No other drama inspired more brain rot in me this year than this story of a family rocked by changing feelings as the chosen siblings grow up. The loyalty and love and complex desire between Wei Qian and Wei Yuan is the heart of this story, and the drama did an incredible job of taking us along for the journey as things shifted and changed between them. I still think about them all the time.

Bonus: Favorite Classic Dramas Watched for the First Time in 2024

I am always catching up on an endless backlog of dramas alongside my live watches. Here are the best gems I finally watched this year.

Lost (South Korea, Viki)

I loved this deeply melancholy drama about two lost souls who connect unexpectedly. I finally pulled it up from my to be watched list because it shares director Hur Jin Ho with Love in the Big City (he did part 2 with Go Young's mom) and it sure feels like it! The characters are deep and complicated, the relationships are complex and carefully built, and it is hands down the best encapsulation of a failed marriage between two good people who truly loved each other that I have ever seen. It's heavy and not for everyone--mining the depths of human despair is kind of its thing--but if you like this sort of story it's world class.

Mouse (South Korea, Viki)

I was recently in the market for a good mystery thriller, so I finally watched this apparently very divisive 2021 drama--and if there's a divide I am firmly on the HELL YEAH side of the line. This drama had an interesting concept (that I will not describe bc holy shit spoilers, you should go in knowing nothing) that it unwound with remarkable patience and precision over 20 episodes. Its themes were strong and consistent, the lead characters were super compelling, the plotting and pacing and editing were unbelievably tight, the performances were incredible, and it made a lot of provocative points and ended well, feeling coherent and complete. It sustained my full interest and attention without any stumbles for ~25 incredible hours.

Mr. Sunshine (South Korea, Netflix)

Another one that's been on my watch list forever and finally got its moment when I was in the mood for a historical where ladies got to wield weapons alongside the men. And unsurprisingly, I loved it. Writer Kim Eun Sook is known for her big, glossy, epic dramas, and her style made a good pairing with a story about a rebel faction during the Japanese occupation of Korea. I really loved all the main characters in this show, and was moved by the complicated exploration of their loyalty (or lack thereof) to their homeland. This drama also has a very strong class analysis baked into its themes, which I very much appreciated. It was a traumatic watch, but in a way that felt right given the setting and the choices characters made.

The Miracle of Teddy Bear (Thailand, YouTube)

I watched this one on a mission and it was worth every moment. Nut is one of my favorite protagonists in any queer drama, and I thought the show made great use of its fantasy concept to explore some very real human experiences with depth and compassion. This show feels like an especially important counterpoint to the Thal BL bubble, and I recommend it highly for anyone who enjoys those dramas.

When I Fly Towards You (China, Netflix)

And we end on a light and sweet note, with my favorite coming of age romance that I watched all year. This drama was just lovely, and it will be a go-to rewatch for me for years to come. There’s something so comforting about a story where you start with the happy ending before jumping to the beginning, and just get to sit back and see how they get there. I loved all the characters in this and marveled at how it was never boring despite being decidedly low angst.

[twig-tea]

2024 BL/GL/QL Round-Up Post

Since I did this last year, I thought for posterity I'd post another reflection on everything I watched that completed in 2024. For me, that means anything that started in 2023 but the last episode was in 2024 is on this list, but anything that was still be airing after 31 December 2024 11:59 my time (EST) is not on this list, even if the bulk of the show did air in 2024.

A few stats:

[The image is TL;DR for what follows lol]

I watched ~150 discrete pieces of new QL content in 2024 (series/films) that I tracked [It gets complicated with specials and split seasons but I did my best to be consistent]; plus 10 things that I would consider "adjacent". For contrast, I listed 110 pieces of discrete content in 2023; that's a 45% increase year over year!

This clocked in at an est. 900 hours of new BL/GL and adjacent content (up from ~600 in 2023--which also tells us that the content I tracked was a little longer overall because that's a full 50% increase in terms of hours spent).

The new content I watched came from 9 different countries [same as 2023]: (Cambodia [1], Philippines [2, down from 3], Hong Kong [1], Japan [32, up from 18 in 2023], Korea [20; was 19], Myanmar [2, up from 1], Taiwan [12, up from 6], Thailand [75; up from 56], Vietnam [4, down from 7]), China [5], and then 3 joint effort productions from Thailand/Korea [2] and Thailand/Taiwan [1]

This means just under ~47% of the content I watched on this list is from Thailand [close to the 50% in 2023]

So many more shows had multiple or varied distributions this year, but like last year ~85% of my content was on 3 platforms: YouTube [38%; down from 40%], GaGaOoLaLa [30%; up from 23%] and iQIYI [17%; down from 21%] Note: I'm in Canada and my access routes are sometimes affected by that.

As unbelievable as it sounds with all that, I did actually drop shows this year! I dropped 9 shows, which is I think more than I've dropped in my entire previous 20+ years watching queer asian media combined (that might be an exaggeration but I do really hate dropping shows); 4 Thai, 3 Filipino, 1 Taiwanese and 1 Japanese (listed at the very bottom of this post if you want to be messy). I didn't track any dropped shows in 2023.

And if you're wondering how many shows there are in the world in total, I am aware of an additional 11 shows I just did not have time to even start (2 from Cambodia, 4 from the Philippines, 3 from Thailand, and 1 each from Korea and Myanmar). That does not include the vertical short reels that I didn't track this year--see @ellsieee 's tracking post for these--as well as several GL shorts from JPC media YouTube channel and Sastra film app YouTube channel that I just have not had time to try or even keep track of, though I do peek in on them to see if there's anything that looks particularly good, and I do always link these folks in my GL round-ups.

All of this doesn't include re-watches or catching up on old shows, or non-QL queer media, or non-queer media (the hets sometimes do deserve rights); but does include films as well as shows.

I hope you all appreciate that with this much content, and with my general brand of being unable to make decisions, I really struggled to narrow down a top 10 list. What follows is the best I could do lol

Top 25 QLs I'd Recommend From This Year:

[Links are self-indulgently to what I thought was the most relevant post I'd made this year relevant to that series/media, mostly spoiler-free pitches]

She Loves to Cook and She Loves to Eat S2 (Tsukutabe) [GL]

Love in the Big City

Love For Love's Sake

Tadaima Okaeri [anime]

Ossan no pantsu ga nandatte ii janai ka (Oppan)

Marahuyo Project

Knock Knock Boys

Let Free the Curse of Taekwondo

Love is Like a Poison (Doku koi)

Ossan's Love Returns

Twilight out of Focus [anime]

At 25:00 in Akasaka

Cooking Crush

Cherry Magic [anime]

Cherry Magic Thailand

Takara no Vidro

Soul Sisters / Twin Rabbits [GL]

Perfect Propose

Unknown the series

Paradise of Thorns [film]

Blue Canvas of Youthful Days

The Secret of Us [GL]

Mr Mitsuya's Planned Feeding (Mitsuya-Sensei)

The Time of Fever

A Man Who Defies the World of BL S3

I tried to put these in some kind of order but honestly if you asked me to rank them the numbering would change all the time and I would combust. The ones I liked best are closer to the top of this list. I also debated back and forth on whether Paradise of Thorns counts as QL so many times. But in the end I decided the main character was queer and queer romance of a sort was at the heart of the drama, so I've left it in this list even though technically it should probably sit with the 'adjacent's.

Worth noting that though only ~20% of the content I watched was from Japan, ~45% of my favourites were from Japan.

+5 notable pulp offerings worth mentioning:

Bagan Beginning (Myanmar)

City of Stars (Thailand)

Gym Affairs (China)

To the Ex Who Hated Me (Korea, GL)

Under the Oak Tree (Vietnam)

I think I'll do a top 10 GL post separately since we had enough content to warrant a top 10 (yay!) but this is already long enough. I just want to take a second to acknowledge that this year was so much better than in 2023 when I didn't feel like I could recommend any of the new GL shows. Thank you content creators for better and more GL in 2024, please keep that energy for 2025!

Bonus: Not a QL but worth calling out:

How to Make Millions Before Grandma Dies (Thai film)

I saw both this and Paradise of Thorns in theatres during the Toronto International Film Festival and they were both so powerful! Extremely different tones but they surprisingly hit on similar themes, and very beautifully filmed. HTMMBGD was a complicated film filled with very rounded and complex characters, and I still think about it all the time. Very excited for more folks to have access to both of these soon.

Sidenote: The fact that I watched 45% more shows in 2024 than I did in 2023 and still managed to keep my rec list to 30 (*cough1cough*) does seem to back up the general feeling that though we had more content, we didn't have a proportional rise in good content. I do want to crunch those numbers in another post.

Double Plus Bonus: Best Older QL Content I watched for the first time in 2024:

Life as a Girl / Joshi-teki Seikatsu (Japan, 2018; I'm so sad I missed out on this one for so long due to misinfo, it is fantastic! Thanks to @so-much-yet-to-learn for helping propel me to this one)

Iron Ladies (Thailand, 2000; thank you for the rec, @happypotato48)

Nacchan's Secret / Himitsu no Nacchan (Japan, 2023; thank you @furritsubs for making this watch possible)

Can I Buy Your Love From a Vending Machine / Sono Koi, Jihanki de Kaemasuka? (Japan, 2023; thanks to @nicks-den for making this watch possible)

I Fell In Love with the Villainness (Japan, 2023; watched because of a convo with @pilanthitasanilaphat)

Doi Boy (Thailand, 2023; this one I had on my list and just had to work up the energy to watch, but it was a beautiful film and I'm glad I did)

BL Metamorphosis (Japan, 2022; another thank you to @furritsubs)

Dear Dad (India, 2016; thanks to @neuroticbookworm for the rec!)

Salty Blue / Kakenuketara, Umi (Japan, 2023, thank you again @nicks-den!)

[I can't believe I forgot this at first] The Miracle of Teddy Bear (Thailand, 2022, thanks for going on that journey and writing great meta with me and for calling me out for forgetting @lurkingshan!)

There is so much good content in the world and despite my best efforts I haven't seen everything! So grateful to the fansubbers and people who write about past shows so that those of us who missed them the first time still get a chance to see them.

In terms of my output based on all this input, I continued not lurking this year, and have enjoyed it very much; see my Top 10 posts from 2024 here as well as the content I linked in my recommended shows above--going through the process of adding those links really highlighted to me how much more I've written this year, and how much more motivated I am to write about shows I love. It's no surprise I had dedicated posts for most of my top shows! To highlight a few specific projects this year that I'm proud of, I participated in the Love in the Big City Book Club read and watch-alongs organized by @lurkingshan, which was such a fun project that I am grateful for, and I started my GL Odds and Ends posts (tagged with #gl recs) that I am still feeling out but am really enjoying seeing the impact whenever someone watches a show because they found out about it through one of my posts. I also made an appearance on several episodes of @the-conversation-pod and had an incredible time trying out different things in a quarterly 'Dispatch' and having some really rich conversations with @bengiyo and @shortpplfedup. I love this corner of tumblr that we've carved out for ourselves as a QL watching community, and I just want to say to everyone I've interacted with in 2024: Thank you, and wish good things for you all in 2025!

Full list of 2024 shows under the cut for anyone curious! [Mostly in order it completed but may be slightly off--if a special aired immediately after the final episode I only list them as one thing and count the airing of the special as the end date, for example].

Bagan Beginning

Love Senior the Series

After SunDown

VIP Only

Twins the Series

Last Twilight

Night Dream the Series

My Universe

Bake Me Please special episode

Sahara Sensei to Tori Kun / Mr Sahara and Toki-kun

Love for Love's Sake

7 Days Before Valentine

Happy Ending

PitBabe the series

For Him the series

Cooking Crush

The Sign

Chaser Game W

Playboyy the series

Perfect Propose

Ossan's Love Returns

Tsukuritai Onna to Tabetai Onna S2 / She Loves to Cook and She Loves to Eat

Cherry Magic Th

Dead Friend Forever

Sukidoya / Although I Love You and You / Sukiyaken kedo dou yaroka?

Healing Thingyan

Love You in Every Multiverse

Cherry Magic (anime)

Please Teach Me

Anti Reset

Jazz for Two

Blank the Series

A Secretly Love

To Be Continued the series

Love is Better the Second time around / Koi wo Surunara Nidome ga Joto

City of Stars

Sea You Soon

Human Too

Man Who Defies the World of BL s3

Gray Shelter / Gray Currents / Grey Current

Gym Affairs

1000 Years Old the Series

Love is Like a Cat

To the Ex Who Hated Me

Lady Boy Friends the series

Deep Night the series + Special Episode

Unknown the series

Memory in the Letter

You are My Star

Lonely Girls

Boys Be Brave / Roommates / I Can't Confess

Blossom Campus

Two Worlds

VIP Only special episode

Pray In Love

I Fell In Love with My Male Best Friend

Friend With Benefit

Stay By My Side special episode

23.5

You Made My Day

Living With Him

City Boy Log pt3

Anti-Reset special episode

The Time of Huan Nan

Xiao Xiang Yi Jiu

Inverse Identity

At 25:00 in Akasaka

Only Boo!

Tadaima Okaeri

Love Bully (Club Friday)

Blank the Series S2

Marahuyo Project

The Two of Us

Blue Boys

OMG Vampire!

My Stand-In

We Are the series

Ossan no pantsu ga nandatte ii janai ka / Oppan

Wandee Goodday

Under the Oak Tree

The Rebound

Love Enemy

Love in the Apocalypse

Bad Guy

My Marvellous Dream is You/ Dream the Series

Century of Love

Knock Knock Boys

Be Your Star

Meet You at the Blossom

BOYTOY

The Secret of Us

Ayaka is in love with Hiroko / Ayaka-chan wa Hiroko-sempai ni koi shiteru

My Love Mix-Up!

This Love Doesn't Have Long Beans

Love Sea the series

Cosmetic Playlover

City Boy Log s4

Sunset Vibes

Mr Mitsuya's Planned Feeding

Takara no Vidro / Takara's Treasure

Paradise of Thorns

I Hear the Sunspot

The Time of Fever / when your temperature reaches my fingertips

4 Minutes The Trainee

Twilight out of Focus

Happy of the End

The On1y One

Live in Love

Heaven'sxCandy

The Two of Us s2

Addicted Heroin

I Saw You In My Dream

Monster Next Door

Our Golden Times

Affair

First Note of Love

Battle of the Writers

Reverse 4 U

Unlock Your Love

Chaser Game W s2

Let free the Curse of Taekwondo

Uncle Unknown

The Hidden Moon the series

Love in the Big City [the series]

Smells Like Green Spirit

Red Whisper

Eccentric Romance/PT is Love

My Damn Business

Apple My Love

Dominant Yakuza and Wimpy Corporate Slave

The Nipple Talk

Kidnap the series

Every You Every Me

Jack & Joker

People Come Later

Blue Canvas of Youthful Days

The Loyal Pin

Let's Eat Together Aki and Haru 2

Love is Like a Poison / doku koi: doku mo sugireba koi to naru

Bad Guy My Boss

Haunted Hearts

Seoul Blues

The Renovation

Love Sick 2024

Love in the Big City [the film]

Spare Me Your Mercy / Euthanasia

Soul Sisters / Twin Rabbits

My Hot Butch Roommate

Whisper Me a Love Song / Sasayaku you ni koi wo utau

Boys' Christmas

Bonus: FuFuKnows bi-weekly shorts [every other week they post a short film, almost always a QL storyline; there were 23 in 2024]

And those QL-adjacent shows I mentioned [these are all adapted from QL media or starred QL actors or were part of a QL franchise but did not have a canon queer romance at the core of its storytelling]:

The Spirealm

Close Friend 3 - Soju Bomb

How to Make a Million Before Grandma Dies

Man Suang

High School Return Of A Gangster / I, a Gangster, Became a High Schooler

Kimi to Yukite Saku: Shinsengumi Seishunroku

Hoshikuzu Telepath

A Balloon's Landing

Peaceful Property

My Strawberry Film

The shows I dropped:

Time the series

Beside You

Sugar Dog Life

The Whisperer

Kiseki in Tokyo

Q18

Sky Valley

The Fate Trap

Dear Miss Becky

And as a shout-out in penance, the shows I had on my list to get to but haven't yet watched:

A Blue Sky (Cambodia)

Ending Friend (Cambodia)

Pretty Boys (Philippines - requires an access fee on VivaMax+)

Oh My Boo (Philippines)

The Perfect Heartbreak (Philippines)

Where I found You (Philippines)

My_ the series (Myanmar)

What's In My Bag (Korean GL - requires an access fee on Vimeo)

Complicated (Thai)

Club Friday: Hot Love Issue (Thai)

2nd Chance (Thai; not to be confused with Second Chance, this was a smaller 3-episode short series from this year)

Thank you for reading!

[wen-kexing-apologist]

Random QL Superlatives: 2024 Edition

Well I see @lurkingshan started the trend, so I better hop on

Most Heartbreaking Use of Weather: Let Free the Curse of Taekwondo

gif by @my-rose-tinted-glasses

I am going to be honest. Korea really fucking came for my throat with multiple shows that wielded weather as a weapon against my emotional state. But Hwang Da Seul absolutely wins the award for destruction of my very soul via snow. I swear to god every time it snowed in this fucking show I was losing my mind over the scene that played out before me. First it was doorways that crushed me (shout out to To My Star 2), and now it’s three snowflakes on Do Hoe’s cheek. 

Most Emotionally Charged Inanimate Object: Ossan no Pantsu ga Nandatte Ii Janai ka (aka No One Cares for an Old Man’s Underwear)

gif by @avorbl

Not a BL but one of the most important stories involving queerness of the year imo. When Makoto went back to that store to buy that wallet for Kakeru I kid you not I spontaneously erupted into tears. This was not the first nor the last time that this show made me bawl like a hungry newborn, but it for sure was one of the best indicators that Makoto was not only beginning to accept, but internalize and reshape his worldview to be more loving and accepting of difference. 

Most Realistic Fight Between a Lawyer and Henchmen: Doku Koi: Doku Mo Sugireba Koi to Naru (aka Love is Like a Poison)

gif by @conscbgb

Step aside Matthew Murdock! There’s a new lawyer in town and he absolutely cannot fight for shit! Honestly an iconic moment in this show to see Shiba Ryo take an offensive stance and then immediately get his ass beat in to the ground because he’s a fucking lawyer, not a goddamn superhero. Also it gives Haruta a wonderful little opportunity to show off his skills and to save his loser boyfriend who loves him. 

Most Important Hand Flex Since Pride and Prejudice (2005): The Trainee 

gif by @namtanlovesfilm

HELLO! I THINK WE MOVED PAST JANE’S DESK GRAB A LITTLE TOO QUICKLY! Seriously, not only was it a great hand scene in general (which you know I live for) but it was also a quick and easy way to demonstrate 1) Jane has feelings for Ryan and is trying to hold back and 2) Jane understands the inherent power imbalance between him as an AD and Ryan’s boss and Ryan as an intern. Zero points for Judy.  

Best Creepy Smile: Dead Friend Forever

gif by @lilitblaukatz

HI HELLO I’M ALREADY YELLING AGAIN! BARCODE! BARCODE TINNASIT! As disappointed as I was with the way DFF ended, I was blown out of the fucking water by Barcode’s performance as Non. From KinnPorsche to here that boy has grown astronomically as both an actor and singer, and I’m really proud of him. He had to navigate a lot of different emotional centers with some incredibly terrible things happening to his character. He was able to make Non extremely sympathetic and also creepy as hell! Be On Cloud lost out big time with Barcode leaving the company. 

Best Use of a Dildo: Knock Knock Boys

gif by @pharawee

Honestly for all the BLs that include sex, we rarely get the acknowledgement that sex toys exist, much less the actual usage of said sex toys. I loved that Almond visited a sex shop, purchased a dildo, and that we got to watch a scene of him attempting to use it. This show was honestly the biggest surprise of the year for me in terms of enjoyment. I wasn’t even really interested in this show but love Seng and wanted to support his work and then this was absolutely delightful and honestly Almond and Latte stole the show for me. Good job boys!

Best Distinction Between Reality and Fiction: BL Drama no Shuen ni Narimashta: Crank Up Hen! (aka I Became the Main Role of a BL Drama)

gif by @itagakimizuki

Full offense to a particular corner of fan culture, the way that the boundaries between real life and fiction have been known to blend when it comes to emotional bonds between fans and famous people can be very toxic and genuinely dangerous to the health and safety of everyone involved. It is difficult for me to think of a show that made me laugh as hard, as loudly, or as often as I Became the Main Role of a BL Drama did, and yet it included one of the most innocuous but brilliant lines of the year when Akafuji realized that his feelings for Aoyanagi were Real and that he could not have those feelings and continue to think of himself as Aoyanagi’s fan. Iconic. 

Best Use of Subtle Foreshadowing: Love for Love’s Sake 

gif by @my-rose-tinted-glasses

Shout out to the sound of water, shout out to some of the opening visuals, shout out to red rimmed eyes, and video game malfunctions that increased as time went on, and shout out to Tae Myung Ha being absolutely drenched after running through the school. Not only were the performances commendable throughout but the story itself was phenomenally supported by hair and makeup, sound, and special effects. I beg you all never to forget the importance of those that work behind the scenes, because goddamn did so much of this show suddenly get darker with context.  

Best Backing Track to Hear Over My Tears: Tsukuritai Onna to Tabetai Onna (aka She Loves to Cook and She Loves to Eat)

Kasuga sitting alone in the darkness of her own car, calling her father and officially, permanently severing ties with her father because she has found her strength thanks to the people she currently has in her life was such a highlight of this year. And of course they really drive the stake through my heart by lifting that entire scene up by having Kasuga walk out of the lonely dark and into warm companionship with fucking ‘Chosen Family’ by Rina Sawayama and Elton John playing in the background. WHAT A PERFECT SONG CHOICE! I am about to cry just thinking about it. Also, I definitely totally did not pause in the middle of typing up this post just to rewatch that scene…I don’t know what you’re talking about….

Best Use of Catholicism: Marahuyo Project 

God. This show struck an incredible number of layers when it gave us Archie. The way his grief and his fear and his internalized homophobia caused him to say and do some truly vile, harmful shit to the queer kids on the island was so heartbreaking and real. I have not really gotten the image of Archie’s neck where he’s been scratching at the rosary out of my fucking head since I watched it. This show was beautiful, and brilliant, and full of light and life, and pain, and it included an intersex character which is only the second of the 180+ shows I’ve watched out of Thailand, Japan, Korea, Taiwan, and the Phillipines to have done so. 

Best Use of Internal Screaming: Cherry Magic Thailand

gif by @zhouxiangs

(AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAH)

Best 'Mark Me Down as Scared and Horny' Face: Unknown

Wei Qian was not prepared for the fact that sending Zhi Yuan to the United States only made Zhi Yuan stronger. I want to acknowledge that this show had a chokehold on me almost all the way through the end for being rather heavy, but that I was especially impressed with Modi's performance as Wei Qian. And it must be said that the look of panic in his eyes when Zhi Yuan feeds him the congee is comedy gold.

Gayest Little Run: Love in the Big City

(could not find any gifs of Go Yeong running in the park so please enjoy this lovely gif by @taeminie )

Again this is not a BL but the way my tumblr community has engaged with this book and this show is one of my favorite parts of the entire year and this is still a really important piece of queer media. I really hope Nam Yoon Su wins all the fucking awards for his performance as Go Yeong. He breathed so much life and texture into that character and it was a joy to watch him take this wonderfully difficult and complicated character on such a beautiful emotional journey. Also he fully committed to the gay little run and that alone is award worthy. 

__ Shout out to all the thoughtful, intentional, and beautiful queer shows that got made this year. Please tag me in other superlatives if they get made, I want to see what people loved or connected to in the show offerings this year. Love you, family <3

@bengiyo asked to be tagged in superlatives.

[neuroticbookworm]

Engagement of QL Fandom in Indian Queer Media

I was tagged by @lurkingshan and invited to respond to an ask she received from @impala124 that noted the absence of India in the Asian queer media spaces and discussions, and questioned the reasons behind it. @starryalpacasstuff has also responded to it in a great post (check out the reblog additions for a treasure trove of Indian queer media recs), discussing, among many things, Korea’s culture export aiding their queer media ventures, access to Indian queer media, and the quality of Indian queer media. @twig-tea’s addition discussed the ease of access of Thai BLs via YouTube and how it prompted Korea and Japan to re-enter the genre.

My thoughts on Indian queer media are complicated and involve several detours to understand Indian media culture, its economic power, and how it navigates international viewership. For context, I am an Indian cinephile who grew up watching a wide variety of Indian media in terms of both language and genre. I naturally transitioned into watching Western content as globalization of the 2010s brought HBO and Comedy Central to Indian screens, and later sought out queer media, Asian media and Asian queer media on the internet.

Indian Media Industry - A Primer

I know there are a lot of countries right now that produce QL media, so I am gonna mainly consider Thailand, Japan, and Korea, the three countries most prolific with ql, for the purpose of this discussion. All of these countries, while regionally diverse, have managed to considerably homogenize in language and culture over the course of history and colonization. India, on the other hand, is still significantly and distinctly diverse in language, culture, religion, food, media styles, social norms, and on and on. India has 22 official languages and thousands of regional ones that are used in various capacities everyday. This diversity is then reflected in the media produced by India, with multiple powerhouse film industries dominating box offices simultaneously. Bollywood is the biggest one and obviously well known internationally, but Tamil, Telugu, Malayalam, Kannada, Punjabi, Bengali-language film industries are successful in their own right and consistently produce box office hits and self-sustain in the larger Indian media landscape. This makes domestic media highly regional in India. Even today, in the age of social media, it takes a box office success to the tune of hundreds of millions of rupees for a film to break out of its domestic audience and cross over into other Indian states.

This diversity has also led to the different industries developing media styles unique to them. I watched this video a while ago of a creator documenting his experience of dipping toes into Indian Cinema for the first time, and he ends up covering three movies from three different industries, because the pathos of each of them is so fundamentally different yet effective in their own ways. This diversity also applies to the television industry, both traditional cable TV soaps, and the modern shows made for streaming sites. And all of this, *waves hands*, presents a set of challenges like no other country faces for both Indian queer creators and Indian queer media audiences.

The Challenges for Creators

Since the Indian media industry is not a big monolith and is made up of multiple film industries, queer creators who are trying to get their foot in the door will face a unique uphill battle in whichever regional industry they’re trying to break into. And trying to research, learn, and understand each and every single one of them will take me and my non-existent research team years, so the simpler thing to do would be listing the factors that have worked for other countries to foster their media industries to produce QL content, and discuss if India could replicate them. The list goes like this:

Japan’s rich history in yaoi

Thailand’s use of BL as a soft power to promote tourism

Korea’s culture export via kpop and other media

While India does have religious mythology that discusses sex, gender and queerness, it is often subtext with a lot of intersectionality. Does Ardhanarishvara represent fluid gender, or a symbol of harmony, or both? The debates are endless. Japan’s yaoi roots are as deep as they are explicit. And this rich history could be why the Japanese domestic audience is open to queer media even when the country is still conservative.

Thailand’s rise as a major player in the QL industry is remarkable, but there is a case to be made that the country’s media industry was directly and indirectly boosted by the government’s interest in establishing revenue from tourism, and exporting culture to international audiences via food and media. While the revenue from tourism in India is substantial, the Indian economy is not built on it. And the Indian media industry is thriving and regularly makes bank with their already established content models, so the producers have a pretty low incentive to deviate and fund queer media.

I bet every coin I own that not a single one of us on this hellsite have successfully eluded the allure of Korean media in our lives. The Korean media industry is a well-calibrated machine that shall and will target every single human into funneling their time, attention and money into the Korean culture and economy. And I think queer creators looking to make queer content in Korea would’ve had good incubation in an industry that was looking to make as much content as possible. And once again, while Indian movies have significant international box office collections, that is not where the Indian media industry, and just India in general, makes its money. The priorities are just not the same. And to be perfectly honest, India is nowhere near the level of Korea at producing and exporting television shows to international audiences.

All of this is a long winded way of saying that the conditions required to foster a QL industry in India are not the same as what we have seen work so far from the other major players. And sadly no one has really figured out the winning formula yet.

These are just a few reasons, and I haven’t even discussed nepotism and how painful class mobility is in India, making it even harder for new queer creators to break into the industry. There’s a reason why movies with queer representation like Badhaai Do, Shubh Mangal Zyada Saavdhan, Ek Ladki Ko Dekha Toh Aisa Laga, and Kapoor & Sons all feature characters in the upper middle class or above. Hell, they’re even played by actors whose portfolio is already filled with daring and experimental roles, or by first- or second-gen nepo babies who would literally have nothing to lose from the potential backlash for playing a queer character. Poor, queer characters in Indian media have never been a part of a fluffy romance as far as I know. They are reserved for the gritty dramas where intersectionality of queerness, poverty, class and caste could be examined.

The Challenges for the Audience

And once again, all of this, *aggressively waves hands*, makes things harder for even the domestic audience to engage with Indian queer media, let alone international audiences. Kathaal - The Core, a 2023 Malayalam movie about a queer man in his fifties coming out of the closet and contesting in his village body elections, was a box office success in Kerala, and I can tell y’all with complete certainty that not many people outside of Kerala would’ve even heard of it. And this was not some small indie venture – in fact, the lead characters were played by Mammootty and Jyothika, who are both absolute legends in their own right in the South Indian film industry.

Super Deluxe was a 2019 Tamil-language black comedy film that tells four interwoven stories that run in parallel, and one of the stories is about a trans woman who, pre-transition, was married and had a son. She returns to her family as her post-transition self after years of disappearance, and the film engages in conversation around sex and gender, through the innocent questions of her young son. The movie is gorgeously made, and outrageously sharp and witty in its commentary on society’s views on sex, morality, religion and family. And once again, I don’t think it is well-known outside of the domestic and international award-circuit audiences it was promoted to (last I checked, it was available to domestic audiences on Netflix).

Sometimes, even the domestic audience might miss the queer representation in their regional media when it is indie enough to not get aggressively promoted. The Hindi-language anthology movie from Netflix, Ajeeb Daastaans (2021), featured a story where two women from different caste and social class meet at the workplace (the sapphic story, Geeli Pucchi, starts at 1:17:05, if anyone wants to check it out). It served biting commentary on the intersectionality of queerness, misogyny, caste and class. And once again, I’ve never found a person with whom I could discuss it with (other than my mom, with whom I watched it).

And sometimes, even when a massive show with queer representation is well promoted and well received by critics, it still manages to fly under the radar in Indian queer fandom spaces. Amazon Prime India spent a lot of coin on the show Made in Heaven (2019) – and it was worth it. The show follows the lives of two wedding planners, Tara and Karan. Karan is closeted (except to his close friends) for most of the show, but after he makes some powerful enemies in his line of work, he gets publicly outed, which puts him on the path of dealing with his family’s shades of acceptance, queer rights activism, and reconciling with an old friend. The car scene in episode 9 made me cry, and yet I’ve never read a word about this show from Indian QL fan blogs here on Tumblr.

Following every film and TV show that releases in one language, across all modes and platforms, and keeping an eye out for queer representation is hard enough. Doing it in multiple languages is downright impossible. And then personal preferences come into play. Personally, I enjoy nearly all genres of media, but I am primarily an angst monster, so I seek out and watch sad shit on the regular. All four examples I’ve listed in this section are good queer representations, but they are deeply sad, rage-inducing, heartbreaking and realistic. If one wanted to watch an Indian queer romance that’s inside the bubble, I’m not sure if they can even find one – I have certainly not come across any. Even the queer Bollywood movies designed for a box office run, paying homage to iconic Bollywood romance sequences, were still outside the bubble. When a niche audience like the QL fandom collides with a complex media-churning machine like the Indian media industry that is fundamentally not designed to cater to them, all we get is a lot of puzzled looks and question marks.

A Thought Experiment On The Future Of Indian QLs

Now that I have established the challenges, I want to engage in a little thought experiment – if we were to receive a steady stream of Indian QL content, what would it look like, and how can the fandom engage with it?

If we are looking for content from a stable production entity for Indian queer media, like Thailand’s GMMTV, Japan’s MBS Drama Shower, and Korea’s Strongberry, we would be waiting for a long time, at the very least a decade or two. What we could get are small indie queer shows like Romil and Jugal, squirreled away in a streaming platform exclusive to India and only accessible internationally via VPN. Another example is the list of sapphic shows @twig-tea shared with us a while ago, here. These are gonna be low budget, probably-not-great-quality shows reminiscent of early GMMTV.

Another variety of QL content we could get are the Bollywood queer romance films and TV shows. They will be cheesy and tropey and romantic, and might interact with the bubble, but probably mostly from the safety of an upper middle class setting. This means they would eventually run out of fresh perspectives they could tune into in their limited scope and the stories might turn stale and repetitive (I’m deriving this from the general state of things in the Indian media landscape over the last couple years). International access might be a little easier than the previous case, but not as easy as going to YouTube and hitting play.

The third and final variety are the gritty dramas with heavy social, cultural, religious, gender and class commentary that Indian cinema industry has always made, and has upgraded in the recent years to include queerness. Once again, the access will be hard, but if we are looking for queer stories that also show the audience what it is like being queer in India, beyond the glitz, the glam and the colors of pre-packaged Indian experience often sold to the West, this is where we will find it. Most of it will be sad, but we are a sad bunch who constantly make sad shit, so it will be on brand for us.

And all of these different varieties of content are gonna need to be picked up and promoted by the Indian folks in the QL fandom who are tuned into these regional industries. India not being a cultural monolith that is easy to package and ship is precisely why we have all these beautiful and crazy and sometimes even contradictory styles of media that are offered for us to explore. And therefore, the fandom engagement on Indian QL content would also vastly differ from the fandom engagement for Japan, Thailand and Korea. A dedicated fandom captain might not emerge, but rather, a collective group of folks tuning into and promoting finds from their regional industries would be the way to go. In addition, if this content is not available in English, we would need fan subbers to provide translation expertise to even make it accessible, something we see often for Japanese media on Tumblr.

I know from observation that watching media in a different regional language could sometimes be as foreign to Indian audiences as watching media from other countries. The language, traditions, mannerisms, social mores and food would all be different from region to region, but I guess it would be a good litmus test to observe how well the fandom acclimates to a culture that is so eye-wateringly diverse and not as constantly promoted to them.

When I was texting @waitmyturtles discussing how we can approach answering this question (remember when this all started with a question, some two thousand-ish words ago? Yes, that question), at a point in our conversation I exclaimed "Ugh, everything in India is too complicated!" This long-ass post of mine is in no way the complete account of why things are the way they are in the Indian queer media landscape. But all I know for sure is that it’s not simple. And I really do not want anything related to India to be simple, because being unbearably frustrating and complicated is not a bug, but a feature of India. The road to Indian QLs is unique, but I will do my best to check the paths and share and recommend them to my friends whenever possible. And I invite my fellow Indian QL fans to do the same.