#knowing as the audience that they��re all doing it!! and they Can get some of what they’re looking for

[gilverrwrites]

The Tim Drake sex pollen fic is so fucking good!!!!!

it makes me think of a similar scenario with the other Bats...

like maybe this time you're the one who's affected and Bruce is there to watch you and encouraging you to touch yourself because he knows it'll help. But you're like "No way, I'm not doing that with you right here!!" and he's like "I can turn around." and you're like "You won't be watching me through the cameras? 🤨" because you both know he'll insist on keeping an eye on you, not even for horny reasons at first, just to make sure you're ok.

But then you get more desperate and eventually give in and start touching yourself even though you know Bruce can see you, but maybe that's making it even better and maybe you start begging him to touch you and UGH just. sorry it's just such a delicious scenario. <33

I actually have a re-occurring fantasy about Bruce getting infected by some kind of sex toxin/pollen that makes him go bull in a china-shop levels of feral which I’f love to share. But I’ve never considered it the other way around, anon you saucy little minx, I love this. ♥︎ Warnings: exhibitionism/voyeurism | teasing | dub-con (by the nature of sex pollen)

Undressing and allowing Bruce to see you stripped completely bare was bad enough. You couldn’t put it off any longer though, your skin felt, still feels like it’s ablaze. But as the debilitating level of pain in your gut continued to sear throughout your veins it was becoming harder and harder to resist the inevitable. What’s worse is, there was no place to hide your shame, no corner you could crawl into and relieve yourself in without giving him a show.

“I’ll only be checking on you to make sure you’re okay.” He’d told you with that booming voice, inadvertently causing a shockwave of arousal to roll through your already severely aching core. You could tell he’d tried not to, but he couldn’t resist letting those brilliant blues roam over your nude form. The tiny bit of rationale you had left told you he was just examining you from a medical standpoint; the look was purely professional. But the rest of you, every nerve, every inch of untouched fevered skin called out for him to keep looking. To open that door and devour you six ways to Sunday. The fantasy of Bruce, sturdy and brooding, losing his composure as he pins you beneath his formidable frame and drives his cock into your needy hole is what you’re lost in as you finally take the plunge and delve your fingers between your legs.

You’d thought your body was overheating, but your wet walls are scorching as you begin to fuck yourself, no longer caring about your surroundings, or the one man audience as you get lost in the relief, in the chase. You know it’s going to feel so good when you find it, you just need more. Need to feel full.

Bruce relentlessly taps his fingertips on the desk at a speed The Flash would struggle to match as he watches you. How your dark and swollen pussy swallows up your two fingers. Then a third, and a fourth and no matter how much he tries to will his body, he can’t keep from watching. Can’t stop thinking about how good your wet walls would feel as he fucks you with all his might. Can’t fight the way his dick throbs as he recognises the curve of your lips. Your cries are muted by the cell but he knows you’re calling his name.

He’s smart enough to know it’s because you’re thinking of him. Wishing it were him splitting you open and filling you up. He wishes it were him too, and that’s why he deliberately misinterprets your pleas as a cry for help. Hurrying to your cell door so he can press down on the comms link and hear your vulgar cries first-hand.

BZZT. “B-b BRUCE PLEASE.” He’s grateful he hasn’t removed his cape yet, allowing him to use it as a shield to hide how he palms his restless cock through his Kevlar tights. “pleasefuckmebrucefuckmefuckmefuckmepleasebruce.”

“Please what?” He pretends not to have overheard your quiet chanting. It’s mean, he knows it, teasing you with his presence, knowing he can’t give you what you want. But it is worth it to see the carnality of your gaze as your lids dart open. Soaking him in as you fuck your weeping cunt even harder. “What do you need?”

“I need you, Bruce.” Your voice is so low, coming from the bottom of your chest as you struggle to get your words out clearly, cracking and shaking in time your thrusts.

“Need me to what?” Your back sharply arches against the floor, your toes curling into the air in response to him. If only you were this agreeable in the field he thinks, but then again, he quite likes you in the position you’ve gotten yourself into. “Tell me exactly how you want me to help you.”

Taglist: @wandalfnation

[cityofmeliora]

Secondo lied about being able to speak Swedish, and Terzo lied about *not* being able to speak Swedish

this is honestly one of the funniest things i've noticed in the Ghost lore 😂

when Secondo performed live in Sweden, he would speak some broken / mispronounced Swedish words and phrases on stage.

at Terzo's very first concert, he called out Secondo for lying. Secondo couldn't actually speak Swedish. he was just trolling, and Terzo thought that was a stupid prank. unlike his brother, Terzo admitted he did not speak Swedish, and he asserted he would not troll the audience by attempting to speak Swedish on stage. he re-iterated this several times at concerts in Sweden.

PAPA EMERITUS III: My imbecile brother has somehow fooled you into thinking he can speak some fucking Swedish– pidgin Swedish. No more of that! I do not speak Swedish, OK? Linköping, Sweden (June 3, 2015) via Youtube and Instagram

PAPA EMERITUS III: How are you doing? It's nice to see so many of you here. What has it been, a little over a year? My brother told me about you. And you do know that I'm not gonna trick you with any fucking pidgin Swedish, huh? I know he fooled you into believing he could talk. He sounded like a fucking asshole. Stockholm, Sweden (November 13, 2015)

... except Terzo was also totally lying because later in the same concert in Stockholm, Terzo yells at the audience in fluent Swedish.

PAPA EMERITUS III: FATTA DET HÄR FÖR HELVETE! Stockholm, Sweden (November 13, 2015)

"FATTA DET HÄR FÖR HELVETE!" translates to something like "UNDERSTAND THIS, FOR FUCK'S SAKE!"

Terzo was so bad at maintaining this lie about not speaking Swedish. he continually insisted that he could not speak Swedish, but he also kept demonstrating that not only was he a fluent Swedish speaker, he was very familiar with the culture.

PAPA EMERITUS III: Good evening. How do you do? Alright, let me get this straight to you now: Despite the band being a Swedish band, I don’t speak Swedish, OK? But I can try. You wanna hear me try? You know, we got some awards which we are very thankful for, obviously. So I can say, “Jag är kåt, glad, och tacksam.” And I can say, “Plopp.” “Kexchoklad.” Bandit Rock Awards 2016 (January 19, 2016)

“Jag är kåt, glad, och tacksam.” means "I am horny, glad, and thankful."

"Plopp" and "Kexchoklad" are the names of two Swedish chocolate candies.

PAPA EMERITUS III: I know for a fact that here in Skåne you like your potatoes, huh? Spettekaka. How fitting, because this song we’re gonna do right now does have a culinary theme that you might like. Malmö, Sweden (February 25, 2016)

Skåne is the county of Sweden where this concert was performed.

Spettekaka is a Swedish dessert.

unless they're already very familiar with Swedish, an English speaker wouldn't know how to pronounce most of these words correctly, and Terzo does.

obviously, this is all because TF is Swedish and had trouble staying in character. but the lore implications are hilarious for Terzo HAHAHA. he loves to lie and he's so bad at it.

(BTW i actually don't speak Swedish! if you are a fluent speaker, feel free to correct my translations!)

[yanderenightmare]

heya! do you have any more writing tips for writing on tumblr? like, any tips to get as much attention as you, kinda

Oh yes.

♡ Post in different lengths!

Or, more precisely, don’t only post long full-fics with multiple chapters.

I know it sounds weird, but the more effort you put into something doesn’t actually guarantee more payoff. Why would anyone read your hour-long fic if they have no previous experience with your writing that gives you credibility? In other words, how can they know spending an hour reading your writing is worth it?

More people are likely to grab a bite-sized appetizer than they are to sit down for a full five-course meal.

But! The more people like those bite-sized appetizers, the more likely they are to want to sit down for that full five-course meal, you know?

Think of those bite-sized appetizers as taste tests—kind of like commercials that bring more people in to give your actual meals a try.

Also, writing in different lengths is good for you! Only writing hour-long stuff makes you burn out quickly, which brings me to my next tip:

♡ Post often!

If you can, try posting something every day. Of course, you can’t post full hour-long fics every day, which is where writing smaller things such as drabbles, headcanons, and tiny prompts come in. Think of them as flings you have in between your long-term relationships. They’re fun little things good for your health!

But anyway, here’s a tip for when you do have those long-term relationships—as in, when you want to write full-fics or longer posts in general:

♡ Start with a hook! 

My attention should be seized by the first paragraph, if not the very first sentence I read. This is so important.

I’m a very picky reader sometimes—so if that first line doesn’t interest me, I’ll be fast to scroll to find something more enticing. And you can be sure a lot of readers are the same.

Under are some examples of my own start-liners.

Something foreboding:

There’s something very off about your roommate… something eerie that makes you keep your distance.

The plot:

Thinking about the big and burly behemoth Omega finally finding himself the cutest little Alpha to breed with…

Something catchy:

Give a brat an inch, and they'll take a mile. 

Something snappy:

You’re his favorite whore…

Dialogue:

“Feels like you’re luring me into some trap.”

A prompt:

Yanderes who keep you higher than a kite…

In medias res:

You lay on your belly on the bed.

Anyway, they don’t have to be groundbreaking—just anything that will spike interest in the reader.

♡ Write for different characters! And try writing inserts!

Inserts are when you don’t name any specific character in the story but either give options for what characters your audience can imagine or leave it completely up to them. This works best if you have a nice starter-line that tells you what kind of character this is without naming them.

Examples:

Bruiser boyfriend

Ex-military Yandere

Benevolently sexist boyfriend

Creep Step-bro

You can go further and identity the reader as well:

Big, brawny, chubby-muscled Boss and his perfectly bite-sized assistant

In other words, people like to know what they’re about to read before they start.

Otherwise and lastly:

♡ Something logistic you can have in mind is making your writing accessible. 

Say I like one of your posts, and I click your profile to check you and your other posts out, but all I see when I scroll through your blog is endless reblogs and one-off comments about this and that. My second instinct is to check out your Masterlist. If you don’t have one, my mission is fraught, and I’ll be out of there quickly. If you do have one, but it’s messy, then my patience will wane, and again, I’ll be out post-haste. 

The bottomline is to have a neat pinned post that makes it easy to navigate your blog, with all your relevant stuff easily accessible. Check out mine for reference. But the most important is for it to include your rules, how to request, and your masterlists.

Then, of course, this is obvious, but:

♡ Things take time

I’ve been running @yanderenightmare since 2020. Back then, it took me half a year to get my first 1000 followers. And most of my posts would only get about 500 or so likes. And, that’s another thing—if I was doing it for the likes and follows I probably wouldn’t still be here, so make sure you enjoy what you’re writing and stuff. If you have that conviction, then the rest is just a nice bonus.

[derinwrites]

The Three Commandments

The thing about writing is this: you gotta start in medias res, to hook your readers with action immediately. But readers aren’t invested in people they know nothing about, so start with a framing scene that instead describes the characters and the stakes. But those scenes are boring, so cut straight to the action, after opening with a clever quip, but open in the style of the story, and try not to be too clever in the opener, it looks tacky. One shouldn’t use too many dialogue tags, it’s distracting; but you can use ‘said’ a lot, because ‘said’ is invisible, but don’t use ‘said’ too much because it’s boring and uninformative – make sure to vary your dialogue tags to be as descriptive as possible, except don’t do that because it’s distracting, and instead rely mostly on ‘said’ and only use others when you need them. But don’t use ‘said’ too often; you should avoid dialogue tags as much as you possibly can and indicate speakers through describing their reactions. But don’t do that, it’s distracting.

Having a viewpoint character describe themselves is amateurish, so avoid that. But also be sure to describe your viewpoint character so that the reader can picture them. And include a lot of introspection, so we can see their mindset, but don’t include too much introspection, because it’s boring and takes away from the action and really bogs down the story, but also remember to include plenty of introspection so your character doesn’t feel like a robot. And adverbs are great action descriptors; you should have a lot of them, but don’t use a lot of adverbs; they’re amateurish and bog down the story. And

The reason new writers are bombarded with so much outright contradictory writing advice is that these tips are conditional. It depends on your style, your genre, your audience, your level of skill, and what problems in your writing you’re trying to fix. Which is why, when I’m writing, I tend to focus on what I call my Three Commandments of Writing. These are the overall rules; before accepting any writing advice, I check whether it reinforces one of these rules or not. If not, I ditch it.

1: Thou Shalt Have Something To Say

What’s your book about?

I don’t mean, describe to me the plot. I mean, why should anybody read this? What’s its thesis? What’s its reason for existence, from the reader’s perspective? People write stories for all kinds of reasons, but things like ‘I just wanted to get it out of my head’ are meaningless from a reader perspective. The greatest piece of writing advice I ever received was you putting words on a page does not obligate anybody to read them. So why are the words there? What point are you trying to make?

The purpose of your story can vary wildly. Usually, you’ll be exploring some kind of thesis, especially if you write genre fiction. Curse Words, for example, is an exploration of self-perpetuating power structures and how aiming for short-term stability and safety can cause long-term problems, as well as the responsibilities of an agitator when seeking to do the necessary work of dismantling those power structures. Most of the things in Curse Words eventually fold back into exploring this question. Alternately, you might just have a really cool idea for a society or alien species or something and want to show it off (note: it can be VERY VERY HARD to carry a story on a ‘cool original concept’ by itself. You think your sky society where they fly above the clouds and have no rainfall and have to harvest water from the clouds below is a cool enough idea to carry a story: You’re almost certainly wrong. These cool concept stories work best when they are either very short, or working in conjunction with exploring a theme). You might be writing a mystery series where each story is a standalone mystery and the point is to present a puzzle and solve a fun mystery each book. Maybe you’re just here to make the reader laugh, and will throw in anything you can find that’ll act as framing for better jokes. In some genres, readers know exactly what they want and have gotten it a hundred times before and want that story again but with different character names – maybe you’re writing one of those. (These stories are popular in romance, pulp fantasy, some action genres, and rather a lot of types of fanfiction).

Whatever the main point of your story is, you should know it by the time you finish the first draft, because you simply cannot write the second draft if you don’t know what the point of the story is. (If you write web serials and are publishing the first draft, you’ll need to figure it out a lot faster.)

Once you know what the point of your story is, you can assess all writing decisions through this lens – does this help or hurt the point of my story?

2: Thou Shalt Respect Thy Reader’s Investment

Readers invest a lot in a story. Sometimes it’s money, if they bought your book, but even if your story is free, they invest time, attention, and emotional investment. The vast majority of your job is making that investment worth it. There are two factors to this – lowering the investment, and increasing the payoff. If you can lower your audience’s suspension of disbelief through consistent characterisation, realistic (for your genre – this may deviate from real realism) worldbuilding, and appropriately foreshadowing and forewarning any unexpected rules of your world. You can lower the amount of effort or attention your audience need to put into getting into your story by writing in a clear manner, using an entertaining tone, and relying on cultural touchpoints they understand already instead of pushing them in the deep end into a completely unfamiliar situation. The lower their initial investment, the easier it is to make the payoff worth it.

Two important notes here: one, not all audiences view investment in the same way. Your average reader views time as a major investment, but readers of long fiction (epic fantasies, web serials, et cetera) often view length as part of the payoff. Brandon Sanderson fans don’t grab his latest book and think “Uuuugh, why does it have to be so looong!” Similarly, some people like being thrown in the deep end and having to put a lot of work into figuring out what the fuck is going on with no onboarding. This is one of science fiction’s main tactics for forcibly immersing you in a future world. So the valuation of what counts as too much investment varies drastically between readers.

Two, it’s not always the best idea to minimise the necessary investment at all costs. Generally, engagement with art asks something of us, and that’s part of the appeal. Minimum-effort books do have their appeal and their place, in the same way that idle games or repetitive sitcoms have their appeal and their place, but the memorable stories, the ones that have staying power and provide real value, are the ones that ask something of the reader. If they’re not investing anything, they have no incentive to engage, and you’re just filling in time. This commandment does not exist to tell you to try to ask nothing of your audience – you should be asking something of your audience. It exists to tell you to respect that investment. Know what you’re asking of your audience, and make sure that the ask is less than the payoff.

The other way to respect the investment is of course to focus on a great payoff. Make those characters socially fascinating, make that sacrifice emotionally rending, make the answer to that mystery intellectually fulfilling. If you can make the investment worth it, they’ll enjoy your story. And if you consistently make their investment worth it, you build trust, and they’ll be willing to invest more next time, which means you can ask more of them and give them an even better payoff. Audience trust is a very precious currency and this is how you build it – be worth their time.

But how do you know what your audience does and doesn’t consider an onerous investment? And how do you know what kinds of payoff they’ll find rewarding? Easy – they self-sort. Part of your job is telling your audience what to expect from you as soon as you can, so that if it’s not for them, they’ll leave, and if it is, they’ll invest and appreciate the return. (“Oh but I want as many people reading my story as possible!” No, you don’t. If you want that, you can write paint-by-numbers common denominator mass appeal fic. What you want is the audience who will enjoy your story; everyone else is a waste of time, and is in fact, detrimental to your success, because if they don’t like your story then they’re likely to be bad marketing. You want these people to bounce off and leave before you disappoint them. Don’t try to trick them into staying around.) Your audience should know, very early on, what kind of an experience they’re in for, what the tone will be, the genre and character(s) they’re going to follow, that sort of thing. The first couple of chapters of Time to Orbit: Unknown, for example, are a micro-example of the sorts of mysteries that Aspen will be dealing with for most of the book, as well as a sample of their character voice, the way they approach problems, and enough of their background, world and behaviour for the reader to decide if this sort of story is for them. We also start the story with some mildly graphic medical stuff, enough physics for the reader to determine the ‘hardness’ of the scifi, and about the level of physical risk that Aspen will be putting themselves at for most of the book. This is all important information for a reader to have.

If you are mindful of the investment your readers are making, mindful of the value of the payoff, and honest with them about both from the start so that they can decide whether the story is for them, you can respect their investment and make sure they have a good time.

3: Thou Shalt Not Make Thy World Less Interesting

This one’s really about payoff, but it’s important enough to be its own commandment. It relates primarily to twists, reveals, worldbuilding, and killing off storylines or characters. One mistake that I see new writers make all the time is that they tank the engagement of their story by introducing a cool fun twist that seems so awesome in the moment and then… is a major letdown, because the implications make the world less interesting.

“It was all a dream” twists often fall into this trap. Contrary to popular opinion, I think these twists can be done extremely well. I’ve seen them done extremely well. The vast majority of the time, they’re very bad. They’re bad because they take an interesting world and make it boring. The same is true of poorly thought out, shocking character deaths – when you kill a character, you kill their potential, and if they’re a character worth killing in a high impact way then this is always a huge sacrifice on your part. Is it worth it? Will it make the story more interesting? Similarly, if your bad guy is going to get up and gloat ‘Aha, your quest was all planned by me, I was working in the shadows to get you to acquire the Mystery Object since I could not! You have fallen into my trap! Now give me the Mystery Object!’, is this a more interesting story than if the protagonist’s journey had actually been their own unmanipulated adventure? It makes your bad guy look clever and can be a cool twist, but does it mean that all those times your protagonist escaped the bad guy’s men by the skin of his teeth, he was being allowed to escape? Are they retroactively less interesting now?

Whether these twists work or not will depend on how you’ve constructed the rest of your story. Do they make your world more or less interesting?

If you have the audience’s trust, it’s permissible to make your world temporarily less interesting. You can kill off the cool guy with the awesome plan, or make it so that the Chosen One wasn’t actually the Chosen One, or even have the main character wake up and find out it was all a dream, and let the reader marinate in disappointment for a little while before you pick it up again and turn things around so that actually, that twist does lead to a more interesting story! But you have to pick it up again. Don’t leave them with the version that’s less interesting than the story you tanked for the twist. The general slop of interest must trend upward, and your sacrifices need to all lead into the more interesting world. Otherwise, your readers will be disappointed, and their experience will be tainted.

Whenever I’m looking at a new piece of writing advice, I view it through these three rules. Is this plot still delivering on the book’s purpose, or have I gone off the rails somewhere and just stared writing random stuff? Does making this character ‘more relateable’ help or hinder that goal? Does this argument with the protagonists’ mother tell the reader anything or lead to any useful payoff; is it respectful of their time? Will starting in medias res give the audience an accurate view of the story and help them decide whether to invest? Does this big twist that challenges all the assumptions we’ve made so far imply a world that is more or less interesting than the world previously implied?

Hopefully these can help you, too.

[dcxdpdabbles]

DCxDP fanfic idea: Ecto-Specialist

Danny Fenton gets sent by his parents as a Fenton Ecto-Specialist at the request of the Justice League. They would have gone themselves, but unfortunately, every other Fenton had come down with the flu.

Danny was happy about his ghost immune system because this meant he could present Ghosts in a much more favorable light. He left behind all his parents' weapon blueprints and research reports.

He switched them out with his PowerPoint, ghost notes, and interviews he managed to obtain from the friendlier spiris. He arrived to the Hall of Justice, was given a special access pass and was told to set up in a board room.

He nervously plugged everything in, smooth down his suit, and practiced his speech. He's given presentations before, but they have always been school assignments. It was still nerve-wracking, but at least everyone else had to give the exact same topic for the same five to six minutes requirement.

Here, he was going to speak before some of the best heroes of the world to convince them that ghosts were sentiment. To prove they should have rights.

No pressure.

"Hello, I'm Danny Fenton. I'm going to speak about Ecto-beings and their vast culture within the Infinite Realms, " He says to the empty chairs. He pauses for a moment before, as if though he was gathering the attention of a audience before pressing the clicker abd watching his slide move.

"What are Ecto-beings?" He makes a gesture, that he once saw Tim Drake do on TV. It was a smooth wrist roll that he thought look sophisticated. "They can come in all shapes and sizes. Some are naturally formed from their environment, others are born to Ecto-beings and a few or deceased spirits. But they all share a core build from ectoplasm. That's what classifieds them as-"

"Maybe start but explaining what ectoplasm is" a voice cuts him off. Danny is not proud of the high pitch scream that releases from his throat. He is even less proud that he jumps so badly, he ends up tripping over his feet and falling over.

Bell-like laughter, fills the air, and Danny swings his head to the doorway only to further choke on his spit. Standing there looking like a Greek god is Tim Drake.

The very person he was attempting to imitate.

"Are you the Fenton Works representative?" Drake asks, strutting in with a wink. "I'm here on Wayne Enterprises behalf. We may be doing a joint charity effort for Ecto-beings rights. I'm Timothy Drake. And you?"

"I ugh, I'm Danny. Ugh- Danny Fenton. My parents own Fenton Works." He scrambles to his feet, flushing dark red when Drake smiles. "I'm presenting today. I was um practicing?"

"You're doing great" Drake assures. "Just remember to not stand in front of the screen. You want people to ready your bullet points."

"Oh." Danny drags his podium over. He cringes when he realizes that causes it yo scrap against the floor, leaving two long lines.

Drake's grin widens. "It has wheels. You just press the little lever on the right"

Danny wants to die "right. Sorry"

"Nothing a wax machine can't fix." Drake tilts his head, studying his face before asking,"Want to get a quick coffee to calm your nerves? They sell a great brand in the cafeteria"

Danny rubs his hands "Coffee makes me more nervous but thank you"

Drake's smile flatters before it switches back. "Icecream then?"

"No thank you. I run cold naturally and ice cream makes it worse"

".....how about afterwards? We could go watch a moive? Dinner?"

"I would, but I'm supposed to stay in the hotel my parents rented for me. They'll know if I'm not."

The other teen nods and looks a bit disappointed. "Alright, you can't blame a guy for trying . Well, good luck with your practice. I'll be back in an hour for the presentation."

Dannybwaves goodbye, trying to slow his fluttering heart rate. He just spoke to Tim Drake! He can't wait to text Sam and Tucker.

It's only after re-running the presentation once, about thirty minutes later, that Danny jolts in place "HE WAS ASKING ME OUT?!"

"Who was?"

For the second time that day, Danny released a high pitch scream. It's much worse to find Wonder Woman fighting a amused smile standing in the doorway instead of a Teenage Hearttob.

He hasn't even started. Maybe he should have fake being sick, too.

[writingwithcolor]

Author with cultural disconnect: How do I write without making it seem as if I hate my own heritage?

Anonymous asked:

I’m a white-passing Asian author, and I’ve never felt all that connected with my heritage. My current story centers on a fairy (re: fantasy-world POC) child and ends with her realizing that her parents are toxic af and her human best friend’s family takes her in. This is the perfect opportunity to sort through my own issues with my heritage and finally convince my monkey-brain that it’s okay to not know how to cook Vietnamese food or celebrate tet or speak Vietnamese… But I also realize that if I’m not careful, this could easily slip into “Hey, I hate my heritage and so should you!” So how can I stop that from happening?

Writing for yourself first, not an audience

I ask you a simple question: why put pressure on yourself to have any sort of non-offensive messaging for a story that hasn’t been drafted yet and is to convince your monkey brain it’s okay to exist as yourself?

That seems like the fastest way to stop the story from being actually cathartic and instead a performance art piece when you already feel hung up on performing as “properly” part of your culture.

As I said in Working Through Identity Issues and Other Pitfalls of Representation, not all stories you write need to be for public consumption. Especially stories you’re using for your own self-processing and therapy, because you’re trying to get a cathartic moment that is rewriting your own story.

At what point does the public need to be involved in that?

I do understand the compulsion to want to post—I have definitely posted some Questionable™ material in my drive to get validation for feeling the way I do, wanting people to witness me and say “same.” It’s a powerful urge. Sometimes it’s worked, but most of the time it’s just made me feel horrifically exposed.

But you really do not have to post in public to get any sort of validation. Set up a groupchat with friends if you want the cheerleading and witnessing—people who will know your story and give you good-faith interpretations and won’t accuse you of anything. Honestly I’d suggest setting up this groupchat anyway; as someone who just got one again after quite a few years without it, my productivity has skyrocketed from being around supportive people.

Let the monkey brain have its monkey brain moment and shut off the concept the story is for the public. Shut off the concept of performing for an unknown audience. It’s for you. Be authentic, no matter how bad it would look to outsiders. They’re not reading it. Part of getting catharsis, sometimes, is being the worst version of yourself, somewhere nobody else can see it.

Deciding to publish the work

If, after you do write it, you find that you actually do want to polish it up and put it somewhere… edit it. Rewrite it entirely if that’s what it takes. Take the story through the same drafting process every story needs to go through, ripping out the unfortunate implications as you go.

Editing can be its own form of healing, as you try to figure out what this character would need to not be hateful. As you realize, once this longform journal entry is out of your head, what was bothering you now that you can see it pinned down on a page. But you absolutely do not need to write with the intention of editing in that healing. When I’ve tried, it’s fallen flat.

The healing will come from being yourself, no public involved, and writing about your feelings in their rawest form. Anything else is extra.

There’s no point in trying to put guard rails on the drafting process, not for a deeply personal piece. And by the time that drafting process is done, you’ll likely have specific scenarios and contexts that you can ask about, and you might even have ideas on how to fix it yourself once the story has a shape to it.

This is 100% a situation where there’s no real sense in idea workshopping something in the plotting stage. You’re doing something for you. Decide if it’s for public consumption later (while acknowledging “no” is a perfectly valid answer), and only figure out how to make the story not overtly harmful if you decide to put it out into the public.

~ Leigh

[ohnoitstbskyen]

I know it would probably bring a lot of hate comments but I am begging you to roast the hazbin character designs because I'd love to have someone properly articulate why they don't work so I could send it to people who won't believe me when I tell them. 🫠 Understandable if you don't want to get into it though.

I don't think there's that much there to roast, honestly?

Those designs are clearly an extremely specific stylistic choice, and because that style is consistent throughout the show, it ultimately feels coherent with itself.

There are trade-offs being made. Because Hazbin's design style is SO stylized and so heavy on decoration and detailing, because it puts a lot of emphasis on costuming, it isn't as good at communicating specific character storytelling as a more grounded style could be (it's kind of the same tradeoff that stuff like Genshin Impact makes).

Like, why does Sir Pentious' hat have an eye and a mouth on it that makes its own expressions? Apparently not for very much reason at all, except that Pentious has a bit of an eyes-motif going on in his design and it was one more place to put an extra eye. And that's a valid criticism of his design, but also the entire show is designed like that, so frankly it would be weirder and more out of place if his design alone didn't have that kind of overelaborate decoration going on.

It does create a situation where I have a hard time "reading" the character designs sometimes. For example, Vox, Alastor and Pentious all wear a similar style of suit with upwards-turned shoulders, butterflies and pinstripes. Now, am I meant to read that as Vox imitating Alastor due to his crippling need to replace and outdo him, and Pentious imitating the style of powerful Overlords because he thinks that possessing their level of power will finally give him relief from his paranoia and self-loathing?

Or is it just a design fixation of the creator who keeps putting their characters in suits because that's just what they like? I can't really be sure, because sometimes design elements are used to intentionally tell stories about how characters relate to themselves, their world and one another, but plenty of other times designs look the way they do Because Of Vibes.

But again, that lack of clarity is clearly an intentional trade-off - and the benefit of that trade-off is a design style that is extremely varied, wild, expressive and memorable. Hazbin Hotel seems like a very easy show to draw fanart of, and a very fun show to draw fanart of. Those designs (especially the hyper-expressive faces) are begging to be the subjects of traumatic headcanons, unbearably cotton-candy soft fluff fantasies and weird, taboo, homoerotic power dynamics. Slaps roof of character design, this bad boy can express so much vicarious emotional intensity.

It's very exuberant, very excited about itself and very self-indulgent, it's a style that prioritizes visual impact and visual interest over readability (something which the animators of the show navigate with real skill, props to them) and individual aesthetics over worldbuilding.

And I don't blame anyone for being turned off by that (I certainly was the first time I started seeing those designs going around), but I would struggle to call the show's designs "bad" when they are clearly achieving exactly what they want to achieve.

I have some criticisms, especially re: how the show treats skinny bodies as an unquestioned, desirable default, and employs fatness as a means of alienating and abjecting the audience. That sucks very badly, and is a serious disappointment, and one of the few places where the show feels like it is being cowardly in its design philosophy. But I don't have it in me to do some kind of Hazbin Hotel Sucks And Here's Why takedown, its problems are not unique or extreme enough to warrant it, at least not as I currently understand them.

[derinthescarletpescatarian]

hey! I'm pretty new to your stories: currently reading curse words and loving it! (I started the first book with the mindset that I wouldn't be caught enough to miss some real life stuff because of reading... guess what, I missed some real life stuff reading.)

but now I have a question: the books have a pretty intricate plot with a lot of good payoffs for small things. which is very cool from a reader's point of view, but from the writer's one— can you maybe share some stuff about your process? especially in the early stages, how do you go from the initial spark of an idea and what this is about to a fully formed plot? would be cool if you're willing to share

anyway have a great day I'm off to start the third book hehe!

One thing to know about me is that I have just the worst possible imagination. Absolute pisspoor garbage imagination, nothing going on up there. When I want to plot, my process is simple:

Find a problem, then solve it.

Curse Words was born of several disparate story ideas coming together, but mostly I wanted to play with the magic system -- I wanted to write a story where spells were metaphysical parasites that possessed mages, and each mage could only cast their unique spell. The whole thing came about when reading The Princess Bride, specifically the chapter where Buttercup dreams of being a perfect baby and the doctor looking her over and regretfully informing her parents that she was born with mo heart -- I was possessed with this powerful impression of a slightly wacky doctor peering over the top of his rose tinted glasses to inform a pair of parents that their baby had a curse trapped in her heart. From there, it's find the problem, solve the problem.

I wanted to separate Kayden from his family and put him in an unfamiliar environment for the story so that he and the audience would be on a pretty similar level re: world information; isolated magic and a magic school is the easy way to do that. Okay, so why is this school isolated? Why is the curse thing not common knowledge? Why do the public fear curses and have such limited access to magic that it's not a part of Kayden's day-to-day, if it's so useful? Solve the problem; look at the economy. The unique nature of spells makes them difficult to scale up, and the unpredictable nature makes them inferior to technological solutions to problems in most large-scale issues. What does this say about how the Industrial Revolution would've affected the usefulness, and therefore the public perception, of magic? The logical conclusion is the Purity Revolution.

This school is gathering and teaching all these students; why? I wanted a clear division between witches like Kayden and a privileged elite that formed most of the school body; why are they different, how are the elite kids here, why are witches accepted and integrated into the student body? Solve the problem; look at the economy, the politics. Where are these rich kids getting their magic? Why pull in witches? One question answers the other. Why didn't Kayden and Kylie know that curses were spells in advance? Seems something that should be common knowledge. Look at the politics; tie that in. Logical conclusion: magic trap. We have this magic lake with a monster in it that we introduced super early for dramatic purposes and haven't explained yet. What can we do with that? Let's invent empowered water. Let's look at what that means for the creation of potions worldwide. Let's tie in the management of unmanageable spells. Let's elaborate on the structure our magic trap.

Now we have a channel of power. Curses parasitise witches; some are blessings, some are more trouble than they're worth. The school collects curses, domesticates them, makes them more useful, locks away or renders harmless that which it cannot make use of. More curses are collected over time, the school grows and grows and Refujeyo becomes stronger and stronger as they control more of the world's magic supply, but every system has a capacity. What's the effect of this infinite growth? Here we have a clear and unavoidable economic metaphor, so obvious that not centreing the story on this concept would basically be dishonest. Who's managing this collection, what does it say about the power of the school within mage society? How would such a school relate to the rest of Refujeyo; how would Refujeyo, collecting power like this, relate to and be viewed by other magical traditions, and by nonmagical society? Run through the reasoning, solve the problem.

Why would the school only approach Kayden as a teenager, after his curse caused problems? Surely the school would want to collect as many curses as if could as early as possible. There has to be a reason why they waited. This is a good one because it flows directly from the complex political relationships between Refujeyo and commonfolk politics that have to exist, AND ties neatly into critical character motivations that have to exist for book 1's main twist to function (notably, Malas Aksoy's actions). Sort this out for book 1 and accidentally create a critical political point for the rest of the entire series.

I started writing book 1 with the idea of the court case and subsequent twist about Kayden's curse being the big mystery, but Kayden still needs something to actually do at school. We have this mage who we threw in to rescue Kayden and Kylie from the lake, and had Max hero worship her for flavour; she seems to be becoming central to a lot of interactions for some reason. A lot of dramatic stuff is therefore automatically happening in her presence, but why is this incredibly accomplished and intelligent mage fucking up so much? We've established her as careful and thorough. We need a reason for all these accidents beyond random chance. Someone's sabotaging her -- why? Let's look at our established characters and figure out who has means and motive, and who the most fun red herrings would be.

How could a place like Refujeyo, such a complex and time-consuming project that would have to involve the cooperation of so very many mages, even get built? How would it survive long enough to be powerful? When and where did this happen? We've already established the Purity Revolution; maybe there was something more coordinated than just random undirected economic forces. We've established some incredibly powerful mage families and the old system of apprenticeship and inheritance; we know that the most powerful family in Refujeyo used to have a prophecy and owned a very powerful place that helps prophecies specifically. They could coordinate something, given enough motivation and the help of enough other powerful mages. What kind of motivation? Let's go back to the Purity Revolution. If tech develops alongside magic without central oversight of some kind, what could magic enhance? What problems could be foreseen that would make this kind of investment worth it? How does Refujeyo save the world?

Tie this into our power channel. Refujeyo's attempt to save the world endangers the world due to infinite growth and power being passively collected by those who benefit from the dangerous status quo. It fits our economy metaphor, because they're essentially the same thing, just putting in magic instead of money as a means of power.

Find a problem, then solve it.

The important thing with this method is to keep your solutions cohesive. If you come up with a new different reason for every thing, your plot will look scattered and disorganised. We don't want to look like we're just pulling the story out of our arse. I mean, we are pulling the story out of our arse, that's what writing fiction is, but it's a big part of our job to help our audience suspend their disbelief on that. Whenever possible, you should look for answers that solve multiple things and weave disparate parts of the story together; this is especially true when they relate to the core plot or central theme of your story.

Also, leave gaps for reader inference. You don't have to answer every single question, you just need to make sure that some plausible answer exists for every single question. Sometimes this involves saying less, not more, and letting the audience figure it out.

[rip-quizilla]

Eat Me

Pairing: Older!Rockstar!Eddie Munson x Popstar!Reader

Summary: (TLDR: you perform with Corroded Coffin, act like a brat the whole time, and Eddie makes you pay for it.) Two years after your hiatus from the music industry, you're back and all grown up now. After collaborating with early 2000's metal sensation Corroded Coffin for several songs off your new album, you debut the new tracks live in a surprise performance with the band during their tour- and the tension between you and frontman Eddie Munson is so thick, you're barely able to keep your pants on throughout the set. (Songs referenced are by Demi Lovato from her album HOLY FVCK, which inspired this fic. I highly suggest listening to the songs "Eat Me" and "Freak" while they're performed in the story for the complete experience!)

Word Count: 14K

Tags: 🔥SMUT, age gap (reader is 27, Eddie is 47), Reader is a brat (Eddie can handle it), fingering, squirting, p in v sex, unprotected sex (wrap up!!), light degradation, reader has blue hair, reader is a grown-up child star, for the purposes of this fic Corroded Coffin started in the 90s instead of 80s for timeline reasons

🖤🖤🖤

You had no fucking clue what you were doing. 

It had been two years since you’d put out music. Two. Years. That’s enough time for a person’s relevance to crawl into a hole and die, which is something you had been strongly considering doing for the duration of those two years. 

It was a tale as old as time- child star grows up. Child star is not a child anymore, but the world only wants the star to be a child, so if the star wants to keep being a star, they do not. grow. up. 

But you grew up, and guess what happened? 

The world hated you for it. 

So you stopped trying to be a star. You’d dropped off the face of the earth and deleted every social media app from your phone. You’d bought a house in the mountains, and thanks to modern technologies like Amazon and DoorDash, you basically never had to leave. It was a little scary how easily you had become a hermit living in a cabin in the woods. Your life quickly became a never ending cycle of reading, binge-watching tv, and dying/cutting your hair whenever the mood struck (The latest spontaneous color change had left you with a surprisingly pretty shade of faded blue).

It was easy, running away… until it caught up with you.

After all, at your core you had always been a performer. From your first audition at five years old to your big break at twelve, to the first album you’d put out on your television network’s record label- you had always been a person who had something to say and craved an audience to hear it. When your audience had turned on you, it had jolted your rhythm enough that you forgot the words to a song you’d been singing as long as you could remember. 

It had taken you a couple years, but eventually you figured out that when you play the same song on repeat for long enough, it gets old. 

So you wrote a new song. 

To be more precise, you wrote a whole album. Literally. 

Some of the songs were composed, some still needed a tune, but the message of the album was clear: I’m not that little girl on your TV screen anymore. You don’t have to like it, but you sure as hell can’t change it. 

The minute you’d figured that out, you’d called your team. Once they understood the direction your career was headed, they helped get everything in order for your re-entry into the fray that had driven you out in the first place. 

There was only one part of the album that made you nervous. 

I know two years doesn’t seem like that long, your agent had said, but the public eye doesn’t have a very impressive attention span. You only have half of the album composed, right? This is the perfect opportunity to make the other half of the songs collaborations with artists that are in the public eye! 

The idea made sense. Their popularity helps you, and if the songs go over well, then it helps the other artists too. The only issue was that these songs were way more vulnerable than what you used to write… hell, half the songs you’d recorded before your hiatus were written by whatever run of the mill joe schmo had gotten the kid-friendly execs’ stamp of approval. Even when you’d split from the network after turning twenty-three, you’d kept your songs strictly PG-rated since you knew the majority of your audience were minors. These new songs, though… 

You weren’t an idiot. The themes of these songs were not subtle. Anyone who listened to these new songs was going to see a side of you that wasn’t all that pretty. Were you ready for that? Were you ready to bare that darkness to not only the world, but to other artists who meant to help you make music out of it?

Your anxiety about the album had gotten even worse when your agent had given you the list of potential collaborators.

 One song that you were particularly proud of called “Eat Me” had some very metal undertones to it, so you’d told your agent that you’d like to collaborate with a metal band or artist to compose the music that would match the lyrics. Almost immediately, your agent had suggested a collaboration with Corroded Coffin.

The band had been HUGE when you were a kid, topping charts throughout your childhood and making a name for themselves as one of the most culturally relevant turn-of-the-century metal bands. Even now, they were a household name. Your older brother had been a huge fan, so you’d actually listened to their music quite a lot growing up. They weren’t some random collaboration- if Corroded Coffin read your lyrics (which were basically your soul laid out on display) and thought they were shit? It might just send you spiraling right back to your cabin in the mountains. 

You had been equal parts thrilled and terrified when your agent told you they’d agreed to collaborate on the song.

Currently, you were sitting in your home-away-from-home, a cozy apartment that you rented on a month-to-month basis whenever you needed to be in New York, which just so happened to be where Eddie Munson, lead singer/guitarist of Corroded Coffin had asked to meet with you. It was your album, so you had invited him to come to your place and discuss his ideas for the song. You shifted nervously on your couch and glanced at the time on your phone. He was ten minutes late- that shouldn’t bother you, a lot of musicians had a habit of running late. Just because you didn’t subscribe to that stereotype didn’t mean you had to judge him for doing the opposite. 

When you finally heard the buzz of your doorbell, you practically hopped off the couch. You peeped through the little door viewer to catch a glimpse before you had to look one of your childhood heroes in the eye. You… you hadn’t been adequately prepared to see this. 

Eddie Munson had been attractive in his hay day- you could admit that. You’d seen the pictures of him on their album covers, the press photos, the magazines… he had always been cute in a scruffy sort of way. You hadn’t bothered Googling what he looked like now, which you were currently regretting since you had not been adequately prepared for the father of all DILFs to be standing on your doorstep. 

After doing some quick math, you came to the conclusion that Eddie Munson must be in his mid to late forties at this point. His hair was still long and curly and thick as hell, but you noticed other details that you distinctly remembered were not present on the album covers you remember from your brother’s CD collection- dark, whiskery shadow along his cheeks and jawline. Tattoos creeping up from the collar of the crew neck shirt he wore, as well as every inch of his arms. A nose ring. Smile lines. Soft creases forming between thick brown eyebrows. 

Eyebrows drawing together in confusion because you weren’t opening the door. 

Shit. You inhaled sharply and hastily made to open the door. Breathe, you instructed yourself, taking a moment to blow out a semi-relaxing breath before turning the doorknob and plastering on your best entertainment industry smile.

“Hi!” you said, a little too peppy- you knew you sounded too peppy because the rockstar in front of you actually flinched when your high-pitched sorority girl voice slapped him in the face. “Sorry, I think I’m a little caffeine-riddled, I just finished my third cup of coffee.” You said apologetically, swinging the door open wider for him to step through the threshold into your apartment. 

“Too many frappuccinos there, huh popstar?” His voice… if it hadn’t been so condescending, you might have melted on the spot. Your pride, however, had to argue with your clenching thighs. 

“Uhm, no-” you laughed, keeping your voice airy as you shut the door and leaned back on it to ensure it was closed. “-just cold brew, rockstar.” You couldn’t help but add that quip at the end, seeing how he had just called you popstar like it was the same as calling someone a pussy or a wimp. What was his deal?

He looked at you with a raised eyebrow, arms crossed over his chest, and then turned back as if you hadn’t said anything at all. He simply sauntered through the hallway to your living room, where you had laid all the necessary materials for your composing process across the coffee table- but he wasn’t looking at that. He seemed to be inspecting your walls, the decor, the old pictures that sat in frames on your floating shelves, the records you had displayed above your turntable. His eyes surveyed everything like he was a judge at a fucking science fair, and your heart was starting to race as you started to irrationally wonder if you fell short of his expectations or something.

“Ahem,” you cleared your throat to get his attention. 

He turned to face you, irritation flashing across his expression like a cloud blowing past the sun. You took a breath. Calm down, you chided yourself mentally, he’s probably just a prick, don’t take it personally. Be professional. 

“Can I get you something to drink?” You chirped politely, to which he smirked and shook his head.

“Don’t trouble yourself, sweetheart.” 

You bristled; sweetheart? Who did he think he was, Don Draper? Was this the 1950’s? Were you his fucking secretary? Your blood pressure rose by the second. 

“Hm.” you respond, chewing your lip to keep a snarky response to yourself. “Well, we can go ahead and get started if you want.” You gestured to the pages strewn across the coffee table. Notebook pages with your lyrics written out in black pen, empty pages of sheet music that you planned to fill out with a melody to coincide with your words as the morning went on. Your acoustic guitar sat securely in its stand beside the couch, eagerly awaiting your hands to make the message in your music come alive.

Munson sunk into the cushions of your leather couch, manspreading enough to make you feel like a guest in your own apartment. His forearms rested on the thighs of his ripped charcoal jeans as he surveyed the pages before him. He grabbed the notebook page full of lyrics first, chuckling when he saw the title. 

“Eat Me, huh?” he raised an eyebrow at you, and the way he was holding the page between the two of you left only the top half of his face visible from where you sat. You noted that Eddie Munson had extremely expressive eyes. “That’s a pretty evocative title for such a squeaky-clean ‘lil diva.”

Your brow furrowed. “That’s kind of the point.” Using your pointer finger to pull the page down, the bottom half of the rockstar’s face coming into view and spiking your blood pressure again when you saw that fucking smirk still on his face. 

That’s it. This guy is an ass.

“Maybe my agent didn’t accurately portray my vision for this album,” you said, struggling to grit out the words without coming across angry. “If that’s the case, I’m very sorry we got our wires crossed.” 

Ready to listen, Munson leaned back into your couch and crossed one booted foot over his knee, an arm thrown across the top of your couch cushions. The picture of nonchalance. 

Cocky bastard. 

“I’m not sure if you’re aware, but I haven’t put any music out in over two years.” you began. “This isn’t just a new album for me- it's more like a debut album for the new direction I want to take my career in. Up until now, I’ve been portraying a very different side of myself that…if I’m being honest, it wasn’t really me. It was childish and immature and I…” 

You huffed out a heavy, frustrated sigh. “-I can’t do it anymore, I can’t keep being a kid, I’m twenty-fucking-seven years old, for god’s sake.” the rockstar’s eyebrows jumped up at hearing your expletive, obviously amused.

What the fuck? Here you were, being vulnerable with a complete stranger, and he thought it was amusing? You half expected him to laugh, but you brushed past it and decided to ignore this asshole being even more of an asshole. 

“What I’m trying to say is this is a very personal album for me. It’s very different from what I’ve been putting out, and that is very much the point. Does that make sense?” 

You watched as he slowly nodded his head, mulling over your words. “So…it’s like a coming of age thing?” he ventured, “Like, ‘little girl’s all grown up and sexy now’ all that?” his mouth turned up at one corner. “How very Miley Cyrus of you, sweetheart.”

You scoffed, physically recoiling a bit. “Are you being serious right now?” you balked. 

He shrugged. 

Oh, you fumed, that is it. Fuck this guy.

You stood from the couch, finally snapping after holding yourself back from giving this asshat a piece of your mind. “What is your problem?” Munson’s smirk faded a bit, but his smug air remained intact as he stared up at you. 

“Look sweetheart-”

“No.” you cut him off, stopping him with a hand in the air. “Stop calling me sweetheart like you know me or like that isn’t a condescending fucking way to speak to someone. You have done nothing but talk down to me since you walked through that door, so no, you do not get to talk to me like that, I don’t care how famous you are.”

There wasn’t a trace of a smile on his face now, and you took pride in that. Maybe there was a conscience in there somewhere that was telling him I told you so right now.

You took the page from his hands and held it up for emphasis. “If you had just read my fucking song before making assumptions, then maybe you would have understood that this song is actually a social commentary on people like you who assume the direct trajectory of a child star’s career is to go from cute and childish to sexy ‘girls gone wild’ or whatever the fuck.” you spat, practically shaking the paper in your hand. “I’m allowed to grow into whoever I damn well please, and that’s exactly what this song is about. If I want to write a song about sex- and I’ve written a few, they’re on the fucking album- I’ll write them because that’s what I want to write! I’m not doing it for shock value or because I like attention; hell, I’ve been a literal hermit in the woods for two years, I don’t give a fuck about attention!”

You finally paused to breathe, and you knew your eyes must look absolutely insane because the man before you genuinely looked terrified. 

Steeling yourself, you inhaled and exhaled slowly, attempting to push down some of that hysteria. “Sorry.” you bit, “Didn’t mean to unload all that on you. It’s just… this song is a part of me, and you just belittled it without even reading past the title.” You looked him directly in those big brown eyes and thought- hoped- for a second that you saw understanding in his gaze. “That was shitty. I’m not letting other people make me feel like shit anymore.” 

When you were finished, silence took over. It settled over the room like a reprieve from a short but heavy rainfall before the sun showed itself again. Suddenly, Eddie Munson stood from your couch and marched to your door, letting himself out with a sharp click of your doorknob latching closed. 

Okay. That went well. The lead singer of one of the most famous metal bands just came to your apartment, got yelled at, and ran away. You were just starting to ponder how you would explain this one to your publicist before you heard a knock at your door. Tentatively, you opened it- you didn’t need to look through the peephole to know who it was. 

Eddie Munson stood at your door wearing an expression that you hadn’t seen yet today- he looked open, compassionate, and sorry. One hand in his pocket with the other outstretched, tattoos winding up the expanse of skin, rings glinting light from the sconces on either side of your door. He was offering his hand. 

Smiling slightly, you accepted his gesture. You grasped his ink-scarred hand, feeling the cold metal of his rings press against your skin as you shook it. “It’s lovely to meet you-” he said your name softly, and you realized that when he had entered your apartment earlier, you hadn’t even exchanged pleasantries. Hadn’t introduced yourselves, almost as if fame got rid of the need for normal human introductions. Now, here he was, remedying that.

“It’s nice to finally meet you, Mr. Munson,” you said, voice less chipper than it had been when the two of you originally stood in these same spots. “I’m a huge fan.” 

He winced at ‘Mr.’, clapping his other hand over yours tightly. “Please, for the love of god, don’t call me Mr. Munson.” his big brown eyes pleaded with you. “Call me Eddie.”

Your smile widened as you nodded. “Eddie.” you repeated. “Is this you telling me we’re starting over?” 

He let go of your hand, and you felt a sudden chill as the warmth of his skin left yours. “If that’s alright with you?” he replied softly, turning up the end of his sentence like a question. 

Instead of saying yes, you simply stepped back to make room for him in your hallway. With a pleasant grin on your lips, you gestured for him to step inside. “Let’s get started, then.”

After sitting down on the couch once more, Eddie took the sheet of notebook paper on which you’d scrawled a part of your soul written in verse and began to read intently. Leaving him to digest the song completely (also because you felt awkward sitting there in silence as he read your work) you left to grab two water bottles from the kitchen. When you returned, he had already grabbed a fresh sheet of notebook paper and begun jotting down notes. 

You placed the bottles on coasters, bracing yourself for the criticism that you knew was coming-

“You were right.”

Huh? 

You craned your neck to see what he had written on the notebook paper. “About what?”

With a mischievous glint in his eyes, Eddie yanked the paper out of your line of sight. “About this song, it’s completely different from what I’d assumed you would write. Actually,” he grinned. “-it’s kinda fucking metal.”

You smiled, once again reaching for the page. “Then let me see what you wrote-”

“I’m not finished yet, keep your panties on.”

The two of you worked for hours that afternoon, Eddie suggesting lines and chords as you wrote corresponding notes and chords on your sheet music. It didn’t take long for you to grab the acoustic guitar and begin strumming out portions of the song until it was finished.

Both of you agreed it was something to be proud of.

“Hey, uh,” Eddie stuttered before exiting your apartment that evening, when you were both happy with the work you’d done for the day. “I hope you know how sorry I am for being such an ass when I got here earlier-”

You shrugged, any traces of anger melted away at this point. “Eh.” you smirked. “You made up for it. That song might be my favorite on the album now, honestly, I meant it when I said I was a fan of yours- wouldn’t have trusted it with anyone else.”

He smiled at you warmly. “I’m honored to have such a talented fan.” The door was open, but he wasn’t leaving yet. Instead, Eddie stood with his tattooed arms crossed over his chest leaning his weight to one shoulder against the doorway. “I mean it though, you’re a talented songwriter. If you want to collaborate on any other songs, just say the word and I’m back here.”

You quirked an eyebrow. “Are you serious?”

He nodded, “Dead serious.”

Smiling excitedly, you ran to your notebook, flipping through the pages until you found what you were looking for. You looked up at Eddie, a knowing grin on your lips. “Remember those songs about sex I mentioned?”

***

The original plan for your album had been to collaborate with multiple artists for about fifty percent of your album, while the other fifty percent would only feature you. What ended up happening was slightly different.

The more songs Eddie saw, the more passionate he became about the message you were working to convey through your lyrics. He ended up reworking every single song with you in a completely collaborative process, where he never overstepped, never tried to take over- simply understood what you were trying to say and added the extra ‘oomph’ each song had been needing to truly become what you had envisioned. 

“I feel like I really can’t just call this my album now, Eddie, you’ve contributed way more to this to just be credited as a featured artist-”

You’d first voiced concerns about how to credit Eddie in the album a few days into your songwriting spree. It became an easy routine, Eddie would come over first thing in the morning, and the two of you would sit in your living room working through your songs and ordering takeout until the sun set. 

“Well it’s not a collaboration album with Corroded Coffin,” Eddie had replied, sticking a bite of noodles into his mouth. The two of you had been seated at your kitchen table, white boxes of Chinese food, napkins, and torn chopstick wrappers decorating the space between you. “Those fuckers haven’t even met you, they don’t get credit for anything they ain’t playing on.” 

“But I’m talking about you.” you pushed, “If we keep going the way we’ve been, you’re going to be a vital part of the composition for every track on this album! I’m not going to let you avoid credit for that.” you gazed at him, unable to hide the admiration you’d begun to feel for the artist at your table. “Let me list you as a composer for every track you help me with. We already know you and your band will be featured on Eat Me and Freak, so obviously you’ll be credited for those…” 

As you continued to ramble on about how Eddie would be credited for each and every song lyric he suggested, he got distracted looking at the way your hair glinted slightly different shades of blue in the sunlight that filtered in through your balcony window. His eyes followed the light along your skin, taking in the way it glistened off the dewey shine on your cheekbone, how it shone directly into the corner of your eye so that colors he had never noticed were brought to the surface of your irises…

This wasn’t the first time that Eddie had gotten distracted watching you rant about something you were passionate about. He knew he was supposed to be listening, that it was very important that he knew what your songs were about, that he understood the details of your plans for the album so that you wouldn’t have to repeat yourself later- but dammit, you were just so pretty. Really fucking pretty, it was hard for him not to get distracted. Initially, this whole collaboration had just been something that Eddie’s publicist had suggested for getting the newer generation listening to Corroded Coffin in time for their new album to drop at the end of the summerl, so when Eddie had first waltzed into your apartment he’d been expecting a kid; an innocent, teeny-bopper sort of persona. He hadn’t expected a loud, firecracker of a woman with hair the color of his old denim jacket. 

Eddie wasn’t an idiot. He was well aware that he was old enough to be your father. You were what- twenty-seven? Twenty-eight? Definitely under thirty. And here he was, pushing forty-seven with a salt and pepper shadow on his jawline. The hair on his head hadn’t started graying yet (he dreaded the day that he would have to use *gulp* hair dye) but he knew it was only a matter of time. For him to be ogling you like this? It would probably make you uncomfortable if you knew how often his eyes forgot to look away when you left the room. What was that old saying? Hate to see you go, love to watch you leave-

“Eddie?” 

Shit. He’d missed an entire conversation, hadn’t he?

He gave you his best apologetic smile, which didn’t work at all. You sighed, hanging your head low exasperatedly. “You didn’t hear a word of that did you?”

“Not a word, zoned out.” 

You threw a fortune cookie at him.

***

You and Eddie didn’t see each other for a while after recording the album. Eddie was there with the rest of Corroded Coffin to record the two tracks that they were featured in for the album, but after that plus a few guitar parts Eddie had been kind enough to record for some other songs, the two of you hadn’t had a reason to see each other. 

That was why you were so nervous for tonight. 

After working all summer and the better part of the fall, the album was finally finished. Copies of CDs and special edition vinyl were already being shipped out to music stores across the country and set to hit shelves in a week, so tonight was the kickoff event for your publicity tour: you would be joining Corroded Coffin tonight onstage for a surprise performance of Eat Me and  Freak. Tonight was October 31st, and premiering those songs on Halloween with the metal king that helped you make them the masterpieces they were? This was just one of those moments when the stars aligned poetically.

You looked yourself in the mirror, taking a deep breath to calm your nerves before heading to sound check. It had been a couple of months since you’d seen Eddie, but that wouldn’t matter, right? You’d spent a whole week workshopping incredibly personal- in some cases, intimately personal- songs with the guy, so singing onstage with him shouldn’t be a big deal. You were a professional, so it didn’t matter that you hadn’t performed in over two years, you could do this. Never mind the fact that this was the first performance of the rest of your career; never mind that sometimes the way Eddie looked at you make you feel like your knees were about to buckle; never mind that Eddie Munson, rock god and sex symbol of the metal world, was going to be within touching distance the moment you set foot on that stage…

A knock at the door of your tiny dressing room startled you, along with a voice letting you know that sound check was about to begin. Decisively, you grabbed your water bottle and headed to the stage before you could psych yourself out any more. 

When you got to the stage, Eddie was the first person you laid eyes on. He smiled at you, dark curls flying around his face and forming a sinful-looking halo around his face as he gave you a friendly nod- god, he was gorgeous. Waving back at him, you returned the nod and grinned. You wouldn’t be going on until the end of their set, so you situated yourself on an empty stool backstage with a view of the band. 

Their practice was fascinating to watch, how all four of the band members were so obviously masters of their craft, each ear trained to notice any imperfection in the way their instruments sounded through the stereos. Every once in a while, Eddie would look your way out the corner of his eye, just to check if you were still watching; you always were. Whenever he saw you looking directly at him, never glancing down at your phone or at the other band members (besides the odd look thrown in Gareth Emerson’s direction; the way his curls bounced was honestly hypnotic), he’d hold your eye contact, smirk into the microphone, and continue to belt out the lyrics to his songs with a smidge more cockiness than he had been prior. 

When the time finally came for you to join them, you took a deep breath and strutted to where Eddie stood in the center of the stage. No one had handed you a mic, so you weren’t sure where you were supposed to stand until Eddie moved aside to make room for you at his mic stand. 

You looked questioningly at Eddie. “You don’t need your mic?”

He chuckled, placing a hand on the small of your back as he put his lips to your ear. You figured he was just trying to avoid the mic picking up his voice, but the hand on your back… that was new. Was this a move? Was Eddie Munson making a move? On you?

Oh. 

That’s a fun development. 

“This one’s all you, darlin’.” Eddie said, his lips brushing the shell of your ear. “I’ll stay out of your way. Also-” He pulled away enough to look you in the eyes, and your lips must have been a little too close to the mic because it picked up your fucking gasp. You jerked your head away from the mic, cursing yourself for being so nervous. 

Eddie definitely noticed, but all he did was chuckle, still staring at you with giant doe eyes framed by smile lines and bushy brown eyebrows. “-it’s good to see you, popstar.” There was no condescension in his tone this time; all you could find in his gaze was kind, genuine joy that you were here, and you couldn’t help but smile back. 

Confidently, you gripped the mic with both hands, smirking at Eddie through your side eye. You didn’t bother leaning away from the mic when you replied, sprinkling sultry into your voice. If Eddie Munson was trying to drop a hint, you wanted him to know you were receiving it.

“It’s good to see you too, rockstar.”

***

Mic check went flawlessly, which meant it was time for you and the band to eat in the green room while fans began lining up outside the venue, waiting for the doors to open. 

You had a couple drinks with the band while biding your time before you had to get dressed for the show. Much to your delight, Eddie never left your side the whole time. You had been close to him in your living room day after day when you’d worked on your songs, but this was different; you kept noticing little glances and touches that spoke louder than words- how his hands lingered longer than expected, never missing a chance to touch your arm or place a hand on your back to guide you as you walked. How his eyes were most focused whenever he was looking at you, and he never seemed to give you passing glances- every look he gave you was intense and purposeful, it made you shiver in a very good way. When he and the band left to get ready for showtime, he took a moment to check on how you were before leaving to go to his dressing room. 

“You nervous?” he asked. There wasn’t any judgment there, just concern for you. 

“Yes,” you admitted, “But I think I’ve got it.”

Eddie smiled widely, wrapping an arm around your shoulders and squeezing you tightly. “Oh I know you’ve got it, angel.”

You caught his wrist, holding it to your shoulder before he could retract it. Turning to him, you batted your eyes a bit before raising an eyebrow. “Angel, huh?”

Eddie inclined his head, eyes narrowing flirtatiously. “What, should I switch back to sweetheart?”

You smirked. “Only if you wanna make me mad.”

It took everything in you not to shrink back from him as he leaned forward, practically glowering over you. He opened his mouth as if to say something, but must have decided against it. You saw his tongue poke into the inside of his cheek as he nodded to himself, eyes narrowing further as if he were having a whole conversation within his head that you weren’t privy to. Finally, he gave your shoulder a gentle squeeze and you let him go, staring at him with every ounce of confidence you could muster. 

“...I’ll remember that, popstar.” he said, voice low and gravelly and sure to throw you into a coma if he said the right words with that voice at the right time. You didn’t let him see how much he was affecting you, though- save for a little grin that you couldn’t hide as he smirked at you and walked away.

When he exited the green room- and you were sure you were alone- you finally let out a breath that you’d been holding for what seemed like entire minutes. You grabbed your drink, chugging down the rest of your liquid courage in the hopes that it might also cool you down a bit. 

***

The cheers from the crowd were deafening, and the gravity of what was about to happen was starting to get to you. 

Corroded Coffin was about to start the song that would be your cue to join them. You stood in the wings like you had during sound check, this time fussing over your outfit to ensure every piece was in place. The fact that it was Halloween combined with the tone of your new album had influenced your wardrobe choice for the evening- ripped black jeans that were more rip than jean, a strappy black bustier top with a plethora of silver buckles that decorating the surface of your bodice where the sides attached at your sternum, fishnet fingerless gloves, and your favorite part of the outfit: the biggest platform boots you’d ever owned. You remembered seeing them and falling in love immediately with the straps that decorated the entirety of the shoe, as well as the silver buckles on each strap that matched your top like a dream. Paired with your blue hair, you looked strikingly goth and nearly unrecognizable from the girl your fans remembered. 

When Eddie announced you onstage, you had to take a deep breath before joining him out there. Slow inhale, slow exhale… and then you were overtaken with hot stage lights.

Out on the stage, you could really take in the size of this crowd- it was far larger than what you were used to, and when they realized who you were, they went wild. You couldn’t help but be intimidated until you felt Eddie’s hand gently grounding you as it ghosted the skin on your back.

His lips tickled your ear as he leaned in and whispered in your ear out of range from the mic, “Knock ‘em dead, sweetheart.” 

You felt a flare of indignation intertwined with delight, and you couldn’t help but laugh a little evilly into the mic at this little shit of a rockstar.

 He did that on purpose. 

You looked at him with the biggest smirk on your face, and it matched the smug, sultry grin on his. Silently, he nodded at the audience as if to say ‘Well? They’re waiting.’

You looked over your shoulder at Jeff on the bass, nodded, and right on cue as Jeff began the first note of the song, the entire stage was flooded with scarlet light. 

***

Eddie could tell you were nervous. Flirting with you probably wasn’t helping, and for all he knew, he might even be making you uncomfortable. 

However…

Over the years, Eddie’s gotten more perceptive when it came to the subtleties of body language. He didn’t miss the fact that you’d been leaning into every touch he ghosted over your skin, no matter how overt or fleeting those touches might have been. He’d seen the change in your eye contact when it lingered a little longer than necessary- that shift from attentive to intrigued, even a little wanting at times. 

The only question was what you wanted, and Eddie was really hoping it was him.

As he watched you take his place at the mic, standing monochrome in scarlet light, he bit his lip as he tried to hold back the salacious grin that slid across his lips; he was unsuccessful. 

Eddie hit his guitar part easily as you purred the lyrics that the two of you had slaved over into your microphone. 

Be more predictable

Be less political

Not too original

Keep to tradition, but stay individual

Thrusting ever so slightly with his warlock, Eddie channeled the rage and rebellion of your lyrics into every word, smirking with the next few lines- they had been one of the first additions to the song that he’d made, and you more than did them justice. 

Dirty but washable

Winning but stoppable

All that I’m hearing is

You wanna make the impossible possible

Even though you’d been nervous earlier, it looked like you’d been able to shake it all off. Confidence was rolling off you like waves, strength in your comfort onstage practically seeping out of your pores. Eddie felt proud, yes, but mostly? He was turned the fuck on by it. His eyes never left you as you carefully removed the mic from its stand and leisurely strode to the edge of the stage as you sang the next lines, punctuating the last with a little shake of your head and a comically disgusted wrinkle of your nose.

Is this what you’d all prefer?

Would you like me better if I was still her?

Did she make your mouths water?

Ugh.

Just like you’d practiced, flashing white lights littered the stage right on cue when the drums opened up the chorus, and you belted those lyrics with all the anger and exasperation that he knew you’d felt when you’d written them. You were a force to be reckoned with- this was that girl he’d met when he’d walked into your apartment acting like a jackass; this was the firecracker of a woman who wasn’t afraid to tell him exactly what she thought. 

I know the part I’ve played before

I know the shit that I’ve ignored

I know the girl that you adored

She’s dead, it’s time to fucking mourn

I can’t spoon-feed you anymore

I can’t spoon-feed you anymore

Dinner’s served, it’s on the floor

I can’t spoon-feed you anymore

You dropped to a crouch, for the end of the chorus, legs bent but spread slightly, and flashing lights glinted off the metal buckles of your platform boots. Your voice ripped from your chest as you belted into the mic.

You’ll have to eat me as I am

You’ll have to eat me as I am

Eddie was incredibly grateful for the crouch you’d dropped into, because it gave him a view of your ass that was so perfect, he actually groaned. Swooned, practically. Thank god you had his mic and the music was loud enough that no one noticed. He hoped. However, anyone with eyes could probably see that he was basically undressing you with his gaze right now, so he really needed to get it together unless he wanted to be on a front page tomorrow for the wrong reasons. He cringed, imagining the headline Munson Ogles Popstar Half His Age. Mid-Life Crisis? Yeah. His publicist would love that one. 

You stood back up, stalking the edge of the stage as you sang the second verse. When you were about halfway through, you turned to look over your shoulder at Eddie, and it just about knocked the breath from his lungs. Your eyes- lined in black and zeroing in on him like something out of his metalhead fantasies- smoldered like embers on the edge of a cigarette as you sang the second half of the verse to him. 

Longer hair and tighter clothes

Would you like me better if I didn’t oppose?

Silver platters, pretty bows…

You were at his side now, turned sideways from the crowd so you were facing him as he turned to face you in tandem. About a foot away from each other, the only thing between you was his guitar, thankfully big enough to hide the way his hard-on was quickly growing harder with every moment you looked at him with those eyes. 

Your expression shifted, eyes rolling as you threw your head back in mock boredom, amping the lines up to the extreme. As you lifted your head back up, you looked at him with the brattiest fucking face Eddie had ever seen as you delivered the final line of the verse into the mic.

…Fuck. 

And then you smirked, tip of your tongue peeking out of your lips and you winked at him. 

Fucking. Winked. 

Ohhhhhh, you were doing this on purpose. You had to be. 

And Eddie couldn’t do shit about it, because you were in the middle of a performance, on stage, jumping around in platform boots and screaming the chorus into your mic like fucking banshee. So he channeled every ounce of sexual frustration into shredding the fuck out of his guitar and staring you down, salivating at the way you blazed on that stage like a witch at the stake. Then, about halfway through that chorus, at the edge of the stage and working the crowd for all they could give you, Eddie just about had a heart attack.

Because you dropped to your fucking knees.

You let the music take control of you, screaming ‘I can’t spoon-feed you anymore’ into the mic, you dropped down to one knee followed by the other as you delivered the final lines before Eddie’s solo.

You’ll have to eat me as I am

You’ll have to eat me as I am

You held your last note long and loud, widening your knees and leaning into a backbend that didn’t stop until your upper back touched the stage behind you. Eddie was amazed that he was even able to remember his part when you were in front of him doing that. Jesus Christ.

Eddie continued to play, and he saw you crane your neck just in time to make eye contact with him as you delivered the next line of the song. You brought the mic to your lips, your knees still spread open and your spine deliciously arched.

Choke on it!

God…you were gonna kill him. 

You pushed yourself back into a kneeling position, facing the audience. As Eddie’s guitar solo became more complex, and his playing more impressive, your jaw dropped as you looked to the audience and fanned yourself, as if you were all sharing a joint reaction of ‘wow, are you guys hearing this too?!’. Eyes crinkling from your smile, you brought the mic to your mouth again. 

Choke on it!

Once you were back on your feet, you stood at ease in the center of the stage as you waited out Eddie’s solo. When he finished, you stared down the crowd as you delivered the last chorus. At this point, Eddie could see some of the spectators mouthing the words along with you, and his chest swelled with pride at your ability to win over a crowd that hadn’t even been expecting you on stage. Hell, knowing his fans, most of them were probably older than you by several years, and yet here they were singing your song. 

When you drew your first breath after the final note, the crowd went wild. He expected you to be staring at them, soaking up the energy of a satisfied throng of fans, but no- immediately, your eyes were on him, an ear-to-ear smile stretching across your face. You had just absolutely killed your first song performed in two years, and you wanted to share your joy with him before you shared it with anyone else. 

Eddie couldn’t help but mirror your smile- it was the least he could do, after the way you just made his heart swell to triple its usual size. He took a few steps over to where Jeff stood with his bass, nodding to the mic in a silent question, to which Jeff gladly stepped aside. 

“If this is what happens when you take a two-year hiatus,” Eddie said slyly into the mic, “then maybe you should do it more often, rockstar.”

The crowd cheered again, and you looked caught off guard by his calling you rockstar instead of popstar. To Eddie, it made perfect sense- tonight, there was nothing pop about you. You were rock & roll incarnate, his equal in every single way. You took a few steps back until you and he were the same distance from the edge of the stage, and as long as he was speaking, your eyes never left him.

“So I’ve been working with this absolute badass on an album- well no, I’m giving myself way too much credit, she wrote an album, I plucked a few guitar strings, yada yada yada-” You giggled as Eddie reminded the crowd of your name, loud and clear, so they knew who to look up on Spotify later. “-anyway, her album drops in a week, that last song you heard was called…”

Eddie looked at you with expectant eyes and a devilish smile. He wanted to hear you say it. Just for fun. He enjoyed being a little shit. 

You smirked into your mic. “Eat Me.” 

The crowd cheered again, all it took was hearing you say two little words. Eddie knew the feeling.  

“We’ve got one more before our lovely guest has to leave the stage, and this one is my personal favorite off the album.” Eddie started warming up with a couple chords from the song before adding, “This is Freak.”

You had replaced the mic into its stand at center stage, which was where Eddie headed to meet you. During sound check, you had asked him if he would need his own mic for this one, but Eddie- selfishly- had said it was no problem, and he didn’t mind sharing. That was a drastic understatement though, since he would happily leap at any excuse to have his lips close to yours in any capacity at all. 

You smiled at him, and you were doing that thing again- that thing where you looked at him like you were giving him a dare. That thing where you touched the tip of your tongue to your upper lip. 

Eddie wanted to bite that lip.

Instead, he smoldered down at you as he began the opening chords to Freak. 

***

You may not have been sure about Eddie’s feelings before tonight, but you were now. 

He wanted you. Bad. So bad, you felt high off the lust that was rolling off the man beside you. 

You could tell by the way he was looking at you that he wanted to do so many things to you here and now, but due to the giant crowd before you that wasn’t an option. The power trip of knowing that every move you made was driving him crazy and he couldn’t do shit about it made you feel bratty as fuck, and you channeled every ounce of that into each word of your next song. 

Pinch me, singe me, inch me to the edge

Your eyes fluttered shut as you let the sultry lyrics take over, arms bending as you brought them up to dance above your head as you stretched your neck back. Your pose mimicked the way you might have stretched across a bed, arching your back slightly in a way that you knew would make Eddie’s mind wander to all the right places. 

Prod me, laud me, ungodly but heaven-sent

As the tempo picked up for the bridge, your lips brushed the mic and you bounced slightly to the beat. Looking up at Eddie, you felt your chest tighten when you saw how blown his pupils were as they zeroed in on you. There was nothing silly or flirty in his gaze now- this was lust, want, need… it was predatory in a way that made you shiver.

Get your tickets to the freak show, baby

Step right up to watch the freak go crazy.

Eddie’s guitar launched into the chorus with you, both of your mouths breaking your little standoff by smiling because you couldn’t help yourselves- performing together, this close, singing lyrics that the two of you connected with- you were having so much fun. 

Am what I am and what I am is a piece of meat

Take a bite just to watch me bleed

Freak

Say what you want and what you want is behind your teeth

Ain’t gotta spell it out for me

Freak

Now Eddie’s lips were the ones on the mic, his throaty voice tearing through the air in a way that made you stop short from its power alone. He sang the first two lines on his own-

Bait me, you can cage me

Even plate me, I don’t care

You joined him for the bridge on one side of the mic while his mouth remained in place at the other, and his voice dropped down to his chest to create a sound that was more growl than song. He sounded demonic, feral- damn, you wanted to jump his bones right now. 

Get your tickets to the freak show, baby

Step right up to watch the freaks go crazy

As you both sang the chorus together this time, your eye contact across the microphone was charged with feelings reflected as though you were looking in a mirror. Anticipation for what would happen after this show was building with every lyric, and as he growled his lines into the mic you wondered what the headline would be if you stuck your tongue down his throat right now. 

Unfortunately, that wasn’t how you wanted to start this next leg of your career- at least publicly. Different time, different place. Like, say, in about thirty minutes. In your dressing room. Against a wall, preferably.

When you finished the chorus, Eddie shredded through his guitar solo like a bat out of hell, even improvised a scream into the mic that made your jaw drop yet again. Upon hearing it, you couldn’t help but let out a surprised laugh, hopping up and down in your platform boots and headbanging along with him. After he’d finished, you took hold of the mic stand with both hands and began chanting repeating lines that would take you through to the next chorus before ending the song. 

Came from the trauma, stayed for the drama

You sang the line twice before Eddie joined you for the third and fourth repetition, that deep, ripping croon tearing its way through his throat and out of his plush pink lips less than an inch from yours. You wanted to turn your head and look at him so badly, but you were so close that you’d be locking lips if you did. 

As you both sang the final chorus, you pulled back just enough for your gazes to meet; you were rewarded with lust blown umber eyes, sweat-soaked curls framing a face as timeless as music itself, and a grin that sparked pure joy in your very soul. 

If this guy can fuck, you might just fall for him. 

Eddie prompted the audience to cheer for you one more time after the song was over, shooting you a smile as he brought you in for a friendly hug. He was in front of thousands; you knew his hands would remain in strictly G-rated areas (unfortunately), but he did whisper in your ear out of range from the mic. 

“Wait for me in your dressing room.”

Bingo. 

You thought about following his lead- waiting patiently in your dressing room for him to finish up his show then have his way with you- but you had a better idea. You tilted your head up quickly to bring your lips up to his ear, your clear lip gloss catching its shell.

“I’m gonna keep watching you in the wings- you can do whatever you want after that.” 

Your eyes met as you pulled away, and you let yourself revel for a moment at the way he looked at you- like he wanted to, well…eat you. Eyes so dark they were almost black under the stage lights, he shook his head slightly in disbelief. Again, you felt that familiar rush of adrenaline from driving him crazy when he couldn’t do a fucking thing about it; you were beginning to think you might be addicted.

As Corroded Coffin finished their set, you stayed offstage and did exactly what you said you would- you watched Eddie every second. You were like a sponge soaking up every flip of his hair, every deft movement of his fingers as they flew across the frets of his guitar. Every once in a while, his eyes would flick to where you stood, checking to see if you were still there, which of course you were. Each time he saw you, you watched as he shook his head again, or rolled his eyes, or- in one case which almost resulted in you melting into a puddle on the floor- maintaining eye contact as he belted out lyrics to songs he wrote, with a gaze so smoldering it felt as if there were no one in the whole arena but the two of you. With every minute, every note, every song- you felt him spinning a web around you like a spider trapping its prey, and you willingly anticipated the moment he would finally storm off the stage and drink you dry.

And that’s exactly what he did.

The last song ended, and Eddie wasted no time in ripping his guitar from his torso, handing it to a roadie without a second glance and grabbing you by the hand. You didn’t protest as he pulled you into a corner backstage away from any prying eyes. Before you could think a coherent thought besides Wow, I’m wet, Eddie took both your wrists in his strong, ring-dappled hands and slammed them above your head against the wall. His eyes, black with lust and wolfishly hungry, bored into yours as he used the last ounce of restraint to hold himself back long enough to ask the vital question, “Tell me, you want this?”

He bit the words out; growled them into your face as your eyes widened, desire painting your expression a gorgeous shade of pathetic as you nodded desperately. A deep groan sounded from his chest as Eddie pressed his pelvis against yours, and you gasped at how hard he was. “Words, sweetheart, I need you to say it.”

That familiar flare of indignation in your chest mingled with the flames in your core that burned for all he had to give you. Your eyes shifted, screaming rebellion that harmonized with the submission that your body so desperately craved. The corner of your mouth quirked up in a mocking half-smile. “Fuck yes, I want it, what do you think I was bouncing around out there for-”

His lips murmured a “Fucking Christ,” as he cut your sentence short, smashing his needy mouth against your burgeoning smirk. His arms crumbled as he finally felt the release of his skin on yours, caging you in as his forearms collapsed against the wall, hands still closed around your wrists. His biceps flexed, framing your faces as he all but devoured you in a kiss that was so wanting, so possessive- it claimed you. It ruined all kisses that came before it and would ever follow it. 

He was ruining you, and you committed the way his whole body covered yours and made you feel both safe and coveted to memory, imprinting it on your mind knowing that you would probably never feel this wanted ever again. 

Then, just as soon as he was on you, his touch lifted away. 

A needy whine escaped your lips before you could hold it back. Eddie slotted his tattooed hand into the space where your neck met your jawline, thumb caressing your skin as he smiled sweetly down at you- but his eyes were anything but sweet.

“I gotta go back out for the encore. Go take these off-” you melted into his touch as his other hand played with the buckles at the front of your top. His hand at your neck crept back, taking your chin between his thumb and the middle knuckles of his forefinger as if he were scolding a child.

“-and wait in your dressing room.”

Your eyelids were heavy, and you smirked as you opened your mouth to argue-

“And don’t fucking argue with me.”

You bit the reply into your bottom lip- you could save the brattiness for later. Just as Eddie had begun to pull away, his eyes dropped to your teeth on your lip and in half a second he was on you again.

He sucked your bottom lip into his mouth, running his tongue along the soft skin before biting down firm enough to set off your mental alarms yet soft enough that you didn’t feel any pain from it. He pulled away once more, letting your lip go with a little pop.

“Been wanting to do that all night.” Eddie said, his shit-eating grin back in full force as he winked at you and jogged back to the stage. You stayed put for a second, smiling like an idiot as you heard the roar of the crowd, imagining what Eddie must look like while he returned to the stage with lips pink and swollen from his attempt at eating you alive. No one would know why he looked out of breath and a little extra happy… but you would. 

You’d never walked as fast in your life as you did in that moment, making a beeline for your dressing room, fingers already beginning to work on the buckles at your sternum.

***

When Eddie opened the door to your dressing room about ten minutes later, the gigantic grin on his face fell instantly when he saw you lounging on the couch in the same clothes you’d been wearing during sound check, sans your oversized skull sweatshirt. Your black shorts and knit tank top still showed plenty of skin, but he had explicitly told you to take off your clothes and wait for him. You were still in the mood to brat out, apparently. 

You looked up at him from your phone, smiling sweetly with challenging eyes. “Hi.”

Eddie closed the door behind him, leaning against it as it shut. “Hi.” he mimicked, crossing his inked forearms over his chest. He stared at you silently, expectantly.

You raised an eyebrow, coyly pretending not to know what he was being so pissy about. “What?”

Eddie pushed off the door, walking towards you at a pace that was agonizingly slow. “You know what.” 

You huffed haughtily, looking back at your phone and pretending to be more interested in your screen than the man who’d had you panting up against a wall ten minutes ago. “Well that’s a little presumptuous of you, I’m not a mind reader.”

It didn’t take Eddie long to cross the expanse of your tiny dressing room, deftly sliding the phone from your hands and placing it on a low table beside the couch. “Should’ve known you weren’t listening earlier,” Eddie tsked and shook his head in disappointment. “I know you were a little distracted back there, sweetheart, but when I told you to take your clothes off, I meant it.”

You sighed as Eddie stared down at you from where he stood, towering over you as you laid back against the couch cushions. His gaze devoured you piece by piece as it roved over your wide eyes, glossy lips- your shoulders still shining from sweat after giving your all to the stage, your chest as it rose and fell with your quickening breath. 

“Well,” you purred, like a cat who knew they were the center of attention and didn’t mind it in the slightest. “You didn’t say not to put on clothes after I took the other ones off…”

As you spoke he leaned forward, placing a knee on the couch between your legs so that your heat was only inches from his thigh. His hands splayed across your rib cage, admiring the stark contrast between his ink-covered hands and your soft, cream-colored shirt. It was thin enough to see… wait, were you-?

Eddie smirked, a breathy laugh escaping through his nose as he pulled the fabric taut, confirming his suspicions that yep, you weren’t wearing a bra. 

Oblivious to Eddie’s train of thought, you continued, “...if you wanted me to just wait here for you naked then you should’ve been more specif-”

Rrrrriiiiipp!

Your jaw dropped, cold air hitting your bare breasts without warning as Eddie tore your shirt open. You squealed, your shocked voice jumping up several octaves. “Eddie!” but your eyes told a different story. You were pissed, but the anger you felt was nothing compared to how fucking hot he looked after doing something as dominant and unexpected as ripping your fucking clothes off. 

He raised his eyebrows, giving you a moment to push him away in case he had gone too far- but you didn’t. Instead, you narrowed your eyes up at him and crossed your arms over your bare chest, pressing your cleavage together the way you knew would drive him nuts. “That was fucking Gucci!” you pouted.

Eddie laughed, taking your crossed arms and shoving them up above your head over the arm of the couch as he mockingly imitated your high-pitched “‘That was fucking Gucci!’” he lowered himself over you, bringing his face to the hollow of your neck, and you heard him inhale the scent of you from your collarbone to your ear. He wrapped his lips around the underside of your ear and sucked, then bit, savoring your little moan at the sensation. His mouth met your ear as he growled, “Wouldn’t have happened if you’d just done as you were told, instead of being a little fucking brat.”

Eddie pulled back, sitting up on his knee that was still slotted between your legs as he cupped his hands around your naked breasts. He kneaded them, played with you like he was testing out a brand new toy. He addressed you without looking up into your eyes as he continued to paw at your chest. “You gonna be a good girl now and do what I tell you to?”

You raised your eyebrows, amused that he expected your submission so quickly. Smugly, you looked up at him through narrowed eyes, placing your hands behind your head like a pillow and sighed petulantly. 

“Fucking bite me.”

His eyes snapped up at you, thick with predatory disbelief at your cheek even when he had you half naked beneath you. He’d been challenged before, sure- but at this point, when he had his woman pinned down and moaning under him, he was usually the undisputed decision-maker during sex. The smile that bloomed across his lips was devilish, almost like there was a beast within him that had been kept safely under lock and key- until you’d said that. 

Eddie was on you, grabbing one breast and enveloping the nipple in a harsh suck of his lips, biting down on the little nub hard. You gasped, the sound a lewd, sharp moan that brought out a laugh in him so nefarious it gave you chills. He looked up at you with eyes alight with amusement and feral need that shook you to your core.

“Oh, baby-” he laughed, crawling up until his face hovered over yours. “-I’m gonna have some fucking fun with you.”

Taking your face in his hands, Eddie Munson kissed you like it was what he had been put on God��s green earth to do. His lips moved against yours with a beautiful mix of urgency and devotion, like you could just tell that right here, right now, there was nothing else he cared about except making sure you knew exactly how badly he wanted- needed-  to make you his. He slowly lowered the rest of his body until his pelvis was flat against yours, grinding into your clothed heat and exploiting the chink in your brat armor that was the his fucking size. 

You bucked your hips up into him, craving friction as you moaned into his mouth. Eddie chuckled, stroking your cheek with his thumb. “What’s the matter baby, you need something?” 

You pouted against him, moving a hand to reach between the two of you and palm him through his jeans, but he knocked your hand out of the way, continuing to dry hump you to insanity. You whined as he bit your pouting lip, sucking it into his mouth before his tongue slipped into yours. It explored you, tasting you as your tongue happily let him in. You felt his hand creep down your torso, giving your abused, bitten tit a little squeeze before traveling further down to the button of your shorts.

He undid the button with ease before you registered that he was taking off your clothes after he had denied you access to do the same to him. “Hey,” you panted, reaching for him, “you first, that’s not fair. I’m nearly naked and you haven’t even taken off your shirt.”

Eddie chuckled, tilting his head to the side as he feigned confusion. “Fair?” he asked, “Since when did you want to play fair?” He reached back down to your shorts, button already undone, and gently pulled down the zipper. “You were the one out there- as you said- ‘bouncing around’-” His hands raked up your thighs until they reached the hem of your shorts and slowly tugged them down as you lifted your hips slightly so he could remove them smoothly. Eddie smirked; NOW she does what I want her to do.  “-knowing full well I couldn’t do a damn thing about it… and that fucking wink-” His eyes rolled back in his head just imagining it. He groaned as he pulled your shorts from your feet and discarded them on the floor. “-what the fuck was that, huh? Trying to get a rise out of me, baby?”

You giggled, bubbly laughter floating into a breathy sigh as Eddie’s finger traced the line of your slit through your panties. “Hmmmmm, like it when you call me baby.” you hummed.

 He raised an eyebrow, “Oh you do?” His finger traveled up over the fabric, and he chuckled when you bucked up into his touch as the pad of his finger passed over your clit. That finger slipped under the elastic waistband of your panties, pulling it upwards off your skin as far as it could stretch. “You’re entirely too happy right now,” he stated, matter-of-factly. He let go of the elastic, making you jump with a breathy whimper as it hit your skin with a soft sting. “I’m switching back to sweetheart.”

You whined and he laughed as he continued to play with the elastic on your panties. He stared at them, entranced, before a wolfish grin took up residence on his face. “You like these?” he asked, and you knew where this was going right away. 

You rolled your eyes, shaking your head in disbelief. “How kind of you to ask this time.” 

The grin grew, and he took the crotch of your panties into his fist, grabbing the fabric above it with his other hand to do the same. You ground your hips against his knuckles as they brushed your pussy, already soaked and eager for any friction you could get. “Yeah, you know what,” he voiced, as if he were simply thinking out loud. “I don’t really care if you like them or not.” 

And with that, another article of clothing was ripped to shreds by Eddie Munson and his stupid, tattooed, ring-covered, sexy-as-fuck hands. 

This time you couldn’t even be offended; you were just fucking feral at this point. While he was still distracted by your panties, you quickly shoved yourself up to a kneeling position, startling him enough that he moaned into the fervent kiss that crashed into his mouth. The two of you knelt on the couch cushions, hands grabbing at fabric desperately in a quest to make your skin connect at every square inch you had. Eddie allowed you to pull his shirt over his head, and the shallow breath you had left was instantly knocked from your lungs when you took in the ink that decorated his torso. Some tattoos were old and faded almost blue, while others looked newer- song lyrics, mythical creatures, hellish images adorned his skin like a tapestry that belonged in a museum- but it was here, under your hands. All for you. You couldn’t hold yourself back from bending down a little lower, sliding your tongue up his sternum over the masterpieces scarred into his skin and licking a long, broad stripe from his chest until you reached the tip of his chin. You felt him shiver, arms tightening around you after shoving the remains of your tank top over your shoulders. You started to push him back, planning to open his pants and show him what else you could do with your tongue- but Eddie wasn’t about to let you be on top after the way you’d been acting all night. 

“Mm-mm, nope.” he mumbled, stepping off the couch.

“I’m just trying to suck your cock, baby. Please?”  You looked up at him with your best puppy-dog eyes, widening your legs as you knelt on the couch facing him, squishing your boobs together in that way that usually got you exactly what you wanted. For some reason, Eddie was immune. 

He placed his hand along your neck, thumb and forefinger squeezing just enough for him to feel your pulse. The way your eyes widened, looking up at him the same way you had when he’d shoved you up against a wall earlier- it brought a satisfied hum out of Eddie, and he loved the way he could feel your heartbeat quicken slightly. There was no hiding what you felt when his hand was wrapped around your throat. 

“You like calling me baby, sweetheart?”

You gulped. He felt it, of course, and he had to hold back a laugh- you looked so cute like this. Made him want to break you just to see what you’d be like when he picked up the pieces. 

Your eyes were blown wide, like a hunted fox with nowhere to run. “Is that okay? Can I call you baby?”

His face crumpled- god, you were adorable. Eddie smiled sympathetically, “Oh you can call me whatever you want, sweetheart-” His thumb moved up to your bottom lip, stroking gently before working it into your mouth; he groaned, head thrown back when he felt your soft, wet tongue swirl around his digit and coat it with your spit. 

“-don’t care what you’re calling me as long as you know I own your ass tonight.”

And then you moaned- oh, you fucking moaned his name around his finger in your mouth, and his cock twitched at the way it sounded. He wanted to record that, play it on loop, put it in a fucking song, hell- anything for him to be able to listen to it again and again and again. He wanted everyone to hear it, to know it was his name on your fucking tongue.

His thumb ripped from your mouth, replaced by his middle and ring finger, delving surprisingly deep into your mouth as you gagged around them. Your tongue quickly resumed its previous motions, lapping at his thick fingers and sliding over, under, around, between them. You reveled in the taste of metal as you tongued his silver rings. You gasped when he removed his fingers before, without warning, he slid them into your weeping pussy.

Your expression was beautifully obscene, eyes wide with surprise while your mouth- glistening with spit from his fingers leaving in a rush- fallen open in a silent scream. Eddie thrust his fingers up and into you repeatedly, forcing you open wider and wider with the rapid motion.

“Actually, I changed my mind,” Eddie grit into your ear, “I don’t wanna hear anything but my goddamn name leave that pretty ‘lil mouth until I’m done with you, aright?”

You were moaning, but evidently that was still not enough to deter you from being your snarky self. “Well that’s unrealistic, I’ll probably say more than just tha- ah! Oh fuck-!”

Eddie’s pace was relentless, fingers ripping through you with a vengeance as he muttered “Bratty little slut-” spearing you over and over as you sped toward the white-hot precipice that wasn’t quite release, but certainly what Eddie intended to pull out of you. 

You moaned as what felt like a dam within you suddenly gave way, flooding your inner thighs, Eddie’s hand, and the couch beneath you. Eddie smiled wide, the muscles in his arm screaming pointlessly- he wasn’t going to stop until you’d given him every last drop there was to give. 

“-yeah, not so bratty when you’re squirting all over my hand, are you baby? What, are you trying to say something? Spit it out, popstar-”

The noises tumbling from your lips were anything but coherent, Eddie knew that. He just kept grinning like a kid in a candy store as you babbled sounds that might have been his name, might have been a prayer, might have just been yes, yes, yes, Eddie, god yes! 

Whatever it was, it was music to his ears. 

Eddie looped his arms under your knees, pulling you into a sitting position with your legs wide open. Dropping to his knees, he stared at your spread pussy, glistening with the slick he’d just wrestled from you. His hands, wet with all you’d given him, grasped your thighs firmly but gently as he looked up into your eyes. It might have been the post-orgasmic haze you were experiencing, but for a second, Eddie looked at you with nothing in his eyes but care and admiration. His gaze shone like sunlight as he looked up at you, your stomach creasing from the crunch position he'd placed you in, your breasts rising and falling with each breath- the way he stared at you made you feel like an angel. 

“God, you’re fucking beautiful.” he whispered, hands squeezing your thighs affectionately. Before you could even react, his tongue was on you, lapping away at your soaked pussy. You mewled, head thrown back and spine arching as unraveled you from the inside out. He traced endless intricate shapes over your clit, your lips, your hole- thoughts flew from your brain as you let his mouth drive you fucking wild. His ministrations slowed at one point, causing you to open your eyes- you couldn’t even remember when you’d closed them- and look up at Eddie. 

Upon looking up, you were blessed with the sight of Eddie Munson, close-cut beard soaked with your slick, shirtless, pantsless, and currently pulling off his black boxers to reveal a cock that made you salivate on sight.

You let your brattiness fly out the window- there would be time for more of it later, but right now you needed that cock in one of your holes and you didn’t quite care which one. 

Eddie stroked himself leisurely, eyes boring down into yours the whole time. “Tell me what you want, babygirl.”

You spread your legs open wider for him. “Please.” you whined. 

Eddie shook his head, disappointed, sinking to his knees again. “See, this is what I knew would happen,” he murmured, sliding a finger around your clit at a torturously slow pace. “I can’t believe you got fucked stupid already and I didn’t even have to use my cock, those were just my fingers, baby.” From the slick sounds you heard from below your line of sight, you knew that he was jerking himself off as he played with your pussy. It was enough to pull a desperate moan from your throat. He licked one flat, wet stripe from your opening to your clit before murmuring against you, “Can’t even use your words and tell me what you want, sweet girl’s been fucked too dumb to make decisions, is that right?”

You found yourself nodding ‘yes’, the dirty words flying out of his mouth in rapid succession throwing your brain into overdrive. He was right; you barely had the brain capacity to think right now, much less match his attitude with snark. All you could do was stare up at him with wide eyes, waiting for whatever he planned on doing next. 

Eddie clicked his tongue, tilting his head as he looked at you pityingly. “That’s right, don’t worry baby I’ll just make all the decisions now, okay?” He rose, leaning over you as he placed a knee to your side and stroked himself, lining up his fully hard cock at your entrance. Your heartbeat quickened, excitement and anticipation building now that you knew his cock would be inside you soon. You mewled as his tip stroked your slit, up and down and up and down again… and stopping at your hole, hovering outside you. 

You looked up at him desperately, only to breathe in sharply upon seeing his devilish grin paired with coal-black lust-blown eyes. 

“Beg for it.”

You sighed so heavy it became a sob, frustrated and scrunching up your face like you were ready to throw a tantrum. 

“Are you fucking kidding me?” you whined.

“There she is.” he murmured.

If looks could kill, your glare would have sent Eddie Munson to his deathbed. He matched it with a condescending smile that spoke volumes of the power trip he was on right now. Leaning in slightly closer, he repeated himself. “Beg, sweetheart.” 

You narrowed your eyes. “No.”

Eddie shrugged, backing up just enough for his cock to leave your skin- you knew it was over from there. 

“Wait!” you cried, eyebrows drawing together desperately under his cocksure gaze. Christ you didn’t want to beg, but you might not have a choice. Eddie waited patiently, stroking his cock absentmindedly as he watched you squirm below him. 

You looked up at him, giving him your best ‘fuck me’ eyes. “Please fuck me Eddie.” Your voice was honey sweet, soft and submissive.

Eddie crouched down, sticking a finger in his mouth before he used it to play with your pussy, stroking circles around your clit and pumping it slowly in and out of you. “Aww, baby…” he crooned before narrowing his eyes. “-we both know you can do better than that.”

You groaned, back arching as your hands fisted frustratingly into the cushions. “Eddie, pleaaasse-”

“Try harder, sweetheart.”

“Fuck, Eddie you fucking prick, just fucking fuck me, please, I need your cock-”

Eddie smiled- that was good enough for him. “‘Atta girl.” he groaned deeply as he pushed his cock into your waiting hole, your thankful moan mingling with his. 

His dick was perfect, filling you deliciously and long enough to just hit that spot beneath your clit that made your nerves go berserk. You didn’t realize how loud your moaning was until Eddie shut you up by covering your mouth with his own, swallowing down every sound you made and repaying you with noises of his own. 

“God, baby- so fuckin’ tight-”

You moaned, squeezing him as his cock speared you again and again. You were so built up between your squirting earlier and Eddie’s talented tongue- you were already getting close. 

As if he could read your mind, Eddie grunted out as he continued thrusting into you, “I’m nearly there already, baby, you gonna cum with me?”

You whined, nodding ‘yes’ as he pacified your mewling with his thumb. You lapped at it lewdly, covering him with a thick layer of your spit before releasing it with a pop. Eddie brought it down to your clit, working gentle circles around your bundle of nerves as his thrusting picked up the pace. You squirmed under him, chasing your release as you listened to the filth that poured from his mouth while he fucked the living shit out of you. 

“Jesus, fuck, so tight- my sweet girl, gonna fucking ruin you. Gonna make you come undone on my cock, just a fucking mess, gonna cum so hard on my cock-”

That last thing he said seemed to jerk him back into reality- his eyes grew wide, snapped out of his high as he looked down at you. “Shit, I don’t have a condom…baby, I’m so sorry, shit, where should I-”

You reached down, raking your nails softly over his hips. “I’m on birth control.” you said, smiling calmly. You kicked yourself for being so eager; normally you would still insist on a condom even with your implant, but Eddie just did something to you. “You haven’t been fucking any random groupies, have you?”

Eddie huffed, his laughter strained by his fast-approaching orgasm. “You’re the first in a while, angel. Last I checked I was clean, but I can still pull out if you-”

“Inside.” you whispered, grasping his ass and pulling him deeper into you. “I trust you, Eddie, I want you to fill me.”

His movements stuttered, big brown eyes wide and watching you like you were a miracle unfolding underneath him. He was still for half a second before his thumb resumed its movements over your clit as he thrusted faster, harder than before.

“Oh fuck, you want me to fill you baby? You want my fucking cum?” 

His cock speared into you as deep as it could go, Eddie’s attention to your clit driving you over the edge with relentless speed. “Yes, I want it Eddie, fuck, I’m gonna-”

“Fucking take it baby, cum on that cock.”

Eddie groaned as you clamped down on him, his seed spilling inside of you while your pussy fluttered around him. You arched your back until your face was pressed into the cushions behind you, muffling your whimpering voice as you moaned his name. 

A few moments passed, the air thick with the sound of heavy breathing and the smell of sex, before Eddie slowly pulled out of your wet heat. You laid there for a moment before you felt Eddie clean his sticky spend from your thighs and ass using a tissue. 

“Normally,” he said gently, “I would use a warm washcloth to do this, but we have limited options.” 

You sat up as he finished, smiling up at him playfully. “That sounds nice,” you said, “maybe I shouldn’t have listened to you earlier, made you wait until you couldn’t take it anymore and just whisked me off to your place.” 

Eddie sat down beside you, pulling you into his lap. He looked up at you with nothing but content sweetness in his eyes, any trace of the feral dominance from earlier gone for now. “I mean, we can still do that.”

You beamed, “Really?”

Eddie scoffed, tugging you closer. “What do you mean, ‘really’? You think I need to be desperately horny to want you in my bed?” 

You felt your cheeks heat up at the mention of his bed. “I don’t know… I guess I didn’t know if you wanted this to just be a one time thing, or…” You trailed off, unsure of what Eddie’s expectations had been for what happened after.

Eddie’s eyebrows drew together, confused. “Sweetheart,” he said, his finger tracing circles on your thigh affectionately. “We can hash out details whenever you’re comfortable… but tonight? I would count myself a very lucky man if you came home with me tonight.” He touched his forehead to yours, placing a gentle kiss on the tip of your nose. “Okay?” he asked.

You looked down, suddenly shy upon hearing his honey-sweet words. You gave him a quick peck on the lips before looking him in his big brown eyes. “Okay.” you whispered. 

Your eyes stayed connected, melting you until your lips met his again, kissing him sweetly as his hands worked their way to your ass, squeezing as he sighed into your kiss.

“Alright,” he grunted, playfully slapping your thigh as a signal to stand up. “Let’s get you dressed.”

You giggled. “In what? You ripped up all my clothes!” you held up the shredded panties, shaking your head in disbelief.

Eddie shrugged, stepping into his boxers. “I didn’t rip up all of them, don’t be so dramatic.” He picked up your shorts, tossing them to you. “Just go commando with the shorts and wear your sweatshirt, no one will know.” 

You sighed, stepping over your torn Gucci tank top and retrieving your bra from where it sat neatly folded in a chair. Eddie looked over his shoulder at you as you began to put it on and gasped. 

“You did have a bra!”

You smirked, reaching behind your back for the clasp. “Yeah… I wanted to see your face when I wasn’t wearing one.” 

Eddie shook his head, smiling like an idiot as he buckled his jeans. “Unbelievable.” he chided, “Was it worth it?”

You tugged your sweatshirt over the bra, taking a few steps in Eddie’s direction until you were close enough to snake your hand around to the back of his neck and pull him down for one more kiss. When you pulled away, Eddie looked down at you entranced, blinking rapidly as if emerging from a dream. He could only describe the feeling in his chest as complete and utter euphoria. 

You grinned up at him, eyes alight with adrenaline that still lingered from your performance onstage and absolute infatuation with the man before you.

 “So worth it.”

[krakenartificer]

Who wants a really sad Leverage headcanon?

Was re-watching the Gimme a K Street Job -- Season 5 Episode 5 -- and a couple of things stood out to me.

1) Nate says "Let's go steal some congresspeople", and then sends everyone on the team (except Parker, who's being a cheer coach) out to con one of their targets. But it feels like there's a profound mismatch in who gets which mark.

For the "not like other girls" feminist congresswoman who's inclined to dismiss cheer as worthless and demeaning, you need Eliot to come in looking like a man who very much knows what does and does not count as a sport, and be his tiny angry respect-women-juice self about how regardless of what you think of their choice of clothing they are working as hard as any other athlete and they deserve safety as much as anyone else. But instead they sent Hardison.

For the "Yes I am very busy and important; admire me" chairman, you need Sophie, who is better than anyone else on the planet at making you feel admirable when you're doing what she wants, and scummy and low when you're not doing what she wants. But instead they sent Eliot.

For the "Look I am trying, but I need corn subsidies or I won't be able to do anything else" newbie congressman, Hardison could happily have gone on an infinitely recurring series of fetch quests until he sees the place where they loop around and bottom out and every problem solves every other problem. But instead they sent Sophie.

2) Eliot struggles the most, so Nate works with him the most, but he doesn't help him out hardly at all; he just keeps saying, "So what's your next play?" and then revealing that he's already anticipated Eliot's next play and has all the materials in place to enact it. And of course, they do eventually get the dude on board, and it all works out, but afterwards, Eliot tells Nate, "I trust that some time soon you'll tell me why you had me slogging through all that when you already knew how to hook him."

And of course, knowing what we now know about how season 5 ends, it makes sense that Nate is trying to train the OT3 to work without him, looking for his replacement.

Except.

If the plan is to fuck off into the sunset with Sophie, then why did he throw Sophie into this uncomfortable not-my-wheelhouse scenario?

No, Nate's preparing the entire team to carry on without him. He's forcing them to learn how to plan, learn different ways of approaching problems, to think about bigger pictures and approach them strategically.

...

I think Nate just got the first diagnosis of the disease that's finally going to kill him. And again, we -- the audience -- now know that he's going to live for many years after that initial diagnosis. But he doesn't know that, at this point. He knows he's tested positive, and he knows it's eventually going to kill him, and he has no idea how long he has.

And in some sense, it doesn't matter how long he has. Three months or thirty years, that kind of revelation makes it stunningly clear that taking care of the people you love means making sure that they can take care of themselves.

So that's what he does: he throws them into new, uncomfortable situations where they'll have to grow and support each other without him, so that no matter what happens, they'll be able to keep going. Because he's not a nice person, Jimmy Ford's son, but by God does he know the importance of protecting your family.

[physalian]

How to Make your Writing Less Stiff 4

Let’s keep this train rollin’! This time less down to line edits and more overall scope of your narrative

Part 3

1. Foreshadowing

Nothing quite like the catharsis of accurately predicting where something’s going to go. It doesn’t have to be a huge plot twist or a character death, it can (and should) be little things that reward your audience for paying attention. Double points if it adds to rewatch/re-readability.

Example: In The Dark Knight, this exchange happens:

Harvey: “You’ve known Rachel all her life.”

Alfred: “Oh, not yet, Sir.”

You won’t think anything of it on your first watch. Alfred is just making a witty joke that throws Harvey off. Watch the movie again, when Rachel dies, and it becomes some incredibly dark foreshadowing. Turns out Alfred has, actually, known Rachel all her life.

2. Chekhov’s Gun

Chekhov’s Gun is a narrative concept where a seemingly inconsequential element introduced at some point in the narrative (a gun) must “fire” by the end of the narrative. Sometimes this element leaves audiences uneasy or anxious, because they know something bad must come of it. Sometimes they think nothing of it until it’s about to fire and you get a one-two punch of the realization that it’s about to hit, and then the impact of the hit. It helps create tension, and tension is incredibly important (if you want a whole post of my take on it, lmk).

It also helps your narrative look more cohesive, where nothing is left on the table. Your set-ups and payoffs leave no threads dangling.

3. Repetition

The Rule of threes can apply on a micro and macro scale. I like doing lists of adjectives in threes, (e.g. My cat is soft, fluffy, and adorable) because the cadence and the flow of three is something we’re familiar with in spoken language. We like three supporting examples for an argument. Any less doesn’t feel strong enough, any more feels like you’re trying too hard. This is not a rule it’s a suggestion.

On a grander scale, you can look at the script of Curse of the Black Pearl for a masterclass in macro rules of three, like three parlays. Doing this helps your narrative look more cohesive and like every detail is thoroughly interwoven and nothing is coincidence. Your audience will get to the third instance and mimic that DiCaprio pointing meme—they will absolutely notice.

4. Motifs

Motifs as well, beyond threes, help. Colors are a huge one. For example every time you mention the color purple, you could attach it to an emotion, or a character, or an important plot beat, like how leitmotifs work for character themes in movies and TV shows.

Obvious examples in film are like lightsaber colors or dressing up the good guys in white and the bad guys in black. I did this whole post about color in fiction.

It’s a lot of other things too. Weather elements and times of day, or specific inconsequential objects popping up over and over again, like birds, or litter, fallen leaves, clothing items. Whenever the narrative mentions them, the author is trying to clue you in on some subtext within that scene.

—

My new novel is here!!! Do you like supernatural fantasy? How about queer vampires? How about acespec characters? Then Eternal Night of the Northern Sky is for you!

[galactic-rhea]

It's ranting hours sunday for me: Y' know, I think when people complain soooo much about Padmé getting with Anakin, they're failing to see a lot of things. BUT ESPECIALLY...That it was her choice, and if speaks a lot of her character and personality.

She was already done dirty by the movies by getting so many deleted scenes, but then if you try to take away the agency she had on marrying a human disaster or her choices, like her forgiveness/understanding, it's actually undermining and flattening her character.

The fact is that she's actually very similar to Anakin, she's stubborn, deeply traumatized, compromises a lot for the sake of others and loves beyond reasoning. We, the audience, know that Anakin will become Darth Vader and one of the most iconic villains of history; so everything he does can be seem as a red flag that really isn't there.

From Padmé's POV, Anakin has done terrible things, but it's capable of incredible acts of love and compassion. They're in circumstances that aren't normal at all, she was queen at 14, and he was born a slave and joined the space wizard monks and his normal is kill or be killed. Our modern and omniscient POV can't be applied onto them because there's no point of comparison in this sci-fi-shakespearen tragedy-soap-opera-fantasy.

Besides...she was actually right in the end, and I don't believe is "feminist" or progressive to take away a big part of her core personality, that actually had repercussions in the whole story, and make her out to be either unaware and naive of marrying a monster, or (the worst one, imo) being jedi-mind-tricked-brainwashed-abused by her husband.

The "right, correct, girlboss and queen" actitude does more damage than help, leave Padmé to be a person. A person who wanted to have a fairytale romance with some guy who would fight for her and makes her laugh.

Also, the hell why you wanna blame her for something Anakin does, come on. That's a whole other can of worms, though. My point is, that trying to avoid or re-work-or re-contextualize the fact that she chose Anakin despite him literally telling her about murdering a whole village, is actually changing a big chunk of her personality traits.

She was a child queen, then a politician at the edge of an inminent war, manipulated by the same guy that groomed Anakin into a massive murderer, saw her people being taken into camps, had assasination attempts weekly and had to rip off of her individualism by becoming a public figure, giving up her sense of being a person by having several almost identical decoys, she had to stop being just Padmé to be Queen and then Senator Amidala and she did all of that showing little to no emotion.

Then Anakin does all what she herself had to rip off of her in order to be a politician: Honest, passionate, and able to show emotions; like love or anger.

She has morals and she represents democracy and justice, in a way. But I fully believe that inside her she had the same passionate anger and love capable of burning the galaxy that we know Anakin had, which makes them different sides of the same coin, and I think she realized that. Anakin perhaps didn't , as he never stopped of seeing himself as a slave and therefore inferior, whereas he held Padmé very highly, but I think Padmé saw them both as equals. She didn't have a "I can fix him" mentality, she had a "We're the same, we're both lonely, confused, hurting and scared of losing everything. And if he's like me, then I know he can do the right thing for love."

In other words: She was as insane as her husband, she only seems normal because she wasn't put into the monk warrior order and groomed by the devil for over a decade. (And I don't mean insane as, 'she's crazy for loving a murderer' harley quinn style, I just meant it on a daring, hopeless romantic and tenacious way)

[markantonys]

i'll be interested to see if this holds true for WOT s3 since the s1 finale had so many extenuating circumstances and can't really be included in the comparison, but based off of the s2 finale, i believe that season finales tend to bear the brunt of "It's Different From The Books!" ire because they are the culmination of all the smaller changes made throughout the season.

this turned into a bigger analysis post than i expected lmao par for the course with my blog! read on for exploration of how the 2x08 conclusion of each season-long arc is the the most emotionally satisfying conclusion and/or the most thematically appropriate conclusion possible based on the show's particular version of the story, plus a bonus tangent on the nature of adaptation.

for a finale episode, the writers' prime concern 100% has to be "wrapping up all the season's arcs in a way that feels satisfying with everything that's happened in the first 7 episodes, using the book version of the finale event as the framework" rather than "recreating the book version of the finale event exactly as it is with all the same scenes and themes". the nature of storytelling inherently means that every single person who tells the same story will focus on different themes (just think of how many versions of the hades & persephone story there are), and a good adaptation knows that being internally consistent with its own Emphasized Themes is more important than copying-and-pasting scenes from the source material without making any changes to account for the specific way this adaptation is telling the story.

(but a lot of people can't even get past this first point because they don't understand that this is how adaptations - how storytelling in general - work. like, person B literally cannot tell the exact same story that person A told without putting their own spin on it. it's not possible! unless they're simply reading out the exact words that person A wrote, which can't be done when putting 14 massive books into maximum 64 hours of tv. so many readers like to meet this point with "but why does the books' version of the story need to be changed at all?" which is just a non-starter because a) medium differences require a ton of changes, and b) even if no changes were *required*, they would happen anyway because that is human nature when it comes to storytelling. when it comes to story-listening too! ask a hundred different book fans what WOT is about and you'll get a hundred different answers. rafe & co can't possibly make an adaptation that captures every single reader's idea of What WOT Is About, and nobody in the world could ever re-tell the story of WOT in the exact same way that RJ told it, not even the most die-hard book fan; all rafe & co can do is focus on making sure the show honors the core of the books' story while also telling a good story in its own right, independent of the source material.)

i was a classics major, okay? it gets to me! anyway, corralling myself back on topic.

for 2x08, it's very telling just how far Minority Reader Opinion deviates from the general audience opinion. general audiences fucking LOVED this episode (it's the highest-rated on imdb out of the entire show, currently at a 9.0; most episodes are in the 7-8 range), but a bunch of readers call it disappointing and one of the worst episodes of the show. if it was actually a poor quality episode of television, the general audience ratings would reflect that too (as they do for 1x08, currently at a 6.4 (i personally think 1x08 gets way more hate than is deserved and i thoroughly enjoy that episode, but i accept that's just me)), but they don't.

so what does that mean? to me, it means that 2x08 is objectively a very good episode of television which general audiences found satisfying, but which some readers disliked because it prioritized the emotional & thematic needs of its own version of the story over the exact nature of the falme events in the source material. which is exactly what a good adaptation should do! if you forget the books and just look at the show (which the vast majority of viewers are doing), then every resolution that happens in 2x08 is the most satisfying resolution possible and/or the only resolution that was thematically permitted for that particular season storyline.

egwene: her season arc was about learning to stand on her own two feet and not cling onto her mentor figures or compare herself unfavorably to others. thus, her freeing herself from the a'dam is the most satisfying possible conclusion to her season arc. nynaeve and elayne freeing her in the books is nice, but in the show version, thematically, it would've undercut egwene's Overcoming Impostor Syndrome arc to go "yeah actually it's true that she's not good enough on her own and when it comes down to it she does always need nynaeve to help her out". that version worked in TGH where she didn't have an Overcming Impostor Syndrome arc, but it wouldn't have worked in the show where she did. (but, yes, egwene learning in 2x08 that she doesn't have to rely on others is a double-edged sword, which nicely sets up her later-series struggles with trying to shoulder too much herself and not letting even her friends or partner help her.)

rand: his season arc was about learning to lean on others and not isolate himself or try to protect his friends by withholding his burdens from them. thus, him failing to defeat ishamael until all his friends come to lend aid in various ways is the most satisfying possible conclusion to his season arc. rand defeating ishy singlehandedly in the books is nice, but in the show version, thematically, it would've undercut his Learning That Strength Is In Numbers arc to go "yeah actually it's true that rand is capable of winning his biggest battles all by himself and thus it's no problem for him to push his friends away". given the themes that s2 emphasized for rand, the only appropriate finale outcomes were either success with his friends' help or total failure on his own, and they chose the former. (that being said, rand pushing his friends away is a continuous issue for him throughout the series, so i doubt he's perfectly learned his lesson after 2x08; we shall see!)

interesting to note that rand and egwene have inverse arcs in a way (foils!) and that some elements of their book falme climaxes were swapped, and that the way the show has done it subverts the expected gender roles. typically, men are expected to be Lone Wolves and women to be Team Players, and the WOT books absolutely play into these stereotypes throughout the series (sometimes intentionally as social commentary, sometimes unconsciously as an accepted truth of the world), but 2x08 and s2 more broadly did the opposite with our yin-and-yang co-protagonists. it's egwene who has the arc about learning to be a Lone Wolf and rand who has the arc about learning to be a Team Player. and imo these subconscious gender role expectations are a part of why some readers (esp reddit) got SO heated about "how come egwene can succeed by herself but rand can't", because it feels Wrong to them and Not How Things Are Supposed To Work (they've never questioned why rand can succeed by himself but egwene needs her friends' help in TGH, or all the other times in the books when men succeed by themselves and women succeed by relying on each other). but it's a totally apples-to-oranges comparison because egwene and rand had totally different season arcs and focal themes (but many paralleling & foiling moments within that), and so they each get a conclusion tailor-made to their individual stories.

mat: his season arc was about realizing he's a good, worthy person, finding the inner strength to overcome his worst impulses and temptations, and coming through for his friends after leaving them at the waygate. thus, him getting his Big Damn Hero moment with the horn of valere, getting validation that he is literally a hero, and overall spending the episode doing all he can to support his friends is the most satisfying possible conclusion to his season arc. (but stabbing his bff just as he was flying on a confidence high and trying to save the day was a downer note to end on, so we've complicated his relationship with heroism and set up some more internal issues for him to wrestle with next season.)

perrin: his season arc was about learning to acknowledge his inner wolf but also coming to regard it with fear and to believe that wolf & human sides can't coexist and he must Choose One (.......suddenly being struck by the bisexuality metaphor of it all. nice!) thus, him giving into violence to murder a human to avenge a wolf is.....well, it's pretty upsetting for him and serves to reinforce his growing belief that his two sides can't coexist, but thematically, it's fascinating and sets him up for some really great internal (and external) conflicts in s3. he's just gotten what he thinks is pretty strong evidence to corroborate ishy's claim that embracing his wolf side means embracing the shadow, so he's set up for a season 3 of deep-diving into his relationship with violence and his inner wolf. it's also a neat parallel with 1x08: there perrin's avoidance of violence allowed fain to escape, whereas here his embracing of violence has traumatized him (again), so our poor guy is really feeling conflicted in the pacificism-or-violence question because both sides seem wrong to him right now. huh, i guess perrin's full-series arc is about finding a middle ground rather than one extreme (pacifism/tuatha'an/human) or the other (violence/aiel/wolf). i feel like i've just had an epiphany lmao this is why i love the show! it tells the same story as the books, but tells it in a different way that makes me think about it differently and gain new insights!

nynaeve: her season arc was about learning that she, on her own, as she is today, is not enough to protect her loved ones. this is a tough pill for both her and the audience to swallow! but it's needed for her character, and we see it in the books too. nynaeve has an incredible amount of power, but she's terrified of having that much power and wants to pretend it doesn't exist. she's resistant to change, she's used to being in charge, and she's very "my way or the highway". these are all things she needs to grow out of (or moderate, at least) in order to be able to step up and do her part for tarmon gai'don. she has to learn how to embrace her power instead of being afraid of it or being too stubborn to let other people guide her and teach her, so s2 shows her what happens if she doesn't, first hypothetically in the accepted test (everyone she loves dies because she's blocked and refused channeling training) and then for real in falme (she couldn't help elayne fully or rand at all because of her block). so her 2x08 conclusion being Total Failure is not emotionally satisfying, no, but it's thematically exactly what she needed and will goad her into facing her block head-on next season. thematically, like rand, nynaeve only had 2 options for falme: break her block and succeed, or retain her block and fail, and it was too soon for the former (we gotta let her cook a while longer, plus the story will become too easy if nynaeve, or rand, reaches supernova capability too soon), so it had to be the latter. if the show had gone with a third option of her succeeding without breaking her block, then that would've taught her and the audience that it's fine to leave the block in place and she doesn't need to challenge herself to grow as a person, because when it TRULY matters she can always get around the block.

other characters get appropriate resolutions too! moiraine and lan get to work together to succeed after being at odds and failing on their own all season (rand foils!). elayne gets validation that she is an essential and trusted part of the friend group after feeling like somewhat of an outsider earlier in the season. ishamael getting vanquished and lanfear betraying him only to be betrayed by him in turn is exactly where their mutual mistrust was leading them (and it shows us why it's so important that Team Light be able to work as a team rather than as self-interested individual operators; the contrast between ishy & lanfear looking at the seals together while plotting to betray each other vs. rand standing on the tower with all his friends behind him makes me cry your honor. imagine hating that ishy's defeat was a team effort, could not be me!)

(it's also worth noting that the characters who had the least individual success/victory in 2x08 (nynaeve, rand, perrin) are the ones who will have the biggest individual storylines in s3 (tanchico & moggy, waste arc, two rivers arc), whereas the characters who had the most individual success/victory (egwene, mat, moiraine, lan) are the ones who will be taking a bit more of a backseat (of course they all have their own stuff to do, but none of them is *the* lead character of their TSR/s3 traveling group). this is intentional!)

so there you have it. 2x08 is adored by the general audience, and it's because of this: it gives us some damn satisfying conclusions to all the season arcs (and some exciting and visually stunning battle sequences to boot), and all the viewers who AREN'T beleaguered by "But The Books!", which is most of them, recognize that for the good storytelling it is. i for one will always care far more about the show telling a good story within itself than the show being identical to the books, and rafe & co will too, as they should.

the only downside to the episode is that, yes, it is quite cramped for time because there are a lot of arcs to wrap up. this should be less of an issue in future seasons when the season finale isn't "every single major storyline converges in the same place at once". for example, judging by the "goldeneyes" episode title it seems s3 might split it up so that perrin's conclusion in the two rivers is in 3x07 while other conclusions in other locations are in 3x08, giving each more breathing room. whereas 2x08 had no choice but to stuff everything in that episode into that specific episode because it's not like perrin could just do his falme stuff an episode early and take a nap while everyone else was doing THEIR falme stuff in the next episode, nor could the full falme sequence have been split into 2 episodes since that would have disrupted the flow of the story. the only solution would be for 2x08 to be extra long, which is nice to imagine, but we all know that streaming shows almost never deviate from their set episode lengths and so there isn't much point sighing about "this episode should have been 90 minutes long!" because that just is not on the table, never has been, and never will be. the first step to being able to jive with an adaptation is making peace with the limits of its particular medium!

plus, the only things i might deem "missing" from 2x08 are non-essential (ingtar darkfriend reveal - that is NOT important fight me, it's only important in the books as our first example of a morally-gray shadow-aligned person but the show has already been doing that in spades) or will likely be included in 3x01 (the gang spending some time together to breathe and process and catch up). at the end of the day, the show is always going to need to be paced very very tightly with not as much breathing room as those of us accustomed to entire books dedicated to reacting to the previous book might expect. and 2x08 did manage to pack in a LOT of character work amidst all the action and did a good mix of resolving s2 arcs while leaving some unresolved to carry into s3 and introducing some new arcs/issues/conflicts, all within 70 minutes, which i find pretty impressive. in conclusion, 2x08 my fucking beloved <3

[periprose]

Heyyy I’m literally playing through ps4 Spider-Man again 🤣!

I was wondering if I could request a ps4 fic, maybe Peter and reader have been dating for a while, and she gets hurt during the explosion and he can’t find her but she’s with may at feast with like a broken arm or something?? (She knows he’s Spider-Man) 👀🫶🏼

hey lol thanks for requesting! I'm on the first playthrough of the game myself. Basically this is set during the explosion at the election event in the game, and Peter and you are there to proudly watch Officer Davis accept his award.

/

"Hey." Peter comes up from behind you on the sidewalk, fixing wrinkles in his civilian clothes. He must've just changed.

"Hey, Parker." You nudge him. "Ready to go watch Osborn smooch up to the well-meaning audience of Manhattan?"

"Well, ready as I'll ever be." Peter takes your hand. "I'm really just there to watch Davis get his well-deserving award, y'know. Hey, didn't I tell you to stop calling me Parker?"

"Meh, you love it." You joke. "You'll always be Parker to me, even if you are my boyfriend now. It's our thing."

Peter shakes his head, but you know based on his little smile- he loves that you have a little thing just for him.

Together, you walk to the intersection in front of City Hall, where many people crowd around, waiting for Mayor Osborn and whatever speech he's about to give today. They're all dressed in Osborn themed merchandise, cheering and clapping.

You can't believe this many people care about Osborn's so-called promises to the city- you and Peter are really hoping he won't be re-elected this term after all- but people are clapping for him, and you sigh knowing that your cost of living is about to go up.

"Hey. Wipe that frown off your face. We're here to be supportive." Peter whispers from next to you in the crowd, and you nod.

"Where's Davis? Is that him?" You whisper back, pointing to an older black man up on the stage.

"Yup. You wouldn't believe it, he was so helpful in Hell's Kitchen. Dude whipped out his gun and had my back like we've been best buds for years." Peter smiles. "There's not many out there doing it like him."

"He sounds like a real treasure. I'm glad you have someone on your side." You squeeze Peter's hand, and continue to look up towards the stage in mild excitement.

You don't really care for Osborn's speech- Peter laughs about his promise to open up technology for NYC when you both know that's reserved for the elite- but you both grin when Davis, looking nervous as ever, walks up the stage to receive his award.

"It is my privilege to present Officer Jefferson Davis with the Department Medal of Honour." Osborn hangs a medal around Davis' neck, and you and Peter clap.

"I'm so glad this is all over. The gang war, I think." Peter whispers to you, and you raise your eyebrows.

"Really? Does this mean you'll finally be a little safer?" You ask, but Peter frowns a little.

"Well, there's some loose ends still to be tied up, but-"

"Loose ends?" You give him a wary glance. "Like what?"

"Like whatever 'Consolidated Shipping' is. It doesn't make sense." Peter sighs, watching concern grow on your face. "It's not right, but I'll figure it out."

Davis says a few words- he thanks his wife and his son, Miles, who you can see is sitting up at the front of the stage.

"Aw, cute kid." You remark to Peter, and he nods, gaining a slightly sheepish smile.

"Officer Davis did say I remind him of his son. I'll take it as a compliment." Peter jokes, and you snicker, calling him even more of a baby.

Behind you, Sable guards are talking on their walkie talkies about "keeping eyes on Osborn," which to you sounds as if they perceive a threat. You turn back to tell Peter, when he suddenly flinches.

"Peter-?"

He grabs his head, panicking- you watch as his pupils dilate, and he's clearly in some kind of shock.

"Everything feels off-" Peter flinches again, and you know he's having a Spider-Sense meltdown. There must be multiple things happening at once- even worse, you're not sure what he's supposed to do in this situation. He's not suited up, and he risks revealing his identity if he does anything.

Either way, Peter runs behind you. He shoves people out of the way, trying to get to the back of the event, behind the audience, but he's not fast enough. There are men arriving out of cars- corrupted men, turning that strange grey-blue-transparent hue that confirms their connection with Martin Li.

Peter runs- he dashes- but you see him flinch again, cowering under such threatening energy. He turns to the stage in horror, and you gasp in shock.

There's another corrupted on stage, covered in explosive devices.

An explosion goes off behind you, to the right of you, than another massive one on stage- the ground shakes beneath you, and you're too in shock to move.

"Get down!" Peter shoves you back, attempting to push you out of the way, just as another two explosions cause the earth under you to rattle, and you lose your footing and fall back on the pavement. You twist your arm unnaturally and hit your head.

You black out, the last thing you see being massive blue-black explosions in the sky.

/

Peter wakes to floating ash in the sky.

He coughs- there's a sharp pain in his right side, and a slight ache at the top of his hairline- he touches his forehead and pulls his fingers away to see brown-red, dry blood.

It doesn't matter. He'll heal faster than most, anyways- he needs to locate you.

He gets up, seizes a little due to the pain- and to his alarm, you're nowhere in his near sight. He walks around seeing Sable guards help people off the streets- although Peter really thinks they're poking and prodding and shoving them away, so they can clean up the mess around here.

He hopes you haven't been taken away by Sable guards.

Peter rushes to the nearest clinic- but there's too many people crowding around there with their injuries, and the receptionist at the emergency room tells him there's no one by your name here.

He begins to panic. You're not responding to his calls, either. Peter doesn't want to believe the worst could've happened to you, but he does hear people talking on the streets about the casualties. Apparently at least 10 people have been found dead so far- Peter starts swearing under his breath.

He decides to head to FEAST- he's not sure if you'll be there, but it's better to ask Aunt May or some of the volunteers if you've been seen. FEAST also operates as an emergency medical clinic, too, even with limited supplies, and it's with this small amount of hope that Peter travels there.

Pushing through the doors, the front desk woman- Amanda- she's startled by how intensely Peter asks about you.

"I don't know, Peter." She points to the main auditorium, where many homeless and injured people are currently being attended to. "It's kind of an open house back here- you're going to have to look through the crowds."

Peter sighs. "Thanks, Amanda."

It takes him about fifteen minutes to do a full, quick walkthrough. The entire time, his heartbeat thumps faster as he realizes- he's not seeing you anywhere. There's nobody wearing your trademark scarf, your usual dark blue jeans- nobody with your fastidious expression, where you always seem to take in the entire world before speaking- nobody to relieve the steady ache in his heart.

Peter walks into the room full of medical supplies, expecting to see Aunt May- and while May is there, busy with another volunteer, the first thing he sees is you, with your hair all disheveled and messy, bruises on your cheek and a cut under your lip, and your arm wrapped in a cast and a sling.

But you have a soft, comforting smile. You're kneeling down to help a little girl- she can't be older than five- and you're placing a bandage on her knee. And the little girl squeals, hugging you after you say "It's all better now."

Peter would agree with that.

You look up, arms still embraced around the little girl- Rina is her name- to see Peter, looking wistful, sad, a clear lump in his throat. His eyes are watery.

"Peter?" You watch as he comes forward.

"I thought you were- I thought..." He wipes his eyes. "Are you okay? What happened?"

"Well, Little Rina over here needed a little bit of medical attention." You kindly tap her shoulder and she nods up at Peter, smiling. "She tripped and fell and no one was paying attention to her knee, so I decided to help her."

"That's..." Peter trails off, wondering how you could be so selfless when your own face was looking a bit worse for wear. "That's sweet of you to do. How do you feel, kiddo?"

He kneels towards her, and she grins really big. "Better!"

"Alright, high five then." Peter high fives her, and she dashes off afterwards, most likely looking for the parent she came with.

"Why didn't you respond to my calls?" Peter asks you as soon as you turn back to him. "I thought... I thought the worst had happened-"

"Peter, please. Stop with the wounded ego." May calls him out, listening from the sidelines. "What's important is that she's safe and in one piece- that's more than enough to feel grateful about."

Peter looks down, ashamed. He knows May is right, and he has to swallow his pride for a moment.

"I'm sorry, Peter." You grasp his hand, and he looks back at you, jaw tight as he listens. "I didn't mean to not answer your calls- my phone got shattered. And I didn't know where to find you after I woke up- I was already being taken away by Sable guards to 'safety' and then I decided my best chance to find you was over here."

"Oh." Peter feels kind of dumb, but he also feels glad you think of FEAST as a spot to find him. "I should've kept you safe."

"Don't. Don't make yourself crazy with what you could've done." You plead with him, and he sighs but shakes his head. "My arm will heal with time. I guess I landed on it weirdly and broke it."

Peter winces. "Well, you can always ask me for help if it bothers you. I'm there for you."

He traces your lip, where the cut under is still a red-brown, harsh hue in comparison to the pink of your bottom lip, and May takes this as her cue to leave.

Peter snorts. "I wish you had my-"

"Super healing? Yeah, I wish that too." You laugh. "Were you lucky enough to not get hit, or did you just heal on the way here?"

Peter's reaching for a facial bandage and some rubbing alcohol. "The latter."

"Ugh, lucky bastard." You smile up at him, cringing only slightly as Peter rubs away the blood from your wound. "I'm just glad that means I don't have to worry too much about you."

"You still do." Peter remarks, placing the bandage on your face. "But that just means you love me."

And, being ever so thankful that you're safely back in his arms, Peter places a soft kiss on your forehead, and then a slightly-less-soft one on your mouth, hoping it doesn't hurt you, but happy that you kiss him back anyways.

[waywardmillennial]

Some thoughts on Steven's new show, and the hate that's been directed at him lately

spoiler alert: the tl;dr is that people's assumptions about the new food show being expensive meals aren't in the trailer and I'm happily subscribed to Watcher TV now!

One of the most awful things about this announcement has been seeing people attacking Steven specifically, and making a lot of assumptions about him. I (probably unwisely) spent a couple hours in the yt comment section and found things like this:

And then I saw this tumblr comment that do a wtf face irl:

Keith's new eating show is at Michelin star restaurants... to call that relatable and Steven not? Honey, that's either racism or some implicit bias you need to examine (I watch some TG content, it's fine to like Keith, but damn this take isn't it y'all)

But my main point is: No one said Steven and Andrew are going to be having expensive meals on the new show.

(yeah, remember Andrew is on the show too? but all hate is directed at Steven? isn't that interesting...)

That was Buzzfeed. This is Watcher. They aren't going to repeat themselves. Also, Worth It was about showing food across ALL price points, especially in later seasons once they had a more stable platform at BF. It was about giving chefs across cultures (especially Asian communities) a voice.

I re-watched the teaser for Travel Season, and I also signed up for Watcher TV (it was about $3.50/month with the annual discount promo) and I watched the full trailer for Travel Season. Guess what wasn't mentioned? Food at expensive price points.

Travel Season is going to be six episodes per season, all in one location, focusing on food and experiences that place has to offer. This is more economical from a production standpoint, because the team can travel to a location and shoot episodes in a batch. Similar to how they can get four episodes of TMS filmed in one night. Sounds like they are approaching Travel Season in a smart and efficient way.

stills from the trailer on WatcherTV.com

Sure, maybe they'll try some higher priced dishes at some point, but Travel Season is about culture and food - not about clickbait titles for Buzzfeed where they need to have $1,000 ice cream. If you've seen the food content Steven's made at Watcher (Homemade, Grocery Run, Eat Like Me) you know he cares about highlighting the connections between people and food, to share cultures and ideas with the viewers.

I am supporting Watcher's new endeavor, and hope they can make it work for more of their audience over time. Some people choose to pay $4.99/month for a Twitch sub to support one creator - which is their right. I am spending $5.99/month (but actually much cheaper for this first year) to support an entire company. If this works, Watcher could bring on other creators, as they've wanted to all along, and hopefully usher in an era of entertainment from a diverse group of independent creators.

Yes, Steven Lim took on the role of CEO of Watcher Entertainment recently, but the other founders still have an active role in the company. Like it or not, they all had a vote in making the switch to a streaming service. Singling out Steven in comments like those above isn't a good look for anyone.

[nothingenoughao3]

So y'all know how Jeff Combs was doing a theater production which someone involved with Re-Animator saw him in, and how he's suggested that the character he played there influenced how he played Herbert West.

I relayed this to @andalusiapunk and they were like "Oh! That explains it! He's theater-acting!"

I am not an expert by any means, but I did misspend my teenage years in a magnet school as a theater student. I understood immediately what they meant by theater-acting and I'm mad I didn't come up with it.

A lot of this has to do with Herbert's overall physicality. We all love talking about how he's hyper-dramatic, right? How he moves in a particular way that is extremely precise and sharp and, to be on point, theatrical. How he spins the tape recorder in his hand; how he offers Meg's heart in BRIDE; how he fumbles or manipulates syringes in various scenes.

None of that's in the script and it's not necessarily justified by what's happening... unless you're trying to make sure the audience in the backass end of the theater can see you're holding something small, like a tape recorder or a syringe or a human heart. As I observed elsewhere, you can trick the audience into 'seeing' or 'hearing' things that aren't present onstage or screen if your body language insists on its reality.

And, not to get into super-nerdy film history, but: originally theater-acting and movie-acting were one and the same. Early films are blocked like plays, they have extended sequences without constant cutting between shots (like an audience watching a play), and the extremely clear, over-enunciation of a play-actor trying to make sure those poor bastards in the back can hear what they're saying. And like a play, all acting was heavily rehearsed and expected to hit the same points and produce the same results every time.

What changed this was Marlon Brando introducing the idea of improvisation into movie-acting, a choice which also led to a greater flexibility in movie-acting... including delivery of lines. A more "natural", verisimilitudinous delivery became acceptable for films. This doesn't make either style bad, to be clear: each serves its purpose.

Bruce Abbott (to name the most obvious example) is doing movie-acting. He's got some Protagonist Accent going for him, but he has a clear variety of tone and a great deal of subtlety with his facial expressions and delivery. The same goes for the rest of the cast, although David Gale kind of straddles the line between these two styles.

Herbert's delivery is pure theater-acting. When he and Dan invade the morgue, Dan is whispering--but Herbert is stage whispering, which is why he hisses so much. I've made jokes on here before about how Herbert was born on Skid Row in Little Shop of Horrors-verse, and he thinks he's supposed to be in a musical... and, you know, LSOH is a film based on a play, only in that movie, EVERYBODY is theater-acting.

Anyhow, lotta words to find a different way to compliment Combs and the rest of the REANI cast on their acting, because I live for sorcery enjoying these damn movies.