#knowing none of this would be in the story lol

[sandflakedraws]

Okay I’m not even into trolls or anything, but that height analysis was pretty cool and interesting lol

Any more things you analyzed? (Or even a fun fact, idk, just wanna see people talk about things they like)

i've analyzed quite a lot but one thing i haven't seen other folks fully explore is the horrific living conditions in that bottle.

i know why it's not covered in film, cause again, this story is a silly musical comedy for kids! and if it were given it's full appraisal, the tone of the movie would be absolutely shot.

...

but like,,,, it's so dang bad in there my dude. it's SO bad.

like, in it's upright position, the diamond's base isn't big enough for floyd to lay down on, without cricking his neck severely.

so even when we see him drifting to sleep, he's sitting. minimum 2 months of trying to sleep sitting up. (against a cold/hard surface no less)

(he's also got an instant-wake response to . someone lightly tapping on the door. . .)

oh and also! the air in there has gotta be super thin, as there is but a single breathing hole at the top of it, not even as wide as a troll finger.

and that's ! when it's not capped off ! most of the time, it's got the spritz cap on, making it even harder for any air to circulate in there.

while we're at it ; since that's the only opening (no clasps, no grooves, no visual indicators that it can open via any other method at all, hence the film's conceit that the brothers need to hit the PFH to free him), i'm inclined to believe that it's also the only way to get food to him...

... which is to say you can have your pick of many terrible options for that. whether velvet & veneer tried to mash something through there, or have him sip from the world's worst gerbil feeder,

or they just. didn't feed him at all. and he's only alive because it's a magic world.

wHICH IS STILL SAYING NOTHING ABOUT HOW THEY ACTUALLY HANDLE HIM

plugging those excerpts cause. y. yeah... they're not gentle with him at all. bro is Bruised to all hell.

.... and none of this has to do with the actual core threat in the movie, which is having his core forcefully ripped from his body, leading to the whiteness and crystallization we see goin on.

in conclusion i need way more art/fics covering floyd's recovery okay? okay.

[alieinthemorning]

Deepest, Darkest, Purest Love [Sylus] 

Content: World Underneath: Sealed in Dust Spoilers, Sylus Story Speculation, Angst, Soft Sylus, POV Second Person, Reader-Insert

Pronouns: None

Reblogs: Let me know that you enjoy my work and want to see more, so don’t forget to like and reblog (and comment in the tags. I love seeing people’s rambles in the tags)!

This work’s concepts, plot and original characters are my own which means I do not allow any sort of creative theft nor do I allow my work to be entered into any sort of A.I. bots. Thank you for respecting my space and boundaries.

Sylus…was an enigma to you. After the Nest, the forced resonating, and being told that he wanted to achieve his goal, he needed you to like him in some capacity. Now, you’ve ended up here in one of his many safe houses, wrapped in his arms on the couch while some movie played. Domestic bliss as its finest, but how did you end up here? You knew that it wasn’t just him playing with your feelings while you hopelessly fell for it. No…you knew that his feelings for you were real. His actions and words, although not always obvious, were always clear in the intentions. 

“You know very well that I adore you. There is no love purer than mine.”

Despite how you acted toward him, or tried to deceive yourself. You knew you loved him. You loved this man something fierce. And honestly? 

It scared you—terrified you.

You understood that you and Sylus shared a past. One of your many pasts, over your many deaths. Unfortunately, you couldn’t remember much (not that you think you ever could). Since EVER had gotten their hands on you and the Aether Core, memories come up spotty and painful. You want to remember, you really do, but it doesn’t seem like you have an actual say in the matter. But from what you can remember…you’ve both died…many, many times. Pitted against each other for some reason or other, then forced to become close—fall in love, just to do it all over again—Oh.

Oh.

“You know very well that I adore you. There is no love purer than mine.”

You were pitted against each other for the Aether core. That’s what wants to devour him—this damned Aether Core. 

“Sweetie?” His thumb brushed against your under eye, catching the wetness there. “Why are you crying?” 

“I’m sorry!” You wail into his chest. “I’m so sorry for hurting you!”

“I’ve told you before that it was my fault for pushing you—” He grunted as you shoved away from him, shaking your head violently. 

“I’m talking about before! Way back when—I still don’t remember it all, but I know that I hurt you, so—” You looked up at him, tears caressing your waterline. “How can you love me so deeply?” 

“I’ve told you this once, and I’ll tell you as many times as you need.” He smiled, and you break. 

“You know very well that I adore you. There is no love purer than mine.”

You know, and you hate yourself for selfishly enveloping yourself in that love. 

A love you do not deserve. 

I was trying to do Soft Sylus, which! for the two lines that he speaks, he is in fact soft, so I'm counting it! But it ended up as angst regardless lol.

Now, let's get into what might be his Myth or one of his many pasts with you. I think that the two of you were pitted against each other for the Aether Core. Whoever the hell had y'all fighting wanted to make one of you stronger, and having one kill the other for the core seemed a lot more fun than just choosing one. But! I don't think it worked, y'all got tired of fighting and choose not to take arms when it was time, which not the best idea because you'd be punished, but hey, it did eventually get the message through to them. However, they took another approach, which was getting the two of you closer, so when they did pit you two against each other again, one of you would have to throw your life down for the other, and in this case…it was Sylus.

At least! That's what I'm thinking lol. Just a little theory!

I'm on Bluesky btw~

Ko-Fi | Masterlist

[gunpowder-gemini]

Hi I have many many thoughts on Dandadan and where specific characters are going in the story, so incoming ramble posts lol. I've got thoughts on Okarun, Turbo Granny and Kinta specifically.

WARNING: SPOILERS FOR THE MANGA THROUGH CH. 175

First up: Okarun!

So obviously he's lost his turbo granny powers bc he's a good boy who keeps promises, but him having yokai curse powers is like, half the concept of the manga right? (The other half being Momo getting powers due to alien abduction). So clearly, he's gonna get them back because we can't just have one of our two main characters permanently sidelined. The question is just HOW.

I'm pretty sure Turbo Granny is gonna come back, she's a major supporting character and she had a whole little montage panel of Reasons To Stay despite her saying she has none but I'll get into that in a different post lol. HOWEVER! I don't think she's gonna give Okarun her powers again. I mean, they're HERS. And she just spent all that time getting them back why would she give them away again? So Okarun can fight? She can use her powers way better than he can, so if they're needed SHE'LL use them.

I think Okarun is gonna develop his own spiritual powers like Momo's.

In the recent chapters it's gone out of the way to highlight how ridiculously fit Okarun is now. Like, SUPER fit. Most obviously in the fitness tests, where he blew everyone out of the water:

But also in the fight against the pygmies he easily kept up with Aira, who was in her yokai form at the time.

Which I mean, it makes sense that he got fit - he's been fighting for his life as an after-school hobby lol. Obviously continually training to handle Turbo Granny's powers AND fighting things would result in him getting incredibly fit. But they've like REALLY emphasized it these past few chapters. It feels like they're really calling attention to it, you know?

But that in and of itself isn't the real reason I suspect he's got his own spiritual powers. It's actually because he can enter Empty Space.

So per the Serpoians, Empty Space is something aliens create that only pulls in humans with high spiritual power so the aliens can capture and study them. It's why once Aira got her acro silky powers she could enter Empty Space.

Okarun's high spiritual power wasn't his, it was Turbo Granny's. He was able to enter Empty Space because he had her power, but without it he's just a normal kid. So once he gave it back he should be unable to enter Empty Space. And yet:

He's gets pulled into Empty Space to fight the pygmies. He himself calls that out as strange! He shouldn't be able to! He doesn't have Granny's power! But there he is! So he must still have high spiritual power!

I think he spent such a long time with Turbo Granny's full power inside him, utilizing it so frequently, that it changed him. Either it awakened latent spiritual power within him or left behind an imprint of itself, I'm not sure lol. But I think he's developed his own version of Turbo Granny's power. I think it'll be a bit different from her, but still similar (I don't think they're gonna give him a completely different power ya know?). I suspect it'll come with a cool form change to his yokai form, like a costume upgrade lmao.

Furthermore, I think this happened because of the Danmanra arc. During that arc, in the final fight against the Fairy-Tale card, Okarun went all out three times.

He's never been able to do that - it's been kinda implied it would kill him. But through the ~power of love~ he managed to pull it off, and I think it is going to have an effect/consequences. I think this moment here changed him in some way, and it might be the catalyst for him developing his own version of Turbo Granny's powers.

Further to that point is Count Saint-Germain. He cornered Okarun, got him to yield and clearly intended to take his powers, but didn't.

I suspect it's because he wanted Turbo Granny's powers, but Okarun no longer has them. I think he either doesn't know Okarun has his own powers, or he does know and is waiting for Okarun to properly awaken them before he takes them. I'm like 90% sure the Empty Space in the pygmy fight was caused by him. Empty Space is pretty clearly outlined to be an Alien Thing and while the pygmies are spirits/yokai/whatever, Count Saint-Germain is probably an alien given his affiliation with the Kur. AND he was the one who gave Keiko the knife and the mission to steal Momo's power. Since Okarun got pulled into that Empty Space, if pretty boy here didn't know Okarun has some hidden spiritual power, he sure does now.

Either way, Okarun yielding to him here is definitely a Chekov's gun that's gotta fire at some point, and I've got theories on that but I'm gonna save them for my post on Turbo Granny lol.

Anyway TLDR; I think Okarun has his own superpowers like Momo now and we're gonna see them awaken in this arc.

Thanks for reading!

[ranticore]

Now that you mentioned it in the tags; I really enjoyed how you did the queerness of characters in-text and I saw you mentioned more than once before how they consider/call themselves gay or anything and I was wondering if you'd be willing to elaborate on that (in Ironwall, MVF etc), but more from a writing standpoint than a worldbuilding one. Hope Im making sense lol

i looked up the invention of the word 'homosexuality' and found that it was invented 6 years after stbh is set

ghksjdg i mean there's more to it than that but it meant that my language was constrained, which also means that the characters' language is constrained as well. i have to think about ways i want this to come across to the reader. at the time i was thinking about how the basic concept of "btw this character is not straight/cis" is communicated in some of the stories i'd read, and one that stood out to me was a comic i read in a fully fantasy setting where the writer brought the narrative to a juddering halt to explain exactly how gender & sexuality are handled by the people here. as in the characters essentially turn to the camera and give the main character a lecture. i really didn't like it, the author's hand was too visible behind the panels.

but i took it as a learning exercise as well on what i didn't want to do. i didn't like the neon signs pointing at any instance of non-heteronormativity and i also don't like stories that market themselves based on the characters' gender identities, particularly stories which do not involve a coming-of-age/character learns to discover themselves narrative. it's a book about two trans men but it's not a book about being trans. that's none of the reader's business, that's hidden from you (particularly in islin's case, intentionally). i never wanted to foster a sense of voyeurism towards trans people particularly knowing that most readers, statistically, will not be trans. crucially the characters are stealth to literally everybody but like 3 people. their transition is done.

i never wanted a coming out moment, or an "i'm here i'm queer" moment either - not even because Society in the setting just because i don't like those things. to completely normalise it in the narrative between these characters is the goal - almost to the point of never even pointing it out at all except when it has to be. the vibe i wanted was like... hanging out in not necessarily a gay space, but with gay people, talking about random other stuff. i didn't even like the One coming out scene i had to put in (senca being like "i only fuck women" to bowman so that he would stop hitting on her)

so when writing i had a pretty good idea of what i didn't want. for the setting i had some strict rules to follow as well. characters would not identify as gay or bisexual or even some fantasy equivalent because those were not identities, they were acts. and heterosexuality wasn't an identity either, it wasn't even "the natural way of things", it was the means by which wealth could transfer between generations. if you do not marry, then you are not conforming to your gender. the four unmarriagable men in mvf are all denied entry to normative manhood for many de-gendering factors (disability, unmanly hobbies, vow of chastity, etc) but the culmination of those factors is that they can't marry, which is the whole POINT of being a man. three of them are entirely denied generational wealth - forcing them into poverty (it's not a coincidence that gay people are overrepresented in the criminal organisation)

from a writing standpoint this leaves them in a grey zone. when writing i tried out different language to see if it read nice to me (19th century equivalents to 'boyfriend' etc) and they all rang quite false, because outside of the whole 'can we put a label on something that doesn't officially exist in society' thing, the characters themselves are not the types of people to think that way. Bowman was dating Léa but he was never dating Félix. you can't date another man. the only people who date men are women, and Bowman is not a woman. therefore he is not dating Félix. to give just one example. ultimately for the language used i found that just leaving it as-is worked the best for me.

so after working all that out i wrote tha thing and then wanted to kind of explore - at what point does it become romantic? is there an actual border between romantic and platonic when you've kind of already fallen between the cracks in society into the grey zone where nothing is defined because it doesn't affirm the power of the ruling class. and in these particular friendships, where they've already been all things to one another, they've already done everything together, good or bad, does adding 'romantic love' to that list of things wildly recontextualise it retroactively or does anything change at all? just like the ending reveal of stbh says: who actually is the guy we've been thinking of as 'félix ortega' ? does it recontextualise everything we've just read? no, right? (or does it?)

the usual 'will-they-won't-they' romance plot isn't a factor in the book, we already know they will, they have, they won't, and they refuse to, all at once.

(jean-baptiste thinks of himself as an invert because he is Learned and has read some fascinating journal articles about cutting-edge sexology, and his relation to his sexuality is very very different. it's not something he shares with his closest friends in spaces without scrutiny; his entire life is scrutinised and his social system is predicated on marriage. like i think i said in the book, probably, i don't remember: he and renard are two guys clinging to the same life raft. they hate each other! but if you push the other guy off the life raft, then you're just one guy alone at sea, forever.)

[eerna]

When I think about arcane arc 2, I’m just really :/ that it feels like they dropped the ball on their generational trauma theme. Like, we didn’t properly explore Ambessa and Cait’s new dynamic and Caitlyn had no reflection on her mother’s death anymore, Ambessa forgot about Mel??, Jinx was “fixed” by Isha, we have once again sidelined Ekko and his revolutionaries plot, and Vi and Jinx, who were trying to Kill each other two eps ago, are chill now (listen the catty fight was fun but ya know. besides that.) Like what about revolution eating up innocence and your sons and daughters and toxic coping strategies being passed down! Idk, I guess has someone who is a bit of a tragedy enjoyer (tho I like optimistic/happy endings lol) and someone who really likes toxic nuanced relationship (and arcane really focused on familial too!! which I love) I feel they really lost themselves trying to go the fluff route. This just isn’t that type of show. This is also why I think Vander’s character kinda threw a wrench in season 2; was there really a point to be made in bringing him back? Kinda thought he had already served his purpose but Idk! There’s other things to critique, and even things I enjoyed too, but I think if I had to boil down the main sentiment why I didn’t like arc two, it would be losing this character thread. So much of season 1 hinged on it, so many great scenes came out of it, feels bizarre fumbling it so bad in arc 2…

Yeah T.T The Vander one hits especially hard, because like. He really is done here. There is no reason for him to exist in the story anymore. The show even agrees with us, they brought him back ONLY to take him away from the girls again, and that is just stupid and boring. Sure, Warwick has to exist bc LoL, but there was no need to introduce him into the plot - the hints in s1 were plenty enough to give him a backstory.

And the most important part: WHAT ABOUT REVOLUTION EATING UP INNOCENCE AND YOUR SONS AND DAUGHTERS AND TOXIC COPING STRATEGIES BEING PASSED DOWN!!! HELLO???? THE MAIN THEME OF SEASON 1???????? It was about a bunch of revolutionaries trying to do good for their families, and how good intentions don't mean good results. Vi learned the passive rejection of a revolution from Vander, Jinx learned individualistic toxic obsession from Silco, Mel rejected her mother's "kill before you get killed" policy. None of this is important in s2 anymore!! I thought Isha would die in an act of revolution, bringing home the "is revolution worth risking the people you are doing it for in the first place" theme, but no. No! Because we are abandoning that line of thought! And you're right, the reason for that is the dumb family fluff they suddenly pivoted into. I adore family stories and relationships, but I'm not buying the Vander-Jinx-Vi-Isha unit for a moment. Jinx-Isha-Sevika, which had good setups, was abandoned and for WHAT!!!! CHEAP FLUFF???? Augh. Sad.

[xalandrix]

i totally agree with all of this, but when i finally found the OP there was a nuance that stuck out to me:

... their latest multichapter fic, which has almost no comments and very few kudos, is being hotly discussed in this server as one of the best stories ever. Not one of these people has bothered to say this to them on the fic. When they asked, none of participants could see the point in telling the author of the fic they apparently loved so much that they love it.

maybe it's just me, but that does sound... extremely fucking discouraging tbh. not that they didn't comment, but that they didn't see the point of commenting. that's different from "i don't know what to say" or "i don't always have the energy" or "i meant to and i forgot" or "i cannot bear for this person to perceive me in any way" or "i didn't like it enough to comment" or any other reason. that's all totally fine!

but if the prevailing attitude were truly "why would i talk to authors???" i think that would negatively affect my enthusiasm for writing. to me that almost feels like not thinking of writers as part of the community - not recognizing that we're also people you can talk to, in that little box right there at the bottom of the page. you don't have to! just recognize that it's something that you could do, and we would love it if you did (i know I'm preaching to the choir lol just trying to be clear)

re - your last post, as a writer i find that to be an absurd take. people who write exclusively for validation probably shouldn't. if discovering your work is enjoyed and loved - just privately - is a dealbreaker for you, i think there are probably bigger issues that need to be worked through. the idea that we write fic for free and yet this discussion about "payment" through kudos/comments persists is so backwards and obnoxious.

sorry to tag you on this, obv you have nothing to do with op, but i just wanted to say - as a writer recs are a HUGE deal. to know that you liked something enough to share it with others is the biggest compliment for me personally. thanks for doing what you do.

I’m happy you reached out because this is a really interesting perspective. I definitely see increased messaging around comments = payment that pressures readers into thinking they are required to leave comments, and I agree that there are many layers in this convo that point out to a not-so-healthy relationship with fandom.

I find it hard to join this discussion not being an author myself, because I only have the privileged perspective. Ofc I understand how important feedback can be to boost newcomers and those who don’t feel part of the community. We all deal with insecurity in different ways and it’s hard to navigate a big fandom when you don’t have a group of friends to rely on. In the end the fandom experience is about a sense of belonging and it saddens me to realize that I might be part of the problem since my recs only reach Tumblr and my ao3 comments are far and few in between.

It’s funny because my blog has always targeted other readers: at the beginning I didn’t even tag authors and did not expect them to find or engage with my posts. Over the years the recs became more and more personal, until I realized I was writing them for myself. Sure, they are love letters to the fic and might help more people find them, but at the end of the day this is my little therapy corner where I can let go and babble around to my heart’s content 🙏🏼 I’ve always been proud of this blog and seeing that post gave me mixed feelings about it for the first time, so thank you for your message!

Again, I think this discussion has many layers and I’m a bit wary to get involved being a humble reader, but I’d be curious to see how others feel about it…

[the-music-maniac]

This is one that ended up way longer than I would've liked but the brainrot has reached concerning levels.

Brief mentions of sephgen, sephgeal, sephzack, multishipping, spoilers for crisis core, rebirth etc. etc.

I've begun realizing the longer I traverse the various pages of FF7 fanworks that when I say I ship Sefikura, the romantic/sexual aspects of it don't matter as much to me as the emotional catharsis of it. And I say this because I feel like sefikura is often used to explore one specific type of fantasy/smut/kink etc. There's a portion of people who like the ship because they like exploring how fucked up it is for post-nibelheim Seph to try to make Cloud into a puppet - this is usually (not always) accompanied by size difference kink, sub Cloud dom Seph, etc. And while I personally despise that characterization common in that interpretation of the ship, it's still valid, cause y'all should be able to explore your own fanfics however you want. An "Ew. Oh well, none of my business." kind of deal.

I would like to make it known though, that as a Sephiroth fan I kind of hate domroth. Block me if you must, we can just agree to disagree lol.

My interest in Sefikura stems mostly from Sephiroth. I'm gonna shamelessly admit here that while I love Cloud as a character, he doesn't intrigue me as much as Sephiroth does. And I know I'm biased cause he's my favourite, but I get easily stuck on characters who were abuse victims that became villains because they gave into their demons, characters who managed to stay kind, up until they were so beaten down they snapped, characters who I think have redemption potential, even if it wouldn't be easy to do. Which can be the case with Seph both pre- and post- Nibelheim.

Post-nibelheim is a LOT harder to write convincingly, seeing as how he actually did fuck up like. Everything. And his victims don't have to forgive him. Not Cloud either, even though I am writing a post about sefikura. The redemption is more about personal improvement, rather than forgiveness. But it's really interesting because a Sephiroth that even has a chance at redemption post insanity, is one who is a mix of before and after. He still has all that rage inside him from how he was treated by humanity, still has visions of annihilation and delusions of grandeur in his head, but he also remembers that he used to love, that he used to have companionship, scarce as it was, and cared for the well being of the soldiers he lead, etc. How does he get to that point in the first place, and how does he deal with it after? With the warring that is likely occurring from those two sides, the festering resentment of knowing he was given so much less than he should've been, knowing that he had a human mother, but since he IS closer in capability to a god than a human, does he think he's a monster because of his heritage still or because he gave in? Does it even matter at this point, what he is? And what will he do, now that he has a portion of his humanity back (however that occurred) and isn't just purely Jenova? How does he deal with knowing that even in the depths of insanity, he still just didn't want to be alone? And of course the turmoil on Cloud and Co's side, usually some flavour of, okay so repeatedly killing him isn't working, I'm tired of fighting him every couple of years, I still have the responsibility of making sure he doesn't fuck everything up again, and of course the hatred they understandably feel for the shit Sephiroth has done. And as Sephiroth kind of fights to recover some semblance of identity and understanding of himself (without destroying anything), watching that occur and knowing objectively that your enemy didn't deserve what he got when he was a child, that a part of what occurred was after he was pushed to that degree - even if you subjectively can't make yourself feel it at the beginning. And then as the story progresses and characters undergo development, Cloud likely wrestling with the fact that he actually is starting to understand Sephiroth's predicament, realizing Seph can be so very human at times. And dealing with the worst sin/betrayal of all, enjoying his company for his company's sake. A Sephiroth that gets through that and finds some semblance of contentment is meaningful because it would take a mind-boggling amount of hardship and work to get there. And tbh here's where the bias comes in - it's what I would say is a happy ending for everyone. I know people would disagree, a lot would say Cloud and Co getting rid of Seph is good riddance, why should he get a chance, why should they have to deal with him, etc. hence why I acknowledge this is biased - but a happy ending to me is one where everyone else gets to stop fighting Seph and move on with their lives and Sephiroth actually gets to live the life he wanted when he was a child. I won't ever be entirely satisfied with FF7 canon for this reason (true of any tragedy). Nothing that happened to him pre-insanity was fair. So. Catharsis.

As for "redemption" of pre-nibelheim Seph, I read time travel fix-its when it comes to sefikura cause I find it more interesting. For anything pre-insanity that involves canon divergence without time travel, sephgeal, sephgen, sephzack, shipping, platonic or poly makes more sense to me, cause those three are positioned better to help Sephiroth in a meaningful way. Also I personally do think Cloud is a little too young for that then (even if I'm also convinced he 100% had a celeb crush on Seph. Which is also not what Sephiroth needs at that point).

So, for sefikura, pre-nibelheim redemption usually involves Cloud getting yeeted back in time, either by the planet or by choice, to stop things before any of it happens. Cloud usually believes he has to kill Sephiroth, so he'd likely be in close proximity. So how would he deal with seeing, first hand, all the ways that Sephiroth was isolated and dehumanized in Shinra? Cloud still hates him at this point, for good reason. So he's here, witnessing not only Sephiroth being a kind/decent (awkward) human being, but also the lab visits, Hojo being Hojo, being paraded around for propaganda, the effect the "betrayal" of the other firsts likely had, Sephiroth being straight up depressed and malnourished and overworked, hearing whatever lies were fed to control him when he knows the truth. How does he deal with the moral repercussions of killing a technically innocent man? Especially when he realizes that a little support and compassion could've changed the outcome entirely? And Sephiroth on the other hand, now stuck with this persistent stranger that doesn't treat him like either an emotionless weapon or a legend, but some secret third thing (is he trying to kill him???? Can't tell, mixed signals are happening). Cloud would also likely help take Sephiroth's mind off things by virtue of existing - not because Sephiroth particularly cares about Cloud at the beginning (why would he, they're strangers) but because Cloud is fucking weird. Not a soldier, still mako enhanced, angry/aggressive at him in particular and seemingly frustrated about it, history that doesn't match up to current behaviours, etc. Hell, Shinra would likely even order Seph to keep an eye on Cloud. Meanwhile Cloud is desperately fucking with the timeline to ensure everything ends up differently, and accidentally becomes some sort of support for Sephiroth in the process. Because while everyone else was so fooled by the propaganda surrounding their hero, leaving him alone to his own devices (despair and depression), Cloud knows that his attention should be on Seph right now. And I don't think he's the type to just leave things alone out of spite if Seph where to, for example, stumble out of the lab, half delirious from Mako, because of one of Hojo's whims. There's also the question of whether Cloud would know to help with Angeal or Genesis' degradation, which could help either clear up some misunderstandings between Seph and his friends, or just ensure that Seph doesn't lose them at all in the first place.

And if Sephiroth were to find out/be told the truth, about his mother, or about the future, HOW is he gonna react to that???? Knowing that okay, so my heritage isn't actually that of a monster, I have human DNA, but ended up snapping and trying to destroy the world anyways - once again, what does it mean to be a monster, and is he one already, if he hasn't even done all of it yet, technically? In this timeline he's likely closer to Zack, maybe close to Cloud, potentially has met Aerith, maybe Genesis and Angeal are still alive, so he's more tethered by a support system, so how would that change his viewpoints? Would he feel guilty? Does that send him into a worse depression?

Sefikura just tends to give me emotional catharsis when it's written like that, because it gives Sephiroth the opportunity to mourn what he should've had, and gives him a fighting chance to change it. It's someone else being shown the decades of neglect, how deep the hypocrisy of Shinra actually went, the systemic abuse, acknowledging all of the bullshit Sephiroth went through before Nibelheim. It's him breaking out of other's expectations of him, Jenova, or Hojo or whoever else, and getting his childhood wish to just be normal. Like Angeal said (quoted loveless I think) "and what do angels dream of?" "Angels dream of becoming human."

This is also why I find very little enjoyment in reading domroth sefikura. Sephiroth isn't someone who reminds me of that type of personality, before he went crazy. He seems like a very awkward, calm and even sometimes soft dude in his downtime. He's literally just some guy. We don't see a lot of his personality because he was trained (tortured) into believing anything other than perfect control is weakness and failure. I don't think he would have any sexual experience. I think he's depressed, and exhausted and alone and is just very good at hiding it. I don't think he even wants or needs sexual intimacy necessarily, so much as he needs someone to feel safe around.

Anyways. This is. Way too long now. Goodbye.

[bridgeportbritt]

Ella's BUS Residence | Sage, SimDonia

Ella sighs

Ella to herself: We were so cute at prom.

Ella sighs

Ella to herself: Could've literally been a perfect night...

Ella to herself: If it wasn't for him...

Another day, another aged up girlie in this story! This time it's miss Ella who is officially a Britechester University of SimDonia student! But let's take a look at her SimDonia Prep graduation and larger than life bday party. Shall we?

Our girl was valedictorian, gave a speech and the event actually worked for her to get a diploma! (I did do a screenshotted version of the graduation just in case it didn't work though lol)

The whole squad got their diplomas and the whole fam came to celebrate the occasion!

The Creeksbrey ballroom transformed into a party palace fit for a young Duchess throwing a bash for her young adult birthday! All her friends came and even Maia and Kali flew in. She was showered in gifts, aged up and danced to a new life as a young adult!

[shima-draws]

Been having a rough couple of days. Send me asks?

[thatneoncrisis]

oh captain my captain i didn't know what league of legends game was when i watched arcane. so i thought the plot was alright since i didn't (still don't) know the game lore. if it wasn't basically a prequel story, trying to aim the characters at the way they are in canon, do u think the plot and character arcs would have held up alright? or does that actually make the arcane canon story worse since it wouldn't at least have the existing canon as something it needed to land at eventually as an excuse for any "out of character" decisions? thank u

i wouldnt even call it a prequel story? its like a very elaborate au in a sense, one that feels comfortable changing things to a certain extent- clothes, personality adjustments, motivations, but they still have to hit certain beats. vi has to be an enforcer, jinx has to be a wild card harley quinn type, ekkos time powers ect ect. idk WHAT it is maybe the show needed more time or tighter focus or less characters but i just felt that like, some of the story decisions directly relating to LoL lore werent outright bad but didnt have a lot of time to breathe. the standout example being ekkos time thing, where when i watched that scene i assumed it was both a stylistic representation of a fight and establishing his and jinx's prior relationship (which is kind of too little too late considering they did not fucking speak once as kids pre time skip), and then i had to get a friend to explain to me for SEVERAL MINUTES that he literally died during that fight and it was supposed to be showing his rewind thing. it just wasnt clear at all and his character would not change in the slightest if he didnt have it. but you cant NOT include it so. *

really i have no clue the full extent of the story the writers wanted to tell and how much LoL is binding their hands on story beats. and i REALLY dont want to be inflexible considering i still have a full season coming up that might make me more receptive to certain decisions. but considering how much of the cast i REALLY like just straight up are not in the game, i think they are fully capable of making a solid story completely divorced from league

*someone in the comments told me apparently that Wasnt his time thing and my original read of the scene was correct so im not gonna hold it against the show.

[trashcanwithsprinkles]

How are you feeling about last act of the simulanka quest?

it started off meh because scara made his long-awaited appearance, but i had already anticipated that so i focused on navia and nilou being as wonderful as always

but then we got to the dragon and let me tell you scara is so fucking hilarious in this quest. my guy is genuinely projecting his self-inflicted trauma and issues onto a literal baby (half-self inflicted, dottore did deliver like half the punches there). like- you cannot make this shit up. god i love it, he's so ridiculous, very in-character of him honestly. i guess if nothing else he's rather good at staying consistent with that LMAO

little durin was adorable, and it's always funny to see alice again. these events are always just- don't trust anyone in the hexenzirkel and tbh i approve of that. at least when it comes to alice god but her va is so good it's such a delight to hear her speak always. my girl gets like two voiced scenes per year and makes damn good use of them hahah

overall it was decent! scara's inclusion does keep it from being as good as the first two acts. also do bear in mind that i haven't done the appendix (is that the name for it) yet so idk how the rest shapes up to be

[skunkes]

i quite like talon! i think hes one of the most real and interesting ocs ive seen, he feels very human! the fact he is able to be flawed and stay flawed is something that people dont usually do with their characters and its refreshing to see! he feels like your friend or someone you know as opposed to a character you made one day, hes super neat :)

thank u! I've gotten this sentiment about my ocs a lot over the years, I wish I could make more and have equal time and brain power/fixation for all of them, as well as. Actually give them Stories, beginning and ends.

but I also think they wouldnt be dis way without them being so rare from me + me spending several years focusing on One (with the help of another, which develops both in the process wee hee) in the form of Hanging Out With them In My Brain All Day (or again, making them hang out with another oc in my brain all day)

[moonpaw]

ohhh, I overlooked this last week, but I was under the impression that vegapunk was getting copies of living user fruits from current impel down inmates

Up until we see that S-hawk's is from number 1 who was an inmate for only a few months 2 years ago

really uh, makes you question what other kind of dna they have for use

[forcedhesitation]

stop fucking flirting with me, you rancid little man

[heatherfield]

I'm halfway through the complete cut of Headless and !! I'm at the Bromtilda wedding!

Ahhhh! (You're probably done now—I'm sorry I wasn't able to answer sooner.)

I can literally remember my whole impressions and journey of the first time I watched "Headless" even though I've watched it countless times since. I remember thinking that Brom and Matilda were literally going to get divorced right away and it would amount to nothing.

I was not prepared.

[yellowocaballero]

Character Work

Got an ask the other day that asked me how I developed a character, and there was no room to go into it on that ask at all, but I did want to note something. As a fic writer I feel pretty unqualified to write on how to create a character, but I do have something specific I want to say that I've been thinking for a while. I'll keep it just to that. I'll also say that I'm talking exclusively about writing, and not how you engage with fandom. It is, in fact, extremely fun to make an endless series of meaningless headcanons for random dudes. I'm just talking about in terms of how you approach the character from a writing perspective. Which is...

Your OC makes a bad character.

I mean your Dungeons and Dragons character. I mean the character you have a character sheet for, the character you've thought about for years, the one that you are extremely fond of and who feels like a real person to you. The character that is the character, and to change them would feel like changing a person.

Characters should feel like real people to the reader, but as the writer you cannot think of them as people. They are plot devices and a function of the story. They don't need to be fleshed out before you start writing. The actual creation of the character should take place in the outlining and drafting process.

I'm not saying you aren't allowed to stop and think about their favorite grilled cheeses or their sign. There's a few lists of good questions to ask yourself about your characters before you start writing them, such as their desires and their home lives, but the list of actual questions you need to answer are short. And you should try to stop there, because otherwise you're going to over-develop your character and it's going to get in the way of the story.

Assuming you're writing a character focused story, the character's journey is the plot's journey. But the character and the plot exist in relationship to each other. I think of them as two interlocking gears - some things in the plot just can't happen because Character A wouldn't do that, but some things need to happen for the plot to work, so Character A needs to be the kind of person who would do that. Both the character and the plot are in service of what the story is about (Theme, moral, message, etc). These three things have to line up, and they can't overpower each other. You shouldn't try and make round pegs fit in square holes. If a character doesn't fit in with what you want the story to be about (if the story's about vanity and your character doesn't care about vanity) then you need to change one of those things. You can bend the entire plot and meaning of the story around the character, but damn you better have a character who makes a really fantastic story.

You need a character that makes a good story. Some characters don't make good stories, and you need to work super hard to create a story that fits them. That's fine - that can create a unique and great story. Your character has to be consistent and work along their own internal logic. That is shit you absolutely have to stop and work out in the outlining process. Your character needs to make decisions that feel right to the reader - really good stories have the character making the worst possible decision, but in a way that makes the reader understand that they couldn't have done anything else and still been that character. And, like, obviously, give your characters faults and have them make mistakes. A character who does not do that cannot carry a plot.

Fic writers struggle with this. Of course you...shouldn't...be me and completely disregard every characterization, but I do think you can run into the same problem with your blorbo as your D&D character.

Your blorbos aren't actual guys.

This feels kind of obvious, but sometimes I think people don't feel that way. We write fanfic because we like the characters, and we'd rather use these characters and this setting than use our own. I see people projecting on these characters a lot. Like, a lot a lot. It gets to the point where an attack on the character feels like a personal attack - where people defend the character as if they're a real person because they ID so much w/the character. We all know this is dumb, but it also makes for some really shitty fic. The writer becomes completely unwilling to bend the character at all. And they don't try to make the character good for a story, because that kind of involves a lot of faults and mistakes that they don't like seeing their blorbos make. I sound dismissive but it's pervasive. The character becomes a character who makes them feel good instead of a well-written function of the story. The story suffers. Which is alright for some stories, but if you're writing a heavily character focused story like a lot of fic, then nothing is really propping up this story or making it engaging.

None of that is how I develop a character but that is what I wanted to say about characters lol (fwiw, how an OC is created for me is: "I need a character in this spot or representing this thing. Yoink!"). Of course I spoke hyperbolically and took a hard stance on all of that, haha, and of course all of this is rule of thumb. I'm sure your OC is wonderful. Just don't get caught up in them, okay? Go write. The best possible OC is an OC who is born from a good story. That's how you get rich and real characters.