#king pin

[idiot-mushroom]

characters for spider-guy to interact with bc i don’t want him to be lonely

[one-time-i-dreamt]

I was the last can of beans at a Safeway. King Pin (from Spider-Man Into the Spiderverse) entered and stomped around looking for beans. I slowly got up and ran away from him but he saw me and started to chase me. He yelled, “MY BEANS. MY F***ING BEANNNNS.” the entire time he was after me. I ran for my little bean life.

[petitepaleoartist]

Perucetus sketch

i am not normal

[bink-boink-bonk]

every spiderverse character eating leaves

[tuphup]

Style swap! I wasn't sure what to do for Pavitr so I panicked

[ddcastarchive]

Krysten, Charlie and Vincent at Galaxycon Austin

[why-i-love-comics]

Thunderbolts #2 (2024)

written by Jackson Lanzing & Collin Kelly art by Geraldo Borges & Arthur Hesli

[slutisnotabadword]

I just finished Marvel’s Echo and I was excited to go on Tiktok so people’s thoughts and opinions.

That was my first mistake.

Cause all everybody wanna mention is either CGI and Daredevil, or just some shit that didn’t involve the show at all. And I’m like… what is wrong with you people? Like genuinely.

Echo is a good show. Is it a 10/10, no. But not even show or movie needs to be a 10/10. People’s obsession with perfection to the masses is crippling the entertainment industry. Not every movie is gonna be like Avatar or Endgame. Not every series is going to be like ATLA or Stranger Things. There was a time that people cherished mediocre tv shows and movies. The early 2000s is FULL OF THEM. But we still ate that shit up, and still do till this day.

Echo was about taking the wrong path after experiencing pain. It’s the two paths that we see every hero face. It’s the good side or the bad side. Maya chose the bad side, which we don’t see that often. And the story is also about connecting back to your roots after cutting that part of your life out. As a person of color, I instantly related to that shit and I loved how they portrayed it. The dialogue was great. The comedy was great, and it didn’t seem to be out of place either. The tone was great as well.

The only criticism I have of the show that at time it didn’t feel like there was much of a beginning to end when it came to the plot. But other than that, I don’t have any problems with this show.

And spoilers, btw, but when Maya and King Pin came face to face in like the final showdown or whatever, I kind of like the direction they went with. Maya didn’t defeat him by beating the shit out of him or killing him. No she defeated him by fucking with his head. She showed him his deepest pain and FORCED him to come in terms with that shit. And it fucked him up so bad that he had to leave!

I give the show a solid 7.5/10. I would even raise it up to 8 just because of the cinematography, the music, and the filmmaking. The filmmaking of this show was spot on.

[ramen-flavored]

I honestly haven’t been this excited for a Marvel project in a while till now

[coreyis-awesome]

why was king pin built like that

blud can’t fit thru a regular door, he has to live in a fucking stable 💀

he had no business doing allat in ITSV

Nvm I just looked him up again, blud cannot fit in a stable 🤖🙏🏼

Like, honestly..

[coolcomicbookcovers]

[clintbarton-thearrowguy]

Clint, this is @verygoodlawyer , Matt this is Clint.

Matt had some questions about Fisk.

Nice to meet you, @verygoodlawyer

[current-comix]

[pizzzaburrp]

Amazing Spider-Man battling his enemies in front of a black background

AMAZING SPIDER-MAN #60 (May 1968)

Cover Art by John Romita Sr.

AMAZING SPIDER-MAN #194 (July 1974)

Cover Art by Al Milgrom

AMAZING SPIDER-MAN #71 (April 1969)

Cover Art by John Romita Sr.

AMAZING SPIDER-MAN #82 (March 1970)

Cover Art by Mary Severin

[tuphup]

She would be surprised how many late, overworking nights her nemesis has as well

[ddcastarchive]

Charlie and Vincent at Galaxycon Richmond

via TylerJThrasher on Twitter