#kobo review

[thelattechronicles]

Going from Kindle to Kobo: My Thoughts and how I settled on the Clara BW

I've had my one and only e-reader: the 4th generation Kindle since 2011. That's quite literally over a decade old- 13 years, to be exact.

It's been deemed old enough to justify an upgrade. Not that I had even been needing one, or considering getting a new one; rather, the Kindle had just started glitching on me and freezing this past September. After 13 years, I'd say it's an accomplishment that it took this long for the tech to finally start breaking down on me. Believe me when I say that this Kindle had not been babied by any means whatsoever.

Now, it's been exactly 30 days since I've gone from my Kindle 4th gen 2011 model (thanks Mom and Dad) to the new Kobo Clara BETWEEN. Read on to see what my thoughts are on this upgrade!

I don't think I can go back to the Kindle UX and world, and I truly do see what people are saying about Kobo just being overall better.

For starters, here are the specs between both as a comparison:

(Side note: the 4th gen Kindle is SO old that I had to dig around for a review of it, and found one on The Ebook Reader dot com)

As you can tell from the glaring number of red X circles, the basic Kindle 4th gen does not have as much much going for it compared to my new Kobo Clara BW. But that's okay! Here are some things I LIKED about the Kindle:

The e-ink screen

The physical page turning buttons on the side - I still love the page turners and how I just need to press down on the side. The buttons are very streamlined and a part of the side plastic framing.

The wallpapers when the device is turned off

The battery life (once upon a time, one charge could last me a good 4 months I stg)

The size of the screen (was not willing to go smaller, but was open to go bigger)

Straightforward system and user interface (turn on, find book, read.)

Being able to email epubs and PDFs to the Kindle directly via the Whispernet

Here are some things I DISLIKE about my Kindle today:

Its current extremely short battery life (I don't think a charge can last me two weeks now)

Being locked into the Kindle Amazon storefront and ecosystem - yes, I purchased each and every book on Amazon that I have on my Kindle...

Not being able to make Libby work on the Kindle (as a Canadian reader)

Lack of backlighting options

Anything to do with any sort of typing (I had to physically press the arrow buttons and wait until it landed on the right letter to press enter, then move on to the next letter, rinse repeat. Needless to say, it gets exhausting real quick trying to type out a short word, let alone a title of a book you're trying to find in your Kindle library storage.)

Lack of ad-free options with today's Kindle models (I got lucky with my Kindle 4th gen, where the home screen goes directly to my storage, listing all the books and collection folders I created. I hear this is no longer a thing, and the home page is the Amazon Kindle storefront. Ew.)

So, the Kobo Clara BW does a lot of what I liked about my Kindle - and more! It has quite a lot going for it: a long battery life, multiple backlighting options (reg vs warm lighting), bluetooth (if I wanted to do audiobooks, but I do that on my phone anyway so it's just a bonus for me). The Kobo Clara BW has crisp displays (I've read some manga and comics on it), and the zooming in and text font/size adjustments are super easy to navigate.

I know, I know. No physical page-turning buttons. I still lament the loss of my buttons. I know there are some Kobo models such as the Libra that have the buttons, but I strongly believe that the Kindle 4th gen buttons are superior. I liked that they were a part of the side, rather than a blocky-looking extension, like the buttons on the Libra are. The touch screen was a bit of an interesting thing to navigate in the beginning, but as we use touch-screen phones, it was very easy and quick to get used to it.

Why not the colour option?

Granted, the Kobo Clara colour as well as some other colour alternatives did come out. Why did I not choose the colour option? Yes, colour e-ink and e-readers are pretty to look at, but for someone who uses e-readers purely to read novels and text-heavy documents, it seemed unnecessary for my purposes. In store, I did a side-by-side comparison of the Clara Colour and BW and actually found the lighting to be drastically different at max brightness and warmth. Here's a picture I found online that gives you an idea of what I mean:

As you can see, the Clara BW version (right) has a crisper and whiter background, and the Clara Colour (left) looked a bit orange-red-toned overall.

ABOVE ALL: the Kobo ecosystem has been fantastic for me.

As someone who has been pitifully buying every single e-book on Amazon thus far or loading janky PDFs with too-small-text, the Kobo Clara BW is a breath of fresh air. It was very easy to connect my Libby account in the Settings. I now have an automatic delivery of all my ebook loans to my Kobo (!!!!) (A dream come true for Canadian e-readers!). I also have Calibre downloaded on my laptop and with it, can customize my Kobo to no end. You can see that I've gone ahead and gave my Kobo some wallpapers, which include my favourite The New Yorker covers. I'm happy with how much I can do with my Kobo. The Pocket app feature also came as a pleasant surprise! It's nice being able to read articles during work lunches and save any interesting articles on my computer, and those articles get automatically downloaded to my Kobo.

In true The Latte Chronicles fashion, if I were to give my Kobo Clara BW a rating:

★★★★★

If you're like me as a reader and your needs are similar to mine (and maybe your old Kindle is dying on you) I encourage you to make the jump to Kobo! I haven't regretted my Kobo Clara BW purchase at all. In fact, I've already finished 13 books since I booted up my Clara.

J

[abybweisse]

Ch212 (p0), Cover and title pages

Now that I have my own copy from Kobo.

[fwoopersongs]

[Book Rec + Reaction/Thoughts] The Lantern and the Night Moths 灯与夜蛾 by Yilin Wang

An anthology of translated poems by five modern or contemporary poets and accompanying essays by the translator, @yilinwriter.

You can find the pronunciation guide and list of corrections here!

The cover art, a beautiful expression of the tone of this collection, is by Taiwanese artist Ciaoyin (check out her gorgeous insta!). I'm looking forward to the arrival of the physical book as my tab absolutely does not do it justice xD

Anyway! The official release date is 02 April 2024 though there have been some very thoughtful reviews by early readers already. Here, here, here and here.

(It was an ARC that I received too… though in the time it took to put this together, the ebooks have already gone out to readers >.< typical snail yj!) 

Instead, I’ll tell you who I think would be interested in this book or might benefit from reading it, then share things that are cool about it from the perspective of a bilingual hobbyist translator + lover of ancient poetry and lyrics.

Who should read it?

If annotations, translator’s notes and reflections spark joy for you...

If you’ve ever read poetry translations and been intensely curious about what goes on under the hood...

If you’re a translator yourself wanting to hear another voice...

Definitely check this out!

Also if you’re CN+EN bilingual and have ever read something in English that references Chinese terms and concepts etc. except ONLY in English, pinyin or wade-giles and been utterly frustrated by the ensuing guessing game (like me) Fear Not.

That will not be a problem here.

I really appreciate how Chinese words are used naturally where needed for concepts and quotes - they are also translated for those who can't read Chinese so no one is left out. It made this book of and about translation (and more) super comfortable to read! The solution is so simple, so direct, so rarely used that I am amused.

Oh, but do note that the Chinese characters are in simplified though!

The poems are organised by their writers who are listed here by order of birth year, not appearance in the book:

秋瑾 (Qiu Jin, 1875 to 1907)

废名 (Fei Ming. 1901 to 1967)

戴望舒 (Dai Wangshu, 1905 to 1950)

小西 (Xiao Xi, 1974 to _)

张巧慧 (Zhang Qiaohui, 1978 to _) 

Altogether, that covers nearly the last 150 years up to now. I’ve never really been into poetry by poets in such relatively recent times, in part because I’d been holding on to this stereotype of them spurning Classical Chinese and ancient poetry in the first half of the 20th century (not entirely true, as I came to realise xD). It made sense and was understandable, but felt sad.

Yet am I the target audience for this book?

Very much so.

In ways I didn’t think I would be too! It was so much fun to experience this both as a reader and a translator that I thought I’d share it here, where we are appreciating Chinese poetry together.

If you didn’t think you’d enjoy modern Chinese poetry, hey, give it a chance!

Oh yeah - on the way home a while back, I was talking to a friend about translation and was surprised to hear that her impression was that it ought to be a straightforward process. Like isn’t it a 1:1 conversion? At some point, ‘what’s the difference between something google translate might return, and how you would say it?’ was asked, and oh that was a delightful question to my ears! I showed her one of my comparison sheets where an original text is laid out alongside multiple translations line-by-line, briefly explaining some common and unique choices and how the people who had translated those probably arrived at the various interpretations. She was pretty amazed to see that the answer to her question was: very different. Hey, it’s a complicated process!

But there’s only so much one can explain in the space of a train ride. That’s why The Lantern and the Night Moths is a book I would also rec to someone like this friend of mine - open minded and curious but never having the chance to think about or encounter the craft of translation.

Like Yilin says, ‘the meaning of a word cannot be fully expressed in one single translation, nor through a series of translation attempts’. She then explains why with great attention to detail and some solid examples from one of the poems with word choices loaded with subtle connotations :D

What's interesting about it?

Okay, for one, Yilin shared a playlist of music that she listened to while working on this book. Here is the link to the spotify one and the one on youtube. Check them out! They sure put me in the mood to read xD (favs: 别知己, 小神仙 & 去有風的地方) Afterwards, this made so much sense like - ah! an audio moodboard.

She's also putting together these adorable mini profiles of each poet along with a cmedia and tea rec to match their vibes. Go see them on her instagram xD

Now to business...

structure

What really helped keep the reader’s focus was the way each section is organized, how the poems and accompanying essay were presented and finally the short bio of each person right at the end. 

The poets are first introduced through five or six of their poems, works well suited to this purpose. Their voices, distinct through the vision, ambition and emotion of their words, are brought across by Yilin’s sensitive, thoughtful and poetic translations into English. These translations were also creative and transformative in a way that made so much sense after reading one of her reflections on the process, how she ‘must guide it with gentle hands to ensure its spirit is kept alive and intact during this transformative, and often excruciating process’. A rebirth into another language!

Personally, I’ve come to think of reading translations as looking at a work through another’s eyes. So it’s delightful when the translator’s presence is discernible, and even more so when the reader is given insight into their intention and process via commentary. 

Yilin’s essays coupled with the poets’ bios at the end provide a means to go back and appreciate their works in context of their circumstance and inspirations. Similarly, to read the translations with a changed perspective.

I don’t know how much of a thing this is with translated poetry anthologies in English - can count the number I’ve read with both hands lol, and they’re all of the ancient chinese poetry variety - but I really like this design.

drawing on poets who came before them

Remember how we’re always recognizing traces of inspiration from ancient works (to them) in poetry of the various dynasties? 李商隐 Li Shangyin of Tang for example, was influenced by 楚辞 Verses of Chu and folklore and mythology such as that in 山海经 Classic of Mountains and Seas, 李白 Li Bai frequently references poets and history of the 魏晋 Wei-Jin era, and 王维 Wang Wei was clearly familiar with Buddhist scriptures which were translations themselves! 

Just like the late Táng poets whom he praised for boldly deviating from the voices before them, Fei Ming used popular references and tropey shorthands ‘in contexts utterly different from the original, reimagining them anew’. Dai Wangshu, too, ‘boldly re-envisioned what modern poetry could look like by revisiting the classics’. In fact, in his very relatable ‘To Answer the Visitor with Classical Imagery’, I see Li Bai’s 春夜宴桃李园序, Qu Yuan’s 离骚 and lots of - as the title says - classical imagery, as if pulling out painting after painting to describe a feeling.

And Dai Wangshu’s faith in the translatability of poetry, that ‘poetry isn’t what is lost in translation, but rather, what survives it’ reminds me of what a friend, @xiakeponz, said that I agree with so much - because readers can ‘experience something in their own individual way through (your) shared humanity rather than language alone’.

poetic tradition and beyond

Between the lines of contemporary poets Zhang Qiaohui and Xiao Xi, I can really see the charm of plain vernacular, how it can be beautiful, incisive and clever in turns. Even as it seems to have moved further than ever from the structure and language of literary Chinese, the themes that inspired common motifs remain a part of life. Mother and divinity, homesickness, finding oneself, tributes to admirable spirits and the issues that trouble society - just in a new form and with different ways of expression.

Qiu Jin

So many FEELINGS about what Qiu Jin was doing - ‘I awaken the spirits of women, hundreds of flowers, abloom’. I would love if she could see the world now. So many things for her to rouse and fight against, but at the same time just as many to be proud of. I am so in awe of her, but now hearing her loneliness and struggle there is a soft spot in my heart for those too. 

conclusion

So so so…

Qiu Jin’s admirable fire and lonely resolve. Zhang Qiaohui’s precious ability to express beauty in the mundane and in pain. Fei Ming’s utter delight! He is having so much fun and when* I’m vibing, I feel it too. Xiao Xi’s critical eye and keen observation of the world. Dai Wangshu’s whimsical charm and passion for translation. Finally, Yilin Wang, the connecting thread wound through them all, bringing them together so that we may be acquainted. 

*Reading his poetry is like unwrapping a seamless, many layered present. A gift that keeps giving - if only you have a key 😅 Fortunately, Yilin has halved our struggle 🤣

I’ve had such a great time with them all. And if you come, I hope you will too!

[dargeereads]

The Blood Bride by CD Reiss

5 stars

audiobook

I knew this was going to end on a cliffhanger, but I was completely unprepared for the ending that we got! This was wonderful storytelling, uncovering layers while building the world as we got to know the characters. While so many things that happened were unexpected, they fit with the unfolding of the events. Things really picked up pace for the quarter of the book, and I was completely swept up in everything until that shocking finale. Definitely will be diving in for more as soon as it is out!

[robynleefaryna]

About to dive on in!

(I didn't realize how dirty my kobo was until after I took the picture lol)

[ogradyfilm]

Recently Viewed: The Box Man

[The following review contains MINOR SPOILERS; YOU HAVE BEEN WARNED.]

The Box Man is based on a Kobo Abe novel that is—according to my admittedly limited research, at least—widely considered to be impossible to adapt. Although I am unable to properly judge the accuracy of that assertion (having not read the source material—yet), evidence in the film certainly supports it. The narrative is rough and ragged around the edges, so sprawling that it frequently threatens to unravel. As you might expect from a medium that requires concrete imagery, metaphor is often smothered by literalism. The tone and style are likewise wildly inconsistent—pulpy and avant-garde in equal measure; the iconography surrounding the eponymous hermit, for example, borrows much of its visual language from—of all genres—superhero cinema and anime.

The fact that director Gakuryu Ishii manages to wrangle the unwieldy story into something resembling coherence is nothing short of miraculous. A talented cast certainly helps matters: Masatoshi Nagase lends pathos and gravitas to even the most absurd scenes, while Tadanobu Asano (fresh off his acclaimed performance in FX’s Shogun) embraces the inherent slapstick comedy of the premise without hesitation or reservation. The poignant themes, too, anchor the chaotic plot; the recurring motif of false identities—a man who forsakes any semblance of “self” and instead lives as a nameless vagabond, a “doctor” that practices medicine without a license, a femme fatale whose allegiances and motivations remain infuriatingly ambiguous—is particularly compelling. The titular box emerges as a powerful symbol; clad in his cardboard armor, our protagonist exists on the fringes of a decaying society—anonymous, invisible, ignored by his so-called “civilized” fellow humans, trapped in their personal prisons of materialism and consumerism. But it’s the metafictional twist near the movie’s conclusion that truly elevates the whole package. I won’t spoil the ending here; suffice it to say that the audience is implicated as the ultimate voyeur, observing an artificial world through a narrow frame—judging the characters’ actions despite our fundamental lack of agency.

Featuring spectacularly choreographed fights, exquisitely overwrought melodrama, and inscrutably convoluted philosophy, The Box Man is the quintessential festival experience: impenetrably dense, difficult to classify or codify, a little pretentious, captivatingly beautiful, and absolutely unforgettable.

[vampfiire]

currently 3 books through my reading goal so far and i honestly couldn't be prouder <3

[alishasthoughts]

Secret Rendezvous-Kobo Abe Book Review

Secret Rendezvous By Kobo Abe was published in 1977, the book explores strange themes and events with hints of dark humour.

Personally i think this book is a very strange and interesting read, but really really brilliant.

On a impromptu trip with my friend to Waterstones, looking for a completely different book (Lolita by Vladimir Nabokov, also a very strange book) I looked around and for some reason Secret Rendezvous popped out to me, upon reading the blurb and some of the first page i was instantly captured, i handed the book to my friend to read the blurb and i will say; he is not interested in reading much, he was impressed with the book and it sealed my mind and i bought it for £9.99.

I personally think if you are not instantly sucked into a book by the first page, it’s not the book for you, and as i thought about nothing but finallt getting to start it. i know this book was perfect for me.

The books blurb reads as:

“It is 4 a.m. when the ambulance comes to take the man's wife away - although no-one has called it, and there is nothing wrong with her. As he sets out to find her, he finds himself in the corridors of a vast underground hospital, where he encounters sinister medics, freakish sexual experiments and the unmistakable feeling of being watched. Even when he is suddenly appointed as the hospital's chief of security, reporting to a man who thinks he is a horse, he will not give up his search.

Secret Rendezvous is a nightmarish satire of bureaucracy, medicine and modern life.” with also having 2 reviews from the Chicago Tribune and The Chicago Sun Times. and additionally a review from The New York Times.

This book explores disturbing yet thrilling themes while this man is exploring this twisted yet fascinating hospital. i won’t spoil it but i don’t think anyone in 2024 could write something like this.

if secret rendezvous was made into a live action it would closely resemble Netflix’s Black Mirror or American Horror Story.

I do have a strong feeling that the ending was very rushed and unprompted but it did a good job of describing the effects that this “hospital” had on the narrator and how eventually he ended up clinging to his sanity even for a very short lived time.

Kobo Abe did a beautiful job of creating this very twisted world, he had a beautiful way of describing things in such shocking detail and making me create such horrifying mental images and scenes.

[animehouse-moe]

Jellyfish Can't Swim At Night First Impressions

With a concept that seemed impossible to ignore, and the inclusion of art director savant Kaneko Yuuji, it's hard to have thought it would ever be bad.

Similarly, it was hard to imagine the upper limits of the work with Doga Kobo, but its first episode has arrived, and.... well, it blows expectations out of the water.

Ryouhei Takeshita's boards scream teenage spirit, drawing out the angst and yearning that rests within every high school student that wants to reach for greatness. The nighttime scenes are incredibly well done, and the animation is shockingly good.

As a premier, it squarely rivals the greatest of the season with Train To The End of The World and Wind Breaker, and leaves any viewers with more than a world of things to talk about. Below, Piro and BlueDash dip their toes into that sort of discussion with episode 1.

[butchsquatch]

i hate that there's only 3 companies making ereaders........

[thelattechronicles]

The next 5 in my reading queue...

CURRENTLY READING: "The Beauty Molecule" by Nicholas Perricone, M.D. *

"Any Trope But You" by Victoria Lavine *

"People We Meet on Vacation" by Emily Henry

"Our Infiinite Fates" by Laura Steven *

"Slow Living" by Stephanie O'Dea *

* Starred books are ARCs— I've had the blessed fortune of acquiring quite a few Advanced Reader Copies of books coming out in 2025! My deepest thanks to the publishers for sharing these with me, and stay tuned for my thoughts on these!!

J

[abybweisse]

Ch209 (p1), Cover and title page

Yeah, there's a lot of deception going on....

"A sinister smile that spells trouble" oddly refers to both of them here. "Smile" (our earl) isn't smiling, but that was the name he was given, but "Black" is smiling, and we know his sinister nature.

More to come soon, but I'm still reading.

[b3crew]

REVIEW | "Saint Cecilia and Pastor Lawrence" | B3 - Boston Bastard Brigade

Saint Cecilia and Pastor Lawrence is a fun and relaxing anime, one that will entertain anyone no matter what their faith is. Read KBD's review to see why!

[coffeeworldsasaki]

Too cold to study so I'm looking at the Kobo ereader and suffering

[dargeereads]

Too Hard to Forget by Tessa Bailey

4 stars

audiobook

Peggy and Elliot, Elliot and Peggy, they were utterly mismatched, as well as being at the wrong time the first time around. This wasn’t supposed to be another chance, but the revelations for them both, about themselves, changed that trajectory. Ridiculous heat between them, and once their reality dawned on them both, a sure shot to their HEA <3

[protagonistspub]

Sign of the Cross by Anne Emery

Sign of the Cross by Anne Emery was a find on Kindle*. It is Catholic fiction and falls into the Legal Thriller genre best. It is the first book in the Collins-Burke series and was published in 1990. When I say it was a find on Kindle, I mean that quite literally. Finding Catholic fiction on Kindle or really any platform or online retailer is a true challenge. These platforms and retailers…